Dance Books

This is an outstading biography of one of the great musicians of the 20th Century. Tabuteau influenced more musicians than oboists. Laila Storch's biography covers some of his most students who became renowned in their own right. It is a very interesting, but also easy book to read.

I wish it were being better publicized. I am thinking of taking it backstage after a concert of the San Franciso Symphony and talking it up with some of the musicians whom I know fairly well. I may even suggest that Ms. Storch come to San Francisco and give a talk to the wind sectiion of the San Francisco Symphony.

Samira Baroody
San Francisco

This book is a "must have" for any oboist. It is such a well written account of the man who had more influence on the oboe world than probably any other person in history. I am not quite all the way through the book, but I am so enjoying it and I don't want to miss anything. The book itself is of such excellent quality. Only the finest materials were used in making this book. Thank you so much Ms. Storch for your excellent work!

Marcel Tabuteau: How Do You Expect to Play the Oboe If You Can't Peel a Mushroom?

A superb glimpse into Classical music in the 1950's. Interesting autobiographical notes and an intimate look at that icon of American oboe playing, Marcel Tabuteau, by a long time student, colleague and friend.

While I'm not through reading this book, I'm amazed at it in many ways. Tabuteau was perhaps the most important orchestral musician of the 20th century in that he taught and found employment for many oboe and other woodwind players. This book covers many details of his life in a readable fashion by the great Laila Storch, a student and worker of his. As a woman, she was not readily accepted by the orchestral community, but she persevered and became an outstanding oboist and musician as a result of his teaching. His methods are not readily understood by many players and I admit to some confusion at times, perhaps because of his choice of words.

Included in the book is a CD of lessons with a Danish student after he had retired. I'm eagerly looking forward to listening to it and, perhaps, learning more.

This book is a must for oboists. It is a great bargain!

Marcel Tabuteau is a name any wind player of my age (60+) has been familiar with for many years. As a teenager, I purchased the "First Chair" album with Tabuteau and other pricipal players of the Philadelphia Symphony soloing. This is a very well written and thorough book on his life that any musician, and certainly any wind player, should read.

If you are learning to play drums (or play drums already) and are a big metallica fan, then you should play like Lars himself. And this is a great way for you to learn his drumming. And as many Metallica fans know this is one there best CDs so learn to play your favorite songs and have fun. I really recommend this book to any Metallica fan who wants to play the drums like Lars.

Again, like the Master of Puppets and Kill'em All folios, the notations are fairly accurate and there aren't any noticeably major errors in this book. Note position choice is sometimes a little odd, but the notes are correct. This is an excellent book to learn a lot of the early Metallica guitar techniques, as long as you down-pick most of the rhythm parts (Creeping Death won't sound the same without it).

I got this because I really wanted to learn the songs on Ride the Lightning that I couldn't figure out myself and the solos as well; I was surprised by how accurate the tab was for the main body of each song and on Kirk's main parts. However, there are a few problems with this book. First, for a lot of the solos you are expected to play up on the 20th fret even if you're not on one of the top two strings; this is a problem for me because I only have an acoustic guitar, I can play it fine on my friend's electric. Also, the fingerings are harder than they ought to be in places of "For Whom the Bell Tolls", "Fade to Black", and a few other songs. Last, this book is not for the average guitar player. It takes a lot of skill and speed-picking to nail those solos, all of which I haven't gotten quite yet. However, overall I definetely recommend this tab book because Metallica kicks ass!

If you love Metallica this is one of the best books you can get. Unless you're simply amazing you're going to need this to learn all the solos.

The Ride tab book is definitely a must-buy for not only the avid Metallica muso-fan, but for those wishing to upskill themselves in various guitar techniques.

The solos are an absolute note-by-note transcription and each riff is intricately tabbed to include even the most subtle of variations.

Includes a very well-written introduction, outlining some very important and helpful tips to assist you in your mastery of one of Metllica's finest albums.

In a one-line verdict: A definite must-have, even as a collector's item!

Regardless of the fact that I just love Howlin' Wolf and his music, this is one of the most well written and interesting biographies I have ever read. What I like most about it is that in addition to getting the story of his life, you also get a lot of the history of what was going on at that point in time and around Howlin' Wolf and the Chicago blues scene. It is very well researched. This is more than a biography, it is a major history of the blues. It's "must reading" for any serious blues fan or musicologist.

Seeing this book was one of the reasons I set about the task of writing Revelation Blind Willie Johnson The Biography in an attempt to emulate this great tribute to a great man, this is surely the definitive work on the life of Howlin' Wolf, a must read to anyone interested in the man and his music!
Revelation Blind Willie Johnson The Biography.

This book is without doubt, an excellent, well-researched and detailed account of the life of Howlin' Wolf. The life of the blues pioneer was one of hardship, sadness, and overcoming adversity, and the authors do a good job of conveying what the Wolf dealt with.

From his hardscrabble upbringing, an abusive and hypocritical father, and mother lost in psychological and religious madness, and just obstacle after obstacle, the Wolf endured, but sometimes I feel never achieved the full happiness he wanted. There's no doubt he loved his family, cared for his bandmates and did his best, but you could tell the sadness that the blues often heals might not have been enough.

There's a good examination here of Wolf's music, his influences and how he managed a signature sound as well as a performance style that blew nearly all the others away. All the same, Wolf was very protective of that sound, demanding of his mates and making sure they did it the way he wanted it done. Sometimes he was overbearing and arrogant, as witnessed by the defection of Hubert Sumlin to the Muddy Waters band. But Hubert later did return, and many would come in and out over the years.

The rift between Waters and Wolf is noted here; was there ever really one, beyond the professional rivalry? It does appear that Wolf saw Waters as a company man, in terms of his relationship with the Chess brothers. Wolf was very careful about his money, making sure the brothers paid him what he was due, while Waters was content to allow the brothers to get him a new car or a home now and then, perhaps a bit too trustful.

But in the end, it does seem they cared about each other and made up any differences near the end of their lives.

I do think there's a certain God-worship by the authors of Wolf. Too much in some places I think, where a writer makes the subject the greatest thing ever, and all others are chaff. Just the same, this is a sometimes funny, often sad look at a great musician, writer and performer, who influenced those who followed, such as the Rolling Stones.

When I hear "Smokestack Lightning" now, I don't hear it quite the way I once did. It has a more sorrowful quality now than ever. RIP, Wolf...you deserve it.

Interesting. Provides an insight into the character of Chester Burnett, especially enjoyable since less seems to be known about him than other bluesmen.

Two years ago, I reviewed Howlin' Wolf: The Chess Box in this very hallowed cyberspace, wonderin' aloud (as Ian Anderson and Jethro Tull would have it) when in the world would someone please write the definitive bio of Wolf and his massive (reportedly 6' 3" and 300 pounds) persona? Well, folks, wonder no longer. Within the past year, James Segrest and Mark Hoffman have written said biography. In fact, I first purchased and eagerly devoured this tome a year ago; it was only upon rereading it that I decided it was time for review. Sam Phillips once reportedly said that Wolf was the greatest talent he had ever discovered. (For perspective, remember that Mr Phillips helped discover such "nobodies" as Roy Orbison, Johnny Cash, Charlie Rich, Jerry Lee Lewis, and the King himself, Mr. Elvis Presley. To say that Wolf was his greatest discovery was quite a statement, doncher know.) We see the early Wolf, cast out by his own mother because his music was "too sinful", and beaten repeatedly by his father, drive a plow on a Mississippi plantatation, until one day, (reads like a fairy tale, don't it?) first Charlie Patton, then Sonny Boy Williamson II (Rice Miller) come along to teach Chester Arthur Burnett the rudiments of guitar and harp, respectively. We see Wolf through the glory years of Chess, making his classic records, and giving his incredible performances (including reportedly sliding down the length of a fire curtain when he was 57 YEARS OLD, no less!), through the good and bad times with his multitalented bandmates (including a VERY young James Cotton and Hubert Sumlin, his nonpareli guitarist), through the unbelievable records (some of which were originals; others, such as "Sittin' On Top of the World", "Pony Blues" and "Built for Comfort", he received from artists like Charlie Patton and Willie Dixon); and finally, through the later, sick years (when he recorded London Howlin' Wolf Sessions, six years before his death, he was reportedly so ill, he could only complete one song per day). Hoffman and Segrest's excellent prose leaves you spellbound and wishing you could rush right out and purchase some of his music. TA DAAA!!!! The wait is over. When you are done reading this review, why not just do another search and pull up Howlin' Wolf: The Chess Box and send yourself 71 of the Howlin'est, Wolfingest tunes as an early Christmas present???? WHY NOT????? So don't delay, order both Moanin' at Midnight: The Life and Times of Howlin' Wolf and Howlin' Wolf: The Chess Box today, even as we speak. Trust me it's the kind of music (and writing) that will put hair on your chest and make you want to howl all night long!!!!!

I have enjoyed this poem for many years and have a framed calligraphy of it on my wall. The book is wonderfully designed and the drawings fit so well with the words. I would recommend it to anyone for themself or as a gift. It is heartwarming, uplifting and definitely words to live by!

This is a very nice book... I have it on my desk at work for all to see and enjoy!

As a big fan of Mary Engelbreit and a big fan of William Ellery Channing, I absolutely love the book, except for one thing: Channing's name is incorrect on the book. His middle name is Ellery, not Henry.

Other than that, the book is wonderful. I don't think this error would bother most people, but it is amazing that Engelbreit and the publisher didn't get it correct...

If you haven't already dismissed my comment from yesterday, please do. If it's too late, please print this apology. I feel like such a dope! William Henry Channing is the nephew of William Ellery Channing. I was so sure that Wm. Ellery had written the poem, that I wrote my stupid review of a book I absolutely love. I was wrong. William Henry Channing did, in fact, write the poem "My Symphony," and I'm a person who failed to double-check her references before opening her big mouth. Please forgive. Thanks.

I love this poem, and one of my very favorites, Mary Engelbreit, has beautifully and perfectly illustrated it. It doesn't get any better than this!

Even for the true classic music afficiando, this is a helpful compendium of names and selections to use when purchasing albums or for general hands on reference.

I hope that no potential readers were offput by the very silly and petty Publishers Weekly review. This is a very helpful and at times facinating guide to classical music and recorded music performance. Libbey's expertise and passion make for great reading. Very insightful and very helpful when searching for a good recording of a favorite piece.

"The NPR Listener's Encyclopedia of Classical Music" is a delightful combination reference book and video game for all classical music buffs. Besides its nearly 1,000 pages of listings, from Claudio Abbado to Ellen Taaffe Zwilich, the book gives you access to a page on the Naxos Music website which allows you to listen to more than 500 musical selections online. I just signed on to the page for the first time, and listened to the very first listed selection--John Adams' "Shaker Loops." I look forward to hours of fun with this wonderful new toy! I appreciate the breadth and depth of knowledge author Ted Libbey brings to the project, as well as his inclusion of favorites of mine who aren't necessarily well-known to today's listening public, such as the Danish tenor Aksel Schiotz. In his introduction, Libbey notes he tried to avoid the gaps and errors in such standard reference works as Grove's Dictionary of Music and Musicians, and adds, "Doubtless there will be errors still, and for these I accept full responsibility." Alas, I have already caught him in two. The first is the listing of Beethoven's birthday as December 17, 1770, when even "Peanuts'" Schroeder and Lucy know that Beethoven was born on December 16. Of course, that could have been a printer's or proofreader's error, but the second mistake is more serious--when Libbey states that Vladimir Horowitz withdrew from the concert stage in 1953 in a severe depression over the suicide of his only daughter. Actually, Horowitz's daughter, Sonia, did not commit suicide until the 1970s (which caused Horowitz a second bout of severe depression); I'm not sure exactly what caused Horowitz's 1953 breakdown, but I had always understood that an addiction to prescription drugs was at least partly to blame. Nevertheless, these are minor caveats to an otherwise enjoyable and informative volume. Any classical music lover with computer access would be happy to own it.

Couldn't choose between the NPR ecyclopedia and the Vantage Guide so bought both. The NPR book is younger, more detailed, more information on a wider variety of artists and composers and in my opinion ; much better.

Don't get this if you are looking for an overview of music history, this is a reference book--exactly as advertised.

It comes with a login to naxos.com that allows you to listen to literally hundreds of hours of music from the naxos library for free! This is a tremendous value.

I was most impressed by the sheer amount of information--not just the historic information, even my favorite 20th and 21st century composers were given a fair amount of coverage.

I went to college in Nashville and took a publishing class. This book was more practical than the entire semester!

This is a great book for those that are confused by music publishing. I read it and I am now comfortable with music publishing. it gave me enough information that Iknow what is going on as I work with music publishers. It also gave me guidanc eto know what to do when the time comes for me to start my own publishing company.

Has some insight about how to get put on, but not much more than I already knew about.

My son, a music composer, asked for this book as a gift and found it very helpful. He istrying to get some of his work published.

I purchased Randall Wixen's "Guide" on a whim, having never made a cent off of my home-brewed ditties and not sure I ever would. Now, nine months after moving to Los Angeles, I'm approaching a meeting with a major 'performing rights organization,' and I couldn't be armed with a better tool.

In his "Plain and Simple Guide to Music Publishing," Wixen sets forth in lay terms the basic in's and out's of the music publishing world. He demystifies this piece of the industry with clear examples and makes palatable material that we "creative types" often leave untouched. Importantly, he does it with humor and panache--the stuff is actually readable.

At minimum, you'll finish the book feeling like you at least know how NOT to get screwed in this music publishing arena; at maximum, you'll feel ready to set up your own publishing company, collect every penny off of your art, and take over the world.

And hey, if you don't believe me, just flip through the Foreword, penned by a local little songster named Tom Petty.

This flowing book of poetry is so enjoyable that you might want to read it in one sitting. The beginning has the beautiful language of pomegrantes, figs, and nature. At "Bach's Concerto No. 1 in C Minor" (210) the true feeling that this is great poetry dawned on me. And the poetic craft became better, too, through "The Bees" (217), "Straw-Blond" (243), and "Things I Didn't Know I Loved" (261). These poems progress through decades of his life and reach their peak in his maturity.

I was introduced to Hikmet through his poem, "Things I didn't know I loved". On the strength of this poem, I picked up this collection. I was tremendously suprised to find that there are many, many more poems that beautifully and powerfully express Hikmet's relishment of life, of love and the constant frustration he experienced as an exile.

His politics are a constant thread throughout many of his poems, as is his optimism in the future - in spite of being imprisioned and separated from his wife, his son and eventually his country. It is his passion for living, however, that struck me most powerfully. "Because of You", "On the Matter of Romeo and Juliet" and "This Journey" are among my favorites (and are among my favorites of ANY poet.)

If you own only two books of poetry, this should be one of them. (The other, in my opinion, should be anything by Rilke, but that is my taste.) Hikmet's words are exquisite and sublime. Highly recommended.

It's hard to express in words just how wonderful and beautiful Hikmet's poetry is - intimate, honest, uncompromising, gently humorous, filled with longing and hope and refusing to let despair triumph in spite of outward circumstances. In other words, profoundly human.

I don't think he'd mind if I quoted his poem "Hello":

HELLO

Nazim, what happiness
that, open and confident, you can say "Hello"
from the bottom of your heart!

The year is 1940.
The month, July.
The day is the first Thursday of the month.
The hour: 9.

Date your letters in detail this way.
We live in such a world
that the month, day, and hour
speak volumes.

Hello, everybody.

To say a big
fat "Hello"
and then, without finishing my sentence,
to look at you with a smile
- sly and gleeful -
and wink. . .

We're such perfect friends
that we understand each other
without words or writing. . .

Hello, everybody,
hello to all of you. . .


(translated from the Turkish by Randy Blasing & Mutlu Konuk; published by Persea books)

Thank you, translators, for bringing this wonderful poet to English readers. From the bottom of my heart - thank you and hello!

Does not matter how good the translation is, it is not comparable to the original work. Nazim Hikmet is world's one of the great poets, but what makes him special really is the way he uses Turkish.

A poet of great humanity, great compasion, a believer in the human race in spite of having been in jail from many years, as well as been exiled by the Turkish leaders. refreshing and immediate, poetry for everyone, simple and strong.

Growing up in Iowa in the 70s, we didn't have the grindhouses movie theaters of NY nor did we have the drive-ins of the South. Being a b-movie fan at that time meant combing the TV Guide every week to find oddball movies, although if the title was not eye catching (e.g.-The Devil's Rain, Blue Sunshine), it might be missed. This book came out when I was 15, and although horror movie encyclopedias had been published in the past, this was the first really comprehensive tome on what is generally described now as "exploitation movies," "cult movies," or more recently, "grindhouse movies."

The term the author coined, "Psychotronic," became inclusive of not just horror movies, but also biker, blaxploitation, juvenile delinquency, drug, scare, softcore, and any other type of offbeat movie the author happened to fancy.

It was published at the very cusp of the VHS boom, when not only were video shops sprouting up all over the place, but electronic shops, supermarkets, and even convenience stores had huge video rental operations. Michael Weldon's movie guide gave an entire generation of b-movie buffs who did not live in NYC a glimpse into what was out there. This book became a bible to us given that it was first time in our lives that these movies were available to us thanks to the proliferation of VHS rental tapes.

The book is now 25 years out of date and younger audiences might not find it quite so useful (it doesn't list The Evil Dead-that's how old it is!), but on the plus side, there are many listings for movies from the early 80s and before that have disappeared, so it's difficult to write it off as irrelevant even now.

This tome makes one yearn for the good old days, long gone, of the drive-in movie of the 60's and 70's now replaced by video bins. B movie makers of those days- their names are legion - made an honest attempt to entertain their audiences with meagre resources and often more meagre talent(unlike exploitation film makers of today, whose direct to video releases are lazy and witless). Weldon chronicles this glorious time in a very generous compendium, chocked full of wonderful black and white stills and capsule reviews of the inane and the obscure, thw wild and the wonderful, the unbelievable and the unforgettable. A feast for the fan of offbeat cinema.

Absolutely indespensible guide to cult, sci-fi, horror and every other offbeat film genre written by people that understand subculture. Never ceases to amaze with the rare titles the Psychotronic folk somehow managed to track down and review years before we mere mortals knew these films existed. I refer to my copy at least once a week which should indicate how valuable a resource book this is to me.

I am the first to confess that not everyone spends their time wondering if they might like to watch Untamed Women tonight, or have an Ed Wood film festival, but I am one of them. Call me crazy (ahem!), but I like really bad old movies, especially the ones that try to scare/pander you. Perhaps I yearn for the time when showing a bit of cleavage was considered racy. So I nose around the discount rack looking for such gems as Mermaids of Tiburon or The Earth Dies Screaming. I come across a copy of Demonoid. Should I buy it or not? Comes the rescue the Psychotronic guide which safely guides me through these murky dark waters. It and its companion Video guide are essential for those who share my idea of fun, with reviews of 6000 screen gems, such as Curse at Cactus Creek and Robot Monster.

Perhaps my only objection is that the guide makes no pretense at being authoritative. For example, When a Stranger Calls is reivewed (favorably), but its sequel, When a Stranger Calls back, does not appear at all (and is arguably the better movie). There is also a smattering of "legitimate" film, such as Pursuit of the Graf Spee, and Polyester. No matter, all the films reviewed are, at the least, quirky, and there is a pretty good chance, at any rate, that the film you seek is reviewed. If not, you will have great fun just looking for it.

My only grief is that the concordance is limited to an index. After all, what more important thing could there be than a filmography of Barbara Steele, the geratest actress that ever lived?

These things aside, I recommend this without hesitation. There are other books listing gore/sleeze/exploitation films, but you will find none better.

The Psychotronic Encyclopedia of Film consists of plot summaries of the kind of movies that come on at 3 am. No not porn - get your mind out of that gutter. Weldon chronicles 50's movies with huge mutant animals from the old nuclear test site, vampires, werewolves and anything with killer androids.

Each movie has a plot summary and many have publicity stills or small news articles about the film culled from Weldons home collection. The introduction includes a section on the psychotronic film zine which Weldon ran. The zine included a listing of which weird movies were on that week and included plot summaries of said movies. What I found entertaining about this section was Weldons description of the difficulties getting his girlfriend to xerox the copies on the office copy machine when no one was looking. This book grew out of that zine.

When it was published in the early 80's this book would have been a great idea for any fans of bad movies. It is still a good source for info about bad movies up through the 70's. (I checked it out of the library and kept it for a semester during which I investigated such classics as Doctor Goldboots and the Go-go Girls and found that it was pretty thorough in the bad movies department.) As Weldon points out it was very difficult to find information about the kinds of films covered here at the time when this was published. However with the internet and sites like badmovies.org and the ever handy Internet Movie Database it is possible to get the information elsewhere.

If you have an internet connection then don't bother with The Psychotronic Encyclodedia. If you like bad movies and don't have internet access then this is a very useful reference for plot summaries and information on bad movies made prior to around 1980 and would be worth buying.

This book is a quick and easy read. Very thought provoking and deep. I love animals and I loved reading a book from the perspective of an animal. Can't wait for the next one!

Sadie Mae's words spoke to my daughter's heart and mine, directly through the eyes of our new mixed breed puppy as we read this insightful tale of love, hope, and the meaning of the true gift of life on this beautiful planet. I highly recommend this book and can't wait to read more on the continuation of Sadie Mae's journey.

We truly enjoyed this book about a hopeless and lost puppy who finds the love and comfort of a family who teaches her about the true essence of life. Her inspirational perspectives help serve as a reminder to us all those things most important in life such as hope, purpose, and love.

Sadie Mae is indeed an avatar "the embodiment of something, an idea, or concept." Sadie is the embodiment of love...for her family, canine and human, and for all of creation. Her story starts as a delightful "bedtime story" and continues with concepts to teach all ages. I'm ready for Book Two!

This book will bring joy to your heart as the warmth and honesty pours out of each page. It has obviously been written out of love and compassion for both Sadie and for all of humanity. If you have ever looked into one of Gods creatures eyes and wondered what they were thinking then this book is for you. A true delight from beginning to end. Thank you Sadie Mae Baird for your insightful look on mankind.

By: Cindy Phommasy


Samantha, Rebecca's best friend, just suggested they play a game called "Seven Minutes in Heaven", a truth or dare game were the girls ask the boy a question where they can either tell the truth or go in the closet and be in heaven. The problem is, Rebecca's not really sure she wants to play because its going to be her first kiss. The real problem is yet to come when the school principal tells them that they are going to learn how to dance the tango and all that stuff. Everybody in class doesn't want Rebecca as their partner because of the last dance, where Rebecca accidentally broke Scott's toe and was called "Killer Dancer". So is Rebecca brave enough to dance and be have romance at the same time?
I would rate this story 4 stars because it's just a story I enjoy to read with romance, and friendship. I can also relate this to my life and I'm sure it will relate to your life also.

This book I just read was so exciting! It's about a girl who is growing up and getting older and she decides to have a party. Well, at the party she wants to play some games. One of the girls at her party says, " Let's play spin the bottle". Another girl suggests that they play seven minutes in heaven. Well, the main character, Andrea, said she hadn't heard of any of those games. This was really a great read for me.

I thought the book was really fun to read. I found some things that I didn't already know. For example, I never knew what seven minutes in heaven was until I read this book. I thought some of the things in the book were too descriptive. When I was reading the book, I kept on thinking, "Why are these girls going to have a party?" "Do their parents know they are having a party?" Of course, my questions never really got answered. What I liked least about the main character is that she acted like she knew nothing. I really loved this book, and I think you will too!

Aw. I love love stories, especially when they're innocent. Some of the sentences feel a little too simple. At the same time, the author cleverly does not underestimate her readers' intelligent by not putting the obvious in sentences, if you know what I mean.

The only issue I have here is the use of word "jackass." But I've learned that it apparently is an acceptable word for middle school kids--having found it in three juvenile books in a week.

An awsome book about 7th graders. The whole breaking his toe thing is really funny!! it took me less than a day to read becuase I coundn't stop. I even was reading it in history class :) I have already given the book to my friend and she lovesd it too. I think that this would be a great book for book lovers (like me) to read.

Maybe its not as well known as Harry Potter, or War and Peace, or Romeo and Juliet. But its definitly as good! Seventh Grade Tango is about a girl, she has a best friend who is a boy and their class is forced to do ballroom dancing. She gets paired with...oops. I shouldnt say...just trust me though. READ IT!