Arts Books

This book does a great job of enhancing the experience of watching The Dark Crystal. Objects that are only seen for an instant or merely in the background are explained in detail in this beautiful collection. My only complaint? There's lots of white space on some of the pages, which makes it feel like less of a guide to an ancient world and more like a textbook.

Even so, highly recommended for fans of the movie, faerie stuff in general, or just great artwork.

Brian Froud, the creator of the Dark Crystal, is a Genius.

This book is a small Bible.

Well written, and with images so refined it makes you wonder if it is all "human" made.

All your questions about the Dark Crystal will be answered.
The information contained in the book seems almost sacred,
as for the capacity for the human mind to understand it all,
that is yet to be proven...

This book is an amazing tome for anyone who grew up in adoration of The Dark Crystal. Brian Froud's illustrations and concepts are gorgeous and so incredibly creative. This book is delivered as a history of the World in which the film takes place. It is narrated by Aughra, "...the first and last," who witnessed thousands of years of creation and destruction. She monitors the cyclical suns, a spectator of the conjunctions that bring the wise urSkeks, and their division a thousand years later into the cruel Skeksis and the mystical urRu. Aughra alone knows the long history of the crystal and throughout the pages, describes life throughout the ages. There are so many subtleties that the book describes that I can't wait to watch the film again, knowing the significance of the shapes of rocks, the intricate details of the clothes the characters wear, and the elaborate symbolism peppered throughout. The art is gorgeous and the insights into the World of the Dark Crystal shed a new light on the film and its philosophy. Bravo!

A must have for any Dark Crystal fan. It contains detailed pictures, decriptios of the various races, and a breif overveiw of how the world works. It also contains some history on the making of the movie, and a copy of the orginal movie idea. Even if you don't like the movie, it would be hard not to appreciate level of detail that went into this imaginary world.

Overall: An excellent book, which I highly recomend.

I didn't grow up with "The Dark Crystal" like most others who bought this book. I watched it for the first time in 2007. While I found the movie charming, it didn't leave much of an impression. Still, I was fascinated with just how so powerfully so many people love this movie. The film has such a following that a sequel is on the way after 25 years. So, I bought this book to see what it was I was missing. This book is mostly written from the point of view of Aughra, one of the main characters in the film. The art is fantastic but what I adored was the mythology I found within these pages. In this book is a vivid history of the world of the Dark Crystal, complete with philosophical and religious ideas that have a strong connection to the events of the film. If you wish to understand the films themes and events better, there is no better book than this. A MUST for all fans of "The Dark Crystal"

This is a really great book, but i can't find it anywhere! If anyone here knows where i can get it, can you e-mail me at sharabear@hotmail.com? I'd appreciate it!

peace

I love the art in this book. Every time I look at the illustrations it makes my heart beat faster. Really it is a joint effort between two very talented and creative people. If you like art that is not very Thomas Kincade-ish, Keep your eyes peeled for this book. Thanks Jimmy A. Thanks Kevin.

I truly love this collection of poems and artwork. It's truly a collectable. Essentially, poetry is personal, so you'll have to judge for yourself, but here are the ones that really impressed me the most:

SECRET INTRUSION
CAPTURED
TREE CLIMBER
YOU GAVE ME AWAY
ENDEAVORING TO BE WILD
VANITY
SOME THINGS ARE BETTER LEFT UNSAID

Also, the artwork by Jimmy Abegg which illuminates the background of each poem is bold and brilliant. I only wish I owned an original piece. Enjoy.

I love Kevin Max, he's my role model and this book is totally amazing! If you love poetry, like me, then get it. The tape is good too, he has some emphasis in his voice than he does in "Alas My Love" or "There's A Treason At Sea" which is on the dc Talk CD's. Really good. I had to go to eBay and bid on it!

I heard about this inventive little poetry book after stumbling upon Kevin Max's very original and poignant musical album, "Stereotype Be." As a college English student and a lover of good literature and poetry, I was curious to see if Max's written words were as inspiring and lyrically original as his music, and I was willing to spend a little extra to obtain a copy of this rare book. Needless to say, I found myself captivated by this work, which is an intriguing exercise in untraditional but very well-written meter, rhythm, and vocabulary in contemporary poetry. In addition, Max's (writing as Kevin Max Smith, a last name I understand that he had dropped) themes are clear and his imagery is provocative, and while he doesn't attempt to be too abstract with his work here as most contemporary poets strive to be, he does present very well-written poems with simple messages and well-executed meter.

As I have stated, the most interesting aspect of Max's work is by far his exercise in vocabulary and meter. Max is very interested in maintaining traditional meter in most of his poems, bringing to mind, at least rhythmically, the best of Roethke and even Yeats. The poems in particular that demonstrate this talent are the excellent "Queen of the Nile," "Draw Nigh," and "Awake at Night." While these poems are never quite in perfect iambic pentameter, Max clearly knows his poetic devices and uses them effectively, creating his own interesting rhythms within the meter. Even in poems which are free-verse in nature, Max successfully keeps a steady rhythm throughout and displays some creative usage of assonance and particularly alliteration (a good example of both can be found in "My Reoccurring Desert Dream," "Vanity," and "Wilt Thou?"). I would say that this book must be best read aloud to appreciate Max's unique rhythm to its fullest potential (as all good poetry should be).

In addition, Max clearly engages in a breathtaking love affair with word play which is often so clever that the reader will only catch it after several reads. Take the poem "Jordan's Kiss and Then Some," in which Max cuts the word "Mother" in half at the end of a line, so that the word reads "Moth-/er." Here, we are given a clear description of this "mother." By simply cutting the word and emphasizing "moth," the reader understands the motivations and characteristics of this particular character. There are many little details thrown into this book similar to this example, and in addition, Max's vocabulary includes words I never thought could fit into a poem as well as he utilizes them. Words like "retroaction," "placation," and "kamikaze" somehow manage to find themselves seamlessly placed into Max's poems, and they manage to maintain both meter and rhythm. Who knew? Evidently, Max did.

Thematically, "At the Foot of Heaven" is a little more under whelming, but this doesn't make them at all disappointing. Clearly, this book is an exercise in meter and form, so if the themes and images are a bit simplistic, that is only because they were intended to be. Max's poems are not particularly long, but they all serve as interesting and complete thoughts unto themselves. He conjures up some fascinating images ("Tonight I wish to touch the stars./ To swing the moon in my cradle/ To pull the sky around my neck") but none of these images cast any question as to what direction he is going with them. Occasionally, Max finds himself with lines a little too simplistic in nature (i.e. "I would count ever speck of sand/ every bit of stardust to be with you"), but for the most part, he simply concerns himself with creating simple messages of love, faith, and humanity (indeed, the book is divided into sections with these titles) using extremely well-crafted poetic lines and some provocative, if obvious, metaphors and similes.

I must also note the fascinating layout of the book, which is actually a collaborative effort which an abstract painter named Jimmy Abegg, who I haven't heard of before or since. Mr. Abegg has a truly gifted eye for color and striking images, and his work compliments Max's tremendously. If for no other reason, this book is worth owning for Abegg's wonderful paintings. In addition, Max continues to exercise creativity in form often in fonts that he uses for many of his poems. Some of the fonts are so large that single words will overlap one another fill up entire lines. The result makes particular poems literally leap off of the page, in a creative approach that I have not seen before. Neither Max or Abegg are afraid to push boundaries in this book, and the creativity pays off.

A fellow student who is not an English major but who loves this book hit the nail on the head regarding its significance better than anything I could add: Max's fascinating use of form and simple messages very effectively bridge the gab between the literary world and the everyman who is not necessarily interested in reading poetry. Whereas this individual shied away from poetry in general, finding it too intimidating, this book, in its creativity and simplicity, made him want to take a second look at the literary world of poets. As the wonderful world of poetry seems to have lost its impact in America in this modern world (and most contemporary poets are starving), and that its appeal seems limited to English classrooms, such a statement pays Max the highest compliment imaginable. Indeed, after reading "At the Foot of Heaven," I am convinced that his unique style makes him one of the most gifted and promising contemporary poets currently writing in America. Keep an eye out for this guy.

amazing amazing amazing. get it, get it now! Perfect for those starting out or those needing quick access to info. contains everything

Great book, has everything you need to know and more about the backstage theatre just a useful book to have handy

The Backstage Handbook is the most comprehensive guide to technical theatre...and could serve as a reference beyond the stage. I was absolutely amazed at the sheer volume of information the author could fit in such a small book. It really has everything imaginable. It covers tools and machines as well as common production techniques. In addition, the Backstage Handbook covers the math and science needed behind the scenes. Need to know how to make a dodecahedron? This book will tell you how to scribe one inside a circle. The handbook also covers architectural details that are common for most American & European styles. I just received the handbook and my students and I have dubbed it the "bible" because of it's binding, but most definitely the content! This is a must-have for anybody who has a need for knowledge of practical math and science applications.

This book is an excellent resource for anyone working behind the scenes as a stage hand or anyone in show business.

This is an unusual book and I haven't seen another like it. I bought a couple of copies for co-workers in the TV studio I manage. Good reference.

It could be science fiction
myths...
unrealistic scenario,
but certainly it is amazing.
So much work went in the
preparation of this book.
So much details.
My God!
It is really amazing....


S. Mahdi, Cairo, Egypt.

The artwork in this book is fabulous. It's a neat little companion book for sci-fi fans; it has wonderful illustrations of all the various organisms that have been portrayed in some of sci-fi's classic and canonical works. And along with those illustrations? Little one-page write ups on their biology, social structure, etc.

Once I saw that there was a Velantian in this, from E. E. Doc Smith's Lensman series, I was sold, and had to get it. Done as a page by page look at each species the artwork is excellent, and these are the sort of funny looking monster types that kids like too, so it can work on more than one level, most definitely.

Good book. I have owned this since I was a child. It was a great portal into many of these classic Sci Fi books as I would have never heard about them otherwise. Barlowe has a fantastic nack for bringing life to these aliens. Highly recommended.

I enjoy art books, mainly books of fantasy art. But this book is more a sci-fi art book, and a very good one at that. Mr. Barlowe did a excellent job with the illustrations in this book. I read H.P. Lovecraft's "At the Mountains of Madness." I had a hard time visualizing the Old ones described in that novelette. But Mr. Barlowe helped me greatly by including them in this volume and even summarizing their history. I would love to see how Mr. Barlowe would visualize all the creatures in my book, Tales of Ancient Xenar. I know he has a fantasy art book and I hope to see that one very soon. And to be honest, the only thing I am disappointed about is the fact Amazon.com ony allows a max of 5 stars. This book deserve well more than that.

This book would be an invaluable asset to have handy to anyone who reads a lot.It is a large book ,1144 pages.It is the type of book that will be turned to frequently when you come across something in your reading that you would like to know a bit more about without going to a lot of trouble or checking a lot of sources. The book covers a lot more than literature and authors. It is an encyclopedia in every sense of the word.For instance ,if you have never heard of an author,or a book,that is mentioned somewhere ;there's a good chance that here you will find enough to serve your needs.However;if you do know the author and his works ,you will probably basically know what is in this book.
Although most of the reviewers are very "well read";don't assume this is not the book for the "ordinary reader".I consider myself in that second group;and I can vouch that it is very down to earth and jam packed full of information,usable for everybody,regardless of their background or knowledge.
I must also warn you that when you pick it up there is a great tendency to flip around it from one thing to another. It is no problem to spend an hour or more glancing through it. It is also the type of thing that can be left around for anyone to pick up,open at a page at random;and they will find something to interest them.
It's difficult to say what all's in the book;because it covers all types of things other than literature.
Just a few for instances;

Pg 321..we get all the rulers of England from 829-
present,including their time in office.
Pg.44..explanation of Gordian knot.
Pg.434.. background of the guillotine.
Pg.491..Huguenots
Pg.581..Last Supper
Pg.717-718..Napoleon I,II &III explained.
Artists are covered.I found it interesting that max Ernst is included but not M.C.Escher. We get definitions such as epigram,epilogue,epinicion and epiphany on Pg.325.A flip of pages to 1020, and we get a short explanation of the Thirty Year War,mixed in with authors and book titles.
What I've been trying to convey is the wide range of entries in the book and that it covers much more than literature and authors. It is a bit of a guess what you will find;but that is part of the enjoyment you will getfrom this book.You'll find "whore of Babylon" but not "The Butcher's Apron".The Pulitzer Prize winners are all listed.
I could go on forever;I'll quit now,as most readers have gotten my pointby now.I hope so,anyway.
If you buy this book,or buy it for someone who reads a lot;you'll never regret it.

This is the kind of work which when first dipped into leads to the temptation to dip into it more and more . The sheer amount of information is so great, the entries so various in subject that endless delight is to be found in learning more and more. There are however as with most things, a few problems and limitations.
Take for instance the opening entry of the Encyclopedia, the entry on 'Aaron'. We truly learn important things about Moses' brother and mouthpiece. But for anyone who knows Biblical literature not to speak of its commentaries, the entry is a shortcut of shortcuts. And thus misleading. For it does not tell of Aaron's role as leader of the Temple ceremony worship, does not explain his connection with Moses in a deep way, nor even mention their sister Miriam, does not tell of the death of Aaron's son in offering up strange fire, does not tell anything about Aaron's role as ' man of peace beloved by the people'. One of the great farewell scenes of world- literature Aaron's climbing to the top of Har Ha-Hor is not mentioned.
I take this one example to indicate another simple truth. An encylopedia of this kind is always best on a subject one does not really know much about. Then anything we are told , adds to our knowledge if not necesarily our understanding.
In checking out a number of articles I did not find ' inaccuracy' here. In confronting other subjects I knew nothing about I did have a sense that I was getting reliable information.
This is again a good tool and source for attaining first knowledge of a subject.
However if one really wants to know and understand the meaning of a particular subject my recommendation would be to supplement this work with other sources of information.

I love my 4th edition and am glad I've kept my 2nd edition as now I have the best of both worlds. New info in 4th and the deleted info in the 2nd. The only thing I would do to improve the next edition is go back to the alphabet tabulations.

He drove an ambulance during World War 1, before becoming one of America's most famous novelists. Who wrote "Death of a Salesman"? Who wrote "Manhattan Transfer? Who created the character, Sherlock Holmes"? Holden Caulfield was the main character of what famous novel? Who wrote "Catch-22"? These are just some of the questions that "Benet's Reader's Encyclopedia" can answer. Bruce Murphy's book offers biographical notes on writers, synopsis of famous books, plays and poems, descriptions of characters and detailed explanation of literary terms and movements.

I have had my copy of Benet's Reader's Encyclopedia since its publication in 1987 and have found no better reference tool for writing research papers and for general literary inquiries. Although "Benet's Reader's Encyclopedia" is over-due for a major facelift, it continues to be a valuable tool - I keep my copy at arms reach along with my copy of "Oxford Companion to American Literature", by James D. Hart.

I purchased this for myself my second year of college. Being an English major especially interested in the Modernists, it soon became the most used volume in my bookcase. A fantastic quick reference when crunched for time and excellent for understanding those oh-so-esoteric literary allusions. It's wonderful, with references for historical and artistic events and movements, novels, epics, authors, poets . . . a must for any lover and/or student of literature. This would make a fantastic gift, too!

Blockbuster Plots: Pure & Simple is my security blanket for writing novels, short stories, and speeches. Through Martha Alderson's guidance, I am able to create page-turners with confidence. My undying gratitude to the author/teacher.

I first learned about this book from my critique group. Several members had it and after borrowing one, I just had to have a copy of my own. The book's techniques for plot at both the scene level and the overall story level has helped my deepen my plot in ways I could have never imagined on my own. I am forever grateful for the book.

I find this book very useful, easy to understand language and examples of ideas are given. Have revised one writing project using this method and it now has more scope and depth.

This is my first time giving a review for a book. I was compelled to do so because my expectations for the book were high based on past ratings. Was the book and the author's tools for plotting helpful? Yes and No. Let me explain my take on it. The scene tracker, although simplistic, listed some areas that one should chart in order to be aware of gaps that one may have in certain scenes. I especially liked the concept of tracking the emotional change and how important it is to have "change" and "conflict" in each scene or it needs to be reevaluated or discarded. I give the book 2 stars just for learning that aspect/tool in scene tracker. There is more to scene tracker, however, I will not give it away. You'll have to buy the book. The scene tracker makes the purchase of the book worth it.

On Plot Planner, the only thing I found helpful was connecting individual scenes together above & below the plot planner to make a line if only each consecutive scene can be connected thru cause and effect. If not, then again, those scenes need to be reevaluated or discarded. For bringing that "Aha" into light, I give the book another star.

However, the book notes under the PLOT PLANNER section on how to plot THEME and EMOTIONAL Development. The author only records those aspects under scene tracker. SHE DOES NOT track it under the PLOT PLANNER. Unless I failed to understand her diagrams; theme and emotional development are not tracked on the PLOT PLANNER. She refers back to her SCENE TRACKER for those 2 aspects. So in essence, it is not the PLOT PLANNER that is tracking them but Scene tracker. I guess that would be fine with THEME, as you can make a connection with all the Theme points for each scene and come out with an overall sense of what the theme is or what scenes support the theme. But I fail to understand how the Emotional Change in each scene can demonstrate the protagonist's character arc or journey of emotional changes on the whole through the scene tracker (although it works for each individual scene). But the author's premise is that it is tied into the PLOT PLANNER and I didn't see where she connected those aspects into that tool.

What is recorded under PLOT PLANNER is just a visual of individual scenes divided by the beginning, middle, and end sections of the story. All in all, still a valuable tool, but I already had some knowledge of this.

However, throughout the book, the author spreads out tidbits of basic information on plot and the such which is helpful for the novice which I would have liked if she had delve into more detail. She tickled my palette for more knowledge.

I guess the supposed beauty of the book lies in it's simplicity. However, she gets off tangent in several areas (saying that she has gotten ahead of herself) and if you seek clarification of what she is talking about she refers to you to her DVD or website or she just barely touches the surface on it. In fact, almost every other page, along the side bars, her DVD is mentioned. The book at times seems like a disguise for marketing her DVD. I understand that authors need to self promote, but the amount of self promotion in this book became distracting. Perhaps just putting a footer on each alternate page with her website address would have been more appropriate than on the sidebars.

In addition, she left alot of white space on the sidebars which could have been utilized more efficiently to dispell more information.

If anyone has seen her dvds, please post a review and let me know how you liked it. I'm tempted to buy one, hoping that she does go in deeper with her tools. I think she made a very good attempt to what she was trying to accomplish when she started the book with the SCENE TRACKER (EXCELLENT tool that can be really tailored to suit your needs and she does emphasize that). But once she got into the PLOT PLANNER, I think she needs to clarify it a bit more and make the examples at the appendix more coherent in the sections of theme and emotional development.

Overall, its a good book to have for a reference. The scene tracker is excellent and having more developed examples of the plot planner with more detailed explanations would have been golden.

Her website and Blog has a wealth of information that is basically a reiteration of about 1/3 of her book.

I have emailed her requesting clarification on some of the above and will update my review according to her response.

***********UPDATE - October 12th***********

Martha Responded to me on her Blog! She explained how the Character's Emotional Development & Theme can be tracked through the plot planner. It was so simple that I simply overlooked it. Along with her website, her book delivers! It is great to see an author who supports what they have written in such expedited fashion. If Amazon would give me the ability, I would upgrade my rating from 3 to 4 stars. Not 5 you may ask? Well, the self promotion needs to be cut a bit (lol) and it would be more helpful to have color examples of her tools to see how she tracks the different aspects of plot, and for her to expand a bit more on what she delves in the book (like how she does on her site). There's just so much good stuff in her book, but she doesn't go into it as deeply as I would have liked. But overall, I am very pleased. Any further explanation you might need, you can find on her site and blog. Her tools are excellent. I highly recommend.

2 other books that I would also recommend to supplement with the Plot Planner is Dara Mark's "Inside Story: Power of the Transformational Arc". Also, a great book on Endings which also gives an overview to story structure is Drew Yanno's "The 3RD Act". It is simple and to the point and the 30 question checklist at the end of the book makes it a good investment!

Happy Plotting!

Any artist worth their salt has to have a solid working understanding of the rules of their craft. A painter has to know about brushes, colors, shapes, lines and light. An oboe player has to know how to cut a reed in addition to learning to read music and play with others in the orchestra. For some reason, though, writers seem to start out thinking they don't need to know anything more than how to put words together, that the story will simply come out of their imaginations full-fleged and wonderful.
Baloney.
Whether you're just starting your novel, or working on the third draft, you need this book. Ms. Alderson has a great system to teach writers the complex struture of good plots. She's also an incredible teacher. If you get a chance to come to California or to attend a writers conference where she'll be speaking, I highly recommend her class.

Blue Monday is an interesting but not a compelling read. We never get inside Fat's head to understand the man, so we get an expanded discography. The dates, times and places seem to be well researched which begins to wear after a while. The matter of fact style just does not bring Fat's personal life into focus, although there are many descriptions of incedents about him. He remains a mystery in reference to his personal motivation, dual life style, and reclusive habits.
Russ H.

I guess if Antoine "Fats" Domino could keep the President and First Lady waiting, then he could keep us waiting for his first biography - this is a Natural Born book about a musical genius, intriquing personality, and unassuming cultural revolutionary.
The author tells his story and includes many entertaining anecdotes about life at home and on the road with several sets of support players - the greatest names of course being Dave Bartholomew, Herb Hardesty, and Lee Allen. We get a strong picture of the smiling, "safe" rock and roller, as the often defiant man's-man. And a complex artist/showman: he could sing The Rooster Song while flashing rings to make Freddie Blassie envious.
A great bunch of previously unpublished black and white photographs from Look magazine, among other handsome prints of lesser known shots really bolster the text.
A serious ommission for the audiophiles: not even a selected discography and no sessionography. [Though there are "Notes" in the back of the book on the mysterious Broadmoor recordings, including personnale and dates!]. Of course the '50s period sessions can be found as a booklet in the Bear Family 8-CD set, and in a European book, "Jazz Records"; also in a fairly recent issue of Goldmine magazine. But Fats Domino ABC-Paramount, Mercury, Broadmoor and Reprise FD session data has never, to my knowledge, appeared in print, and what a fabulous component that would have made.
Speaking of the ABC-Paramount tracks, the author did not mention in the text a very important 4-CD set, "The Paramount Years", which included the *incredibly* rare fourth l.p. for that label, plus the 1980 "If I Get Rich" from another record company!
The idea that "The Fat Man" is the first R & R record also doesn't agree with me. Yes, the elements are there, the upbeat shuffle and bright lead vocal, but that powerful sound (and many others by Fats in that '49 to '54 period) were not *primarily* for the youth. The first discs to be produced for teenage tastes came much later. I wouldn't even include "Tutti Frutti" in that category, as it too, lyrically and instrumentally echoed an earlier, "swingin'" sound. [It was "Ready Teddy" folks which screamed out...Rock and Roll!!!].
Still, this book should be "required reading" for those dedicated followers of those Rock and Roll Hall of Famers.

Rick Coleman's new book "Blue Monday" is the first full biography of Fats Domino. Many interesting things are therein.
- Fats was the first black rock & roll star. His records made the pop charts before r&r's dawn in 1955.
- Kids did not buy albums in the 50s, but Fats' albums sold, meaning he had an adult following like Louis Armstrong's.
- Fats concerts were often scenes of teenage riots. He may be known for `Blueberry Hill,' but his fierce rolling piano ignited his audience.
- "Blueberry Hill" was the product of a botched session. Engineer Bunny Robyn edited together the best parts of several incomplete takes and simply repeated the chorus.
- The string-laden "Walkin' To New Orleans" was a big breakthrough which traditionalists lamented. But it hit R&B (#2) even higher than pop (#6).
- Roy Brown once ditched a plan to have Fats open for him on tour. Fats never forgot it, and refused to have Brown open shows for him when the tables were turned.

Of the Big Five (EP, FD, CB, JLL, LR), Fats is the least lionized because he was not a "rebel." Historians normally embrace only people with bold lifestyles.

Boy ol Boy, Rick Coleman has written a great book on the TRUE story of Rock & Roll! I know as I was there and if you want to know what it was really like to be on the scene when true rock & roll was called race music on a juke box, Boogie Woogie and the down home blues was taking over the country then get this book and turn others on to it also. No one person was more responsible for the birth of R&R and R&B than the Fat Man! This was long before Elvis, Haley and the hand full of others came on the bandwagon. [...]

From his first record in 1949 until his harrowing escape from Hurricane Katrina in 2005, Antoine "Fats" Domino has defined New Orleans and its culture. This book puts Fats, his city, and his music into perspective in amazing detail. In the process, Rick Coleman convincingly demonstrates that Fats and his collaborators--especially songwriter/arranger Dave Bartholomew and producer Cosimo Matassa--have as solid a claim as Elvis, Carl, and Jerry Lee with Sam Phillips in Memphis or Wolf, Muddy, and Chuck with the Chess brothers in Chicago as the prime architects of rock 'n' roll. The product of more than 20 years of exhaustive research, this is, surprisingly, the first biography of one of the greatest early rock stars. Coleman had his work cut out for him; Fats is notoriously reclusive. Nevertheless, you come away from this book admiring Fats's talent and drive, and Coleman's exhaustive research and evocative writing. All the other great Louisiana rockers are here--the bayou wild men, backwoods musical savants, and forgotten honkers, shouters, string-benders, and drum-thumpers who helped create the Crescent City sound. I highly recommend this to anyone who wants to understand the real, complete history of rock 'n' roll instead of the revisionist pap that passes for such. -Mark Hoffman, co-author of "Moanin' at Midnight: The Life and Times of Howlin' Wolf"

Just pop in some FrontLine Assembly, VNV Nation, Funker Vogt, and Apoptygma Berserk mp3s, and browse through this amazing collection of sci fi/fantasy artwork from the master known simply as Brom. Large, crisp, full-color photos of his amazing paintings grace this informative book. See sketches for some of his paintings in the margins, and view his talented early sketches from age 5, 11, and 20 years of age.

Brom is the most amazing artist in the Fantasy genre. This book is a great buy if you love Fantasy art and you want to see a true master. Forget Frazetta, forget Vallejo, Brom is the one. This book portrays Brom's art to it's fullest. Beautiful, full color prints adorn every page, showing off Brom's masterful talent and attention to detail. Don't miss out on this one or it's sequal 'Offerings'.

If you like to draw, like great art works, sci-fi, well fantasy art this book is for you. Brom his a great artist, very talented, his art book got lot of nice to weird art works. It had been a while since I search for a great fantasy art book and this one is the best I saw so far!

I saw this book in a store yesterday. The title, Darkwërks was what first caught my eye. So I picked it up, looked at the covers, back and front, and began to flip through the first pages. I was amused very much by the art created by Brom in his earlier years. For instance, when he was age 6, he drew quite a bloody scene; a body riddled with knives and sharp objects. So, I started to look through the pages. Immediately, I was captivated by his morbidity and uniqueness. The graphic beauty of each picture shot into my eyes and made my heart quicken. I had only planned to glance through the book, but within seconds I had become a slave to each work of art.

While definitely not for the....."Normal" person, anyone who loves the morbid and macabre will love this book with all their heart and soul. Beautiful, beautiful blood and violence. Femme nikita, freaks of nature, tortured souls and Dark Angels fill the pages of this magnificent masterpiece. BUY IT NOW!!! Hah...

Brom is a fantasy artist who is best known for his work on his work Dark Sun, Deadlands, collectable card games, and book covers. He stands out from Boris & Julie as well as Frank Franzetta partially for the sole reason that most of (though not all) of his portraits contain people who wear clothing, albeit usually something fetish inspired, leather and latex. He has a very distinct style, painting very beautiful moon-skinned redheads and tan wild-elven creatures, which stand along detailed landscapes that insipre the imagination. Some of his work is disturbing (though not quite as disturbing as H.R. Geiger), and mostly very dark (what would you expect from a man who listens to Nick Cave while he paints?) but all of his work is remarkably well composed and masterfully detailed.
Brom has a larger influence than many people realize, for example the evil albino in the recently released movie Time Machine could very well have come directy from the pages of Darkwerks. To get an idea of how popular Brom has become, just type in his name in any search engine (Google works best). Darkwerks is a very good collection of his art, containing very little text and allowing all of the pages to be showcased in full-sized, full-colored glory.

This book introduces jazz to a young audience. It explores the sounds, rhythms, and emotions of the genre through colorful pictures and rhythmic words similar to the beat of "scat" singing.
Lots of the words are there just for the sound of them. By focusing on the sound words, students could develop spelling strategies that help them move from phonemes, the sounds they make, to graphemes, the written representations of those sounds.

This book is excellent. The illustrations and musical text allow for early readers to really enjoy and learn from this book. Perfect for preschool and kdg age. I used this book as the basis of a jazz unit, it worked wonderfully.

"Charlie Parker Played Be Bop" was my son's favorite book when he was two and nine years later we still have fun reading it. I now purchase a copy for new parents to read to thier babies. As a speech language pathologist, I want to share to magic of words and the music they can make! This book is an absolute MUST read for all children.

I wasn't sure how my little one would respond to this book even though I love it. If I ask, "Do you want to read about Charlie Parker?," she lights up and starts literally starts to bop. The baby digs it. Just more evidence that the jazz is a universal language. I like the introduction to poetry, rhythm and randomness ("Never leave your cat alone"). I bought two other copies and gave them to my friends for their babies.

I am an elementary school music teacher with students ranging from pre-K to 5th grade. I read this book to all of my pre-K and kindergarten through second grade classes and sometimes the mood strikes me to read it to older students. There is something in here for most every age. Everyone loves it.

So why does Raschka draw chicken feet in such odd places, e.g., on overshoes, alphabet letters, pancake flippers?

Well, rumor has it that one day Charlie Parker was driving back to his boarding house and, as luck would have it, he hit and killed a chicken that had run out into the street from someone's front yard. Such chickens are called "yardbirds". The alleged events include Parker doing the unthinkable, namely, backing up his car, picking up the dead chicken (aka "roadkill"), taking it to his landlady (hey, it was fresh!), her cooking it, and him eating it. When friends heard this story, Parker was known forever after as "Yardbird", which was eventually shortened to just "Bird".

If you didn't catch the part about the chicken feet on your own, don't feel badly. Insiders like Rachka and myself know it and now you do too. Rachka has done a terrific job in providing a lot of feeling about some very notable personalities. Plus he does it with humor, some of which is very subtle.

My students probably have as much fun going through Parker's history as with the book itself. But all of that is just the preliminaries: I then have to read it several more times with the students reading and acting out the story. We have a rockin' good time.

A Child's Christmas In Wales CD: And Five Poems
Hurrah! Now I won't have to wait for the radio to play Dylan Thomas reading his wonderful Child's Christmas every Christmas. Truly a beautiful recording of the other poems as well.

My goodness, these illustrations are ugly. They completely detract from the beauty of the language. Either read it out loud to a blind person or stick with the version illustrated by Trina Schart Hyman.

This reading of A Child's Christmas in Wales is tops! It wouldn't be Christmas for us without hearing Dylan Thomas tell his story. He recounts a holiday of simple, family and neighborhood doings, and paints a picture of snowy, seaside Wales of the 1920's.

I love this story, as do all my children, who, from their earliest years, have not much struggled with the density of the language nor the scatteredness of the story. 5 of my 8 great-grandparents are from Wales, and the remaining 3 have the blood in them as well, so maybe it is like drinking water for us.:-D Our minds are all scattered, and words, even English words ;-D, fall on us in clumps....which makes it doubly hard to keep a clean house. LOL

The sort of prose-poetry imaginative way of seeing and describing the world unique to Welshwomen and Welshmen and Welshchildren, which does not seek to keep up the pretense that history can be separated from myth, story and desire, and which requires loving with eyes wide open to [and eventually embracing] one's own and others' bumps, bruises and idiosyncracies included, is extraordinarily well represented here. So, by the way, is speaking and listening to the close and Holy darkness!

My favorite version isthe one illustrated by Trina Schart Hyman. To me she has captured the complexity of the Welsh personality best, though i have nothing to say against the other illustrators praised in these reviews. I DO have a warning for you: there are some skinny versions flying about which do not have the poem-story complete and correct. This sort of work cannot suffer removal or modification, IMHO.

gbg

If you have read A Child's Christmas in Wales, you know that it has to be a classic. But you can't fully appreciate it until you have heard Dylan Thomas read it. What a deep, expressive, poetic voice. For years, I have listened to the recording on a Caedman record. It is wonderful to have it on a CD.