Arts Books

This book has it all when it comes to grammar. It teaches the parts of sentences and how to put them together to write a report, what is and isn't good grammar, and how to sound like you're not an illiterate; and, on top of all that, it offers exercises. I showed this to my boss who said she would buy several copies for the office so that staffers didn't make grammar mistakes. The author put this all together in one thin but rewarding book...worth every little penny you pay.

For years I wondered about when to say "good" and "well," or how to avoid double negatives, and a whole slew of other problem areas in grammar. Well, this book made it easy and simple. I highly recommend it. Nice job, Professor Hayes.

Whether you're in elementary or high school, being homeschooled, or run a business, this is the best supplemental text on grammar to have on hand. I learned so much from it in such a short period of time. It focused on all the grammatical problems we have when presenting or writing. I own a Ford dealership and have copies of this book all around the showroom and in each of my sales associates' office for use as a quick reference. I want my staff to sound educated and act with class. Speaking poor grammatically isn't the answer. Buy this book. I don't usually review or recommend books but I'm making an exception in this case.

Troublesome Grammar is one of the most helpful books I have come across to point how errors are unknowingly made in speaking and writing. This author hit right on the problems we all have, such as when to use well or better, which verbs to use for past tense, how to use hyphens and so on. This is worth the few bucks it costs.

I'm from Scotland studying here in the States. I saw a student on campus using this book to do an English report. I asked him to let me look at it, and, wow!, was I every surprised that someone was smart enough to wrap up all the grammar problems we face in one easy to read book. Thanks, Dr. Hayes. You made my work here at college easier. I hope everyone gets as lucky as me and finds this book.

I have been wire sculpting for years and finally found a decent book for beginners and experienced wire sculpters alike. This book reminds me alot of the out of publish magazine, The Wire Artist. It's very detailed in it's instruction. Many fun projects to choose from. And most importantly the author gives ideas on how to go beyond the projects. You will get a very good foundation on making your own designs. Those that don't want to design their own pieces will enjoy the projects in this book. There is a TON of information in this book. FINALLY! a good wire sculpting book to add to my jewelry making library!

My only small gripe is that I do wish the photos were in color, but that's not really a big deal when you think about all the useful info in this book. Definitely a *MUST HAVE* for the jewelry maker's library;o)

This is an excellent book. The author really has the vocation of teaching. Each proyect is very detailed explained with photos to help the reader understand what he is explaining. This is really a step by step explanation, because almost every minute step that is needed in the process is explained. Some books say that they give "step by step" explanations, but in reality they are only giving the "most important step by step" explanations. They skip many important explanations that you need to really understand what they are saying. In addition, the proyects are beautiful, and as he recommends they are only intended to get you started. From there you can use your own creativity to create your own pieces of jewelry. But the bases are well taught so you are better equiped to exploit your creativity. Excellent book, weel written, well explained. I recommend this book, specially to those who do not know anything about jewelry making. One little drawback, at least for me it is, is that all the photos are in black and white. It would have been great if they were in color, since in color you can better appreciate the beauty of the pieces.

This is the first book I have found that REALLY shows you everything you need to do, step-by-step, and requires only a couple of types of wire and truly minimal tools.

I have spent thousands of dollars (not an exaggeration) trying to "get it" as far as wire wrapping. I have an online shop and although my main focus is faceted gemstones, I love the look of wire wrapping and carry intaglios and other interesting items to wrap. I have spent a fortune trying out products, and nothing worked for me. Part of the reason is that I have no artistic talent, but the biggest reason is that I got started wrong. I took my first wirework class from someone who owned a store and just downloaded class information/patterns from the internet. Half-hard wire was used in all classes, and I could not understand why I could not get it to make the lovely curves I see wire artists achieving. One of the first things the author explains is that the half-hard wire that is so popular is hard to work with and hard on the hands. I obtained some dead-soft wire and shazzam! -- My first attempt produced a finished, wearable result.

I bought this with Jewelry Studio: Wire Wrapping, and it was a good combination. There really is no overlap, and the styles are completely different. I think both are quite useful. Whereas Jewelry Studio throws you off into the deep end (it is quite a small book, without space for details), this book shows every single step in photographs -- literally. Each simple project covered an amazing number of pages, simply because such care was taken in explanation.

This is not an "eye-candy" book; you will not find a single color photo except on the outside covers. It also covers nothing but cabochons. However, it is still the most valuable publication on the topic I have purchased (and I have purchased more than a hundred) because if you follow his instructions to the letter, you will turn out a piece of wearable art the very first time. If you can't get past that stage, all the inspirational photos in the world are not going to help. And completing the first pendant makes you understand things better. For example, you wrap around any corners or narrow curves to keep the wires from separating. How the bail and upper wraps work together is not nearly as clear from a diagram or photo as it is when you are holding the piece in your hands.

Another major benefit of this book: You need only two kinds of wire (22-gauge square and 21-gauge half-round, both dead soft) and really basic wirework tools (such as square-nose pliers and flush cutter). Every other book I have calls for dozens of types of wire (different combinations of metal, gauge, shape, and hardness) and an endless array of tools and supplies, many of which I have never found. (Jeweler's rouge, anyone?) Later he adds a third wire (round!). Even books I love (such as Making Metal Jewelry by M. Lareau) make me despair when I make a list of the "basic" tools, only to find that I need about $3000 of them, not to mention the inevitable organizers and storage needed so you can actually find them when you need them.

If you really want to learn wrapping and have felt very frustrated with other resources that have lots of clever ideas and enthusiasm but not enough detail for the beginner, this is the book for you.

I've only been wire wrapping (or attempting to wrap) for a few months.
I learned more from this book than any other that I've purchased or any DVD/system that I've purchased.

If you are seriously into wire wrapping, or just curious, this book will convince you to go for it.

I just started wire wrapping a few months ago and bought a few books and DVDs showing how to do it. This seemed to be the "basic" style for wire wrapping. This book takes the style I had just learned and adds another element to it and I love the different look! Plus it offers many other new, creative options to the basic wire wrapping. The downside is that all the photos are black and white (in this day and age color should be the standarad for "how tos")but the upside is that there are lots and lots of them for the many steps. This has become my favorite wire wrapping book.

If you are a writer, or an aspiring one, you NEED this book. 90+% of publishers don't take unagented material. This book will help you to find an agent, and help you to get that manuscript you've worked so hard on published.

I found the information in this guide to be extremely helpful in targeting and securing the right agent. The details that are provided, such as what percent of new authors the agency represents, the types of books the agency represents, and quotes which detail advice from the agents insured I sent my information to those who would be most interested. And it worked!!

You know you need an agent to shop your work, negotiate your contracts and get your manuscript into doors closed to unrepresented authors. Your next step is to add the "2003 Guide to Literary Agents" to your writer's toolbox.

Articles from industry professionals address the most common issues writers face: do you need an agent, how do you find the right agent and how to avoid bad agents. But these articles also walk you through the entire process of getting an agent - from what to do before you begin your search, all the way to knowing your rights before you sign a contract.

The heart of this book lies within the agent listings. Every year contact information, current needs, submission guidelines and contract details are 100 percent updated.

Besides agents who represent fiction and nonfiction work, you'll also find sections on script agents, independent production companies and independent publicists. Most agent listings also specify which writing conferences the agents attend so be sure to look in the writing conferences section to find the details on a variety of writers' conferences in the U.S. and Canada.

Your search for an agent is crippled without this guide in your arsenal. If you're serious about getting an agent to represent your work, the yearly "Guide to Literary Agents" is an absolute must.

I'm telling you, these Writer's Digest people really do it right. If you're looking for a literary agent, this is the place to look.

The book starts with articles about getting and working with an agent and interviews with reputable agents and editors. Do you need a New York agent? Should your agent suggest rewrites? Do editors like agents, or is their relationship combative? How can you tell a good agent from a bad agent? Do you even need an agent?

All of these questions and more are answered. You'll even find examples of successful query letters, synopses, and outlines. You'll learn the components of a nonfiction book proposal. All of the basics are covered.

Then comes the actual agent listings, divided into two sections: nonfee-charging literary agents, and script agents (both nonfee and fee-charging). Listings include contact information (including e-mail addresses), professional memberships (like AAR or WGA), what they did prior to becoming agents, number of clients, percentage of new authors, percentage of novels versus nonfiction books, genres they represent, preferred method of contact, recent sales, conferences they attend, terms of representation, and tips. There is also a key to let you know how open the agency is to new writers.

New in this year's edition is a listing of independent production companies and screenwriting contests. And nonfiction authors and novelists may enjoy the listings of publicists.

More than 600 agencies are listed. I've begun querying, and have already found several agents who responded positively to my e-mail queries.

The agents listed in this book are pre-screened and deemed to be legitimate, reputable agents. No more surfing the Internet and trying to guess who's legit and who's a shyster. If you find an agent through these listings, the book can pay for itself a hundredfold. It's a very worthwhile investment in your career.

If you are a writer, or an aspiring one, you NEED this book. 90+% of publishers don't take unagented material. This book will help you to find an agent, and help you to get that manuscript you've worked so hard on published.

One of the funniest books I read all year. Timely, interesting and extremely original. Lord Whimsy is one-of-a-kind!

The human institution known as Lord Whimsy is tooo brave, too refined, too insightful for this epoch. A man of wit/ charm/ taste; Who could have predicted his astonishing insights amongst the garbage heaps peddled by the Amazon Empire? Huzzah! B-b-b-buy it!

the lord brings it home with this tome on tastelessness in america and how to combat it with dignified attire, prose and comportment. a must-read for all those seeking a return to what cannot come back, that is to say, 'civility.'

Wonderful, witty and a perfect guide for any young or young at heart Dandy. A welcome protection from the crass and dreary world of "reality tv", Paris,Britany and Nicole. An elysium

Imagine a book written by an early 19th century country squire and self-appointed dandy, musing on style and grace and the pursuit of butterflies. Imagine an English country version of a risible Proustian sensualist, becoming enchanted and then aroused by a work of art. This is the world of Lord Whimsy and his various and sundry thoughts and writings. An incredbile anachronism, full of humorous opinions on the pursuit of life dedicated to true beauty- - both in ones dress and in ones heart. It seems almost impossible that someone would write such a book in the 20th or 21st centuries. Each chapter is a self-standing essay on art, clothing, style, birds, bees, fantastic bicycles and life in the soporific langour of outer New Jersey pretending to be Dorset or Cornwall. I love this book, but someone said it is satire. I can't tell if it's satire or serious fun, as in "I am never more serious than when I am having fun." I await the opportunity, soon I hope, to meet his Lordship at one of his public readings. That will be something!

This is one of the books, that I've been looking for, everywhere, and when I found it at amazon, I didn't waste any time, in buying it.
The afghan patterns are all great, and worded so that we can understand them.
Thank You,

This book has a wide variety of patterns that are easy to follow and easy to make.

This crochet pattern book includes a wonderful variety of great patterns. Just purusing this book makes you want to crochet up every pattern inside...

This book has more beautiful patterns all in one book. Usually when you buy a book, it may have one or two patterns that spark interest, but I have never seen this quantity of unique patterns. I would recommend it to anyone who loves to create because these are truly creations.

This is the fourth "Afghans for All Seasons" book Leisure Arts has put out, and it is my favorite. I've made 4 blankets from it for gifts, and there are still others I want to do! The directions are easy to follow, using the usual abbreviations in all Leisure Arts books.

I love the wide variety in all the "seasons" books compared to other Leisure Arts books. From my sister in Houston to my brother in Detroit, I can find a pattern suitable for any climate, age, gender, etc. I must confess I chose different colors for each blanket than the book has (to match decor) but that was easy to do.

I also love the wide variety of sizes, complexity, and speed. I was able to make a large afghan for my tall brother very quickly because the pattern used two threads together. Another smaller baby pattern was perfect for my friend's new nursery. One pattern that they showed in a solid color was easy to convert to two colors. Still another I made for my mother was an easy, repetitive pattern, so I was able to take the blanket anywhere to work on without bringing along the book (much easier to just sit and chat without stopping to check the book directions!)

If you want to get just one book with a wide diversity of GOOD patterns, this or another of the "seasons" series is what I recommend.

This book's meticulous scholarship started a welcome trend for "shot-by-shot" analysis of moviemaking.

Psycho is known for many things, but among them is Hitchcock's determination to use techniques he learned from television production. For a creator and adherent of "pure cinema," this special discipline makes the movie all the more notable.

What a series of paradoxes. The famous shower sequence is cited over and over again as one of the best uses of cutting and montage, and yet classic 50s "two-camera" TV shows would never dream of this approach. Too expensive and time consuming.

The usage of black and white - again classic 50s TV - actually enhances rather than diminishes the horror. As with old-time radio, the viewer has to fill in the lurid colors of blood and gore with her own imagination.

The cover says that this film started a trend toward "psycho thrillers." I suppose that this is true, but it accomplished much, much more than is acknowledged by the mediocre films that followed.

What an intelligent, readable, informative book this is. Full of insights about the personalities of Hitchcock, Anthony Perkins, Janet Leigh, and all the other collaborators in this important and usual film project for everyone concerned. What struck me most about the book is the author's ability to blend his thorough research with a sense of the psychology and drama of what goes into making a movie. I'd have to agree with the reviewer who said that Rebello made reading this book nearly as entertaining as the movie itself. That's quite a feat. What I want to know is when will Mr. Rebello give the royal treatment to other Hitchcock projects as well as films by other directors.

I found this book to be just wonderful from start to finish. The research is painstaking, the writing smart and lively, the degree of film industry know-how is evident on every page. In fact, the book strikes me as one of the few I've read on Hollywood to suggest that the writer actually knows his way around movie sets and knows how films get made. This book has none of the absurd (and insulting) armchair psychologizing that mars other Hitchcock books and there isn't a dry or pedantic paragraph in it from start to finish. I thought I knew a lot about Hitchcock and Psycho until I read this book. A job obviously undertaken with love and wisdom, superlatively done by Mr. Rebello. I had the pleasure of hearing the author lecture on Hitchcock on TV in London and in Tokyo and he was the standout of the whole affair!

This book is about as in-depth as you could want, but very interesting and good reading. Stephen Rebello begins at the beginning with a rather revolting chapter about the psychotic killer upon which Norman was later loosely based. (Don't let your children get a hold of that chapter!) He then talks about the man who wrote the book "Psycho", and on to Hitchcock's discovery of the book and the making of the movie. There are chapters and sections on practically every aspect of the movie and the making thereof - cast, costumes, shooting, casaba melons, publicity, and the aftermath. At the end there is also a list of the entire cast and little paragraphs about what became of them after Psycho.

This book is very good if you are a fan of either Psycho or Hitchcock in general, because in telling about Psycho the author tells a lot about Hitchcock as well.

For the true fanatic, or just the curious, this is an immensely
readable account. Far, far more interesting and enlightening then
any of the turgid, pompous academic treatises on Hitchcock that
pollute bookshelves everywhere. As definitive a reconstruction
of how PSYCHO - or any movie, with a few exceptions - was put
together. However, I suggest Mr. Rebello is overdue for either
an update
(though this reprint's front and back cover is definitely an improvement over the original),
or a companion volume.
For the completists, I suggest:

1. More production and cast stills.
2. Saul Bass's storyboards.
3. Interviews and/or photos of Marli Renfro, the actresses
who provided the voice for Mrs. Bates, the diminutive woman
who stabbed Arbogast. Other cast interviews.
4. Documentation on PSYCHO's aborted CBS broadcast of 09/66
and its subsequent showing in 06/67 on ABC - the edits,
and when it was finally shown complete.
5. Information on the sequels, and Van Sant's "recreation".
6. Full descriptions of deleted scenes from the original.
7. Some of the less inflated analysis on its symbolism, etc.
8. Most importantly: a cue by cue evaluation of Bernard Herrmann's magnificent score, including its unused parts.

Ok, Mr. Rebello, make it happen.
Until then, anyone who is at all fascinated with how an American
cultural landmark came together, (Yeah, I know, like Hitchcock used to say, "Oh,it's only a movie!")
GET THIS BOOK!

This is my second copy of this book as I lost my first one since I take it everywhere. It is great just to pick up and turn to a random chapter. There is so much in here that I never knew about golf course design, and it really made me appreciate what goes into making a good golf course great. Tom Doak truly is a master of his craft.

I bought this gift for my nephew who is majoring in landscape architecture. From the moment he opened the gift, he began reading it immediately and couldn't put it down. That tells me this is an excellent book and one worth purchasing......

Quite simply the best-written, most useful book on the often confusing world of golf course architecture. Just as with any art, taste is certainly subjective. This book looks objectively at criteria used to appreciate this very exciting aspect of golf. An appreciation of golf course architecture is essential to understanding why certain golf courses appear mundane and even dull or uninspired to the uninitiated eye and yet are revered by connoisseurs. Tom has a very good style of written education that is rooted in his strong opinionation on the subject. He truly believes in himself and what he writes. This book can enrich the appreciation of golf for almost any player.

It's a pity that he doesn't have the ability to update his out-of-print Confidential Guide to Golf courses. Paired with this book one understands an erudite point of view based upon the well-researched and extremely deeply-rooted opinions of perhaps the world's most able golf course architect. Just as in the anatomical sciences of living beings, the golf course is a living being and one can study it. Today, Doak and his team are not afraid to take chances and think outside the box or at least deep into the archives, unlike virtually all other "top architects" of today to create golf courses that are fun to play for nearly all golfers - the ideal of his idol Alister Mackenzie.

Tutored by Pete Dye, he is the pick of the Dye litter and can write well to boot. He gives any golfer literate in the English language a heads-up on this exciting aspect of golf appreciation which escapes perhaps 90% of the American golf public. I was way deep into golf architecture before I got either of Tom's books, but they remain the two I recommend above all others because this book is so concise and the companion volume is so outrageous. Unfortunately you have to dig up a (very expensive used) copy of Confidential Guide if you are unfamiliar with the Doak scale because it isn't in here (10 point scale). Before Doak, everything above a 6 is a "10" to most people. (Basically it's a logarithmic scale in which 3 is average, 5 is "average good" and everything above a "7" is well worth going out of your way to see.) Everyone has favorite golf courses and understanding the theories of architecture and strategies will give a deeper, more meaningful appreciation.

At least this book can teach you what to look for. Your golf-stricken loved one will thank you for it again and again if he or she has not yet read it. Most people I know have read it multiple times after the first read in a single session.

Tom Doak as author and golf course architect never fail to amaze. He's the best when it comes to the game of golf.

I recently purchased this book, and since doing so, I have seen my scores go down. As a recent college grad, I had a lot of time to play golf this summer, and this book, with Doak's insights into how courses are not only set up to penalize the player, but to help them, can assist you into understanding certain aspects of the wonderful game that we refer to as golf. The diagrams and drawings make it easy to understand what is being described in the pages, and he also does a good job by making the book readable for those with little to/no knowledge of the game of golf. If you enjoy golf, and you want to both understand the courses you play on and lower your scores, than this is the book for you.

I was pleased to have this book be in prime condition when it arrived. The price was excellent. The order came in a timely fashion.

The Art of books by Pixar are wonderful. For the artist these books give a great background into how the art brought the story alive.

I highly recommend these books, especially for those who love Pixar.

If you enjoy learning the behind the scenes process that goes into many of the animated and computer animated films of today, you will love this book.

It shows step by step the drawings and thoughts that went into each character in Radiator Springs and also the creation of all the backdrops. From the smallest signs and orange cones to the racetrack and beyond, you can see how it all evolved.

It's nicely bound with a great jacket cover. Definitely a nice coffee table book your guests will enjoy leafing through or the perfect addition to the library of any art and animation lover.

I purchased this art of book recently and found it one of the best art of books I now own. The illustrations are very helpful to my concept art assignments. Great reading

I have to say, I love this series of books. Seeing the concept drawings for the movie is wonderful and how they got there inspiration for what eventually became the charming and funny movie CARS.

Pixar's most recent animation is fully revealed in this wonderful art book. All the research, ideas, and concepts are printed gorgeously in this book. You see how the ideas are captured on paper to guide the production teams to make one of the best animation in years. Conceptual ideas of characters from the beginning to the final rendered CGI model on screen are all there. The landscape is captured in with colorful pastel paintings. Even all the details from neon signs to the Southwest vegetation are drawn out for you to see. Everything in the book is traditional artwork techniques from pastels, blue pencil, to gray scale markers. Only a few pages have any 3D images for you to see, but in an age where everything is computerized... its really nice to see that old fashioned techniques being used.

Its a quality book I highly recommend for the Pixar fan, 3D animation enthusiast, and art students.

I purchased this book thinking that it would include detailed sketches and concepts for the creation of Spirited Away. While, the book did have these elements it had far fewer than one might suspect from the cover. In fact most of the art work were stills from the movie.


Which, to me came as a great disappointment. If I wanted to see the final art of the movie I would watch the movie. Buy this book if you really love the quality of the animated scenes. Don't buy this if you feel you can gain great insight into how it was made.

This book is beyond amazing! I love the "Spirited Away" movie and the art in this book is gorgeous and the screen clips are beautiful. Once I decided to purchase this I also picked up the "Spirited Away" soundtrack. This is a must have if you are a true Miyazaki film fan or even just a big fan of the movie itself!

It's Hayao Miyazaki again. What can I say. One of the most amazing animated film ever. And book explores so much of the movie. Amazing learning and reference book. Every animation/comic lover must have it.

The reson why I purchased this book is because of the art inside. It brought me back to the movie Spirited Away.. I ordered the book with a hardcover.. That's nice to have. The product is such fine quality. I am proud to have it and share the Art of Miyazaki with others. I know more about Miyazaki after purchasing this book.

i dont know what to say aside from the fact that miyazakisan is an incredible artist/storyboard creator. and bravo to everyone at studio ghibli

I always used to think: "Why do other people stare at those paintings? Why is painting X considered more special than painting Y". This is the book which completely opened me up to paintings and gave me a solid footed approach towards looking at them. I now know what paintings were drawn in what generation, what the masters of those generation did and why those paintings are so great. The book dwells in the minutiae as well as the overall painting. I totally love this book. I study one painting a day - it makes my day!

This was a great book to just leave around the house, pick up whenever and learn a factoid or two about great works of art. The details given here are varied, from both historical and artistic perspectives. And the selection of art chosen was good as well.

This is an excellent book that can be used to teach art history, art appreciation or an introduction to art. The photos of the artwork are excellent and there are a vast array of subjects covered.

This is a fine book for the novice who wants a quick review of what the paintings are about, some of the symbols that the masters have suppied for the deeper meanings, and a little about the masters themselves.

This is a great book to use as a self-study course for art appreciation, to improve your knowledge of great artists or to study for a game show appearance. Each artist is represented by one painting which is then described (techniques, subject matter, history) in detail. For example you will learn all about Rembrant's Balshazzar's Feast. The story behind the painting, the meaning of "handwriting on the wall", the hebrew expression that is written, the people present in the painting (Rembrant's wife), you also get a short bit about each artist's life. I read the book cover to cover and learned so much. I have made it a goal to see as many of the painting as I can in each museum. Other members of my family have also enjoyed reading pages of the book. I first read this book as a library copy, but bought it to read, reread and share. I strongly recommend this as a book to someone who is into self improvement, or wants to learn about art for an appearance on Jeopardy!