Arts Books

This is an excellant book by an author who best describes the feelings of this amazing film.
The book has a great mixture of photoes I have never seen before and also, a lot of interesting stories about the cast and and the making of the film.
I would certainly recommend this book to anyone who loves the film( Its a wonderfull life) and my praise to the author in writing something that I know both my family and myself will read and read again.
A great buy

There are plenty of surprises in this book. You'll read what director Frank Capra and the players themselves have to say about making "It's a Wonderful Life," and you'll discover some interesting names among those who were almost cast. You'll also learn that some of the film's legends are true, while others are not. For example, while it is true that Carl Switzer (Alfalfa from the "Our Gang" comedies) was the rascal who opened the gym floor exposing the swimming pool beneath, it is NOT true that muppets Bert and Ernie were named as an homage to Bert the cop and Ernie the cab driver -- that's just a coincidence. In spite of the book's rather crowded layout and lackluster production, if you love "It's a Wonderful Life" and/or if you collect IAWL memorabilia, you'll want to have this book.

If you love "It's a Wonderful Life" (and who doesn't?), then you'll LOVE this book! I was stunned to learn about what happened to the cast and where the Bailey kids are today and what they look like in more recent years. No other book offers the pure nostalgia factor like this one. The author gives us some amazing details about deleted scenes, as well as photographs that have surfaced showing these rare behind-the-scenes glimpses into scenes that never made the final cut. I loved the photo of Henry Travers (Clarence the Angel) in full color, not long before he died. What a treat this book is!! And the special message from Jimmy Stewart at the beginning of the book is pure magic! If you are a fan of this film, you won't be disappointed! This book is the perfect gift for any friends who love the movie, too. I've already ordered several and am giving them out this holiday!

Cox's "It's a Wonderful Life: A Memory Book" is an excellent addition to the movie buff's collection, and to fans of this exceptional film. The book is packed with stunning photographs (many never seen before), interesting tid-bits about the making-of, backstory on not only the fine performances of James Stewart, Donna Reed and Lionel Barrymore, but the character actors that helped make Capra's touching film so memorable and the holiday favorite it has become--almost 60 years later. It is well-researched and richly-written. This is a perfect gift year-round for any reason. It is one of Cox's best!

I have to admit that I wasn't much of an "It's a Wonderful Life" fan....until now. I had the pleasure of meeting Karolyn Grimes (little ZuZu Bailey) recently. She is such a warm and lovely person and spoke of IAWL with such passion that I bought the DVD the next night and watched it with new eyes. Now I'm hooked.

I was so delighted to find this book, to learn even more about this classic movie. After reading the book, I had to watch the DVD again.

Even if you're just a casual viewer of the movie, you'll still love this book. It's incredibly well-researched and jam-packed with beautiful photographs. Stephen Cox has a way with words. You feel like you're sitting with an old friend. His books are like comfort-food for the mind!

I have been in business for many years as a literary publicist, but I am constantly
on the lookout for good reference books for publicity for myself and my staff.
This book is one of them. I highly recommend it.
Sherri Rosen
sherri Rosen Publicity LLC
NYC

As if the process of completing a literary work were not enough, Mr. Marich clearly illuminates the most treacherous path of promoting that work once it is complete. Having tried unsuccessfully to navigate this path on my own in the past, this book became a true beacon in my career. His insightful, witty comments make this book both a great read as well as an invaluable tool for anyone who ever had the courage to take the bull by the horns and promote themselves with the same energy as a PR firm. I know that on all subsequent endeavors I will gladly return to the core lessons found within to ensure my ongoing success.

I own a small PR agency in Chicago and am always looking for tools to help our junior staff be more effective and efficient. This book is great! Everyone of my employees now has their own copy of Literary Publicity: The Final Chapter. It's got everything a professional needs to know -- and, even better, what a non-pro needs to know to help make their book successful. I also like how Marich uses humor to make his points. I recommend this for any writer or any beginning publicist.

Mr. Marich has cured my writer's block. I realized after reading this incredible "BIBLE" that the root of my writer's anxiety was my fear that I would never be able to get my work to the public, press or broadcast media. I know now that there are tried and true ways to get my work noticed. After finishing Mr. Marich's book, I went right back to my P.C. with new inspiration. How very unselfish of Mr. Marich to share his experience and know-how with other writers. Anyone who is even thinking about writing for public consumption should read this book. No agent in the world could do in one year what Mr. Marich has done in one incredible book.

As an author, I am quite familiar with the search for publicity. This book was an enormous help, very clearly organized, and, most surprisingly, fun to read. The author obviously has a lot of experience in the field, and shares his trade secrets. It should be very helpful for beginning authors as well as more established ones looking to further their literary careers. Highyl recommended.

Like all the other reviewers I'm staggered by Youngkin's accomplishment, which seems to me--perhaps profanely--even more impressive than Lorre's own. In a way, Lorre has found a biographer supreme, one beautifully blessed by all the gifts of sympathy and knowledge needed to translate an artist's work into contemporary times. How many of Lorre's peers have been given such a chance to live again? It's really shocking how few good biographies there have been of Hollywood stars, and even some of the most acclaimed (think of Gavin Lambert's Norma Shearer) have actually been among the most banal and simplistic.

Of course Lorre gave Youngkin a life really worth chronicling. If it wasn't the drug addiction, it was the dramatic life in Germamny observing and protesting the rise of Hitler, till he and Celia Lovsky found their way out in a sequence right out of Shearer's ESCAPE! The work with Fritz Lang, with Brecht, with Hitchcock, with Bogart, with Irwin Allen, with Roger Corman, each one of these phases could have made an interesting book, and Youngkin knows how to spread them out so that every angle is covered and yet our curiosity remains high. And the research and the interviewing is by itself amazing. Every time you turn around, Youngkin is eliciting revealing and wry comments from exactly the people you hope would comment on the particular situation he is writing about. Because the book has apparently been in motion for something like 30 years, his reach goes way back--he spoke with Frank Capra, with Hitchcock and Huston, with Broderick Crawford and Corinne Calvet--hundreds of actors, writers, directors and behind the scenes personnel. This research gives the book a depth and richness of point of view that elevates it to the Mount Rushmore of biography.

I wasn't always persuaded by Youngkin's critical judgments, and would rather put a staple gun to my face than have to watch SILK STOCKINGS again, for example--but now he's got me re-thinking, "Maybe it is a great performance stuck within a lousy film." Youngkin pulls the camera way back and takes us through Rouben Mamoulian's whole career, his way of astonishing audiences by revealing unexpected sides to their favorite stars. I didn't actually need all of that to get the point, but I hope he gets to do the DVD commentary for SILK STOCKINGS, for we need more enthusiasts and fewer haters. Why write a book about a man, even a drug-addled and morose one, unless you love him?

if you are unable to get ahold of author stephen youngkin's earlier biography of peter lorre, then by all means purchase this book. it's comprehensive and thorough, and a good read of a fascinating subject. if you were able to get ahold of the earlier book, then you can save your money on this one. the only new item that would make purchasing this edition worthwhile is the photo and information on peter's daughter catherine. she looks like him but pretty, and her connection to the hillside strangler is included.

Peter lorre was one of the most unique and fascinating actors ever to come out of the studio system in Hollywood. Anyone who has every seen his soft, silken acting or heard that lyrically menacing voice ever forgot it. I know that I never did. I have been a fan since seeing him go toe to toe with Cary Grant in Arsnic and Old Lace when I was in my teens.

Peter Lorre fans have cause for celebration with this book, which is full of tremendous insight and depth. It covers all of Lorre's life and does so with compassion and appreciation. This work never becomes a fan's love letter, though, as the author does not shy away from the star's less admiriable qualities (which I will leave to the reader to discover). But everything is put in context, which often provides a certain understanding. And what a fascinating context it is - from the German stage of Bertolt Brecht to the Hollywood horror of Roger Corman. It's worth noting that this book is extremely well researched and includes a complete Lorre filmography as well as a complete listing of his tremendous radio work (was ever their a voice better suited for telling stories over the radio?).

As the Author tells Lorre's story, the reader is treated to plenty glimpses into several Hollywood immortals, such as Humphry Bogart, Walter Huston, Sidney Greenstreet, and Lauren Bacall (with whom Lorre had a close friendship). And the writing style is very readable and smooth.

All I can say is, for all of us Peter Lorre fans, Thank you, Mr. Youngkin.

And while we are on the subject of Hollywood greats that never have been given an aurhorative bio, what about Boris Karloff. Mr. Youngkin . . .?

-Mykal Banta

"He's crazy about me...all the degenerates are." Peter Lorre, speaking of his chimpanzee co-star in "Five Weeks in a Balloon."


From the beginning of his career, Peter Lorre was typecast. The classic German Expressionist drama, "M", set the tone for his entire career. Lorre said that from that point on, in people's eyes he was "forever the murderer". This was allowed to overshadow his incredible talent and his great aptitude for comedy. (His throwaway lines, like the one I quoted above, are priceless!)

His career spanned from experimental theater in pre-Nazi Germany, to classic noir films with Humphrey Bogart, to eminently forgettable films from the Sixties. (How odd that one of his last appearances was in "Muscle Beach Party"!)

Stephen Youngkin does an admirable job of chronicling Lorre's professional life, including the myriad missed opportunities--(of note: Malcolm Lowry's rabid interest in seeing Lorre play "the consul" in "Under the Volcano", and Lorre's own desire to produce a film about Kasper Hauser. Both of those projects, never realized, would have added so much to Lorre's cachet.)

The book overflows with examples of Lorre's humanity, professionalism, and wit. Unfortunately, the actor's personal battles with the demons of drug abuse and poor health, his unluckiness at love, and his profligate nature create an undertow of tragedy which no reader can escape. In the end, this is a deeply saddening and troubling book. Long after you have finished reading it, you will find yourself reflecting on the life of this brilliant and tormented individual, who indeed has a special place in the hearts of all the "outsiders" in the world.

First of all I am profoundly grateful, that finally someone took up the task to write a biography on one of the greatest actors of the 20th century. Mr. Youngkin did very good work especially in researching the very early years of Peter Lorre in Vienna and Berlin, which I assume must have been a quite excrutiating task. Nobody who ever saw the film "M" will ever forget the wonderful performance Peter Lorre gave. Even later on, nearing the end of his live, when he was doing B-movies, he gave them that certain Lorre-touch. It is a wonderful read and Mr. Youngkins work cannot be praised enough. Sometimes this biography makes you cry and laugh at the same time. Finally somebody did credit to this wonderful, wonderful actor.

I have actually used this reference for years as needed for ActionScript. I still had a good use for this text in ensuring compatibility with Flash MX until the lack of features became too overwhelming. This is in the face of newer versions of Flash such as CS3 (9.0) that use ActionScript 2.0/3.0. All in all, this book was wonderful until the release of Flash 8.

Because of the new Filters that have come out with Flash 8.0 and the features of ActionScript 2.0 to support these and other enhancements, I would instead recommend Flash 8 ActionScript Bible if one is concerned with cross-compatibility in their ActionScript code and wishes to still be able to use AS with newer features such as Filters (but not as new as Transitions or other CS3 exclusive features - for that, I'd recommend ActionScript 3.0 Bible or something similar).

As far as who I could possibly recommend this book for: It's good for somebody who is still working with Flash MX 2004 and below to Flash 5 (much of the text is compatible with Flash 5), however, I don't know that there are many of those sorts of individuals.

This book is a great resource for when you're looking for that specific line of code. Its terrible to read from front to back, but its an excellent way to find exactly what you're looking for. Its so much code, it'll make your eyes bleed.

One of the few comprehensive actionsctipt titles on the market. The first half of the book boasts a large variety of tutorials and examples that skillfully lead the reader through both the syntax and use of actionscript. Personally I found the text clear and practical. The chapters on OOP were of particular value as they went beyond actionscript basics into application, bordering on philosophical.

The second half is an invaluable reference of the entire actionscript dictionary with a comprehensive CD full of .fla example files and bonus chapters on the XML Object. As a qualified teacher I found it hard to fault the methodology employed by the various authors.

Well worth the purchase.

I am a former programming teacher and I have a style to teach my students the most UNDERSTANDABLE way to do something not just how to do it. This text/reference achieves that purpose. If you have an understanding of Flash (which you should have before getting into scripting see Weinman books) then this book will serve you well. There are other books on scripting - great books - such as Moock's books but they are more so for the programmer. This book is for the novelist programmer that desires to learn about action scripting.

5 stars if you know Flash well.
1 star if you haven't had any experience with it at all.

I was a beginner once, who couldn't figure out Flash at all. I'd like to help you build a bridge between where you may be now, as a beginner, to where you may find yourself aspiring to go.

If your only experience with Flash is to have seen the many wonderful and breathtaking Flash movies on the Internet and just had a look at the authoring tool, I strongly recommend that you leave this book until much later. It has its place in the learning curve but it isn't, in my opinion, the first book to see.

There are understandings to possess that this book doesn't cover sufficiently well enough for those whose minds work in particular ways. This is a programming book, for using the phenomenon of programming to create great design and animations. Whilst the focus is on design, you aren't using the design tools on the interface. With this book, you are using the Actionscript language and you have to have a logical mind for this activity (as well as keeping your strong creative one).

I began my steep learning curve with Flash by watching others and watching video tutorials, especially those by George Pierson. In this way, I can ask questions that are tailored for me and I get tailored responses. Books aren't always able to do so well here.

What is great about this book is the MX Actionscript reference in it and the seemingly well designed theory tutorials. I can't find a fault with the reference. The theory is quite good. In the reference, all Flash MX commands are covered. There are examples of how to use them, but the coverage may not be enough for some. Brill. Just BRILL. I can be excited but because I can follow Actionscript.

Approach this book when you are successfully making Flash movies on your own. Yes, on your own. For me, this book is an aid for when I am going to where I haven't gone to before. It helps me make judgements on ideas I get.

I have been living near the Twin Towers for over 30 years, and try as I did, I always had to go into length about Minoru Yamasaki's wondrous structure that architects loved to hate. Imagine my joy when someone comes to the rescue and captures the awe I saw since I stood at the base of the Twin Towers as a child and looked up, up, and up. The sheer simplicity, overstretched grandeur, and minimalist repetition can only be brought to scale by a man whose dreams supersedes his size.

Sure, you can read about it in Wikipedia, but under the watchful, crafty pen of Philippe Petit, you will be taken on a true journey from conception to realization. We begin with Petit's background as a child in France, learning pickpocketing, fencing, horseriding, painting, juggling, tightrope walking, and magic tricks. After being thrown out of five schools, we grasp that our author has a penchant for defying authority, one that sends him, inevitably, on a crash course with the New York Port Authority the day he set eyes on the Twin Towers.

Over six years in planning, with an endless list of accomplices (the cheery, angelic Jean Francois is an absolute delight) from both sides of the pond, Petit's daredevil tightrope walk across the near complete Twin Towers (World Trade Center 1 & 2) arrived only after several attempts to penetrate security, coordinate assistants, and gather all the necessary tools to be smuggled onto site.

Even though a coffee-table book in appearance, To Reach The Clouds is built masterfully, taut with suspense, gaining in momentum, only to be surprised by setbacks, followed by a surge. The format of storytelling here is analogous to the rollercoaster nature of inspiration for every artist.

A virtuoso narrative passage occurs in the sequence on the night before the big morning of the walk. Operating without any light, the accomplices and Petit illegally make their way to the roofs of the world, only to work in total darkness. After pages and pages of black and white photos, blueprints, snapshots, and a stock image or two of construction equipment, the photos all but disappear for a passage of 30 pages. If Petit has to work in the dark, so do we, the readers. And the moment dawn arrives, the first photograph appears. Wonderful! It's almost as if we, the readers are right there.

A very emotional picture occurs on Page 184, in the snapshot of New Yorkers gawking up in disbelief. Having lived through both attacks on my favorite skyscrapers when man's hate and his religion destroyed, it is truly breathtaking to see what man and his art instead, can inspire.

I found it puzzling that someone gave this book a 1 star. Petit is not nasty. A rebellious individual who pits nerves against the unforeseen disappointments of the creative endeavor can be forgiven for being short once in a while, but Petit does take the time, for example, to think of the lives of construction workers and tighten the cables of their platforms even at his most stressed moment. He offers a beautiful historical story of the collapse of the San Marco tower in 1902 as an afterward to 9/11, and also a promise to walk across the structure that will stand where the World Trade Center once stood. Even if that day doesn't arrive, Petit and this book has already given us the privilege to have a beautiful and lasting memory when we think about the World Trade Center. Thank You Philippe.

Petit's autobiography of his absolute single minded passion to defy gravity and walk between the Twin Towers is the most beautiful book I have ever read. It is a template for fulfilling your ultimate passion and describes moment by moment what it takes to achieve your most ridiculous dream.
From the moment he first heard of the plans to build the Twin Towers, Petit, the budding high wire artist, knew that he had to walk between the towers. The frenchman describes, in his marvelously accented english, his journey: the anticipation as he saw the towers being built, his painstaking preparations, the role of his mentor and coach, his meticulous planning and stakeout of the Towers, his recruitment of a shadowy team of rebels to facilitate his attempt and the ultimate stealth operation to rig the wire between the towers in order to perform his tightrope walk.
The book climaxes with his experience of walking between the towers 400m above the sidewalk with police in each tower screaming at him to get off and threatening to slacken the wire so he falls off. Amidst all this his experience is of ultimate calmness and freedom as he walks back and forth and even stands on his head high above New York while communing with a passing seagull. This is a truly spititual experience and the book took me there with him.
If you want to be inspired to follow your dream and want more than coaching and tips on how to get there then this is a book that allows you to live another's passion and fully experience what it is to be alive.

I recently saw "Man on Wire" in the theatres (more on that later), and having seen this movie prompted me to seek out the book that high wire walker Philippe Petit wrote about his 1974 wire walk between the WTC Twin Towers.

"To Reach the Clouds: My High Wire Walk between the Twin Towers" (244 pages; originally released in 2002) is a reconstruction, both verbally and visually, of this extraordinary event. Petit tells the tales of the early days, of his high-wire walks between the Paris Notre Dame towers and at the Sidney Harbor, only to be caught by the fantasy of the World Trade Centers, by a picture in a French magazine. The book details the preparations for the improbable feat, and it reads like a thriller (such as how did they manage to get all the gear into the Towers without being detected), even when you know the eventual outcome. The book comes with many visual details, like how Petit and his crew studied the WTC in detail (all the while trying to stay ahead of law enforcement and security guards). Petit brings a lot of poetic moments to the book, describing his inner feelings both as he was preparing for this impossible feat, and best of all as he is walking the high wire between the WTC towers. The book has a number of great pictures of that walk but to be honest I wished it had more.

In all, this book is a fabulous read, whether or not you have seen that "Man on Wire" documentary. But let me tell you that "Man on Wire" is one of the most fascinating movies I've seen recently. Best of all, Philippe Petit turns out to be one of the most engaging tale-tellers I've seen on screen in memory. Don't miss it!!

This book pulled me out of the doldrums. What an appealing person Petit is! Daring, ingenious, and courageous to an insane degree, he pulled off the greatest feat of street theater in the history of the world. He makes the phrase 'the impossible dream' stand up and dance. What I didn't appreciate until I read this book was what a fine engineering coup it was - all the rigging done clandestinely in the dead of night, so that at first light he was ready to step into the air.

And what a nail biting read! He re-creates the months long drama, keeping you right there with him all the way to the exhilarating end. What I also wasn't prepared for was how agile and graceful a writer he is and what a benevolent, endearing spirit.

You think you're facing a daunting challenge? Read this book and put yours into perspective.

I remember seeing the WTC towers being built, still partly framed in steel, as a child in the late 1960's. I also remember a snippet of this event in the news in the 70s. But, it was (I think) Ken Burns' American Stories on TV that reminded me of it and really gave it perspective that blew my mind as to how unbelievable an event it was. To me, it wason a scale of things like landing on the moon. With that still fresh in my head, I looked into the event and found this book and was unable to put it down from the first page until I finished it.

This book is inspiring. Petit is a bit crazy, but to pull off a hack of this magnitude, you have to be. Genius is touched with madness. To say the feat is inspiring is a great understatement. The logistics, planning, obstacles overcome, and just plain luck that all aligned in the end were really incomprehensible - more so after reading this book!

I thoroughly enjoyed every page. Sometimes, I get overwhelmed with things I need to do and obstacles I face, and I look at that timeless picture of Petit between the towers on the cover of this book and I am inspired. If he could do THAT, certainly I can find a way to overcome whatever is in my way today. THis book is fantastic.

The book is clumsy to handle, due to its thickness and small pages. Nonetheless it contains innumerable card tricks, and a few mind-reading and illusion tricks as well. Unfortunately, it doesn't cover anything you're likely to see in Las Vegas.

Mark Wilson is certainly a name in magic and has been around for a very long time. It was on the strength of that name alone that I bought this book, but it wasn't really as comprehensive as I would have liked. Many of the presentations are useful to beginning and intermediate performers as they are. A full time professional like me can fall back on these presentations as well, but over all this is second string material for me.

[...]

This book is not good, great, or awesome, but it's UNBELIEVABLE. The illustrations are very descriptive. When I first got this book I could learn a trick just be looking at the illustrations. (Though you should still read). There are over 17 types of magic listed and taught in the book. Some of these are, Sponge ball magic, Card magic, Cups and balls (the FULL routine), Stage magic, illusions, and more. This is the book to start up on for beginning magic. If you had to get only ONE book of magic, I would suggest purchasing this one. God bless you, and may your future in magic go well.

Mark Wilson is no doubt a master magician and a master of all magicians. This is reflected in this volume. The tricks in this book are a mixture of classical as well as new tricks....both entertaining and mystical. Mark Wilson has dealt with every possible branch of close up magic, conjuring and some basic stage illusions.They are easy to do. Some close up tricks require basic sleight of hands which are worth learning. If you are really serious about magic as a hobby, then this book should be in your book shelf. And if you are planning to take it up as your profession, then nothing can be a good book to start with. Some of the basic sleights are still used by many magicians. The illustrations are really gems. The copy which I got from Amazon was a brand new copy though I purchased a used one.
I wish I got this book when I started out on the mystical world of magic 15 years ago.

I recommend without hesitation this book for beginners or intermediates alike. It contains card tricks, sponge balls, cups and balls and even some stage illusions that you might find suitable with a little creativity or modification. It has card tricks that are pretty much already 'public knolwedge' to layman, but you might use them too using the way Mark Wilson teaches you to present them. However, there are also some advanced sleights on cards that beginners can learn easily because of the illustrations and the amazingly, EASY to understand text. Mark Wilson's Cylopedia of Magic. 5 out of 5.

Received the book in 6 days.. Well packaged, perfect condition. My first time to order over the "net".

This is a great book for everyone. It has great ideas, tips and applications to complete your project.

Really informative! A must have for your library! The author carefully, thoroughly explains EVERYTHING for all skill levels. Beautiful pictures highlight the steps. I appreciate that this book is spiral bound; makes instructions easier to access as you learn the technique. I have been sewing clothing for many years and just started quilting. This book is so helpful on many levels, (needles, thread, stabilizers, techniques); your projects will immediately take on the look of a highly skilled crafter. I consider her THE expert on this topic; machine appliqué from A-Z is all here. Highly recommended!!

This is a very lovely book, it has great pictures lots of examples, easy instruction and many tips. there is something for sewer's of all levels.

Mastering Machine Applique: The Complete Guide Including Invisible Machine Applique, Satin Stitch, Blanket Stitch and Much More

If I could only purchase one book about machine applique, this would be my choice. Harriet goes into excellent detail about adjusting and setting up the sewing machine for applique, explains how to select and use necessary supplies, and provides clear, detailed instructions and step by step photos for a variety of styles of machine applique.

Harriet fills in the missing blanks left in many other resources and goes beyond the basics, while being clear enough for a beginner to use. I highly recommend this book.

I reccomend this book to any one. It is a touching story that opened my eyes to the horrors of the holcaust.

Incredibly, this story could not have been told in any other medium - it had to be in comic form.

Vladek's story is amazing and horrible, and though he did not die in Auschwitz, perhaps he did not survive.

Speigleman captures his father's horror, and lack of horror in chilling detail, often with little editorial input.

I reread both books almost monthly, and never tired of putting voices to the drawings.

No simple review can wrap-up the power of these little drawings, or of Vladek's calm recall one of the most regretable events of the last century.

Compelling, frightening, powerful and addictive.

I'm ordering my second (replacement) set today-- I've lent these books out so many times, and I didn't get them back last time. I know why... these are books you can't forget, you don't want to lose, books you want to look at again and again and share with your friends. I've read much about the Holocaust and been moved by many stories, but none seemed more real or more human than these incredible comic strip figures. Spiegelman captures his father's attitude and dialect so well that I can hear him speak in my mind. Everyone should read these books, Jew or non-Jew, young or old. We must never forget.

This set of books is so terrifically done that I cannot recommend it enough. I have owned the set for a few years now, and every time I reread the books I notice another facet to the drawings or text that adds something new to the story. The first time you read the books, you won't have time to really look at the pictures, but as you read them again, read slowly and observe at the backgrounds and the other people in the panels.

I can only imagine how gut wrenching this series must have been to write for Mr. Spiegelman, but I thank him for doing so. This story brings the Holocaust down to such a personal level, the people in the story are real human beings whose lives don't just begin and end with the Holocaust. You get to see how they lived before, coped during, and survive with the memories of the war years.

Finally, to this day I am moved to tears by the last few pages of the second book. Although Vladek Spiegelman comes off as a racist miser at times (i.e., a real human with flaws), the reunion with Anja is drawn with such genuine emotion between the characters that it is almost painful to read. Imagine yourself in that situation with your significant other and the scene becomes so intensely emotional that you have to look away.

It helps to have a background in the Holocaust but is in no way necessary when reading this book. It should be part of everyone's library!

A few years ago, when I first read MAUS, I was filled with trepidation at the thought of a comic book about the holocaust. As a holocaust educator, I worried that any trivialization of the topic might do more harm than good. After I finished reading MAUS, I walked away believing it did a better job of communicating the loss, suffering and lifelong consequences better than almost any novel or scholarly work I had ever read.
Spiegleman could have bombed on this one: too much 'comic book' or too much history would have ruined the work and caused a nightmare. Instead, he found the most remarkable juxtaposition of human understanding and tragedy communicated sensitively and sorrowfully, in a way in which those of all ages can identify.
My concerns about the Jews portrayed as 'mice' were quickly allayed: these mice had more humanity than most people. The metaphor was so powerful and 'receivable' that I do not think it would have worked any other way. I would recommend it for High School and above, because of its intensity, but at the same time it's hyper-reality is so magnificent that no one studying the holocaust or Shoah, whether at the beginning level or far into a scholarly career, should escape reading it. It is a masterful classic and has left a lasting impression on me for the entire time of my own studies.
Elizabeth Kirkley-Best, PhD, Director: Shoah Education Project (Web)

Just like The Winter Child and The Faeries of Spring Cottage this is very lovely book. Both adults and children will enjoy the pictures and lovely story. This is a must have for all children and Froudians.

Wendy Froud is every bit the genius as her husband. This book is absolutly enchanting. Her dolls and her vision coupled with Terry Windling's adorable story create a world that young and old will want to escape to time and again. A must have for all fans of Frouds and faeries.

An excellent book for children. My daughter loved the heroic faery. The illustrations are first rate. After getting this book for my little girl, I tried out Terri Windling's "The Wood Wife" which is written for more adult readers. I am glad I stumbled onto Ms. Windling's work. Both books were excellent. She is a very good story teller.

The book refers all to faeries, the story is good but what I was interested on was the art. Wendy Froud created the dolls for the story and since my interest is doll making, this was a great book full of details. She has another book named "The Winter Child" in which she uses the same dolls but there is different story line. If you are interested in books with great pictures, this is the one or if you enjoy reading good stories to children you will greatly enjoy it. Wendy Froud is the wife of Bryan Froud the great illustrator of "Good Faeries, Bad Faeries" and "The Faeries' Oracle".

Sneezle, you ask? What exactly is a Sneezle? Well, Sneezle is our little root faery hero, that's who! This is a wonderful book with a very good lesson that teaches us that everyone in life has been put here for a reason. Sometimes it may seem that certain people in life have better luck, are more beautiful, are thinner, have a better voice, etc but this book shows us that there is something special in everyone, even when we least expect it. Sneezle shows us that the pure of heart will always prevail over the forces of evil.

The artwork in this book is also PHENOMINAL (please forgive me if my spelling is incorrect.) Every time I look at the pictures, I find something new. The creatures, the landscapes, the settings are all GLORIOUS! Although this is a "children's" book, I highly recommend it for both the young and old at heart.

the font should be a little more catchy/interesting for the little ones (20months+)to grab the books by themselves.
Otherwise, a good addition to the collection!

My 15 month old daughter loves these books. They are great educational books.....we're learning together :) We loved them so much that I've purchased all in the series. I would definitely recommend them and plan to purchase more as gifts in the future.

These are a must have for your home library. MY 2 year old son just loves them! I wish I had purchased them earlier.

Mini Masters board books are a fabulous way to introduce famous masterpieces of artwork to infants through eight year olds. I teach literacy skills to early childhood students and have found these books intriguing to Kindergarteners and 3rd graders alike. I have used them as a springboard to more indepth studies of Monet, Degas, and Van Gogh. They make wonderful baby shower and newborn gifts!

This is a great set for the money especially if you want to share art with your child. Some of these paintings I've seen in real life which is cool. I do wish the books were larger for easier viewing which is why I give them 4 stars only. I think my baby (8 months) would be more engaged if they were larger.

If you are buying individually, the Van Gogh and Matisse are bright and very eye-catching. The Monet is a bit murky and dark and the Degas similarly so although you gotta love the ballerinas. Of course, I prefer Van Gogh and Matisse anyway so maybe I am biased.