Arts Books

When it comes to the saxophone, this book covers it all. Embouchure, posture, the parts of the horn, the history of the horn, reeds, fingering, you name it and it's in this book. It's surprisingly in depth on every front, even having a section on the altissimo register. This really is among the must haves of any saxophone player's library.

Having said that, this is in no way the ONLY book you should have. While it contains warm up exercises, actually buying a decent scale/chord study book should be a high priority. Also, if you're serious about learning the 3rd and 4th octaves, you need to buy a good high register book.

Ultimately, for me at least, this book comes down to more of an encyclopedia as opposed to a bible. It can take you really far, but you're eventually going to need to buckle down with specialty resources.

This book is considered by many to be the "Saxophonist's Bible." A great book with many illustrations and practical advice for playing the saxophone.

I have recently started learning the basics of saxophone playing. My knowledge of playing the Saxophone, and indeed any musical instrument, and also music theory is limited. However I found that the information in "The Art of Saxophone Playing" was very informative and the way it is set out has certainly been of great help.
I think that the more advanced player will profit more from the information given in the later chapters. I'm hoping that as I improve I will better understand these chapters.

Great book!
I just started learning to play the sax, and this book has given me
an invaluable insight into the instrument and how to play it.
I recommend it to anyone starting to play the saxophone, but the information is valuable even for established and professional players.

This book is a staple among saxophonists of all veins (jazz, classical, and anything else). It is a must-have, and for good reason. It gives insight in to every aspect of being a saxophonist, including some brief but helpful information on doubling. Some chapters are very in depth, though others are less so. A great find and worth every penny.

This book is such a great collection of tiki decor and knick-knacks that you don't even need to read the captions to enjoy it. My wife and I want to turn one of our rooms into a tiki bar. We thought we would need to do a lot of looking to get a good idea of what real post-war tiki bars were like. Well, look no further. This book has it all. If you type in "tiki" in an Internet search engine, it wouldn't come up with this many ideas. This book reviews everything from the blue prints to the big tiki restaurants down to the coasters underneath the amazing assortment of tiki mugs. The title could not have been more appropriate. This is the definitive book of tiki. Have great fun looking through the book. Depending on your age, it might make you nostalgic for those lost days.

If you have the slightest interest in the subject, you have to have this book. it is an amazing piece of work, and a visual feast. It is one book I pick up again and again, and always notice something new. Buy it.

Truly a wonder of nature this Book of Tiki. Chances are, you might so your parents or grandparents in the pictures, from the days before you considered them old.

The text of the book goes briefly through the various sources of Polynesian pop-culture, and where it branched off. From Michener's South Pacific, to the Lanai apartments in Anytown, USA.

The pictures, brought through the archives of time in the form of various postcards and of the now empty lots that once were Tiki bowling alleys and apartments, show us a fascinating time of tehnicolor wonder and primitive naivete. This was before PC was PC.

All around, a fantastic read, whether you're a full on tiki freak, or you simply wonder why grandpa wore a Hawaiian shirt to your wedding.

Like all Taschen books, this book is visually STUNNING! Just leafing through the pictures never gets boring. The real treat is the book is also jam packed facts, folklore, drink recipies, and so much more. More information about Tiki than I ever knew existed.

Plenty of eye-candy in this book, but very well balanced with informative and fun content. A must have for the Tiki enthusiast!

This book is a must have for anyone interested in Tiki or kitsch art. Describing themselves as "urban archaeologists" seeking remnants of Tiki culture, the authors provide a fun and informative look at this vanishing art form. The book does an acceptable job presenting the evolutionary history of Tiki, from the 1920s to the present. Key events, such as the establishment of Trader Vic's, and the Kon Tiki craze of the late 40s, are looked at in further detail. There is also a good look at the "artifacts" of Tiki art and architecture throughout the United States. The book is packed with color photos of Tiki mugs, matchbooks, buildings, and much more.

However, the book does lean a bit too much towards making the book eye candy. The Book of Tiki uses intense colors, and ultra-hip page compositions that make it difficult to read (typically Taschen, but I still found it distracting). Also, a consolidation of information would have made it easier to reference, such as a table differentiating the different "Trader" Tiki businesses. Also, some of the text ("Exotica and the Tiki style were denounced as contrived rituals of the imperialist establishment at the same time that the Vietnam war developed into and ugly mistake, with native huts and palm trees burning on TV."), had me wondering if they were being tounge-in-cheek, or were actually serious.

Nevertheless, this book is the current bible for Tiki aficionados, and is well worth having on your bookshelf.

Very inspiring. It really helped me finish my book, "My Vow of Silence - the roughest 3 minutes of my life"...

Great for writer's block. Read one essay per day and call me in the morning.

[...]

Sometimes this series seems wussy but this particular book is absolutely great. You get to read about authors during their struggling years and times of doubt, and, it's all across the board in writer types.

Enjoy.

I'm going to admit it. I love the books in the series CHICKEN SOUP FOR THE SOUL. I became an addict almost from the beginning. I even remember the first time I read a story in one of the volumes. I was having a terrible day, and all I wanted to do was complain, but no one was listening. It was suggested I sit back, relax, and enjoy a fire roaring in a fireplace. I grabbed the first volume in the series, the only one available at the time, and read a story at random. It was about a little boy battling cancer who dreamed of being a firefighter. I read the first paragraph, figured it was going to be sappy, and if it was too gooey, I'd throw the book in the fireplace as kindling. Well, that's not what happened. The child did not survive, but the local firefighters made his frame come true and as I read, I became emotionally involved in the story, almost feeling as if the kid was my own son. But it did more than just make me realize I was getting a bit to cynical in my not so old age, it reminded me of what writing can do for a reader: make a connection to a person's heart in a way no other medium can. Over the years the books in this series have made me take a few moments to reflect, appreciate life, and see the good that is out there even if we don't always realize it. No, not every story moves me, but I do believe that every story in the series moves at least one reader, and if writers claim to be pouring out their heart and soul on the page, isn't this the point? In some ways I have this series to thank for reminding me of my dream to write something that will be published. As I read many of the stories in this series, it reminded me that we may all have a story to tell, but writers take that story one step further and put it on paper.

Now, while I love the books in the series, I wondered if CHICKEN SOUP FOR THE WRITER'S SOUL would have enough of an edge. I guess I believe books on writing should be challenging in order to be credible. I've read the books on writing theory by people such as Eudora Welty, John Gardiner, Anne Lamott, and Brenda Ueland as well as the "you can write a best selling novel in thirty seconds" type of books. Of course I read the former as an artist, but the latter for research purposes. The main character in my novel in progress is a popular writer so I need to know how popular writers write, right? Right. I wondered if the CHICKEN SOUP volume would have the critical push I need, or whether it would be enjoyable stories without a bite, so I avoided the book. Then I remembered something. Jack Canfield and Mark Victor Hansen are two of publishing's most successful writers/editors, and the first volume was rejected by publishing houses that thought the idea would never succeed. I'm willing to bet they regret rejecting Canfield and Hansen now, but it also reminded me, these two people know the ins and outs of writing and publishing, and they may know what writers need to read.

Obviously I purchased this volume, and I've read it as I do most of the books in this series. I look for a story that interests me and read it. Usually I take something with me. This volume shows the variety of people who take words and put them together in an attempt to find meaning. Some of the writers with stories in this volume include esteemed authors such as Ernest J. Gaines, best selling writers such as Clive Cussler, and writers from the world of entertainment such as Garry Marshall and Art Linkletter. Most of the stories are written by lesser known names that may not have the notoriety but have the same desire to put words to paper.

I'll admit, most of the stories in this book I use in teaching, usually when teaching junior high students about the importance of pursuing dreams or having confidence in one's abilities. Yet as I teach these lessons and remember where the stories come from, I am reminded of my own desire to write, and since that's the purpose of the book., it succeeds.

This notable volume of "Chicken Soup" consists of eighty stories within ten chapters to thoroughly inspire and give voice to the value of writing, whether for profit and as a career or for the sheer joy in the outlet of creative expression.

Each true-life story was written by a professional writer within some genre of the field, and I found myself turning the page to find any familiar to me. Regardless of familiarity of name, each story will inspire, even if you have no inclination to write. And if you do write, you will find helpful tips, comradeship and motivation along with the encouragement.

As with all books of the Chicken Soup series, this one can easily be book-marked and read at leisure. I enjoyed every page and every story.

This is a collection of approximately 80 stories from various writers, some famous, some not. The stories are personal anecdotes of the obstacles faced in becoming a writer. Most of the stories seem to have a hardship story to tell, for example, overcoming poverty or illness. My favorite story was from the Christmas Box author, telling how he wrote and self-published the book.

If you are looking for writing instruction, this is not what you want. However, if you need to be reminded that many other people who have aspired to become succesful writers have faced and overcome overwhelming odds, then you will enjoy this book. I recommend this book to any aspiring writer who is currently feeling discouraged from rejection or self-doubt.

I bought this book after re-watching the movie taken largely from this exhaustive biography. As someone who has read many bios, let me say that this is a refreshing and encouraging alternative to the fawning and excessive grocery store drivel and/or the dull and fact-filled dissertations that describe most biographies. Hayden Herrera manages to combine a staggeringly comprehensive detailing of Kahlo's life with an easy prose that makes for an engaging read. I know far more about this artist than I could've imagined and it is largely first-hand accounts either from the pages of Frida's own diaries and numerous letters or the people who were there. Herrera keeps her personal opinions regarding the events to a minimum and allows the events to speak for themselves. The life of Frida Kahlo needs no additional padding or maudlin tricks to engender a connection to anyone with a heart and soul. When the author does speculate, it comes from someone who has clearly studied her subject thoroughly and backs up her theories with a wealth of compelling evidence and sensible arguments. While her appreciation for Kahlo is obvious, Herrera does not stop short of being critical, questioning Kahlo's motives, and revealing the stark humanity and insecurity that Kahlo tried to obscure with her public persona as the confident, outspoken, provocative enchantress sporting her exotic Tehuana finery.
However, the best use of Herrera's research and the clear compassion and empathy she has for this incredible woman is when she analyses Frida's paintings. I found myself continuously turning back and forth from the detailed observations and interpretation to the paintings and trying to understand what the author is talking about. It was fascinating reading and a wonderful exploration that shed light into the depths of Frida's intensely personal art.
Two last notes: First, the version I bought does not sport Salma Hayek on the cover but instead one of Frida's many self-portraits. Apparently the publishers corrected this unfortunate decision based on movie marketing. Second, I was fortunate enough to take in the amazing exhibit of Frida Kahlo at the Philadelphia Museum just a few weeks ago and it was a moving and special day. Seeing the actual frames dripping blood, the size and grandeur of some of the works juxtaposed with the smaller works, and the sheer emotionally gravity of her art was something I'll never forget. Having read much of this biography by that time, I was able to bring that much more to that exhilarating opportunity.
Frida Kahlo was not just an extraordinary artist but was moreover an extraordinary person. Herrera's heartfelt, deeply researched, and brilliantly written biography allows those of us who never knew her to feel as if we have and to share in the universal quality of her painful work. That alone makes us better people for having experienced it.

This is a paintakingly detailed biography, yet rather than making for tedious reading, it flows smoothly from the pages...Hayden Herrera has done an incredible job with the story of Frida Kahlo, the most famous Mexican artist in history.

Written in the late 1970s' (when many of Frida's friends and intimates were still alive to interview), this excellent book combines letters (to and from Kahlo), first person anecdotes and historical records (along with a decent selection of photos and paintings), to create a sweeping portrait of a very, very interesting life.

Everything you ever wanted to know about Frida (and maybe some stuff you didn't), is in this book.

"Frida" is highly recommended to anyone who enjoys Frida's work or just wants to know more about a very interesting, opinionated, talented, brutally honest (especially with herself), yet very vulnerable) woman.

I learned about Frida when I took art history in college. I always wanted to know more about her because of her art work. She was so passionate! Although she was considered an abstract artist. Her art was very REAL. You can feel what she feels by looking at her art. This book really helps you understand what happened in her life and attached the painting that went along with that specific period in her life. Very well written.

An inspiring Biography of famous Mexican artist Frida Kahlo. It was comprehensive, read like a documentary and at some points was long and boring with gory details. Frida was such an interesting person it was worth the struggle to get to the end. I now understand her and her works so much better. I think she was an odd and eccentric person that was gifted with natural artistic talent. I recommend looking at her paintings at the same time you listen to the audio since the audio is so descriptive almost like a narrative from a museum. It doesn't make sense unless you see the works at the same time. I found them on a website dedicated to her. There is nothing like her art, she is truly original!

Since her death, Frida Kahlo has become something of an exalted icon, representing for millions of people the alegría of a life fully lived. Hayden Herrera's insightful book both supports the artist's status, and provides devotees who never met Frida the chance to know their idol in depth, to familiarize themselves with her happiness and suffering, to experience her highs and lows.

The book's mixture of intimate biographical details (a thorough chronology and evocative descriptions of events), psychological analysis and art criticism create an intensely vivid picture of Frida Kahlo, the world in which she lived, and the means by which her art conveyed her mind and body's pain. Objectivity is retained throughout; unflattering and negative aspects of Frida's personality are discussed with attention equal to that devoted to the subject's positive traits.

As Hayden Herrera's biography shows, the benefits to Frida of putting brush to easel - with her deliberate, small strokes - were manifold: not only was painting a solace and diversion, it was also a visual expression of the pain resulting from a terrible bus accident in which she was involved when she was 18, miscarriages, and the hurt of her husband Diego Rivera's infidelities. She also used painting as a means of earning money and limiting her financial dependence on Diego after they married for a second time. (While during her lifetime one of Frida's paintings might fetch $200 from a private buyer, nowadays even small-scale works have sold for over $1,000,000 at auction.)

To me, an appealing aspect of Herrera's bio is its lack of pretense (appropriately, as pretension is something Frida disliked in any form): you won't find any flowery, purple prose here, nor do the author's analyses and assertions smack of arrogance. It is quite apparent that Hayden Herrera knows her subject top to bottom, but I never felt as if facts and dates were crammed into the text superfluously, simply as proof that she knew them.

If it happens at all, it will be many years before Hayden Herrera's "Frida: A Biography of Frida Kahlo" is replaced as the definitive biography on the subject. Having read it cover to cover three times, I can't imagine a better-written or more stimulating study of this truly unique, truly gifted person.

I've been feeling bad since my papers got rejected. This book makes me feel much better when I read the "blistering rejction" included in the book as an example.
I totally agree with the author that "the world is unfaire (p<.001)" :). I will follow his idea to take what I can from the reviews, revise my paper, and send it somewhere else.
Thanks Paul for writing such a great book!

This book was great. It's full of useful and realistic information. Nothing touchy-feelie or New Age here. I wasn't asked to "get centered" or in touch with my chakras. Just practical information and guidance. This book is written for academics -- which I am not -- but I still find it helpful for my own creative writing needs.

This is the best investment a graduate student or academic can make. It would be worthwhile at $500, let alone a mere $10. While other books may encourage some of the same behaviors prescribed by Paul Silvia, *no* other how-to guide so brutally, convincingly, and entertainingly demolishes the excuses that you tell yourself when you're procrastinating. Other how-to's merely give advice, while this book positively demands productivity from you.

As a result of Silvia's work, I went from being a "bingewriter"--which I previously didn't know I was--to a writer of 1,000+ words per day. While I wasn't unhappy with my productivity before reading this book, I have never enjoyed being a professor as much as I do now that I've read it.

I only hope that one day this book is made known to all graduate students and all professors in all fields. It would improve academic discourse on numerous counts. Finally, please note that I am *not* in the field of psychology. This book is equally useful for all fields of social, physical, and natural science.

This is a great book, easy to read, and packed with excellent examples for the academic writer.

I read this book in early May. On May 7, I began writing my dissertation proposal. On June 6 (today), I turned it in; it is 106 pages (including several figures and tables) and contains over 25,000 words.

On the days I wrote, I averaged over 1500 words per day. On the days I didn't write, I still had Writing Hours, and worked on the figures, tables, references, etc. Without this book, I would not have had Writing Hours and I would not have written as high quality a prospectus as I did.

Contributing to the quality of my prospectus is the section in this book that includes grammatical information. This section is critical. You want to write a lot of good words, not just a lot of words.

If you know someone who likes things, this book would make a great gift.

This book is about a relationship between two friends. I often give this book to friends who have lost a parent. In this world where so few people encourage and lift each other up, are able to have a heart-to-heart talk with a friend, this book is an excellent example of how to do just that! "I'm Proud of You" is one of my favorite books. I would highly recommend it and preferred it so much more than "Tuesdays with Morie"(spelling?)since the story seemed so much more heartfelt.

This book made both my wife and I cry at times as it covered the sensitive topic of a son's relationship with his father and a man's relationship with a mentor. This is a must read for all father's, son's, and mentors.

I like all of Tim Madigan's writings, for he reveals his heart. I felt 'I'm Proud of You' showed the time a busy person took to share his love and concern with others. Mr. Rogers never stopped sharing, never spoke of himself even when he was terminally ill. Mr. Rogers did not brush off someone with troubles, Tim described as the 'furies', claiming he did not have time; expertise or knowledge, but shared himself. I thought the book was very well written.
It came in a few days after being ordered and in good condition.

I had no appreciation for Fred Rogers (Mr. Rogers) until I read this book.
He is an incredible human being.
And this book carries along that incredibleness so people like us who have never met the man can learn and bask in his example of perfect friendship.
Truly an inspiration.

I'm Proud of You was a great read. It is the story of one man's personal journey of pain and self discovery and also of his precious friendship with Fred Rogers. It was a treat to read of "Mr Rogers" and the personal integrity and selflessness he had. Definately recommend it.

If you've stayed up nights wondering about the inner workings of a Naboo N-1 Starfighter, or even occasionally contemplate the unconventional solid-fuel concentrate slugs that the strange society of the Neimoidian traders use to give their droid starfighters such powerful thrust, you'll want to read Star Wars Episode I Incredible Cross-Sections cover-to-cover. This handsome book - deservedly referring to its illustrations as incredible - shows us a vroom with a view; more than fourteen vrooms, in fact.

SW Episode I Incredible Cross-Sections is brought to us by the great people at Dorling Kindersly Publishing -- or DK for short - where just about any topic you might think of has already been turned into a beautifully illustrated right-brained adventure in learning. The illustrators for this masterpiece are Hans Jenssen and Richard Chasemore, arguably the two artists with the best job available in that field this side of Alpha Centauri.

Jenssen, who specializes in technical art, especially machines, lives in England but claims to spend his vacations on Tatooine (no accounting for taste in vacation spots) where he has been known to engage in "moderately disreputable pursuits (he goes all the way to Tatooine for that?)." Chasemore has worked as an illustrator in both the U.S. and Europe on a great variety of projects, one of which was another collaboration with Jenssen: DK's Star Wars: Incredible Cross Sections featuring intergalactic vroom-vrooms previously made famous by the vision makers at Lucasfilms. Chasemore says he enjoys "perilous sports involving boards and high velocities (now, maybe he's the one who should check-out Tatooine).

Rounding out the gifted team taking us on intricate tours of Gungan Subs, Podracers, Coruscant taxis and Republic Cruisers, is Dr. David West Reynolds who earned his PhD in archeology at the University of Michigan. His background as a lecturer, veteran of field expeditions on three continents and as an author of scientific archeological publications should make one thing perfectly clear: you don't have to be a dullard denizen of the local mall scene to be a StarWars fan. If his background doesn't make it perfectly clear, the intellectual acuity of his copy will.

This must-have addition to the shelf of any die-hard StarWars fan is equally enjoyable to tot and teen as to tottering sage. It's a picture-book nonpareil or a detailed account of mid-power repulsorlifts and hydrostatic bubble projector units (if you do more than look at the pictures). It's even a trivia-hunter's true treasure. For instance (be honest now), did you know any of the names of Anakin's co-contenders for the Boonta Eve Podrace? Sure, you say - Sebulba. But anybody knows that! True buffs will want this book so they can win rounds of Star Wars Trivial Pursuit with answers like Ark "Bumpy" Roose, Teemto Pagalies, and the ever-impressive Clegg Holdfast.

If you like schematics (or even the word schematics - it's such a great one, isn't it?) you're going to want to pour over this book like hot fudge on a sundae. Featured is a dual fold-out center page affording a panoramic view of the Trade Federation's Droid Control Ship. The resultant artistry of this and the other detailed drawings was generated when the DK team worked directly with the film production art department at Lucas's Skywalker Ranch, mapping out the anatomy of each craft as it was being created. This book comes from the source, folks: from the source ... of the Force.

My ten-year-old loves taking turns with me reading sections of this book aloud and I can almost see his gray matter expanding (hasn't hurt his imagination too much, either) while we huddle by the lamplight. Only problem I'm left with now is what to do with all these detailed schematics of his own left lying about the house - outlandishly labeled creations from foreign worlds contemplating an invasion of Earth, no doubt. Hmm. Maybe I should call George Lucas.

This edition is devoted to the Spaceships and Craft from The Phantom Menace.

As with Star Wars Cross Sections it is very well detailed and even better with todays print technology. Great for children and first generation Star Wars fans alike.

I wouldn't call this the greatest technical book of all times. I wouldn't be suprised if this book wasn't nominated for any kind of award. But Episode 1: Incredible Cross-sections is captivating enough to stand on its own. I enjoyed it because I got to look through the insides of some of the film's most enigmatic ships and vessels like Darth Maul's Sith Infiltrator and the Gungan Bongo. It's good for those who were still puzzled about the ships after the end of the film.

One of the missing points is the Chancellor ship which appeared in the movie and it was not displayed in this book.

It is more complete than the former book, even considering it is only for one movie and the other is for all three.

Other missing point is the lack of a picture of the ship without the cross-section. It is important to compare.

I recommend.

I always wanted to see more and to be able to look inside of the vehicles more closely, and this book provides that information (and more more) in great detail. I really like the mini illustrations of where in the vehicles that events from the movies took place, it helps to "put a name to a face".

I thought this was an excellent book. It was well written and a lot of great pictures in the book. One criticism that I heard was that a lot of the information was recent information with Curly Joe DeRita ... and it is true... there is a lot of information on this and all their speaking engagements in the sixties... but that is OK, that is what the author knew about and what the people the author interviewed knew about .... the Curly and Shemp information has all been said, not much more can come out of them. A lot of the people that knew them are all dead... hence the detailed description of the stooges in 50's thru mid 70's... The book is well worth reading.

It's about time a book was written on Larry Fine. Without a doubt the "glue" of the Three Stooges, and possibly my favorite stooge, he finally gets his story in print. I enjoyed the book and was surprised at facts that I didn't know about the Three Stooges, and I know a lot.

I highly recommend this book.

This book does an absolutely marvelous job at delving into the life of Larry Fine, finally going beyond old urban myths, stereotypes, and the general perception that he was just the Stooge in the middle, some guy who got lucky but who wasn't as accomplished or funny as his partners. His character truly comes to life in this book, starting in his childhood days in Philadelphia, going to his early days in vaudeville with his future wife Mabel and her sister Loretta, to his 25 years of making shorts at Columbia, to the unexpected revival and mass popularity the Stooges received in the late Fifties and through the Sixties (when unfortunately they had to seriously tone down their trademark violent antics to please the parents of the children they were being almost exclusively marketed to), and finally to Larry's final years in the Motion Picture Country Home and Hospital, after he'd had a stroke. Though some sections of the book do read like a standard bio of the Stooges, only with the emphasis on Larry, the majority of the book goes so much deeper. There are so many stories that have never been written about before or which most people don't know about, such as Larry's deep love of his wife Mabel, a woman whom he continued to adore and stick by even through her alcoholism in her later years, his love of his children Phyllis and Johnny, the story of how he met a little blind boy backstage after a show in the Sixties and got really choked up by the encounter, his relationship with his hairdresser and her husband in his final years, how he found out Shemp had passed away, his relationships with the other Stooges, and even the point of view that Ted Healy, the Stooges' founder and original straightman, might not have been murdered at all but died from other causes and only coincidentally happened to die shortly after receiving a brutal beating. There are also lots of great pictures and mementos, some of them very personal and touching, such as Larry's handwritten letters to young fans, get-well cards young fans sent to him, pictures of him with his children, and the hand-written calendar he made for his daughter Phyllis to let her know when he'd be coming home from the road. There are so many sweet things about this lattermost memento, really showing what a nice sweet guy Larry was, and what a devoted family man. It's really touching to read about how in real life the Stooges were quite the opposite of their screen characters.

The only shortcoming I can find with the book is that it does seem to be a bit skewered towards the Stooges in the DeRita era. That chapter is by far longer than either of the chapters on Larry's life as a Stooge when he was working with Curly and Shemp. It might have been their most financially successful and popular period, but how many fans today seriously consider that their best and most memorable work? To put it mildly, I'm not exactly a big fan of the watered-down non-violent child-friendly latter-day Stooges, though I am of course happy that Larry and Moe lived long enough to finally start making serious money and to get the respect they deserved. And while the cover photo is really beautiful, looking as though it were taken yesterday instead of decades ago, I'm not happy that DeRita is the third Stooge on it. I'd bet almost anything that the infamous Comedy III is behind that one. It should have been Curly or Shemp, and everyone else knows that! Still, in spite of how the book does lean a bit more heavily towards the Stooges' latter-day career instead of their classic glory days, and the illogical choice of the third Stooge on the cover, it's a great book, with a lot of great information about a truly underrated comedian and a truly great man.

I enjoyed reading 'One Fine Stooge', although upon completion of the book, I had mixed feelings about the content. On one hand, I learned a couple of things that I hadn't known before, and that's always a good thing. On the other hand, the book focused too heavily on the 'post Shemp' days, which for me, marked a drastic decline in the funniness of the act. Joe Besser and Joe DeRita were clearly inferior stooges and I felt my interest waning reading about them (the cover portrait featuring DeRita should have been a dead give-away). I would have liked for the author to focus more on the Curly and Shemp days. The book however is about Larry Fine, and I did enjoy reading about his life and career. The photos are a treat and greatly added to my enjoyment of this book.

I just finished reading One Fine Stooge and found it to be very interesting. It truly covers the Stooges' entire career with a focus on the Stooge in the middle, Larry Fine. His story is often melancholy, but he seems to have enjoyed his life and success. The book is poorly laid out with sidebars regularly interrupting the flow of the book and often retelling content found in the body of the work, but it covers a lot of ground and seems to be a good history. I found it worth my time and would recommend it to anyone with a particular interest in classic Hollywood comedy and history.

This is a good book on the topic of psychotropic plants, though I have to admit that I'm a little shocked that the opium poppy wasn't included. Oh well. There are enough books on that subject that I'm sure if you really want to study the "black smoke" you can find another book to read. It presents an interesting subject in an approachable, readable format. My one complaint is that parts of it read a little too New Age-y, which irks me. But that's the way I am. Aside from that one (rather small) problem, I would readily recommend this book to anyone looking for an all-in-one look at this branch of botany.

The authors Richard Schultes, director of the Botanical Museum at Harvard and Albert Hofmann, discoverer of LSD and former director of the Pharmaceutical-Chemical Research Lab in Basel, Switzerland, together have over fourteen years of research in field of botany, chemistry and ethnobotony. In their book the authors offer an ethnobological look at the sacred use of hallucinogenic plants and include: an introduction to hallucinogenic plants, a plant lexicon, overview of plant use chart, detailed section of fourteen major hallucinogenic plants, and concludes with an overview of the chemical structure of hallucinogens.
The plant lexicon includes ninety-one known and most common hallucinogenic plants with: a colored picture for each plant, botanical name, geographic location, hallucinogenic properties and a short description of the individual plant. Following the lexicon is a chart overview of each plant that includes: usage in history, context and purpose, preparation, chemical components and effects. Following the chart is a detailed account fourteen major hallucinogenic plants. "Most of these plants are or have been culturally and materially important...that they can not be overlooked "(81). The authors include: a descriptive history, gathering techniques, rituals, the chemical make-up of the plant, pictures of ceremonies, and artwork of "visions" by people.
Plants of the Gods is more than a research book, it is a guide to understanding the role hallucinogens play in various religious cultures using a scientific and anthropological approach.

This review is based on the 1992 publication:
Schultus, Richard E., and Albert Hofmann. Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers. Rochester: Healing Arts Press, 1992.

This is a good starting point for working with Psychoactive Plants. It is however not quite as informative as the author's "The Encyclopedia of Psychoactive Plants: Ethnopharmacology and Its Applications". If you are interested in working with plants but are not sure then this is the book for you to get the real information you need to make a informed decision.

If you're looking for information on how to prepare psychoactive plant medicine and, well quite frankly, how get high, this is not the book for you. However, if you'd like to gain more wisdom and insight into shamanistic practices around the world, this is a wonderful history that draws you into the mind of the shamin. I loved this book. It gave me new respect for the wisdom of those ancient people of whom we know so very little. I highly recommend this book for anyone interested in shamanism and herbalism. It offers insight into not HOW but WHY psychoactive plants are ingested. Plant medicine is afford the tremendous respect it so rightly deserves.

Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers
by Richard Evans Schultes, Albert Hofmann, and Christian Rätsch

Publisher:Healing Arts Press/Inner Traditions

Year:2001 (revised and expanded edition)

ISBN:089281979-0

Categories:Book Reviews, Recommended Books

Reviewed by Jon Hanna, 6/26/2007

It may be a rare thing for a second edition of a book to warrant its own review, but such is definitely the case with the new edition of the Schultes' and Hofmann's 1979 classic Plants of the Gods. The updated version was produced as a German translation in 1998 by Christian Rätsch, and Healing Arts Press released the English translation of this in late 2001. It is a thing of beauty.

The primary and most dramatic improvement is the inclusion of numerous new photographs and art images. Although this second edition retains many of the same photos, it introduces a lot of new ones as well. In some cases, the item depicted-such as the statue of Shiva with Datura flowers in his hair (p. 11)-has been revisited with a higher-quality photo. Frequently, black and white images have been replaced with a similar image in stunning full-color. While this works superbly in most cases, there are a few situations-such as the replacement color photo of an aerial view of the Kuluene river (p. 24)-where the original black and white photo was much better. New psychedelic art is featured throughout from the likes of Pablo Amaringo, Walangari Karntawarra Jakamarra, Nana Nauwald, and Donna Torres. There are even some incredible watercolor paintings done by Christian Rätsch himself (think Codex Seraphinianus on acid)-where can we see more of his art!? A beautiful mural of an ayahuasca ceremony that graces a wall at the Cuzco Airport in Peru reminds us that some countries have a more enlightened attitude towards the use of psychoptic plants.

"Fourteen Major Hallucinogenic Plants" of the first edition has been altered to become "The Most Important Hallucinogenic Plants," and expanded to include new sections on Anadenanthera colubrina, ayahuasca analogs, Salvia divinorum, and Duboisia hopwoodii. There have been numerous expansions on the old chapters as well, including many additional species of the genera discussed. Six new plants have been added to the "Plant Lexicon," and this section has been vastly improved through the addition of color photographs. Previously, the majority of the plants described were depicted via illustrations, with only a few photo images; this situation is now reversed, with only a few illustrations. (It is a shame that there are any drawings remaining, although I suspect in some cases it might be hard to obtain photographs of the plants in question. Still, in other cases it should not have been difficult-photos of Banisteriopsis caapi, Lagochilus inebrians, Mandragora officinarum, Mimosa tenuiflora [= M. hostilis], Peucedanum japonicum, Scirpus atrovirens, Tabernanthe iboga, and Virola theiodora are all available via the web). The map of "Native Use of Major Hallucinogens" has been expanded to include Hyoscyamus sp., Duboisia sp., and A. colubrina, and the depicted range of Cannabis use has been increased.

Some problems that the original book had are, alas, retained or, in a few cases, exaggerated. The gutter of the book is too tight, causing one to crack the spine to get a full view; this was the case in the earlier edition as well. New layout glitches include shaded backgrounds for text boxes being placed too close to the edge of the text (in some cases touching it), and headlines that sit too close to the images. The problem of citing alkaloid contents as fixed numbers is still present (although in a few cases ranges are presented). Those with little knowledge on the subject might actually believe that all dried Trichocereus pachanoi plants have a 2% mescaline content, while this is actually the peak of the range that can be determined through a survey of the scant few published isolation analyses (which dips down to 0.33%, and even lower in published HPLC analysis), and may not be typical. In new cases when ranges are presented, such as the case with Mimosa tenuiflora root-bark said to contain 0.57 to 1.0% DMT, the information may not be correct. (M. tenuiflora has been reported to contain 0.31 to 0.57% DMT with specific analyses available in the literature of Gonçalves de Lima 1946 and Patcher et al. 1959, and there have been unsubstantiated counter-culture claims of 1% to 11%, see ER Vol. X, No. 3, 2001 and Ott 2001). Both the new and the old editions of this book are riddled with statements about alkaloid contents that are presented as if they were fixed amounts, when in reality alkaloid content can be highly variable.

Some new errors are introduced with this edition. Spelling mistakes are peppered throughout (they've misspelled author Hofmann's name on the back cover!), and awkward phrasings are not uncommon in those sections that were translated from German. In some cases, plants are presented as containing specific alkaloids that they do not have. For example, it is remarked that "The Turkey Red variety of the grass Phalaris arundinacea contains liberal amounts of DMT." This is in error, as this variety contains liberal amounts of 5-MeO-DMT, not DMT. Also, photographs of four cacti-Ariocarpus retusus, A. fissuratus, Astrophyton asterias, and Aztekium riterii-known in México as "peyote" are depicted, with the statement "They primarily contain the substance mescaline and other psychoactive alkaloids." This too is in error, as only A. riterii has been found to contain trace amounts of mescaline, and no mescaline has been found at all in the others. (It was interesting to see that Rätsch considers a heftier amount of mescaline, "0.5-0.8 gram" to be a dose, compared to the Shulgins' more conservative 200-400 mg dose listed in PIHKAL; I tend to agree with Rätsch.)

Any and all criticism of this book should be viewed as minor, as it is truly a marvelous work. Rätsch has taken a great book and made it better. Especially if you own the first edition, you owe it to yourself to pick up this revamp. It is visual delight, a joy to read cover-to-cover, and it will no doubt be revisited repeatedly for years to come.

This book is a great companion to the series & film. I would high recommend this book to any fan of the series and/or film.

Loved the movie and love the book.
A perfect way to keep Sex and The City with you forever!
Every thing that you loved in the movie is in the book, only now you can look over it as long as you wish.

This book is absolutely gorgeous. Incredibly well done. Fantastic companion to the film. Can't wait for the movie to come out on DVD, btw, but this will have to do in the meantime.

This book is a MUST HAVE, if you are a fan of the show, BUT, you must only read it or so much as to look into it ONLY if you have seen the movie, or it will complitely spoil the plot.

The pictures are amazing, the details are good, although the bad thing is that it's never enough. You want more details, more pictures, more behind -the-scenes, but it's fair to say they did a great job. I wouldn't wait to get the soft cover when they release it, this edition is worth every penny (and you will NOT find it cheaper anywhere else than amazon.com, trust me).

It may seem short, specially if you have the Kiss and tell from the episode series, because those were 6 seasons to tell you about and this is from a 2hr and a half movie.

THe only thing I am lacking is more spots in the city where they shoot. I mean, there are a million places they could have given us to let us know where the girls went shopping, and where they shot this other scene, BUT, this only happens if you don't have the other book which is pretty good with giving you hints on where the girls go. Also, they don't really tell you the real staircase to carry's apartment, for that you have to take the sex and the city tour, then they show it to you...but GET THIS BOOK, really, it's worthed,

ENJOY! until the sequel comes back...

I saw this in a bookstore, but I was in a rush and didn't buy it. I kept thinking about it and ended up buying it through Amazon. It is a beautiful photo book about the movie and includes some photo's of scenes that didn't make it into the movie!
If you loved Sex and the City the Movie you will absoF******lutly love this book!