Arts Books

I don't own this book, but I just checked out from local library. He has got such a great imagination. Another great book he created. Awesome!

There is really no reason for me to review this book with 30 other reviews already here. I will just state that I loved it. I "read" it to my 4 year old and he wanted to read it again right away. If you look at each picture carefully and discuss with a young child what is going on before you turn the page, they will love it. And if they are like my boy, they will then read it when they are alone. I went to see him that night up in his room and he wanted to read it to me. We sat there while he described each picture and the story in surprising detail. I really think this is a great book with fantastic illustrations and a wonderful story. The author is brilliant.

If you like incredible artwork with an amazing story line than you will love Sector 7 by David Wiesner. Each of his books is absolutely incredible and this is no exception. I bought this(and others of his) for my daughter who is about to become an art teacher to use in her classes and she was thrilled! Enjoy!

This item was exactly as described in the item description. It was in the original packaging and is in excellent condition. I am very satisfied and I highly recommend this seller and product to everyone. This is an excellent book by an excellent author!

Flotsam and Freefall were the first two books I explored by David Wiesner. Sector 7 is not to be missed either. Wiesner's style and creativity are wonderful explorations for all humans(and especially children). M.C. Escher has an honored presence in this book, as he does in Freefall. The theme of flying is present here, as in all of Wiesner's books, and the fanciful creative nature of Wiesner's story and illustrations (paintings?) are not to be missed. Second language learners will immediately have something to say (in their own language) about this book. So will everyone else who reads it. Anyone who has taken the time to sit back and enjoy the show clouds put on will appreciate the ideas within this book. Don't hesitate!

Frank Miller doesn't pull many punches when he writes. I use the word raw to describe his writing because honestly, there is no more appropriate word if you ask me. His characters exist and breathe unapologizingly in the world of Basin City and That Yellow Bastard is way at the top of the best Sin City books for a reason. You have a hero that doesn't have an ounce of quit in him and who's pushed beyond what's even amorally admisible. Hardigan is the type of hero everyone says they would be in a situation such as that but quite frankly, I don't think there exists someone who is as unbreakable as Hardigan. Moral dilemmas don't exist when it comes to saving a kid from a rapist but it all gets way complicated when push comes to shove comes to murder. The beauty of Sin City is that even though it's noir fiction, you can't help but believe these characters, feel their pain, feel their anger and silently nod as some questionable decisions regarding what's right in this world are taken by a hero that shows that being a hero sometimes means not giving a damn and taking your hatred for one Yellow Bastard to the brink of sanity.

Certainly my favorite of the Sin City "episodes". The selective use of color creates a wonderful tension.

A mostly honest cop close to retirement saves a young girl, foiling the plots of some crooked colleagues and other powerful men. He takes the torture, deprivation and long prison sentence to protect her, revelling in the letters she writes him.

They stop, he is let out. Finding the girl, he realises he has been played, and knows there is only one way to stop the little yellow bastard and company.

Frank Miller's Sin City is paradise for noir fans, nothing can't happen in these graphic novels. "Walk down the right back alley in Sin City, and you can find anything." Book 4 of 7, That Yellow Bastard is a tale of bravery and sacrifice. It's my absolute favorite of all the Sin City books, Frank Miller's dark and extremely stylized way of telling this masterpiece is electrifying. The artwork is tip top, the writing is crisp and smooth, and the characterization is excellent. I hope you enjoy this amazing book!

A fan favorite due to the movie, John Hartigan is probably the most unusual character in the Sin City roster - an honest and honorable cop in a very corrupt and dishonest city. Not surprisingly, things do not go well for him. Betrayed by his partner and set up as the patsy for a heinous crime, he represent the epitome of honor as he quietly and passively accepts his fate in order to protect the innocent.

On the other side is Hartigan's polar opposite. The title character is probably the single most despicable character in the series who tortures little kids before killing them, uses family connections to get himself off while framing an innocent man. The great thing about this book is that it really presents the two extremes of humanity and puts them at crossing paths to each other.

The story has more sticking power than many of the others by Frank Miller. No doubt this is due to the ending, far more poignant than that of others. It is too bad that Miller did not continue with this story line in other volumes as there are enough loose ends here for a number of good stories. Perhaps, though, the ambiguity is part of the charm.

I learned so much about all of my favorite artists in this book. This book is tastefull done (unlike Building a Mystery by Judith Fitzgerald). The author actually talked to the artist and got their perspectives on many different topics and the meanings behind their songs, which makes this book true and somewhat autobiographical. It is good to see a book also where the artists are not portrayed as glamorous. These black and white photos seem the bring the artists back down to the same level that the reader is working on. It is a really nice book and an interesting read.

Well, I am going to read the book, if I ever get a credit-card...which hopefully there's another option..( or I'll be broke before I get paid....) Anyhow, I'm sure this book is well worth reading..TO me anything by any of these great artist(s) who have inspired me in my darkest hours of frustration.. I will never give up the God given gift(s) thanks to you all!!!! (And hopefully we'll all Jam before New Year's Eve!!!!!) -C

com) from Atlanta, Georgia November 14, 1998 Dear Emma and Marc, Solo is awesome, the images and narrative are both soulful and powerful. As a practicing artist I'm attracted to the imagery in your book. The photographs have a cinematic quality to them, in particular the series of photo's of Holly Palmer. When I look at the images in your book I feel spirit and emotion of the people represented through your imagery. Examples of what I'm referring to are images of Lucinda Williams (pg 290 and 300), Sheryl Crow (pg 273), Roseanne Cash (pg 246), Jewel (pg 224), Shawn Colvin (pg 39), and Sarah (pg 18)... I like the way the narrative and art work weave together like a quilt, your images make me feel good. More on Solo later... Peace, Love, and Understanding, Freddy Ciminelli

This is the finest example of what beautiful photography and amazing storise can do for your soul. This book should be read by every woman in America at every age. The stories are personal, enlightening and truly amazing! There is so much to learn from SOLO... I return to it daily.

The night I bought this book I sat down and finished the whole thing. I bought this book because I was a huge fan of Sarah McLachlan and Shawn Colvin, Jewel and Cheryl Crow, but I learned so much more from the other singers too. Sarah's interview struck me as the most down to earth, but every interview was intriguing and I just couldn't put it down. Some of the artists I had never even listened to like Ani Difranco but then next day I borrowed a friends CD and I have to say thanks to this book my CD collection has gotten a lot larger! Thank you Emma and Mark! The only bad thing about this book is......it ended! (and Tori Amos wasn't in the book, but was mentioned by Sarah McLachlan! =)So that was fine by me!!!)

This is one of the best books I have read -certainly the best in the category of social history. Jay Stevens has researched his material meticulously and has delivered the narrative in a most enthralling manner. I found it hard to lay the book down. Whether, like me, you lived through the psychedelic experience of the sixties or you have but a passive interest, you will be amazed to learn of the full impact that the psychedelic culture has had on Western society, religion and philosophy -right through to the chemical hedonism of today.
This is truly a superb read!

I bought this on the recommendation of Dr. Stanley Krippner in a lecture on ayahuasca. It is absolutely the best book I have read on the history of the psychedelic movement during the past 100 years or so. Timothy Leary is not dead - he's only outside looking in. :-)

This should be required reading in American History. Who knew Canada had legal LSD centers? And the characters- Nin, Huxley, Kesey, Leary and Capt.Al Hubbard (??). Will we ever see their like again? Really a very sad story, and a fascinating one. Nice to see the Chief Boo Hoo, old Art Kleps in there as well. Sen. Kennedy: "Is your title really Chief Boo Hoo?" Art Kleps: "I'm afraid so, sir."

This is the definitive account of the 1960s psychedelic drug scene. Stevens does a great job of conveying the highs and lows of LSD and its proponents. His ability to relate endless facts while retaining a fast-paced narrative structure is amazing. I found this one of the most "addicting" books out there about the significance of drugs in American culture. Stevens reviews all the major personalities: Albert Hoffman, Timothy Leary, Ken Kesey and the Merry Pranksters, the Grateful Dead, Alan Watts, Jack Kerouac, Aldous Huxley, and more. If you're interested in this electric decade, the power of psychedelics to warp the mind, or any of the poet-prophets who were compelled to experiment with and sing the praises of acid then this book is sure to delight.

This was a very good book. You get lots of interesting stuff about Aldous Huxley, the famous beat writers, Owsley, Timothy Leary, Ken Kesey and the evolution of the so called counterculture as a whole.

The problems that I have with Storming Heaven is not for what was in it but what was left out. For one Stevens was WAY too easy on Timothy Leary. The author seemed almost like a school girl with a crush when he recounts his visit to Learys home for an interview for the book. He comes off more as a fan than he does an objective writer at times when he deals with Leary. Why wasn't it mentioned that it has come out that Leary was a government informant and information he gave led to the death of two members of the Weather Underground? Its also a known fact that Leary was surrounded by CIA assets and there is a lot of evidence that he was a government agent himself, and at the least he was feeding them information.

There is also a fleeting mention that wasn't elaborated on about Ken Kesey that he had LSD experiments done on him at Stanford by the guy that ended up in charge of the CIAs Mkultra mind control program. This really makes me wonder about Kesey. Its more or less accepted history that the first LSD to get out on the street level was what Kesey stole from the medicine chest at his job as a night shift janitor at a mental hospital and distributed it among his elitist friends. Kesey went from writing what was probably the best novel written during the 1960's to, while becoming a counterculture hero, never writing another thing worth reading again. Did doing too much LSD scramble his brains and ruin his creativity or was his creativity nullified by Mkultra programming? Its hard to say for sure but I have to wonder if Kesey was not under some sort of mind control or was being used by the CIA in one way or another. There are a lot of unanswered questions in my mind about Kesey.

They also fleetingly mention the Brotherhood of Eternal Love who were major LSD distributors and were known to be full of CIA people and had a close association with a Jewish man named Ron Starks who was a CIA spook that also happened to the biggest LSD dealer in the world. Starks was not even given the first mention in this book!

I mean with all these ivy league, Mkultra and CIA connections to the elites of the so called counterculture I have to seriously wonder how much of the hippy movement of the late 60's was an organic rebellion against what was (and still is) a very repressive society both socially and politically and how much of it was intentional social engineering that came from the highest levels of the power structure. Many people believe that the anti-war movement was flooded with drugs, in particular LSD, by federal agents. Its well known that the government tried to subvert and destroy the anti-war movement with the cointelpro program so why wouldn't they also use drugs to try to destroy it? While it can't be denied that LSD has enhanced many an artist, writer and musicians work can you honestly say that sitting around frying on acid all the time is going to do anything but disable political activists who in many cases were in a life and death struggle? Besides that the fact remains that many people became permanently damaged as result of doing acid.

All that said I would definitely recomend reading or of you can get it cheap, buying Storming Heaven. I could hardly put it down once I started reading it. I realize that this book was more geared toward looking into what psychelic drugs can do with the mind and its exponents history and theories on the subject than any conspiratorial maneuverings by the US government involving LSD but it just didn't go deep enough into the rabbit hole for my tastes.

One doesn't usually expect to find oneself laughing when reading a book of criticism written by an academic, much less a book on Shakespeare. But Burt's book is frequently just that, funny to the point of making me laugh out loud. Burt has a refreshingly off-beat sense of humor, and the materials he has discovered--such as an adult movie version of Hamlet--aer themselves often hilarious as well, though not always intentionally so. But far from being just a laugh riot, the book is also a serious, critically sophisticated analysis of Shakespeare's fate incontemporary mass media, where much of hte lnagugae is cut or confined to well-known quotations. Burt's final chapter on films about teaching Shakespeare is quite moving, and Burt has the courage to raise difficult questions without pretending he is able to answer them. He is right to think that the questions are more important than the answers. Burt is to be congratulated for writing his book in a clear and engaging prose style without sacrificing the complexity of his thought.

In his wonderful and fascinating book Unspeakable ShaXXXspeares, Richard Burt, the leading scholar of Shakespeare and film studies, pioneers research into the manifold ways Shakespeare enters into American popular culture. Concentrating mostly on film but attending as well to television sit-coms, Burt offers penetrating insight into everything from mainstream adaptations of Shakespeare to "low" spin-offs in which Shakespeare's language almost entirely disappears. Burt explores both what film and mass media have done to Shakespeare and also what Shakespeare enables our culture to do trhough film and other electronic media. Readers intersted in this book will be happy to know that Burt has since edited a related collection entitled Shakespeare After Mass Media and has co-edited Shakespeare, the Movie II.

One of the many strengths of Burt's truly excellent book is that it not only discusses Shakespeare adaptations but uses Shakespeare, or of ShaXXXspeares, to discuss post-war American popular culture. Burt's theory of the loser as critic has ramifications for all criticism, not just Shakespeare. This is a profound, original, and engaging book.

I happened to be doing research for my thesis on Shakespeare in the university library and, while looking for other books, I was intrigued by the three XXXs in the title of Burt's book on the shelf, so I pulled it off and looked through it. What a daring work of cultural criticism! When I saw the chapters on Shakespeare porn, I marvelled both at the courage of the man to write such a book and how at the publisher who took it on. Of course, I check it out and read it. I especially was drawn to the chapter on action films and Burt's point that while the films cannibalize others, no one in the films ever eats; the characters are anorexic. The book is full of similarly wonderful insights. I am a cinephile, and very much appreciated Burt's quite hip approach to ShaXXXspeare. Now, it's back to those other, rather staid books of Shakespeare criticism, I was orginally looking for.

Whatever you think about Shakespeare, it is impossible not to agree with the points Burt makes in this book. His analysis is right on the money and you will never be able to look at Shakespearean movies or literature in the same way. A fantastic book and a must read.

Brilliantly put together coffee table book - i recommend this to U2 fans - fantastic collection of photography- great variety covering each band member and even some family photos- loads of unseen photos - great idea with the hand written notes .... worth every cent

This book have new photographs that not has been seen about U2, and they have very good quality. This is not another book about U2, in my point this is a essential book for fans of U2.

Gorgeous pictures! Must have for true fanatic fans. A little pricey for the casual or average fan unless you have a crush on one of the band members. Anton's handwritten comments are a wonderful touch. They make you feel like you're part of the family. Definitely worth the money to me.

The iconic photos in this book are an essential addition to any U2 fans collection. It's great to see other shots taken in the same session as the well known images that have graced the magazines and album covers over the years. Best of all are the explanations behind the shots and the honesty that comes across from the photographer and the band.

No words can describe the beauty, quality and detailed work of this book; you can really tell the dedication Anton Corbijn put into it, as well as his loyalty to the band through all these years. It's not only a masterpiece describing through pictures and notes the history of the greatest rock band in the world, but also a must have for any major U2 fan. It's personalized album type format makes it a wonderful experience both to read and look, and the quality and art work of all the pictures is out of this world; it's almost like you grow closer to the band! I loved it and can't get enough of it!! It's worth every cent. Really!!

When it comes to the saxophone, this book covers it all. Embouchure, posture, the parts of the horn, the history of the horn, reeds, fingering, you name it and it's in this book. It's surprisingly in depth on every front, even having a section on the altissimo register. This really is among the must haves of any saxophone player's library.

Having said that, this is in no way the ONLY book you should have. While it contains warm up exercises, actually buying a decent scale/chord study book should be a high priority. Also, if you're serious about learning the 3rd and 4th octaves, you need to buy a good high register book.

Ultimately, for me at least, this book comes down to more of an encyclopedia as opposed to a bible. It can take you really far, but you're eventually going to need to buckle down with specialty resources.

This book is considered by many to be the "Saxophonist's Bible." A great book with many illustrations and practical advice for playing the saxophone.

Great book!
I just started learning to play the sax, and this book has given me
an invaluable insight into the instrument and how to play it.
I recommend it to anyone starting to play the saxophone, but the information is valuable even for established and professional players.

I have recently started learning the basics of saxophone playing. My knowledge of playing the Saxophone, and indeed any musical instrument, and also music theory is limited. However I found that the information in "The Art of Saxophone Playing" was very informative and the way it is set out has certainly been of great help.
I think that the more advanced player will profit more from the information given in the later chapters. I'm hoping that as I improve I will better understand these chapters.

This book is a staple among saxophonists of all veins (jazz, classical, and anything else). It is a must-have, and for good reason. It gives insight in to every aspect of being a saxophonist, including some brief but helpful information on doubling. Some chapters are very in depth, though others are less so. A great find and worth every penny.

I'm not really one for writing reviews, but thought I would do for this book to show my appreciation for it.
'Alternative Photographic Processes' has so many ideas that you can pick and choose from, yet I enjoyed reading through the whole book start to finish, even though I don't intend trying out everything here....This would take a lifetime.
It's backed up by photo history which really brings alive the processes as you try them out and keeps the maths/science/techno info to a workable minimum.
Bascialy, for those who don't see photoshop as the be all and end all, this book brings photography alive and makes is seem...well, magical again.

This book does excactly that what it pretends: it gives an excellent overview of al kinds of alternative processes so you can pick the one(s) you like. It does not go into detail, for that you have specific books or web information.

Some of the process described are at this moment impossible to perform, simply because the chemicals are not available anymore; they are too dangerous. The books states that as well...

Very clear and detailed information, with excellent photo and graphics that illustrate the alternative processes.
All the processes are historically contextualized.
Congratulations Christopher James for this great book.

'Tis the most complete alternative processes manual of all times. More beautiful color photograph illustrations than you could think to shake a stick at. To get the most alternative use of this book, one might stitch the pages together to wear as clothes, and alternatively processize to one's heart's content.

You'd think that alternative photographic processes would be dead in this digital age, but there's still a lot of life in these fun, techniques, some of which date back 100 years or more. If you want to have fun, and rediscover some of the joy of photography, buy this book and try some of these processes for yourself.

This book is such a great collection of tiki decor and knick-knacks that you don't even need to read the captions to enjoy it. My wife and I want to turn one of our rooms into a tiki bar. We thought we would need to do a lot of looking to get a good idea of what real post-war tiki bars were like. Well, look no further. This book has it all. If you type in "tiki" in an Internet search engine, it wouldn't come up with this many ideas. This book reviews everything from the blue prints to the big tiki restaurants down to the coasters underneath the amazing assortment of tiki mugs. The title could not have been more appropriate. This is the definitive book of tiki. Have great fun looking through the book. Depending on your age, it might make you nostalgic for those lost days.

If you have the slightest interest in the subject, you have to have this book. it is an amazing piece of work, and a visual feast. It is one book I pick up again and again, and always notice something new. Buy it.

Truly a wonder of nature this Book of Tiki. Chances are, you might so your parents or grandparents in the pictures, from the days before you considered them old.

The text of the book goes briefly through the various sources of Polynesian pop-culture, and where it branched off. From Michener's South Pacific, to the Lanai apartments in Anytown, USA.

The pictures, brought through the archives of time in the form of various postcards and of the now empty lots that once were Tiki bowling alleys and apartments, show us a fascinating time of tehnicolor wonder and primitive naivete. This was before PC was PC.

All around, a fantastic read, whether you're a full on tiki freak, or you simply wonder why grandpa wore a Hawaiian shirt to your wedding.

Like all Taschen books, this book is visually STUNNING! Just leafing through the pictures never gets boring. The real treat is the book is also jam packed facts, folklore, drink recipies, and so much more. More information about Tiki than I ever knew existed.

Plenty of eye-candy in this book, but very well balanced with informative and fun content. A must have for the Tiki enthusiast!

This book is a must have for anyone interested in Tiki or kitsch art. Describing themselves as "urban archaeologists" seeking remnants of Tiki culture, the authors provide a fun and informative look at this vanishing art form. The book does an acceptable job presenting the evolutionary history of Tiki, from the 1920s to the present. Key events, such as the establishment of Trader Vic's, and the Kon Tiki craze of the late 40s, are looked at in further detail. There is also a good look at the "artifacts" of Tiki art and architecture throughout the United States. The book is packed with color photos of Tiki mugs, matchbooks, buildings, and much more.

However, the book does lean a bit too much towards making the book eye candy. The Book of Tiki uses intense colors, and ultra-hip page compositions that make it difficult to read (typically Taschen, but I still found it distracting). Also, a consolidation of information would have made it easier to reference, such as a table differentiating the different "Trader" Tiki businesses. Also, some of the text ("Exotica and the Tiki style were denounced as contrived rituals of the imperialist establishment at the same time that the Vietnam war developed into and ugly mistake, with native huts and palm trees burning on TV."), had me wondering if they were being tounge-in-cheek, or were actually serious.

Nevertheless, this book is the current bible for Tiki aficionados, and is well worth having on your bookshelf.

This book contains most of the beadweaving techniques that I've ever heard about as well as how to combine stitches. While I would call it a reference book, for the most part, it has lots of projects as well. I haven't made any of the projects to date but think the instructions are excellent. If you need to know how to switch stitches in your off-loom work.........you won't be unhappy if you purchase this book.

GREAT!!! loved it gave great ideas to work with

I've only found 1 other bead weaving book as good as this one and it's also by Carol Wilcox Wells, "The Art and Elegance of Beadweaving". This one has great diagrams, guidance on what beads and colors to use, and a beautiful gallery of projects to do and ones to be inspired by. It is also a great buy in paperback. My advice is buy both of her books.

I love the book. It has lots of beautiful inspiring pieces. It's more of a book for intermediate and advanced beaders than beginners in my opinion, but that doesn't mean a beginner wouldn't get something out of purchasing it. I retun to the book over and over again for helpful tips and tricks and inspiration. I highly recommend it.

I have a bunch of beadweaving books, but THIS is the one I refer to when I forget a stitch or need some technical help with increasing or decreasing. Nice projects and instructions are written clearly. If you buy only one book on beadweaving, it should be this one!