Dance Books

As a Dukes fan,I was thrilled when this book came out-it's about as official as you can get for an"unofficial"companion book. If there's anything you've ever wanted to know about the show,the actors,or even the General Lee,you'll find it in this book. I highly recommend it.

I really enjoy this book. It is based on the show. I will enjoy reading it over and over again.

A must have for any fan of the dukes of hazzard! Without a doubt all things behind the scenes are here in this book from john and tom's leaving and there return and a lot more. Buy this book!Every episode plus the first reunion movie[sorry second reunion excluded] is in this book. What more can i say other than this Buy this book!!!!

This is a great read for any Dukes of Hazzard fan. The author gives a detailed history describing Waldron's inspirations for the show, facts on the personal and acting history of each cast member, as well as an episode by episode discussion of all eight seasons! Even guest stars are discussed. I found out many interesting unknown facts about the guest stars which made the show even more fun to watch (for instance, I didn't not know that the lady playing the character of Sherry Tolliver in the episode 'The Rustlers' was the future Mrs. James Best.) The author then ends it all by giving updates on each member of the cast. Hats off to Hofstede for a job well done!

An EXCELLENT synopsis of all 145 episodes, laden with background and backstage gritz'n'grease which kept me awake until 2:30 a.m. checking it all out. The only thing keeping it from 5 starz was, although there are photo-shots galore of the cast, there was little else by way of visual viagra. For instance, no display of Main Street Hazzard County, or the Boar's Nest, Flash, Daisy's jeep Dixie, or even a full-length of the General. We have the partial on the cover in front of (a partial of) the Hazzard Garage, but that's it. Still, this old boy's worth its shillings for its literary content, after all, it IS an "unofficial" companion. Hot pursuit!

As a child, my favorite movie was THE WIZARD OF OZ. For Chirstmas ,I received this wonderful book that is all about the famous "pet-actress" named "Toto". (Yes, Toto was actually a little female dog named Terry,not a male , as most people would think).

Anyhow, this book is all about the tiny Cairn Terrier "Toto" (Terry) and how she came about becoming one of the principal characters in the movie.

The photos are just amazing also. My favorite photos are the behind-the-scene photos showing Toto "acting" in the actual movie, just as the trainer was in the background giving Toto her directions. Sooo cute!

If you are a dog fan, or a Cairn Terrier fan, or a Wizard of Oz fan, you'll love this book.

I, Toto is a delightfully well written book by Willard Carroll about the life of Terry, a Cairn Terrier who became famous in movies. The book is based on a scrapbook Willard Carroll found that documented the life and movie career of this well trained dog; and the book is primarily set up to look just like a book typed on an old typewriter--written, of course, by the dog itself.

The book starts with the story of how Terry was born, adopted and eventually given up by her owners because of her troubles with housetraining; and we learn how Carl Spitz professionally trained dogs to perform in movies. Spitz, an excellent trainer who worked with many dogs, wound up training Terry professionally. Spitz used both kindness and discipline to train his dogs, including Terry, very well; his talents are obvious when we consider that Terry (aka Toto) appeared in at least fourteen major motion pictures including The Wizard Of Oz.

Carroll cleverly writes the memoirs of Terry, or Toto, in the first person as if the dog herself had written the book. This provides the reader with an extra slice of humor when Carroll writes about things that happened on the sets of pictures or in Carl Spitz's training camp for dogs. Carroll does an excellent job of getting readers to be charmed out of their trees by Terry who eventually becomes renamed Toto for the sake of her career. A movie star dog has to consider Hollywood politics, after all!

The book is filled with wonderful reproductions of ads for the movies Terry was in; and we see numerous publicity shots from movies including Bright Eyes with Shirley Temple and Terry as Rags the dog. Of course, we get plenty of stills from The Wizard Of Oz and there are very nicely done "hand written" asides to the reader that also appear to be written by Terry. The result is a charming look back at the life of Terry, the dog who became Toto and enjoyed great movie fame--and treats along the way!

Overall, classic movie buffs will enjoy this book; and people who love The Wizard Of Oz will appreciate this book very much since so little was known about Terry before Willard Carroll wrote this book. The book is well written and a real page turner; it grabs your attention and never lets it go.

Great job, Willard Carroll!

A must read for any Oz fan as well as dog lovers of all kinds. I never knew how many movies Toto was in, and the Oz trivia was really fun, too. It was very cleverly written from Toto's point of view. I actually laughed out loud at some parts. Don't pass by picture captions and comments on the sides of the pages. It's all worth reading! Not bad for a dog no one wanted!

Since my all-time favorite dog star is Toto, this book was easy for me to love. However, once I began to read, I found it to be something extra special. I, Toto is a mood lifter as well as an interesting piece of Hollywood history. Beautifully written in the first person, I, Toto will captivate the heart and mind of any dog lover.

I was looking at silver-screen bio's in the library when I came across this clever little volume. Author Willard Carroll knows a lot about Oz, and he also understands a lot about animals and the people who love them. Whether you are a fan of the Wonderful Land of Oz, a dog-lover, or both, you are going to get such a kick out of this book. If you're like me, you're going to breeze through it, and then go back and read it again, preferably with someone nearby to whom you can read the funniest, most touching or trivia-friendly bits. Toto, who began as Terry, a little dog abandoned by her owners, has a very good friend indeed in Mr. Carroll.

This is a story about Toto, but it is also the story of Carl Spitz, who had been training dogs since 1919. When he came to Hollywood in 1927, he opened a training school which combined kindness and discipline, an innovation which most at the time considered "nonsense." Mr. Spitz and his dogs broke into silent movies; he developed a series of silent commands when talkies came along. His dogs appeared with the stars: Prince the Great Dane and Lawrence Olivier in Wuthering Heights; Buck the Saint Bernard and Clarke Gable in The Call of the Wild. The English mastiff and the Scottish terrier were in major productions, too.

Mr. Carroll captures Toto's "voice" so perfectly, even using a font that looks like my mother's old portable Underwood typewriter for the star's narrative. Toto also comments on the dozens of photos, movie stills and other memorabilia of a busy career with red pen.

Toto hobnobs with the stars and has some once-in-a-lifetime moments, such as when Mr. Gable came to visit the kennel owned by Carl Spitz, the trainer who adopted and worked with Toto and many other canine performers. (Don't want to tell you what happened, but it made Mr. Gable smile. Eventually.) She works with Spencer Tracy in Fury and Shirley Temple in Bright Eyes. (Of the latter, Toto reports, "Shirley had her hair cut and recurred and had endless wardrobe fittings and makeup tests. I had a flea bath, a toenail trim, and an enema.")

And then there was Oz. Toto is miffed when a studio official gushed, "She's the one! Looks just like the dog on the cover," for she considers said beast "a genetic mutation of terrifying proportions," but the role is hers and she revels in it, for she soon realizes that the story "IS ALL ABOUT ME!!! ... I'M IN ALMOST EVERY SCENE IN THE BLESSED PICTURE!!!" Toto includes a page from the shooting script with all six of her lines circled, as proof positive of her importance to the film.

Of course, it isn't all green grass and marrow bones. There are those scary wind machines and the shock of seeing that nice Maggie dressed up in black, with her face painted green and the biggest nose since Durante, cackling away. Oh, and the Winkie guard that stepped on her paw by accident. Ouch! And the creepy flying monkeys. But Mr. Spitz' training paid off; Toto found herself able to rebound from such situations and perform like the trooper that she was.

I, Toto is now one of my favourite movie books. Cute but never mawkish, sentimental but never saccharine, informative but never overwhelming, this little story of a little dog is a big winner.

Once you get past the strange layout (described in other sections), this is a great edition of Henry V. It is easy and fun to read and offers valuable insights (not just for students either). Well worth a flutter.

This play is best known for the St. Crispian's Day "Band of Brothers" speech given by King Henry just before the battle at Agincourt. It is a powerful speech that rallies people at all times and everywhere. Sir Lawrence Olivier made a film version in 1944 during WWII and Kenneth Branagh made another as recently as 1989. You can count on there being more versions. Epecially so when computers can help them make spectacular battle scenes (that aren't really in the play) with less expense.

Audiences love this play and they should. There is a lot to like and enjoy. I think upon repeated readings Henry becomes a more equivocal character than he seems at first. And readers of the King Henry IV plays will know him before he became King Henry and know something deeper about his personality.

And of course there is the whole bit about the drive to France being sponsored by the Church to avoid confiscation of property by the Crown. Moreover, there is the slaughtering of the French prisoners, and his treatment of Falstaff (who dies offstage in this play). This isn't revisionist stuff, it is right there in the play, but it is easy to miss the first time you are trying to take in the play.

In any case, this Arden edition is the one to buy and read from. Why? Because it has the most authoritative text, but that is only the beginning. It also shows variants between the early sources. The notes at the bottom of each page of the play are simply fabulous. The editor includes not only helpful notes explaining what might be obscure in the text of the play, he provides sources Shakespeare probably used such as Holinshed and makes for some very interesting study. There are also some helpful notes on how various scenes have been performed over time.

And to make this sound more like an infomercial, you get more! The introduction provides great background material on the play, its sources, and how it has been performed throughout history. After the play, there is a photo reproduction of the first Quarto from 1600 and it is fairly readable. There are also a couple of maps showing the path of the English Army from Harfleur through other towns on its way to Calais and makes clear how they had to pass through Agincourt.

There is also a helpful genealogical table so you can see the confusing claims used by Henry and the French nobility to make their claims. And there is a doubling chart so you can see how theater companies can perform all the roles with fewer actors.

This is a great edition as are all the plays published by the Arden Shakespeare. The amount of work collected in these volumes is stunning and they will enrich your experience of the plays tremendously. I can't recommend them enough.

This play more than any others in the histories glorifies Englishmen and England. His characters in this one are larger than life, but each has their own limitations and flaws. The play covers the time of the Battle of Agincourt when the French King Charles was so sure of victory that he sent a messenger to Henry to ask him to give up and to pay a ransom before the battle. On the eve of the Battle of Agincourt, the English were outnumbered five to one, Henry's troops were on foreign soil and riddled with disease. The scenes where Henry dons a disguise and goes out amongst his troops to bolster their confidence are great. The English managed to triumph in this battle where all was stacked against them mostly because of Henry's leadership. This is such a sweeping story that it is hard to condense in a few words, the plot of the play, but it is a wonderful example of Shakespeare's skills as a writer.

'We few, we happy few, we band of brothers.' What more need I say? Henry V is an imortal classic of western literature. And this edition is complete and accurate. See the film if you want, but be sure to read the words at least once. They are inspiring.

"Now, if these men do not die well, it will be a black matter for the King that led them to it."

Particularly poignant poetry in these times of pompous presidential sabre rattling and wars based on questionable facts.

This book is a true page turner. I couldn't put it down. Tales from his childhood were very interesting. I was especially interested in the story about how Li and his friends were shot at (by the guards at an abandoned airport), as they were trying to find used charcoal. Tears came to my eyes when he later describes flying back to his village so many years later, and discovering that they had landed at the very same airport.

I also enjoyed reading about how his family treated his wife, when they met her for the first time. They went out of their way to treat her like a longtime member of the family, even though they had just met her.

Mao's Last Dancer by Li Cunxin is the memoir of a famous Chinese international ballet dancer (now retired) who struggled from poverty to reach soaring heights. I was enraptured from page one, when Li describes a traditional Chinese wedding that seems like it is irrelevant to his story but is in fact the wedding of his dear niang and dia (mother and father), whose love for him leaps in bounds.

Li grows up in the Li Commune in the Qingdao (or Tsingtao, named after the Chinese beer) province in China. He has many brothers, and his niang and dia struggle everyday to make ends meet. Chairman Mao is at the height of his power, and so all his teachers indoctrinate Li and other children about Mao's Red Book and the Communist ideals. At age 11, Li is chosen to attend Madame Mao's Dance Academy in Beijing, where it is a totally different world from the fields that he lived in. There, he suffers intense homesickness and torn hamstrings as he and his classmates go through rigorous dance training.

Li meets many friends and teachers that influence and support him, especially Teacher Xiao and his words of inspiration about a mango. Li eventually gets to go to America to dance with the Houston Ballet under Ben Stevenson, and that trip of freedom changes his life forever as he realizes that for years, Chairman Mao manipulated all of China with his communist ideals and twisted portraits of capitalist America. In America, he meets even more people that shape his tumultous life as he finds international success in the dnace world and his true love.

From his parents' wedding to his own, I was never bored for a single moment. His journey from a poor peasant to international success is amazing because the reader never knows what is coming up next! Li inserts a lot of anecdotes and Chinese stories/fables that his dia or someone else told him. His emotional outbursts will evoke the reader's own emotions as he struggles through excruciating pain, humiliation, homesickness, his feelings of love, and his confusion about capitalism and communism. I cheered him on when he has his first taste of freedom in America. Also, the reader reads about the importance of a cohesive family. When there is nothing, one will always have family to love and support, and his large loving family is the biggest supporter Li has.

Li's poignant memoir is one of the best in its field. It is easy to read and enjoyable. It is not short (445 pages) but the pages will go by in the blink of an eye because this story of a remarkable Chinese dancer is so fascinating and awe-inspiring. Highly recommended!

I have a deep interest in Chinese history & am always on the look out for good books written on the subject.

This particular book is a very heart-warming book indeed. After having read so many positive reviews about it, I decided I had to buy it. It was one of those books where you just have to read it from start to end. The story itself is quite incredible & told from the heart. The endurance, strength & courage of Li Cunxin in the backlight of the decline of Mao's power & the ascent of Deng Xiaoping really makes this a must read for anyone interested in Chinese history!

Richard

I've read many, many memoirs about life in modern China, however, I've never read one with such a dramatic tale to tell, and I've read very few books in general as well written as this one. This is a true rags to riches story---starting out in a commune as poor as it could be and ending up world famous.

It was very interesting to read a book set during the Cultural Revolution from the perspective of someone from the class that was suppposed to be the one being glorified at that time---the peasants. It's amazing to see Cunxin's progression from true devotion to Mao to realization of how much he was lied to and manipulated.

This is also a love story, the story of the love between Cunxin's parents---an arranged marriage which became a true love match, and the pride and happiness despite their very tough lives they had in their seven sons. It is obvious the author cares so very much for his whole extended family. The speech his usually quiet father gave at a family wedding is one of the most touching passages I've ever read.

I hope Li Cunxin writes more. I would love to hear more about his life in Australia with his wife and children, and to hear about their journey with their deaf daughter. He is obviously a gifted writer as well as a gifted dancer. Highly recommended to all.

I must join in on the praise for this wonderful memoir. Li Cunxin's account of his early life in China was so vivid that I literally shed tears for him. Later,I found myself cheering his brilliant successes in the ballet world. I could not put this book down, as I felt compelled to find out what was happening to Li Cunxin. The pages of pictures contained in the book added much to the telling of this story. You must read it.

My Name's Friday is an enjoyable romp through the world of Jack Webb. From his days portraying hardboiled radio detectives Pat Novak and Johnny Madero to Hollywood Success, Failure, and a big comeback, Friday takes us through the highlights and lowlights of Webb's life.

Michael J. Hayde comes to the book with a great deal of respect for Webb and his work, which is an essential element in a work such as this. Hayde's work first and foremost is a Webb fan book. He gives a synopsis of each of Webb's movies and then provides a critique of them. While appreciating Webb's contributions, Hayde spares no criticism of the late 1950s Dragnet episodes, Pete Kelly's Blues, and other less than successful Webb projects. While I don't agree with all of Hayde's criticism (I loved the "Night School" episode and he didn't), his criticisms are reasoned and measured rather than spiteful. Whatever criticism Hayde has for Webb is mild compared to the well-deserved critique he slams down on the 1987 Dragnet movie with Dan Akroyd.

If there was one criticism I'd had of Hayde's book, it was where he went from TV fan to armchair psychologist, buying Webb's statements that he didn't miss having a father around as a youth. I actually after reading the book and of Webb's difficulty letting himself act believably on screen particularly in romantic scenes, as well as history of broken marriages might not have been influenced by never having a father around. Kind of off-topic from the subject of the book, I know. However, if one is going to engage in psychology, it shouldn't be done haphazardly.

Still, the book is incredible fun as a fan resource and provides a rare glimpse at a radio and TV genius that's been typecast as a stiff clown. Read it to recapture a vital part of America's television history.

This is an excellent book. While not a true biography, it does take a look into Webb's personal life because Webb was such a workaholic that it had an effect on all that he did and who he was.

Unless you're an old time radio fan like me, you may not know that Webb started early and young. He had many outstanding shows before Dragnet and even Dragnet started in 1949 on radio. For a while, it was on both radio and television at the same time.

Webb was in many ways a brilliant man. Yet he had many failures --- both in his business life and certainly in his four marriages.

To say he was an interesting man may be an overstatement. But his body of work is so extensive, that one has to be impressed.

I started to become interested in Webb when looking for metaphors for my own writing. I didn't want to use stuff that everyone knew. And I kept hearing them on his old radio shows --- especially the ones written by the incredible Richard Breen.

I liked Webb's delivery and unemotional approach to acting. In most people, that would be considered bad acting. But somehow with Webb it was something special.

This book makes Webb and his entire career, his stock of actors and his many incarnations come to life. While his life was short, he accomplished so much.

Dragnet started on radio in 1949 and still today, in 2007, I know of no one who doesn't know what it means to hear, dum - de-dum -dum. And few people do not know of Dragnet and at least seen it on television. To me, that's amazing.

This book dwelt mostly with Webb's body of work and not his personal life or his personality. It does deal with it to some extent. But if you're interested mostly in that area of Webb's life, you might prefer another book.

The book has an excellent and exhaustive appendix that included a list, along with dates and other valuable information on each show on both radio and television. The appendix also includes other valuable informations. Well worth saving.

For Dragnet fans and Webb fans or those who are interested in radio and/or television history, this is a must-read. Oh, it has lots of great photos too.

Highly recommended.

I found this book to be an OK read. The only problem I had was that toward the end the tone of the writing shifted as the author sought to be a Jack Webb apologist. There are excuses made for the way the Dragnet of the 60s portrayed drug users, and there's almost an indignant tone taken over Dragnet spoofs such as the Dan Ackroyd film and even Nick at Nite promos!

The reason the Dragnet of the 60s became such a ripe ground for spoofing (besides the rapid fire patter) was indeed the portrayal of drug users. The series basically equated marijuana use with LSD and heroin, which is a laughable premise. The author's defense of the "Blue Boy" episode was particularly humorous. I remember seeing one of the participants of the drug party in that show actually physically trying to climb the walls. Talk about heavy-handed and unintentionally funny!

That said, I still found the book worthwhile reading, I'm a fan of Dragnet, both for Jack Webb's innovative style of shooting and the campy humor. It was interesting discovering things about Webb's radio show and some of his films that I had not previously known. I was easily able to overcome any minor annoyances with the tone shifting at the end.

I bought this book expecting fluff based on the reviews. I am a big fan of Dragnet the radio show but did not think the book would cover much of it in depth. I was wrong. Although it spends more time discussing the television series and movies, I was happy with the information on the radio show.

This book details the Dragnet radio show, both Dragnet television shows, and Mark VII movies. It does this through the central person in all of these productions, Jack Webb. However, the reader also learns about the regulars on the shows, and we get to know a bit about them as well.

"My Name's Friday" does not claim to be a biography on Webb and if that is what you are looking for, this is the wrong book for you. If you are looking for a bio of Jack Webb, there are many other books that you would probably enjoy more. However, If you are interested in the multiple incarnations of Dragnet and Pete Kelly's Blues, this is the book for you.

In addition to the main text, the appendixes include titles and brief descriptions of each Dragnet radio and television show in addition to police terms used in the shows and movies.

This is a must if you are collecting the radio shows, original TV series, or the '67-'70 version. A lot of the 50's series is on DVD, but they are scattered on all sorts of compilations. This book helps keep track of what you've got. I particularly enjoyed hearing from the extras that Webb used religiously.

But beyond Dragnet, there's a lot of interesting stuff here, how Webb was a jazz nut, including his foray into recording with his spoken-word "You're My Girl" album.

I think it's very interesting how he worked with ex-wife and her husband on Emergency! Many paramedics credit Emergency! with inspiring them to join this service. He obviously loved police and emergency services and his hometown. It makes you wonder, if Webb had lived, what his creative reaction to say the LA riots and the OJ trial would have been.

A great book. Shows stunning photos of the TV show "24" being filmed for seasons 1-3. I highly recommend it for any true "24" fan.

Excellent content for 24 fans, from Season 1 to Season 5, with plenty of professional pictures of very high artistic quality, to get insights into the show cast, crew and into some of the most challenging scenes.
You have a look at off screen actors relaxing and having fun while waiting for the next shot or discussing about it or trying to focus on their lines.
Finally you feel the strength of that "24 family" Kiefer Sutherland writes about in his nice foreword of the book.
Also excellent quality of the editorial format.

Get this book. Especially at the price, you can not go wrong. If you are a fan , get this book. If you've never seen 24 before, watch it , and then get this book.

I have become an avid "24" fan and really loved this book. I highly recommend it to any fan of "24".

Loved the book - came with a CD which I haven't seen yet. Unfortunatly I read it all in one day - but it is great to get a glimpse of how they put together this amazing show and a sneak peak at all the interesting people that make it work so well.

This book's meticulous scholarship started a welcome trend for "shot-by-shot" analysis of moviemaking.

Psycho is known for many things, but among them is Hitchcock's determination to use techniques he learned from television production. For a creator and adherent of "pure cinema," this special discipline makes the movie all the more notable.

What a series of paradoxes. The famous shower sequence is cited over and over again as one of the best uses of cutting and montage, and yet classic 50s "two-camera" TV shows would never dream of this approach. Too expensive and time consuming.

The usage of black and white - again classic 50s TV - actually enhances rather than diminishes the horror. As with old-time radio, the viewer has to fill in the lurid colors of blood and gore with her own imagination.

The cover says that this film started a trend toward "psycho thrillers." I suppose that this is true, but it accomplished much, much more than is acknowledged by the mediocre films that followed.

What an intelligent, readable, informative book this is. Full of insights about the personalities of Hitchcock, Anthony Perkins, Janet Leigh, and all the other collaborators in this important and usual film project for everyone concerned. What struck me most about the book is the author's ability to blend his thorough research with a sense of the psychology and drama of what goes into making a movie. I'd have to agree with the reviewer who said that Rebello made reading this book nearly as entertaining as the movie itself. That's quite a feat. What I want to know is when will Mr. Rebello give the royal treatment to other Hitchcock projects as well as films by other directors.

I found this book to be just wonderful from start to finish. The research is painstaking, the writing smart and lively, the degree of film industry know-how is evident on every page. In fact, the book strikes me as one of the few I've read on Hollywood to suggest that the writer actually knows his way around movie sets and knows how films get made. This book has none of the absurd (and insulting) armchair psychologizing that mars other Hitchcock books and there isn't a dry or pedantic paragraph in it from start to finish. I thought I knew a lot about Hitchcock and Psycho until I read this book. A job obviously undertaken with love and wisdom, superlatively done by Mr. Rebello. I had the pleasure of hearing the author lecture on Hitchcock on TV in London and in Tokyo and he was the standout of the whole affair!

This book is about as in-depth as you could want, but very interesting and good reading. Stephen Rebello begins at the beginning with a rather revolting chapter about the psychotic killer upon which Norman was later loosely based. (Don't let your children get a hold of that chapter!) He then talks about the man who wrote the book "Psycho", and on to Hitchcock's discovery of the book and the making of the movie. There are chapters and sections on practically every aspect of the movie and the making thereof - cast, costumes, shooting, casaba melons, publicity, and the aftermath. At the end there is also a list of the entire cast and little paragraphs about what became of them after Psycho.

This book is very good if you are a fan of either Psycho or Hitchcock in general, because in telling about Psycho the author tells a lot about Hitchcock as well.

For the true fanatic, or just the curious, this is an immensely
readable account. Far, far more interesting and enlightening then
any of the turgid, pompous academic treatises on Hitchcock that
pollute bookshelves everywhere. As definitive a reconstruction
of how PSYCHO - or any movie, with a few exceptions - was put
together. However, I suggest Mr. Rebello is overdue for either
an update
(though this reprint's front and back cover is definitely an improvement over the original),
or a companion volume.
For the completists, I suggest:

1. More production and cast stills.
2. Saul Bass's storyboards.
3. Interviews and/or photos of Marli Renfro, the actresses
who provided the voice for Mrs. Bates, the diminutive woman
who stabbed Arbogast. Other cast interviews.
4. Documentation on PSYCHO's aborted CBS broadcast of 09/66
and its subsequent showing in 06/67 on ABC - the edits,
and when it was finally shown complete.
5. Information on the sequels, and Van Sant's "recreation".
6. Full descriptions of deleted scenes from the original.
7. Some of the less inflated analysis on its symbolism, etc.
8. Most importantly: a cue by cue evaluation of Bernard Herrmann's magnificent score, including its unused parts.

Ok, Mr. Rebello, make it happen.
Until then, anyone who is at all fascinated with how an American
cultural landmark came together, (Yeah, I know, like Hitchcock used to say, "Oh,it's only a movie!")
GET THIS BOOK!

My 3 1/2 year old son loves this book, we have read it every night since we bought it.

Very fun with great words and rhymes. My son can't get enough of this book. We read it everyday before bedtime. Highly recommend!

After checking this book out from the library multiple times, I figured my 5 and 3 year olds needed a copy for themselves. This is a lyrical, funny and memorable story that should please everyone!

My daughter loves the rhythmical bounce to this book! It's like reading a song! Very Fun!

My girlfriend and her son absolutly love it. It must be read with a little bit of a rhyme

If you visit Shirley Cheng's website, you'll soon discover she is a very unique individual with an inspirational story that will definitely touch you in some way. Shirley was born in 1983 and diagnosed with rheumatoid arthritis before she was even one year old. Due to years of hospitalization in both China and America, Shirley received no formal education until she was eleven years old. In public school, she suffered from abuse at the hands of public school aides. At the age of seventeen, she lost her eyesight. Today, Shirley is a motivational speaker, poet, and an author of a handful of books all available through Amazon.

Shirley's book, Embrace Ultra-Ability, presents over 20 chapters of the author's own personal advice on focusing in on the world around you in order to achieve personal success. From learning to appreciate nature to developing your own spirituality, Shirley teaches the reader to focus on the simple everyday parts of life that those of us who are not handicapped often take for granted.

My favorite chapter in the book is called "A Matter of Time." Shirley begins the chapter by asking the reader if they would like the power to look into the future. Who wouldn't? Psychic power is something many of us seek out as a novelty, astounded when predictions often do come true, a power many of us wish we had. However, Shirley embraces the opposite. "But after carefully considering it, I would like to keep the future a secret instead," Shirley writes. Why spoil the surprise of life, she stresses. She continues:

"While we hope for a bright tomorrow, we need to capture our time right now before it slips away between the cracks of everyday rushes. The best way to capture time is to cherish every minute of your existence."

Yep, it's a broad realization, right? But so true. I often dread facing another work week when Monday gets here, anxious for the weekend, only to look back and wonder where the weeks went to because they flew by so fast. And so is life, passing me by quicker and quicker every year, which is why I found Shirley's book to be a nice bit of encouragement to take time out everyday, slow down, and appreciate the simple things in life I am fortunate enough to have.

Embrace Ultra-Ability is not a sad book written by someone who is misfortunate and asking for your sympathy. Sure, her words and story are truly compassionate and will definitely touch you, but Ms. Cheng is a motivational and kindred spirit that we can all learn from. The title of her book says it all. We should ignore our inabilities in life, and turn them into ultra-abilities that will work in our favor and make us a better person. I have no doubt that reading this book is a great start to achieving just that!

"Embrace Ultra-Ability" by Shirley Cheng is a powerful book that demonstrates a spiritual insight I have not seen in a person as young as she is. By skillfully intertwining her spiritual insights with her personal story, she is able to explain how every one has the ability to enjoy a happy, loving and prosperous life full of rich rewarding journeys. A person can not read this book and in reality ever "feel sorry for themselves" again. I highly recommend this book for those seeking ways to embrace every aspect of their lives and develop them to serve others.
Rowena Holloway, Co-Author of the Pray it Forward trilogy.

Shirley Cheng's seem to be able to take on some of life's toughest struggles and by keeping her faith strong in her God and herself, she has been able to do things in her life that might slow down the average person.
After reading "Embrace Ultra-Ability" it seems to me that most of us could learn a thing or 2 on how to soar above our limitations.
Her clear style of writing and thought process made reading this book a self discovery journey.
Elizabeth Cassidy,CTACC
Branching Out Life Coaching

Shirley Cheng is a queen of optimism and inspiration. Her faith in God and love of life are unwavering no matter what challenges she had to face in her short life of twenty four. Her enthusiasm and wisdom about life are contagious.

"Embrace Ultra-Ability" should be read by every human being. If you are facing challenges in life you will learn how to overcome them. And if you don't face any challenges be grateful for every moment you live on this earth, because life is a gift.

Lea Yekutiel - author, Los Angeles, CA

In a society that is self absorbed, unjustly critical and judgmental; out comes an honest and humble perspective from a young, prophetic muse, whose inner perception is astounding.

"Embrace Ultra-Ability!" - defines the very essence that truly needs to exist in all of us. We have no place for pity within our lives after reading about the determination, resilience and extreme faith Shirley holds towards her life and her experience. The courage to share her understanding in anticipation others will follow, is a sheer sign of true leadership and accountability.

And as a matter of fact, each teenager should be given this book in High School as a basis from which to build their values, morals and gratitude toward life.

With what we view as set-backs, Ms. Cheng views her challenges as monuments of growth and turns them in to the highest of accomplishments and achievements. I honor her endurance and envy her strength.

Very well done...What is next Ms. Cheng?

The young Hal and his instructor in the art of living the good life , Falstaff cavort through the first half of Henry IV as if life were going to be one long , irresponsible entertainment. The dramatic transformation of all of this , and Hal's casting off of Falstaff, and moving to kingly responsibility will come in the Henry IV Part II.
What is present here throughout is the tremendous richness of Shakespeare's imagination in his creation of character, and inventiveness in language , in his ability to create so many different moods and feelings.
'Falstaff' is one of Shakespeare's most beloved characters, and one of the great figures in the Comedy of world literature.
Enjoy.

This is the play where the Percy rebellion begins and centers around the Achilles-like Hotspur. Eventually, Hotspur (Henry Percy) and Prince Hal (Henry Monmouth - later Henry V) battle in single combat.

We also get to see the contrast between these young men in temperament and character. King Henry wishes his son were more like Hotspur. Prince Hal realizes his own weaknesses and seems to try to assure himself (and us) that when the time comes he will change and all his youthful foolishness will be forgotten. Wouldn't that be a luxury we wish we could all have afforded when we were young?

Of course, Prince Hal's guide through the world of the cutpurse and highwayman is the Lord of Misrule, the incomparable Falstaff. His wit and gut are featured in full. When Prince Hal and Poins double-cross Falstaff & company, the follow on scenes are funny, but full of consequence even into the next play.

But, you certainly don't need me to tell you anything about Shakespeare. Like millions of other folks, I am in love with the writing. However, as all of us who read Shakespeare know, it isn't a simple issue. Most of us need help in understanding the text. There are many plays on words, many words no longer current in English and, besides, Shakespeare's vocabulary is richer than almost everyone else's who ever lived. There is also the issue of historical context, and the variations of text since the plays were never published in their author's lifetime.

For those of us who need that help and want to dig a bit deeper, the Arden editions of Shakespeare are just wonderful.

-Before the text of the play we get very readable and helpful essays discussing the sources and themes and other important issues about the play.

-In the text of the play we get as authoritative a text as exists with helpful notes about textual variations in other sources. We also get many many footnotes explaining unusual words or word plays or thematic points that would likely not be known by us reading in the 21st century.

-After the text we get excerpts from likely source materials used by Shakespeare and more background material to help us enrich our understanding and enjoyment of the play.

However, these extras are only available in the individual editions. If you buy the "Complete Plays" you get text and notes, but not the before and after material which add so much! Plus, the individual editions are easier to read from and handier to carry around.

I am actually reviewing both Parts One and Two with this since they should be read together.The reason why I enjoyed these plays so much is because we see Falstaff in both of them. He is my favourite Shakespearean character - big, bawdy, rough, a liar and a cheat, but again we know what he is right from the beginning, and Shakespeare keeps him so true to character. These plays are a bit different from some of the other histories. There are more comedic parts in them for one thing. The plays are certainly used as a medium for introducing young Hal (who will become King Henry V). We see him as a young man, and watch him grow and see the influences that his society and the people in it have on his development. He doesn't appear to be growing up well according to his father because he is so irresponsible. King Henry IV was not England's strongest ruler. He was haunted by his guilt over the death of his predecessor, King Richard II. In Part Two, comedy still plays a big role, and we still see Falstaff's influence on young Hal until the shocking moment of Falstaff's death. The best part about Part Two though is the deathbed scene between old King Henry IV and his son Prince Henry. The play leads us to "King Henry V". Prince Hal does finally grow up and he becomes a very strong leader. Actually King Henry Iv, Parts one and two should be read before King Henry V. It is the correct sequence and we see Prince Hal grow and mature.

Henry IV remains one of my favorite Shakespeare plays, even though the tragedies and comedies get far more attention and seeming appreciation than do the histories. As an English major, I examined Henry's (Hal's) character, and I focused on his development from a somewhat foolhardy young man into a self-assured, even manipulative prince. It is hard to say which of these Hal truly is, or if he is a little bit of both.

At the beginning of the play, Hal spends his free time cavorting around with his friend Falstaff (who provides all of the laughs in the play and is cited as one of the best comic characters in all literature). In the first act we already see hints in Hal's sololiquy that he may not be as carefree as we are led to believe, and that he might betray friends like Falstaff to be the prince that he is expected to be. Read on in "Henry V" to see just how much of a polished politician Hal becomes--his battle cries and his "once more unto the breech, dear friends" is masterful in its persuasiveness and ability to induce his countrymen to fight.

Hotspur serves as a nice counterpoint to Hal in "Henry IV." Hotspur is the hothead and Hal makes his decisions calmly and rationally. This almost inhuman rationality comes into play again in "Henry V" and makes you long for the seemingly carefree Hal.

All in all, "Henry IV" is a great read and quite an interesting character study--I highly recommend it!

In Part One of Shakespeare's "Henry IV," the titular king tries to defend his throne from a rebel army led by the hotheaded Hotspur, who has a long list of grievances about the king's treatment of his family, the Percys. Hotspur has allied himself with several principal figures including his uncle the Earl of Worcester, his brother-in-law Mortimer the Earl of March, Lord Douglas the Scot, and Owen Glendower, a Welsh chieftain with a vivid mystical imagination -- he is so egotistical that he insists an earthquake that occurred the day of his birth was a divine proclamation of his importance -- and a desire to usurp all of Wales from the king.

While he is preparing for war against the rebels, Henry IV laments that his own son Henry (Hal), the Prince of Wales, is a shameful libertine living the high life in London and consorting with a gang of scurrilous miscreants. Indeed, Prince Hal's idea of fun is robbing people, and his best friend and accomplice in this activity is Sir John Falstaff, who turns out to be not Hal's peer but a middle-aged man. In a character transformation of an abruptness that can only be described as magical, Hal becomes a serious young man determined loyally to defend his father's kingship from Hotspur's assault after he receives an earnest lecture from his father about the dangers of acting irresponsibly as a public figure.

Not enough can be said about Falstaff, who is undoubtedly one of the most richly realized characters in literature. He is fat, lazy, cowardly, yet boastful, but not in the same way Owen Glendower is -- Owen really believes what he says; Falstaff is just trying to make himself look better than he actually is, but fools nobody because he prevaricates and embellishes without bothering to remember his previous lies for the sake of consistency. You probably know somebody like this in real life -- especially if you're ten years old. Falstaff's piquancy, in fact, so outweighs the stature of the other characters that his absence is sorely felt in the scenes in which he does not appear.

Most of all, Part One of "Henry IV" is a play of contrasts personified by Prince Hal and Hotspur, who incidentally is also named Henry. In their confrontation on the battlefield, it seems unlikely that Hal, who wasted many of his best days living as a rake, could conquer a seasoned warrior like Hotspur in a swordfight. But there wouldn't be much of a tale to tell if not to show Hal triumphing after his resolution to change his weak habits, and the play ends with the conviction that, despite his past mistakes, he would make a noble king himself.