Authors Books

The subject matter of these short stories is compelling. It is indeed interesting to see a snapshot of Middle America that is told in such a frank manner. The theme of 7 days and 7 sins, works well for a collection of stories.

However, I felt that a lot of the tales were cliche. In addition, Angela's character and position as supposed narrator is a forced thread to tie these stories together that is not only unnecessary, but detracts from the book. It would have been a better book had the author left her out and not explained how the stories were gathered.

This was an amazing, refreshing read. It's so nice to read something that's not just a great story, but great to read. I read that Pamela is also an accomplished poet, and it shows in her writing. I found myselft drawn into her stories by her magnificent characters and amazing prose. This is not just a great book, but a work of art!

You will not want to put this down. I spent every spare second of my time trying to read this book and was very sad to finish. I read many female authors and am very happy to say that Pamela Ditchoff is one of the best. I understand she is working on a new novel at the moment and I cannot wait for it to be published. Buy this book, you won't be disappointed!

I gave this book 5 stars because I think it is a very different idea and thought it was refreshing.

I loved the way each story tied into the next one. It was almost like using a telescope and peeping into other people's private life. It was amusing and interesting to see the skeltons that are in everyone's houses.

The book is about a young girl looking into every house on her street and examining the life situations that go on, at different occasions. It is like the "fictional" version of
24/7 Life in America the book that looks into thousands of lives and what people across America are doing on a specific day. This is the same book " sort of" just fictional, and on one street in average America.

Fun Read- reads quickly.

Ellen

This is the best book I've read in a long time! Each story is so interesting that I found myself wishing there were more than 7 days in a week and more than 7 sins, just so I could read more!

It may be just me but I love her works, and there are many days I wish she could have written more for us readers. The Aggar series is great and how I first became aware of her, but she speaks to the romantic in me in both Bitter Thorns and Annabelle and I. If you liked her writing style in this series, I strongly suggest you check out her other 2 books that were published as well.

Diana n'Athena is ready to go home. An "Amazon" from the all female planet of "dey Sorormin" (which Wolfe translates as the Sisterhood), Diana is a sociologist employed by the Terran Intergalactic Empire for the last 20 years as a Cultural Liaison and Feild Operative. Approaching forty, Diana has served the last five years on Aggar, a patriarchal, pre-industrial, semi-feudal planet located on the Empire's border. Over six foot tall, lean, strong and brown-eyed, Diana must pass as male to work effective on Aggar. Such a charade is not uncommon for Amazons serving on "primitive" planets, but it does wear on their spirits. Facing her last mission before she can return to her home world, Diana must locate and rescue a Terran pilot. He carries information that may mean the salvation of the Empire which is on the brink of war.

After years of working alone, Diana is not pleased when Aggar's ruling Council of Ten assigns her a native "Shadowmate." Shadows are individuals trained for years to act as guides, protectors, linguists, trackers, companions and whatever else is needed to aide the individual whom the Council has determined is important to the future of Aggar. Such assignments are one of the ways the Council "tips the balance" of fate for pivotal individuals and gently guides the planet's future.

Diana's Shadow, Elana is particularly special. In addition to her training and expertise, she bears the rare "Blue Sight." This extrasensory gift (genetically linked with blue eyes)allows her to read people's intent via their aura and create illusions. For years Elana has been training to become a Shadow. For the last five years she's been experiencing dreamlike visions of the Amazon that she is to Shadow.

"Shadows of Aggar" is a classic heroic quest. As such, the journey itself, what happens to both women during the trek and what they learn from the various encounters, is as important as the result of the quest. -- Although having the end of the empire as it is known hang in the balance does build the suspense! -- There are some similarities between Aggar and some other fantasy realms. Yet these parallels reflect cultural archetypes and Wolfe, who died in 1997, created some interesting, unique details and characteristics for three cultures: Aggar, Amazon and Terran. For example, imagine a race of humans whose skin color changes with excitement or exertion, thus making the racial differences we know, moot. Furthermore, Wolfe created the basics of a language for the "dey Sorormin" and provided a glossary of words from Aggar and the Sisterhood in the back for reference.

"Shadows" was originally released in 1991, and this reader has returned to it at least twice in the last decade. The story and characters hold up to re-reading. The same is true of Wolfe's second Aggar novel, "Fires of Aggar." Happily, the publisher has made a commitment to keep Wolfe's titles in print. The new covers of both titles are disappointing and distracting. Yet, to coin a phrase, don't judge the book by it's current cover. If you like fantasy stories with strong female leads that explore complex issues of gender roles, societal pressures to conform and their impacts on the individual -- not to mention a good old fashioned adventure with a touch of lavender romance -- you'll enjoy "Shadows of Aggar." Pick up a copy of it and its companion book, "Fires of Aggar."

This is definitely one of those books that will keep you up until the wee hours of the morning - you just can't put it down! This so reminded me of the Darkover series by Marion Zimmer Bradley (which I LOVED). Like MZB, Wolfe has created an exciting and interesting new world in which two technologically separate cultures meet...with one big plus. The relationship between the two women is protrayed in a more intimate and central way here than in MZB's books. This well written book was a throughly enjoyable read - do yourself a favor and buy it! :)

Many of us have found this dense book daunting, printed in tiny type with almost no white space for relief. However, for those who pick up the book after first laying it down in disbelief at the number of words, there awaits a well crafted world of Amazons, psychics and bad guys. Wolf has created a very believable world that mimics what most of us know about the medieval ages. Her imagination is rich and detailed. You will believe in Aggar before the end of the book.

I was annoyed by Di'nay's ability to be obtuse about her lovely "shadow" bonded to her in their attempt to rescue a downed Terran pilot. The world of Maltar was satisfyingly ominous and the Maltar was sufficiently evil. Once you get past Wolfe's inability to write straight forward dialog, you will enjoy the page turning excitement of the adventure. You will also enjoy the romance. Wolfe writes loving romance which hints joyously at what transpires between the two "shadow mates."

I could only find the most recent edition of this book. The cover should be punished as a crime against the author and the type setting is very bad. One wonders if anyone read the galleys.

I read any science fiction and fantasy novels that have lesbian characters that I hear of or stumble across. Most of what is out there is written for mainstream audiences and often by straight authors. There's nothing wrong with that, one of the attractions of the SF and Fantasy genres is that authors explore a vast array of character types and cultures. But there is a definite lack of fantasy novels written by lesbians for lesbian audiences. What's worse is, most of what is in print is mediocre at best and not worth the space on the bookshelf at worst. In desperation, lesbian fantasy fans end up buying and reading the dreck anyway.

Shadows of Aggar is a rare exception. To say that it's the best lesbian fantasy novel I've run across is true, but defining it that way is a disservice to the book, since that isn't really saying much. It holds up on its own merits within the fantasy genre as a whole, not just within the sparse lesbian fantasy subset. Shadows of Aggar contains most of the elements that make fantasy what it is; a unique world and culture, swords and magic, and imperfect characters on a heroic quest. The icing on the cake is that the lesbian romance is good too.

I do have to say here, I have NO idea what in heck the current publishers were thinking with the new book covers. I don't get this trend of putting photographs of real people on fiction. Part of the allure of written fiction is that our minds supply the images. To be blunt, the new covers are tacky and ugly. (I also note the editor's review said something about a trilogy, but there are only two books with those characters.)

One final note, as I noticed a previous reviewer mentioned hoping for more from Chris Anne Wolfe. Unfortunately for us, she lost her battle with cancer. So I highly recommend collecting all of her works currently in print if you enjoy her writing, as there won't be any more. Shadows of Aggar is by far her best, but the others are all worth a read.

I thought the spoken word cd along with the book was excellent I saw Tonya perform in Chicago in the Summer of 2001 at Romains Gallery in Oak Park, Il. She definitely writes from the heart. The poetry is so powerful and uplifting. I would recommend any one to purchase. My favorites are I will tell myself and shine. The whole cd is wonderful and its nice to be able to read the book as you listen to the cd. I think I have it memorized now. I have had people stop me and ask what are you listening to and where did you get it from. I tell them with a smile. If you are into poetry and would like to have a taste of some true talent I would suggest purchasing the shine deluxe edition.

Inspirational and Finding My Own Shine are not words I
associate with poetry. I thought poetry was rhymes
like, Roses are red, violet are blue, sugar is sweet
and so are you. I am truly grateful that the author
has given me another view of poetry.The poetry in
Shine encourages you to look inward.

Shine is a divine influence. After reading these 48
pages it is my ambition to be 100% of me. A favorite
of mine is titled I Will Tell Myself, I plan to read
this poem whenever others try to define who I am. The
fourth paragraph of I Will Tell Myself read: "I am not
confused - I am convinced that I have greatness within
and I am Superwoman able to leap TALL DECEPTION in a
single bound", wow is all I can say to that.

This author doesn't stop there, she has included the
spoken word as well. This CD is one you do not want to
be without, complementing her poetry is Neosoul and
funk. This blend of music fits perfectly with her
words. Angry Don't Live Here No More is "Da Bomb"I
would love to ride to Philly and be a part of the
audience where she "melts the mic" with her poetry.
Evans' multimedia book is for the whole family. I plan
to read from it at my Black Light Open Mic this month.

Reviewed by Missy

Tonya Marie Evans' talent is a bright, steady light. Her Shine! Inspirational Poetry with Companion CD was my first introduction to the Spoken Word genre and I believe our "acquaintance" was meant to be. Not only did her expressive and melodic voice captivate me, but the messages in poems such as "I Will Tell Myself," "Angry Doesn't Live Here Anymore," and "Find Your Own Shine" inspired me to "begin again." The CD was so awesome that it got my creative juices flowing and I've returned to writing poetry. Tonya Marie Evans's words will affirm, encourage, and help you to turn your shine all the way on!

Shine provided me with the opportunity to reflect on my personal resilence. With pieces such as "I Will Tell Myself" and "Find Your Own Shine", I remembered a strength and determination that can only come from within. As I listened to Tonya Marie's words, both in the written form and on the accompanying CD, I was reminded that I am not alone in experiencing the trials and tribulations that Life can sometimes bring. I was also reminded that with each breathe and through careful reflection we can overcome these life experiences and "begin again" (taken from "A Villager Speaks"). I thoroughly enjoyed Shine and have found myself buying it for gifts, referring to it in the classroom, and using it as a teaching and therapeutic tool. I believe that Tonya Marie has a beautiful and powerful voice that soothes, heals, and inspires you to regain your life and be true to your real self. In other words, just as Tonya Marie as recommended, her work inspires and gives you the courage to "Shine".

This is not your ordinary spoken word material. Tonya Marie Evans along with her co-horts Stephanie Renee and Damon "Dizzy Fingers" Bennet brew up some seriously groovy tunes, with styles ranging from house to progressive soul to acid jazz. Tonya Marie's voice is smooth yet commanding and when coupled with Stephanie Renee's own phenomenal voice the result is truly wonderful. My favorite's are "I Will Tell Myself" the danceable, deep house track and "FYOS" a groovy acid jazz track worthy of recognition. This companion cd is truly worth a listen. Unlike most music today it is soulful, inspirational and enjoyable!!

Southern Fried Women is a fun and heart-felt book. I look forward to more from this author!

A very well written book. Very easy to follow. Her explanations and details make it easy to "see" what each character is doing and going through. They are short stories, so its a great book for people who do no have a lot time during the day to read. But each story will pull you in and you will not want to put it down. There are several stories in there that I wish were books in and of themselves. She is a fantastic writer.
I am pleased to have been able to meet this author recently. She is every bit as honest and passionate in person as she is her book. A true Southern Bell with a great talent. If you have not bought this book yet, you really ought to give it a try. I can't wait for the next book to come out!

Southern Fried Women is a beautifully written piece of literature. I savored each and every page and really hated to see the end of the book. I wasn't insulted by silly stories with juvenile plots and situations. It was mature writing that made me think she is a person who has experienced life and has become better, stronger and more resilient as a result. I was so inspired that she shared her wisdom with the world in such a moving and touching way! Her characters reminded me of Steel Magnolias and the women of the old south in Gone With the Wind. I can't wait to see future works from this wonderful, southern fried author. She's a keeper!

Yes, what a wonderful ride! There may be people who do not care for the use of photos at the beginning of each chapter - they are obviously wrong to think so. Sometimes I found myself studying the photos, even after I had begun reading the story - often going back and looking again - imagining how this story might truly have wrapped itself around the people and places in the photographs.

Also, the use of simile and metaphor is filled with imagery and life; painting with words what most people can only hold in their imaginations. "Cry" is so full of painful reality and "Coal Dust on my Feet" broke my heart. "Beach Babies" is probably my favorite - Bertie is a tragic character, but one that has so much to teach us.

Thank you, Pamela, for sharing your gift with the public. Sometimes as I read your words, I heard my own voice. We share many of the same beliefs, attitudes, joys, and heartaches in our observations of the world. Reading your book was like sitting down and spending an afternoon with you in conversation. Thank you.

Debra Thomas

Unlike most of the current "Southern Belle" books, this one shows a darker side. It took me by surprise and made a deep impression, especially since all of the stories are based on true incidents. But don't expect cutsie women secretly manipulating their men, or recipes for hush puppies. The stories in this book will stay with you for a long time.

Hamilton is a journalist, and a writer of short stories and novels. His first three novels were set in Central Europe. Then came Headbanger (1996), a darkly comic crime novel set in Dublin and featuring detective Pat Coyne. A sequel, Sad Bastard, followed in 1998. The Speckled People came out in 2003 to critical acclaim It is an intensely personal memoir about very a political and public issue; what does language mean for national identity in democracies. His was a childhood of "lederhosen and Aran sweaters, smelling of rough wool and new leather, Irish on top and German below" so uniquely lived through two separate struggles represented by his parents. It is also about homesickness; for a dream Ireland, a lost Germany and a homeland of one's own.

Hugo's father wanted an Irish speaking self-sufficient Catholic Ireland. English if spoken by the children resulted in punishments including beating with sticks. He adapted an Irish name that no one could spell and pronounce and refused to answer even his work letters if they failed to write using his English name. Yet he also made toys, read stories and took his family on holiday to West Ireland (much to the amusement of the locals who were tired of the Dublin Intellectuals telling them they were the future when all they wanted was a decent inside toilets and jobs. His nationalism was driven by the shame of a father who had served and died in the British Navy leaving a service pension that funded his university education. He was always on the look out for the next big business deal to make Ireland economically free. But from crosses, toy wagons and tragic Honey they are failures, his only success is the size of his family as it grows year by year. They are the secret weapon to challenge the legacy of Empire.

His mother was a German Catholic, whose father was a conservative opponent of Hitler and whose family were passive resisters throughout the war although one sister was more active in being part of a network of safe houses hiding Jews. She herself as being "people of the head rather then the fist" so eventually rebels against her husband and destroys the canes but otherwise goes along with her husbands dreams and teaches her children German so they becomes fluent in three languages. She also has secrets that unravel as the biography unfolds.

The memoir is not a sentimental Irish story of hope crushed by poverty driven by the drink. The children have a comfortable and warm upbringing drawing on the richness of three culture's music and literature. But being German meant that the children were bullied and taunted as Nazis and they were at a lost to say where they belonged. What drives the story is the voice of the narrator that uses simple sentences and childlike observations, gradually turning to what he knows and understands, as he grows older and so creating a quiet humorous yet honest account of two flawed humans struggling to make a better life for their children in the very different 50s and 60's. An sequel called The Sailor in the Wardrobe was published in 2006.

Memoirs are almost always interesting but this one is like nothing else I had ever read. Truly touching and endlessly interesting, this book has something for everyone. If you have ever felt like an "outsider" you will appreciate Hugo's plight. Can't stop ready it. It was a joy until the very last page.

I found The Speckled People after encountering a fascinating article by Hugo Hamilton on the "Loneliness of Being German". Similar to the article, the book immediately struck a chord with me. Those living within and without their own language will find a special connection to this book. Language as the identification of "home" and "country" and "language wars" are explored here in a rather exceptional way - through the voice and outlook of a growing child. Like a patchwork quilt the vignette chapters of the book come together for the reader to form an exquisitely drawn portrait. Hamilton's family is pictured against the backdrop of their Irish reality of poverty and want in the fifties and sixties. Complexities are accentuated by his dual identity as a child of an Irish nationalist father and a German mother who left Germany after the war.

While The Speckled People is an intimately personal chronicle of his youth, Hamilton's story has significance far beyond the autobiography genre. There are advantages and challenges in using the language of a child. On the one hand, experiences can be conveyed in a direct and innocent way. Johannes (Hugo) has not yet learned to query all he observes: "When you're small you know nothing". He is a sensitive and perceptive child who intuits that there are more untold dramas in the family. "You can inherit a secret without even knowing what it is." On the other hand, it may be difficult to maintain the language as the boy's capacity to analyze and reflect becomes more pronounced with age. Hamilton succeeds admirably in keeping his style consistent even where he integrates numerous events from the wider world as they become relevant to the young boy. As you settle into his style, the narrative becomes deeply absorbing.

The experiences of life under Nazi rule as part of an anti-Nazi family, continue to haunt his mother. Her painful memories are conveyed to the son in small doses, like selected scenes from a black and white movie in which she had a part. Nonetheless, she is homesick for her native country and all things German. Books, souvenirs and toys arrive regularly resulting in outbursts of happy laughter. Johannes records his mother's mood swings expressed through either laughter or primarily mental withdrawal and silence.

His father feels more Irish than anybody around them. He insists on preserving Irish culture and on "freeing" the Irish people from British influences. His children become "his weapon" against the enemy. He forbids the family to speak English. The children tend to "live" in German as their mother has difficulties speaking Irish. The Irish language has to be protected even if it means losing business. This can mean that cheques are not accepted from people who cannot spell Ó hUrmoltaigh - Hamilton in Irish. The language is your home, "your country is your language", he insists - it identifies who you are. The pressure on the children to speak German and Irish at home sets them apart from people in Dublin at the time. There, English was the preferred language. The children suffer from this enforced isolation. The neighbourhood bullies, responding to their otherness and German identity call them "Nazi", "Hitler" or "Eichmann". They attack them whenever the opportunity arises. While Johannes repeats to himself and to his mother "I am not a Nazi", he does not defend himself against the assaults. One of the rules of the house is to adopt a form of pacifist resistance, the "silent negative " and not to become part of the "fist people". As Johannes grows up, he understandably rebels increasingly against these strictures. In the end, he discovers his own way out of all the identify confusion, his anger and pain.

The Speckled People is a memoir like no other. Any comparison with other Irish memoirs would seem inappropriate to me. While Hamilton chronicles his childhood and growing up, themes and issues beyond the personal play a fundamental role. In particular his exploration of the complexities of "language" as "home" and "country" gives this book added richness and depth. [Friederike Knabe, Ottawa Canada]

This is a magnificent story of the author's growing up in Ireland.It takes place mainly after WW2 and until the mid-seventies.The son of an fanitically nationalistic Irish father who doesn't want to give up the past, and a German mother who is haunted by her past of growing up in Nazi Germany.
The author shows us the tremendous pressures of trying to get along when you are different from others in your community and country.This problem exists everywhere and we learn that it also occurs even in Ireland.This family lived with it as a central issue at all times and no matter how hard they tried,they could never get away from it.I don't think I have ever read a book that so clearly defined the issues and struggles that had to be faced.
Not only has the author described the struggles his family faced he also gives us a great deal of insight into the culture,thinking,perceptions,anguish,and the effect that the past has on the personality and feelings encountered when one is different.
Ireland is a very fascinating country and like no other.One never ceases to be amazed by what one learns by reading about its history and its people;and this book is no exception.
Several lines that really struck me were:

"Some things are not good to know in Ireland."

"We serve neither King nor Kaiser."

"My father says the Irish can't live on imagination forever."

"He doesn't want the song about immigration to go on forever."

"Ireland unfree shall never be at peace."

"Maybe there was no failure in Ireland,only bad luck,and
maybe there was no bad luck in Germany,only failure."

"Nelson's head was on the ground and the dust of the empire
was all around."

"When you're small you know nothing and when you grow up there
are things you don't want to know."

And finally,one that sums up the story:

"I'm walking on the wall and nobody can stop me."

The author's skill in the use of language is a whole order of magnitude higher than so much we see today;but still in a class with several of his Irish compatriots.What wonderful stuff this small country produces.

okay... this book is absolutely gorgeous - It is sweet,deep,and dark...an original story. it reads like a beautiful poem -i am so happy to read a new book by an author who writes so well... thank you, Hugo!

I like the way the author brought the Jordan and Starris together. The love between the two was evident for eveyone to see. The story was well written with enough drama and romance to keep you turning the pages.

This book is great. I have read it over and over again. This is one of my favorite books.

I am a true romance reader and I consider this book a wonderful addition to my collection. Subtle Secrets by Wanda Y. Thomas is a nice read with a light taste of mystery added to the mix. Starris Gilmore is looking for steady employment so she can adopt Danielle Kathryn Carter, a beautiful little girl who was left on the doorsteps of an orphanage when she was just an infant. After leaving behind a verbal abusive marriage, Starris feels she has truly found peace and love with Danielle, which she affectionately calls Dani. Starris interviews for a position with ROBY headed by Jordan Banks, but is turned down. Though she is perfect for the job, she is left with seeking employment elsewhere to ensure that nothing stands in her way of adopting Dani.

Jordan Banks is executive director of ROBY, a mentoring and job opportunity program for young males from the inner city. Jordan is still recovering from a marriage gone bad from the very beginning. His ex-wife is found murdered by an unknown suspect, and he soon learns he has a daughter who was left in a home for children in Atlanta. After bringing his daughter Jolie Kathryn Banks home, he vows to himself that he will never love or trust another woman again. Starris and Jordan become more aware of each other when they both find out that their daughters are best friends. The sparks begin to fly and the girls begin plotting ways to bring their parents together. What stands out is the fact that the girls not only get along well as if they are sisters, but they look similar in features.

Leaving the suspense right there, you are in for a wonderful romantic and intense story about people who are afraid to love again; afraid to face their "demons" and move on; afraid to forgive and forget, and afraid to love each other. As Starris and Jordan soon learn and reveal through a plotting siniser employee working for ROBY, and who holds a key connection to the girls' past, their love is finally tested.

Ms. Thomas does a wonderful job of staging every detail of emotion that anyone could endure after being hurt and so afraid to try again. I especially enjoyed her character development of Jolie and Dani, they will make you relate and smile several times throughout the story. As that famous saying goes "out of the mouth of babes comes much wisdom." I also recommend that you read the author's note in the back of the book. You will learn that this storyline is very dear to Ms. Thomas. Thank you for making us understand and the continued awareness of parentless children needing to love and be loved. I highly recommend this for the romantic reader, you will not be disappointed. I applaud Ms. Thomas and graciously give Subtle Secrets a rating of 4.

Reviewed by Kalaani

I loved it! This was my first book written by Wanda Thomas, but it will definitely not be my last!! Ms. Thomas has not only been added to my book list, but her books have become some of the top priorities. "Subtle Secrets" is not only about the love of a man and woman, Jordan Banks and Starris Gilmore, but it is about love of family. Life has dealt some hard blows to both Jordan and Starris, but each has been blessed with the love of a child -- Jolie Kathryn Banks and Danielle "Dani" Kathryn Carter. Ironically their lives are entwined in more ways than one.
Starris first encounters Jordan at her friend's home. Then, later meets face to face when Starris applies for a much needed job at ROBY, where Jordan is the director. From there, they discover that their daughters are best friends. Starris and Jordan's relationship at first is bumpy, but soon the bumps began to smooth out as they are constantly thrown together and can no longer deny their mutual feelings.
"Subtle Secrets" also gives the reader insight into the welfare adoption system. Dani may not be Starris' biological daughter, but Starris has all the love for Dani that a natural mother would have for her child. Dani's and Jolie's lives are entwined with similarities that cannot be ignored. They both were abandoned as infants at an orphanage. However, Jolie was blessed with the love of her father, Jordan, and his wonderful family. Dani was not so blessed until Starris came into her life, then all the love that Dani has kept bottled inside came pouring out to the only mother she had ever known - Starris.
"Subtle Secrets" is a touching, heartwarming, loving story about family, faith, trust, and caring. It's also about overcoming lack of trust and the old hurts from the past. Not only are the adults affected, but the children are also embroiled in old wounds from the past. However, true love will outweigh all ills and bring new joy.
Great read and I look forward to reading the other books written by Ms. Thomas. My next one to read will be Shelby's and Nelson's story, "Truly Inseparable."

This is my second book by the author Wanda Thomas. I love the way she writes a love story and also inform you about life matters. Her latest novel involves Starris Gilmore and Jordan Banks.

Starris has come from a terrible marriage and believes that she is unlovable to a man. Her ex-husband got a kick out of abusing her emotionally in front of their guest. In the process of healing she volunteered to help children. This is where she met a little girl that she now wants to adopt. In order to adopt she must have stable employment.

When Starris walks into Jordan's office for a job interview he knew that he could not hire her because he was sexually attracted to her.

Jordan has also come through a bad marriage. Jordan learns of a daughter that he didn't know he had until after his ex-wife is murdered. He vows never to give his love to another woman again. But once his path crosses with Starris, he vow is tested.

Will they get together? I love the way the author has all the characters playing a big part in telling this story. The girls were very funny in their schemes to get their parents together.

You will truly love this page turning story. I hope to see a story on Jordan's sister.

Poe, Doyle, Christie -- none of their stories is better than "The Stolen Cactus," "The Crime at the Post Office," or "Footprints." This collection of crime stories had all the twists and clever resolutions I could ask for. Unexpectedly, it also has quite a few insights into human nature and coping with reality. I read "The Man Who Couldn't Sleep" after a night of disturbing dreams and felt as if Capek were writing to me from the grave.

I found this book in the English-language section of a bookstore in Prague, during my first visit to the Czech Republic, which is a surprising and wonderful place. I didn't know the first thing about Czech culture or history before then. I didn't even know that one of Capek's contemporaries in Prague was Kafka, who was Czech, not German.

Reading Capek convinced me that Kafka was -- like Capek -- a humorist; unfortunately humanities professors in the U.S. don't get the joke. In other words, Capek is Kafkaesque and Kafka is Capekesque. Both drew quirky little images, too. That's right: Kafka drew pictures in his manuscripts. A few of Capek's illustrations are reproduced in this book, as well. (Karl Capek's brother Josef was a member of the little-known and very odd Czech Cubist Movement, a group that abhorred right angles.)

The prose in this translation is a bit ponderous, though, so I recommend that when your first open this book you temporarily abandon your requirements -- if any -- that crime fiction be terse and gritty. Remember that you're reading a translation from a Slavic language written a decade after WW I. In addition, the stories are first-person narratives, a form that is little used these days.

I'm eager to read more Capek. And it would be great if the publisher would create a Kindle version of his work.

A superb collection of stories told in a simple, yet very descriptive and captivating language, each a different nugget. Some are very funny, others reach a quiet conclusion, others make you think, but not enough to rob you of your sleep. Nice to read just a few at a time, otherwise it's hard to remember them all. Can be read completely out of sequence. Enjoy!

The fourth Earl of Chesterfield once admonished his son to "wear your learning, like your watch in a private pocket: and do not merely pull it out and strike it; merely to show that you have one." The stories contained in Karel Capek's "Tales From Two Pockets", unlike Chesterfield's watch, are worth taking out and reading again and again and again.

Karel Capek played a pivotal role in Czech arts, literature, and politics in the years of the first Czech Republic. He was a playwright and, with his brother, authored "RUR", the play that introduced the word robot to the world. His novel War With the Newts remains today one of the great pieces of dystopian fiction. His life and work during this period was inextricably linked with a strong belief in the newly born Czechoslovakian Republic. Capek's devout faith in democracy and his aversion to both fascism and communism was well known. His intimate socio-political relationship with Czech President Tomas Masaryk served as an inspiration to Vaclav Havel the artist who became president after the Velvet Revolution.

The 48 stories in Tales From Two Pockets first appeared in print in 1928 in a Prague newspaper. They were known as pocket tales because presumably the newspaper could be folded and placed in ones coat pocket after getting off the tram. Immensely popular the first 24 stories were published in book form as Tales from One Pocket. The remaining 24 stories were originally published as Tales From the Other Pocket. This edition, published by Catbird Press (which has done a marvelous job of publishing English editions of Czech masterpieces) and excellently translated by Norma Comrada, contain all 48 tales.

To call the first 24 stories detective stories would not do them justice. They do tend to involve a murder or a crime of some sort but Capek stands the genre on its head. They involve more than the solution of a crime. Capek tends to work around the crime to look and spin small stories that tell us a little bit more about human nature than about the crime business. Each story contains a snippet; they are too short to be an exegesis on humanity. But each snippet is worth reading and after you read one or two you can put them in your pocket and start all over again.

The second 24 stories each flow from one into another. Think of a group of people sitting around a table in a bar. One tells a story about a crime or some other foul deed. After one story is finished someone pipes in and announces, "I can top that". They stories flow seamlessly one to another. Again, no single story packs a huge `message' but cumulatively they are thought provoking and provocative. It should also be mentioned that the stories are also just fun to read. Capek was one of the first Czech authors to write in colloquial Czech. His writing style was not formalistic and stilted. He wrote the way people talked and his stories are all warmly told and engaging.

So, put these tales in your pocket and pull them out whenever you'd like to lose yourself for a little while in the world of little mysteries created by Karel Capek.

"Tales from Two Pockets" should have a special place in the minds of its readers. That's the place reserved for works which are entertaining without being trivial, consistently amusing and delightful upon re-reading, and which appear to have been written effortlessly and on the spur of the moment (this latter characterization is probably an illusion, since even a rapidly written piece by the right writer incorporates a lifetime of craftsmanship and professional skill). The stories in this collection, which combines two different but related sets of stories ("from one pocket, then the other"), were written for Capek's newspaper columns during 1928-1929. Czech readers responded enthusiastically to these stories, which started out clearly enough as detective or crime stories but soon overflowed the boundaries of that category to become something very different: reflections on the human mind and character under duress and meditations on the nature of crime, punishment, and, most especially, justice. The difficulty of judgment which is fair to both the victim and the perpetrator is a theme returned to several times, leaving the question an open one, even in the most gruesome cases, e.g., "The Ballad of Jura Cup", in which the motive is highly personal and bizarre, or "An Ordinary Murder" in which the motive is routine but the results are unsettling. Also related to this idea is the story (from the first set of 24) entitled "The last Judgment", which seems to be the prototype of the stories in a completely different collection,"Apocryphal Tales", stories that veer off in the direction of "alternate reality" parables (this may be the story which Capek himself thought of as "the turning point" within the whole collection of 48 stories).

The second set of 24 stories is a continuous round-table conversation, organized along the lines of the Decameron. One story ends, and a thematically-related one begins (or a story is based on a stray remark or characterization in the immediately preceding story), something like a baton that is passed from one relay racer to the next. Often there is a smaller story within the larger one, recruiting another member at the table as a second narrator. From the formal point of view the most interesting of these is "The Confession", in which a priest, a lawyer, and a doctor are all told the same story by the same man over several decades - he has done something terrible (his deed is never specified) and must talk about it or implode, though he feels neither contrition nor guilt nor remorse, while he has a specific desire to avoid retribution (which is why he picks men professionally and ethically bound to keep his confession a secret). It's a large and eclectic collection of narrators that Capek creates - including policemen, businessmen of various stripes, a doctor, a priest, a "jailbird", a journalist, civil servants, and men of unidentified callings. Based on their names and their vocations they are meant to be a representative sample of inter-war Czechoslovakia's polyglot mixture of ethnicities, nationalities, religions, and social strata. This is the "social undercurrent" of these stories, an idealized picture of a hybrid, pluralistic society created by an admirer and strong advocate of T. G. Masaryk and the political system of the First Republic.

The translation by Norma Comrada is excellent, colloquial and fluent. As is her Introduction, which gives the background of the stories' creation and of Capek's familiarity with the detective-story genre in the literatures of France, England and America. On a light note, the musings of the lifelong bachelor, Police Captain Bartosek, on a kidnapped child (which I think of as "Bartosek on Babies") should be required reading for new mothers and new policemen as well. And it is in his portrayal of policemen that we see the breach that separates Capek's time and place from the grimmer post-World-War-II world of Czechoslovakia. We meet Captain Havalka who sympathizes with the inner turmoil of Jura Cup, and, more than once, we see at work the squirrel-toothed Inspector Pistora, whose unprepossessing exterior houses a first-class deductive brain that rivals that of Sherlock Holmes. Then there is Detective Holub, who, when recovering the funds that the confidence-man Plichta has defrauded from widows and lonely women, allows Plichta to deduct his "operational expenses" from the restitution he makes and admires his strict system of accounting (it is Holub who says,"We like ordinary criminals, not mysteries"). You can't imagine such empathetic portraits of policemen after 1945, though P. Kohout has tried his best to endow even State-Security policemen with admirable streaks in their characters.

The stories were written during the "calm years" of the First Republic, after the difficulties of setting up a new state had been dealt with, and before the Depression and the encroaching threats of international power-politics had arrived. This allowed Capek a respite to write as he pleased without an eye looking over his own shoulder at the political excitements of the years before and the years to follow. As Comrada points out, it would be incorrect to call these works "detective stories" or even "crime stories" (in many of them there are neither crimes nor solutions). However the reader characterizes them, it should be obvious that Capek displayed a relaxed freedom of spirit as he wrote them and took a great deal of pleasure in doing so, both of which are strongly communicated to the reader.

great stories to read a few at a time, not necessarily in order. they are like a whimsical sherlock holmes with a definite eastern european bent. i had never read any Capek before and I think this has been a great start.

That Summer Place: Old ThingsPrivate ParadiseIsland Time Debbie Macomber always provides a great story. This was a great introduction to two writers I had not previously read (Susan Wiggs and Jill Barnett). Now I can add them to my "favorites" list.

I did not want these books to end. I now want to visit the Pacific Northwest.

I was very pleased with the book. All of the authors presented a good story. The book arrived when it was promised. All in all it was a very pleasant experience.

The San Juan Islands in Washington State come alive in That Summer Place, an anthology set on fictional Spruce Island. In "Old Things" by Jill Barnett, California divorceé Catherine Winslow seeks to recreate the magic of her childhood with her two daughters on the island where her family spent many happy summers. She has no idea that she is about to revive a teenage romance as well.

In Debbie Macomber's "Private Paradise," widow Beth Graham is invited to stay on an island with friends. But when a last-minute accident keeps her friends from the island, Beth and her son end up sharing quarters with a handsome single father, John Livingstone, and his teenage daughter. Close quarters cause tempers to flare, but Beth and John just may manage to find love before the trip is over.

"Island Time" by Susan Wiggs finds workaholic Mitch Rutherford and Dr. Rosalinda Galvez busily conducting an environmental impact study of the island, although Mitch wonders if he will ever get anything done with the beautiful doctor around.

Barnett's trademark humor, Macomber's poignancy, and Wiggs's expert storytelling all combine to create the perfect summer beach book.

This was a nice book. Three very pleasant stories without much depth--but they were novellas so that's to be expected. The setting was glorious.

I highly recommend this novel to both gay and straight teenagers and their parents. I also feel it is important reading for those who care about their health and welfare, especially members of faith communities and the medical profession. The beginning of the story was extremely difficult and I could only read it small doses. The attempts by the staff of the fictional "Straight to God" institution to destroy a person's very being is incredibly horrifying. And to do this in the name of God or Jesus seems absolutely unbelievable. Taylor is an incredible young man supported by the love of another young man. Fortunately the staff of this bizarre institution is not monolithic; not all of the them are truly evil persons. The "inmates" develop their own ways of dealing with those in authority. I am not sure I would have had the maturity to survive as the characters mange to do. I found the ending realistic and satisfying. "Thinking straight" is a book to inspire. It demonstrates that each of us can survive and grow and even succeed if we have faith in ourselves.

Taylor is a young teenager from a really catholic family. He really believe in what he was taught, he believes in God and he loves Jesus, and he would be glad to be part of the church, but there is a problem: Taylor is gay and he is also in love with an high school mate, Will, another teenager who frequents the same church as him. They spend an year hiding their love, even if Will would be more bold and brave than Taylor, and he encourages Taylor to not stay in the closet, to come out but without loosing his faith in God, since accordingly to Will, God loves his sons. When Taylor finally finds the courage to come out with his parents, his father's reaction is not as good as he hopes: he send Taylor in a catholic reprogramming group, a place where the motto ora et labora is still the panacea for all the problem, a place where people try to convince Taylor that suicide is better than being gay! With the strenght of his love for Will, and a new strenght he finds in himself, Taylor tries to survive to the 42 days of captivity.

The story is a lot more involving than the previous one by the same author, A Secret Edge: here the boys unfortunately have to face all the problem of being gay in a community that believes it to be a sin, and a mortal sin. Nevertheless it's a big love story, but more than a love story between Taylor and Will, it's a love story between Taylor and Jesus, and through Jesus, with God. Even if Taylor has to face unbelievable things, he never stops to love God, and he never stops to believe. Taylor, Will and some other guys they will meet during the story, will try to build a world where the words of God are still of love and not of hate. With their courage they will change a little part of that world that rejected them, even if, probably, the ending is too much as a fairy tale rather than reality; unfortunately I believe than in the real world, a guy like Taylor would be not so lucky as he was. But it's still a drop in the ocean and a little step toward a better world.

I should say that I like more this second book than the previous one, since, even if it's more angst, and the love story is a bit in second line, all the characters in the book have their personality and concur to create a chorus of voice that represents a good part of the young adult population.

Returning back to the worldly love story, between Taylor and Will, even if it's lived in flashback by Taylor, it seems alive and I found myself searching the little bit of memories which whom the author makes Taylor relive his love. It's also very sexy without being explicit. And also very involving: I almost wept in a scene where Taylor was forced to destroy a note from Will.

Robin Reardon has written an extraordinary second book. I read her first book, A Secret Edge, and found that one to be excellent. Thinking Straight is even better. The characters are so well-developed that they seem to spring from the page. The book contains humor, drama, and suspense enough to keep one reading on. Reardon spins her plot with the expertise of a well-established writer like Maugham or McMurtry. I had a hard time putting this book down. It is an excellent subject for any teen (or anyone for that matter) coming to terms with their faith in God and homosexuality. Reardon has certainly become one of the truly good writers of today. I can't wait for her next book.

Reardon is an excellent writer and shares the horrific story of the abuse of the medical and religious homophobia treatment centers

Taylor Adams is a gay high school junior, hopelessly in love with his classmate, Will, who feels the same way about him. When a first love seems to be working out so well, it's hard to imagine anything can go wrong, which is likely why Taylor didn't think through his response to his parents, who wondered why he wasn't intersted in continuing to see a girl from their church whom they had set up on a date. Their knee-jerk reaction to his coming out resulted in Taylor being sent away for six weeks of "rehabilitation" at Straight To God, a church-sponsored residential center for "confused" teens and young adults.

Based on his first few days aty Straight To God, Taylor felt his worst fears about the place were true. His roommate, Charles, seemed to be an inflexible, nosey snitch, some of his fellow residents were sullen robots or vindictive bible-thumpers, his caseworker was a stern lady who seemed eager to trip him up to prolong his "sentence," and the chaplain was just plain creepy. But Taylor warmed up to some of the other teens over the next few days, and found a helpful group of like-minded friends who helped each other make it bearable. When he became aware of some relationships that were not at first obvious, and the reasons why some of the older residents voluntarily came back multiple times, the center took on a new interest for Taylor, feeling a responsibility to some of the friends he had made while there.

In this compelling and rather ambitious followup to "A Secret Edge" (which also dealt with a gay teen's first love), Reardon tries to be fair to both the traditional Christian view on homosexuality, and the more liberal (and generally accepted) interpretations of scripture that support the fact that Jesus actually considered homosexuality a non-issue. That transition happens to both the staff and many members of Straight To God during the 300+ pages of the book, making for rather interesting reading, a good lesson for others wanting to be so enlightened, but perhaps more than a bit implausible and contrived to GLBT teens and adults who were past that point. I give it four stars out of five.

A very funny,entertaining,and well thought out book. A great collection of stories by a wide variety of talented authors. Highly recommended!

I became interested in reading this book because I had read something about the controversy between the anthology titled THIS IS CHICK LIT and the one titled THIS IS NOT CHICK LIT.

I decided to read the anthology, and form my own opinion.

What I found was an engaging collection of stories with a wide variety of subject matters, themes and styles, that shared only that they were of interest to women. These stories were great-- funny and varied and well-written.

I especially enjoyed "The Infidelity Diet" and "Nice Jewish Boy". I also really enjoyed reading the introduction by Lauren Baratz-Logsted where she traces the Lit-chick divide back to Bronte and Austen... It's a terrific introduction to chick lit for someone who hasn't read much of it before.


I would highly recommend this book to fans of chick lit but also to readers who are interested in sampling a wide range of new authors.

I agree with many of the other reviewers: If you already read chick lit, you'll like this. It provides a selection of interesting stories, lets you get to know a little about the authors, and may introduce you to the work of authors you don't already know.

If you don't read chick lit, or don't think you want to, you'll be pleasantly surprised, I think. It's a quick read, and it can't hurt, so why not?

It's time to get mad, make a stand, and buy a copy of This is Chick Lit


Earlier this year, This is Not Chick Lit: Original Stories by America's Best Women Writer's hit the stands. As the title suggests, this book wants to set itself apart from chick lit writing. In the introduction, editor Elizabeth Merrick claims that the huge popularity of "bubbly" and "fluffy" chick lit novels is obscuring the writing of "some our country's most gifted women." She goes on to say that chick lit "numbs our senses" and "reduces the complexity of human experience."

When Lauren Baratz-Logsted, a seasoned chick lit author, heard about this collection she got angry. And then she got motivated! Baratz-Logsted without delay rallied the troops, quickly compiled eighteen stories by loud and proud chick lit writers, and This is Chick Lit was born.

Straight off the bat, the book proves that chick lit and its authors are far from mind-numbing or fluffy. In her fantastic introduction, Baratz-Logsted hits the nail on the head when she considers the publication of Merrick's This is Not Chick Lit and wonders, "What next: These Are Not Mysteries? This is Not Science Fiction? This is Not a Literary Coming of Age Novel?"

What Baratz-Logsted understands - unlike so many literary critics, book reviewers, and many supposedly smart writers - is that chick lit is a genre. And thus like all genres - mystery, sci-fi, literary fiction - chick lit has its own features and style and concerns. It is not better or worse than any other genre, it is just different. Baratz-Logsted demonstrates how it is basically sexist to single out chick lit, a hugely popular genre by and for women, as the one genre to attack and malign.

Baratz-Logsted's smart introduction is followed by a whole host of intelligent, funny, sad, ironic, entertaining, and very real tales about women. Jennifer Coburn's "Two Literary Chicks" wryly captures the whole standoff between a literary chick and her chick lit writing enemy. Deanne Carlyle's "Dead Man Don't Eat Quiche" is a mystery set in France and is as hilarious as its title suggests. Heather Swain deals beautifully with the trials and tribulations of postpartum life in "Café con Leche Crush." Baratz-Logsted's own story, an eloquent satire called "Shell Game," is a must for any successful and independent career girl heading for marriage, the suburbs, and potentially the loss of identity.

Many people are going to love This is Chick Lit. However, true to form, the literary world and the press are putting the boot in. In its review of the book, Publisher's Weekly says the stories in the collection are marred by "ho-hum dialogue" (and you're telling me Hemingway never wrote a ho-hum exchange?), "clichéd characters" (uh, and Dickens didn't have a few stock villains?) and "may pander to female audiences" (oh my god, what a crime!). The Village Voice described the stories as "glib and goal-oriented and focus on well-dressed women afraid of being 30" (hello? Can you read?).

To snoots like these, I say, "Go read what you want to read and leave the chick lit writers and chick lit lovers alone!" And to everyone else, I say, "Buy This is Chick Lit. You wont just make a purchase. You'll being making a political stand!!"

Apparently this book was born out of a sense of high dudgeon; a retort to the publication of the volume This is Not Chick-Lit; an assemblage of the leading authors of the centuries old genre now going by the name chick-lit; a defensive call to arms. As contributing writer Jennifer Coburn exclaims: "an author recently commented that the term chick-lit sounds as if the writing is about, for, and by women, nothing more. Nothing more?! Why isn't that enough?"

Enough, indeed. This savvy little collection of eighteen short, delicious stories showcases the tremendous variety, voice, and appeal of the oft-maligned, but also well-loved chick-lit authors. It should quickly disabuse the reader of any notion that chick-lit is somehow not representative or worthy of today's reader of popular fiction. So although the origin of this book may be found in a fit of pique, the result is a marvelous assortment of tales of the modern situation. Can we state more (or less?) of Jane Austen? If the Bronte sisters were writing today, would they be doing book tours on the Bridget Jones circuit? Would Mary Shelley be signing at ComicCon?

Always entertaining, frequently funny, occasionally wistful, this is the cream of the crop. Infidelity, fashion sense, husband hunting, girlfriend trauma: it's all here in this candybox sampler of morality tales, fables, and small encouragements. Dig in.