Dance Books

As an eager but somewhat overwhelmed newcomer to the world of ambient music, I've found this overview to be informative & invaluable. It's constructed like many ambient pieces: layers of information & exotica that overlap, shade into one another, and in many ways recreate in prose the experience of the music. Yet at the same time, there's a clarity & focus to the writing, which becomes apparent as the reader flows from one topic to the next. By the end, I'd not only gained some real knowledge & understanding, I'd been given some excellent starting points for further exploration. An exemplary volume, highly recommended!

I love to read about music, but there are so few good music writers it seems. This book approaches the development of incidental, ambient, experimental, avant garde, and world musics in a way that mimics the music itself - with random bursts of observations, anecdotes, interviews, and just plain bizarre missives. I encourage anyone with a sense of adventure and an open mind to grab a copy.

There is a similarly-titled double CD which came out to accompany the book, but I can't see it on Amazon. It is as eclectic as the book and features a lot of the artists interviewed and mentioned - Sun Ra, Aphex Twin, and others. I have played the CD to death and would recommend it. You gotta respect a compilation that puts The Beach Boys right next to African Headcharge, or My Bloody Valentine next to Brian Eno - and makes it work so well.

The book also features a list of albums and artists in the appendix, which I found useful as a way of doing further research.

Another book in a similar vein is Kodwo Eshun's "More Brilliant Than The Sun", though it focuses solely on the innovators in electronic music.

If you like ambient, or....atmospheric music of any sort you should give this book a chance as it a nice erudite survey of the various genres and musicians that are linked to..or been influenced by ambient music. It is not a linear survey thru time, but rather this book reminds me of a map which Toop rolls around visiting here and there with a few jumps now and then as he discusses how in the last 100 years "music has reflected the world back to itself and to its listeners". The writing is enjoyable, and full of poetry, such that I kept finding myself underlining odd bits and pieces every few pages and I wound up compiling them for myself for future reference. There is also a nice bibliography and discography at the end of the book.

Incredible in many ways, Toop's book attempts to trace a quiet revolution in twentieth century music. One cannot deny the impressive breadth of his knowledge, from Stockhausen to Miles all the way to Future Sound of London and their ilk. His writing is quite often beautiful, if occasionally one feels like he is writing too many words to actually say anything.

Ultimately, however, I leave the book feeling a bit underwhelmed. Ironically, it is the book's very eclecticism that works against it. I personally did not see the connectionsbetween, say, the music of Kraftwerk and Toop's (admittedly fascinating) discussion of the sound of the Amazon jungle. These disgressions ultimately make the book useless as a survey. Of course, I doubt that it was meant to be so, but Toop fails to make the kinds of connections that have given books by Greil Marcus and others a fascinating unity.

Perhaps, though, this is the point. Much like the ambient music that serves as the centerpoint of the book, this book simply floats by, not asking you to make any conclusions. It is probably best read in bits, before bed or in the bathroom, where the individual moments of brilliance can be better appreciated. Very ambient, indeed.

David Toop is both a musician and writer, having done ambient music, dub music with the likes of Prince Far I, and of course numerous written articles on ambient and experimental aspects of popular music. I'd have to say that this book is perhaps one of the definitive studies on this musical genre, covering the aesthetics, listening practica, concepts, influences, directions, and so on of this growing musical field in a very inclusive and insightful style. This is perhaps one of the best written companions to everything ambient, as well as influences on ambient music from as far afield as Sun Ra and Karlheinz Stockhausen. Anyone interested in knowing more...either in scope, or deeper within...on ambient should obtain a copy of this book.

This is one of the classic texts on the principles and practices of modern film editing. While it was written nearly thirty years ago and refers occasionally to the techniques of linear editing on actual film, its summary of the rules of good editing remains as relevant today as ever, even for filmmakers who will only ever edit video on their computers. Editing is where the film is brought to life and Dmytryk outlines in a very clear and engaging way the basic considerations that allow that to take place. The author was not only a major filmmaker but a master teacher, and it shows in both the precision and clarity of his explanations.

What makes the guide as fresh today as when it appeared is that it is primarily not about technical considerations but about how an editor has to think in order to construct seamless and engaging scenes that are true to the overall story of a film. At the same time this thinking is given a practical application. The focus is on why rather than how, but it goes much further in explaining the basics of what to do when editing and how to put together a scene than many other books out there.

Dmytryk makes a distinction between a cutter and an editor, and cutting is merely competence with the equipment of film editing, whether it is a moviola or Final Cut Pro. Editing is always thinking, and is as creative in its approach to the film as shot as directing is creative in its approach to the film as written. Subtle variations in editing can change completely the tone or mood of a film. Dmytryk illustrates his points with several examples from major films he directed or edited (e.g. The Caine Mutiny, Murder, My Sweet and many more). Dmytryk is a master of his craft and is generous in his description of what it takes to pursue this mastery. This little book is an indispensible part of any filmmaker or film lover's library.

What if you have already read another editing book? Read this and then go back and read your other book. The author has a lifetime of experience in Hollywood and explains how Hollywood movies are edited, at least until the 1970's (most still use these methods). The methods described are the standards that form the basic language of the craft. Another plus is that the work is very concise and a good read into the history of film.

this is an excellent book on this very delicate craft. I also liked "the eye is quicker" but this was very informative and a better read. there is no substitute for actually editing and what works is hard to descibe in words but this book demonstrates some very subtles points and Mr. Dmytyk is a film maker. If your just starting read the eye is quicker but if you have some experience and want to go to the next level, this is a good one.

This is not only a really awesome book to help improve
your editing skill, but also one of the nicest overall books I've
ever read. Worth while buying.

One of the most important books in my life. I read and re-read this book in preparation for editing my FIRST film ever. Reviewers say my film possesses a "master level" edit. This book is why. Buy it. Read it. Re-read it.

My message to all young grasshopper: Read. And now read some more. Read and you become master phlegm-en-zepher.

Pedal steel guitar is one of the most beautiful sounding instruments, but also one of the hardest to learn. This book helps you get started on a very complex instrument. I was amazed how quickly I was making good sounding music. I highly recommend this book for anyone starting out on pedal steel.

This book has to be the most enduring publications for the pedal steel guitar ever written. The book came out in 1975. The book now comes with a CD instead of the former flimsy record. The book is legendary among a lot of pedal steel players, and I recommend it as a "first" book of instruction for any new player.

The book arrived very quickly and in perfect condition just as advertised. I am very satisfied with this purchase.

Although written 30 years ago, this book is still very timely and informative. I would recommend it very highly for the person who wishes to learn to play the pedal steel guitar. It can also be very useful for the student who has started to play but has not reached the level he/she wishes.

This book is an excellent introduction and guide for anyone who is interested in learning about the pedal steel guitar.Although it is now somewhat dated,it still contains a vast amount of useful knowledge about this unusual instrument.In addition to providing a brief history of the instrument,it includes some minimal instruction,maintenance tips,choosing an instrument, and a wealth of other topics. It also offers info about the different players of the instrument,their tunings(copedants) and lots of photos. The pedal steel guitar is indeed a curious instrument and this book walks you through step by step to help you understand what it's all about.
Practically every steel player has read it or knows about it.

Having been a professional magician for the past 17 years, I've read many books on magic. In my opionion, "Pockets Full of Miracles" is the best on the subject. It is beautiful, well-written, and has great photographs. It will help the beginner or the advanced magician by giving them clear-cut explanations to some of the many amazing effects in the professional repetoire of Diamond Jim.

If you read only one magic book this year, make it "Pockets Full of Miracles." You, and your audiences, will be glad you did.

This is truly the book for all magicians of any caliber. I have personally read and performed every trick in this book. Diamond Jim has tweeked every description so that it is written for beginners and not belittling to professionals. I would most definately recommend this to every magician to add to their catalogues.

P.F.M.is a wonderfuly written book on the art of Magic.This book has a lot of useful pictures and a glossary.The explaination are clear and vivid,Iwas able to understand it with out having to ask my 11 year old for help.I purchaced two of these books,one for me,and one for my 11 year old step-son.Some of the tricks you will be doing the same day, and others you will need to practice some.We have had lots of fun doing these tricks for our family and friends.

Diamond Jim's book is an incredible book for all magicians. Whether you're just starting out or have been doing it for years, this book gives insight and, step by step, teaches you what you need to know to master the magic. It's a must read!

This book not only has great tricks, but killer routines, with all the details. Most magic books have sketchy instructions with lots of bugs and mistakes, but Diamond Jim is a detail-oriented author, and I appreciate that. There is a difference, of course, between great tricks and killer tricks, and this book is a serial killer. I still have several of the tricks contained herein on my to-learn list.

Get This Book! This book has everything a aspiring lighting designer needs. Shelley clearly shows his thoughts with clear illustrations. The first page is his complete lighting design for a show!!Buy It!

I love this book, a must for any one interested in the running out a show behind a lightboard. Very useful!!! A+

"A Practical Guide to Stage Lighting" is destined to become the definative source of instruction in the field of theatrical lighting. With the books emphasis on the process of light design it gives the reader the tools necessary to create the art. Whether your goal is to become a good stage electrician or a good designer the explainations in this book will allow you to work and communicate quickly and efficiently during that precious time allotted for load-in, hang and focus.

Steve Shelley, by taking a chronological approach to light design, illustarates exactly what goes into a successful design. He defines his terms, explains why he does things, and provides anecdotes and insights that make the book entertaining and easy to read.

The final section of the book on how to focus lights will teach you more about creating and implementing a light design than any other book you have, can or will read.

I would say this is NOT the first book to buy or read for someone wanting to learn stage lighting design. The books does not cover the basic theories.

But - it offers a very good guide to the real-world contraints and demands of lighting. The author give very concrete and useful suggestions and advice. Analysing a complete design ('Hokey') step-by-step is a clever move. It is also the perfect book for those who want learn how to accurately document their designs to last nut and bolt. Even with my 20+ years in lighting and lighting design, I found this book a worthwhile addition to my collection of lighting textbooks.

This is hands-down the best book I've ever read regarding the process of designing and executing a lighting design. Other books do wonderful jobs of discussing instruments and electrical aspects, or how to create a design, but very few discuss the day-to-day paperwork and personal interactions involved in getting that design executed. This book addresses that subject thoroughly, discussing what documents to create, how to schedule time in the theatre, how to work with all the other folks involved in creating a production, and so on. Highly recommended.

The book was in excellent condition, exactly what we needed and $10.00 cheaper than anywhere else.

For anyone that plays the flute, especially those that need guidance for practicing, this is a fantastic resource. When using this collection, you should have a metronome and tuner at your disposal, especially for the volume on intonation.

4 stars instead of 5 only because I haven't gone through the whole book yet. The exercizes on tone and breathing are really helpful. It is well written, easy to understand, and realistic as far as goal setting.

I recommend this book to anyone getting back into playing on their own or an experienced musician.

I purchased the omnibus version after buying the single publication on tone. The Omnibus edition comes spiral bound and the pages can be sometimes unruly...slipping out of the slots of spiral binding and giving an untidy look to your sacred sheets of flute wisdom(which is rather annoying to this already disorganized musician).

I refer to the information in the tone section more than any other. The other 'books' in the omnibus were a bit sparse in terms of content. I am glad I spent under 30.00usd on the omnibus instead of buying each book individually.

For those musicians with a sense of humor, the writing style of the author is quite fun to read. His discussions are loaded with flute-specific musings, puns, and other subtle rhetoric. His writing style is ingenious...and a relief from the monotoned, sedate style we usually encouter in method publications.

This book covers almost everything there is when it comes to developing tone, technique and skill. I'm really enjoying it. I think it is a must for beginners, and also really useful for the developing-intermediate flutist that needs a little more to get to the advanced level. my tone is better allready...

This my first introduction to Garrison Keillor and I've since never missed an piece of work by him. How I laughed to "O Captain, My Captain" and "Tomato Butt"!! And of course, the memorable "Casey at Bat". It's wonderful to listen to over and over. You would not go wrong purchasing this item, nor buying any of his works! Highest Recommendations!

Garrison keeler is at his best when he is telling these stories which he is best known for. Radio shows are way before my time and this was sort of an "acquired taste" for me. Now I can't get enough of him. I can listen to this over and over. It is very comforting and, as others have said, excellent on the road!

I love Prarie Home and Garrison, and this is a great collection. However, it is all music and Tales from Lake Wobegon - none of the other sketches or comedy routines I was hoping for. So, no complaints about what's on the four CDs - just complaints about what's not! I will try one of the other anniversary collections!

Color me displeased. I bought this for Julia, Lover's Waltz, Pioneer Waltz and some other items from my cassette and lo and behold they have been removed from this package. I still give it 5 stars overall because it is PHC but this is a warning for others. Ok, I am editing this as I just noticed a change... They added a table of contents... FROM THE TAPE. Removing content from one edition to another and then advertising the earlier more complete edition makes this just plain wrong.

I had this set on cassette long ago and recently replaced it with a set on CD from amazon.com. I enjoy A Prairie Home Companion and enjoyed listening to the rest of the humor and music in this set, but the reason I bought a second set is for a Peter Ostroushko composition called "Pioneer Waltz" which is so beautiful it literally moves me to tears.

The same composition appears on another Peter Ostroushko CD, but this version is significant superior. Incredible music, easily worth the price of this set and then some. I've never heard anything like it. It is a profound work of art.

As I'm a big fan of Prison Break, I've always wanted to buy this book. Shortly, it summarizes the plot very detailed with lots of photos and interesting facts that you didn't know befora aand the included FBI files are great. A must-have for fans!

i lke that they made up a book of "fbi" files, it makes the show feel more real, even though you know it's just a show! i started to understand a lot more about each character! good thing to have if you love the show as much as i do!

YES SIR!,..Prison Break fans and weekly TV enjoyers will get the chance to experience a different approach to their favorite show on earth,.P-B!

The book quality is amazing,..[I expected less to be sincere,..].
Even being paperback,..it's awesome,..the book is supposed to be the F.B.I confidential but leaked (to us) files of the Fox River convicts who escaped and you can get knowledge of every little detail concerning their lives before being imprisoned and the reasons while they are in prison now,..their weakness and breaking points,..really interesting,..

Then it has very detailed psychological profiles and points of view (from F.B.I agents) of the other main characters who are not inmates,..
On the back of the book,..it contains a DVD with lots of extras and never seen footage,..along with some promo stuff,..very entertaining,..

DEFINITELY RECOMENDED TO ALL PRISON BREAK FOLLOWERS!!(ALSO VERY NICE PRICED!). SO THERE'S NOTHING TO WASTE,..GET IT NOW!

a great book for those ho love the series.
a lot of information and a free cd

I thought that this book was very interesting, and if you have missed anything from this program this book helps you catch up. I think that a person really interested in this show, would really like it.

Jenny documented the work of artists from all backgrounds and ethnicities. She was one of a handful who documented the early Hollywood punk scene, which was pretty well integrated. Jenny was never afraid of me and that's saying something, because lots of people were. The Vex and the Hollywood scene did not happen at the same time and those who attempt to distort history by lumping them together are making a big mistake.

Punk Pioneers by Jenny Lens is far and away the most awesome coffee table quality book about the early punk scene. It contains an incredible range of artists that were around during punk's conception, birth, and childhood. Its scope is much broader and helps the reader understand where punk was coming from and what was going on in the parallel musical universes of bands like Van Halen and artists like Bob Marley. I think this aspect of Jenny's book is really important, because as I've said time and time again, seeing early punk in isolation does not really convey how far it was from the mainstream nor does it acknowledge the influences of what came before it. Jenny's book acknowledges the New York punk and early glam bands that set the stage for what would become a unique West Coast cultural movement. Punk Pioneers cements Jenny's status as punk photography's Alpha Bitch.

Aside from Frank Grimes cries of racism (yawn - read his other book reviews which contain the same EXACT, ludicrous accusations) ... keep in mind, he's 100% incorrect: Jenny is the least racist person I know, and the other positive reviews regarding her recent book are spot on! Punk Pioneers is a truly fantastic collection of writing and pictures from one of LA punk's greatest artists. Unfortunately, the early LA punk scene always took a back seat to New York and England; which no doubt, is a shame. When one fast forwards to over 3 decades later, it's easy to see LA punk may have actually had a bigger impact on the music scene than its east coast and trans Atlantic counterparts. Jenny's book gives LA its due credit, and captures the essence of this creative, unique, and influential scene. In addition, it includes excellent shots of NY and the UK. I've been waiting for Jenny's book for years; I've always considered her the greatest photographer / punk historian there is. This book validates that view: these amazing photographs breathe life back into the days of old. I put on a compilation of 70's punk, turned the cell phone off, and allowed Jenny to take me on an incredible journey ... what a trip!

I was so Waiting for this Book! It does NOT disappoint!

Not only do you get Jenny's Iconic Pictures, you get some Personal anecdote's of her Insider's time in the scene. I talked once on the phone with her for over Two hours! We talked about it All & the Stories in the Book are the same to what she told me, 3 years earlier! before she could even Think about Making the Book! More is Coming!

Her Genuine Enthusiasm for the Scene & its Music & bands comes Right on through! Just Buy it!

Support the Real Supporter's of the LA punk Rock Scene! Check out [...]

This book is the bomb!I like the book because it shows the musicians (and fans) in impromptu settings,which creates an air of being there.I like the large photo layout and the fact that there is not too much text to distract the reader from focusing on what's going on in the photos.It has become my new "coffee table" book!

Artifix Greg: "I was on Amazon and I saw that your book is finally coming out! Great news there!!!!! You've inspired us at Artifix Records with your work and friendship. You have produced an amazing body of work and you will be remembered forever. I see the name Jenny Lens popping up so much now! In just a few short years, you have really re-established yourself and you are the top dog! Congratulations!" -from an e-mail sent to Jenny Lens from Artifix Records

Fauré's Requiem is one of the most beautiful pieces of music that has ever been written. I am grateful that I was given the opportunity to sing in performance of the piece. Ever since, I have been in love with it. Sadly, I was not allowed to keep the score. Finding the full score online was an answer to prayer (figuratively speaking). I now can follow along as I listen to recordings and even sing my part.

The score itself is in wonderful condition. The printing is clear and easy to read. I was, at first, concerned that I would end up with a huge conductor's style score, but it's of normal size without compromising on readability.

Highly recommended.

This is a great deal for a well-printed score. Beware that there are a couple of different orchestrations for this piece. This is the small orchestra version and there is also a chamber group version. People tend to use the John Rutter edition of the chamber version and that has different rehearsal letters than this one.

Other than that, this is a bargain.

Gabriel Faure's REQUIEM still remains the only piece of music that has ever given me goosebumps. The music can go from bone-chilling to heart warming in the matter of a few bars. My choir that I perform with sang the piece in the spring of this year. To date, I have never sung a piece of music that was more masterfully crafted for the voices of a boy choir than I have this one. Faure's music is as inspireing as it is beautiful. I would highly suggest it to anyone eager to create beautiful music.

This is a beautifully presented score. The type-setting of the music leaves nothing to be desired. The paper it is printed on even has a sensual quality, which matches the music portrayed.
I have already used the score to arrange parts for my wind quintet, and have found the job much easier because of the clear manuscript of the score.

Este Requiem es magnifico, siento como que si estuviera en el Cielo