Arts Books

I have used this book for everything from looking up recipes to researching diets, cleanses, learning about vitamins, minerals and diseases. Every household should have this book!

Delivery was immediate and product was in the condition as described. I would buy from this vendor again!

This is exactly the book I've been looking for! Objective, to-the-point facts on nutrition, vitamins, eating habits, and other topics such as preservatives, toxins, etc. I've seen too many "fad" nutritional books that are biased toward either vegan/vegetarian, low carb, low fat, high fat-low carb, etc. This book seems to be objective enough to allow the readers to decide on their own what diet path to take. This book, a good diet, and exercise can stand on their own and I feel this book can last a long time as a good reference book. Personally, I prefer a well-rounded diet (including some red meat), chicken, fish, fruits, vegetables, nuts. I lean toward organic or natural foods. Should readers decide to focus on another particular diet, they can supplement this book with one that follows their philosophy. I highly recommend this book as a stand alone or as a starting point to other diets.

This is an awesome book for anyone interested in nutrition. Very indepth text book style reading but worth every miniute!

I use this book as a desk reference. As a wellness coach with a specialty in nutrition I refer to this book as well as others, like Paul Pitchford's Healing with Whole Foods and The New Optimum Nutrition Bible by Patrick Holford. I like the scientific and integrative nature of this book. When I quote information from this book I can say this is by an MD. This book is the most comprehensive among the other ones I use. I have yet to use it more to suggest any area of improvement. So far I am very happy with it.

Calligraphy and brush painting are not easy to learn WITH an instructor; learning from a book is daunting at best. Yolanda Mayhall's book is as close to having an instructor as any I have found - and I have tried many books. Her style is informative without being pedantic, guiding gently without drifting into boredom.

If you take nothing else away from reading her book, you will realize that art is not "taught", it must be appreciated, understood, to be learned. Like a foreign language, sumi-e demands inspection and appreciation before you can begin to replicate it! Even those who can read printed Japanese will have difficulty understanding how the strokes are created. Those impoverished by a lifetime of penmanship will find the basics of "brushmanship" as foreign as Japanese language!

Never fear! This book will lead you gently through the process. From preparing ink to holding the brush to creating those first tentative strokes, this teacher is at your side. She will guide you through the strokes of the "four gentlemen" at the core of brush art. Bamboo leaves will give way to the orchids, birds, mountains and waterfalls all illustrated s0 beautifully in her book.

Remember that brushwork requires practice. I have used many a fat Sunday newspaper as an inexpensive substitute for rice paper (a point worth remembering to all the "grasshoppers" out there). Practice makes perfect. Yolanda will inspire you to practice and lead you through the levels until you could paint bamboo in your sleep! I have yet to find a live teacher who can inspire me to improve my brushstrokes like Yolanda can in her book.

If you are new to Japanese brush art work and want to learn the technique, this is the book to start with!

Personally I am also interested in using colour in my sumi-e works, this guide only has black and white. But the images are just beautiful. Hope I reach that level soon!

If you're a beginning Sumi-e painter you might want to wait on purchasing this book until you're more comfortable with the basics of brush loading and color gradiation.

This book tends to avoid going into detail about the intricacies of brush loading and the importance of your paper quality and it's absorbency.

If you are a beginner looking for a solid book that explains in alot more detail the four gentlemen and the importance of your brushes quality and methods for loading the brush, buy "Japanese Ink Painting: Beginner's Guide to Sumi-E" (Paperback) by Susan Frame. It's a marvelous book with alot of great examples and step by step instruction as well as some history and excercises you can do to become more comfortable with your brushes.

After exactly two lessons in watercolor and an appetite to learn more precise brush strokes I purchased Sumi-E. I immediately was able to make headway using the carefully written examples shown in this lovely book even without purchasing the precise Japanese brushes. I highly recommend it.

A very good book that covers most of the power converter architectures. An excellent addition to your personal library.

The book is so clearly written you can open it practically anywhere and read just the items of interest.

Concepts are supported by properly simplified schematics.

All the math needed for your own designs is shown and explained, but in such a way, that if you do not need the math right now, you can skip it.

Half the reason I bought this book was to learn to build switching power supplies, the other half was to learn analog design in general. The book is excellent for both purposes.

I recently graduated from Virginia Tech (undergrad), and I had only two classes that focused on power supply design/analysis. As an extension to what I learned in those classes (basics about buck/boost/flyback design and fabrication), this book is fantastic.

The book assumes you have a basic knowledge of EE principles, but nearly everything is explained in great detail. Topologies are examined one by one, and the author includes ALL of the derivations that lead to his design equations, which leaves very little room for misunderstanding. Each section contains pros/cons to using that particular topology, how to remedy common problems, and even talks a little about component selection (although since this book is years old, there are probably better components out there).

I haven't spent much time looking at the magnetics design section; however, it seems as though it would be useful. The chapter on loop compensation is excellent as well, offering a complete refresher of control theory and the design/analysis/use of Type 2 and 3 controllers. As I said before, the author assumes you're starting with very minimal knowledge of power supplies, so every equation and assumption is clearly justified in writing.

All in all, I would definitely recommend this text to anyone who is interested in power supply design or has to gain a quick understanding of something in the workplace since it not only includes the "quick and easy" design equations but also how to get there if you really care to know.

If you're an avid electronics enthusiast, you've more than likely had to build some power supplies. The days of building simple linear supplies are over. If you need various voltages that are carefully controlled and/or just want to build efficient supplies, you need to build a switchmode power supply. This handbook will take you through the major topologies, explaining them all in detail, along with the necessary math to choose the proper components, and the theory of how it's done - and how to choose the proper topology in the first place. The book is well-written and stuffed full of very useful information. Power Factor Correction is also covered, with examples, chips, and theory to build PFC circuits, along with transformer design and theory as well. This book is a great book to buy with "Switchmode Power Supply Handbook", by Keith Billings. Keith's book presents additional information and transformer design mock-ups, along with additional ways to calculate and pick components. Used together, you have the information you need to build a working switching supply with a minimum of hassle. Of course, this assumes that you're already famaliar with electronics and magnetism, and have a good working knowledge of algebra and basic trig. These books are not meant for beginners by any means. I am one happy customer to have found such a good reference for an art that seems to only be known by a few anymore, and other reference materials do not even begin to go into the depth that this book does.
The only shortcoming is that Pulse Width Modulation power supply chips are not covered much, but this book cannot be expected to keep up with the latest PWM chips used in switchmode supplies. This problem is easily resolved by going to National Semiconductor's website and getting current datasheets on PWM chips for standalone, voltage-controlled or current-mode designs, of which they have many. Motorola also has reference materials available on PWM offerings that they carry.

Although a good primer on the basic switching topologies, with an excellent chapter on inductor and transformer design, I couldn't help but feel that this book is more than a little outdated (which it is, at nine years old). There was no mention of synchronous or polyphase switchers, inductorless converters, charge pumps, high-frequency designs...and the section on MOSFETs left out what I feel was a great deal of information about paralleling and load sharing. Many of Linear Technology's app notes go above and beyond the material presented in this book...and they're free.

This book is full of information that is useful to a Soldier. It covers alot of lessons that are lost to todays young soldiers due to are ability to overwhelm with our technology alone.

While preparing to deploy to Iraq last Summer I embraced two books. The Small Unit Leader's Guide to Counter-insurgency and this one.

Poole took his research of every Eastern military he could muster and outlined the training and expectations of thier lower enlisted, stressing not only the importance of empowering the lower enlisted of the US military and our allies, but just how skilled our enemies may be.
Rather than officers having most if not all of the say in how operations had occurred, or are to be run, Eastern armies such as the Chinese, let all men involved in a battle have a say in what had happened, and how things can be improved.

Having been trained in a top-down military organization I am skeptical of the value of Poole's reccomendations for us to emulate the Chinese and other organizations, but I am not skeptical of his insight that things must adapt to their time. In a recent conversation with him he made reference to the French, stating that they had been an incredible military strength, but lost it over years of remaining as they had been when they were the most powerful military force of their time.
In North Korea they have their men go 10 miles into S. Korea as part of their training. Knowing Marines who have performed sweep operations on the DMZ and having heard stories of S. Korean Marines disappearing from one day to the next, mines being set where they'd been cleared the day before, I believe it.

Poole believes that the US Private should be the greatest warrior on the battlefield, confident in his abilities as he is in his fire team leader. Poole also believes that we should be able to send a Sergeant, Lance Corporal, and two PFCs into Colombia without any officers, and they should be able to accomplish their mission successfully.
After two years in Vietnam and close to 30 years in the Marines Corps as an infantry officer and enlisted man, he may be onto something.

John Poole has written a fantastic treatise on what will be needed to fight and win wars in the years to come. Though it makes for dry reading at times, this book is absolutely fascinating.It not only discusses enemy tactics, it recommends methods on how to develop ninjustsu-like tactics on your own. Spectacular book. A must-read for anyone in, or planning to join, the military. Top-shelf material!

This book is not a guide for people trying to get a grip on what is happening to our forces in Iraq. It is a good basic soldiers book that is made from many different types of 'field manuals', compiled and catagorized. Nothing new, but a good source for a yound Infantry NCO or Commissioned Officer who wants to keep his 'mind in the game'. Much of the information covers Infantry subjects, some of which is of no use in Iraq. However, we are a world-wide force and need to keep looking over our shoulder at the next conflict. The author speaks with some authority and it shows. As a graduate of the Infantry School at Ft. Benning (I wont say when) this book is a good refresher and contains some new information. If you go on patrol, regardless of you MOS or job title, this is a book you cna use.

I have not finished this book, you should know. However, you should also know that this book made enough of an impression of me that I am writing a review before I have finished in violation of my own rules. I am an author myself and I value these reviews greatly - I wouldn't write if I didn't mean what I say.

This is a great book. In short, it takes the premises - as best we know - of Togakure ryu Ninjutsu and applies them to contemporary military arts. Squad mechanics - the focus of every lieutenant who has ever served - are the focus of Poole's tactical revision of the current philosophy of combat in the US military.

I am not a military man, but I am surrounded by them. I am a ninja, studying Bansenshukai Ninjutsu. We also have some Togakure ryu curriculum, and Poole hits hard on the right stuff. Early in the book he points out that the close combat ryuha are not his focus. Instead, he is looking at the understudied arts of Zanson, Intonjutsu, Shinobi Iri and Hensojutsu. This is a book about how to not fight if you don't have to.

Bujinkan Budo Taijutsu practitioners will argue that this `is not ninjutsu' because it isn't what Hatsumi teaches (in public anyway) but they would be wrong. The taijutsu that BBT teaches is just a small part of what the ninja represents, and this book covers practically everything else. Admittedly, the second chapter references books by Haha Lung and Ashida Kim, who are widely discredited. However, even quacks can have good ideas and Poole expertly extracts the choice tidbits. You will not be displeased.

I was going to give this book four stars, but I was going to be unfair with it. This is not a guide to create a lean enterprise, it was not meant to be one and I was going to judge it as if it was.

This is a great introduction to the Toyota Production System and lean philosophy, by nobody else but the architect of the system.

It had been a long time since I read such a dense book about any subject. If you are interested in getting started in the Lean methodologies then this book is a must read. If you work in a manufacturing plant or are in management then the insight on this book will be valuable for the rest of your life. I recommend it to my boss along with the Toyota Way because I think we need to start implementing all the techniques and management principles, specially when it comes to Human Resource management and policies, that made the Toyota the world leader it is.

A+.

The book is very good. But I am charged for an additional 10 euros by the mail delivery company for which I was not informed on the website.
So be careful when buying a book from here.

A "must read" for anyone in manufacturing. It is the basis for all modern manufacturing, and for any business process or flow. The author describes the two pillars of the Toyota production system as autonomation and just-in-time. He explaines the six rules associated with the kanban. He also describes the seven wastes and the value of asking "Why" five times. The book is very easy and quick reading, and provides a complete backgroung to the Toyota development and success.

Toyota Production System: Beyond Large-Scale Production
Great tool for understanding basics and roots of TPS

"Toyota Production System" was published in 1979 in Japanese and, in English in 1988. It is the source material on the toyota production system and, in my view, it is often good to go back to the source. Sadly, I found this book disappointing. The writing style is clunky (perhaps a poor translation) and the book lacks structure; being more of a semi-random collection of points than a development of ideas. Nevertheless there is some interesting stuff in here. The honesty that this is a long slow process (taking Toyota 30+ years) is refreshing, and I hadn't realised that Mr Ohno ranked kanban (with quick changeovers) as the core of the system and essential to success. Often in lean kanban seems to be a bit of a side issue: here it is vital. Also there is an interesting analysis of some of Henry Ford's early writings compared to TPS. This would be good material for a student essay. However, for the philosophy of TPS you will get much more out of "The Toyota Way" or "The Toyota Way Fieldbook"; and for the tools of lean go to "Lean Production Simplified" or the many other books in this area. Overall this book is a bit of a let-down I am sad to say.

As everyone has stated, this is a good book with lots of good information. One thing to know about it, however is that the information is presented more in a 'conversational' style than an 'encylopedia' style. If you are looking for a traditional 'field guide' type style with color-coded cross-references and the like, you may want to look elsewhere. However, if you don't mind a more casual presentation of the information - and it is that way in this book - then this one is for you. In other words, you'd be more inclined to pick up this book for some casual reading than you would a traditional field guide.

I live in southeast Alaska and this is the book I have been looking for years. I love it! It goes into such depth, but it is simple to understand.
I enjoy hiking and like being more informed of who/what has also pased this way before me. Great Resource for anybody who enjoys hiking. The photo's are excellent.

I usually check out tracking and reading sign books from the library because I would rather spend my hard cash on backpacking gear, fuel, and tires to get up and down those rocky roads, but this book was one that I had to buy. Most tracking guides have sketches and if they have photos they usually are not very good quality. This book has amazing photos that will aid you in scat and sign identifying. It is a great book for begginers and just a pleasant read. I would have to agree with another reviewer that he does tend to focus on northern or eastern animals. Learning about Mule Deer sign would be more pertinent than learning how to read Moose sign. There is also another book on Amazon that is PACKED with photos and has more photos of dens, tracks and sign. I would have to rate that book higher than this one, if I had to choose one, but this book definately earns 5 STARS!

This book provides an excellent introduction to reading animal tracks. In the first chapter the author explains why we should try to understand the tracks around us in the forest, and what we might see. He then delves into the kinds of observations we need to make, such as trail widths and trail patterns and scat. The rest of the book is divided into chapters by animal family, including chapters for rodents, rabbits, weasels, dogs, cats, bears, and hoofed animals. There is also an extensive bibliography and index.

Each chapter is comprised of short articles about the specifics of tracking the individual animals that make up the family covered in the chapter. Rezendes provides a short informative description of the animal with a color photograph. The descriptions cover behavior, range, and diet. Rezendes also includes black and white photos of the animal's feet, both front and back. The next section of the article covers tracks and trail patterns, and it includes illustrations or diagrams, photographs, and typical trail width and stride measurements, as well as a lot of information to help you sort out this critter's tracks from all the others out there. He also includes short sections on signs, such as dens, food caches, kill sites, and scat, also with photographs or illustrations.

I purchased this book after moving out into the country because I wanted to identify the critters that visited at night leaving their tracks in the snow around our house. I found Rezendes' approach captivating and easy to understand, even as a beginner. Rezendes explains how tracks can tell us much more than just the identity of an animal- -through a careful study of tracks, you can determine how fast the animal was moving, whether it was browsing, being chased, or chasing another. This book is a highly informative reference; it's also a delightful read on a blustery winter afternoon.

I am an old guy-pushing 60-and have examined books on tracking ever since I was a child. No other book compares to this one. I purchased it based on the positive Amazon reviews and on this book they were right on the mark. I mean, this guy not only provides excellent photos of tracks, he has photos of the ANIMALS' FEET! What a simple yet sensible idea! I very much like his philosophy of tracking, his emphasis on looking at the whole picture of the impact an animal makes on its environment. Good job, Mr. Rezendes.

This US Army / Marine Corps manual reads far more like a book than a dry piece of doctrine. This recent manual draws heavily on US experiences in Iraq and Afghanistan as well as lessons from US and British experience in the Philippines, Malaya, El Salvador and Vietnam. I have read several other COIN manuals and papers before (Learning to Eat Soup with a Knife and Resisting Rebelion) and this manual contains a good summary of these books and other papers. It would be a good place for anyone looking to study insurgencies and counterinsurgencies to begin their study.

The book begins by cover basic aspects of insurgencies and counterinsurgencies. The book then goes in to integrating military and civilian agencies, the role of intelligence, designing and executing campaigns and training host nation forces.

One area that the book does not focus on is in depth case studies. Numerous examples are cited to illustrate points, but to really look at a conflict one will need to go to one of the numerous books listed in reading lists provided at the end.

I've long nutured a private grievance against FM 3-24, which suddenly broke surface when I read this delicious comment by Steve Cole in The New Yorker this week: "Its reception reflected ... the appeal of counter-insurgency among sections of the country's liberal-minded intelligentsia. This was warfare for northeastern graduate students--complex, blended with politics, designed to build countries rather than destroy them, and fashioned to minimize violence. It was a doctrine with particular appeal to people who would never own a gun."

A more scholarly analysis of FM 3-24's failings, by Andrew Salamone, appears in the August edition of the online Small Wars Journal. He thinks that the historical examples in the manual are too selective, and warns: "While the current application of the new doctrine appears to be showing signs of success in Iraq, at least in terms of metrics measuring levels of violence and U.S. casualties, our enemy's well documented strategic, operational, and tactical adaptability all but guarantees that current doctrine will be out of date for the next conflict and result in the well known axiom of trying to 'fight the last war again'."

The Counterinsurgency Field Manual is a surprisingly well considered text on the nature of insurgency and the points where the course of an insurgency can be influenced.

Something is (or should be) rather confusing about the U.S. military. Since the inception of the Continental Army in the American Revolution, the U.S. military has been involved with counterinsurgency operations almost constantly, at home and abroad. (Put this way, Americans were waging counterinsurgency since before there was a United States; the French and Indian War...) What is confusing is 'why isn't the U.S. better at it?'

Setting this underlying question to one side, this text sets forth a framework for understanding the causes of insurgencies, and for dealing with them. The full scope of cultural, economic, social, political, and other factors are addressed in considerable detail, along with approaches to influencing these factors to address the root causes of insurgency. It is a robust, comprehensive work that can provide an adaptable conceptual structure for anyone involved in counterinsurgency or issues relating to counterinsurgency.

The big question in my mind; Why did the Army have to manage developing this process, when more than half the work required to respond to an insurgency should be done or overseen by the State Department? Why do soldiers have to arrange economic reconstruction and infrastructure development? Aren't those folks at the State Department competent to do all this stuff?

E.M. Van Court

This manual should be required reading for any candidate for public office at a national level, as well as all foreign staff personnel. After reading the manual I was better able to understand the motivations and actions of the various factions within Iran today. It also re-enforces the idea that terrorism / insurgency is not just an issue for a single nation, but anymore is a global issue.

I believe this manual is an excellent overview of counterinsurgency strategy and some tactics. This includes the broad strategy as well as to the drill down for the units/teams/boots on the ground. Its stated audience is for battalion commanders and their staff and higher. I would recommend it to any soldier, sailor or marine regardless of rank and for U.S. citizens generally who have an interest in the topic.

According to the manual, the host nation (HN) and the counterinsurgency force (COIN) will win if they can provide security first, and then other functions of a responsive - responsive to the HN populace - HN government. Otherwise, the populace will seek security and services elsewhere (i.e., in insurgent organizations/militias). This is not necessarily a sequential ordering. While basic security is fundamental - once a baseline is reached - other governmental functions responsive to HN's populace's concerns should also be instituted, supported, and reinforced, while still improving and accelerating the improvement of the security environment for the populace. One example used is how insurgency organizations/militias can destabilize the security environment and create insecurity through terrorist strikes, in order to then be viewed by the populace as the cure to the insecurity by operating militias to defend against such insecurity, and thus try to gain popular support.

Bottom line: creation, maintenance and sustainment (or assisting/building up) of legitimacy in the host nation vs. the insurgent organizations is the contest and crux of the matter. Insurgency and counterinsurgency is a fight for the support of the populace (i.e., the big middle). This conclusion should have been clear by now - insurgency has been with us for a very long time. For some examples, in the West, you can go back to at least to Julius Caesar for lessons; see also Napoleon; in the East, you can go back to at least to Sun-Tzu's The Art of War.

According to the manual, to win an insurgency/counterinsurgency type conflict, requires staying power without intentional or unintentional signaling of wavering support for staying the distance, at least until the HN has achieved the "tipping point" in terms of legitimacy and popular support.

As an aside, there is a good appendix on Social Network Analysis (SNA), which provides a cogent overview of some of the key concepts for those not familiar with SNA or its use in war, conflict, or intelligence.

Absolutely amazing, excellent for anyone who enjoyed watching the west wing, great to read, surprized it was so big when it arrived, but I'm not complaining there's just more to have in there then. I do love the fact that there are quotes from the actors, about the show and there other cast mates. This is an excellent buy! Worth every penny!

The item showed up just as described and within a reasonable time. I was notified that it had shipped. Excellent transaction. Excellent item. I would order from this seller again.

I thumbed through this book in a bookstore and by the time I got home, I realized I had to own it and I was online ordering my own copy. This book is more than just a rehash of the first two seasons. We are treated to a real behind-the-scenes tour of what goes into filming the show. Talk about your West Wing trivia!

The asides from the actors on the characters they play are filled with gems of inside information. For instance, what do Brad Whitford and Janel Moloney think the roles of Josh and Donna are all about; how does Martin Sheen get the cast to treat him like the President and why is this adulation so important; and why is Allison Janney everyone's favorite? We are treated to a tour of the West Wing to fully understand the layout of the staff's offices and the dynamics of the characters in relationship to each other. Then, the decorations in the offices are explained, and nothing is so minor to be included by chance.

Sorkin claims he doesn't have a political agenda. He asks his staff to write a pro-con memo on each episode, and he is most comfortable when two people disagree. If the points are good, he incorporates them into the show's dialogue. You have to be a West Wing fan, and a pretty serious one at that, to fully appreciate this Official Companion, which brings to light the fine points of all that went into creating the first two seasons of this amazingly written and performed show.

Being a newly minted "Wingnut", I recently went out and purchased the first 3 seasons of The West Wing of DVD and then set about finding a good companion guide to go along with them. After sifting through the good, the bad, and the ugly, I settled on this excellent 342 page tome. While only covering the first 2 seasons, this 9" X 11" book is chock full of beautiful color pictures and enough extras to rival the DVDs themselves. Accept no substitutes and add this one to your TV library. I can only hope that a volume II (covering seasons 3 & 4) will be published when season 4 is shortly released on DVD. Plenty of time for us all to brush up on our Latin (post hoc, ergo propter hoc). R.I.P. John Spencer.

I have seen the "West Wing" books that feature scripts from selected episodes. But this book includes every episode from the first two seasons, told in story form. Plus chapters on each of the actors and their characters, the background on the making of the show -- if you're a fan, this is a "must have". I just hope that there will be, at some point, additional volumes to cover the third, fourth and fifth seasons -- and so on.

I'm a novice screenwriter and found myself completely encapsulated in this book. I wish I had it a year ago when I started my journey into screenwriting. The book in itself is the best classroom for getting at the core of your story and characters. I followed all the strategies and worked them through my script. What happened in the process were all my neurons firing with new ideas and twists. I was coming up with many versions of my script. It was exciting!

Far to technical to be useful for the beginning writer (im sure there are the exceptions out there). This seems to be broken down for the experienced writes struggling with their current projects. It has dozens of schemes to create characters and their scenes. In depth but lacks the simple straight forward inspiring tips and goals to send the new writer a' writing instead, it sends them scratching their head...or hiding under the cover depressed about themes and persona's.

His books and DVD's dwelve deep into his writing tools. I, like many, have read most of the books, and this is one of the top three I return to review. Mckee, Truby, Seger, Wright, and Tobin are all worth reading. Jeff's book is the most important, because it's crucial to find the spine of a story, and Jeff's tools are the best for finding it. All mention it, but Jeff's tools allow one to touch the heart of the story, so you write from the inside-out instead of the outside -- the most important, and the most difficult part of learning to write.

I have read many screenwriting books, but Jeff Kitchen's book is the one I always use on all my script development and script analysis projects. This book teaches you invaluable tools that transforms the way you construct your screenplay. Jeff Kitchen demonstrates the tools through hands-on approach, breaking down popular movies such as Training Day, What Women Want, Minority Report, Blade Runner, The Godfather and Tootsie. He also takes you through the process of developing a script from scratch using the tools. This book will definitely transform the way you approach screenwriting and transform you as writer. If you want to master this craft I highly recommend this book. It's awesome!

...oh and check out his other book Script Analysis and the 5 DVD set.Script Analysis: The Godfather, Tootsie, Blade Runner Jeff Kitchen's Full Day Seminar

There is a multitude of books that have recently become standard over the last twenty to thirty years regarding the mastery of screenwriting. Viki King's book "How to write a Movie in 21 days" is probably one of the most well known, as is "Screenplay" by Syd Field.

I think the truth about a lot of these books is that most people are looking for small, concise manuals that are easy to read and easy to cull the real gems from. From the way I've seen a lot of people approach screenwriting, most of it is typically haphazard. The bulk of people read bits and pieces of books and rarely ever any one book from cover to cover. If you can imagine a person shaking a book above their head hoping for gold coins, diamonds, rubies and other riches to fall from the pages then you have the correct visual. It's a classic blunder, but one that more often than not is the result of too much television advertising and not taking one's dream serious enough.

Jeff Kitchen's "Writing a Great Movie", is a rare book that most people can, and should read from cover to cover at least once. If you read it twice, then you'll be ahead of the curve. It's most likely the best book on writing I've seen bar none, and not just on screenwriting either. Using a system of `comparison and contrast' with different films like Blade Runner, Training Day, Tootsie, Minority Report and The Godfather to illustrate the strengths, the thread and the blood of good writing. Kitchen shows you many, many times over how a good story builds up on itself and how to successfully break it down to properly understand it, and how to identify the most integral aspects of it and use them all as tools.

I've been writing novels for about fifteen years and my approach to writing has changed drastically now and I couldn't imagine going back and abandoning what I've learned from this incredibly helpful book. Some of the help and advice is complex, like the information about Enneagrams and the Enneagram Institute, which sounds daunting and pedantic and like someone trying to cloak Scientology and Dianetics within a screenwriting manual, which is not the case at all. The information about the Enneagram does pop up in Scientology and does get a mention in Dianetics, but for the record was around a lot longer than the usage made of it by Scientology. It's good information and not something to skip past. You'll find this in Chapter 4, so don't throw out the baby with the bathwater.

Other information and advice is simple and easy to grasp and stuff that all writing teachers should tell their students, but probably do not. Another point is the use of index-cards to outline and detail your story, which works for both Screenplay and Novel formats and is a brilliant idea that gets good discussion and was something that many great writers have often used themselves.

As a historical note, and something not covered in the book, Nabakov outlined everything he did on Index cards, quite extensively, and is a resource that scholars of his work have to glean and sift through to this day.

Kitchen tells the reader to make good use of quotes, biblical passages, idioms, etc. as themes within your story which will give it heart. The information in the book is inexhaustible and worthy on many levels. He also uses every piece of advice he gives, to bring it back to the films mentioned above and is quite original in doing so, and a very original way to teach.

If you're looking for "the" book on screenwriting, or writing in general, this book will take your efforts from the amateur realms, and launch it into the next level and bolster a real sense of skill and professionalism that it may have been lacking.

This book is worthy of much recommendation.

One of the most humane and heartening books on the perils of the writing life I've come across, it's hard to recommend it highly enough. I'd give it more than 5 stars if I could.

Based on his own career as a writer and as a therapist, Palumbo knows all the secret agonies serious writers face; and he has, through experience, gathered wisdom for dealing with all of them. He imparts this wisdom in gentle, down-to-earth chapters that always stress the real over the theoretical.

I came across this book at just the right time (recommended, I think, in one of Elizabeth Lyon's terrific writing guides) and now I don't know how I ever got along without it. I have a copy next to the chair where I work; I will refer to it often, and recommend it heartily.

Just what the doctor ordered for writers who wrestle with the demands of the writing life, which is all of us. Palumbo is a healer, and this book now lives on my nightstand.

Palumbo is a writer turned psychotherapist. He saw all his own problems writing, and understood others also had them, and found his new voaction counceling other authors at various stages in their careers. As such the book differs from most other writer's guide books. He focuses on the internal processes of writing: self-doubt, negative judgement, hopelessness, loneliness, lack of ideas, etc. And he does give very valuable advice. Basically, he tells us to turn our weaknesses into strenghts. We can use anything in our writing, even our procrastination and depression. An idea that actullay goes back all the way to Nietzsche.
Thios book will not write anything for you, but it will help give new clarity to your thoughts about writing, and in that way help you with your writing.

Eric Maisel's "Living the Writer's Life" is one of the best books I've found on the writer's life, right up there with Rachel Simon's "The Writer's Survival Guide". Palumbo's, unfortunately, is not so spectacular, although it definitely has its merits.

One of Palumbo's best-conceived ideas is that in order to be happy with our writing, we must learn to enjoy the process for its own sake, not simply for external rewards such as sales and good reviews. I particularly like his view of writing as meditation, "a hushed, private space"--a calling more than a career. Palumbo talks about the problems all writers face, and it might help you to realize that you aren't so alone after all.

As much as I loved the good parts of Palumbo's book, however, there were definitely some parts I didn't like. For example, I took real issue with some of his claims regarding bipolar disorder, particularly his claim that bipolar is nothing more than an unhelpful label. As someone who HAS bipolar disorder (a genetically-inherited, biologically-based *illness*), and whose life was very much aided by the proper medication, I can say that such "labels" can be very helpful indeed! If you're worried about somehow losing your creativity if you medicate and calm your manic phases, I can personally testify to the fact that in many cases medication makes it much easier to actually sit down and take advantage of your creativity, rather than taking it away.

It is clear that Palumbo has some very strong feelings on certain matters, and every few chapters these feelings detract from the usefulness of the book. He bashes would-be writers who haven't yet written anything, comparing them to someone who says that they've always wanted to give heart surgery a try one of these weeks (the analogy holds merit in that writing requires skill, but falls apart in that writing requires more learning-by-doing, and can at least be attempted, explored, and practiced by the unskilled!). If there's one thing I took away from Maisel's book, it's that every writer was once a would-be writer. And the line between "wanna-be" and "would-be" isn't something we can assume just by looking at someone.

I don't recommend this book to the novice or "would-be" writer. Unlike Maisel's book, it's likely to give you a few skewed ideas about creativity and your own role in writing. On the other hand, it has a lot of very useful suggestions for writers who have some experience and are looking for help with the ups and downs of their craft. Palumbo has written lots of scripts and screenplays, so he has plenty of advice that is of particular use to those writers dealing with Hollywood.

For many years I experienced writer's block, lonliness, doubt, fear of rejection and just plain fear. Just like the summary on the back of the book. I am glad that I am not alone and it made me realize that is part of the the writing life. This book gives hope and support that yes you can make it as a writer maybe not the riches in terms of money but maybe to quench your thirsty soul. Dennis Palumbo doesn't give away all his secrets(of course he still has a practice to run as a psychotherapist) but enough answers to make you realize yes you are not nuts or crazy but simply a writer. A good reference book to keep by your writing desk whenever you feel down or have the inevitable writer's block.