News and Media Books
Related Subjects:
More Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250

Used price: $6.46
Collectible price: $34.00

"Black and White and all Shades of Grey"Review Date: 2007-05-18
Pretty photos but not so interesting.Review Date: 2007-08-31
A Step Back In TimeReview Date: 2001-08-25
A Shock To The SystemReview Date: 2005-03-06
Impressive Iconic Photography Evokes an Era.Review Date: 2004-05-25
"New York Noir" is a selection of about 125 images from the "Daily News" archives, taken from the 1920s through the 1950s. Some are sad, some comical, some grotesque. They're an interesting comment on American urban culture of the time. Many of these photos would spark outrage if any newspaper were to print them today. Their lurid content earned the "Daily News" pointed criticism from many a moralist at the time. But that never hurt business. The style of the photographs had an immistakable influence on cinema and popular culture which continues to this day. The technical limitations that produced starkly flashed foregrounds and pitch-black backgrounds are instantly recognizable in Hollywood films, just as the corruption displayed in the photographs was reflected in popular entertainment. The demeanor of gangsters and thugs -often posed for the photographers- became iconic. Tabloid photojournalists may have wanted only to get the shot that no one else could, but they produced some incredible -and incredibly influential- photographs that have only become more fascinating with time.
Luc Sante introduces "New York Noir" with an essay about the history of tabloid journalism. Editor William Hannigan follows with a history of the "Daily News" and its influence on Film Noir. Both of these essays are very readable and worthwhile. The photographs are mostly one-to-a-page and quite sharp. They are all captioned. There is a section of "Synopses" in the back of the book, which provides further information about the stories behind each photograph, when available. I really appreciate this section, which is conveniently organized by page number. Some of the photos really leave the reader hanging, wondering who those people are and how things turned out. You can find out by turning to the back of the book.
I recommend "New York Noir" to photography and film noir buffs. Some of these evocative photographs are not for the squeamish, but they have made , and continue to make, quite an impression.

Used price: $0.01
Collectible price: $10.00

Now You See Her, Now You Don'tReview Date: 2002-10-05
In and OutReview Date: 2000-04-02
A short review by AbbyReview Date: 2001-02-10
Don't touch that remote!Review Date: 2000-01-01
Sabrina is sure it's just another pop quiz from the Quizmaster. But she can't she can't come up with the right solution, & there's a party at the roller rink tonight. What if she's skating & just disappears into thin air? Won't everyone think that's a teensy bit weird?
Even worse, every time Sabrina pops out, she's gone a little longer. If this keeps up, she could disappear from real life completely!
Don't touch that remote!Review Date: 1999-10-11
Sabrina is sure it's just another pop quiz from the Quizmaster. But she can't she can't come up with the right solution, & there's a party at the roller rink tonight. What if she's skating & just disappears into thin air? Won't everyone think that's a teensy bit weird?
Even worse, every time Sabrina pops out, she's gone a little longer. If this keeps up, she could disappear from real life completely!


The Principal's New ClothesReview Date: 2007-05-23
What would you do if your principal was going to be tricked, but you didn't say anything? This happens many times in The Principal's New Clothes by: Stephanie Calmenson. The Story is about a principal who is a sharp dresser, but to fake designers come along and trick him into something embarrassing.
It is a great book for a young because it will make them laugh. The story takes place in a present time at a regular school. The story is silly, yet it has a valuable meaning; you should never lie it may hurt someone.
The author writes in a style that kids can connect t. It is a good topic for kids. What kids wouldn't want to see the principal in their underwear?
I like this book (Reader age 9)Review Date: 2003-06-06
The Principal's New ClothesReview Date: 2007-05-23
This book made me smile while reading it. The way that the author really paints a picture in your mind is amazing. All of the descriptive words are wonderful as well as the language is just right for kids reading it. Although this book is fast paced it's very easy to keep up with it. The Principal's New Clothes is a easy and fun book to read. I reccomend it to anyone who wants a smile on their face. I know for a fact that children would definitely love it. I suggest you go check it out today!
It Rocks!Review Date: 2005-11-27
This book is very funny and it rocks. They wear fancy clothes and they make fancy clothes. The kids were taking out their extra clothes and giving it to the principal. It was so funny.
A great "remake" of a classicReview Date: 2004-02-03
Despite the well-known origins, this book takes on flair of its own because of the modern-day setting (a school, which works because of course this is a children's book) and the wonderful illustrations. I especially liked the artist's interpretation of the various word images: when the text says that Mr. Bundy is the sharpest dresser in town, the art shows a smooth-looking guy in showy prints. In other words, it's a kid's idea of well dressed, and it looks great on the page, though it would probably be terrifying in real life.
Though the ending is a little different than that of the original tale, most kids will like this ending better, and it could be used as a great jumping off point for discussions about honesty, conceit, and sharing.

Used price: $2.86

Professional writers writing professional-sounding accounts of the paranormalReview Date: 2007-07-01
I'm one of the authors and LOVE this book!Review Date: 2003-07-13
Amanda
Great ReadReview Date: 2003-10-13
A chilling collection of true-life encountersReview Date: 2003-10-10
FascinatingReview Date: 2003-09-21

Used price: $0.01

My daughter LOVES this book!Review Date: 2003-06-06
An excellent bedtime storyReview Date: 2002-08-08
Already a "must" in our bedtime routineReview Date: 2002-11-29
I MUST HAVE READ IT 100 TIMES!Review Date: 2002-09-22
Wonderful nightime wind down bookReview Date: 2002-06-26


Ultimate guide to the college football recruiting processReview Date: 2000-11-03
Dreaming of Playing Pro Football?Review Date: 2000-01-23
Get it now to get the edge!Review Date: 1999-11-30
Touchdown ReviewReview Date: 1999-12-21
The College Decision made EasierReview Date: 1999-12-08

Used price: $0.30
Collectible price: $15.00

One of The Most Profound Books Review Date: 2008-03-08
AReview Date: 2006-01-12
Great reading for beginners in BuddhismReview Date: 2004-07-04
PhenominalReview Date: 2002-05-07
A Friendly ChatReview Date: 2002-03-06

Used price: $0.01
Collectible price: $22.95

Excellent and hilariousReview Date: 2008-09-02
A delightful behind the scenes look at TV and Film Review Date: 2005-05-13
Garry is my directing God!Review Date: 2001-08-09
As for the book, of course it's fabulous! You get to learn behind the scenes info on, of course Pretty Woman, but all his other shows and movies as well. His sense of humor cracks me up, especially when he overheard someone talking about Exit To Eden saying "That movie was so bad he doesn't deserve to be Penny Marshalls father!" I laughed SOO hard at that. Not to mention that you can't help but love a director who thanks his wife at the end of every one of his films.
I recommend this book to anyone who wants to know the ends and outs of the entertainment industry from a vetern who knows what he's talking about!:)
Up there with "Harpo Speaks" for all-time feel-good bios!Review Date: 2003-10-27
I Want A SequelReview Date: 2000-10-12

Used price: $0.01

Happily Ever AfterReview Date: 2006-10-02
As for the sixth volume, I admit, it was rushed. Nao Yazawa, the creator, admits it to being rushed. And frankly, I like her honesty. I do not see many manga writers that own-up to such things; at most, I see them tip-toe around the subject. (Of course, this could just be my experience; if you've read of others that have acted similarly, be thankful.) That being said, the storyline is wrapped up well with a mix of drama, action, and a fitting happily ever after.
Manga at its bestReview Date: 2004-05-18
Very CuteReview Date: 2004-03-31
Welcome to the Angel World...Review Date: 2004-02-24
That's exactly what happens to Momoko Hanasaki, daughter of the angel Celestia. Devils from the Demon Realm are on earth, threatening to steal all energies of love and replace it with hatred. Momoko and her friends Yuri, Hinagiku, and Scarlet are out to battle with the demons as the angels Wedding Peach, Lily, Daisy, and Salvia!
Along the way, new friendships are found, and many secrets are revealed.
Don't miss out on this new shoujo sensation! Be sure to get the anime too when it comes out on DVD in APRIL 2004!!!
It's about time...Review Date: 2004-04-22
Volume three is a reward for getting through the first two, and a nice passage into the final volumes that are definitely worth reading (especially if you've come this far).

You're a brave man, Julius ZimmermanReview Date: 2005-03-05
IBSN#0-439-30936-0
School lastic INC
Julius did'n know how to change a baby diaper and he got the job for baby sitting.
Julius Zimmerman is a funny character. He likes to lie he also hate's changing a babys diaper. He hate's school . What does he hate about school ? Reading!. He is getting to know how to be organized. I was happy of the book because it has funny details alot of things you can learn.
I really recomend this book because you could know alot of things you already know and what you don't know.
You're a Brave Man, Juliuz ZimmermanReview Date: 2005-03-05
ISBN # 0-439-30936-0
School lastic Inc.
Julius didn't know how to change a baby's diaper and he got the job for baby sitting.
Julius Zimmerman it's been always a funny character.He likes to lie. He also hates changing a baby's diaper . He hates school." I guess you've been wondering" " What does he hate abaut school" Well he hates? Reading !. What he's also learning is how to be organized.
I was happy abaut the book because it's funny and has detail's and alot of thing's you could learn from a book.
I extremely recomend this book because you could have alot of connections like. text to me text to text text to world and text to video.
You're a Brave Man Julius ZimmermanReview Date: 2001-12-08
You're a Brave Man, Julius ZimmermanReview Date: 2001-12-08
Your Brave manJulis ZimmermanReview Date: 2001-12-08
Related Subjects:
More Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250
Most of the photos here are of crime scenes, and a few suicides thrown in. Crime scenes are mysteries; we all sense there is a story there. But the real mystery in this book is who were the guys who took these photographs? Whoever they were, they had no idea they were setting down an arena for further developments in creativity - in film, in fiction and in graphic design. This was working class photography and these guys were simply on the job, trying to outdo each other in the quest for a better shot in time for the next issue, sparing little thought over notions of higher-order art. Except perhaps for Arthur Fellig (aka Weegee), who was apparently more astute when it came to ensuring acknowledgement for his work, most of the guys who worked for the newspapers were largely unheralded. They are now just names, long dead and forgotten. Many of the shots reproduced in this book are only credited with a surname, or are simply credited as "Daily News" photos - nobody can work out now who took the shot.
[...]The conditions under which these guys were working forged a new creative genre, now commonly known as `NOIR'. It was an oppressive era, politically and socially, equipment was still heavy and unwieldy, they had to contend with light (additional lighting was used where it was deemed necessary to illuminate, not for artistic effect) and weather variables and while access to crime scenes were not yet barred to newspaper folks, access was sometimes restricted for other reasons. Check "The Trigger's Squeezed" and "Empire State Suicide"; both demonstrate how restricted access forced the photographers to use unusual camera angles, resulting in distant shots with long lines and deep, extended shadows which, together with the subject matter concerned, creates a sense of oppressiveness, of callous unconcern, of cold doom, and of finality (this can be keenly sensed in "Killer's End"); these are what are now regarded as the essential ingredients of good, classic noir film and associated imagery.
What makes a photograph (and for that matter, any piece of good art) a `classic' is that it alludes to a story, or it at least contains something that will intrigue viewers through the ages. While much of the information for the shots in this book, including the names of the persons involved could be traced (the corresponding synopses are listed at the back), there remain unanswered questions. How was it that the two ladies could tolerate each other's presence at the grave of their man in "A Bigamist Mourned"? What was it that a pretty doll such as Anna Downey saw in John Collins, a hardened killer? ("Until Death Do Us Part"). Why did the gangsters have such flippant attitudes? Check the aspect of Louis Capone on his way to Sing Sing in "En Route To The Chair".
There are other questions for which answers could have been provided in the book somewhere, after some further research. It would have been helpful to know the process and exactly why some of the photos were "touched-up" to ensure they were fit for publication. And who were some of these photographers? And what was the system for acknowledgement and payment? Something could have been said about the cops; perhaps some reasoning for their attitudes and conduct with the public. [...]
Regardless of all of this, the book is very exciting. The images reflect the developments in technology, particularly with the flash; first the bar flash, then the bulb, and then finally the `flash gun'. The sharper and clearer shots, including those taken under brilliant light are perhaps the most striking, and what are most easily recognized as `noir' imagery. All together, these are shots of a period in history which will never return. The assemblage of ephemera of that age; the hats, the shoes and clothing styles, the hair styles, the cars, the buildings and everything else can never be reproduced. And there is something very sexy about it all.
For a further exploration in this photography genre, I strongly recommend "City of Shadows: Sydney Police Photographs 1912-1948"; with shots of folks who were colder, cheaper and meaner, and where things seem even more surreal. To see how such newspaper shots influenced photography in a creative sense, see if you can find "Retail Fictions: The Commercial Photography of Ralph Bartholomew Jr." - still around in some `seconds' bookshops.