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Ian Myles Slater on: Changes of Title, Varying Contents.Review Date: 2005-09-21
English Literature in the Sixteenth CenturyReview Date: 1998-02-07
C. S. Lewis's radical literary views make this a must have!Review Date: 2001-08-22
Although books of this sort always, by necessity, impose artificial time lines on literature which, in the long run, do not have a lot to do with the true literary history. To study literature in the sixteenth century, one should not confine oneself to going behind or in front of the time line to get a fuller understanding of the significance of the text. However, this is not really a fault of Lewis and it is a very difficult error to correct for literary historians. However, Lewis pulls off this artificial time limit very well by clearly illustrating the many strenghts and the many weaknesses of this century's literature.
Because it is for the student of literature, much of the more radical elements of this text will be lost without a general knowledge of the preconceptions the academic world has in regard to the literature in question. The opening chapter ("New Learning and New Ignorance") stands as one of Lewis's most famous academic writing because of the sheer implications and challenges set forth in the chapter. He debunks many of the fashionable scholarly trends, focusing on how much of what the scholars say is off base. Lewis argues that the during the sixteenth century much of the literature proved extremely dull, saying the authors wrote like "elderly men". Toward the close of the century, however, something radical began to take place. There was a renewal and an elevation in quality from drab to gold, as Lewis puts it. Most literary scholars and historians think the Renaissance is responsible for this, but Lewis says this theory has no truth, because the humanists who were responsible for the Renaissance were terrible scholars and brought death to the literature they presented, presenting the classics' virtues as ills and instead focused on the way the classics said what they said. The humanists focused on the language and left the literature itself alone. Everything else about the literature they hated. Lewis continually attacks the humanists, stating that "the new learning [that of the humanists] created the new ignorance." His belief that the Renaissance never occurred in England, and if it did it was of no literary importance, is as radical a literary belief as accepting the Book of Mormon to the Bible would be to a Christian.
The rest of the book reads as a survey of the literature of the period. All major and quite a large number of minor authors are represented in this. As a textbook, this stands as fascinating reading, for Lewis constantly illuminates the strengths and weaknesses of whoever he is dealing with, and his numerous quotations from the texts dealt with show the true skill of selection to prove a point. All of the quotations give a further understanding in context of Lewis's prose. If all textbooks were written with such skill and wit, there would not be the incredible resentment (myself included) of the price tag on most college text books.
Lewis's 1938 on Donne, published in SEVENTEENTH CENTURY STUDIES PUBLISHED IN SIR HERBERT GRIERSON has made him the heretic and central enemy of all Donne scholars and fans. Here he does not attack him but helps readers deal with Donne's metre. However, Lewis only gives five pages to Donne, and he was fond of saying that "Donne's place is that of a minor poet."
The reception of this book was fair, although the most resentment came from the academic circle. People accused Lewis of, as Sayer says in his biography, grossly oversimplifying by presenting only two classifications: drab and gold. Yvor Winters goes to the extreme when she says that "Mr. Lewis has simply not discovered what poetry is."
Of all the volumes in the series this still sells the most. Sayer notes in the aforementioned biography that "many Oxford tutors still warn their students that it is `unsound but brilliantly written.' Nevertheless, or perhaps partly because of this warning, it outsells all the other volumes in this series." While it does not enjoy the monumental place in criticism of THE ALLEGORY OF LOVE, which many would argue is Lewis's most significant piece of criticism, partly because of the radical ideas mentioned above, this work stands as one of the most brilliant and enjoyable survey books every written.
Through Drab to GoldReview Date: 2000-04-15
This period of "bludgeon-work" gave way to something almost worse, "the Drab Age" - "earnest, heavy-handed, commonplace", a time when England did not shine and the peripheral light of Scotland guttered out.
The story would scarcely be worth telling, save for the happy ending, a true eucatastrophe: "Then, in the last quarter of the century, the unpredictable happens. With startling suddenness, we ascend. Fantasy, conceit, paradox, color, incantation return. Youth returns. The fine frenzies of ideal love and ideal war are readmitted. Sidney, Spenser, Shakespeare, Hooker . . . display what is almost a new culture: that culture which was to last through most of the seventeenth century and enrich the very meanings of the words England and Aristocracy. Nothing in the earlier history of our period would have enabled the sharpest observer to foresee this transformation."
Had the scope of his labors not been set by his commission, Lewis would doubtless have preferred to skip the clumsy and drab, to delve into the riches of the Age of Gold. Still, despite his preferences, he was an apt choice to mine the less precious veins. Unlike many of his academic colleagues, who then as now regarded literature as merely a "job", Lewis read avidly in the most obscure corners. Little though he admired the early and drab writers, he was familiar with their work and could tease out virtues as well as point to flaws.
Three points about this history stand out as unexpected or significant. First is the fine opening chapter, "New Learning and New Ignorance", which contests the commonplace view that the medieval period was a vale of ignorance from which mankind was happily rescued by the Renaissance. That opinion is no longer prevalent in scholarly circles (where Lewis is now sometimes derided for expounding the conventional wisdom - much like accusing Shakespeare of writing in cliches!), but most general readers take it for granted. Lewis' presentation is one-sided, but it is a side that needs to be heard.
Second, Lewis devotes considerable space to Scotland, a territory absent from most of our literature classes. Though the Scots dialect is not easy to parse, Douglas and Dunbar and Lyndsay and their ilk are worthy of acquaintance.
Third - a slighter point than the preceding but interesting in its own right - there is Lewis' treatment of John Donne. As a young man, Lewis wrote a notorious essay on Donne, dispraising the quality of his love poetry and hinting that his vogue was due more to fashion than merit. For these heresies he became the stock villain of every introduction to Donne's work.
The "OHEL" volume takes a different tack. Lewis' appreciation of the "Songs and Sonnets" is warm and perceptive, with a useful disquisition on how to catch the rhythm of Donne's eccentric versification. It was not only, apparently, in matters of faith that Lewis was capable of casting off his youthful skepticism.
Within its genre - the comprehensive academic history - Lewis' effort is as good as a single mind and hand can produce. Similar tomes are nowadays parceled out chapter by chapter, gaining no doubt in narrow expertise but losing personality and perspective. Both are present in plenitude here.
Criticism. Pleasure. In the Same Sentence.Review Date: 2004-03-23
In this volume, his work on poetry is especially good. Highlights include the stylistic acrobatics Lewis put himself through to avoid saying 100 times of Drab Age poetry: "I don't like it; you won't either; read something else." Cranky? Yes, but insightfully, entertainingly cranky. Then, when he actually turns proselytiser and suggests you read something--well, I'll admit this volume practically by itself has gotten me interested in early Scottish poetry and the great Elizabethans, not to mention equipped me (almost as an afterthought) with more prosodical knowledge than I received in any of my creative writing classes.
This book is good enough to read all by itself. If you have knowledge of the period, so much the better. Lewis has spoiled me as a literature grad student, permanently I hope; no other critic measures up to his combination of insight and memorable prose.

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Seasonal meanings and celebrationsReview Date: 2008-06-29
Great InformationReview Date: 2008-06-04
Ritual Ideas for all occasionsReview Date: 2007-11-18
This book provides an orientation to some of these "chosen times" according to the cycle of the year. It gives an overview of legends and folklore associated with each season, meditation, spellwork, chants and ritual suggestions for each.
It would be a helpful reference for a novice, as well a a more experienced person looking for some ideas to add to their ritual practice.
The Wiccan YearReview Date: 2008-02-09
Great introduction to the 8 Wiccan SabbatsReview Date: 2007-11-28
Much Love & Many Blessings,
Thorn Nightwind

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awesome bookReview Date: 2003-08-23
AwesomeReview Date: 2003-02-17
7th Heaven keeps it realReview Date: 2002-01-24
A excellent family bookReview Date: 2000-07-08
Great!Review Date: 2000-07-09

Vivid PhotographsReview Date: 2007-11-25
Samuel Eaton's Day: A Day in the Life of a Pilgrim BoyReview Date: 2007-01-21
The texts and pictures were well researched and presented. Plymouth Plantation and the reenactors there provide an authentic setting. Homes, clothing, work and play of children during this period are acurately shown. These books should be in every school library.
Values for today from a tale of 1627Review Date: 2000-06-02
Young Samuel Eaton (a historical character) is looking forward to his first chance to help his father bring in the crops. He finds the work incredibly hard, and the coarse grain raises bad blisters on his hands. But he perseveres, and at the end of the day when his father tells him "you did a man's work today, Samuel," we feel his pride.
Masterfully written, beautifully photographed, this is a gem in every way.
Wonderful!Review Date: 2003-06-12
Writing the same review for the other two in this trilogy. Excellent all!
An excellent book for learning about life as a pilgrim boy!Review Date: 1999-11-12

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scoobyReview Date: 2008-01-09
My son loves these booksReview Date: 2007-09-22
Great for Scooby doo fansReview Date: 2007-05-15
Cute bookReview Date: 2008-06-09
read this bookReview Date: 2005-04-11
Scooby Do The Search for Scooby Snacks
If you like cartoon books you are in the right place. You'll like reading this book.
I like Scooby do because it is very, very funny book.
This story is about Scooby and Shaggy looking for their food that was lost. A bear was eating it. In my opinion this book is very good because you will laugh all through and enjoy the book from beginning to end. This book showed me not to leave my snacks on the floor because someone could come and eat them. This
Book is very funny. YOVANI

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quest for the queen Review Date: 2006-01-20
THE SECRETS OF DROON is a really good book series!I would always
pick these books!
quest for the queenReview Date: 2005-12-20
A Great Book that I enjoy ...Review Date: 2001-08-01
Another from a Great SeriesReview Date: 2000-11-05
A Perfect 10 For Young ReadersReview Date: 2000-11-26

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O'Sullivan series, book two.Review Date: 2008-05-02
Catherine Montefiore can tell the handsome man wants to get away from the others. After chatting awhile, Catherine is amazed to hear herself offering one of her spare bedrooms for him to sleep in. He agrees. It is all meant to be very chaste. Yet they end up in one bed. Doing something totally new for her, Catherine decides to have a hot affair for forty-eight hours and then return to her normal life. When the two days are up, Daniel returns to his life and Catherine returns to her family's exclusive auction house. She is hardly back into the swing of art appraising when the family's business is hit by a very public scandal. The board believes her grandfather, who actually owns the auction house, of collusion with another business. The board insists on an independent audit. Daniel is part of that independent audit team. As Catherine and Daniel hit the invoices in an attempt to prove her grandfather innocent, they find themselves unable to keep their hands off each other.
***** Harlequin BLAZE is called that for a HOT reason. Expect some hot bedroom scenes with light erotica. Nothing hard core, but still designed for ages seventeen and up. Consider yourself warned. Having said that, I wish to go on record as stating that author Kathleen O'Reilly is one of the few BLAZE authors that I have come to thoroughly enjoy reading. This is the second O'Sullivan man's story. Daniel's story has a sound plot, engaging characters, and focuses primarily on the romance between the main couple. Be sure your beau is within reach as you begin this tale. This is the perfect way to heat up an otherwise chilling winter evening. *****
Reviewed by Detra Fitch of Huntress Reviews.
Sex, Straight Up- A Joyfully Recommended TitleReview Date: 2008-04-09
Heiress Catherine Montefiore is spending the weekend at the beach. Somewhat shy but very observant, she can't help but notice the rowdy bunch next door partying and having a good time. The more she tries not to watch the harder it is not to, especially when she sees the enigmatic man sitting by himself. His features are striking and Catherine finds herself sketching him. Gathering courage, she and the seemingly lonely man share conversation and laughs, and when it is time for him to return to the loud house next door, Catherine blurts out an invitation that she might just live to regret. Especially when the weekend is over and she notices the man's wedding ring on his luggage.
Having read Shaken and Stirred, the first installment of this delightful series, I was instantly hooked on Daniel and his story. His mourning grabbed my attention and I knew that whatever his story was, it would be a tear jerker. Sex, Straight Up was that and more. The plethora of emotions that Daniel and Catherine experienced was amazing. I felt as if my heart would break when Catherine felt the same way. Her anger and hurt at Daniel's supposedly married state made me wince and I silently urged Daniel to come clean with his story.
Kathleen O'Reilly has a fan for life just because Sex, Straight Up was brilliant. I am hooked on these totally sexy O'Sullivan men and can't wait for the next installment. Consider Sex, Straight Up Joyfully Recommended because I adored it!
Talia
reviewed for Joyfully Reviewed
Kathleen O'Reilly just gets better and better!!Review Date: 2008-03-26
The loss of his wife was something that Daniel couldn't reconcile with. This loss changed Daniel, changed his relationship with his brothers and friends, made him retreat from the world he once knew. In the first book Daniel compelled me to know him better despite his gruff exterior. And with SEX STRAIGHT UP, I'm so glad that I took the time to get to know him.
Meeting Catherine Montefiore on the glorious Hamptons beaches introduces us to the touching man that he is. Daniel is sensitive yet savvy and intelligent, powerfully driven and cares more than anything about those he loves. In "Sex Straight Up", Daniel comes out of his shell and with many touching scenes, excellently written characters and pure romance, Kathleen O'Reilly delivers one of her best stories yet.
Ms. O'Reilly writes a grief-stricken hero who wants to live in the past, but also deep down, wants to move on. Especially after meeting Catherine. But Daniel makes this story for me. He's the heart of it, the power behind each compelling word and finally finds the peace that he's really been seeking that could be felt even in book one. Daniel calls to the heart of the reader, makes a woman fall a little bit in love with him and is a character that will be remembered as one of this author's endearing heroes.
With recurring characters, some laughter, sexual tension and a whole lot of soul-searching, "Sex Straight Up" is a highly recommended read. From start to finish, Daniel draws a reader in and never lets go. I know I'm smitten!
Kathleen O'Reilly just gets better and better!!
An engaging storyReview Date: 2008-05-10
I'm glad I did. The book is tastefully done. I don't think I could have read it if Daniel relived that morning in graphic detail or if he was guilt-ridden for surviving while his wife died. Luckily, the author focuses instead on what it's like to move on after a sudden loss. The book is more about the people than the tragedy, which I needed.
Also, the writing is much better than the average Blaze. The characters stay true to themselves -- no overnight personality changes or descriptions that could come from any other romance book on the planet. I love her description of Daniel the accountant sorting photographs until the two stacks balance, or Catherine the art appraiser thinking of their romance in terms of art movements.
Bottom line: This short little book is definitely worth the time. It's sexy, of course, but it's also engaging as a story. And it's packed with emotion (not the over-the-top, rage and wail, TSTL emotion, either).
I really liked Catherine. I really, really liked Daniel. And I'll definitely read through the series after this.
Loved It!!Review Date: 2008-03-31
Catherine Montefiore works at her grandfather's auction house with her grandfather and mother, her only living relatives. Although she has a degree in art, she feels like she is a disappointment to her family since she does not possess her mother's style or her grandfather's showmanship. Insecure in her artistic skills, Catherine secretly draws the male form. With two disastrous past relationships, she sticks to drawing men during the day and dreaming about them at night. Whenever she can, she escapes to her grandfather's beach house in the Hamptons.
Daniel, manipulated by his brothers, is reluctantly filling-in for Sean at a summer share in the Hamptons with a group of lawyers. When Catherine spots his gorgeous form sitting alone on her beach, she cannot resist drawing him. When they meet, the attraction between them is instantaneous. As they prepare to return home - after spending the weekend together - Catherine spots Daniel's wedding band. When he does not explain about his deceased wife, they part on bad terms. Upon returning to work, Daniel is sent to audit an auction house where financial misconduct is suspected. Coincidentally, it is the place where Catherine works. The suspect? Her beloved grandfather. Will Catherine and Daniel be able to get beyond their personal feelings and work together to solve the scandal at the auction house? Is her grandfather guilty?
SEX, STRAIGHT UP, the second book in the Those Sexy O'Sullivans trilogy, is an entertaining read. This heartwarming, witty romance is filled with interesting, well-drawn characters and a touching, intrigue-filled plot. Readers will find themselves caught up in this steamy story of a man who finds love again after a major loss in his life. I highly recommend SEX STRAIGHT UP. Readers who like this story will also enjoy the first book in this series, SHAKEN AND STIRRED.
Dottie, RomanceJunkies.com

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a must-buy for any vistitor to New YorkReview Date: 2000-10-14
Shecky's Bar, Club and Lounge Guide 2000: New YorkReview Date: 2000-01-06
Great compliment to that well-known food guideReview Date: 1999-11-11
My only other criticism is that it is a bit biased...you can clearly tell by reading the descriptions and classifications of the various bars, clubs, and lounges what type of people are contributing to all the reviews. That being said, the "Shecky's Picks" denoted by a happy face next to the name of the bar generally are excellent choices.
Definitely worth buying.
This is the only real night guide for New York.Review Date: 1999-11-06
NYC has been saved by Shecky's Bar, Club & Lounge GuideReview Date: 2000-01-13

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Sisters Through The SeasonReview Date: 2003-08-23
Fun and Light-HeartedReview Date: 2005-01-03
This Story Rocks!!Review Date: 2002-09-26
Most awesome bookReview Date: 2003-08-22
The bestReview Date: 2002-11-20

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Small Miracles for WomenReview Date: 2008-10-01
Let your heart soar! Read this and lift your spirit.Review Date: 2007-01-12
Small Miracles for WomenReview Date: 2000-09-22
Truly Amazing Stories!Review Date: 2001-04-09
Small Miracles for WomenReview Date: 2000-09-27
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For reasons not immediately apparent, Oxford University Press has reissued this book in a "New Version" as "Poetry and Prose in the Sixteenth Century." As the same fate has overtaken E. K. Chambers on "English Literature at the Close of the Middle Ages," probably the other outstanding book in the series, which is now called "Malory and Fifteenth-Century Drama, Lyrics, and Ballads," there seems to have been a policy of titular refurbishing of at least some of the volumes in the series (once known, in an unfortunate acronym, as the O.H.E.L.).
The current titles are accurate enough, although "Poetry and Prose" should have included a warning that Elizabethan drama was covered in a different volume. (Due to the facts of human biology, Lewis' book not unexpectedly covers a slightly longer period than either title indicates.) Still, the changes can cause confusion for anyone not aware of them; given the current prices, this may be more than a little annoying to some people. If you have one version, you probably don't need the other!
Lewis on the "Sixteenth Century" was the product of enormous labor, including actually reading a huge body of writing generally ignored in literary histories, or customarily treated without much firsthand knowledge. Acquaintances -- not all of them friends, or even especially sympathetic -- described Lewis spending his days doggedly reading sermons and polemics, minor poets and bad poets, over the course of years. (He came to refer to the effort by the "infernal" acronym for the series noted above.) The result is a treasury of first-hand information, and with it Lewis' often-witty summations. It is engaging reading, even for those who disagree with Lewis -- and he seemingly set out to overturn most critical orthodoxies established between about 1900 and 1950, as well as a few older ones.
For example, he treats Elizabethan literature as an extension of medieval culture. Humanism, in its period sense of concern for a classicizing Latin style, and the disparaging of the immediate past, is treated as an often-harmful interruption. This reverses a judgment that actually goes back to the period -- but a judgment originally made by self-styled Humanists themselves, of course. And he includes the literature of Lowland Scotland, often ignored, or treated as something apart.
"English Literature in the Sixteenth Century" also appeared as an Oxford paperback under the original title (1973), unfortunately without the bibliographic supplement in which Lewis discussed textual histories and modern editions, if any, of both the well-known and the more obscure English and Scots literature of the late fifteenth through early seventeenth centuries. This portion is, of course, half a century out of date, but Lewis' observations are still of value. Even without this section, the paperback is worthwhile, and may be a good, reasonably-priced, alternative, but anyone familiar with the original form may be disappointed.
Those interested in Lewis as a Christian apologist will find here his considered reflections on many of his predecessors, not all of them flattering, but his comments on doctrine are pretty strictly limited to explaining the issues debated. It may seem odd to see the Reformation through the lense of literary history, but Lewis avoids open advocacy, unlike his "Preface to 'Paradise Lost,'" in which (it seems to me) his concern that readers take Milton seriously tends to blend with a concern that they take seriously their own salvation.
Lewis was also a poet, novelist, and occasional short-story writer. Here he occasionally briefly retells a story, with his usual skill, but, except for some overlapping topics, connections to his own fiction are less obvious than in some of his writings on the Middle Ages. There is a section on the Scots poet Sir David Lyndsay (d. 1555), who provided the epigraph to Lewis' novel "That Hideous Strength" (1946). And, somewhere it includes, as others have noted also, a quotation with the words "Stygian puddle glum." They undoubtedly lurks somewhere behind both the Marshwiggle named Puddleglum and the visit to the Narnian Underlands in "The Silver Chair" (1953, written 1950), although Dante, Virgil (of course), and a host of others, are under contribution there as well.
I was under the impression, from my first reading of the book decades ago, that it was given as a quotation from Gavin Douglas' Scots translation of "The Aeneid" (1513; Lewis describes it with enthusiasm); but I have never been able to locate it in the appropriate section. A recent search of my old copy of the shorter paperback has revealed that it was indeed quoted from a translation, but as an example of bad one, and English, not Scots; of the dramas of Seneca, not Virgil. On page 256 (where I had marked it thirty years ago), "Tacitae Stygis" in "Hippolytus" (line 625), rather weakly rendered by the utterly obscure John Studley ("which cannot now be read without a smile").
Perhaps establishing just how much Lewis read, and with what close attention, no matter how dreary.
(Reposted from my "anonymous" review of September 10, 2003)