Ireland Books

I purchased the book for my mom for Christmas and she loves it. She is visiting Ireland for the first time later this year.

My wife and I traveled around Ireland for two weeks this summer, and Frommer's Ireland was an amazingly helpful tool.

Realizing this would probably be the last time we'd be traveling abroad for a while, we decided to mix it up a bit --"inexpensive" to "moderate" accommodations and restaurants in most places, with a few dabbles in the "expensive" (and even one "very expensive") splurges along the way. Across the board, the recommendations in this book were outstanding. What to see and do, where to stay, where to eat and shop.....all were presented in a very down-to-Earth way. The eye for small detail and nuances throughout the book made us feel we were getting advice from a local expert who REALLY knows her stuff.

I can't say enough about how helpful this guide was to us -- it really made our trip a memorable one. The fold-out map got us around most of the country with no trouble....once a nice gentleman in a petrol station showed me how to get my rental car into reverse.

All in all, a terrific book.

My family used Frommer's Ireland 12th Ed. extensively before, during ,and after our trip to Ireland in July of 2002. The first two chapters Best of..., and Planning your Trip... were worth the purchase price alone. All of the Best of tips we followed were excellent choices.
The large fold out map that was included served very well during our driving tour of Ireland. Using the county and town maps that were included in the local sections kept us right on track. Distances are deceptive however. It takes longer to get anywhere you go than it would appear from reading the map. The Irish road system is not built for speed ( nor comfort for that matter) so plan accordingly. It takes a long time to drive across the country, or from county to county. More could have been made of this issue in the guide. Our biggest mistake was trying to do too much.
The up to date information on Dublin was very helpful, as were the frequent tips throughout the guide on ways to avoid the summer crowds. I used the web addresses that were included for lodging and found them very helpful for checking availability and booking our rooms quickly. Don't go without it!

I planned a trip to Ireland for my Mother, 4 sisters and Myself.
I started with "Ireland for Dummies" then read "Frommer's Ireland 2001" and crossed referenced with "Ireland from $60 a Day". I learned more from these books in 2 weeks than in all of my years as a Travel Agent and Airline staff!! Their detailed in-sight and straight-forward advice was right on target. They give prices,times, phones numbers and payment information. They tell you where to go, what to do and who to talk to. I loved their list of on-line addressess for information. Only two things were wrong with my copy. They quoted every price in Irish pounds that were useless after February 2002. I realize that they had to go to print before this change and were unable to adapt in time. The other was lack of detailed mapping. A free map was included inside "Ireland 2001" but only had some of the streets shown for Dublin. I know these will be corrected in future printings. I would recommend these Frommer's books to anyone!! They are written in plain English, yet don't talk down to you(even the "Dummies" book. It was quite humorous)

On a tour with many other students everyone wanted to look at this book, why? Because every time we did anything the description in this book was dead on the money.

Vincent P. O'Hara's "The German Fleet at War" is an impressively researched and highly informative look at a subject little known to American and British World War II buffs. Even serious students of the war believe that after the sinkings of the "Graf Spee" and "Bismarck," Germany's naval war switched almost exclusively to it U-boats. O'Hara demonstrates that not only is this untrue, but that German surface forces continued to battle the Allies until only weeks before the 1945 Nazi surrender. CounterclockwiseEvery Shape, Every Shadow: A Novel of Guadalcanalder.

Roger L. Conlee
Author of "Every Shape, Every Shadow" and "Counterclockwise"

If you are interested in reading a well-researched, single-volume study of the German Navy in the Second World War, this is definitely the book for you. In addition to being a highly readable work, it is a fine piece of scholarship. My compliments to the author.

As a fan of the little recorded small unit naval actions, it has been a frustrating experience watching book after book come out on Kriegsmarine captial ships (which spent most of the war at anchor) or endless, repetitive coverage on U-boats. The Destroyers, torpedo boats, minesweepers and escorts that actually fought regular surface actions have been little covered, and the reports written by the Allied sources often give a one-sided and often inaccurate account of many actions.

In this account Mr. O'Hara has produced a balanced, well researched record of specific surface actions from the battles involving the Bismarck to the sharp actions of German minesweepers off the Channel Islands and the encounters between US destroyers and German corvettes and destroyers in the Mediterranean. As an example of his research, Mr. O'Hara checked primary sources (both USN and German) to determine that the USS Gleaves and three destroyers of the 10th Torpedoboote Flottille actually traded shots one night late in 1944. The Gleaves' history describes an action with German merchant ships while the history of the German flotilla describes encountering a "large French destroyer." Neither side recorded the actual opponent correctly and recent publications still show these as two separate battles! His piecing together the puzzle here helps better define one of the rare encounters between German and US warships and is a tribute to his effort.

This book is well worth the price and is unlike any book I have read before of the Kriegsmarine.

Finally! Mr. O'Hara is to be lauded for the magnificent effort of showing that Kriegsmarine was not only the U-boats, the Bismarck, Tirpitz, and the Graf Spee, but a lot more, and that German sailors, just like their Allied counterparts, fought the numbing war of small skirmishes, ill defined night actions, endless watches, and fought with determination and courage. This is a well researched book, based on both Allied and OKM sources, filled with a plethora of convincingly presented facts which, for many readers, will provide astonishing insights. Those with more professional interest, will find the book simply a very good read, worth an evening or two, and also quite illuminating.

O'Hara has written a valuable reference for World War II enthusiasts. I've long had an interest in the Kriegsmarine and was pleased to add "The German Fleet at War" to my library. I look forward to future books from this author.

This book is meant to be a military analysis of the World War II axis however it comes off as an excellent diplomatic history. It shows that Germany has never been able to grasp the concepts of coalition warfare and its do it alone strategy was always going to be its undoing. The first part of the book looks at the history of German warfare before World War II. The analysis with regards to Operation Barbarossa is deeply flawed. The assertion that Russia was the primary target of Germany's desires is wrong. The evidence shows a greater tendency towards Britain than Russia. Also the analysis of Japan's role in the coalition is something that deserves further looking into. I think the author dismisses it too quickly.
Despite those flaws this really does provide a comprehensive look at how the Axis functioned and especially the role of the minor powers like Romania and Hungary. It is very easy to see that while Germany nominally had control each of these Axis powers was able to contribute in their own way. The end of the Axis comes with the battle of Stalingrad and the demolition of the Axis forces as well as the failures in North Africa. The lack of Axis supplies was a tremendous problem and one that was not going to be overcome without early strategic victories. When these were not made the loss became inevitable. This book is a very clear military analysis and accomplishes a lot in 200 pages. Despite the few flaws mentioned I highly recommend the book.

Having followed the career of this distinquished historian, this work has tremendous value. DiNardo's thought process is quite organized and very cerebral. It is obvious the research balances his writing considering that today's fact-finding is often shortchanged or erroneous from over use of the internet. The author did his homework.

Although I don't have much interest in German history during this period, I found the book engaging. This is certainly a work that should belong on private library shelves of each World War historian. Excellent!!

Germany And The Axis Powers: From Coalition To Collapse by Richard L. Dinaro (Professor for National Security Affairs at the U.S. Marine Corps Command and Staff College) is an introductory work of impressive scholarship focused upon the intricate probabilities that the Axis coalition was little more then an ignorant grouping of claimed Hitler followers. Incorporating newly recovered facts of the battles fought from the Eastern Front to the Balkans, Mediterranean, and North Africa, Germany And The Axis Powers unveils an entirely different history than previously perceived by military historians. A seminal work recommended for professional and academic 20th Century Military History reference collections, Germany And The Axis Powers is highly recommended for its profoundly educational and informative content to all World War II historians and students of the era.

"Germany and the Axis Powers" is an in-depth analysis of the ability of the Axis powers to conduct coalition warfare. This book is excellent for anyone wanting to go beyond the "History Channel" level of knowledge on World War II. Using original source material, the author provides rich details to describe his thesis. The quality of the historical research is along the lines of Gerhard L. Weinberg's epic "A World at Arms". While the author uses a chronological framework to scope his thoughts, he avoids telling the entire history of World War II. Instead he remains focused on the key events that framed German attempts at coalition warfare. The work requires a good general knowledge of World War II history, which most readers of this book will already have.

While Germany's alliance with Italy is well known, I found the chapters on Germany's attempts at coalition warfare with Hungary, Finland, and Romania to be the most interesting, since these countries are rarely discussed in most accounts of World War II. DiNardo correctly describes the differences between coalition warfare and parallel warfare, a key component to understanding World War II coalitions. Breaking out the different levels of coalition warfare conducted by the German Army, Navy, and Air Force set the book apart from more basic accounts. Dinardo also avoids "wehrmacht envy" which taints many books on the Germany military. He provides an accurate and balanced view of German military capabilities, without falling in love with the subject.

I recommend this book to any serious student of World War II military history who really wants to get to heart of the German way of war.

This well-written and extremely interesting book breaks new ground in its examination of Nazi Germany's inability to effectively wage coalition warfare with its allies - Italy, Romania, Hungary and Finland.

Author Richard L. DiNardo shows that the Third Reich's partners followed Germany because they hoped to benefit from Hitler's New Order, rather than from either a common ideological adherence to Fascism or a common commitment to save Europe from Bolshevism. Hitler and his generals, however, were reluctant to fully incorporate their allies into their wartime command structure or strategy. Dinardo shows that this reluctance was a legacy from the First World War, when, for the most part, Imperial Germany refused to take its allies seriously.

DiNardo discusses Hitler's own attitudes toward his allies (he prefered bilater over multilateral arrangements) and then examines the performances of the Italy, Romania, Hungary and Finland in North Africa, the Balkans, and Russia. Some, such as the Italians in North Africa, performed much better than is generally recognized in the west. Most were hampered by a shortage of modern equipment, especially tanks, fighter aircraft, and bombers. All, however, collapsed relatively early in the war. Indeed, according to DiNardo: "The twin German disasters of Stalingrad and North Africa effectively destroyed the Axis as a military alliance."

The ability to wage effective coalition warfare differed among the various services of the Wehrmacht. The German Navy was probably the most successful, although due to differences in doctrine and technology, the cooperation between German and Italian submarines was not as effective as it could have been. Next came the Luftwaffe, although it failed miserably in the sharing of technology, particulary aircraft and aircraft engines, with its allies. Finally, came the army, which, DiNardo notes, cleary took the prize when it came to failure in coalition warfare. The major exception to this was Rommel's conduct of coalition warfare in North Africa.

The German War Ministry too was of little help with its extortive practices, which ensured that the Romanian, Hungarian, Italian and Finnsh armies remained hopelessly outclassed in terms of weapons and equipment against their Soviet opponent.

Foruntately for the Western Allies, the inability of Hitler and his generals to build a functional and effective basis for coalition warfare contributed significantly to the downfall of the Third Reich. Indeed, as the Allies knocked knocked one Axis power after another out of the war, the Germans were forced to come to their rescue, burdening the already debilitated German war industry and armed forces.

"Germany and the Axis Powers" thus contributes to a better understanding of the defeat of Nazi Germany and the valuable contributions of Italy, Romania, Hungary and Finland during World War II to the Axis - and the Allies!

Well written and wonderfully informed, this well designed book presents a comprehensive review of the appearance and use of the great cathedrals and abbey churches built across the middle ages in France and England. It also includes a wonderfully precise presentation of the social, economic, and political order of the time, and it discusses how the great buildings were built and what is known of their builders. Overall, it is the best general introduction I know of, easily accessible to non experts and a wonderful review for the better informed.

I would highly recommend Robert A. Scott's new book, The Gothic Enterprise. Although many books have been published on the topic of Gothic Cathedrals, Scott has approached his subject with a new perspective. He asks the reader to think as much about the "why" of cathedral building as the "how." The reader will still find lots of information about the practical aspects of cathedral building, most helpfully enhanced by a discussion of the social, political, economic, and even climatological factors that complicated such long and challenging construction projects. But above and beyond this, Scott is interested in the people who conceived, designed, and built these great churches. What motivated them? How did hundreds of people with varying and often conflicting interests work collectively over long periods of time? What did an individual or a community expect in return for their contribution to such a bold undertaking?

Scott answers these questions and more. In turn he challenges the reader to see the cathedral in a new light, not only as an example of great architecture, but as tangible evidence of the commitment, creativity, hope, and faith of the people who, against great odds, undertook such a bold and difficult enterprise.

Having visited dozens of cathedrals, I think Scott is right on target. A cathedral is more than an amalgamation of stone, timber, and glass. If we look closely, we can still see traces of the contributors: in a mason's mark, the carved face of an 800 year-old effigy, a bishop's ring, or an irreverent carving high in the rooftops. It is the collective presence of these long-dead individuals, as much as the grandeur of the architecture that makes a cathedral so memorable, so tangibly the result of a collective human enterprise.

Scott's book is beautifully packaged with many photos and charming illustrations. It would be a handy guide for a traveler visiting cathedrals or a great read for an armchair traveler. I suspect the reader of The Gothic Enterprise will never see a cathedral in quite the same way again.

This book is both a wondrous introduction to Gothic Cathedrals for those who are newly curious about them and a concise but thorough resource for those who have long admired and read about the Gothic Cathedral. The author often takes a personal approach in his narrative, which seems quite appropriate given the personal impression these buildings were designed to make (and have made on most who will read this book). The book is both well-researched and easy to read, a difficult achievement. Its description of the elements of Gothic architecture, for example, is one of the most complete and clear treatments I have read.

The broad perspective taken (historical, intellectual, religious, architectural, sociological) helps bring together into one coherent whole the many different faces of the cathedral. Even those who may know the historical and intellectual origins of the cathedral will learn much about its other aspects here. For example, some of the details on construction techniques and parts of the discussion of "sacred spaces" within the cathedral were new even to someone who has read many books on the subject.

Medieval intellectual history and its relationship to the cathedrals is explored, and the coexistence of the potentially conflicting reason and faith in a single building is explained. Some discussion of how the cathedrals and their attached schools gave rise to the medieval (and hence the modern) university would have been helpful.

Overall, though, the book provides an excellent introduction to the topic and a comprehensive explanation of the "why" and "how" of Gothic Cathedrals (in addition to the more mundane, but still important, "who", "when", and "where").

Before this book, one would have to read many volumes to get such a complete picture of the Gothic Cathedral. This book is appropriate for anyone with an interest in the subject. It is the book that I'm sure many Gothic Cathedral enthusiasts wish they had written.

Author Robert Scott had much the same the experience at Salisbury Cathedral as I had - a sense of awe and wonder, and a desire to learn more about it, not just as a place, or as an architectural wonder, or as a place of worship, or as a cultural icon. Scott wanted to get at the heart of the idea of the Gothic enterprise as a whole - a trained sociologist, Scott knew that the bigger picture is sometimes lost by too narrow a focus on particular details to the exclusion of others. The sociology background also gave Scott a sense of wanting to understand the hearts and minds of the people involved.

While the principal focus of Scott's travels started with Salisbury Cathedral (in full, the Cathedral Church of the Blessed Virgin Mary at Salisbury), Scott draws examples from the breadth of the Gothic cathedrals, churches and other buildings. There are literally thousands of such dotted across the European and European-influenced landscapes. Each building has its own unique characteristics, but they share a common spirit.

Church building in particular was 'big business' in Christendom for a long time. Scott quotes estimates of that there are nearly 19,000 ecclesiastical buildings in England and Wales, nearly half of which date to the medieval period. The first Gothic church was the Abbey Church of St. Denis, just north of Paris, built under the direction of the 'founding father' of Gothic style, Abbot Suger.

Scott's first major section looks at how cathedrals were built, in terms of materials, architectural design, settings, and workforce. With regard to the workforce, the numbers were large and the division of labour highly specialised. In the records of the construction of Westminster Abbey, there were fifteen different categories of workers listed in 1253. Workers were often local, but supplemented by those who traveled, particularly if special skills were needed. Construction was often suspended in winter months, not just because of the cold, but because the number of daylight hours greatly diminished (in England, there can be fewer than 8 hours of daylight in the winter months).

Scott's second major section explores the history involved. The Gothic enterprise grew up out of the feudal system as it was trying to define itself in a sea of shifting political structures. It is no mistake that the Gothic ideal was born in an Abbey rather than a Cathedral; bishops had become increasingly involved in secular and political matters, while the monasteries remained closer to the common people and closer to the spiritual ideals of the church. 'Monasticism was a continuous effort to surmount sense perception and intellectual understanding to achieve knowledge of God, to experience communion with God, and by so doing to reveal the divine mystery and achieve special favour in the eyes of God.' Still, the particular abbey of Gothic's foundation, the Abbey of St. Denis, had a particular attachment to the French monarchs, and for a time the Abbey enjoyed a supreme reputation, 'from 1124 onward the Abbey Church of St. Denis became the religious and, in an important sense, the political capital of France.' From this place, the influence of Gothic style spread through the Paris region, then outward into France and beyond.

In the third section, Scott highlights some of the classic details of what the Gothic look entails. There is a geometric symmetry involved, which, 'when followed consistently, gives Gothic cathedrals their characteristic organic unity.' There is a logic and harmony built into the design. High vaulted ceilings, flying buttresses, pointed arches are other features. However, the key element in Gothic design is light, and it is in aid of this aspect that the other elements are enlisted. Gothic cathedrals in comparison with the dimly lit Romanesque predecessors are flooded with light. Be it clear or stained glass, the incorporation of windows and lighting techniques hitherto not done makes the Gothic space a brighter surrounding. Heaven would be a place of light, and the Gothic cathedral is intended as a foretaste of the heavenly banquet.

The fourth section explores the religious experience in Gothic structures, and how liturgies and worship are carried out, how they serve as temples of the imagination in addition to being the centre of worship, and how they become a repository of history. Part of this history was the incorporation of the memory and power of the dead into the fabric of the cathedrals - many became pilgrimage sites or burial sites; royal and other notable society figures also became part of the structures of cathedrals and churches. According to Scott, the cathedrals provided the saints with a focal point of veneration, and the saints in return provided a steady income (from the pilgrims) for the buildings to be completed.

The final section looks at the community that surrounded the Gothic enterprise, be they parish churches, abbey churches or cathedrals. Scott explores the living standards of the time, the stratification and specialisation of people in the different roles in society, and the questions not only of how the communities built the churches, but how the churches and cathedrals in turn built the communities. 'We might ...imagine that the long time required to build Gothic cathedrals added to the depth of the collective identity they engendered.' Indeed, in some regards, the building of a cathedral was never supposed to be completed. Spanning generations (sometimes, as in the case of Canterbury Cathedral, nearly 400 years) such enterprises defined the community in ways that no building project in modern times could approach.

Scott ends with a small essay regarding Stonehenge, not too far from Salisbury Cathedral, showing some similarities and differences in the way people built and found identity then.

Scott quotes Samuel Johnson as declaring Salisbury Cathedral 'the last perfection in architecture'; however, it is clear that there is much perfection to go around when it comes to all things Gothic. Scott's passion for the material and love of discovery is apparent on every page. A good writer, he serves as teacher, tour guide, and co-discoverer of ideas with the reader. This is a wonderful book.

The people who reviewed this book before me did a great job of describing this wonderful book, so I'm not going to repeat their observations. However, one aspect of the work I personally appreciated was the way Scott examined the cathedrals as architectural responses to the cultural context. His analysis is clear and straightforward. Excellent book!

Hilarious--Boylan has scored another comic triumph. The Great Pint-Pulling Olympiad keeps the reader reeling with dazzling displays of erudition, caustic commentary, and a constant barrage of laugh-out-loud episodes. But this is a farce with a heart; even at their most ridiculous, Boylan's characters are deftly drawn and fully human. If you think you'll finish this book without caring about the people within it, then the joke's on you.

More captivating than Boylan's Killoyle. The Olympiad has characters that are rich in their actions, preoccupations and obssessions. Boylan is witty and erudite, and his book is a treasure-trove of deliciously clever details and footnotes. There are some hysterically funny scenes you shouldn't miss. A book unlike any other. Buy it!

Very highly recommended reading, The Great Pint-Pulling Olympiad: A Mostly Irish Farce is a rollicking roller coaster of a novel by Roger Boylan and set in the days leading up to the Pint-Pulling Olympiad in the town of Killoyle, Ireland. A cross-dressing church sexton, a drunk who loses his job as a car tester and sues for wrongful termination, unemployment seminar hosts who sell missiles to the IRA on the side, and other memorable characters populate the pages of this engaging and topsy turvy tale with surprises hiding around every corner.

I am not quite finished this book - it's taking a while because I keep putting it down to laugh. The footnotes are a great addition and an entertaining read in and of themselves. Boylan's language is as fast and intriguingly unpredictable as Mick McCree's test drive. Don't know what that means? RYou'll have to read the first several pages to find out.
If you have despaired of reading a book that is both hilarious and literary, despair no more. I also recommend that you drink a pint or two while reading.

I teach comic fiction, and this is one of the funniest novels I know. It has been years since I was so sorry to see a book end. It is, however, far more than a collection of laughs. Like the work of other Irish masters from Swift and Sterne to Beckett, Flann O'Brien, Patrick McCabe, and Martin McDonagh, Boylan's novel continually blends the comic with the dark, revealing profound connections. He provides, for example, access into the minds of terrorists, from Irish ultranationalists to Basque separatists, yielding insights you will find nowhere else. His characterizations are masterful, and, like Sterne, Joyce, and Beckett, he is also a great formal innovator. I will never again consider teaching my Irish Comic Writers course without this marvelously rich novel.

This was a fascinating read that gives a perspective on WWII that you seldom, if ever, hear. I highly recommend this book to anyone interested in WWII history. I have come away from reading it with a broader understanding of topics that tend to be taught from only one point of view. This is a valuable asset, and I'm glad I had the oppotunity to read it.

Mr. Knapp has presented a unique look into the mind of a dictator and how such a person was able to affect an entire population. Mr. Knapp is able to convey that not all citizens were negativly influenced by the Nazi propagnada machine. The reader is struck by the fact that the young Mr. Knapp is able to maintain both his humanity and dignity throughout a most difficult period in his life. This book is quite relavant in that similar regimes exist today, often without national boundries. A factinating read.

The book gives a new insight into every day life under Hitler through the eyes of child. It is truely absorbing and I could not put it down until I completed reading. I thank the author for this excellent book.

The book gives a new insight into every day life under Hitler through the eyes of child. It is truely absorbing and I could not put it down until I completed reading. I thank the author for this excellent book.

The book gives a new insight into every day life under Hitler through the eyes of child. It is truely absorbing and I could not put it down until I completed reading. I thank the author for this excellent book.

I like Simon Marsden's work , if anyone likes gothic they will like this type of calendar.

The Haunted Realm 2007 Calendar highlights the mysterious and other-worldly photography of Simon Marsden. His black-and-white photos capture scenes that are mysterious, somber and thought-provoking. Gothic architecture, gravestones, bare trees and gnarled branches, ominous skies, and foliage made un-earthlike by the use of infrared photography are the major elements that comprise his striking images. Additionally, each month provides a short explanation of what makes the photographed site "haunted". The calendar grid, itself, offers a clean layout and is easy to read, making the calendar as practical as it is beautiful. Highly recommended.

I first came across this book in my high school library, about 1990. I fell in love with it.... Anyway, this is a beautiful book that features lots of Simon Marsden's infrared photos of castles, manor houses, spooky natural places, etc., from all over the British Isles and Ireland. A page or two decribing the ghostly phenomena associated with each locale is included as well. I spent nearly three weeks in Scotland seeking out some of the places in this book (and the book that followed, "Phantoms of the Isles"), but sadly, they didn't seem half as creepy in real life as they did in the book. I highly recommend anything by Simon Marsden...Happy hauntings!

this is one of the most beautifully photographed books on the the subjects of haunted places.The British locales shown in black and white,as well as the stories documenting the haunted places make this a great book for your collection as well as a coffeetable book.This is 120+ pages of delight be it in portrayal of haunted England or the beauty of the English countryside and stately manors.

i first picked this book up when i was 10 years old. I'm 16 now and i still can't put it down. This is, without a doubt, the most chilling collection of stories i have ever come across. The contents of this book are psycologically affecting as well imagination provoking. I truly cannot say enough great things about this book. If you havn't read it-PLEASE do yourself a favor, and get ahold of The Haunted Realm.

This affordable paperback edition of Volume V of Charles Oman's definitive study of the Peninsular War covers the turning point of the conflict. In early 1812, Napoleon withdrew some of his Imperial troops from occupied Spain for his ill-fated invasion of Russia. The dispersal of the remaining French troops to hold down Spanish insurgents coincided with a buildup of the Anglo-Portuguese Army, enabling Wellington to go over to the offensive with an experienced and well-trained force. The bold seizure of the Spanish frontier fortresses of Ciudad Rodrigo and Badajoz opened the way for Wellington's magnificent victory of maneuver over Marshal Marmont's French Army at Salamanca. Although Wellington overreached himself at the siege of Burgos and was forced to retrench on the Portuguese frontier over the winter of 1812-1813, the French had lost the initiative in the Peninsular War for good.

Oman brings out how Napoleon's attempts to run the Peninsular War from Paris and Wellington's superior ability to gather intelligence contributed to French defeats. Oman includes a brief but fascinating account, perhaps particularly relevant for modern readers, of the challenges faced by the British Tory government in supporting a long and expensive campaign to dislodge the French from Spain and Portugal. The Whig Party, in opposition, decried every expense and every casualty in favor of an immediate peace treaty with Napoleon. Such a treaty prior to Napoleon's defeat in Russia would have ceded control of Continental Europe to the French Emperor. The Tory government withstood Whig opposition and internal dissension to perservere against Napoleon, trusting Wellington to fulfill the mission of his command.

Oman's command of his subject in volume V is masterful. His narrative is mature and confident. While the focus is on the operational level of war, Oman provides descriptive and ocassionally thrilling vignettes of the critical battles. The footnotes provide much additional context.

This volume and series are highly recommended to serious students of the Napoleonic Wars. The casual reader without background of the conflict may find this volume a very challenging read.

Volume V of Charles Oman's definitive study of the Peninsular War covers the turning point of the conflict in the Iberian Peninsula. In early 1812, Napoleon withdrew some of his Imperial troops from Spain for his ill-fated invasion of Russia. The dispersal of the remaining French troops to hold down Spanish insurgents coincided with a buildup of the Anglo-Portuguese Army, enabling Wellington to go over to the offensive with an experienced and well-trained force. The bold seizure of the Spanish frontier fortresses of Ciudad Rodrigo and Badajoz opened the way for Wellington's magnificent victory of maneuver over Marshal Marmont's French army at Salamanca. Although Wellington overreached himself at the siege of Burgos and was forced to retrench on the Portuguese frontier over the winter of 1812-1813, the French had lost the initiative in the Peninsular War for good. Oman brings out how Napoleon's attempts to run the Peninsular War from Paris and Wellington's superior ability to gather intelligence contributed to French defeats. Oman includes a brief but fascinating account, perhaps particularly relevant for modern readers, of the challenges faced by the British Tory government in supporting a long and expensive campaign to dislodge the French from the Iberian Peninsula. The Whig Party, in opposition, decried every expense and every casualty in favor of an immediate peace treaty with Napoleon. Such a treaty prior to Napoleon's defeat in Russia would have ceded control of Continental Europe to the French Emperor. The Tory government withstood Whig opposition and internal dissension to persevere against Napoleon, trusting Wellington to fulfill the mission of his command. Oman's command of his subject is masterful; his narrative is mature and confident. While the focus is on the operational level of war, Oman provides descriptive and ocassionally thrilling vignettes of the critical battles. The footnotes provide much additional context. This volume and series are highly recommended to serious students of the Napoleonic Wars. The casual reader without background of the conflict may find this volume a very challenging read.

Sir Charles Oman's comprehensive seven volume history of the Peninsular War is the yardstick by which any other history of this theatre must be measured. It is exhaustive in detail and in breadth of coverage. If it happened, it is in one of these volumes. Napoleon may have considered Spain a side show, but as results turned out it was a bleeding ulcer. French losses here, combined with the 1812 campaign, placed a strain on the Empire which could not be overcome by even the best generalship. Any true student of the Napoleonic Wars should find these books and read them. They are essential to a complete understanding of the conflict.

Sir Charles Oman's comprehensive seven volume history of the Peninsular War is the yardstick by which any other history of this theatre must be measured. It is exhaustive in detail and in breadth of coverage. If it happened, it is in one of these volumes. Napoleon may have considered Spain a side show, but as results turned out it was a bleeding ulcer. French losses here, combined with the 1812 campaign, placed a strain on the Empire which could not be overcome by even the best generalship. Any true student of the Napoleonic Wars should find these books and read them. They are essential to a complete understanding of the conflict.

This wonderfully affordable paperback edition makes available Volume V of Charles Oman's definitive history of the Peninsular War, which covers the turning point of the war. In early 1812, Napoleon withdrew some of his Imperial troops from Spain for the ill-fated invasion of Russia. The dispersal of the remaining French forces to hold down Spanish insurgents coincided with a buildup of the Anglo-Portuguese Army, enabling Wellington to go over to the offensive with his experienced and well-trained force.

The bold seizure of the Spanish frontier fortresses of Ciudad Rodrigo and Badajoz opended the way for Wellington's magnificent victory of maneuver over Marshal Marmont's French Army at Salamanca. Wellington would later overreach himself at the siege of Burgos and be forced to retrench on the Portuguese frontier over the winter of 1812-1813. However, the French had lost the initiative in the Peninsular War for good.

Oman includes a brief but fascinating account, perhaps particularly relevant for modern readers, of the challenges faced by the British Tory government in waging an expensive six year campaign to dislodge the French from the Iberian Peninsula. The British Whig Party, in opposition, decried every expense and casualty in favor of an immediate peace treaty with Napoleon. The effect of such a treaty prior to Napoleon's defeat in Russia would have been to concede control of Continental Europe to the French Emperor. The British Ministry withstood both Whig opposition and internal Tory dissension to persevere against Napoleon and to trust Wellington to fulfill the mission of his command in Spain.

Oman's command of his subject is masterful; his narrative is mature and confident. While the focus is on the operational level of war, Oman provides descriptive and occasionally thrilling vignettes of the critical battles. The footnotes provide much additional context which will be of interest to the serious student of the Napoleonic Wars. The casual reader without background of the conflict may find this volume a challenging read.

This was a happy find: a well-written, thought-provoking book that I had never heard of. The quiet tone and subtly shaded characters are reminiscent of Alice McDermott's best, and not only because they share an Irish heritage. The story moves forward and backward in time, building details introduced in passing into unforgettable characters. I especially admired the silk-dyeing lore -- I didn't know that Paterson, NJ had such a romantic history. A book to treasure.

I am a lover of all things Irish. So when I picked up this book and saw it had to do with an Irish Immigrant I started reading. Houseguest deals mainly with the interactions of people on a personal level and how those interactions impact on one or both of the people. I was especially interested in Edward's reflection on caring for his wife & young daughter. How guilty he felt for wanting to scream/run away. I wouldn't want people to think all Immigrants wind up living with the upper class, rent free for months. Not likely. Very good novel. The references to Edna O'brien are correct.

A friend promised I'd love this, and love it I do--incredibly intimate, and deceptively simple story-telling. Reminds me of Laurie Moore and, a little, of Edna O'Brien--very different writers, obviously, but this writer shares common ground with each.

This is simply a wonderful book, an elegant, straightforward masterpiece. It is a tearjerker without being maudlin, a love story without being overblown, a family drama that is poignant but never cliched. The story of a family pulled apart by death and circumstance‹and reunited in an unpredictable but thoroughly satisfying way, The Houseguest is a book you won't be able to put down‹and won't want to.

I read this wonderful book straight through, lost in the world of an Irish-American family during the Depression. Rossi is an amazing writer: her characters are so honestly and deeply observed that they are haunting, and the things she evokes--Sunday afternoons, a beach house in winter, the tension just before a love affair begins--are rich with clear-eyed but compassionate detail. This is one of the most moving novels I have read in years. It is romantic without being melodramatic, and the ending is so satisfying and lovely that I closed the book crying. The Houseguest will stay with me a long time.

This novel was chosen by Barnes & Noble for the "Discover Great New Writers" program....It received a starred review in Publishers Weekly, indicating a novel of unusual merit and interest...Books Ireland said "This is a work of such might and muscle....Buy it."...The Irish Times said "Phelan has taken a...theme, the slaughter of innocence, and by dint of sheer lyrical power has turned it into something you won't forget for a very long time."...Library Journal said "This first novel, an unforgettable exploration of the shattering effects of violence, belongs in most fiction collections.... The French translation, "A La Saison des Marguerites," is published by Editions Balland.

Barnes & Noble selected IN THE SEASON OF THE DAISIES for its "Discover Great New Writers" program. Publisher's Weekly (1996) called IN THE SEASON... a "powerful novel" and awarded it a starred review. Library Journal (1993) said "This first novel, an unforgettable exploration of the shattering effects of violence, belongs in most fiction collections." The Irish Times (1993) said "Phelan has taken a...theme, the slaughter of innocence, and turned it into something you won't forget for a very long time." Books Ireland said "This is a work of such might and muscle....Buy it."

A wonderful and provocative book although some may find the subject matter a bit too rough for light reading. The book combines a graceful lyricism with a whole variety of interesting symbolism which implies the author's depth of human understanding.

One curious example would be the character of Ms. Bevan who connotes pure compassion and understanding; a true Madonna figure. She is modern, monied, dignified and thought to be Protestant by everyone in town, which she is not. This subtle reflection of Irish self-loathing and the fact that Mr. Sheehan, a kind of suffering moral hero, is the only one capable of even speaking to her makes an interesting commentary.

Also of note is the book's ambiguous treatment of Irish Republicanism. IRA members are all damaged characters suffering from their involvement and regretful, neurotic or base and ruthless in the extreme. It is fundamentally a romantic novel whereby the enviable qualities are of a personal nature and the "collective" goals are misguided and taken-up by unfortunate rabble and impetuous youth.

Who is responsible for Willie's death? The English, the IRA, all who where present, only those in favour of the killing, the village that reared the killers? The verdict seems to be that all are guilty, the pain real and perhaps the living suffer most.

I think this book started out a little hard to understand and take in, but once you got down and started reading it, it grabbed you and sucked you in. It was well written and it gave you an idea of grief and love. I think anyone who hasn't read the book should.

Being somewhat of an "Americanized" European expatriate, I've always had trouble understanding the passion and connections inherent to that mysteriously unique Irish sensibility. Perhaps it has something to do with the vast ocean separating the U.S. and Europe.

Mr. Phelan's book is so touching, so powerful, I was moved to tears at one point. It's a deeply emotional account of one boy's personal tragedy... and coming out of it feels like coming off a long and painful relationship gone wrong. I'm grateful for having read it, and even more grateful to Mr. Phelan for writing it, but I hope I never suffer as much in my lifetime as little Seanie Doolin.

A great read, and suprising page-turner .. an absolutely unforgettable narrative. At times it reminded me (vaguely) of William Faulkner.