United Kingdom Books

This is a well-written work of historical fiction that will keep the reader riveted to its pages until the very end. It tells the story of Princess Caroline Mathilde of England, sister to King George III. At the age of fifteen she was wed to young King Christian VII, who eventually became known as the mad king of Denmark. Temperamental, high strung, and given to strange outbursts, his predilection for strange behavior was known early on, but despite this, the two kingdoms would still see these two wed, as the unification of England and Denmark was paramount to individual happiness.

King Christian VII developed a peculiar aversion to his wife and, consequently had conjugal relations with her only once, which propitiously resulted in the birth of a son nine months later. Alone in a foreign country, whose language she was only beginning to learn, and estranged from a King surrounded by sycophants, the young Queen gravitated to the one person who treated her as a person in her own right, the King's physician, Johann Struensee.

An advocate of the philosophy of Enlightenment that was overtaking Europe, Struensee had many ideas that were introduced as reforms in Denmark, through his influence with the King, who by now was easily led. These reforms were to make many enemies for him, as they upset the established feudal system that still existed in eighteenth century Denmark at the time. As he gained power through his influence, resentment against him grew within those circles that had formerly been close to the King. Unaware of the growing animosity against him, Struensee and the Queen became close intimates, bound by shared ideas and interests.

Struensee's relationship with the Queen, who was lonely and starved for affection, eventually transgressed the bounds set by propriety. Now lovers in fact, their relationship became grist for the rumor mill. As gossip and innuendo about their relationship swirled across royal circles in Europe, it ultimately became the focal point for a political coup that saw them both arrested and charged with treason. What ultimately happened to each of them was tragic.

This is a richly atmospheric work of historical fiction, filled with political intrigue, historical personages and events, as well as a bittersweet and poignant romance that was to have so many personal and political ramifications. It is a well told story that will hold the reader in its thrall until the very last page is turned.

This is a well-written work of historical fiction that will keep the reader riveted to its pages until the very end. It tells the story of Princess Caroline Mathilde of England, sister to King George III. At the age of fifteen she was wed to young King Christian VII, who eventually became known as the mad king of Denmark. Temperamental, high strung, and given to strange outbursts, his predilection for strange behavior was known early on, but despite this, the two kingdoms would still see these two wed, as the unification of England and Denmark was paramount to individual happiness.

King Christian VII developed a peculiar aversion to his wife and, consequently had conjugal relations with her only once, which propitiously resulted in the birth of a son nine months later. Alone in a foreign country, whose language she was only beginning to learn, and estranged from a King surrounded by sycophants, the young Queen gravitated to the one person who treated her as a person in her own right, the King's physician, Johann Struensee.

An advocate of the philosophy of Enlightenment that was overtaking Europe, Struensee had many ideas that were introduced as reforms in Denmark, through his influence with the King, who by now was easily led. These reforms were to make many enemies for him, as they upset the established feudal system that still existed in eighteenth century Denmark at the time. As he gained power through his influence, resentment against him grew within those circles that had formerly been close to the King. Unaware of the growing animosity against him, Struensee and the Queen became close intimates, bound by shared ideas and interests.

Struensee's relationship with the Queen, who was lonely and starved for affection, eventually transgressed the bounds set by propriety. Now lovers in fact, their relationship became grist for the rumor mill. As gossip and innuendo about their relationship swirled across royal circles in Europe, it ultimately became the focal point for a political coup that saw them both arrested and charged with treason. What ultimately happened to each of them was tragic.

This is a richly atmospheric work of historical fiction, filled with political intrigue, historical personages and events, as well as a bittersweet and poignant romance that was to have so many personal and political ramifications. It is a well told story that will hold the reader in its thrall until the very last page is turned.

This book is a story about an English princess who was married to a mad king of Denmark. Like Mary of Scots she became involved in a high profile affair. This book is well researched, emotionally moving, and written with a nearly extinct flare. A very good read!

This book is a true story about an English princess who was married to a mad king of Denmark. Like Mary of Scots she became involved in a high profile affair, producing a child. This book is well researched, emotionally moving, and written with a nearly extinct flare. A very good read!

An emotional telling of the story of Princess Caroline of England. Sister to King George III, she, like most royal daughters of that time, was forced to leave home and marry the King of Denmark. Unfortunately, Christian of Denmark was insane as a result of contracting syphillis. Her life with him was almost torture and before long she fell in love with the court physician who wanted to rule Denmark more along the lines of the English. Of course, it ends disasterously.

Lofts does a very good job of conveying the feelings of the main characters and the reader develops an emotional attachment to their very sad lives. Only one complaint, I wish the author would have given a brief epilogue about the characters, especially the children of Caroline. I wondered what happened to her son and daughter.

The best way to study for exams is to work through old exams and the various Mathematical Olympiad competitions are no exception. This book begins with a brief explanation of the background mathematics considered essential for the Olympiad competitions. After this there is a complete list of all the problems that have appeared in the first round of the first 32 British Mathematical Olympiad competitions. The years covered are 1965 - 1996. While the solutions are labeled as "hints and outlines", they are thorough enough so that it would be a rare occasion for any reader to continue to feel stumped after reading them.
This book is also an excellent resource for any other mathematics competition at this level as well as some of the introductory courses in an undergraduate math program. Some of the problems are challenging to say the least; however in the true spirit of the Mathematical Olympiad, once demonstrated, in most cases the solution is clear.

A very good problem book for training mathematical olympiad.

I teach students, a mathematical olympic team, and this book will help them to get the training they need in order to have more medalls and achievements in their carreers. It has everything they need to do their exams and practice.

This book has proven: The olympiad problems are not so hard as they appears. For every problem, there is a valuable solution outline ,teaching us how to attack it in a natural way. Furthermore, here is a good list of reference books.

The last time I competed in a mathematical competition was in elementary school. So when I recently picked up and tried to solve some old Olympiad and Putnam questions I was dumbfounded, to say the least. Then I discovered "The Mathematical Olympiad Handbook." This book is an excellent intro to problem solving. It is an immense help in dealing with the frustration of problems that will not yield. No solutions are given-- only outlines to the solutions(which you should only read part of if you get stuck, as the outlines will easily lead to a solution). This structure was an excellent choice as it gives novice problem solvers a chance to solve problems on their own with a little help if they need it. Highly recommend!

[people new to problem solving should also check out "The Art and Craft of Problem Solving" by Paul Zeitz]

This book is lavishly decorated by Bewick's works, with such a quality that it can serve as a little Bewick anthology. In fact the quality of printing is better than the Dover edition of his works (which you can get at Amazon), and this collection of his vignettes that I also own (Scolar Press, 1978). It's worth the money just for the illustrations. By saying this I'm not depreciating the text. Mrs Uglow certainly writes gracefully. But bear in mind that Bewick was a honest, though quick-tempered, craftsman. His life was not that eventful. There're no scandals to expose (well, Bewick actually ripped off his clients, when he felt like to). As a result, the book is at best lively, but not exciting. Chances are that you won't finish it in one sitting, especially when you're not particularly interested in 18th-century England. But get it anyway, if you care about art history at all.

I appreciate the years of hard work that authors put into their books. Their mountain of effort allows me to learn more about their subject through a few hours or days of careful reading. However, some books are greater gifts than others. Jenny Uglow has given me two of my very favorite reading experiences. Her "Hogarth" was a revelation to me. She opened up Hogarth's world and provided such a rich context for his life that my understanding of his time and context made his life and work much more meaningful.

With this book, on the life, work, and world of Thomas Bewick, I experienced that delight again. I took my time savoring this book and examining the beautiful reproductions of his work with a magnifying glass (since my eyes can no longer pick up all the detail). Frankly, I had never heard of Thomas Bewick and wanted to read the book because it is by such a wonderful author. He was an engraver who specialized in engraving in boxwood. Again, a subject I knew only in the barest outline.

Bewick was from an established but not wealthy family in the Tyne valley in northern England. He apprenticed as an engraver and demonstrated talent enough to found a shop with a partner. His work goes beyond the usual artisanship of wood engraving into a realm of artistry that sets him apart into a world that is still shocks in the effect and composition. This wonderful book provides a large number of his works in their actual size. Boxwood was used because of its hardness and ability to stand up to the number of prints commercial reproduction of the time required. However, the wood was small in diameter and the pieces tend to be small.

Yet, they demonstrate a full range of emotion. Bewick is able to capture the images of his time and the countryside he loved. There are pieces that are quite funny and make a point such as the man driving his cow across the river to avoid paying the toll at the bridge, but losing his hat that was more costly than the toll would have been. He also shows us the drama of storms, shipwrecks, and all kinds of vignettes from life.

However, his masterworks consumed more than twenty years of his life. The first was his Quadrupeds, which provided wonderful images and interesting text on animals both domestic and exotic. He then produced two magnificent works. The first volume was on the Land Birds of Britain and the second on the Water Birds of Britain. His presentation of the birds transcends mere illustration and were used and loved by naturalists for many decades. Even the great Audubon paid homage to Bewick's achievements. I find their beauty still has the power to stun and invite long and close examination.

Uglow provides what is known about his life, his apprenticeship and those who apprenticed with him (a list is provided in the back). We learn about his business dealings, his lack of skill in handling money, but his generous spirit with friends. His somewhat prickly nature also caused strife and ongoing difficulties that were needless and destructive. Yet, the work remains. And we are all enriched from Bewick's rich talents and Uglow's masterful and magical writing.

You owe yourself a trip through Bewick's life with Jenny Uglow as your guide. It will be an experience you will treasure.

Reviewed by Craig Matteson, Ann Arbor, MI

Here is Uglow's magnificent biography of Hogarth:
Hogarth: A Life and a World

Thomas Bewick was a hulking six foot tall, in the eighteenth century when such stature was remarkable. His realm of interest was the broad Tyne Valley, the region around Newcastle in England. His art, however, was of the miniature, woodcuts of astonishing detail about the size of a calling card. You might think that the life of such a rural artist in a medium that was dying out even when he was perfecting it could not hold much interest, but Jenny Uglow who has written biographies of others from that era has made Bewick's life, art, and world quite fascinating in _Nature's Engraver: A Life of Thomas Bewick_ (Farrar, Straus, and Giroux). This is a beautifully produced book, with scores of Bewick's engravings, most reproduced at the same size as he originally made them, often humorous tailpieces that were to fill the blank of a page at the end of a chapter, as well as serious reference illustrations of quadrupeds and British birds. Get out your magnifying glass. Each tiny vignette, composed only of minuscule blobs of black ink, is more full of details than you would have thought possible.

Bewick was born in 1753, and drew compulsively as a child. He was apprenticed to an engraver, and took up woodcuts when engraving on copper was becoming more customary. After his children's books, he spent nine years studying animals, live (sometimes in traveling menageries) or as preserved specimens. _ A General History of Quadrupeds_ appeared in 1790. He thereupon took on the task of documenting all the birds of Britain in _A History of British Birds_. An admirer was Audubon, whose big and colorful bird portraits were of a completely different branch of art, but who traveled to see Bewick in 1827, finding him, despite his age, full of life as "he delivered his sentiments with a freedom and vivacity which afforded me great pleasure... when I parted from Bewick that night, I parted from a friend."

The attention did not change Bewick in the least; he remained a plain, bluff, down-to-earth engraver. Uglow brings him to life. He was often irascible, and was not the easiest of businessmen to get along with, especially as he kept imperfect records. He chewed tobacco constantly, and might get into heated discussions over his pint at the pub. He loved music and angling, although he was no hunter, having killed a bullfinch with a stone when he was a boy; he remembered the bird long after, thinking that if it could have spoken "it would have asked me why I had taken away its life." He was a soft touch, constantly giving money away, to the consternation of his wife. He put feed out for wild birds, and he was much ahead of his time, as such eccentric behavior did not catch on until the mid-Victorian years. He was something of a conservationist. He sympathized with the Americans in their revolution, and he always felt that working people deserved representation in government. He disliked organized religion, and scoffed that the Bible's doctrine of original sin didn't "come within the scope of either rationality or justice." He could be classed as a deist, insisting that reading nature was the best way to understand its creator and to obtain a "perpetual cheerfullness". He was loyal to his family, and having been an apprentice, he took his own apprentices, and his relationships with them remained among the strongest of his life. One of his last woodcuts, included here, shows an ancient horse, and is titled "Waiting for Death". When death came for him, he was still at work on the impossible task of getting all the birds into his great work, and he was loved by almost everyone who knew him. He was an admirable man, Uglow plainly shows. Her book, full of Bewick's miniature masterpieces just as he would have printed them himself, lets him show what an admirable artist he was.

I'd seen Thos. Bewick's illustrations for years in NY Review of Books and elsewhere; they'd always seemed to me mysterious for their silent detail and concentration. So it was quite refreshing to find out that he was a loud, warm, confident man. He spent his life and career firmly rooted in one place, so unlike myself and many others of us in this "globalized" age. He devoted his career to appreciating the minutiae of life all around him, and innovated new techniques for portraying them. These circumstances, together with the author's calm, clear and often bemused style of writing, create a very cozy experience -- almost like reading a non-fiction fairy tale. I read most of this book in small bites of a chapter or two over the course of a couple of weeks of evenings, and found it a wonderful escape from the pressures of the day.

Though the book is very well-researched and surprisingly long (nearly 400 pages), it never drags. I'd been pretty ignorant about late 18th-early 19th Century English history other than a few names and dates, so it was also interesting to learn about the grass-roots resentment of government policies and wars, the government's tendency to turn dissidents into political prisoners, and much other historical context. But this learning is conveyed with a light touch. The illustrations are not only wonderful, they're as numerous as raisins in a cake, yet placed with great taste. A very outstanding book.

This is a very well written informative biography of the influential wood engraver Thomas Bewick. The author places Bewick and his artistic contribution in the context of his times describing the artist's rise to success at the beginning of England's industrial age and during it's wartime eras with France and America. Uglow is passionate about the artist and his work and the book is beautfully illustrated with well chosen examples of Bewick's phenomenal tiny woodcuts. His work has endured for 2 centuries and this book helps you understand why.

I wished this was longer and went into greater depth of the little things in life that changed during war time. There were some very interesting items, that unlesss you lived during those times you just wouldn't think about (driving without headlights at night, why street signs had to be taken down). It provides details of life at the time that only someone alive to live it could provide.

As I listened to Mrs. Stalcup's book, "On the Home Front," I was sucked into a world of Spitfires, Hurricane Bombers, and the Little Ships bringing soldiers from Dunkirk to Dover. Tears were shed when soldiers were lost in battle, and there was rejoicing when a major battle was won. I saw blood, I saw tears, and I saw glory.

It was quite an experience for my classmates and me. We had an author reading her book. Sometimes she would choose a student to read certain chapters because they were so emotional for her, such as the Little Ships and the Spitfire Funds.

It was an amazing book about a young girl who was living during World War Two. But the most amazing paart about it was who was reading it - the little girl from the book!!!!!

Stalcup shares her memoir of growing up in the town of Lydney, England, during World War 11. Ann stays with her parents and experiences war as it comes to her community with evacuees, German prisoners, Australian food packages, and American soldiers. Short, succinct chapters, enhanced by personal and archival photographs, make this a book to be savored as a read aloud or when read independently. Stalcup imparts the flavors of every day English life such as four o'clock tea, sweets, walks in the country, and the pleasures of a front garden, and how they are changed by a world at war. She retells moments of her life, from the age of three in 1938 with her first gas mask to V.E. Day in 1945. This factual memoir complements historical fiction titles such as Pearson's The Sky is Falling, Bawden's Carrie's War, Heneghan's Wish Me Luck, and Garrigue's All the Children Were Sent Away. Stalcup takes the reader's heart and mind into various events sharing humor, fear, courage, and community spirit. Thoroughly researched facts in combination with thoughtfully remembered experiences, make this compelling account a great starting point for curriculum dealing with war and a welcome addition to children's and youth's nonfiction collections. This first book of Stalcup's shows the beginning of a new children's writer with great potential.

Stalcup shares her memoir of growing up in the town of Lydney, England, during World War 11. Ann stays with her parents and experiences war as it comes to her community with evacuees, German prisoners, Australian food packages, and American soldiers. Short, succinct chapters, enhanced by personal and archival photographs, make this a book to be savored as a read aloud or when read independently. Stalcup imparts the flavors of every day English life such as four o'clock tea, sweets, walks in the country, and the pleasures of a front garden, and how they are changed by a world at war. She retells moments of her life, from the age of three in 1938 with her first gas mask to V.E. Day in 1945. This factual memoir complements historical fiction titles such as Pearson's The Sky is Falling, Bawden's Carrie's War, Heneghan's Wish Me Luck, and Garrigue's All the Children Were Sent Away. Stalcup takes the reader's heart and mind into various events sharing humor, fear, courage, and community spirit. Thoroughly researched facts in combination with thoughtfully remembered experiences, make this compelling account a great starting point for curriculum dealing with war and a welcome addition to children's and youth's nonfiction collections. This first book of Stalcup's shows the beginning of a new children's writer with great potential.

As Juvenile Literature, I suppose the book isn't bad in terms of its approach; as any sort of history, however, even for the American market, it falls well short because it's riddled with errors of fact and perception. This, despite the uncredited, but apparently heavy, reliance on Angus Calder's "The People's War" (Cape, 1969). It's no defence to claim "this is what I remembered" if the book purports to be a picture of "Growing Up in Wartime England." A better sub-title would have been "the middle-aged memoirs of a sheltered little girl." Stalcup is 20 days older than me and what I remember of WW2 in Britain is somewhat different.

The sources which Dr Jafri has used to write this book are predominantly Sunni. That goes very well to support his argument.

The analyses that he has made of the Ghadir Khumm episode is thorough.

Dr Jafri also does well to explain the influence of the Ghulat in mainstream Shia thought.

This book is probably the most comprehensive book on early Shia history in English.

The most disturbing argument brought forth by Shia sect is the event of "Ghadir" when Prophet gives his lecture on supposedly passing authority to Ali. When I first heard this from one of my Shia friend, I flatly denied it and considered it a typical Shia fabrication. But to my personal embarrassment I later found out that this was written by our own ulema and great scholars. I was deeply disturbed. Why would Prophet say something like this, especially the way he approaches the whole thing. I don't blame some people having interpreted that event as prophet giving authority to Ali, certainly that event if not conclusive is very suggestive of that notion. It seems as though, and God know best, that Prophet wanted to create a dispute among his people after his death.

And yet another question comes to mind about Prophet's intention when I consider the fact that he wished to send all the great companions,with the exception of Ali, to a battle. He planned this course of action at a time when his death was at hand. Apparently companions of the prophet realized that something fishy is going on here and didn't go along with prophet's plan and inspite of Prophet's insistence they decided to stay and not leave town. Now I neither care much about Shiism nor about Sunnism, but if you ask me I think Prophet was definitely up to something. It is unlikely that all these events are just random events without any meaning. My guess is that he was planning something, though I am not sure what. But as history shows he did not succeed., and maybe that is why Islamic history, like many other major religions, is nothing but a big mess and a killing field. Needless to say that Prophet's own immediate family was first to fall victim to this unfortunate reality. Was he trying to prevent this by his careful maneuvering? I don't know the answer to this question. Oh well, there were other prophets before him who didn't succeed in what they had in mind as well, I guess such is life.

I am just finishing reading the book published recently by Oxford University Press (Pakistan). The book is highly readable. Written in a very dispassionate tone, the book covers the events mainly from the death of the Prophet of Islam to about the time of birth of five major schools of Islamic jurisprudence. For every key event, incident, interpretation, the author takes care of presenting the major viewpoints quoting the earliest and most well known sources and then giving reasons for his own conclusions. Finally, it fills an important void about the period of the Caliphate of Imam Hasan which most historians have tended to gloss over. The book is very important in understanding and explaining the current Islamic thoughts.

This is a well documented book on the early years of Islam and development of the Shia Islam (Ja'fari School), one of the major schools of thought and jurisprudence in Islam.

It describes in detail the last years of Prophet Muhammad's life and the events that followed in the 50+ years after his death.

The descriptions of the events that led to sucessions of the Khalifs after Prophet's death, and the insurgencies challenging Imam 'Ali's leadership are well written and fill a void in scholarly books on these events.

Finally, this book provides one of very few worthwhile writeups in the Western literature on (the why's and how's) of Imam Hussayn's (Prophet's grandson and designate) martyrdom and on his successful drive to cleans the first Islamic nation of its corruption.

The book is well written and provides a balanced view of isalm from a scholar who is very open minded and does not follow the usual mullah style religion practices or thoughts

I have been using the "Oxford Companion to British History" on a regular basis since its publication. I am not a specialist in British History, but my work as a cataloguer of rare and antiquarian British books has required me to have a working knowledge of British History. This book has proved invaluable to me in my work. Moreover, I can rarely resist the temptation to browse the Companion--it is a text that draws the reader in. Highly recommended.

I just purchased the book a few days ago and highyly recommend it. Pages 949-980 are in my copy so do not be afraid that they are missing.

Now in a newly revised and expanded edition, The Oxford Companion To British History is a dictionary-style, 1056-page resource reference which is filled from cover to cover with names, places, terms, and events comprising the history of Great Britain and organized alphabetically for easy lookup. Compiled and edited by John Cannon (formerly the Chair of Modern History at Newcastle-upon-Tyne until 1992) and brimming with extensive facts and details, The Oxford Companion To British History is a top-notch reference which is enhanced with the inclusion of 12 maps, and would prove to be an invaluable cornerstone for any academic library's British History collection.

Nice little pieces on the areas Britain has affected but now leaves alone - nearly 4 pages on Australia, 1 each on Canada and New Zealand. Also helpful to find those weird, typically British obsessions: pigeon-fancying, seaside holidays and Tractarianism (go look them up). The kind of book you go to to look up one topic and find yourself reading for an hour. Failed to score 5 stars because it failed to record biographies on influential British sportsmen.

This massive 1,000+ page guide to all things British is a solemn, sometimes irreverent dissection of the United Kingdom. More than just a reference work describing the doings of politicians and generals. This companion carefully moves into areas not normally covered by such works. There are entries that discuss various major industries - shipbuilding, mining, gas and cotton - and on aspects of private and domestic life, like childbirth, housing, health and food. While the growth, meaning and importance of sports is discussed, only two athletes rate their own entries (the soccer star Stanley Matthews, knighted for his accomplishments on the field, and cricketer W.G. Grace, the Victorian star who continued playing first-rate cricket until he was 60). The only flaw in the entire book is a production problem that caused the deletion of pages 949 through 980, or between James Ussher and William Whewell. Not a noticeable problem, unless you're looking up information about Queen Victoria.

What began as a light read turned in to an engrossing read. I expected it to be just something to read without becoming too involved but that was not the case. The ending was a surprise but not a complete surpise because of some little hints scattered throughout the volume. It all came together very nicely. I hope Ms. Hunt continues this saga because she left me longing for more.

For her fifteenth birthday in 1848, a young girl living on an estate in Victorian England is giving a diary in which to record her thoughts. She describes her idyllic life in the beautiful English countryside, where her biggest problem is dealing with her annoying little brother. When her parents travel to London, she expresses her disappointment at not being able to join them. Although this girl lived 150 years ago, her feelings and relationships were not all that different from those today. This book seemed almost like a real diary, even though it was fiction. Although this is an adult novel, teenage girls who enjoy historical fiction, such as myself, will enjoy it too. I highly reccomend this book.

I started reading Primrose Past on a plane from Dallas to Los Angeles. It was clever and amusing, and I took it to be an enjoyable, light read. As I got into it, and as the story unfolded more and more, I could see that it was "getting to me" in unexpected ways. The people were so real, the challenges and problems were presented boldly and beautifully. I will never casually pass an old graveyard again, and see all the aging and weathered old stones marking the graves, without remembering this book, and the fact that beneath the ground there are buried dreams, promises and love. Buy this book and see what I mean! Kent Perkins, Los Angeles

I read "Primrose Past" in one continuous session. The characters grow as the story flows.

"Primrose Past", beautifully bound, not only provides reading pleasure but also a vivid description of the lifestyles, customs, and traditions of l800 England. A diary, lost for over a century, opens doors to the England of years gone by and the deepest secrets of the girl who wrote it. A truly unique and revealing book.

Primrose Past is terrific. Caroline Hunt has conveyed fully the mind and spirit of an adolescent girl -- her struggle for identity and independence, her drive to develop and demonstrate her knowledge and skills, her emerging romantic and sexual desires, and her longing for family relationships that are mutual, intimate, and special. What a vivid portrayal of this bright, courageous, vulunerable, and likable girl! The story is replete with deft and detailed descriptions of life in England over 150 years ago -- estates (lands, buildings, furnishings, provisions, management, and operations), societal and cultural mores and expectations, and travel and experiences throughout the contemporaneous world. Primrose Past is practically a textbook wrapped in a delightful, intriguing tale. If I were teaching English in secondary school, it would be required reading along with Jane Eyre and Pride and Prejudice. I am eager for the sequel!

I was most touched by Queen Elizabeth, seeing that all her life she has had to put country and duty first. I felt heart broken for her with her treatment from her husband and his bad behavior, but at the same time could understand that it was most difficult for him as well, having to give up all his hopes and dreams. I also learned how Diana threatened the monarch with her behavoir, something I never understood until now and I felt differently about the whole thing, and understood both sides. I learned a lot about how royals raise their children and was shocked, but understood that it is how they are raised, and they know no other way. I also learned what the Queen does in official business and just how influential she is. She has earned my deepest respect and I have watched her intereact and must say that when she smiles it is truly captivating because it radiates from her heart. Great book! I highly recommend it.

Sufani Garza
Author

A great book about the Queen. Lots of information, but not too over the top with details and hard-to-understand writing.

Three years ago, I added this book to my too-large collection of books about the Royal Family. I started re-reading it this week when looking up something about her disinterest in clothes while reading the reports of her visit to Australia. Whoever is doing her hats now should be drawn and quartered!

This is an enjoyable book and I can only feel a bit sorry for the Queen. For all of her worldly possessions, she leads a rather dreadful life. Smiling, looking interested, holding flowers, etc. must almost drive her out of her mind! She does a good job of it, though, and for that I give her credit. It's a good show. I've been watching it for over 40 years!

One of the best books on the British Royal Family and on Queen Elizabeth in particular.

Reading this book one can see that Mr. Davies is quite knowledgeable and has done his homework where researching the subject is concerned.

Queen Elizabeth may not be easily amused - and she has every right not to be - but I certainly was highly amused and entertained.

Ever since I can remember I have been fascinated by the British Royal family; watching the weddings of both the Waleses and the Yorks, reading Majesty magazine each month, etc. I bought this book to find out more about the Queen and Prince Phillip. I finished this book within two days and still find myself drawn to it. The depth that the author reaches, describing the Queen's marriage, family, responsibilities, daily life - it is all covered with a thoroughness that makes the reader feel as though they knew Her Majesty personally. Undoubtedly there are other books available that detail Queen Elizabeth II's life, but this one will stand out due to it's ability to draw the reader into the world of this remarkable monarch.

Lutyens, the architect of Queen Mary's Dolls' House, also designed the city of New Delhi and the Viceroy's House, one of the largest and most unique palaces in the world. Sadly, he was one of the world's greatest artists, but is remembered only for this (comparatively) tiny tourist attraction.

Tourists, architectural students, and historians should buy this book. This is the only thorough analysis of any of Lutyens' buildings, and as such, is an important historical document above and beyond its tourist appeal.

I was so enchanted by Royal Collection Official Guide Book to Queen Mary's Dolls' House that I ordered this one figuring (correctly) that there would be other unique pictures. This is the better of the two books - nearly three times as long and filled with more pictures, especially detail shots of the tiny furnishings and decorations. I am charmed by Cripp's method of showing scale: he poses the tiny cricket bat next to a regulation cricket ball, and the little golf clubs next to a real golf ball. This also includes a section on how the house is aging: fading wallpaper, damaged paint, etc. All of the pictures, except for a few that are historic, are in color. This is unfortunately out of print, and may be more expensive, so the purchaser will have to weigh issues of cost and availability for themselves. I think that either would do as a souvenier.

If someone is really interested, I would recommend getting both books. The Royal Collection Official Guidebook is a pretty good buy at $11.95 and a nice supplement to this one. A very few of the shots are in both, but not enough to make them redundant to the person who wants all the information they can get. Generally, the duplicate shots are slightly large in the S-W book. To compare and contrast the two, while the S-W book has more of everything, the RC book still has some unique shots. The photographs in this book take in the entire room, while the RC book often shoots the room at an angle, cutting off part of the room, but what is shown is sometimes in better focus and a bit larger. To compare the shots of the Queen's bedroom, the Stewart-Wilson shot shows the entire bedroom. The Royal Collection shot, at an angle , reveals some additional details such as the fire screen and the chinoiserie cabinet, but cuts off the exteme left-hand side of the room. (Her Majesty has apparently been rearranging her decorative items since the S-W book.) The S-W detail of the 18th century pietre-dure table concentrates on showing the design on the top. The RC detail shows more of the table and the objects normally on it. The historical sections, revealing how the house came to be built are the most different, and the RC book has more pictures of people who participated in creating the doll house and of the room in which it now sits with the Phillip Connard mural. The captions are overlapping, but not identical, and so one gains more information by having both.

England's Queen Mary--grandmother of the current Queen Elizabeth II--commissioned the construction of her extraordinary dollhouse (or "dolls' house" as it is referred to here) in 1921, during her own reign. It resides at Windsor Castle, as it has since being constructed there. Designed by Edward Lutyens (famous for his graceful furniture), the house is a reproduction of Windsor Castle right down to the last nail--almost literally.

David Cripps' photography beautifully captures the interiors of this amazing dollhouse, from the grand to the plebian. Here is the linen closet, each batch of towels tied with different-colored ribbon to denote whether they were intended for the nursery, the staff, or the kitchen. Here is a lacquer cabinet with gilded stand, dovetailed working drawers, and gold-leafed decoration. Here is a bed, complete with pillows, bolsters, sheets, blankets, and even a tiny walnut-handled bedwarmer. The toilet, complete with toilet paper discreetly placed in a bowl alongside, really works. The toothbrushes are made of ivory and have bristles made from the hair of a goat's inner ear. In the cellar, bottles of Chateau Margaux are properly corked and waxed and labeled. The pantry shows real bows of Fry's Chocolates sharing space with McVitie & Price biscuits, barley sugar candies in hefty glass candy jars, and Frank Cooper's Seville Marmalade in squat jars tied with brown paper and string.

The garage houses a miniature bicycle with brakes "in perfect working order," not to mention a Rudge motorcycle and sidecar, a seven-seater Rolls Royce limousine-landaulet, a Vauxhall, a "Sunbeam open tourer," and two Daimlers. Gorgeous royal crests are hand-painted on each. The house even has its own petrol pumps and fire appliances, as was normal for large houses in that era.

The house's garden is splendid despite the absence of a single living thing. The lawn, made of cut green velvet, boasts several tiny mowers (both motor-powered and not), and the nearby garden has its own lovely benches, hoes, spades and the like. There is even a robin's nest, complete with eggs, and a tiny, tiny snail.

Perhaps the most extraordinary thing in the house is the book collection. Famous authors were asked to contribute their own works. Arthur Conan Doyle obliged by submitted "How Watson Learned the Trick," an original 500-word short story done in his own handwriting. The bookplates for each of the books were designed by beloved Winnie-the-Pooh illustrator Ernest Shepard. Rudyard Kipling submitted not only two poems, but illustrated them himself as well. Other well-known authors who gave their own works to the Queen's house included G. K. Chesterton, Joseph Conrad, Robert Graves, Aldous Huxley, Hilaire Belloc, Rose Macauley, W. Somerset Maugham, and Vita Sackville-West. Topping off the fine works of this distinguished crowd are the leather-bound autograph books--one each for famous folks from stage and screen, famous folks from the military, and famous politicans.

There is even a room for storing the scepter, crowns and other regalia--all featuring flawless gemstones!

The details are endlessly fascinating and the house and its furnishings so well-constructed that without a tennis ball or coin or some other everyday real object, you easily forget that everything your eye falls upon here is miniature. For those who cannot get to Windsor Castle themselves to view the house in person, this book offers a very fine tour.

To further correct the first reviewer, the Doll's House is certainly not a copy of Windsor Castle. It is nothing like it. Windsor Castle is a CASTLE - stones and very old, and big. The Doll's House is an "ideal home" of the early 1020's - albeit intended for royalty and not for your average Joneses.

With a couple of corrections of the first review, I'd like to make sure that it's known that Queen Mary did not commission this dollshouse. It was the original brain child of the Princess Marie Louise, who spearheaded the creation of the house. Queen Mary was "extremely surprised" but agreed. The initial shell of the house was erected in Lutyen's office, then removed to the drawing room of his house in Mansfield Street in London.

It was unveiled to the press, once completed, in the Mansfield Street house, then moved and reconstructed in the Palace of Arts at Wembley. It went from there to Windsor Castle, then to an exhibition at Olympia. In February of 1925, the house was returned to Windsor Castle. The Daily Mail donated a glass case through which we can now view the dollshouse in Windsor Castle.

This wonderful book has photographs of the letters written by Princess Marie Louise to all the firms and manufacturers involved in the dollshouse creation, as well as numerous photographs of the interior and furnishings. Pictures of tiny dollshouse ledgers, keys, and even a garden snail grace this book.

This book is a must for the Scottish visitor. I bought 5 books including Frommers driving tours (never touched it) and eyewitness guide (nice pictures, but we never used it). It was the only book we used. The book is outlined in several ways, either you can pick by the area you are, or certain interests. Either way, this is a book written by a Scot, and he knows the area very well. He covers everything from best waterfalls and scenery to best pubs, and the things you shouldn't miss. We felt like we had a guide with us the whole time telling us where to go for the best Scotland has to offer, and everything he said was right on! We found so many places off the beaten path, that as a tourist we never would have found on our own. This book is also very amusing and unbiased, as the author has a keen sense of humor and I found myself laughing several times at his honest approach. I believe this makes all of the difference when you want to have a good traveling experience. I would recommend this book to anyone who is going to Scotland, and also the Michelin map was extremely helpful. It got us everywhere without a problem!

If you are going to Scotland, forget all the other travel books and buy "Scotland The Best." My family and I used it exclusively on two long trips to Scotland, mostly spent wandering around the Highlands and Western Isles. Irvine's book definitely has a point of view, which makes it entertaining reading. Most importantly, the reviews and recommendations are spot on. We found several places to eat, sleep and shop which no other book mentioned. And after you have visited Scotland, this is a great book to pour through as you plan your return visit (because you will go back!).

This book is a big hit with visitors and Scottish residents alike. Although the format is unconventional (lists of the best of X, where X ranges from upmarket hotels to spooky graveyards), it can be used to guide the tourist to the best that Scotland can offer. On the other hand, as a 'local', I've found it opened my eyes to places and things I might never have noticed on my own. And the witty commentary prevents the lists becoming too much like, well, lists....

The reviews of places to stay and eat are very accurate - I've had a lot of fun eating out in Edinburgh and elsewhere to check out the recommendations!

Only negative point - I find the map references irritating to interpret - the map section could be formatted and printed more clearly.

Once you have a solid book on Scotland, (Fodors, Eyewitness, etc), then this book will bring more life and excitment to your base of knowledge. The authors pick what/where they like best in certain categories, and you will find places not listed in the main tourist books but worth going for if your travels take you near the vicinity. The "best of" topics are such things as graveyards; churches; castles; historical places; waterfalls; coastal villages; shops; beaches; golf courses; glens; and so forth, along with more information in detial on Glasgow and Edinburgh. Told with honesty and a sense of humour, is good for tourists and natives as well. 300 pages of great information, well worth it.

AS a well-prepared traveller, I spend WAY too much money on books and then have to cart them around the whole time. This time, I bought five books on Scotland and Edinburgh. As we travelled for five days, I noticed the book I continuously had out was Scotland the Best! At one stop at one of the "bloody good pubs" by Glencoe, we sat at a table next to Morag and Ian, both Scottish, married 35 years. They saw our book, grinned, and pulled out their own. They said they used it every weekend and kept it in the glovebox. How much more of a recommendation do you need? Buy this book and all the updates!