Artists' Pages Books

I am one of the many artists that appear in this beautiful book. I will always appreciate the fact that my own offerigns appear with so many that are clearly a continuing inspiration to myself and many others.

I highly recommend this book! It is filled with page after page of glorious visual journaling -- so many different styles and techniques -- definitely something for everyone. This is a book not to be missed and a must-have for your library.

I wasn't an art journaler... at least I wasn't until I stumbled onto this book. I picked it up in a bookstore, and was instantly enthralled. This is what a book about art journalling should be -- lots and lots of great illustrations. These are clear, and colorful, and detailed enough that you can read the writing on the most detailed pages. Best is the wonderful assortment of styles of journalling reflected in this collection. Collage, sketching, watercolor painting... there is something to inspire the most amateur of journallers, as well as the most advanced of artists. This is definitely a book I'll be looking at over and over again. It'd make a great gift along with a blank book for someone, too!

If you haven't seen this book already I think it is one of those Must-own-book because there is so much to look at that you'll never be finished with it! It's filled to the brim with many talented artist and it holds a big range of diverse visual journaling styles! There are collages, doodles, sketches, writing and photos on page after page with views inside the private Art Journals from people all over the world!

This book has +300 pages and almost no text - but very many (1000!) pages (though some are photos of the whole spread and those counts as two pages). You can read what the artist has written and journaled about on the pages and you understand that you are not alone in you angst and artistic fears!

It's an art book that probably will inspire anyone to do a little art journaling (but probably a lot). If you're experienced in the mixed media field you will totally want to keep this book as a reference guide and inspiration tool for different styles, artists and prompts. If you're new to Art Journals and collage I think you will be curious about starting after just a few minutes!

I'm glad I bought it and it will be taken down from my book shelf many many times in the future.

I absolutely loved this book! as a visual journaler I am always looking for inspiration. This book has so many examples of interesting journaling styles that immediately started getting my juices flowing!

If you are looking for a step by step book, this is not it. If you want to see other people's pages or to get inspiration, get this book, you won't be disappointed.

'Guide to watercolor paints' is one of the best books I have ever read on color. Never will you have to buy any brand of color and not know what its made of. From Manufacture to color its all here...

I am giving myself three pats on the back for buying this book and Hilary Page, ten star's for writing it!! Nancy

I recently purchased Page's Guide and I'm delighted that I did. Firstly, the book came autographed and with several appended additions to information. Page's dedication to accuracy and clarity is impressive. Secondly, the book has a remarkable amount of information about all the brands of watercolor paint available in the U.S. relating to lightfastness, transparency, granularity, opacity, and so on, and the colors are actually shown in the book. Unlike other writers of watercolor paint guides, she uses all the colors in her book, which makes it sigificantly more interesting to review and read. Lastly, I take painting lessons from a nationally-known artist who has also published books relating to watercolor painting and color, and she recommends Page's book over others. I had already purchased Page's book, so I was thrilled to hear another expert give it praise.
I rate Page's Guide with four stars because I believe there is always more we can know about art, and Page may decide there's a more detailed edition she needs to publish, and also because actual publication printing inks are not as accurate in depicting colors as seeing the actual watercolor paint on watercolor paper. But for anyone contemplating purchasing Page's Guide, I highly recommend it.

I've read dozens of books on watercolor pigments. This is by FAR the best out there. Complete and unbiased information on all the leading manufactures pigments. This is the only book I keep on my studio desk with me at all times.

"Hilary Page's Guide to Water Color Paints" is a necessary book for anyone doing watercolor. Her coverage is very through and she also has a web page for updating the information. She compares every well-known brand of artists' watercolors from Holbein to Winsor and Newton and her observations will save the artist, whether professional or rank amateur, both frustration and money. What's more, she tested every one herself! I liked the index, which first lists the company and under each company the colors sold. It makes it very easy to check up on the paints that interest you. Her short introduction on pigments and paints is also quite informative. If you work with watercolor you simply cannot afford to be without this book!

By the way my copy was given to me by my daughter for my birthday and was autographed by the author. The author had also neatly written a correction inside the book. This is a dedicated person and her work is much appreciated!

This was the first, and is still the definitive book on the chemistry of watercolor paints. Hilary Page is a fine watercolorist, but her main contribution to the industry has been her copious analysis of the characteristics of various manufacturers, brands, and qualities of watercolor paints. I became interested in the stability of paint in the early 80's while trying to find the most fade-proof pigments available for my own watercolor paintings. I did many of the same tests Hilary did, but no where near as complete. When her book came out much later, I purchased a copy and still use it today. My copy is marked up with notes that I refer to constantly. I feel this book should be on the shelf of any serious student of watermedia.

One of the best books by Olivia with nice pics from his works focused on Bettie. A must for pinup lovers.

This book appears small and thin but contains a very large amount of amazing Bettie inspired works by Olivia. Included are a few pages of the progression of sketches to reach a completed work. The opening comments from Hugh Hefner are excellent. If you love Bettie, Olivia and especially both, you will love this book.

Olivia strikes again with another beautiful publication. Olivia's books are always printed on high quality, glossy paper which emphasize her stunning work. I am proud to say that Olivia and I have shared thoughts on Ms. Page. Olivia is a very generous and gracious lady and her paintings will always amaze me. I now own all of her books and trading cards.

Nice book, no nudity, which is fine, because I was looking for nose art for my airplane.

this book is really perfect for those who loves bettie page and olivia's art...a perfect combination!Bettie Page by Olivia

I'm totally blown away by this book, after seeing these drawings at the Walker I had to own it. Check out his website to see all the drawings on line.

If you live anywhere near Minneapolis get yourself over to the Walker Art Center, where every single one of Zak Smith's drawings/paintings/sculptures (yes, some are three dimensional) for this project are displayed on one wall. (All are in the permanent collection of the Walker.) How do I know it's all 750+ artworks? Because I counted. 45 columns by 17 rows. You could spend hours staring at them and not exhaust this monumental project. I'm not sure how long they'll remain on display so don't put it off.

Zak Smith a genious, and this book the best.
if you like concept ilustration, you'll love it...

and the prize it's great!

My two sons (Zachary and Alexander) have been saving their allowance and doing extra chores to save money for a Nintendo DS (they save half, my wife & I pay half). This has been a huge deal for them because they each really want one.

Yesterday, my wife took the boys to a bookstore, and 7 1/2 year old Zach saw Zak Smith's book based on Pynchon's "Gravity's Rainbow". He could not, would not put it down; he was mesmerized. He's not one to want, want, want, but this, he had to have. He looked at various and sundry art-related books for at least a half hour, and kept coming back to this book. Which was $40. After much discussion and pondering, Zach was resolute: My wife had a $16 credit at the store which she let him use and he kicked in $20 of his $27 to get the book. The point is, he gave up his Gameboy money for an art book. A big deal. He said "You know how interested I am in art, Mom!"

I've read a bit of Pynchon ("Vineland") but when I've leafed through "Granvity's Rainbow" in the past, I've thought it challenging, circular, dense. Very much like, though not so much as, the uber-interpretive "Finegan's Wake" by James Joyce (referenced, coincidentally, by Zak Smith's book). So at once I was impressed; thumbing through Zach's Zak book, even more so. It IS mesmerizing; page after page of fascinating, provoking, stirring beauty. You can get lost in there.

Not only do I now have a renewed vigor to tackle "Gravity's Rainbow", but am inspired to have (with Zach's permission) Zak Smith's profoundly astonishing book along for the cerebral roller coaster, a benevolent guide to provide dazzling clues as I navigate the former's intellectually demanding jungle.

Whether $26.37 or $39.95, worth every penny...

I just saw the Zak Smith exhibit at the Walker Art Center in Minn. where I had gone to see the "Picasso in America". But this Gravity's Rainbow page-by-page is, by far, the reason to go to the Walker right now. Mindboggling. Buy the book and picture each page lined up like a grid covering an entire wall. The Pynchon book is quite challenging to read so try to imagine Zak Smith capturing the concept of each and every page with a drawing or picture. Number 404 looks like an inch thick melted white plastic mess--does anyone know what happened in the book on this page? I noticed that one of the "tags" for this product is "genius." Believe it.

This revised, expanded second edition of Net Crimes & Misdemeanors: Outmaneuvering Web Spammers, Stalkers, And Con Artists comes from a cybercrime expert who provides easy, efficient methods for handling a wide range of online attacks. Himself a one-time victim of cyberstalking, Hitchcock became a victim's advocate and so doesn't come from a programmer's background. Her coverage therefore is most accessible to the lay consumer - the most likely victim of such crimes - and offers insights and tips on preventing everything from identity theft to internet dating, newsgroup problems and more.

In general, the new information and new stories were woven amid the 1st edition information so well that there was no way to make any assumptions and skip along through. Just for the heck of it I tried! Then went back and thoroughly read the particular section and found that there was new stuff I'd missed. I did this intentionally a couple times to check. Gave up on the game and just kept reading! New stuff I *really* liked - the chapter on blogs, journals, etc. and the Nigerian Chapter. Even the Afterword was perfect. Just rightly written. Can't explain it other than it seemed to encompass the entirety of the book for you.

One (of many) of my favorite line(s). Intro, page 2, para.4, sentences 1 and 2. Buy the book and find out!

This book is excellent.

I had heard about the first edition of this book, but never bothered. I honestly thought I knew everything about being online. Then I had a bad experience and heard the 2nd edition was coming out. I bought it at the first chance I could and believe me, I have been kicking myself for not buying the first edition. All the advice given in this book is wonderful. I even found a situation similar to what happened to me and the advice was so simple, I couldn't believe it. Now this book sits next to my computer and I've found myself pulling it out to read about whatever I am doing online. Don't think you know everything - you don't! Trust me on this.

This is the second edition of the previously read/critiqued Netcrimes and Misdemeanors book.

Once again, the author fills the pages with important and vital information about how to stay safe online. From scammers to hoaxes, stalkers and ebay, even online dating and keeping children safe from online predators, this book is packed with real life examples of how people made mistakes that made them a target for some online psycho. But not only does it have the mistakes that lead to the problem, it has the solutions and tricks to avoid the situation in the first place as well!

Both versions of this book are useful to anyone that surfs online, but I would urge people to get the second edition as it contains updated links and information. Learn to be safe online! Buy this book for yourself and anyone you know who's a newbie to the online world. You never know... it might just save their life.

Identity theft, forgery, harassment . . . its happens to thousands of people every day, children included.

It is estimated that more than sixty percent of children between the ages of 13 and 17 have a Myspace profile, my own children are included in that percentage.

I thought that frequent supervision, placing our computer in the kitchen, and an expensive computer software program would be sufficient to protect my children. I was wrong. With tips from this book, I quickly changed simple computer settings that could ultimately prevent my children, or myself, from becoming a cybercrime victim.

The details that Jayne Hitchcock includes in this book about victim prevention and the procedures to follow if you are victimized, are clear and to the point. A review of cybercrime laws, victim experiences, and the psyche of perpetrator motivation make this type of book, which could be otherwise boring, very interesting!

This book is a MUST HAVE for computer rookies, experts, high school students, and every Mom in America, including mine!

If you're looking for a book of a photographer who single-mindedly captures fashion, portraiture, landscape and still life flawlessly with his unique style, Albert Watson's Cyclops is the book for you. Included in the book is a brief overview of Watson the man who since birth has had only sight in one eye and has been given the gift of dazzling every other eye known to man. In the interior you can indulge yourself with black and white photographs that can instantly give rise to a feeling of sensuality, pain and pleasure. Whether it be celebrities or artifacts Watson manipulates the subject to create a vision only he can see and we can enjoy and recognize as his signature style. The book is a bit small but beautifully made.

When I first saw the book, I was transfixed. I must have spent quite a number of hours going through the pages, standing up, the world dissolving around me. My particular favorite is one picture of Gary Oldman lying in a coffin. It captured him perfectly. I don't know much about photography, but the beauty of his works is that it can be understood and loved by anyone - there is a human association within every shot. For a while I was reluctant to buy it - the price was a bit too much for me, but I kept on returning to the bookstore to see it, taking a half an hour bus ride each time at the other side of the city. I grew restless when I didn't take the ritual visit. Eventually I did get it - and I finally feel complete. He captured perfection.

Cyclops is more than a vision, but some of the most emotionally moving frames one will ever look upon. He is a genius and can capture beauty, pain, anger, and delight all in one single image.

Albert Watson's images in this book are quite simply some of the best images of Black & White photography in any book! They are technically perfect and arrestingly beautiful. His images are powerful, moving, creative, and always well composed. Furthermore, the printing in this book is one of the best I've ever seen.

If you appriciate masterful black & white images you would probably be happy with this book even if you had paid 5 times what this costs!

This book is truly a must-have for anyone who appriciates great photography

Expert marketer, trend scout and specialist in mood management for public spaces Christian Mikunda presents Brand Lands, Hot Spots, & Cool Spaces, an insider's guide to how marketers successfully connect an emotional bond with the customer, placing him or her in the right mood to attract sales, and embellishing public spaces in such a manner that they become locations other than home and work that customers wish to visit regularly. From concept stores and design malls to lobbies and lounges, urban entertainment centers, fairs and expos, and much more, public spaces of all kinds draw upon the fundamental principles that Mikunda clearly delineates to better set their customers at ease and entice them into returning again and again. Highly recommended, especially for marketing professionals seeking to hone the attractiveness of their given projects.

This book is recommended for anyone working in a traditional "third space" such as a library or a museum, anyone who uses libraries, or anyone who likes libraries but spends more time at Barnes and Noble.

The author, Christian Mikunda, suggests that "the experience society has grown up" and that we members of this society look for a combination of "entertainment with big, true feelings, with genuine materials and high-quality design, and help with our problems in everyday life."

As I read, it struck me this could be a description of some of the more architecturally spectacular libraries that have been built in the past few years: the main branches of Seattle Public Library, Salt Lake City Library, and the Vancouver Public Library in British Columbia (the latter two designed by Moshe Safdie) to name only a few. I've heard people express puzzlement about these buildings in an age when the Web has become a replacement for many, for a visit or a call to the library. Why, they ask, would these edifices be built?

William Dietrich in an April 25, 2004 article in Pacific Northwest, the magazine of The Seattle Times newspaper, wrote: "Above all, the [Seattle Public] library is designed to be inviting and intuitive to people who want to find a book. Designers calculated that the downtown Barnes & Noble bookstore had 40 times the people traffic, per square foot, as the old library. Why? What was the public sector doing wrong that the private sector is doing right?"

Mikunda provides an answer. He begins his introduction with a description of what a visitor to the Peggy Guggenheim Collection in Venice might do: have a look at the paintings and sculpture, go to the museum store, and have a coffee in the museum restaurant, all the time enjoying the particular ambiance of the location, above the Grande Canal.He describes the experience as being one of a place where one temporarily feels at home, that is emotionally powerful and allows visitors to recharge themselves. The museum is, he declares, a Third Place, one of three "staged habitats" (the others are Home and Work). Malls, theme restaurants, concept stores are all staged habitats too.

So, I think that this trend of building and redesigning libraries to be impressive architecturally is a response to the need people have to spend their leisure time in staged habitats and be entertained at the same time they accomplish something--whether it's browsing books in a library or a bookstore. More people responsible for library and museum spaces should read this book, along with "Better Together: Restoring the American Community."

As Putnam and Feldstein say in "Better Together" "Death-of-the-library scenarios define libraries as information repositories. If they were no more than that, then their eventual displacement by more convenient repositories would make perfect sense. But the library is a gathering place too [...] People may go to the library looking mainly for information, but they find each other there."

Mikunda's book will give you a different perspective on all kinds of staged habitats.

BRAND REJUVENATION: HOW TO PROTECT, STRENGTHEN AND ADD VALUE TO YOUR BRAND TO PREVENT IT FROM AGEING considers challenges faced by existing brands, surveying the psychological and facts of brand stagnation and explaining how they can be re-energized to gain new marketplace interest. From how to uncover the early signs of aging to working out a successful recovery strategy, BRAND REJUVENATION is filled with practical tips.

Diane C. Donovan
California Bookwatch

The cover attracted me and I bought this book in UK during a trip because the subject sounded great and the praises serious. It is in fact a kind of rich tool box with lots of examples (most of them quite relevant indeed). Lots of books about brand are worthless, so that's the reason I'd like to recommend this one. The chapter "Modifying the brand's identity" could have been more detailed may be. But the rest of the content really helped me to know what to do now (and quickly), especially the brand scorecard which really works. So I guess it could help some other brand managers. But I still find the cover peculiar...

...next time you stroll through a museum. You might make a discovery. I did, this morning. The De Young Museum of San Francisco has three paintings by "Jess", two of which I think are staggeringly good, figurative paintings built with almost bas-relief impasto. I bought this book at the museum store, and I've just begun to live with it.

Much to my surprise, I knew this guy Jess years ago in San Francisco. He was the marriage-partner of the poet Robert Duncan. I didn't enjoy Duncan's poetry, and I suppose I let it show. In any case, we were civil but no more, and I completely ignored the partner's art openings.

My loss.

Jess was born in 1923. His birth name was Burgess Collins. He was a brilliant chemist and worked on the Manhatten Project in the production of plutonium. After 1945, he continued in plutonium science with the Hanford Atomic Energy Project. In 1949, he had an epiphany; he found himself conscience-stricken over the destructive powers of nuclear weapons. He abandoned science entirely and turned to art.

Our gain.

I came across one small work by Jess while visiting a small museum recently, and was utterly taken by its mysterious quality, both erotic & ominous, achieved through collage of kitschy figures with more subtle, understated images. I'd never seen anything quite like it & immediately wanted to know more about the man & his work. This volume is the perfect introduction to both.

The longtime companion of poet Robert Duncan, Jess dropped his last name when he cut ties with his disapproving family. Openly gay long before it was common or safe, his art reflects his life -- although sexuality is just one of his subjects. He was clearly a student of surrealism, incorporating it into his art, sometimes for individual pieces, sometimes to illustrate small magazines.

And his interests are definitely wide-ranging! For example, he recreates text in several Dick Tracy comic strips, creating the satiric & thought-provoking new comic strip, "Tricky Cad." Many of his magazine covers & illustrations have an eerie, otherworldly atmosphere drawing upon alchemical & occult sources. All of his work is infused with intelligence & vision.

Some may believe that anyone can create collage, that it requires no real talent. Well, anyone can create bad or inept collage, and all too many do -- formulaic Victorian fluff & dunce caps, alas! But this is collage at its finest, truly raising the bar, demonstrating that it's art. Highly recommended!

I must admit that I did not read the book, but recently I saw the movie "Frankie's House" which was made by Australian TV and I think it is one of the best movies I ever saw, only ..... I missed the last 15 minutes on the tape. The story is real, the people are real and the character Tim Page did not get out of my mind for days. To forget the risks while making the pictures, not to loose human feelings, still to care, congratulations Tim James, I hope that I ever will have the possibility to get the book or the video

"Page After Page" may well be the best memoir yet written by the war correspondents and photographers who reported from Southeast Asia, and is certainly by far the most humorous. I have never been able to decide whether Tim Page's most remarkable skill was capturing a scene in a photograph or in words. This memoir takes the reader through Page's accident-prone childhood, his misadventures in his travels through Burma, Thailand, Laos, and Cambodia, on to the war in Vietnam. Not a bad life for a guy who once hustled "Ever Retty" flashlight bulbs out of a canal boat in Thailand! Page's loyalty to his deceased colleagues is revealed in his accounts of his "high times" with Sean Flynn and Dana Stone and others who all either lost their lives or their hearts in Southeast Asia... the list goes on and on, page after page.