Authors Books

Wonderful book, Greatly done, didn't want it to end, so informative
and interesting, loved it.

Being a fan of the biographical novel since Irving Stone's The Agony and the Ecstacy (Michelangelo) and Lust for Life (Van Gogh), I read this book with marked anticipation and enjoyed it. But as to its veracity there is some question. A far superior book on the Shakespeare-de Vere issue is Charlton Ogburn's The Mysterious William Shakespeare. Several of the points made in that book are echoed in this one--de Vere's affair with Elizabeth and their conception of a child who was to become the Earl of Southampton, to name one--but some are not. For instance, Ogburn suggests that the questioned paternity of de Vere's first daughter with Anne Cecil was the result of a deception on her part (probably at the behest of her conniving father)--Anne snuck into Edward's bed when he was expecting someone else, a motif that appears in All's Well That Ends Well. Altrocchi makes no mention of this. A closer connection to the plays themselves would have thus helped this book. But it is a good read and does reveal some interesting insights into the relationship between de Vere, Elizabeth and Burghley. My only complaint is that much of the dialogue seems contrived and artificial. But what can one expect from a medical doctor? Also, this book is missing documentation for the quotes from printed sources, so it is impossible to tell what is actual and what is imagined, unless one assumes that all italicized portions are actual quotes, which is not stated. I expected a more scholarly treatment. Moreover, I suspect Sonnet 146--"Poor soul, the centre of my sinful earth / . . . . / And Death once dead, there's no more dying then"--was the last thing Shakespeare wrote, not Hamlet's dying speech. Finally, an epilogue explaining the posthumous printing of the plays, like the 1604 quarto of Hamlet and the 1623 folio, would have added a nice touch.

Just finished my first reading of Paul Altrocchi's book "Most Greatly Lived". It may turn out to be the most important book, most greatly written, that I have come across. It may become as important a work for the Shakepeare authorship, and the history of Tudor England, as "I Claudius" has been for Roman studies.

Above all else Altrocchi has presented Oxford in an eminently sane light, a truly great man, who reacted postitively to life's depredations, misfortunes and the tyrants around him, such a Burghley.

Charles Harman Brookings, Oregon

DeVere comes alive and stands forth in all his glory in spite of powerful forces to the contrary in Paul H. Altrocchi's Most Greatly Lived. Rather than refute the idea that "Shaksper" is the famous author, this book illuminates the perfect fit that is De Vere and the works attributed to Shakespeare. The book is rife with details that enrich our understanding of the Shakespeare plays in ways entirely absent without knowledge of the true author. I am inspired to read all of Shakespeare again with this new viewpoint. Most Greatly Lived is a labor of love worthy of the greatest writer mankind has ever produced.

This book is a NOVEL and presents one possible view of what Edward de Vere's life might have been like as the author of the Shakespearean plays. Although the story is written from the Oxfordian viewpoint, the book makes no attempt to present the Oxfordian case or to refute any other authorship theory. It is just a story of how it might have been - fact mixed together with supposition. Since a little fact and a lot of supposition is all any Shakespeare biographer has to work with, this book reads a lot like some poorly documented Shakespeare biographies - but remember that this author does NOT claim to have written a biography.

I think that Altrocchi created a pretty interesting story. Occasionally the writing is a bit stiff, but overall it is quite imaginitive and believable (if the reader can meet Altrocchi part way and suspend disbelief). The author's own 20th-21st century attitudes definitely infiltrate the story at points, but in other cases he presents ways of looking at events that my "modern" viewpoint would never have thought of. The story flows rapidly and is a quick read. It did leave me wondering what really happened, but we do not know and may never know. Altrocchi leads the reader to imagine.

Moving Target succeeds in transforming what could be a pedestrian topic into a fascinating tale of discovery. Ron Arias manages masterfully to make the reader a committed member of the author's family and his relentless quest to uncover the truth.

Arias accomplishes this considerable feat with an effective approach composed of painful candor, suspense and clean, compelling writing.

Moving Target was one of the best books I have read ever. It was a moving story of a family and the hunt for a father they knew or didn't know. I was jealous of the young mother, wishing she had been mine. Later on I was glad she wasn't! Her death was an enigma. Her writings were truly unbelievable and know that's where Ron got his talent for writing. I read this book several months ago and it took this time for me to write. It is tragically moving, poetic with an uncanny melodic verbage. The quest to find this father again took Ron to many places, winding up in of all places, California. The perseverance to not quit gave this reader a gut-wrenching mystery that kept me riveted to my seat. Once you start you cannot put it down. I will read this book again. I hope Ron continues to write as he haa a talent that needs shared with the world!

Moving Target, by Ron Arias, is the story of an American family, but not your typical next-door-neighbor kind of family. This is the story of a military family from the perspective of a sensitive, intelligent boy. While fellow army-brats will nod their heads in recognition as they read this memoir, most civilians would be astonished by the impact war and the warrior culture of discipline and rootlessness can have on a marriage and family.

Once begun,this book is not easy to put down. It is a chronicle written in a clear, accessible style, and often reads like a mystery novel. It takes a trip through recent history, putting personal faces on the Korean Conflict and the Cold war. As the writer matures and explores his father's military career and his mother's aspirations and marriage, many questions emerge. I felt compelled to follow Mr. Arias on his search to find the "real" man who shaped his life. Both his parents are brought fully to life, and as a bonus, Mr. Arias shares his adventures as a journalist. It is a courageous, heartbreaking, intimate life story that I will not soon forget.

The author has captured the depth and spirit that keeps our POW's alive, knowing that we cannot forget them and the sacrifice that they have made for us. It does not matter if they are held three weeks or three years, we must keep them in our hearts, minds, and prayers. This book should be required reading by the Military and their families, and those that are quick to find fault with the men and women in uniform. I came away from each chapter as a member of the family and their ordeal after the war. We must remember that the families are just as much POW's!

I made the mistake of starting to read "Moving Target" before going to bed one evening; at 3 am I was still unable to put this book down. It's the memoir of Ron Arias, a staff correspondent for People Magazine. It starts out as a biography of Arias' parents. His father, Armando, is being held as a POW in Korea. His mother holds the family together until Armando's return. But this happy event is soon overshadowed by many troubles; Armando is being discredited by the Army, his promotion to captain is delayed (is it because he's Hispanic?) And he's a changed man, brooding, a strict disciplinarian but now with an edge since his return from near-starvation and survival of a Korean POW camp. Ron and his brothers find the household tense and troubling after Armando returns.

And there are more mysteries. Why does Ron's mother refuse to take communion at Sunday Mass? There is truth to be uncovered here, and Arias takes us on a young man's journey to find himself and his family.

The memoir also shows us Arias' development as a writer, from a chance encounter with Hemingway in Pamplona, to a course in English literature in Argentina from a Professor Borges (yes, Jorge Luis Borges.) And in Argentina, Ron begins a career as a journalist. We follow Ron through a stint in Peru as a Peace Corps volunteer and watch how a young and talented journalist develops. But the story of his family and his identity is an equally compelling thread.

This is probably one of the best memoirs I've read in years. The writing is crisp, the description of everyday details sharp and focused. Arias has the ability to go back and look out of the eyes of innocence and ignorance-we follow him along in the book as if we all were sent back in time in his life. If you liked "The Color of Water" or "Angela's Ashes" this book will resonate with you. You really should read it. I promise you won't be disappointed.

In the last few years, so many memoirs and stories have been written by Iranians and published in English (mostly by Iranian women). It looks like the market is hot for these titles. This has resulted in publication of many disingenuous works that are politically reactionary and artistically inferior (such as Reading Lolita in Tehran).
"The Mullah with No Legs and Other Stories" is politically progressive (even though it does not directly deal with politics) and artistically superb. It is a personal journey of an Iranian boy written with an excellent humor and wit. The stories are mostly sad, but you can't stop laughing! This book reserves recognition. Read it! (I have heard that the author's name is a pen name. I don't know why he did not publish this work with his real Persian name.)

I have read so many so called memoirs about Iranians, mostly about Iranian women, with a few exceptions, such as Persepolis and funny in Farsi, I have found most of them dishonest and insincere; full of illusions and delusions not memoirs! However, "The Mullah with no legs and other stories" by Ari Siletz is the most honest account of a society going through rapid changes and a true experience of a little boy trying to come to terms with his society, his family, and himself. I enjoyed reading this book tremendously and I visited the "garden of memory" with Ari in every page of this book. I was laughing in one moment and crying in another moment. It touched my heart. I recommend this book to everyone who loves literature and enjoys reading and learning, Iranians, non-Iranians, men, women, adults, and children! Ari, please write more, we need more of you and less of those who write for an emerging marker of the "Iranian women memoir industry".

There is a reason why all the reviewers (so far) give this book 5 stars; it belongs on the national best-seller list. The Mullah With No Legs and Other Stories is a thin volume (perfect for busy lives)of beautifully crafted short stories. Written by Iranian-American Ari Siletz, it has to be THE book for academics and lovers of literature with an interest in cross-cultural literary themes. The characters in Siletz's stories are acutely drawn and treated with a degree of sensitivity and mischievous humor normally attributed to some of the best writers of our era. His stories are infused with warmly depicted, foible-ridden individuals whose lives unfold in completely recognizable ways to the Western reader, albeit laced with an Iranian gestalt: ancient Persian traditions, religious custom, and highly complex familial motivations. Because he is a masterful story-teller with a brilliant affinity for evocative prose, Siletz belongs firmly in the world of literature; but he has the insight and observational acumen of a skilled anthropologist. These are the reasons I think The Mullah With No Legs And Other Stories belongs on the bestseller list. His talent eclipses that of many contemporary writers whose names are now household words.

Siletz has a graceful manner in telling stories that leads the reader into territory that feels unfamiliar at the outset, but brings understanding of the commonality of the human condition by the end.

His stories have an autobiographical feel to them, but they are fiction. They are based on his childhood experiences in Iran and are written with an eye towards enlightening American audiences about life in Iran.

One of my favorite stories was "The Dog" for it showed the cultural differences in how dogs are perceived between Iranians and Americans. The funniest aspect was showing how his Iranian family was surprised to hear that anyone could make money selling dog food, dog toys and dog soaps. Because dogs, while not forbidden are considered to be unclean.

A favorite line of mine was "Give a parched Iranian the choice between a glass of water sniffed by a dog and a glass of radioactive waste, and he will have to think about it."

I highly recommend this book, and it will soon be back in print!

Initially, seeing the word "Mullah" in the title, I thought this was going to be mostly about politics and Mullah/Islam bashing.... I was so off!
This is a must read. I enjoyed this book on so many levels. I was able to see a side of Iran and the Iranian culture not usually talked about, through the eyes of a child, an Iranian adult, with a twist of an American perspective making serious subjects/moments humorous to read. It was well written. Sanazbanu N.

Remember when Harry Kemelman's Rabbi Small tales were about all there was of Jewish crime fiction? No longer, as editor Lawrence W. Raphael makes clear in "Mystery Midrash: An Anthology of Jewish Mystery and Detective Fiction." Some familiar wordsmiths and characters are to be found in these pages, from Stuart M. Kaminsky (whose Chicago detective, Abe Lieberman, here takes a confession from a lapsed and irate Jew) to Ronald Levitsky (contributing a story in which civil-liberties lawyer Nate Rosen faces a truly unique First Amendment case) and Howard Engel (providing P.I. Benny Cooperman with a light-hearted locked-room puzzle). Although Raphael's selections often deal with Jewish issues, fans of this book will likely stretch across the religious spectrum. ...

This anthology was one of the "best reads" of 1999. Most likely the book will be overlooked, hence this review. The storylines, variety, and exceptional writing by the authors make this book a must. Enjoy!

Lawrence Raphael has edited a collection of short stories that allowed me to do two of my favorite things at the same time: reading mysteries and reading about Jews. The collection is a great delight. It combines the comfort of familiarity with the intrigue of the mysterious. The stories span the spectrum of the religious to the assimilated; there's something for everyone. I'm looking forward to Volume II.

Clever, funny, humane, with a nod at the dark side of the human mind, Mystery Midrash is just what it says: the exploration and development of a common theme, in this case, the mystery short story. As with all midrash, each different take on a story tells us something new; as with all good midrash, that something new returns us to the innate unchangability of the human dilemma, and to humankind's steady relationship with the forces of order in a world of chaos.

Even readers who are not sure why a cheeseburger is a moral decision for a Jew will love this feast.

A Yiddishe Kop, I know... but a Yiddishe Cop? Will dvar mysteries replace dvar torahs on Shabbat morn? Will parents stop hoping their child will be a doctor or a lawyer, and hope for a Jewish cop or detective? What is midrash? Isn't it a deep investigation of the text in order to learn more about it, and piece things together, to compare various texts and clues? Isn't that what a P.I. (Private Investigator) does, too? In this book are original stories by notable mystery writers. Batya contributes "Kaddish", a mystery about a secular Jew who must console a dead rabbi's family by helping them focus on the rabbi's goodness and not the alleged, scandalous events surrounding his death. In "Bread of Affliction" by Michael Kahn (author of the Rachel Gold series, Sheer Gall, Grave Designs), Chicago Attorney Rachel Gold must use her knowledge of Pesach to solve a mystery surrounding a contested will. Richard Fliegel, creator of the Jewish detective, Shelly Lowenkopf ("A Minyan for the Dead"), writes in "A Final Midrash" about four rabbi's who help a detective solve a murder that one of them has committed. If I had a sack of cash, I would certainly option the film rights for "A Final Midrash"! For not only is it an interesting short mystery, but it is a well crafted allusion to the 3 rabbis who entered Pardes with Rabbi Akiva, as well as the four ways to create a drash, namely Pshat, Sot, Drash, and Mysticism. Other contributors include: Toni Brill, Howard Engel, Stuart Kaminsky, Faye Kellerman, Ronald Levitsky, Ellen Rawlings, Shelly Singer, Bob Sloan, Janice Steinberg, and James Yaffe. I was not used to reading mysteries prior to reading this book, but I think this anthology has sparked that "Pintelye Mystery".

Richard Wilbur is a master of form. His poems are incredibly stately, balanced, intelligent, and beautiful, and then one notices that everything rhymes exactly where it's supposed to! Bonus points!

Richard Wilbur is undoubtedly the best poet of the last half of the 20th century. This book collects all his poetry other than Mayflies (published later) and a couple translations. Buy It!

This Pulitzer Prize-winning collection contains all of Wilbur (except his great translations of Moliere and Racine) in reverse chronological order of his books from 1989 to 1954. This is the opposite of most poetry collections, so it seems strange to have the poems get less confident as you read on. Still, the final poem, "The Beautiful Changes," is near-perfect and perfectly sums up Wilbur's paradoxical outlook: beauty is eternal and ever-changing.

Wilbur is old school. He is all about meter and rhyme and beauty. His command of sound and sense is second to none alive. (He has edited a collection of Poe's poetry and is famed for his accurate verse translations of Moliere's plays.)

As I read through this book, I put a star by every poem I liked. Flipping through it now, I see there is a star by almost every poem. I did not find Wilbur as deep or as challenging as Frost or Yeats, poets he is compared to by other reviewers on this site. I can, however, appreciate his mastery of the craft of formal poetry. This is not some bad pseudo-Shelley but really a poetry in the language of our time about the issues of our time.

If you detest rhyme, complex stanzas and short, potent lyrics, by all means avoid Mr. Wilbur. But if you find delight in the artful manipulation of language then you are depriving yourself of happiness in not reading this collection.

UPDATE: Wilbur has released a new COLLECTED POEMS in 2004 that supecedes this edition. It only adds a score or so of poems, but I recommend it because there are a few new ones like "Man Running" that no Wilbur fan should be without.

it's no wonder wilbur was once the poet laureate or that this collection won the pulitzer, the man is good. he uses the language beautifully (the way english was meant to be in poetry), he has tight control of the rhyme, meter, subject, and words in his poems. where he really shines is in his translations. wilbur is one of the best translators living today.

If you enjoy more than merely reading excellent poetry that rhymes and makes sense, but also composing some of your own, this is the master to be discipled by. Sitting at Wilbur's feet for years can't help but enable some of his craft to rub off by sheer delight or osmosis. Merely by associating with poetry the way it was meant to be written can permanently raise the bar of anyone's craftsmanship to new levels. There is a richness in Wilbur's best work that is unrivaled among his contemporaries and matched by few of his predecessors (Frost, Robinson, Yeats, Hardy, Housman). Also recommended: get your hands and mind on anything Wilbur has written in the form of Essays/Prose that describe what great poetry is and why it will always be core to the human condition. Although Auden once said 'poetry doesn't make anything happen' in his Sept.1939 tribute to Yeats' death, Wilbur's comes closest to making something happen at the spiritual, cognitive and affective level of the human psyche that proves his subject matter matters and always will. Other than the late Frost, no American poet would be more richly deserving of the Nobel Prize for Literature than Richard Wilbur. But as a sincere Christian, he is laboring for no mortal pay; however, he humbly deserves all the accolades and tributes from what is past,or passing, or to come.

I feel that this book is a very well written book. It has pictures that follow the plot of the book and this helps younger children. I know that many children would relate well to this book because they do not like to see their toys locked up in a box. When I read this book it reminded me of when I was younger and I had a bear that got put in a box and I went and got it! So I feel that this is a good book to read to younger children from toddlers to third graders.

One day, Bramwell Brown remembers his friend Old Bear who was put away in the attic. Bramwell and the other stuffed animals decide to get him back.

What follows is a series of failed attempts to reach the attic until finally one succeeds and the toys are united.

I like this story because it does show the process of thinking through a problem as well as perseverance (even when Duck thinks there is no hope). As with many children's books there are a few logic problems, but overall it reads very well.

Look for the other Little Bear stories as well.

"I knew it was going to be a special day." said Bramwell Bear to himself. -Duck, Rabbit, Little Bear, and Bramwell Bear struggle to capture their long lost, and forgotten friend, Old Bear. Old Bear has been stored in the attic for a while because the children played roughly with him.

Old Bear's friends are really caring friends, especially Little Bear, my favorite character. Little Bear climbs from the airplane into the attic and recovers Old Bear. -True friendship.

I remember reading this book plenty of times 11 years ago, and always treasuring it. If you like cute books with good illustrations and a group of brave, loving stuffed animals, you should read this book!

From the first day I brought this book home, my daughter has loved it. "Old Bear" was one of the first phrases she said. This book teaches that by trying new ideas and working together, you can accomplish anything. It's a wonderful life lesson for toddlers, with captivating drawings and warm, loveable characters. I would highly recommend this book, along with any others by Jane Hissey, to all parents.

Every morning our eighteen month old daughter starts the day by exclaiming 'Old Bear!' - the cue that one of us must read it with her without further ado. If it's not left in her cot at night, she often says, 'Oh dear, Old Bear?'. In short this book really wins the toddler vote. Our toddler learnt how to wobble by reading this. She also learnt the meaning of 'sad'. Old bear is a story of lasting friendship, teamwork among stuffed toys, and a daring airborne rescue bid. Contrary to one review, the pictures are not 'sugary-sweet', Our very discerning daughter loves them, and actually, so do I. We have found that we've read the book so often that the words are imprinted in our memories - but amazingly we don't mind. All together now: 'One day the toys were sitting by the window when they remembered their friend Old Bear...'

This delightful collection of short stories was based on Rose Wilder Lane's life as she was growing up. She accurately
described the issues women faced at around the turn of a century, especially that of being an old maid! An old maid if
you're not married by your mid-20's? Wow!

The stories in this book was a combination of humorous and some seriousness. The characters were realistic and seem to come to life for that time period.

I bought my copy at the museum in Mansfield because I always wanted to read Rose's work. This book is a gem. The essay introducing the book is worth getting the book but each story is a gem on its own. Her voice is fresh and rings well today. You would not know she lived in the first half of the 20th century.

I have loaned this book out to 2 people now and all of us are knocked out at how good Rose was. Purchase it, read it. Rose was well known in the early part of last century for good reason. Let's bring this author back to the audience she richly deserves today.

This is a hidden jewel in american literature: a detailed portrait of life before women's right to vote was a federal law, before Margaret Sanger, before Rosie the Riveter. The author survived small town life, and lived to tell and in her own way celebrate it. I will be giving this book to all the tweenager girls I know (and my own daughter when she is old enough!).

This book is wonderful, funny and hearwarming. My great aunt was born in the same era and used to tell me similar stories in this fashion. What a life women had in the olden days, there are not many real life accounts in print that are honest and true. This one is. What a fun book to read.

Rose is just as gripping a writer as her mother, although with a far more adult narrative style.

The author has captured LIFE! Bravo for old-fashioned writing!

Catherines rare perceptions and insights fill me with a lightness that must be pure oxygenated love...the kind that wants to find an ear and tell them..."Read this! It will make you feel, really feel! They are the stories that our generation needs to tell the next generation on how to be a human being; not one that changes DNA or breaks the sound barrier, but one that can say I love you and I love life and all it can hold, and kneels down to little children, and looks up to nature and walks arm in arm with those one meets.

They are Catherine's stories to set a measure by and look at it when we are unsure, a ethical plumline of decency and respect. They are fireside stories to be read in a home where someone has died,in a ghetto with no fire, to a friend over a cup of coffe and jelly doughnuts, to your husband in bed on a cold night, at a family reunion, to a stranger next to you on the airplane...to anyone to whom you want to give the gift of words...important words of care, mending, smiling and bending.

As comics find the humor in everyday life, Ms. Bauer has found the beauty there. Every essay reminded me that life is indeed full of love and gentle humor and worth the effort. How refreshing to read about the joy of life and not the tragedy - a tribute to the human spirit.

To me essays are strolls through a writer's perceptions of life and people. Bauer's writings are easy on the mind. Reading them is like walking through a beautiful garden fragrant with gorgeous blossoms, overreaching trees and sparkling fountains. At the same time some have a humorous twist that brings a chuckle or two. When I need a lift or a laugh, One Day On Earth, A Third Eye view is a favorite reference And, Bauer's third eye sees life through a clear lens. I love her style and commonsense views. ~ Jo Peddicord, Author and Syndicated Columnist

Catherine writes with an insight into the human soul. She makes me smile and then I'm left with a gentle inner strength - just having shared a moment in Catherine's world. The reader will feel a kin-ship with her chosen subjects whether you are living the rush-hour life or retired. "The House That Frank Built" is a reminder that it isn't the perfection, size, or cost of the house that makes it a home, but the lessons of love, respect, understanding, and tolerance learned in this not-so-perfect house that are important. Her gems of wisdom will delight you and give you cause to look in, through, and beyond the mirror of life. Whether she brings a tear to your eye or a smile to your lips, this is truly an enjoyable book for a second and third read, etc.

If you enjoy a collection of poems featuring Shakespeare, D.H. Lawrence, Robert Browning, Lord Byron, Emily Dickinson and Thomas Moore, then many of these poems may already be very familiar. There is comfort in reading familiar poems and yet I'm always eager to find new poems.

Patterns by Amy Lowell is a completely new poem to me and the descriptions of ribboned shoes, lime trees and daffodils invited me to read this poem more than once. What is truly stunning about this particular poem is the way in which Amy Lowell expresses her grief through the beauty of nature. She becomes the images as if she stepped into the painting and became the soul of nature.

I also enjoyed "Of My First Love" by Hugh MacDiarmid:

Silhouetted against grim black rocks
This foaming mountain torrent
With its source in desolate tarns
Is savage in the extreme
As its waters with one wild leap
Hurl over the dizzy brink
Of the perpendicular cliff-face
In that great den of nature
To be churned into spray
In the steaming depths below

After describing this waterfall, he then describes the water as a lover's waving hair in a tremendous cascade and then turns this into a description of great passion for his lover's golden hair rippling out between his fingers.

William Shakespeare makes his appearance in "Shall I Compare Thee to a Summer's Day?" I finally copied "Meeting at Night" by Robert Browning into my journal because I love the way the words sound like they are rowing through the gray sea to the warm sea-scented beach.

So while every Classic collections seems to present The Passionate Shepherd to His Love and Love's Philosophy, you will also find The River-Merchant's Wife: a Letter by Li T'ai Po and The Mirabeau Bridge by Guillaume Apollinaire.

One Hundred and One Classic Love Poems will comfort you with classics and surprise you with poems you may have yet to discover.

~The Rebecca Review

This is a charming and delightful collection of love poetry. Some of the best known poems you remember from English Class and some others you may never have read. No matter the reason, you will enjoy this book.

Also Recommended: Quotes, Poems, and Words That Flow by Kevin Grommersch (contains some of my favorite love poems).

From sonnets of undescribable beauty to free verse of pure ethereal spirit, 101 Classic Love Poems is a must for each aspiring Romeo. It is essential for those of us who would like to put into words the feelings of our soul.

Highly recommended for any true poet or poetry fan. The collection of poetry in this book is sure to please anyone. Not too feminine or masculine, there is something for everyone. It features well knonw classics, read in your high school English classes, and some lesser known ones. Inspires you, Seduces you and makes you feel all warm and tingly.

This anthology is alluring in every way. Each poem has a distinctive effect, especially when they are read aloud. This book is most enchanting when read from cover to cover. There are nuances in each poem that mingle with the romantic sensibilities. Even though the poems are aged and classic, the collection seems fresh and untouched. It is truly a remarkable anthology, and necessary for anyone with even the smallest amount of tenderness. Passionately reccomended.

This highly portable collection demonstrates the posture a translator must take when approaching the rich body of ancient Chinese poetry. Rexroth masterly retains the playfulness and humanity that allow these poems to endure through the centuries and yet he regards these rare artifacts with reverence.

These poems are a great introduction to several key poets, both male and female, from several Chinese dynasties.

Since I returned from my first trip to China, I have become fascinated with Chinese culture and history.

I don't know much about poetry except that I like what I like (what moves and inspires me).

Something tells me that these translations are as much Kenneth Rexroth as they are the Chinese masters, which is fine with me because it is obvious that Rexroth captures a variety of moods and feelings which are quite profound.

I think it does justice to the integrity of this body of literature.

Particularly moving to me are the translations of Mei Yaochen whose poems dealing with his dead wife reveal a passion and respect for wamnhood that bellies our general notion of woman's treatment and subserviant place in China; and the poems of Madame Chu Shu Chen who is also very passionate in her feeling as a woman in China.

Comparisons: translations by Greg Wincup; Xu Yuan Zhong; Tony Barnstone

ONE HUNDRED POEMS FROM THE CHINESE. By Kenneth Rexroth. 148 pp. New York : New Directions, 1965 and Reissued.

The present book is in two parts. First we are given Rexroth's readings of thirty-five poems by Tu Fu, based on the Chinese text. The second part consists of a selection of Sung Dynasty poetry, most of which had not been Englished prior to Rexroth.

Rexroth makes no great claims for these translations, some of which he admits are rather free. But he does express the hope that "in all cases they are true to the spirit of the originals, and valid English poems" (p.xi).

It has always seemed to me that Rexroth succeeded brilliantly. Here are a few lines chosen at random from Tu Fu's 'Loneliness' (with my obliques added to indicate line breaks) :

".... Where the dew sparkles in the grass, / The spider's web waits for its prey. / The processes of nature resemble the business of men. / I stand alone with ten thousand sorrows" (p.16).

Here are a few from Su Tung P'o :

".... As for literature, it is its own reward. / Fortunately fools pay little attention to it. / A chance for graft / Makes them blush with joy" (p.73).

These readings of Rexroth will delight all open-minded readers. Who cares if he wasn't a union-approved sinologist? Purists may sputter, but since his versions are 'true to the spirit, and valid as English poems,' could any sensible person reasonably ask for more ?

You *NEED* this book. Every library ought to have a heart. And this book is an excellent place to start.

Kenneth Rexroth is a poet first and a translator second; judged on that basis, his One Hundred Poems from the Chinese is a great success. His approach, set out in a brief introduction, is simply to produce the best English poem he can in the spirit of the original. The resulting translations are more or less free as he thought appropriate for each individual work.
The book is in two parts. Part one consists of Rexroth's versions of 35 poems by Du Fu, whom he describes as "the greatest non-epic, non dramatic poet who has survived in any language". He clearly knows these poems well, and his translations are uniformly good.
Part two offers around 70 works by Sung dynasty poets; some are represented by only one piece, some by more extensive selections. These tend to be more free, more personal, and often strikingly modern works. In Rexroth's words again: "The whole spirit of this time in China is very congenial today"- a statement as true today as when it was written in 1971. Many of these poets are still not well translated in English, so Rexroth's translations are invaluable.
At the back of the book is a brief, but adequate, notes section with information on each poet and explanatory material.
Rexroth's concentration on the lesser-known Sung poets is paralleled by his choice of poems in the Du Fu section. He does not confine himself to the best known pieces found in other collections, striking a good balance between the familiar and the new.
An interesting example of Rexroth's approach to translation is:

Another Spring
White birds over the grey river./Scarlet flowers on the green hills./I watch the Spring go by and wonder/If I shall ever return home.

Rexroth has changed the river's colour from blue in the original to grey: a good example of a liberty which would be objectionable from a translator, but which he can get away with. He also clarifies "blazing" in the original to "scarlet", which allows him to preserve the original's strictly parallel parts of speech in the first couplet.
This is a fine book. It was first published more than 30 years ago, but it has lasted because of the consistently high quality of translation and because of the unusual selection of poems offered. I cannot recommend it highly enough.