Dance Books

I thought this book was very well done. Detaild information and is explained as if you have no idea about the process and job of a radio producer, which I didn't. This is a great explanation for anyone working in radio in any aspect.

If you listen to the radio and ever wondered what goes on behind the scenes, this book is for you. The authors provide an often humorous description of the day to day activities that are done to bring the listener must-hear radio. Even the technical chapters were written in a way that somebody like me who has no connection to radio (other than listening) could understand and find interesting. Whether you are in the broadcasting field or just interested in radio, this book is well worth purchasing. The book was enjoyable to read and it gives the reader a new appreciation for what happens behind the scenes to bring the listener a good radio show.

I'm not really that familiar with radio production, but am more interested in the creative process in general, and I found this to be a worthwhile and engaging read. The writers are entertaining and personable, and make everything that they talk about exciting and interesting to read. I thoroughly enjoyed it!

I worked with John Swanson at WTMX for almost 2 years, though not along side of him. I read this book and learned an large amount of what a producer does. It helped me out in a college radio show I do. Since it's a small station we don't have producers, so it's up for the DJ to do everything. This book made it easy to understand what I need to do for a successful show.

I have nothing to do with radio and I stumbled across this book to get a peek into the world of radio production. If you want to get into radio in any capacity, this book paints a great picture of how good shows are put together day in and day out.

If you don't want to get into radio or if you do but you just can't seem to escape those golden handcuffs at Fargenflam Inc., then this book is still a good read. As Rick and John bring you deeper and deeper into their radio producing world, they share many stories that add humor and depth to the subject matter.

It's a good read. I liked it but I am sticking to the much simpler world of TV.

Randall Cross
MTV Networks

Buy this book right now. Even if you aren't interested in film. If you've ever walked by a poster advertising a film, buy this book. Why are you still reading this review? Why aren't you ordering this book? In fact, don't order it online here, run to your local Borders and pick it up right now. Hurry, it'll close soon! Well, okay, buy it online, but you'd better use overnight shipping! I'm warning you!!! Buy it.

Now!!!!!

"Saying that Jerry Ziesmer probably has delivered the greatest assistant director book ever written doesn't do it justice. His tales from the Kleig was in "Ready When You Are, Mr. Coppola, Mr. Spielberg, Mr. Crowe" are not only an insider-insider's look into what actually happens in the making of movies--from "Close Encounters of the Third Kind" to "Apocalypse Now" to "Jerry Maguire"--but also a compendium of perceptive glimpses at the personalities and decision making by great filmmakers and actors across four decades. This book relates the biz and its lore with color, intimacy, candor and horse sense..."

An amazing inside story of filming with Frances Coppola, Steven Spielberg, and Cameron Crowe told by their assistant director. The author relates the tales of filming "Apocalypse Now", "Close Encounters of the Third Kind", "Jerry Maguire", "Scarface" and so many others. A truly enjoyable book for the film professional or for those who just enjoy films.

Jerry Ziesmer tells the kind of inside stories you usually only hear (if you're lucky) over beers after shooting's wrapped for the day. Without ever whitewashing or pulling punches, he offers a thoughtful, compassionate perspective on the trials and tribulations that led to some of the greatest films of our day. This is simply one of the best books ever written on the nuts and bolts, the passions and personalities of filmmaking, period. Thanks Jerry.

Disclaimer--I know Jerry from working with him on the Director's Guild Council, and I have utmost respect for him as a professional filmmaker. But I never knew his talents extended to such cogent, fun-to-read, full-of-insight writing until reading this wonderful book. It combines the best of both worlds--the "inside baseball" stuff that pro's with years of experience will still find new and fresh and helpful to their work AND the "Hollywood" anecdotage that any fan of great movies and moviemakers will read with a chuckle and a tear and a lot of smiles. If you really want to go "Behind the scenes"--save the trip to Universal's tour and get this book instead. You'll learn a lot, and have a great, great time!

Although Stephen's writing style may make it difficult for the scholar to take him seriously (he sounds more like an Info-Age
geek than a academic), he presents some extrordinary ideas that shouldn't be ignored or overlooked. For example, his list of the new elements and principles of design spawned by Info-Age art
forms is revolutionary. A must read for the Info-Age artist,
art critic, social-critic, or art educator!

I read Stephen's last summer and I'm now rereading parts of it in preparation for using video in my classroom next Fall. There's no doubt what Stephen says is true. The role of the image can often be even more powerful than the word. For example, Henry Hampton's documentary, Eyes on the Prize, conveys much more emotionally and intellectually than any book on the Civil Rights Movement. Even the most prolific readers out there are moved by powerful motion pictures and documentaries. So far me Stephen's work is only a start in terms of examining what we can be done with visual communication, especially the video.

I teach a graduate design class, and this book is a great way to let students think about their role in the fast changing world of visual communications. Stephens has a great way of putting things in perspective, and notes that each fundamental change in communication has met with resistance, i.e. we still think of TV as the Boob Tube. When I read it a few years ago, it seemed so new--it's fun to see how his theories are quickly melding into our culture seamlessly. It's been an optional read for my students--now it's time to make it mandatory!

His take that nobody has really fully taken advantage of "the language" of video because it is still in its infancy was very interesting and supported pretty well in the book. However, I felt there has to be more to developing video than the fast cuts of Pellington who he so often refers to. Also, I felt he undervalued the contribution new media will have, choosing to encapsulate aspects of interactivity and other digital technologies under the umbrella term of "video." It seems if video is going to fulfill a new function in terms of its ability to change how we get information and even think, it will do so within the framework of digital media, in which video, still images and words can each co-exist seamlessly and utilize their particular strengths.

His ideas are intriguing and challenging and his clear writing style makes the book a very good read. Even with what I felt were the weaknesses mentioned above, his challenge to video to rise above what it is now is needed and will hopefully encourage even more people to experiment with what video can do.

With TV viewing increasing, it is no wonder more people depend on television than books or newspapers. Mr. Stephens states that the image has not conquered the word yet, it may not happen at all, but he fears it will. Eloquently written and researched, with an excellent chapter 'thinking "above the stream"' that includes director Mark Pellington (Arlington Road). This book is especially useful for journalism students.

This is a great book to have if you are a fan of Wes Anderson or of the film.

My favorite thing about this screenplay is being able to read scenes that did not end up in the movie or the deleted scenes. I would recommend this for any Royal Tenebaums or Wes Anderson fan.

It is the screenplay of the movie, the same one that should have won the Oscar this year. For people who haven't seen the movie, reading the screenplay first may not be such a great idea. I know this movie went over a lot of people's heads, and I'm not positive one can fully appreciate the story from just reading it. However, I definately recommend reading it after seeing the movie, there is so much great dialogue that is easily missed and a lot of subtle humor that is more obvious written on the page. This was one of the best movies of 2001 and the screenplay is a great way to appreciate it again while waiting for the dvd.

"The Royal Tenenbaums" is really a great and clever film. Although it's not really classified as a solid comedy, it had me laughing aloud from start to finish. Then again, I like that weird kind of humor. To me, it was just a great film that took chances. It wasn't out to win a popularity contest. Wes Anderson makes films the way he envisions them and the way he wants them to be.

The thing that stands out the most in "The Royal Tenenbaums" is the brilliant script that was written by Wes Anderson and Owen Wilson. The dialogue witty and realistic, and each character stands out and leaves an impression on us.

The story is about Royal Tenenbaum and his dysfunctional family. Him and his wife separated many years ago, but the divorce was never final. His wife, Etheline, kept the house and raised the children by herself. They each reached to fame in some way or another, but not without problems lurking about. After many years have passed, Royal finds out that Etheline has been asked to take somebody's hand in marriage. Royal comes up with a scheme on how to get himself back into the picture, bringing forth a crazy and unexpected family reunion like you have never seen.

With only set directions and dialogue, this reads more like a play. There are no camera angels, which is why it reads like a script for a play. You'll appreciate it more if you've seen the movie, but reading it is just as enriching and enjoyable to me. You get to relive your favorite moments and exchanges through words.

"The Royal Tenenbaums" by Wes Anderson and Owen Wilson is a magnificent screenplay and can be enjoyed many times over. With great dialogue exchanges, characters, and out-of-control and unpredictable situations, this is a screenplay worth reading over and over again. A work of art, if you ask me.

Favorite line from the movie: "Anybody feel like grabbing a couple of burgers and hitting the cemetery?" - Royal Tenenbaum

I thought that the Royal Tenebaums was one of the best films I have seen this year, after what I thought had been a disasterous year of film making,it was a breath of fresh air, the only other two films I feel are on a level with it are Amelie and The Man who wasn't there!
From the very opening I wanted to go and see the film, with it's bright colours and quirky story line, the very advertisment had me drooling with delight.
I had mixed reviews from some of my friends, some thought it was boring, others hilarious, after going to see it with my brother and sister it was a unanimous decision, this film was AMAZING!
The plot itself was so simple, yet the characters made the film what it was, I absolutely loved Richie and I thought that Pagoda was brilliant, going to see this film has to be one of the most enjoyable experiences of my life.

Sadie's adventures and insight provide windows through which we humans can look to examine our own lives. Short, easy to read chapters provide opportunities for reflection.

What's next, Sadie Mae?

Sadie Mae Baird - The Power has intrigued me once again. I sat down and read this book cover to cover in one sitting. I just couldn't put it down. The author does an amazing job of showing why we should be thankful for every day and live life to the fullest. I love the way the author uses Sadie Mae to open the readers eyes and mind to see the beauty of life in both the good and bad times. I would definitely recommend this book to anyone needing joy and inspiration in their life. And lets face it, who doesn't. I cannot wait to read the next book.

The author continues to amaze me at the insightful day to day challenges, goals and views she is able to portray through a wonderful book. It not only changes the way we see things about ourselves but makes you wonder what every other animal or creature is really thinking, and why, at any given time? Life is too short to not see the miracles that surround us each day when you never know if it is your last! Sadie Mae IS definitely a miracle and I would recommend it to EVERYONE!

I have bought a copy for each of my 3 daughters. I want them to read and re-read this book. The author has a powerful, keen insight into what "makes us tick". In her own unique way, she demonstrates that none of us is permanently condemned to view our cup as being half empty. She ably demonstrates that "have a nice day" can be more than just another meaninglesss cliche. Rather, consistently having "good days" is an ordered state, easily within reach of every living, breathing human while dreading tomorrow is a confining, self defeating mindset, which the author points out is a choice, but one which is never mired in concrete.

Very heartwarming, informative, and funny. I loved it. Sadie Mae continues to teach us humans how our lives can be so much better. Can't wait for her next book.

As always, Cassie Edwards writes the best books and I thoroughly enjoy reading most of everything she's written.

Savage Dance is a book that gets your imagination going. Imagining the handsome Chief rescuing the half breed girl painted vivid pictures in my mind. This one's not to be missed.

This book is a must have in every Cassie Edwards collection of books. I reccomend it to anyone. It's for the person who is in love with that warrior that you want to meet someday or you allready have? But I really truly love this book. I'm not lending it to anyone... well maybe?!?

Dear Mrs Edwards, This book was one of the first romance novels that I had ever read, I borrowed it from my library, and everyday for the past 5 years I have been looking to purchase this book. It is so moving and it keeps you on the edge of your seat the whole way through. Please ask your publisher to publish a few more copies because I really would like to have one, this is collection item. Thank you. I recommend this book for everyone.

One nite Late in bed i couldn't go to sleep well my mom kept her books in my room, i had never been a big reader but once i started reading this book i couldn't put it down, it was sunrise before i could put it down.I had hour sleep and i just had to read more. Well i've been a collecting Cassie Edwards books for 3 years now, and they keep getting better.

Now that Hollywood has finally given Scorsese his due with what amounted to a career-Oscar, the time is ripe to read the revised edition of this superb book. The questions asked of the director are intelligent, not fawning, and his answer's are lengthy and fascinating. The generous space devoted to his childhood and early years help one better understand why Scorsese has been so attracted to a particular genre and how he executes it so well. This director is, of course, immensely knowledgeable about the history of film, and his comments on other directors' work are fascinating. A readable mine of information about one of the most important popular artists of our time.

I bought this book out of respect and deep admiration for Martin Scorsese. What I got was keen insight into a creative genius. The numerous interviews reveal a side to Scorsese that not many people see outside the camera. It's a lot more personal than that. When he talks about his movies, he ultimately parallels them to what his life was like at that time. So it's a fine blend of his personal life mixed with his professional life. There's also the obvious vibe that this man always was and always will be a student of film; his passion is infinite. Perhaps that's what makes him as influential and well-respected as he is.
You're the best there is, Marty!!

There are few filmmakers more brilliant than Martin Scorsese, and this book provides wonderful insight into the sources of his obsessions. Almost any book on Scorsese is worth reading, but this volume gives equal time to his less-appreciated, (but no less wonderful), films like The King of Comedy and After Hours. By far, the most informative book on Scorsese yet.

This reader felt almost privileged to read these interviews, lectures, and conversations with Martin Scorsese. He simply shares everything, and indeed he is, if nothing else, a true fan of movies!

The insightful words of Scorsese, arranged to parallel his filmography up through New York Stories, are annotated by the redoubtable editors Thompson and Christie. Scorsese is arguably the greatest postmodern artist, (and I would have to say the only postmodernist I unhesitatingly adore -with possible exception of Matt Groening), and the reader really gets to see how Scorsese constructs a film. His inspirations are as predictable as directors Pasolini and Powell, yet as diverse as Mahatma Ghandi and Little Richard. He loves all with equanimity and enthusiasm.

That's the joy of this book... the guy loves movies, loves making them, and all that energy just shines through.

Extremely valuable resource for the student of film, but good fun for the humble film buff, too. Bonus: interesting black and white photos you won't find elsewhere. Excellent (though naturally out-of-date) filmography appendix.

I absolutely devoured this book, essentially reading in two sittings a day apart. A rare and privledged look into the mind of Scorsese in his own words, followers of his work will be thrilled with the insights and anecdotes. Anyone half-aware of the man's work can recognize the thought that goes into it, but these interviews reveal the incredible depth and passion for film and its history that underlies his craft.

An essential read for anyone that considers her- or himself a film buff.

I was an Army broadcaster for nearly thirty years, commanding major audio-visual activities and the largest radio-television network in the Defense Department, located in central Europe. In these assignments, all of Dr. Zettl's texts were used as our training gold standard. When I managed the Army "audiovisual school", the Soldiers Manual and other texts for television production were written with his principles, theories, and practices in mind. As an educator pioneering a film and TV school in a large college, all my TV courses in production were Zettl-based. I found that many leading industry executives (who's who among top networks) began their early education - as I did - in colleges that used the Zettl TV Production Handbook. In TV hands-on assignments, I continue to use his lighting templates and theories. I admonished my students to never cash-in his texts at the end of the course, but to keep them as references.

I have the essential text series: Video Basics, TV Production Handbook, and most especially, Sight, Sound & Motion. The best DVD on the subject ever produced is his own Zettl TV Lab 3.0.

I can't imagine any professional without the "Bibles" of visual information and TV production. All are well worth the price if you are career-minded, or a current industry member but learned your trade "on-the-job". The texts will not only provide context, but with details and information to help you throughout your career.

I love that you offer these books so inexpensively. If I went to my universtiy bookstore I would have paid three times as much. I can use my own money without having to use loan money to pay for books!

The book is totally new and under very good condition, and the dilievery time is much earlier than i expected.

This text thoroughly explains the intricacies of applied media asthetics in a concise and completely accessible way. It is a well organizied text that ehances its presentation through the use of many illustrations. I believe that this is the best text on the subject and that it has been since its first edtion.

"Sight, Sound, Motion: Applied Media Aesthetics explains the WHY of film and video production. If you're looking for HOW then turn to another book."

I would disagree with the above review. Only by learning WHY first, can we learn HOW later. This book is more than a cookie cutter approach to film and video. If you want to "click and drag" your way through an editing program, then true, this book is not for you. Add this to your collection if you want a book that teaches how to see and create film. Sight, Sound, Motion: Applied Media Aesthetics has staying power.

This book was a complete joy to read! I'm going to have to restrain myself from a writing a long, glowing review here. I'd rather you get the book and read it instead.
Author, David Van Deusen takes you from the inception of his brilliant idea to publish his newsletter, "The Walnut Times," dedicated to The Dick Van Dyke Show, to his eventual interviews and friendships with the cast and creative crew. This is no exaggeration. As you will see to your own envy (and certainly to mine), David has literally become friends with the people who brought us this classic TV show, earning nicknames from Carl Reiner and Dick Van Dyke! Ever dream about being in Rob and Laura's living room or kitchen? Me too. David's gone one better; he's actually been there - and they were home!
I very much enjoyed David's relaxed, unembellished writing style. You'll flow along effortlessly from one wonderful experience to another, sharing David's anxiety, trepidation, and exuberance all the way. David worked hard to bring about "The Walnut Times," and he shares it all with us in "To Twilo And Beyond! My Walnut Adventures With The Dick Van Dyke Show Cast." He lets us in on phone conversations, snail mailings, emails and all. The interviews are thoughtful and insightful.You won't want to put this book down until you've finished it.
Every true fan of The Dick Van Dyke Show should buy this book. It doesn't matter who your favorite character or star from the show is, they will be represented here, either by interview, a chat with their family members, or reminisced by those who loved or worked with them. If you love The Dick Van Dyke Show, you will love "To Twilo And Beyond."

David Van Deusen is the #1 fan and authority on the Dick Van Dyke Show. He not only writes about all the characters but also has worked to get to know each cast member and anyone associated with the show. Many "look back" books are just a compilation of the facts, but David has put his entire heart and soul into this project. He also publishes "The Walnut Times" which is not only the official but only newsletter on the Dick Van Dyke Show. We don't see TV like this anymore. And it is great to see a book like David's that helps us relive that past.

Take a very pleasant trip "To Twilo And Beyond" by opening up this 202-page book, written by David Van Deusen (the "other DVD"), who is one of the world's biggest fans of the everlastingly-entertaining 1960s television series, "The Dick Van Dyke Show".

I, myself, just might rank as one of the most-ardent admirers of that TV sitcom, too, having seen each episode many times (which is easier to accomplish now than ever before, what with the fact that all 158 episodes of the series have been made available on the DVD-Video format through the superb efforts of Image Entertainment Inc. and Paul Brownstein Productions).

Keeping this book right next to those DVD boxed sets is a wise thing to do. They complement each other nicely. In fact, Mr. Van Deusen even appears on camera within one of the Dick Van Dyke Show full-season DVD boxed sets (the Season-Two collection). David produced and hosts a bonus featurette located in that set, called "The Making Of 'It May Look Like A Walnut'", which includes interviews with cast members as they reminisce about creating that enduring and well-remembered 51st filmed episode of the Van Dyke Show.

In my opinion, it's very difficult to think of any other single television program in the history of that medium that is as downright satisfying and warm and "real" (and just flat-out good) as "The Dick Van Dyke Show" (1961-1966; CBS-TV).

"Leave It To Beaver" (1957-1963) probably comes the closest to the Van Dyke Show in all of the above-mentioned regards, in my own personal opinion. "Beaver", like Mr. Van Dyke's series, is a TV show I never get tired of watching. And I doubt I ever shall.

The cast of the Van Dyke Show will forever remain one of the very best ensembles placed on a TV soundstage -- Dick Van Dyke, Mary Tyler Moore, Rose Marie, Morey Amsterdam, Carl Reiner, Richard Deacon, Jerry Paris, Ann Morgan-Guilbert, and Larry Mathews.

Mr. Van Deusen has developed friendships with all of the surviving cast members, which he warmly relates in this book. I envy David greatly. :)

Perhaps the best and most accurate reviews for this publication come from some of the actual members of the Dick Van Dyke Show cast. The two endorsements below sum things up pretty well:

"By doggedly going about contacting everyone ever connected with 'The Dick Van Dyke Show', David Van Deusen has unearthed information and anecdotes about those good old days and the good, young actors and directors who made it work. He has given me a second look at things that I was too busy to look at the first time around and I thank him and his book for affording me that rare and pleasant opportunity." -- Carl Reiner

"For any fan of 'The Dick Van Dyke Show', this book is a MUST read. David {Van Deusen} has captured the soul of each character to a 'T'. You will not be able to put this book down until you finish reading it. Enjoy all the wonderful memories!" -- Rose Marie

------------------

Thank you, Mr. Van Deusen, for helping to keep the memory of "The Dick Van Dyke Show" alive as we proceed well into the 21st century. And I'd be willing to wager a closet-full of Kolac's and Lolac's walnuts that people in the 22nd century will still be watching (and enjoying) that TV series too. For, no matter how many years that go by, Mr. Van Dyke's program will never grow stale. After all, a truly fine wine only gets better with age.

Have you ever tripped over an ottoman? Or a MOUNTAIN? Ever get an overwhelming urge for walnuts (and then found you had no thumbs to help get them into your mouth)? Ever have one of those days when you keep hearing "Uhny Uftz" while tripping the light fantastic in Herbie's Hiawatha Lodge at Lake Sissy Manunu?

No??? Well then obviously you haven't seen the greatest TV show in the HISTORY of TV shows!!! The DICK VAN DYKE SHOW! And maybe this book is not for you. But for the majority of us intelligent, classy, sophisticated connosseurs of fine entertainment, this book is a MUST!

The author takes you behind the scenes of the Dick Van Dyke Show via interviews with it's top stars and crew. But these are no flashy Entertainment Tonight interviews -- these come straight from the heart, from someone who is a long-time fan, with an exuberant awe and appreciation not only for the brilliance and genius of each individual's talent, but a genuine loving curiosity about the stars and crew as fascinating individuals in their own right.

You will travel vicariously, via your host David Van Deusen, to places most DVDS fans never get to go -- on the set of the Dick Van Dyke Show, backstage at the TV Land Awards, the Dick Van Dyke Show Reunion, and even to Rose Marie's house!

This book was written with a lot of love -- and it shows! You'll feel it with every word. Sit back, relax and dig in!

Oh, and watch out for that ottoman! . . . and mountain! . . . and those damn walnuts! . . . Still got your thumbs? Great, they'll be helpful in reading this book!

What a wonderful book David Van Deusen has written. He loves this show and has such great respect and admiration for the cast and creators of "The Dick Van Dyke Show". He has allowed us to catch a glimpse of what it's like to set up a publication, meet many favorite stars and the troubles that arise in trying to meet them and the great adventure of writing it all down. This is a great read for anyone who loves classic television and "The Dick Van Dyke Show". David Van Deusen has been aptly named the Head Walnut. Thumbs Up!!!

Universal Horrors, which was originally published in 1990, is an excellent reference book of every horror related films made by Universal from 1931 to 1946. That book was a real eye awakener for horror movie fans and had a huge impact on how film books would since be written.

The second edition of Universal Horrors, published 17 years after the first edition, is essentially an updating and rewriting of the earlier version. It has additional quotes from the performers and production folks. Also, there are many new pictures added to the book. It goes to show that what was perfect can still be improved upon!

This book is highly recommended for anyone with interest in the old horror films from Hollywood's golden years. Those who already have the 1990 version should really consider going for this new updated version.

If your 'bag' is classic horror films of the thirties and forties, especially Universal films, this book is a must-have. To many baby boomers that saw these movies when they were released for television in the fifties, this book will bring back a lot of memories. The book is great, but like all McFarland books, it is pricey. But for the true fan (which is short for fanatic) the price won't matter!

The classic horror films of the 30's and 40's have never been as popular as they are today. Baby Boomers who grew up watching the old Shock Theater packages in the 50's and 60's hold a tremendous fondness for the films that terrified them as children. The Boris Karloff Frankenstein and Bela Lugosi Dracula are still the most recognized images of those two classic monsters...so much so that their families had to move to legally trademark their images to protect them.

The Universal horror films are the subject of Universal Horrors, the second edition of this outstanding book by noted classic film historian Tom Weaver and Michael & John Brunas. Throughout the massive 608 page hardcover, the authors cover each one of the 85 horror films made by Universal from 1931 - 1946. Just do the math...that's an average of about seven pages spent on each film during this period. This is no mere listing of actors with a one-page synopsis. Rather this is a definitive guide to these 85 films with complete cast and credits, detailed storyline synopses, production history, behind-the-scenes information, critical analysis, period reviews, and commentary by cast and crewmembers. Most of the comments come from the voluminous numbers of reviews that Weaver has conducted over the years.

The films are listed chronologically beginning with Dracula in 1931 and ending with The Brute Man in 1946. It even includes the Spanish version of Dracula which was filmed on the same set as the original at the very same time! White The Lugosi version was shot during the day, the Spanish crew took over at night. In many ways, the Spanish version outshines the Tod Browning directed original.

One of my guilty favorites of the Universal Classic film era is 1932's Murder in the Rue Morgue, presenting Lugosi in truly one of his most sadistic and macabre roles. This film ended up being the bone that both Lugosi and Director Robert Florey received for NOT getting their respective parts in Frankenstein, which instead went to Karloff and Director James Whale. This rather film features Lugosi as Dr. Mirakle, who injects the blood of an ape into women he captures. When the experiments fail, he dumps the women into a river. It's a highly underrated film and one of Lugosi's best roles.

Weaver and partners don't give a short shrift to lesser-known films. While the most popular films do get more coverage, even the least well-known of the Universal Horrors gets several pages devoted to it...and there are a number of lesser known films. Unfortunately a number of these are not on DVD or even VHS for that matter meaning that the entry in this book is probably the closest you'll get to the film without actually seeing it.

Many of these lesser-known films are not true horror but often murder mysteries with horror trappings such as "old dark house-style" films. These films include Secret of the Blue Room, Secret of the Chateau, The House of Fear, and The Black Doll. The appendix goes on to list several dozen more films that were borderline exclusions...close, but just not making the cut to receive a full write-up for various reasons. Actually it's somewhat difficult to figure out while some of these were left out of the main listing since many are quite similar in plot and tone.
This book is simply fabulous. Everything that Weaver does is always meticulously researched and extraordinarily entertaining. This is THE Bible to fans of Universal's classic horror films, and one of the finest film reference books I've ever read.


REVIEWED BY TIM JANSON

An amazing source of information for anyone who ever stayed up watching the late late show on a Saturday night. I am truly impressed at the thorough research that went into this book; many factoids which have escaped even the most die-hard of fans will be brought to light. I commend McFarland Press for providing fans of such an "un-hip" genre with consistently fine sources of in-depth information, especially keeping in mind that with each passing year the facts directly from those who were there are getting more and more difficult to find. This book probably does not hold a lot of interest for anyone who does not hold a special place in their heart for the studios' genre work prior to buying the book, and the authors do tend to often drift into becoming overly opinionated and putting much too much thought into subject matter that was never intended to be overanalyzed. Nonetheless, this is still an extremely fun read for any fan.

If your 'bag' is classic horror films of the thirties and forties, especially Universal films, this book is a must-have. To many baby boomers that saw these movies when they were released for television in the fifties, this book will bring back a lot of memories. The book is great, but like all McFarland books, it is pricey. But for the true fan (which is short for fanatic) the price won't matter!