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differentReview Date: 2008-07-05
Imaginative fantasy through theoretical afterlifeReview Date: 2005-05-01
Great SciFI.Fantasy and SatireReview Date: 2004-08-04
Science Fiction and Satire blend perfectlyReview Date: 2004-05-01
Geat Sci-fi and satire!Review Date: 2004-03-16


The Art Of Seeing If Only Again More ClearlyReview Date: 2006-12-03
Terrific book.Review Date: 2004-04-19
ExtraordinaryReview Date: 2003-09-06
SEEING CLEARLYReview Date: 2002-10-10
"Seeing" illuminates elusive, mysterious sisters' bondReview Date: 2003-08-16
Jemma, the youngest of the sisters, labors suggestively in the shadow of her older sister Rozzie. Begrudingly acquiesing to subordinate status, Jemma, at five years of age, realizes that she is "a pathway to my sister's approval" and "as easy as breathing" determines to accept this role. Alienated and sensitive to her differences (both outside and inside her family), Rozzie exploits Jemma's willingness to do "whatever is required to ensure...she will never be truly seen again." The two develop a balance based on misgiving, silence and perceived acceptance of role; in reality, both envision themselves intertwined with the other in a complicated mathematics of expectation, subservience and dependence. Although as an actress Rozzie appears distanced and detached, Jemma's choice of photography as a means of artistic expression requires identical traits.
The metaphor of vision haunts both sisters. As Rozzie loses her sight, she fights the very invisibility she affected. Jemma's photography tends to focus on isolation and periphery, and as she begins to study the dynamics of her relationship with her sister, ruefully admits that in her own way, "I am missing too." If clarity sets humans free, both Jemma and Rozzie have built walls, shutting down their capacity to see themselves and each other as authentic people. Both women, talented in portrait and interpretation, lack the art of seeing their own hearts. This terrible irony lends a tragic tint to their relationship, but to McGovern's credit, the author does not exploit it for sentimental purposes. Instead, the author encourages her characters to use their deficiencies as the basis for renewal and change.
Consequently, Cammie McGovern elects to challenge readers to reflect on the limits of their own observations. Have we unfairly sided with either of the two sisters? Are we blinded by our own perceptions? What must people do to attain a sense of artistry in their own sight? Jemma and Rozzie quietly grapple with not only their own individual artistic imperatives; they use their talents to retrain their hearts. "The Art of Seeing" becomes its title, a work of art that permits us a clearer vision of ourselves.

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Henderson Portrays Startling People, Stunning LandscapeReview Date: 2006-08-07
You'll never forget GussieReview Date: 2006-08-07
Augusta LockeReview Date: 2006-06-18
How does Henderson do it? --the characters and setting, the images and story. There's more style and substance on one of William Heywood Henderson's pages than between all of he covers on the New Release table at Barnes and Nobel put together.
"At night, when the weather allowed, Gussie and Mr. Foster laid out a tarpaulin on the ground, their bedrolls padding their bones, the sleeping box as breakwind, Anne (Gussie's child) had outgrown the box, and now she carefully laid out her own blankets, tugging at the corners to square and smooth the fabric. Beneath the stars, they all lay side by side, Anne in the middle. The stars filled the entire basin, no forests to catch the constellations, only famished cottonwoods. Gussie looked directly up into the night. The earth turned. The stars surrendered their positions.
Get this book new, you won't find many second-hand copies. It's the kind of novel people keep to read over and over again.
Incredible BookReview Date: 2006-06-15
Augusta LockeReview Date: 2006-08-28

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Wonderful addition to Short Story genreReview Date: 2007-12-09
Darn good yarns!Review Date: 2007-06-11
editorial review: View from the TerraceReview Date: 2004-06-06
Bob and his wife, Julie, live on the family farm near Morehead.
The book is Bearskin to Holly Fork, Stories from Appalachia (Wind Publications, 2003), comprises of 15 true stories about individuals, usually a wash in alcohol, coping with predicaments often of their own making - - coming to bad or good ends as things work out. The stories are poignant, wistful, yet tough, hard as nails.
Sloan spins his stories in efficient honest prose, crafted to say just enough. As one reviewer wrote, these stores "fall from the pen the way leaves fall from trees; some cosmic force helping them find their place." Their being rich with humor, irony, Sloan's yarns are fun to read. They are laced with the colorful vocabulary of the Appalachian culture - "hesitant, like a fat man descending a ladder." But they also have a serious dimension and are also very well crafted to illustrate humanity and dignity in characters we might think as losers in situations bordering on the criminal - assisted suicide, getting even, getting away with murder - sort of...
Being a product of Appalachia himself, Sloan knows these people well; his writing is not overdone or contrived. The reader will care about these people, warts and all.
Ted Foster, Newsletter Editor
Highly sophisticated "Blue Collar" fictionReview Date: 2004-09-21
This meticulously edited medley is not only an enjoyable read but should be considered a textbook for writers. Throughout, the author has sprinkled his wonderful imagery in carefully worded and structured sentences and paragraphs. Bob Sloan paints with his words.
My favorite story in this anthology of fifteen tales is "A Ride Across Open Water" in which a man and a woman who have suffered a grave loss attempt to put their empty lives back together. In this seemingly simple paragraph, the author reveals volumes:
"Twice in the week before she left, he came home to find his wife sleeping on the sofa, an empty glass that smelled of bourbon on the floor. Both times a pink and blue baby book, purchased the afternoon a doctor confirmed Bea's pregnancy, was on her lap. Paul's memory still held whole paragraphs from pamphlets and articles about Sudden Infant Death Syndrome."
In the author's own words about his writing: "My wife gave me the phrase `blue collar fiction.' It suits me better than any other label. I write stories about Appalachian working class people, the `working poor,' because they're the people who raised me, the people I live with, the people who matter to me."
Don't be fooled by the author's modesty. This is some of the most sophisticated and carefully crafted fiction you will ever read.
editorial review: Kentucky MonthlyReview Date: 2004-06-06
Sloan doles out 15 previously published stories over 135 pages and gives us a clinic in what good short stories are. One can get all senses activated -- can hear the sound of tires rolling on gravel, see Harlan Carter wheel himself up a redwood ramp built for elderly or disabled tourists, taste the freely flowing bourbon, touch Don Reynolds' partner "Troop" (whom others see as a ghost), and figuratively smell a rat when Bide goes for his commodities during the Great Depression.
The
stories, often depressing and mostly laced with potent alcohol, nevertheless are told straight and with little contrived
sentiment.
- Steve Flairty

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A fabolous book!Review Date: 2007-01-08
more than just latina cultureReview Date: 2006-06-28
Fantastic!!!Review Date: 2006-06-12
I love this book!!!Review Date: 2007-01-16
Not just latina chic litReview Date: 2006-04-30
Charlotte Maclay


A New Loyal FanReview Date: 2008-11-10
masterful sophomore workReview Date: 2008-10-24
The harsh realities encountered there, by the McCray family and those around them, are seen through the eyes of the characters as well as through their views of one another. As Robert and Leona McCray protect their children, and vice versa. As they take solace in and fiercely defend the innocence of their youngest daughter. As their sons, Lincoln and Joshua, find identity in a world where so little personhood is left to them.
Reading Volume 1, any reader will begin to hope that some, if not all of our Blackbirds will transcend their environment. And to the reader, it will most definitely matter.
An American MasterpieceReview Date: 2008-10-21
In Black Bird's Volume I, Andre Coleman has created an American Family that we all can relate to on one level or another. Yes, the McCray's are African American but their story is universal. Yes, they live in the Jim Crow South in the 50s' but just as much as things change, things stay the same. The dirty tactics and racial undertones of our current election speak to the aforementioned. Robert and Leona McCray, like every parent, want the best for their children. In spite of poverty and racism that permeates their small town, the McCray's work hard and try to live the best life that they can. They are raising their three children, Lincoln, Joshua and Reta to be upright and respectful.
Andre moves Black Birds along with imagery that taps into all of the senses. He makes you feel the rabid heat that smothers the small town of Dernier, Louisiana. You can't help but taste the eggs, biscuits and pancakes that Leona prepares for her family. Nor can you ignore the smell of the smoke that fills the black part of town after its burned down by an angry white mob or not hear the countless shouts of "boy and sunny" that are the thrown at the grown African American men of Dernier and sadly you won't be able to close your eyes to the injustice and brutality of that time.
It doesn't take us long to get to know the McCrays, each so beautifully written with idiosyncrasies and foibles that we often see in ourselves and others. Robert is a man who can defer to his wife but maintain his manhood. Leona is a strong woman who can be feisty one moment and tender the next. Lincoln, the oldest is a pretty boy and a dreamer who wants to be the next Elvis Presley. Joshua is an old soul whose very being detests the injustice that underpins his life and Rita is a daddy's girl who wants a TV.
Each character has their on objectives, Robert to protect his family, Leona to love her family, Lincoln to be a star and Rita to be a daddy's girl. However, it's Joshua's desire to court a young African-American girl and a subsequent deadly encounter with the Sherriff's white racist son that opens a Pandora's box creating an explosive series of events that bring out the life and death survivor instincts in Robert and his family that are depicted in ways by Coleman that will have you mesmerized, breathless and on the edge of your seat.
Black Birds is a must buy and a must read.
Worth the Read!Review Date: 2008-10-21
AWESOME!Review Date: 2008-06-02
In the words of Joshua McCray - Freedom has no map.
Well done, Mr. Coleman, Well Done!

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Skeptic be gone!Review Date: 2008-10-23
Enjoy the ride!Review Date: 2008-10-01
Cowabunga !!!!Review Date: 2008-10-10
Expect the UnexpectedReview Date: 2008-10-04
Kirkbride has written a riveting tale, with characters who are well grounded here on earth. However, when you pick up this novel, expect the unexpected, and be prepared for an exciting ride into a new world with an intriguing cast characters you have never before encountered, but wish you had. Darlene Quinn (Author of Webs of Power)
A Nice SurpriseReview Date: 2008-10-22


for lovers of VoltaireReview Date: 2006-02-28
recommand with passion his works and especially Candide together with the other stories issued by the so prestigious Oxford
world's Classics -its a genuine pleasure
Is Life Good?Review Date: 2007-06-04
The genius was also a world class author!Review Date: 2003-11-22
He is a great story teller and has a great sense of humour too.
A classic mustReview Date: 2003-06-04
Decadence and disillusion? Must be French LitReview Date: 2005-05-21
Candide is well-written, and sprinkled with cute and clever irony. I also enjoyed the references Voltaire makes to his personal enemies in Candide. However, the optimistic theory that prompted this satire has been rejected, which leads me to believe there isn't much purpose for this book any longer. Really the only reason left to read Candide is to become 'culturally literate', I suppose. Don't get me wrong; the ultimate message of this book is a good one. However, I hope readers don't think Candide's lesson must preclude optimism all together, or love, or friends, or God. That fact is obscured to make a literary point.
The only interesting question that remains to be asked from this book is: why does such cyncism accompany 'enlightenment'? Both French and American societies are rife with it after all, so much that I doubt even Voltaire could manage much of a smirk. All he could do would be to join the choir and tend the garden he has sown.

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Warmed my heart.Review Date: 2008-04-07
Great Book!Review Date: 2007-10-05
A fully-matured and well-honed artistic vision of the human conditionReview Date: 2007-08-06
Extraordinary Review Date: 2006-07-16
One of my favorites this yearReview Date: 2006-07-22
I appreciated that the Panamanian setting is not overwrought, so that the reader isn't really presented a collection of stories about Panama. Henriquez writes about relationships. Her description of Panama is nevertheless clear and gripping, and makes for a truly enjoyable book.

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Dearest Dorothy, If not now, When?Review Date: 2008-04-28
great serviceReview Date: 2008-04-15
When is the next book?Review Date: 2007-11-13
Delightful readingReview Date: 2008-01-01
What a delight !Review Date: 2007-11-27
The characters are well-developed and the story enchanting. If you have read the other books in the series, make sure you read this one. If you are just picking it up for the first time, enjoy and appreciate.
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