Dance Books

After reading and being fascinated by Bengston's Chaplin book (Silent Traces), I really want a brand new copy of the Keaton book. I hope it gets published again. I don't want a used copy for $50. I heard him speak at the Academy last week and he is really interesting.

This book is a necessity for any Buster Keaton fan or any fan of Hollywood history. It is well researched and absolutely fascinating.

This is a great book. I love to watch Keaton's movies with this to hand, it gives a whole new insight to the films. It is easy to read and it is interesting to see the sights of LA from the 20's. Sometimes it is sad to see that some of these locations are gone, where the building of freeways have necessitated the removal of whole city blocks. If I ever get to visit LA I know that this book will be going with me.

Years ago I purchased Civil War historian William A. Frassanito's excellent books "Gettysburg: A Journey in Time" and "Antietam: The Photographic Legacy of America's Bloodiest Day," which examine and compare historic and modern photographs of these famous battle sites. John Bengtson has done essentially the same thing for Hollywood using Keaton's films, and the result is nothing short of miraculous. Here are scenes of what used to be but are no more, resurrected with the benefit of Bengtson's keen eye, detective-like mind, and obsessive attention to detail. This is one heck of a fun book, and you'll spend many hours going over the photographs.

Amazingly, many of the scenic backdrops that Keaton used in his films still exist, and they serve today as nostalgic reminders of a relatively primitive and innocent time that has all but disappeared.

This is a truly different kind of book. We get to see the locations that Buster made his films, and how they have changed through time. We also get to see how the author went about finding these places, a kind of historical research that takes a tremendous amount of time and effort.

This book is one that I automatically pick up when I'm not sure what I want to read, but want something interesting.

If there was a complaint, it would be that many of the pictures and some of the text is really too small. I have great eyesight, some of this is too hard for even me to see, and I know many people have a harder time with small text and pictures. Lay off of our eyesight, eh?


Still, a totally fascinating book. I can't get enough.

This is a great book for anyone to read. Very practical and easy to understand for any age group or financial income. Everyone should read this book!

To be clear, I am not a friend or relative of the author, nor am I associated with his publishing house or anything. I am giving this a five-star review because it deserves it.

The author is great at disseminating the identities that people take on regarding finance- such as the Scrooge, the Traveler, etc. He makes it abundantly clear why we think and feel the way we do about money. He encourages us to go into our earliest memories regarding money(if they're anything like mine, that's not so pleasent). I was really impressed with this book. I just finished reading "Conscious Finance", and this was far better. It ezplores the belief systems behind our actions, and then tells us how to actually change those beliefs.

Finally, a financial advisor with the courage to tell us that financial magazines are nuts for telling us to switch around our portfolios every time there's a full moon! I always intuitively knew this, but I was grateful to have back-up from an expert.

This is not a get-rich-quick book. Hardly. I'd say it was refreshingly conservative and reaffirming- the author doesn't demand that you never take on student debt, assume that everybody reading his book must already make $100,000+ a year, or tell you that paying your kid's college tuition payment is your no. 1 priority in life. No. He speaks to those that don't make a fortune, don't have a degree in finance, and don't always have their s*** together. Finally! I can read a book on finance and not feel guilty!

That said, he makes great points about saving and consumer debt- nothing really new, but without a bunch of complicated, left-brained, holier-than-thou nonsense. I felt encouraged after reading his book. That is a new one for me. For anyone who reads Money magazine or the like and feels like a failure because they don't have $10,000 to invest in some new stock or mutual fund every month, may I respectfully suggest reading this book. It will be an eye-opener.

Is it me or are all these "reviews" obviously endorsements from the author's large network of friends and contacts? I can't find a single "review" in the 25+ here that gives even a single sentence of detail about the book -- not one! These are all generic "terrific finance book for everyone - 5 stars!" Plus, nearly all these reviews were posted within the first 6 days of the release and each gave 5 stars. Not plausible.

I don't blame the author for asking friends to put reviews up, but then have them actually read the book and put together a real REVIEW, not a vacuous endorsement. This is especially important since there is no "See Inside" capability with this book. I depend on Amazon reviews when making decisions on products I'm buying here. I don't appreciate an obvious attempt to subvert the process.

This is one book that I'll keep on my shelf and re-read, and refer to as reference. The author's 35 years of experience really shows in his analysis on financial personality types and risk tolerance. He had me pegged! Based on a short self-test, he predicted the kind of spender and investor I am with accuracy. The book does go into pretty good detail for the beginning investor; it can make your brain hurt. But, that's what's great about it- the amount of information packed into this short book makes it well worth buying and keeping on hand.
The reason I only gave 4 stars: I disagree with him about not paying your mortgage off as quickly as possible. He uses calculations to show that by getting tax breaks for mortgage interest, you'll come out ahead if you invest the extra money instead. There's one thing he, and other authors who advocate this, have never addressed- the Standard Deduction. If you have unusually high deductions such as medical bills that puts your itemized deductions above the standard, then his system make sense. But, if all of your deductions, including the mortgage interest, comes beneath the standard deduction the government gives to everyone, then you would take the standard. So, you wouldn't be getting any additional deduction for the interest than you would without it. This makes it highly impractical to pay three times the value of your mortagage, if you have the extra money to pay it off more quickly.
No, I'm not a financial expert; I'm actually a complete novice when it comes to investing. But I have worked as a tax preparer, and in my own returns, I've always taken the standard deduction, since I didn't have enough itemized to top it. So, for me his recommendation makes no sense at all. You would have to evaluate your own deductions, and if you itemize, your tax savings, to make an informed choice as to whether you'd be better off investing the money, instead of making additional payments on your house. But, I think it's irresponsible for him to make a blanket statement that no one should try to pay off their house early.
That's the only thing I found wrong with the book. Other than that it taught me alot, and is well worth the read.

I have to agree with Lapis' assertion that most of the reviews appear to be fraudulent. Click on "see my other reviews" and most of them have only one review...for this book. I'm sure most amazon.com users don't post only one review. It's difficult enough to not carried away reviewing books and other consumer goods. It is extremely suspicious and I agree with Lapis that I often make purchasing decisions based on user reviews.

This book was very helpful. As someone who currently has no "mentor" so to speak in the film industry, this book has acted as my temporary guide. It addresses many problems screenwriters go through, as well as warning people of the pitfalls that many aspiring screenwriters fall into. Highly recommended.

I own several screenwriting books and consider this one to be in the top 3 (McKee and Vogler being the other 2). The reason is because this is one of the few screenwriting books with information coming straight from successful screenwriters. This is key, because through their insights you can better understand how they work, think, and live. And this ultimately affects your writing positively because a lot of the uncertainties during the writing process are discussed. It won't teach you about structure etc, but it contains information that to me was equally vital: how to think as a successful screenwriter.

In real estate they discuss the three "L's" Location, location, location. This is the three "W's" Write, Write and Write more. I highly recommend this book for anyone who wants to write a screen play.

This is a must read for anyone who aspires to be a screen writer. Any wannabe writer has their own personal favorite blogs, a blog that helps inspire, motivate and teach them. This book is almost a best of those blogs from successful writers whose movies they have written have actually BEEN PRODUCED.
The one main theme of this book is just write and write and write because you love writing and not because you want the Hollywood celebrity lifestyle. Great writing will open a lot of doors for one and most importantly, keep that door open.
In my opinion, I like to study and and read how successful writers from all genres got their first break, their work ethic and how most importantly they work through writer's block and rejection. Again, Karl Iglesias' book does that successfully.

I was lucky enough to meet Mr. Iglesias at the Screenwriting Expo. He knows his craft, he loves the business. And he's brutally honest in conveying the realistic odds of breaking into Hollywood. While no one ever says it's easy, he can tell you just how hard. This book is a must read for any aspiring screenwriter. Interviewing some of the greatest screenwriters, they all are forthcoming in telling their own tales of struggle, achievement, success, and most of them, frustration.

This book may be geared toward all screenwriters, however it succeeds in leaps and bounds, by telling the realistic truth any up-and-coming screenwriter needs to hear. Too often people are putting together a script hoping to win the lotttery, sell it for mid-six figures, and not taking the time to understand that the money should never be the motivating factor of writing any script. And if that's your only motivation, you'll never succeed in making your dream come true. This book reminds those of us that do it for a different reason, what that reason is. It's the love of writing. Anything else, any other reason, is simply a waste of time and energy.

Mr. Iglesias lays it out in plain view, through interview after interview, just how much of an uphill battle it is get someone to simply give your script a look, and even then, chances of your selling it are slim. Nicholas Kazan once spoke at a seminar. He told them to go turn in their registration forms and go home. He then told them that if any of them seriously entertained that advice, they would never make it. It's all about challenge and it's all about sacrifice. This book will help you realize how important both of those things are.

This book is not only about creating music, but it's also about the business of music. From tips on buying instruments and equipment, to finding practice space, to touring and promoting your music, Michael W. Dean crams his book full of useful information. Plus it contains pearls of practical wit and wisdom, including: A musical use for used pantyhose; a simple workout regimen for drummers; and how to be invited to stay at someone's house for as long as you want, rent-free. Overall, I learned a lot, and the book was a very enjoyable read.

Michael has done it again. Reading both $30 Film School and $30 Music School back to back has definitely given my confidence and knowledge a jump-start.
With the $30 series and the documentary DIY OR DIE, Michael W Dean has created a foundation to start your own artistic journey and equip you with enough knowledge to survive in what can be a very cutthroat environment.

It is time to wake up, take control of what is left of your life and make an impression to last the ages. The $30 series is here to help prevent you from making the mistake of living old with regret.
For $30 you get way more than what you pay for.

The book's OK, but it's not about music: it's about running a garage band -- which is very different: in music school you study your instrument, solfege, harmony, and counterpoint; in a band you need to know how to find gigs, how to fight with your bandmates and come on top -- every time, all the time, how to deal with the gear, etc. With this in mind, the book is a good read for a newbie (but if you have a couple of years' experience in that area it is unlikely that you'll find anything you don't already know).

What's next for the author? I'm hoping for a $30 Brain Surgery School book, why not. After having starved in the company of beautiful women, one realizes that a man's gotta eat. ;-) God bless.

The title of this book caught my eye and I bought it after reading 1 page. It is well written and informative without being dry. Along with the practical advice given on purchasing gear, dealing with bandmembers, club owners, recording and other facets of getting your music heard, integrity and win/win situations are stressed throughout it. I have already applied some of the info presented and have undergone some major attitude adjustments (positive ones) toward my music and my musical goals. Although there is a lot of humor and an easygoing style about this book, it is very serious in its focus on how to get your music out there. Anybody who wants to pursue music further than garage band status should read this book. People who want to be big rock stars would benefit from $30 Music School, too, as it may prove to be a reality check for them.

Michael's writing style realy makes this an enjoyable read. This how-to for garage banding covers everything from managers and road managers and bookers to the handful of guitar and keyboard chords you need for rock 'n roll to tutorials for various software packages. Hmm. Like a boyscout manual for punk rockers. Lots of anecdotes and real-world advise.

This book has been taped and retaped over the past couple of years because my kids (now 5 and 3) have loved it so much. The rhythm allows for a sing-songy kind of reading that is delightful for me and for my kids -- unlike other stories that they want to have repeated over and over again, I never hesitate to read this one to them. The reveal/flap lift with the rhyming word is also especially fun!

This book is fantastic. I first heard it at a library "lapsit", and bought it for my daughter, when she was only 7 months old. She is 1 now, and still adores it. I get it for all the baby showers I go to. Highly recommended!

This book is truly wonderful. We had borrowed this book from the library and even extended the renewal time frame twice (the max!) When we finally had to return the book, we decided that we had to purchase this book, so we did - we even bought a copy for a good friend of ours! This book has a very catchy rhyme - very cute and our little girl loves the pictures (as well as the rhyme). We started reading her this book when she was about 4 months old and she is almost 8 months old today and still loves the book. i highly recommend this book to anyone with infants!

My 15-month old has loved this book since she was about 6 months old! I reccomend for every child! I'm so tired of reading this book.... ;)

I'm a children's librarian, so I come across a lot of books and very few stand up to many readings. This book is one of them. It's fun for the parents to read aloud, with a rolicking beat and humorous story. We've owned this book since my son's first birthday. He loved it then and at eighteen months, it is still one of his favorites. The illustrations are simple and pleasing with enough detail to invite a closer examination. I highly recommend it!

This is an unusual book and I haven't seen another like it. I bought a couple of copies for co-workers in the TV studio I manage. Good reference.

amazing amazing amazing. get it, get it now! Perfect for those starting out or those needing quick access to info. contains everything

Great book, has everything you need to know and more about the backstage theatre just a useful book to have handy

The Backstage Handbook is the most comprehensive guide to technical theatre...and could serve as a reference beyond the stage. I was absolutely amazed at the sheer volume of information the author could fit in such a small book. It really has everything imaginable. It covers tools and machines as well as common production techniques. In addition, the Backstage Handbook covers the math and science needed behind the scenes. Need to know how to make a dodecahedron? This book will tell you how to scribe one inside a circle. The handbook also covers architectural details that are common for most American & European styles. I just received the handbook and my students and I have dubbed it the "bible" because of it's binding, but most definitely the content! This is a must-have for anybody who has a need for knowledge of practical math and science applications.

This book is an excellent resource for anyone working behind the scenes as a stage hand or anyone in show business.

Upon rereading this recently, I discover many areas in which Niven's memory is faulty in recalling certain events. This isn't surprising, given the fact that he was writing his memoirs decades after said events took place.

Some are frantic to know who "Our Little Girl" could have been. It can only have been Vivien Leigh. No, she wasn't from Arizona, she wasn't a blonde, etc. This would have been Niven's way of protecting her identity by creating an entirely different look and background from Leigh's own. When Leigh had her famous breakdown, Niven stayed with her for two days until Laurence Olivier, who was still married to her at the time, could come from England. Niven writes about this very occurrence in "Our Little Girl", which helps to identify the actress as Leigh. He was good friends with both of them, which may be why he chose to hide her identity rather than to give it out straight - Leigh died years before the book was published, but Olivier was still very much alive.

Niven has a style that is very easy to read, very human, warm, and often hysterically funny. He shows us a Hollywood apart from the glamor, the opening nights of movies, the gorgeous people. His Hollywood is populated by real people with real faults. A widower himself (his first wife died as the result of a tragic accident), he treats the stories of Clark Gable and Fred Astaire, both widowers, with empathy and compassion.

Tricky memory notwithstanding, it's still a wonderful read.

David Niven is an often neglected actor from the Golden Age, but as a man, he was very likable. This book is proof that the talented actor was also a talented writer. He discusses many different people and scenerios in this book, the title of which is derived from an amusing incident on a film set. He writes with depth and clarity; it is obvious he has really analyzed the people he mentions. His respect for fellow stars and directors is admirable, especially the malligned ones.

Here we learn that the "Goldwynisms" that Samuel Goldwyn is so famous for might have all been made-up. We learn that Errol Flynn was indeed a womanizer, but no rapist. We hear an amusing story about Edward Goulding's funeral complete with the worst pallbearer casting in history.

The oddest thing in the book is a short story in the form of a chapter called "Our Little Girl." I still am not sure why it was included.

What a treat! So refreshing to have someone as talented and connected as Niven share his uncensored experiences. The stories of Errol were moving beyond anything I'd ever read about him before. Everyone has sung this book's merits, I want to concentrate on "Our Little Girl". WHO THE HECK WAS THAT???? People are saying Vivien Leigh (came from Arizona, left her mother behind, had a baby, married a camera man, married three times, grew up in the Hollywood system, a blonde known as the Erector set?????) Vivien Leigh doesn't even begin to fit this description. Lana Turner seems most viable but these details do not fit her story either. Same with Rita Hayworth. WHO WAS IT???

I read both books at school in the eighties. I well remember coming across them at the back of the room in my English teacher's large bookcase. I don't remember much, just that they were a great read. Well his first time sticks in my memory....

There is another book about David Niven, titled The Other Side of the Moon. Its author is Sheridan Morley. You might want to read Mr. Morley's recitation of David Niven's life in order to get a more balanced picture. Bring on the Empty Horses is much more about the famous people with whom David Niven hobnobbed during his Hollywood career, than it is about David Niven himself. As to himself, Mr. Niven plays it close to the vest in his autobiography. Mr. Niven makes only a passing reference to the multi-year affair he conducted with Merle Oberon. And a mystery that was not addressed in the autobiography, or in Mr. Morley's book, is exactly how Mr. Niven's wife died. The story from Mr. Niven is that his first wife died accidentally by taking a fall while playing "hide and go seek" at a party at a friend's house. Oh, please! No adult, let alone the sophisticated glitterati of Hollywood, played "hide and go seek." I get the impression that Mr. Niven's autobiography presents a very calculated and sanitized image of himself and his life. But his book does relate fascinating stories of his famous Hollywood friends. Despite my resentment over Niven's obvious lack of forthrightness relating to his life's story, his book remains one of the most entertaining books I have ever read.

This was an excellent gift for a Grateful Dead fanatic. He loved it and uses it all the time!

It's very easy to get lost in this book, if you care about Grateful Dead lyrics. Steve Urbauer Stephen Urbauer

I was a little disappointed to find that some of the songs that were not written by the dead but clearly made famous by them were not in the book. How can you not have song's like dark hollow in the book. Who is the original writer of that? I have no idea but the dead made that song. I feel it is one of there best and to not include that one and others was for me personally a bit of a let down.

After singing so many wrong verses and words, it's great to have a nice source to go to to get 'er straight! I really like the annotations, without which I would have never known what a "Catch Colt", or hundreds of other obscure sayings really meant. It brought out a new respect for both Hunter and Barlow, and to understand the depth of lots of the lyrics I simply didn't understand. It's part of, "Once in a while you get shown the light, in the strangest of places if you look at it right"
If you liked this book, take a look at "A Box of Rain", by Bob Hunter. No annotations, just poetry...but stunning stuff just the same.A Box of Rain: Lyrics: 1965-1993

First show for me was '68. Got on the bus that day and never got off. Now you can read everything Jerry mumbled and Bobby chewed into a mic. Plus you can all the background references and allusions to Hunter's lyrics. Must have book for the serious DeadHead.

The books are fun for young girls to read. I tough they were a little high for the size of the book.

I never wanted to 'get into' dancing or acting as a child, but this book makes the
world of a child theatrical performer (70 years ago) come alive. I read this so many times. It was just so entertaining. Great book!

"Ballet Shoes" is probably the most popular book in the "Shoes" series, but "Dancing Shoes" is also very good. It tells the story of two girls, Hilary and Rachel, who are training to become dancers on the stage. It is similar to "Ballet Shoes," but for anyone who enjoyed any of the other of the "Shoes" books it is worth reading.

I've been wanting these books for years now. I'm glad I finally got 2 of them. They came very fast and I love them. Thanks.

Dancing Shoes is a similar formula compared to Streatfeild's other books. After Rachel and Hilary's father dies, they are sent to live with their Aunt Cora, who owns a talent school and troupe. While Hilary is a very talented dancer, she wants nothing more than to have fun. Her sister, Rachel wants nothing to do with dancing, but she does want Hilary to go to the Royal Ballet School to study proper ballet, as her family and old dance teacher wished for, even though Hilary doesn't want to. So everyone, including their mean and selfish Aunt Cora, believe that Rachel is jealous of Hilary. Meanwhile, Aunt Cora's talented, and conceited, daughter now has competition with Hilary.

The book is full of the same charm as her others. While not as endearing as Ballet Shoes and Theater Shoes, maybe only due to the nastiness of Aunt Cora and how mean she is to Rachel, it is still a wonderful read. Any fans of Streatfeild's other books will surely love this book as well.

I was one of many young kids in 1977 who was overwhelmed by Star Wars and who spent the next several years writing letters to ILM and John Dykstra trying to get a job! The whole thing just seemed like the ultimate description of fun.
I never got any responses but this book has made me smile allot. I'm learning so much about what was really going on while me and other slobbering, special effects wannabes grabbed our super8 cameras and made our little FX films.
I ended up as a cinematographer and know several others who now have impressive credits in the area of filmmaking...all due to our new found young love of filmmaking started by a little space opera in 1977. I have always wondered if George knows how responsible he is for the start of numerous film careers.
I really have enjoyed this book. Worth the read!

This is a great book, entertaining and intricate, which tells an important story. The guys a DroidWorks pioneered the digital audio industry that exists today. In 1981, I desperately wanted to break into computer music, having studied electronic music and electrical engineering. I visited Andy Moorer at DroidWorks in 1982, who gave me an incredibly generous hour long tour of the headquarters, and showed me the prototypes of their Audio Signal Processor.

I eventually did break into computer music when I went to work at E-mu Systems in 1983, where I implemented a computer audio editing system. I certainly wanted to have my own system like the astounding machines I saw at DroidWorks, and designing my own was the only way that I would ever get my hands on one. I invented the concept for the program "Sound Designer" and worked closely with Evan Brooks of Digidesign to implement this program on the brand new Macintosh computer.

Moorer and his friends blazed the trail for the whole audio industry, publishing and lecturing extensively on what they had done. Today, tape recorders exist only in museums. All movies, sound effects, and music are produced using digital systems, and DroidWorks showed the way. There were many other people working in digital audio, but few published as much, or were as bold, or had such a broad vision of how far the technology could go to replace the existing technology, or how dramatic the new technology could be.

It was as vivid as a Lucas Film movie, and as futuristic, but it became real.

I am a borderline technophobe whose mind goes blank whenever I am forced to read any computer product user's manual. The brains of the people that write these things are obviously wired very differently than mine. The leaden, sterile word choices and phrases used by this engineering culture make the sense of disconnect even worse.
The good news is that I finally have found an Electronic Moses to lead me to the promised land. His name is Michael Rubin. "Droidmaker" is a remarkable book, bringing the story of computer animation to life, allowing non-technical people like me to understand how this process evolved. The photographs of the people and events involved in the story are particularly well chosen.
This book is required reading for anyone with a basic level of curiosity on how the digital revolution came to be. There isn't another one out there like it

I can't tell you how much I enjoyed this book. If you have a passing interest in modern movie making, the history of Pixar, or are a fan of Star Wars/George Lucas, you really have to read Droidmaker. The first half, dealing more with Lucas and the history of Star Wars is probably a little more accessible, but the back half, with its detailed telling of the evolution of Pixar and other Lucas-driven technical innovations, is equally fascinating. Oh, did I mention all the stuff about video games? Seriously, this is among the best books I've read in the past five years.

For anyone who is inspired by the use of technology for creation of art, this book is wonderful. I enjoyed learning the connections between computer, film, and sound pioneers, and how they inspired each other.