United Kingdom Books

This extraordinary biography by Kevin Brownlow, reflects the life and inspiration of one of the great artist in movie screen history.
Page by page, we can take a look along the David Lean?s mind and the way he was inspired by the subjects and the way a big project became alive.
From the black and white to the beautiful color, from the photography created by Frederic (Freddie)Young to his partnership with Maurice Jarr? and the insistence from Lean to
compose the exact music for Doctor Zhivago.
Every important film, such Zhivago, The bridge on the river Kwai and Lawrence of Arabia, were written through many chapters and the conception of those films as unique, the casting and the making of those titles are unforgettable.
Also, we have David Lean as a human being, with his failures
as father and husband, but the intimacy of his life is only
upgrade by his conception of his films.
Every moment in his films was special.
He directed every dialogue and moment as unique and all those
were the equivalent of the best.
This great book written by Brownlow is one of the best biographies ever written.
The heart and soul are alive along the pages and there is no moment when the book becomes slow or uninterested.
The same proportion we have in David Lean movies.

I adore this book. I have been reading it as of late, and I love the book (and David Lean) even more. I have always detested biographies of filmmakers that are far too academic in their tone; that professorial tone where they analyze the films ad nauseum, and are constantly talking about symbolism and other completely useless things. This book spares us of that. It is meticulously researched, with great antedotes and quotes from the master himself. It talks about Lean's childhood, and you realise what Lean had to overcome to become one of the greatest filmmakers ever. It's a shame this massive book is out of print. Like a reviewer said earlier, we're constantly given fluff pieces of talentless whores like Spears, Lohan, etc., but here is a real artist whose films still inspire people today. Thank you, Kevin, for writing such a great book, and, of course, to David Lean himself...

What a pity it is when "biographies" of no-talent flashes-in-the-pan like Madonna, Ashley Simpson, Brittney Spears, ad naseum, are ubiquitous, but Kevin Brownlow's fascinating and throughly-researched biography of a true genius is out of print. What does this say about our culture's priorities? Not much. Oh well . . . fortunately a few copies of this marvelous book survive. If you're interested in great movies ("Lawrence of Arabia," "Doctor Zhivago," "Summertime," "Great Expectation," etc.), great stars (O'Toole, Sharif, Katherine Hepburn, William Holden, Robert Mitchum, and a host of other great stars -- AND great actors), or, perhaps, one of the greatest film directors of the twentieth (and probably any other) century, do whatever you have to do, but grab up a copy of "David Lean: A Biography" as quickly as you can before the remaining copies disappear altogether.

A simply marvellous biography of a cinema titan. It's the product of many conversations between Lean and the author, a great film historian and no mean director himself, having made the gorgeous Silent Era documentary "Hollywood" (is that ever coming out on DVD?!). For this reason the tone is very chatty, with so much quotage from Lean himself that it's nearly an autobiography; and Brownlow's knowlege of real-world production lets him know just what questions to ask. It rather reminded me of "Hitchcock/Truffaut", another filmmaker-to-filmmaker conversation. Mind you Truffaut didn't bother quite so much with Hitchcock's love affairs, but one can always skim. It looks intimidatingly massive but this is more because of the lavish illustrations than excessive wordiness. Great read, inspiring and full of useful tidbits.

Kevin Brownlow touched all bases of David Lean's life, providing insight into the films and his unconventionally fascinating life, making this one of the finest film biographies I have ever read about a cinema giant about whom I had longed to learn more about. Brownlow divides Lean's career into two distinct phases, 1) the British period in which he worked at home and captured the true essence of his people and, 2) the international phase in which the master film craftsman lived in hotels and moved from one country to another in producing a series of internationally spectacular movies such as "Lawrence of Arabia", "Doctor Zhivago" and "The Bridge on the River Kwai."

Brownlow begins with Lean's roots as a restless youngster in the London suburb of Croydon. His lack of curiosity and penchant for traditional school learning coupled with the stolen hours he spent sitting inside darkened theaters in a state of fascination revealed where his adult years would be spent.

Once that Lean began following his dream he quickly became established as Britain's foremost film editor. In that context Brownlow expunges a canard that was carried all the way to obituaries after the great director's death in 1990 that Noel Coward gave the aspiring director a leg up in teaming up with him to co-direct the brilliantly done war film about the British Navy, "In Which We Serve," in which Coward also starred along with Celia Johnson and John Mills. It turned out that Coward's move proved to his personal benefit as Lean did most of the directing and Coward was concerned mainly about his own scenes, after which he would generally leave the set, entrusting the basic direction of the film to Lean. We also learn that Lean, unlike Sir Carol Reed and other prominent British directors, turned down a chance to begin his directing career on low budget "quota quickies," deciding instead to wait for a major opportunity, which came with "In Which We Serve." Later that same year one of Lean's greatest films, the epic love story "Brief Encounter" with Trevor Howard and Celia Johnson, hit the screens and the young director's career was away in a flourish.

After achieving prominent worldwide status as a great international director, Lean's sensitivity resulted in overreacting to the criticism of tart New Yorkers at a Round Table session at the Algonquin Hotel. Lean was sharply criticized for "Ryan's Daughter," which American critics such as Richard Schickel and Pauline Kael believed was well below the high standard he established with "Brief Encounter" and continued with other films. According to Brownlow, Lean was sufficiently wounded to take a sabbatical before doing his last film, the highly acclaimed Indian epic "Passage to India" based on the E.M. Forster literary classic.

Brownlow does a superb job of depicting the period and the films from Lean's prolific career. Lean's was a mastery of style and entertainment, enriching story telling with beautiful visual imagery and word economy in the best sense, making the language all the more meaningful. This book does his career justice while enhancing our knowledge of a great man.

This (Australian) factual story will provoke some very powerful emotions. Why havent we said sorry to these people? Australia puchased thousands of British "orphans" who were not orphans at all!

This amazing book tells the unbelievable story of the british children deported from children's homes and shipped off to Australia and elsewhere without their families' knoweledge or consent.Their harrowing and incredible stories deeply
touched me - this book angered me and moved me to tears. How could anyone physically and sexually abuse these innocent, helpless children and get away with it for so long ? Everyone should read this book, for it is enlightening, moving and well-written too.

i just could not put the book down,it took me just over 24hrs to read from start to finish.iwent through every emotion whilst reading the book ,tears were shead,anger ran through meand admeration for all the staff and margaret humphreys.
the emotional roller coaster that she was on and the strenth she and her family showed was amazing.
how she managed to stay sain during it all,and to help so many families and befreind them allis trually amazing.margaret is a fighter ,afighter for truth and for justice.

a truly remarkable book.

I can not believe something so awful could happen to so many children. I could not put the book down, cried from cover to cover. My blood ran cold with the horror stories.
I am grateful that Margaret Humphreys found out about this and did all that she did, God Bless her. May her work still go on and be successful.

Margaret Humphreys with her book "Empty Cradles" bravely took on the plight of the Lost Children, those poor souls shipped from the overcrowded orphanages of Britain to all parts of the then British Empire. My own destination was Australia.

Margaret, undaunted by possible repercussions from the collusion of the governments involved, tells our story with heartbreaking compassion. Thanks to her tremendous efforts, some of us now will meet family we never knew we had.

For all who are concerned with humanity, with simple human dignity, this book should not be omitted from your reading list.

As far as I'm concerned, this book does an excellent job detailing China's foreign policy. From relations with the West to African affairs, Nathan and Ross are able to concisely explain the importance of each relationship and the dangers confronting China. Furthermore, they also touch on the internal security concerns that the Chinese government must confront. This is a great book to read for people interested in China's foreign policy and what impacts it has on the world.

This book should be mandatory reading for anybody interested in China, or in world politics. Nathan and Ross explain China's place in the international political arena, both froom Chinese perspective and from western point of view.

Excellent!

Nathan and Ross have constructed an excellent book discussing the vulnerability of China. The book goes into great depth discussing issues such as: Taiwanese independence, nuclear proliferation, the strength of the chinese military, the necessity of U.S. intervention in Asia, the relationships existing between China and Japan or the two Koreas, Tibetan freedom, technological exchange with Pakistan. Ultimately, Nathan and Ross conclude that China is a weak and vulnerable country that is more concerned with maintaining its borders and internal stability than initiated a policy of imperialism. This book is a great edition for any student of Asian Politics. Easy to read.

Andrew J. Nathan and Robert S. Ross's THE GREAT WALL AND THE EMPTY FORTRESS is a clearly and tightly written presentation of Chinese foreign policy and defense issues. It is as reliable in its treatment of aspects of the pre-modern Chinese state and society that impinged on the course of modern Chinese affairs as it is authoritative (and well documented) in its analysis of the contemporary Chinese situation. With books on contemporary Chinese affairs, one must be concerned with material becoming dated, but though this book is some four years old in content, nearly its entirety is nevertheless very relevant. Its treatment of Chinese-Taiwan relations, for instance, is still on the mark. Since the book was written before the restoration of Hong Kong to China, the reader will not be able to glean anything new about that situation here. However that may be, this book remains as "must reading" for any student of contemporary China. The reader will happily discover that the style is eminently readable.

National security is a term we're used to hearing in the United States, but with rare exception "security threats" are in fact threats to America's vast informal empire abroad (military bases, troop deployments, the security of client regimes and business interests). As Ross and Nathan ably show, this is emphatically not the case for China. Even though "China is stronger today and its borders more secure than at any other time in the last 150 years", it continues to face a bewildering array of vulnerabilities -- from internal unrest to border insecurity to economic instability.

This book is a good corrective to the growing right-wing trend of playing up the "China threat". Ross and Nathan make clear that China's goals are not particularly ambitious and their capabilities so limited that even if the sinister cabal of Communists plotting against America's beneficent reign were real, it would be hard pressed to act out its evil intentions. Chapter 8, in particular, demolishes the idea that China's military will any time soon provide a real challenge to Japan, much less the USA.

Despite the great service Ross and Nathan provide in refuting the containment school's arguments, this book also has basic problems. Because it is a survey, the authors can only superficially treat each of the many issues raised. They do a good job of integrating history and current events, and the book should be quite useful for those mostly unfamiliar with its topics, but for those with more detailed knowledge it will often by unsatisfying.

Second, the authors use the national security paradigm to orient their analysis, but seem unaware of the drawbacks to such an approach. "National" security indulges the false idea that all groups and individuals within a nation can share the same interests and that national leaders act, fundamentally, on behalf of the whole population. In reality security policies generally hurt the interests of some groups while advancing those of others, and China's leaders act to perpetuate their own power and the power of the Communist Party, and to protect the interests of the increasingly influential business elite. The authors' inability to consider such matters leads them to seriously downplay the ruling class's increasing economic exploitation of workers and its violent domination of ethnically non-Han peoples in East Turkestan/Xinjiang, Tibet/Xizang, and Inner Mongolia.

And finally, the authors approach the subject from the perspective of the engagement school, which has both strengths (discussed above) and very serious weaknesses. Proponents of engagement are ideologically incapable of seeing that the current global economic system is based on inequality, exploitation, and the denial of people's basic needs (food, health care, shelter) and that it is upheld by American military domination of other people. Ross and Nathan's ultimate recommendation, then, is that China be safely integrated into this system -- not because doing so will help the Chinese people, but because doing so removes a threat to the safe operation of a fundamentally unjust world order.

Lord Chesterfield's writings are by far the best guidelines for an up-and-coming, savvy gentleman to learn the ways of the society. Stanhope's many gems of advice are learned painfully by most through experience, or sometimes not at all. This book is truly a classic and one I will insist my future sons read before making their way in the world.

Lord Chesterfield is the 18th-century English father I never had. In these letters to his son, he gives stern but fair lessons in how to conduct oneself as a gentleman in society. Chesterfield, with his classical learning and lifelong service to the monarchy, is superbly qualified to give such social advice. His dry wit, strong-mindedness, and discerning eye make him entertaining to read, and, though repetitive ("the graces, boy, remember the graces!"), much of his advice is still very apt today. Taking us through the prime of his career to the twilight of his life, these letters show Chesterfield as the ultimate politician--keenly aware of humanity's selfishness, and always ready to use that selfishness to his own benefit. There is something endearing in this open devilishness.

The following, and my favorite, quote will no doubt provide a quick and definitive answer to the ageless question: are you upper class?

Dear Boy,
Having mentioned laughing, I must particularly warn you against it: and I could heartily wish that you may often be seen to smile, but never heard to laugh while you live. ... A man's going to sit down, in the supposition that he has a chair behind him, and falling down upon his breech for want of one, sets a whole company a laughing, when all the wit in the world would not do it; a plain proof, in my mind, how low and unbecoming a thing laughing is: not to mention the disagreeable noise that it makes, and the shocking distortion of the face that it occasions. Laughter is easily restrained by a very little reflection; but as it is generally connected with the idea of gaiety, people do not enough attend to its absurdity. I am neither of a melancholy nor a cynical disposition, and am as willing and as apt to be pleased as anybody; but I am sure that since I have had the full use of my reason, nobody has ever heard me laugh.

"All you learn, and all you can read, will be of little use, if you don't think and reason upon it yourself". This is merely one of the advices Lord Chesterfield gave to his natural son, Philip, in the many letters he wrote to him from 1737 onwards, and that this book compiles.

Chesterfield was an important stateman, who wrote these letters only for the eyes of his son, not for the general public, so he did express in stark terms what he truly thought about many controversial themes. It is, in my opinion, very interesting to read what he considered to be general truths, and to get to know his conception of life, society and politics. Whether you agree or not with his opinions, you cannot remain indifferent to this controversial book.

Lord Chesterfield places great value on appearances. He tells Philip that "If your air and address are vulgar, awkward, and gauche, you may be esteemed indeed, if you have great intrinsic merit; but you will never please; and without pleasing you will rise but heavily". The author is, evidently, a cynic who doesn't believe that the world can be improved. He points out that "The world is taken by the outside of things, and we must take the world as it is". Chesterfields profession is fairly evident at all times, for example when he advises his son "...to be upon your own guard, and yet, by a seeming natural openness, to put people off theirs".

"Lord Chesterfield's Letters" has been considered a noteworthy classic by many, but it has also been strongly criticized. For example, Samuel Johnson said that it taught "the morals of a whore and the manners of a dancing-master". I really don't agree with Johnson: I happen to like this book, and a lot. It is not only very easy to read, but also informative. The reader feels as if he were talking with an old but very experienced person, who played an active part in an enormous number of significant events, and who wants to transmit his knowledge not only on diplomatic affairs, but also about life and education. He often displays great insight, for example when he says that "You must look into people, as well as at them. Almost all people are born with all the passions, to a certain degree; but almost every man has a prevailing one, to which the others are subordinate".

All in all, I strongly recommend this book. It includes a high number of subjects, and I think you are highly likely to find it very appealing. If more is needed to convince you, I'll just leave you with one of the phrases written by the author, and I'll let its excellence to speak for itself: "Mind, not only what people say, but how they say it; and, if you have any sagacity, you may discover more truth by your eyes than by your ears. People can say what they will, but they cannot look just as they will; and their looks frequently discover, what their words are calculated to conceal". What else can I say?... Enjoy this book!.

Belen Alcat

Lord Chesterfield was an influential politician, diplomat and cabinet minister during the reigns of George I and II, and this book is a collection of letters of advice, counsel, and sometimes genuine wisdom, written by Chesterfield, over many years, to his son, Philip Stanhope, for whom Chesterfield had the highest hopes of success in the world. What you may get out of this book depends on who you are as a reader: casual readers would do better to stay with mysteries and thrillers; inebriate undergraduates would do better to skip it altogether; but ambitous men and women, actually working in the real world, will find so much here to consider and reflect upon, that it will take several close readings to absorb all that may apply to your career. That one's knowlege of the World must be learned by experience in the World, not in an ivory tower; that one's skills and virtues are of little practical value, unless carefully presented in a pleasing and artful Image; that multitasking destroys all hope of success; these are a few of the ideas which Chesterfield presents in elegant and polished prose. But Chesterfield's personal life, as it unfolds through his letters to its tragic and sorrowful conclusion, presents the most powerful lesson of all about ambition, life, and failure, for those readers who can read beyond what is merely written.

I very much enjoyed this book for many reasons, not just that it provides information you will never find anywhere else. The book covers many sites that I was familiar with and many that I have heard of and didn't know were accessible and many that I have never heard of. I will definitely take it with me on my upcoming trip, my 18th to London.

I like the style of the book, just casual enough to let you know the authors are real people (and have really been to the sites), but not overdone, which can get annoying with other authors. In fact, I skimmed through the entire book at one sitting, reading many parts entirely, as I found it interesting.

I have a few minor criticisms. (I'm still giving a five-star rating, especially since there is no other book quite like this, so invaluable.)

A few things people should know in advance: there is one general map at the beginning -- the authors state you need to pick up a map in London as this is not an easy city to navigate (I use London A-Z) -- and there are no floor plans of the sites. This is good (smaller size and price) and bad (toting and flipping from book to book or purchasing high-priced on-site guides). I'm sure it would be impossible to locate a floor plan for some of the more obscure buildings, so really can't blame the authors.

My main complaint (not major) is there is not a rating system, formal or informal, for sites. I know a lot of what is "worth seeing" depends on a person's individual interest, but, well, just because a site exists doesn't mean it's worth taking time out for if you just have a week or so in London. There's a big difference between "don't miss this hidden treasure" and "seek this out if you are in the neighborhood" or "best for those with a special interest in Edward IV, or stained glass windows, or gothic arches, or whatever."

Once again let me state that a major plus is the feeling that the authors have really been there and know what they are talking about.

By comparison, many years ago I bought a guide to London by a very well known guidebook publisher. I made a bed-and-breakfast booking on their recommendation of a charming hotel with a bright, cheery breakfast room. I won't tell you the full horrors of the place, other than to mention the tiny rooms with plywood walls and door, and the very dark basement breakfast room done up like a dungeon, complete with instruments of torture on the walls. And one shared toilet per floor, which sometimes actually flushed. I didn't just check out -- I escaped. It was very obvious that the authors of that other book had never set foot in the place, and I have more or less ignored mass-produced guidebooks ever since.

I've never known a lot about medieval and Tudor history, but a friend gave this book to me to help me plan a trip to England. Now I can't wait to see the places described in the book. These authors have a fan in me.

I've never known a lot about medieval and Tudor history, but a friend gave this book to me to help me plan a trip to England. Now I can't wait to see the places described in the book. These authors have a fan in me.

For anybody who wants to know more about the history of places they want to see in England, this is the guide book for them. I learned alot of interesting things and had alot of fun reading this book. I like the authors' style very much. They make the history easy to read and understand.

Travellers on the trail of history in London know how frustrating it can be to locate Tudor and medieval places still in existence in that busy, crowded, vibrant, thoroughly modern city. Last year we spent a week with this guide in hand, feeling a bit Sherlockian in our quest. Even with the detailed directions provided by the authors, finding most of these hidden, nearly forgotten sites was a challenge. But with persistence and patience, our efforts were rewarded. What fun! Couldn't have done it without this guide. But if you aren't particularly interested in the places, the era, and the difficult pursuit, better not bother.

Mr. Biggs:
I read your review of this book and you mentioned that you served on board the destroyer USS Sims; my uncle Robert Andren also served on it, in the engine room I believe, sadly he went down with the ship when it was bombed in the Coral Sea. I was wondering if you may have known him- Robert Andren of New Rochelle NY.
Thank you.
Bob Andren

I recommend this marvellous book to all naval enthusiasts because they can easily see all of the Buckley class on it. Especially I am very glad to see all of the Captain class. I couldn't find which ship of the Royal Navy had 40 mm Bofors anti-aircraft guns on X position before I purchased this masterpiece.

I recommend this marvellous book to all naval enthusiasts because they can easily see all of the Buckley class on it. Especially I am very glad to see all of the Captain class. I couldn't find which ship of the Royal Navy had 40 mm Bofors anti-aircraft guns on X position before I purchased this masterpiece.

I received "The Buckley-Class Destroyer Escorts" as a gift and I consider it priceless. Having commissioned and served as a Gunners Mate on the USS Sims DE 154 (ESCORT DIV.6) until she was converted into the APD 50, I am familiar with some of the action in the Atlantic and Eastern Areas. Being able to follow the history of the Division, after I was reassigned, was a treat. Some of the inserts, the experiences of former crew members, struck pretty close to home. They well may have been in the bunk next to mine. The photographs were great. This book contains the only photo that I have seen of the "SIMS" underway. Compiling all of the information in this book, so long after the fact, is almost unbelievable. It is, in many respects, a record of a piece of my life. Any Sailor that served on one of "The Little Wolves" should own a copy of this book.

FIRST OFF:
THE DESIGN/DEPLOYMENT & MASS PRODUCTION OF THIS VITALLY NEEDED CLASS IS WHAT THIS BOOK IS ABOUT!

'The Buckley-Class Destroyer Escorts', by Bruce Hampton Franklin, is NOT book about Battleships and battles. It is NOT about some of the thousands of patrols these vital ships sailed on under constant threat from submarines. It is NOT an operational history.

This book is, quite simply, a monument to the men and ships that formed the backbone of the allied Escort fleet during the second world war. It is safe to say that although this task was not afforded the glamor and hoopla of the Carrier Task Forces, the protection they afforded to allied shipping around the globe was just as important to the allied war effort and just as dangerous.

WHAT'S IN THE BOOK:

PART 1: DESIGN & DEPLOYMENT

--- 1- 'HISTORICAL BACKGROUND' - Page 3
--- 2- 'DESIGN & ARMAMENT' - Page 11
--- 3- 'CONVERSION PROGRAMS' - Page 47
--- 4- 'SERVICE HISTORY' - Page 61

PART 2: PICTORIAL HISTORY

--- 5- 'THE PHOTOGRAPHIC RECORD' - Page 99

APPENDIXES

A- 'Number of Completed & Proposed DEs by Class & Disposition' - Page 175
B- 'Stastical Data of Buckley-Class Ships - Page 176
C- 'Monthly Totals of Buckley-Class Production & Service Deployment, 1942-1945 - Page 186
D- 'German & japanese Submarines Credited to Buckley-Class Ships, 1943-1945 - 188
E- Buckley-Class Ships That Sustained Heavy Damage or Were Lost, 1943-1945 - Page 190
F- U.S. Navy Escort Divisions and Royal Navy Escort Groups Containing Buckley-Class Ships, 1943-1945 - Page 192

SOURCES - Page 199
Acknowledgements - Page 203
Index - Page 205

REVIEW OF CONTENT: VERY SIMILIAR IN SCOPE AND SUBJECT TO 'THE ANATOMY OF THE SHIP SERIES'

The text in the first section, titled, 'DESIGN AND DEPLOYMENT' includes detailed line drawings and a short treatment of the historical background, design and armament and some of the conversion programs [i.e.- into fast transports and electrical generation ships]. It ends with a short service history. If you are interested in these ships as a modeler, a crewman, a family member of a crewmen, or as a military history enthusiast this book is one of the best on the subject.

The largest section, {Part 2: THE PICTORIAL HISTORY} includes clear Black and White photos of 154 different Buckley-Class DEs and is the most comprehensive record of its kind. If you served on one of these ships there is a good chance that your ship is included in the photo record included.

The 6 appendixes include a concise statistical record regarding the disposition of these vessels.

BOTTOM LINE:

After reading this text I watched the film, 'The Enemy Below', starring Robert Mitchum as Captain of a Buckley-Class DE hunting a U-Boat captained by Kurt Jurgens in the South Atlantic in 1944. Although I have seen this film countless times over the past 50 years I now feel I know my way around the DE depicted in the film having now read this book.

You want to talk about traveling, eating, praying and loving.....the bio of Sir Richard Francis Burton is the real deal on Eat Pray Love. This Englishman who lived during 1821-1890 traveled through out India, made the pilgrimage to Mecca,(incognito) explored parts of Africa, in search of the Nile's source, lived as consul in Damascus, Brazil and Italy. He had to learn many different languages and dialects (29), study several religions, cultures, eat the food, wear the clothes, screw the women, etc. and become one of them (depending on which country he was in as a spy) or else he'd be killed. Facing death by starvation, thirst, exhaustion, countless diseases, temporary blindness, attacks from native barbarians during his treks across lands, where in some cases no white man had ever been, he kept careful notes of all he witnessed to be published upon his return. As if that weren't enough, he went on to translate the Kama Sutra and Arabian Nights, before this amazing man died of the ripe old age of 69.

THIS IS a well researched.well written biography of a life that is truly inspiring.

This is a book that may look intimidating with its 600+ pages, but unlike some other reviewers, I did not find a single dull moment. Edward Rice has done a truly masterful job in carrying us through the whole life of this extraordinary man.

Burton had energy and talent enough for any six normal people - perhaps more. Even in his declining years, weak and wracked by sickness, he still traveled, traveled compulsively, though in these latter days the travels did not, as always previously, produce books full of information on the places and people and societies he visited. He was now focused on the translations for which he is (among other things) famous. Yet still, when the old lion was required to return from England to his "official" consular job in Trieste, Rice notes that "Noise, fatigue, hours spent in changing trains or boarding or disembarking from steamboats did not deter Burton. Geneva, Venice, Naples, Brindisi, Malta, Tunis, Algiers, the Riviera, the Alps, with a dozen stops in between, were visited and complained about."

It's hard to give the flavor of this amazing biography - amazing life! Soaking up languages as if by osmosis, dressing and passing for any of a dozen Eastern races and sharing their ways, visiting their secret holy places - hey, what a movie or TV series, would knock spots off Tomb Raiders etc...

The pleasure is increased by Rice's occasional laconic throwaway lines: "The Maratha princes...were patrons of the great god Siva and practiced forms of phallic worship, engaged in by male and female devotees alike in very wild and primitive rites." That's all we get on that. (But then, perhaps it's all we need.)

Rice describes Doughty, another famous writer on the Middle East, as writing "a rich and tortured prose that still wins him admiration but few readers."

Many mind-jolting incidents: on Burton's wife Isabel's difficulties in South America, preaching to the black slaves: "Her only convert was a black dwarf named Chico, who betrayed her faith in him by roasting her favorite cat alive over the kitchen fire." But Chico continued in her service - no others available!

He has an eye for other people's good quotes: Burton's predecessor at Trieste had been handed the post of consul with Lord Derby's comment, "Here is six hundred a year for doing nothing, and you are just the man to do it."

I believe it would help us all to better understand the current Middle East to read this account of the sources it sprang from, 150 years ago. No, they are not like us (Westerners) and never have been. We even see the first mention of the Wahhabis, "a much-feared set of fundamentalists who were noted for their violence and puritanical beliefs..."

The writing is so accomplished that I regret having to raise one correction: in the Royal Navy you don't travel "in the H.M.S Antelope" for instance. You travel "in HMS Antelope - no "the" (and usually no periods in HMS). Doesn't make sense, anyway, when you recall that HMS stands for His (or Her) Majesty's Ship. Contrariwise, "the" is OK with "SS Oldiron" - "the steam ship Oldiron."

But that doesn't reduce the five stars!

A mostly gripping account of an absolutely fascinating life. Rice tells in great detail the travels and troubles of Burton as he searches for the source of the Nile, penetrates the forbidden cities of Mecca and Medina, brings the Kama Sutra to the west, translates the Arabian Nights, and joins a snake cult in India, and that is just a small sampling of the accomplishments and endeavors of Burton, a man who was constantly exploring himself and his world and transforming both in the process.

Rice tells the story with such attention to detail you feel like you are traveling right beside Burton, and when he doesn't know certain facts about a specific incident, he will tell you that he is conjecturing, and how he came to the conclusions he did. The net effect is that you feel like you can trust what Rice has written as being authentic and accurate.

The book is kind of slow during the earlier chapters, but stay with it and you will be rewarded with one of the most fascinating accounts you have ever read. I read it more than 5 years ago and still recommend the book and find and give away stray copies to friends. GO OUT OF YOUR WAY TO GET THIS BOOK ! !

This was by far the best biography of the illustrious Richard Burton I have read. The level of scholarship displayed by the author is impressive and does justice to a man whose gifts made him one of the most impressive characters from history. I highly recommend this book as well as those written by Burton himself.

An outstanding book on one of England's stateliest of Stately Homes written in a very entertaining down to earth way by the Duchess of Devonshire. The photographs are wonderful with a balance between showcasing the grandeur of the building and humanizing the place by also focusing on the people who live and work there.

the best house review - full of history fact and much humour
photography is amazing

If you saw the Chatsworth exhibit which visited the Tyler, Texas museum, you will find this book greatly enhances your perspective. Although my daughter bought me the DVD from the exhibit, this book gave me much more indepth. I highly recommend it and, as always, Amazon has the very best price!!

I think this a very nice book with a lot of gorgeous photos that can't be seen in any other book, but I could not give it 5 stars due to the poor, uneven lighting in some of the interior photos. Some rooms are lit by such harsh, extremely bright sunlight that it washes out some of the details in the foreground and then you can't see details in the background well due to the harsh contrast.

This is a very high quality book containing beautiful photos and personable, informative, text. The enjoyment of the book is enhanced by the fun, witty writing style of the Duchess of Devonshire. While the book contains a great deal if historic information, there is an equal amount of fun and entertainment, as a balance. Having restored and lived in the property for more than 50 years, the author gives a first hand narrative of this amazing British Home.

I picked this book by using the "pick a random book with your eyes closed" method at the library.

For an American this book can be tough to start. The "poor talk" that Lovelace used throughout the book can be a little tough to get through, but don't give up! It is too good of a book to let one minor flaw stop you. (And a little secret: As the book progresses, Lovelace seems to have trouble keeping up the "poor talk" and becomes a lot smoother to read).

Lovelace's use of description is almost without comparison. He has Hugo's gift of description without having to use chapters to describe a building, person, or general area. His one line descriptions hit so dead on that you almost feel as if you are standing in "the Hill".

The story itself is also an amazing read, but most reviewers seemed to have missed the biggest purpose behind this book (whether Lovelace intended it or not, it is the overall theme). The major theme is that we all judge people without knowing them fully. We hold people back because we don't like the partial picture we are presented. We never take the time to learn the whole story. As you read the book, you think to yourself how you want to be better. You don't want to judge. You vow to yourself that you will stop, when suddenly the last paragraph hits and you realize, "Wow, I am STILL judging without the whole story, maybe it's not possible to stop." If the last paragraph did not make you think this, I suggest you reread the book and think about each character and how you feel about them.

Overall, an amazing read. Lovelace writes an amazing book, with the only flaw being that the "poor talk" seems a little forced. As the book progressed, he seemed to get into a more comfortable area.

Definitely Recommended!

Don't get me wrong I enjoyed this story but in all honesty I thought it was a GOOD but not GREAT story. A little too stiff for me. I did like the characters but at times the reading got a little too much like work just trying to get to another part of the story that was a little more fun and not as much work. [I think I said that right], nothing personal just one reader's opinion.

The "double vision" of Caribbean life is portrayed in the life of Aldrick who is caught between generational and cultural conflicts. And all of this during Carnival! The Dragon Can't Dance was almost prophetic in the depiction of the commercialization of Mas. Change always brings choice and Lovelace's characters highlight the necessary pain that comes with any decision.

In Earl Lovelace, without exception, we have the Master Storyteller of the Caribbean. Even years after its publication (1979 and 1998), "Dragon" remains peerless as an authentic, forceful voice of postcolonial Trinidadian society. Nowhere else have the intricacies of carnival been more profoundly explored and dissected than here by the artful mastery of prose in this defining portrait. Lovelace's stinging critique of race and politics is poignant and luminously presented. With heavy symbolism and sensitivity, the story reaches successfully beyond Caribbean life to touch the larger human condition itself. The central figure of Aldrick (whose "mission" is to performa the Dragon dance during carnival) embodies a entire people's frustrations and aspirations. This is an unexaggerated powerful tale by one my absolute favorite Caribbean writers. This story is timeless and one of Lovelace's best creations, far surpassing, in my opinion, his other wonderful novels like "The Wine of Astonishment", "The Schoolmaster", or even "Salt." Anyone sincerely interested in Caribbean culture and literature will find this novel indispensable reading.

Alan Cambeira
Author of AZUCAR! The Story of Sugar (a novel)

I loved this book so much that I recommended it to all my family and friends. Earl Lovelace captured everything that Carnival means for Trini people. The characters are so real that the faces that I chose to see them as, were faces of people that I actaully knew in my family. LOL. This novel will make all readers want to take a trip to Trinidad and experience life there. This book is just too sweet for words!!!!

Aubrey Burl's previous works were showing a wee bit of dating. As carbon dating become more accurate, you are seeing these ancient rings grow older in age instead of younger as they anticipated. While Burl's previous works were amazing, this long awaited "update" of this information, as well as addition information on more recent excavations make this is must. Yes, it expensive. But it's worth every penny. There are new insight in the the purpose of the rings of stone, a new interpretation of Calanais (sorry, as a Scot I refuse to call it Callanish!) and Stonehenge

The beautiful book is loaded with hundreds of photos, explores the ancestry, methods of construction and why they were abandoned after thousands of years of use.

Marvelous work made even better by bringing the information up to date.

I recently returned from a vacation over in Ireland/Scotland/Wales where for 4 weeks I and 2 of my friends researched and visited stone circles throughout the Isles. Aubrey Burl definitely has written an essential resource you should pick up if you have the intentions of going to see them. He touches on a great number of "out of the way" stone circles not widely known in areas and gives precise directions on how to get to them. It is almost like a treasure hunt, you never knwo what is around the corner in Aubrey's book! A definite must get for the stone circle enthusiast. Don't even think about putting this book down. Get a map, get this book, and go hunting for these great spiritual centers.

My husband and I are very interested in ancient cultures and especially stone circles; this book told us where they were, what to expect to see, and how to get there (which wasn't always very easy!) We were able to pick an area of England with a heavy concentration of good quality circles based on his descriptions and pictures, and with book in hand, see many of the ones we chose. Mr. Burl is kind enough to mention when the going is tough, and he was always right. The only thing that could make this book any more invaluable as a field guide would be inclusion of Surveyor's Maps of the areas...but those can be purchased easily in the countries in question. (Color photos would've been nice, too!) Highly recommended for real trip-planning, or just for inspiration!

Just what it says on the box - an excellent reference, whether planning your trip or on the road. Complete with location maps and National Grid references.

I am not accustomed to purchasing so expensive and specialized a book, but in the early autumn of 1979, I had the privilege of working on a Scottish dig run by Dr. Burl, and I have long admired his scholarship and dedication---and this revision is, simply put, GREAT! The depth of information is astounding, and I found the the presentation engrossing, the subject fascinating, and the style quite readable---certainly NOT only for students or devotees of archaeology. I can't recommend this one highly enough---it may seem like something of an indulgence for your personal library, but it's worth every penny. Alas, the book is far to heavy to carry about in one's luggage, but I've already marked at least two dozen sites that I want to visit the next time I cross the Atlantic. In the meantime, settle back in a comfortable chair and get ready to cast your mind back a couple of millenia...