Ireland Books

If you like sports from a spectator or participant viewpoint, chances are you will like this book. You will love the book if you have ever coached, are Irish, play or listen to Celtic music or simply have a great sense of humor. The book is well-written, a quick and delightful journey into an idividual's dream that is lived out in a real-life way. I visited Ireland for the first time shortly after reading the book. The accounts are accurate and added an additional dimension to my visit.

As an aspiring writer and former hoops coach, I was very interested in reading this book after getting re-acquainted with Coach Rus (we first met at Don Haskins' summer camp in 1989) at a local book signing. I couldn't put it down once I started reading it. There were many times when I would find myself laughing out loud at his witty observations about the basketball-challenged Irish culture or his players' quirks. Coach Rus' story transcends the sport of basketball, but will entertain the best hoops junkie. His journeys to the Irish pubs and eventual fiddling sessions made me want to book a tour of Ireland. And true to any hero's journey, Coach Rus gets rewarded for his perserverance.

He's not Ernie Hemingway, but if you have a great story to tell, it doesn't matter. And he has a terrific story to tell.

A good read for those who like basketball. Music gets less attention, but the music teachers are interesting.

Rus Bradburd's "Paddy on the Hardwood: A Journey in Irish Hoops" is a highly enjoyable book on many levels. Bradburd's story revolves around his love for basketball and traditional Irish music. In Ireland, not everyone (in fact, almost no one!) shares his passion for basketball; Bradburd's struggle for respect for his team, and his sport, are part of the journey. In contrast, Bradburd's efforts to learn and to master traditional Irish music is a challenge which arises within himself, and the best part of the journey may be his success in dealing with that challenge. This is a book which transcends its subject matter, one which you can (and will) appreciate whether or not you know (or care) anything at all about basketball or Irish fiddles. It's a well-crafted and well-written book, and a great read. Highly recommended!

This book would appeal to the young person who has the time and a little money to tour Ireland staying at hostels and trying out pubs. It's a fun book to read and you do learn a little about Ireland too.

This book was fun, interesting and very well written. To read a book about Ireland that does not have the troubles as its main subject matter is refreshing. The author does a great job of relating Irish culture to the reader. The author even goes as far as to write the peoples dialects into the book, so that when you are reading the book, you can get a sense of the softness of the language.

I would recommend this title to anyone that wants to learn a bit about Ireland. I would especially recommend this to all those of Irish decent.

The subtitle of this book tells you what this Irish travel book is all about. And that is what drew me to it.

Contents:
The first round
Dublin on tap
Beer and politics
Blood is thicker than Guinness
Love at first pint
Pub town
Heading north
The holy mountain
A land of pubs and poets
Last drinks

Australian, Evan McHugh, travels to Ireland to meet some friends. On the ferry over to Dublin from Wales, he and his travelling companion "Twidkiwodm" (the-woman-I-didn't-know-I-would-one-day-marry), aka Michelle, have their first Guinness. It was not a very good experience (but it sure was funny to read). Debarking, they are told that the Guinness served on the ferry is about the worst in the world. Their friends take them to a couple of pubs in Dublin, including the Guinness Factory Tour. Whilst sitting in a Dublin pub, they are told that the best Guinness is found on west side of Ireland. Off they go, looking for the best Guinness and the result is Pint Sized Ireland: In Search of the Perfect Guinness.

Travelling cheaply, hitchhiking and sleeping in hostels, McHugh provides a wonderful travelogue of Ireland. That he is looking for the "perfect Guinness" makes this even sweeter. Travelling from town to town, asking about the best Guinness, experiencing some of Ireland's best (but maybe not so well known) sites, and picking up books from local writers (Yeats is one). Interspersed throughout the book, McHugh includes words from the writers to explain some of his experiences. It adds a lot to the book.

This book really makes me want to visit Ireland. No matter where he goes, be it Dublin, Westport, Sligo, or Belfast, the people are friendly, kind, and humorous. At each stop, either the barman or someone in the pub tells McHugh where he can find the best pint of Guinness (hint: it is always somewhere else). It is in a pub in Belfast, his last stop, where a patron begins to tell him where he can find the best pint. Stopping the man, McHugh tells him where you can find the best Guinness in Ireland. He drank for free the rest of the evening. Yes, the answer was that good, that true. And after reading this book, I agree (if you ask, I will tell you where).

An excellent travelogue, especially if you love "moother's milk."

Slainte!

Have yourself a Guinness while reading this book, it is a great pairing. The book is a smooth read and will inspire you to by the "mothers milk".
It's a craic in itself. luis

A friend of mine tipped me to a book that immediately caught my interest... Pint-Sized Ireland: In Search of the Perfect Guinness by Evan McHugh. Having spent a little time in Ireland for a software conference, I find myself drawn to the country, people, and customs. Evan McHugh made me feel like I was right back there. And I haven't read something this funny in quite awhile...

Contents: The first round; Dublin on tap; Beer and politics; Blood is thicker than Guinness; Love at first pint; Pub town; Heading north; The holy mountain; A land of pubs and poets; Last drinks

So the framework of the story is that Evan and his traveling companion (who was to become his wife) decide to travel over to "Oirland" to meet up with a couple of friends. Knowing that there would be plenty of drinking (it *is* Ireland!) of Guinness, he felt that it was necessary to acquire a taste for the dark beverage. On the ferry over, they start their training. It does *not* go well. His description of "moother's milk" leads you to believe that mother is none too well. As expected, a stop at a pub is the first order of business once they meet their friends. This Guinness goes down better, which starts the discussion as to where you can find the "perfect Guinness". So as they travel the island via train, hitchhiking, and hostels, the question is always asked... where can I find the perfect Guinness? And it's always "somewhere else". Along the way, you meet traveling companions, colorful locals, and more pubs than you ever imagine existed. And at the end, McHugh does find the answer to where the perfect Guinness can be found. And it's a classic...

While it sounds like this book is all about beer, it's really something much better. It's a travel diary of sorts, written by someone who has a real knack for capturing the color and flavor of the culture. In many instances, he writes the Irish dialogue as it sounds. So when they are visiting their first pub, he tells his friends they had a Guinness coming over on the ferry. The reply is classic. "Oh, you shouldn'ta doon that. It's fookin' shite, that's why. Now get that into ya. We've a lotta poobs ahead of us." After spending time with my friends over there, I know that would have been the EXACT reply I would have received, using the EXACT same words. :)

If you're at all interested in Irish culture, this is a must read. Think of it as a way to understand the openness of the Irish people, and how in a "poob" you're never a stranger...

This book was well written and I really got my emotions involved with her thoughts and feelings. I found myself very much with her...on her travels.

"Living is about Learning. It is a lifelong Quest."
Questing Marilyn is a memoir of one woman's journey to seek the ever-illusive "SELF." Marilyn shares her journey from Canada to England, Wales and Ireland as she visits known places of self discovery-Stonehenge, Chalice Well, Glastonbury Abbey and Tintagel. We move with her through her confusion, her anger and her realization that her life is not what it seems. We listen to her arguments in an effort to regain her composure based on years of training and discipline only to watch it crumble at her feet. Finally she emerges a stronger, wiser woman full of "Self."
The location descriptions are vivid giving the reader a true sense of being there. Armchair travelers will love the imaginary feeling of the drizzle settling on their faces as they gaze at thousand- year- old structures. The author mentions in one chapter that she would like to become a good storyteller as she listens to a local woman describe the beauty and superstition surrounding her hometown. This reviewer feels that she has achieved this and Questing Marilyn is an excellent example of her story telling skill.
Each one of us is on our own personal quest to find our life's purpose, our "soul", if you will. This book will give readers some insight into one person's search and the conclusions she draws. It will stimulate readers to look with earnest, travel farther and dig deeper to find their own "Holy Grail."
Author, Marilyn Barnicke Belleghem is a Registered Marriage and Family Therapist with a Masters degree in adult education and applied psychology. She is a sought after counsellor, consultant and speaker.
Recommended to anyone on a quest.
Reviewer: Shirley Roe, Allbooks Reviews

I really enjoyed this book and had trouble putting it down.

So much of what Marilyn went through was a mirror image of my life. I was also brought up to please, to be the peacemaker and responsible for things going smoothly. Deep down I always felt something was wrong with this picture but until middle age was unable to see clearly.

Marilyn is a very strong and courageous lady and I admire her openness in allowing us to view the steps that led her to the point she is now. I learned a lot about myself from her book and suggest that any woman over 40 would garner a great deal from reading this wonderful autobiography.

Thank you Marilyn. I am looking forward to your next book.

Questing Marilyn was more like Questing Me! I am a singer-songwriter-actress, and so many personal issues and emotions of my own were addressed in her book. It was great to read about someone that experienced many of the same feelings I have had and also to realize that I was not the only one to be asking these questions. I can accept that I shouldn't understand the personal makeup of other people but why am I kept a secret from me? I have read many self help books and done a lot of work on myself, but this book answered so many of my questions. It also helped me see where things in my past fit into making me the person I am now. It was like getting a lot of personal counseling while I was totally engrossed in the exciting storyline. In fact, I kept holding off reading the last ten or so pages just because I didn't want the adventure to end. What courage it must take to allow readers into your personal life. I truly thank Marilyn for that because I found answers to some of my questions. I can't wait to read her next book. Thank you Marilyn for being so brave.

Questing Marilyn is a multidimensional book about the author's travel experience to Britain and Ireland. The book begins as the stressed out author realizes that despite her overachiever attempts to have the perfect life (a loving family, a successful counseling career, and a sturdy religious foundation) that something is missing causing her to feel disconnected and ill content. In an attempt to reconnect and find herself, the author joins a group of colleagues and acquaintances on a tour of Britain and Ireland's sacred sites.

On this tour, the author is scheduled to visit sites such as Salisbury Cathedral, Stonehenge, Glastonbury Tor, Glastonbury Abbey, Avebury, Tintigel, Bath, Kilkenny Castle, and New Grange. Furthermore, as part of this organized expedition, group tours, hikes, and self-development rituals are to be undertaken at many of these locations.

This book relays detailed information on the mythological, historical, and spiritual significance of each stop of the tour while providing unique insight into the accommodations, dining, shopping, and sightseeing opportunities are available near these sites. As much of the author's tour is specially organized, this information contains a good deal of insight not commonly found in most tour guides of Britain and Ireland.

Another important aspect of this book is that the author candidly discusses the pros and cons of group tours by detailing her experiences during this vacation. The reader can then use this information to decide if he or she would be more suited to directed group travel or more flexible individualized travel.

The most important message of this book, however, is the introduction of travel as a tool towards self-exploration and self-acceptance. Often, due to the busyness and chaos of daily life, individuals don't have the luxury or time to truly understand who they are and what they want from life. However, during a vacation, normal routines and responsibilities can be temporarily forgotten. Thus, vacation time is the perfect time to reflect on these very personalized aspects of one's life, how he or she feels about that life, and what they need to do to make his or herself happy. Moreover, this analysis need not take place in Britain or Ireland. In fact, where the reader's quest starts and ends is completely unique to that individual.

Questing Marilyn: In Search of My Holy Grail, Personal Growth Through Travel is a great book for both those individuals interested in visiting the sacred sites of the United Kingdom and those individuals searching for self-exploration and self-acceptance. This book will make an excellent gift to yourself, to your best friend, to your sister, to your daughter, or to your mother.

Ms Monaghan is not only an author, but also a poet and utilizes that skill within this book. While I wished to turn page to find what she might describe next; I, also, wished each page unending. Almost as if I felt I might loose the descriptions I'd just read if I moved forward.

Rarely does a book touch me so.

Could be I'm Irish? That helped I'm sure to entice me with stories and details, but the messages within the book were priceless to me.

Her vivid story telling of Ireland, Celtic myths, Catholic practices and a rather mindful blending of the Pagan/Catholic or Protestant viewpoints in Ireland were incredible. How delightful to read about various customs and practices being combined so utterly!

The descriptions of rituals..even small and discreet and of sacred caves, etc would give anyone a valuable viewpoint on Celtic folk lore.Diverse in delivery, Ms Monaghan can describe something as small as a puddle with such essence and clarity that you feel you've stepped in one right along beside her!

She even manages to tackle the subject of fairies in such a way that is imaginative, steeped in lore, fantastic while also being modern, comprehensive and understandable. For the first time - ever - I read about fairies and didn't raise an eyebrow thinking the author must be sipping mugwort tincture.

It's a down-to-earth-style bejeweled with imagery and poetry to enrich the spirit and feed the soul. Her friends and new folks she meets in her travels are witty and fun, enticing and intelligent.

So if Celtic lore in Ireland, a blending of Pagan/Catholic/Protestant ideals and unforgettable mental pictures are to your liking...read
The Red-Haired Girl From The Bog.

Allow yourself the pure luxury of settling deep within the imagery and wisdom of this book. The lessons therein are subtle but exquisite indeed!

Enjoy...

Believe me, I approached this book with plenty of misgivings, given the title and the promotional hints. I do not know how much is savvy marketing--the more academic side of Monaghan's here put forth, as opposed to her being the author of "Wild Women," or the one subtitled "myth, marigolds, and mulches". Her eponymous web domain seems to have faded, but looking for information about her as I was reading this, she is noted as a leading popularizer of the Goddess and the reconstructed rituals that rejoin (as in the root of "re-ligion") people to nature. This insistence likewise permeates this book.

It's carefully written. I usually "heard" her voice on the page, and as she notes in an aside, I assume that much of what she shares was freshly conveyed in a daily notebook on her travels and through her studies, and then expanded and mulled over much further before coming to print here. I admire Monaghan's determination to excavate using etymology. With a solid grounding in Irish as well as a rare combination of scientific training, her ecologically aware, if persistently soft-focused, depictions of the intermingling of the spiritual, the eccelesiastical, the historical, and the anecdotal make for quite an ambitious product belying the quick title-and-cover glance that casual prospects might give to this if in a New Age bookstore's "Celtic & Druidery" section. More power to her and her readers--they'll pick up more learning and not only lore than they may have bargained for. But you have to put up with, or become enchanted by, visions of she and her pals declaiming Yeats to the wind.

She eschews footnotes but acknowledges any idea or source not her own, and an annotated booklist and source locator appends the book. (Errata: Lughnasa appears also as Lehynasa on p. 273; Kevin Danaher's book was not printed by Cork's Mercier Press in 1922 but 1972--otherwise I found no glaring errors or typos, impressively.) Honestly, New Age is not the first shelf I turn to when seeking books of Irish interest, but you need to be as eclectic and alert as is Monaghan when searching for elusive traces backwards into the "symbiosis" that she posits exists between Christianity and paganism in Ireland, over more than 1500 years.

Other reviews have been more impressionistic, but let me give you a quick view of what in Irish is called "dindsenchas," as Frank MacEowen in his blurb calls "place-bonding stories," that tie toponymy to theology, ecology, and psychology in Monaghan's circuit sun-wise around the island. Beginning in the West, at Gort in Co Clare, she ties her Burren travels to the Hag, or "cailleach." Then she goes to Connemara for the "red-haired girl" and fairies--who are not Disneyfied delightful sprites. Up to Sligo, Mayo, Roscommon on the trail of Medb (Maeve) and the Morrigan, amidst Cruachan, Knocknarea, and holy wells. Then northerly for Emain Macha and Newgrange, with her own theories about a feminized Sun and the Irish ritual landscape thoughtfully told.

A chapter inevitably a bit apart relates her own struggle with the North, and her self-awareness of being seen as the Other. It's clumsier and more self-consciously told, but more direct and reality-based. She confronts her own resentments of those she perceives as eying her differently. It's a bold departure from the rest of the book, and she does not shy away from reality. She cannot offer any new insights, and she probably knows this, but her encounter with her darker side balances her cheerful nature throughout the rest of her travelogue.

I think her musings here about rapacious and/or romantic Viking ancestors accounting for her blue eyes went a bit overboard, and I don't doubt that Monaghan might agree and/or battle me into giving in to her determination to include her reveries--she's that kind of fair-minded investigator--but at least she does not back down from the strength or the fancy of her convictions. This is the model she admires and seeks to project into the Irish past as well as to gain sustenance from the faint but stubbornly grooved and cyclical tracks of its past power for our present. I did wonder at times why [feeling as I read a bit left out; compare neo-paganism, itself about 70% female practitioners] so few men compared to so many women sought to resurrect and rekindle its meanings and symbols, but the feminine-dominated powers, as she argues, gain the prominence even in the old tales and placenames more than males. As in Ireland-Eriu (the latter meaning "fertile field," a rare point she does not explicitly define here for herself.

Monaghan tends to follow her instinct wherever it leads. She does not avoid the scholarly, but never lets it crush her soul. She has found a much more gentle and inspirational (in the root sense) sacralized landscape than I have encountered in Ireland. She has the advantage that many Irish Americans do not of direct connections and still-connected cousins due to more recent immigration in her family. This allows her more of a base from which to leap out across what she views ahead of her, intellectually, spiritually, and physically, This is a bold attempt to confront what always stoked my own thoughts: how far beneath today's Irish psyche and habits and mentality do you have to scratch before the pagan emerges?

Helped by her ability to navigate pop culture, dictionaries, her own widespread support network of family and friends, and her inbred wanderlust from her being raised in Alaska, she brings her pagan and her Christian sides together most evidently in the visit to the unprepossessing exterior of the relit pagan fire for Brigit in Kildare. This joins the two realms in which she and so many Irish, according to her study, wander. Then, down to the sacralized cow, Tara, and the central Uisneach hill for fire ceremonies and Bealtaine. The scholarship dragged a bit more than elsewhere, but coupled with a moving meditation on the death of her friend Barbara, this makes for an honest encounter again with mortality. She points out that it's not the inevitability of death we fear, but its timing.

Finally, she rounds out the tour in Kerry. She did not to connect Mis with Austin Clarke's 1970 poem "The Healing of Mis," or cite Emmet Larkin's 1970s model of the devotional revolution of the later 19c that transformed Ireland into the 20c stereotype of a priest-ridden backwater by extirpating many remnants of its folk beliefs, but her thoughts on the pagan sexuality nearly extinguished by a post-Famine Church make for convincing speculation. Danu's "paps" and how its worshippers erected atop her nipples as stone cairns above a gentle-breasted hilled landscape make for a perspective that, as she asserts, only a woman as herself noticed after so many male-dominated studies never had--or at least demurred from recording! In the wrap-up chapter, she and a friend go in search of first-hand folkloric recovery of their own sacred place, Garravogue near the Cavan border. They circle back and extend the circle into a spiral, fittingly, as they revolve around Ireland's own places made holy.

Now, Monaghan has commonsense, more than some who have written about her book credit her with in my judgment as this Connacht-blooded Irish comments to/of another, her family from a point about equidistant from my two family origins only a few miles. By the way, her comments about the inevitable assurance from the locals of "only a mile more" and "sure you can't miss it" ring true for any stranger in search of rural landmarks, ruins, or simply the right road. She remarks on the county-town-parish-townland (she calls the last "farm") narrowing that Irish engage each other with when first nosing about the other's bonafides correctly, as I am of her now. This type of sensible observation, I hazard, makes her more observant and less beguiled by what she ponders in the more ethereal and filtered views she frames--and to be fair she mentions the rain and mud too when they often appear. I learned a lot from her, found that she often stayed one step ahead of me on her associations with the literary and historical and mythic resonances from what she traversed to keep me nimble, and that she wrote sensitively (if a bit too purple-prosed in parts, although these were helpfully often italicized) about her own heartfelt recoveries with the tangible traces of ideas and events long thought intangible.

Skeptics, rationalists, and unbelievers would hate this book, but I prefer, as she does, to think that few actually deny all hope of some presence outlasting our own. This book, challenging in many parts and not all that wince-making in others (these sections are relatively few to her credit), will teach any seeker a lot about facts as well as fable. Monaghan digs into the former to find the latter, and vice versa.

P.S. A book only published in Ireland, the similarly unfortunately titled "Emerald Spirit," (Cork: Mercier Press, 2003) by another American, David P Stang, makes a wonderful counterpart. John Moriarty's mythopoeic and densely argued work may be too recondite for many, but also may please readers of Monaghan; Clare seanachie Eddie Lenihan's penetrating look into faerie lore and fact, "Meeting with the Other Side," also is highly recommended if you want more about the play and peril between our realm and that elusive presence still said to swirl about the Irish countryside. Mapped well recently also by Cary Meehan in her "Traveller's Guide to Sacred Ireland."

Some books have a life of their own and cannot be ignored. Long after you finished reading the last page, something about the book will return to you; an image or perhaps a phrase; possibly an entire sequence will be recalled in solitude. Words, like music, have a resonance that lasts long after the initial encounter. Such a book is Patricia Monaghan's The Red Haired Girl from the Bog.
As a travel memoir, it is splendid; as a history book it is marvelous. But on a deeper level it is a magnificent essay, at once lyrical and moving. This book has resonance and because of its quality I know I will return to it again. Celtic myths, fairy woman, mystical places that speak to visitors, fog-shrouded landscapes that are so much more than they appear, sunlit fields and the voices of poets calling from the past. Monaghan's journey is captivating, compelling, and like all good stories, just a shade frightening. Exploring the Celtic myths and legends, interspersed with narratives about her many trips to Ireland, I found myself unable to set the book aside. Her book has that rare quality of taking the reader along for the trip, an accomplishment that only the best writers can manage. This book is subtitled "The Landscape of Celtic Myth and Spirit" and I cannot think of a better, concise description of what you will find in its 295 magical pages. A toast then, to Patricia Monaghan, and may the Muse never leave her side.

The Red-Haired Girl From The Bog: The Landscape Of Celtic Myth And Spirit by Celtic history expert Patricia Monaghan is a spiritual voyage through the countryside of Ireland, exploring the intermeshing aspects of folklore, goddess worship, Celtic ceremony, and Christian faith. A thoughtful and deeply reverent viewpoint of a land steeped in tradition and lore, The Red-Haired Girl From The Bog is especially recommended for Celtic Mythology and Irish History reference collections and reading lists.

This is a book for fans of Ireland, the Goddess, Pagans, Christians, and mythology. I highly recommend it.

A US author of Irish descent, Patricia tells of visits to Ireland over the years. She writes about searching for locations from Irish myth, such as entering faeryland and visiting the source of the Shannon looking for the salmon of wisdom. She also describes visiting different sacred sites at auspicious times, such as: lighting the Beltaine fires at Uisneach, the Mountains of the Cailleach and the Paps of Anu on different Lughnasadhs, Morrigan's cave on Samhain, Newgrange for winter solstice, and County Kildare for Imbolc.

She explores Irish culture and politics, always coming back the the land and the people. Her description of re-lighting the Sacred Flame of Brigit at Kildare gives me chills every time I read it. Patricia says this book came out of requests from friends for travel recommendations in Ireland. It has certainly made me want to take the trip even more.

Terrific Book. Detailed descriptions of this glorious city. Every traveler to Rome should use it as reference.

Did you ever run across a guidebook that, at the same time, 1) gives you a brilliantly clever and comprehensive choice of information about the sites and 2) allows you to get to each site in the easiest, quickest way?

I didn't, until I found "Rome" by Mauro Lucentini. That double record is especially remarkable in a city like Rome, where the various sights may have lifespans of up to 2,800 years requiring equally monumental explanations, and/or be concealed into corners of a labyrinthine ancient habitat, where you can easily lose your way. With 700-plus pages, Lucentini's book may be a bit heavy to carry, but it is an incredible pleasure to read, and you will be thankful for each page, so fascinating is every bit of the information provided - no other Roman guide comes even close to the amount of historic or artistic background supplied - and for the fact that it will lead you in front of every item by the hand.

Also, the book is structured in such a way that, if you care doing it, you are able to read a good half of it and digest quite a lot of information even before you leave for your destination, This is a quality no other guidebook I know possesses, at least not to such an extent.

Brilliant! I've been to Rome five times with this book... although it was concise enough to give me an excellent overview even by the first time.

This book is a wonderful foray into the many aspects and history of Rome, and can be enjoyed sitting in New York, as well as walking in Rome. I've taken many of the walks, and the book is a chatty, fun, and erudite companion, pointing out all of the (almost) hidden traces of centuries past. A must for travelers in Italy (or just in your armchair)!

I Wish this book had been available when I was in Rome. At 700+ pages, it's not for everybody, but if you want more in-depth knowledge than the average guidebook provides, then this is the book for you. For example: this book has six illustrations showing how the modern road network overlies the ancient imperial fora - one double page plus five smaller diagrams. This is vital for getting a sense of how it looked in ancient times. Another example: this book devotes seven pages to the fascinating three-level church of San Clemente; most guidebooks give it less than a page! I could go on and on.

It's organized around 10 walks (Rick Steve's guide also has fine walks) plus a number of detours, but these can be treated as entries to the wealth of historical detail. Then there are three indices: an index of artists; an index of people and gods, and an index of places. These can be very useful. For example, if you decide you want to spend a weekend doing a 'Caravaggio tour,' (as was suggested in a March 2007 Smithsonian article) just look him up in the index and make your plans.

I should point out that the 'hotels and restaurants' section of the guidebook is fairly minimal. For restaurant selection we found 'Blue Guide' to be the most reliable, so foodies should supplement their Lucentini with one. My favorite map of Rome is the Rough Guide map; it's made of tougher tyvek-like material so it withstands plenty of opening and closing.

I have been visiting the Sacred Space website for 3 years. I love it and find it a source of comfort and inspiration. The book version allows me to share this wonderful resource with friends and groups.

"Sacred Space: The Prayer Book 2007" is tied to the spiritual leadership coming from a group of Irish Jesuits. The book is wonderful and the seller got it to me in the time promised.

This is the second year I buy this book. It has a great prayer format and incorporates scripture into the same. I have also purchased it for my nephew as a confirmation present; it is a great book for teaching the discipline of prayer. I keep mine in the car, which is my quiet and sacred space. This book will help you take a moment to prayer anywhere at any time. It is flexible enough to incorporate your own form of prayer but structured enough to get you in the mindset and considering different spiritual themes. If you fall asleep during prayer, get distracted or just plain don't pray this book will help, the commitment is about five minutes but the feeling lasts all day.

[...] is an excellent resource for Catholic prayer and spirituality. Started by Alan McGuckian and Peter Scally, two Irish Jesuits, the site offers prayer suggestions based on the daily Mass scriptures used in the Catholic Church and the basic methods of Ignatian prayer. The site also offers seasonal retreats and newsletters to better help people pray. People can sign up to receive newsletters, participate in online retreats, and share feedback. People can also log on to use the daily prayers, but for those of us who do not like sitting at a computer to pray, there is a companion volume: SACRED SPACE THE PRAYER VOLUME 2007.

The book is set up in an easy to use format. It follows the liturgical calendar and begins with a monthly reflection. For each week there are reflection questions that vary from week to week to help the person focus on scripture and God's movement in his/her life. The method is straightforward and easy to use. First the person reminds him/herself that prayer is being in the presence of God and clears the mind. Second, the person asks for God's help in the time of prayer, remembering that while prayer is a free act, it is only fruitful with God's help. Third, we bring ourselves to prayer, bringing our thoughts, feelings, moods, etc. to prayer and sharing them with God. The fourth step involves reading the scripture for the day, the fifth is reflection and conversation with God about the scripture. The prayer ends with the sixth and final step, praising and thanking God.

SACRED SPACE is almost the perfect guide for personal prayer. Since it uses the daily Mass gospels, it is prayer that unites members of the Church throughout the world (in general the same readings are used throughout the world but on occasion there will be readings for feast celebrated in Ireland such as St. Brigid's Day on Feb 1st). It is easy to use so a person beginning a prayer routine will not be intimidated yet since it is based on God's word through the scriptures, it is both simple and sophisticated. It is a method that can be done in a rather short period of time yet can easily be extended to longer periods. It's also a method that can be used at any time of the day. It could easily be something that begins the day (probably the ideal way to use the book), be a refresher for midday, or a good way to conclude the day.

P.S.: For people who have to prepare a homily for daily Mass and run out of ideas, the reflection questions in the book can be a wonderful way to sound new and fresh, and since it stems from prayer and reflection, it is what a homily is supposed to be.

This is a wonderful way to draw youself into a spirit of prayer and reflection. There is a scripture reading for each day and then some comments or questions that can be pondered that will, hopefully, bring you into a closer relationship with God through a better understanding of Jesus Christ.

This book is the definitive history of the riding families -- the Border Reviers. It is a long scholarly look into the nature of these complex and determined families that does not pass judgment or apply modern values in the assessment of their history and deeds. This is not for the casusal reader. It uses a fair amount of old English spellings and can be an effort to decifer at times. However Fraser MacDonald combines this along with his natural story telling ability to make you feel as if you are on a foray across the border and it keeps you coming back for more. If you are a student of Border history or are lucky enough to have one of the riding names, make the effort to read this book. It has no equal in its treatment of the subject.

Until England and Scotland were united under a single king in March 1603, the border between them was, unsurprisingly, a natural place for strife and disorder. The two countries had been at war intermittently for centuries, and many armies had passed back and forth across the border counties. Fraser's history covers the last hundred years of the border, from 1503 to 1603, a period during which the decayed (and astonishingly corrupt) administration could never cope with the local gangs -- known as "reivers" -- who terrorized the district with cattle theft, murder, and arson.

The book is very well-organized. Fraser starts with a few pages on the long historical background, then takes about half the book to cover the reivers by topic: chapters on arms and armour; on reiving technique; on the key families and their alliances; on cross-border relations; on the administrative structure. Fraser gives a lot of details, and plenty of quotes from the original sources (with the original spellings!).

This painstaking coverage sets up the second half of the book perfectly: one hundred and forty pages that cover the history of the border chronologically through the sixteenth century. With the details in hand, the second half is easy to follow and put in context; the writing is also clear and entertaining.

The last section of the book details the uncompromising way in which King James I destroyed the reivers in a few short years after 1603. It is a startlingly bloodthirsty story: Fraser includes quotes from blanket pardons that King James issued to some of his enforcers, which essentially say "whatever murders you did, I'm sure it was in a good cause, and you're absolved".

There are separate chapters on some of the most famous events, notably the raid on Carlisle Castle that freed Kinmont Willie. Fraser is at some pains to dispel the romantic ideas that cling to stories of the borderers -- as he points out, they were essentially a Mafia, with little of Robin Hood about them. It's clear, though, that he finds their adventurousness and style endearing and fascinating; and he writes about them so well that you are likely to feel the same way.

MacDonald Fraser brings to the history of the Anglo-Scots border reivers all the exuberance and attention to detail that made his name in the Flashman novels. Readers looking for more gloriously politically-incorrect adventures from the Victorian age won't find them here, but this book does repay the extra effort needed from the reader. The Steel Bonnets is the most entertaining yet informative serious works of history I have read.
The story of the Anglo-Scots border is a complex and a bloody one. MacDonald Fraser manages to understand, without condoning, the hard men who fought and died, rode and raided across the border between the kingdoms of England and Scotland. He untangles the knotted threads of their family ties and feuds and reveals their part in the wider relations between England and Scotland prior to the union of the Crowns in 1603. He dives into the dusty depths of the written records and brings them back to us red in tooth and claw.
At a time when the border between England and Scotland looks as though it may become an international, rather than a domestic border once more, this book should be of relevence to all with an interest in and love of these two nations.

I was born in Carlisle, England. The second big town of the border area other than Berwick. My father is from Longtown, Cumbria which is right next to the debateable land and I have the last name of Crozier. This book was like reading about my own history and explained a whole lot of things about my home town and the people I grew up with. Just in my neighborhood, there were Armstrongs, Taylors, Littles, Nixons, Grahams and many other Reiver names.
This is a very scholarly book and exceptionally well written. The author must have done an incredible amount of research to put this together. I read it twice, the second time noting how many references to Croziers(Crosers) there were. My father's family name is in there 26 times. Along with the Armstrongs, Nixons and Eliots, we were considered the worst of the worst of the reivers. Maybe not something to be proud of, but interesting. According to my mother(God rest her soul)her paternal grandfather was the illegitmate son of the Duke of Buccleugh(you'll hear a lot about the Scotts of Buccleugh, many of whom had the same name of Walter, including the famous one), so I have Reiver blood from there too. Fascinating book especially if you have a surname that might go back to that part of the world and those times.
What I have written here is just a taste of the whole book. A little heavy going at times, but so good that I have read it twice already and now use it as a research tool.

As a newcomer to Scottish Border history I found the many forces and families influencing events very confusing. George MacDonald Fraser has written a remarkable book in which he creates order and logic from a very complicated period and at the same time has written a book which is etremely readble.

It essential reading for anybody interested in border history and will no doubt be quoted extensively by writers who follow.

I am so pleased with this book, as I just discovered my roots are with the Irish. Such a wealth of information, I am so impressed.
from a Scottish born native, now USA citizen.

I live in Ireland and I bought this book about October, 2001. It's an updated version of the 1993 book. Having looked through many books in libraries, I found this to be the ultimate guide to Irish genealogy. I have succeeded in tracing my family back to the eighteenth century from information about parish records, census records etc, as John lists them so well. It gives details of sources county by county in chronological order. The church record listing is also excellent. This is definitely the Irish genealogy bible.

Tracing Your Irish Ancestors by professional Irish genealogist John Grenham is specifically written and designed to be used by researchers at all levels of experience, from the novice beginning to the seasoned professional. Organized into three major sections, Part 1 surveys the most basic genealogical sources for researching Irish ancestry; Part 2 provides a more advanced application of genealogical research project tools and resources; Part 3 is a reference guide to a comprehensive range of materials that include county source lists and church records. Also very highly recommended as a reference work for Irish-oriented genealogical researchers is the second edition of Brian Mitchell's A New Genealogical Atlas Of Ireland (080-6316845, $20.00).

This book is a great help for anyone trying to trace an Irish ancestor. It is very well organized, giving the reader both general information and information specific to localities. Many internet sites are listed. I would highly recommend this book to any Irish researcher.

This handy paperback is the first place to start for Irish research.

Irish ancestors can be very elusive due to a variety of factors. Don't get frustrated - get educated. You CAN hunt your Emerald Isle ancestors successfully when armed with the knowledge in this book.

While covering all of the standard civil, church, census, and land records, Grenham's book also covers wills, deeds, newspapers, directories, and other less-used records. The final third of the book is a county-by-county reference guide describing extant censuses and substitutes, available local histories, monumental inscriptions and other sources for each county.

One of the outstanding features of the book is the Catholic parish maps for each county. These were drawn by the author's father and give the date of the earliest records available for each parish.

A researcher with Irish heritage must be as indefatigable and adaptable as their own Irish forebears were in order find them in the existing records. This book is one of the tools you need to start with.

Twenty Years A-Growing, or Fiche Bliain ag Fás in its original Irish, is a humorous and well written book about the sometimes hard life at the great western island, An Blascaod Mór, off the cost of Ireland. It tells about the everyday of the islanders in the beginning of the century in a surprisingly modern and lively way. The language of the Island was Irish, and although the Great Blasket is now abandoned, the Irish language still lives on in the mainland parishes in this area. I strongly recommend this book to everyone interested in Ireland, its culture, the Irish language or readerswho just want a fun and good book. I myself have only read the whole of it in its Irish original, but the passes I've read in English shows a well-done translation

I haven't yet read the book but I will submit a review when completed. However the book came highly recommended to me by many people. they found it a delightful memoir and as i just returend from the Dingle Peninsula, i wanted to read it myself.

Twenty Years A-Growing by Maurice O'Sullivan is one heck of a "coming of age" story. I'd never even heard of it until a friend of mine told me that he was reading it. I'm sure glad he did. This is a great book!

I've actually read several coming of age stories recently. I didn't plan to...it just kind of occurred that way. Some of them were really good (David Copperfield by Dickens being one of them); but none of them, Copperfield included, spoke to my heart like Twenty Years A-Growing.

Twenty Years A-Growing was translated into English from Gaelic. I personally find this astounding. They (whoever "they" might be) say a book always loses something in translation. Yet Twenty Years absolutely sings in English...the translation is so powerful that the original must truly be a thing of beauty.

It is an autobiographical tale of growing up in the Blasket Islands off the coast of Ireland around the time of the first world war. For me at least, it was a thing of wonder to be able to enter into this world which has since moved on. It is a story told in a wonderfully simple yet almost lyrically beautiful way. Each chapter is a story in itself. The story as a whole slowly ingrains itself upon your heart and mind.

I felt an affinity with Maurice and his friend Thomas. The adventures they find themselves in ring true even as they entertain the reader. Likewise, the character of the grandfather in particular now feels like an old friend to me now. I particularly appreciated some of the wisdom he espouses to Maurice.

I dare anyone to read this book and not be charmed by the lives of these wonderful people who lived almost a hundred years ago in a kind of societal setting that seems all at once foreign, yet somehow more sane than today's world of constant "time management" in pursuit of hollow "muchness" and "manyness."

It does not happen often that I do not to want a book to end. I usually approach the end of a book with satisfaction. Rarely am I left wanting more. Yet that was the case with Twenty Years A-Growing. It is a truly special book.

Twenty Years A-Growing by Maurice O'Sullivan is one heck of a "coming of age" story. I'd never even heard of it until a friend of mine told me that he was reading it. I'm sure glad he did. This is a great book!

I've actually read several coming of age stories recently. I didn't plan to...it just kind of occurred that way. Some of them were really good (David Copperfield by Dickens being one of them); but none of them, Copperfield included, spoke to my heart like Twenty Years A-Growing.

Twenty Years A-Growing was translated into English from Gaelic. I personally find this astounding. They (whoever "they" might be) say a book always loses something in translation. Yet Twenty Years absolutely sings in English...the translation is so powerful that the original must truly be a thing of beauty.

It is an autobiographical tale of growing up in the Blasket Islands off the coast of Ireland around the time of the first world war. For me at least, it was a thing of wonder to be able to enter into this world which has since moved on. It is a story told in a wonderfully simple yet almost lyrically beautiful way. Each chapter is a story in itself. The story as a whole slowly ingrains itself upon your heart and mind.

I felt an affinity with Maurice and his friend Thomas. The adventures they find themselves in ring true even as they entertain the reader. Likewise, the character of the grandfather in particular now feels like an old friend to me. I particularly appreciated some of the wisdom he espouses to Maurice.

I dare anyone to read this book and not be charmed by the lives of these wonderful people who lived almost a hundred years ago in a kind of societal setting that seems all at once foreign, yet somehow more sane than today's world of constant "time management" in pursuit of hollow "muchness" and "manyness."

It does not happen often that I do not to want a book to end. I usually approach the end of a book with satisfaction. Rarely am I left wanting more. Yet that was the case with Twenty Years A-Growing. It is a truly special book.

This is an extraordinary book, described by the well-know author E.M. Forster as "here is the egg of a seabird - lovely, perfect and laid this very morning".

The author, Muiris Ó Súilleabháin, is an Irish-speaking boy growing up on the Great Blasket Island (An Blascaod Mór). He describes his childhood in the twenties on this 100% Irish-speaking island in Co. Kerry. The population of the island never reached 200, and life there was very archaic - resembling the society in Europe thousands of years ago. Nowhere else in Europe did the shear joy of speaking and love of words live on as here, where thousands of pages of folklore has been collected as well. This love of the language is obvious in this vivid book, in which Muiris presents an affectionate, lively and interesting account of a way of life that no longer is.

Despite being published 70 years ago, the book still feels fresh and manages to blend fond memories and humour in an extraordinary way. This is definitely THE book to buy for anyone interested in the Irish way of life.

Under the Eye of the Clock is the autobiography of Christopher Nolan, the talented young poet with cerebral palsy. He can't walk or talk or write in the usual manner. Since Nolan lacks the use of his hands, this book like Dam-Burst of Dreams, the book of poems that preceded it, was written by means of a typing stick affixed to his head. The book succeeds both as pure artistry and as a window into the world of the disabled. Nolan has re-named himself Joseph Meehan and told his story entirely in the objectivity of the third person. This brilliant stroke allows him to avoid excessive self-pity while making his sufferings and triumphs real and deep. Nolan's use of language had earned him comparisons with James Joyce, Yeats, and Dylan Thomas. Nolan stretches the meanings and implications of words, rearranges their spelling, and even invents new ones to communicate his moods and perceptions and illuminate life, his own and those he observes, with his unique poet's sensibility.

As a college English and literature instructor, I intend to make this book a required reading if it becomes available in print again. It should bless all readers because it becomes a reminder that NO matter what the circumstances, people should still be respected, loved, and appreciated. And, with this in mind, the reader may receive a self-esteem boost when being reminded of inner-personal value. I appreciate this book so much. I have three copies and continually loan them out.

Christopher Nolan's "Under The Eye Of The Clock" is an autobiographical account of his incredibly awe-inspiring and miraculous life. Born a cripple, he could have been consigned to the rubbish heap but instead and against all odds became a celebrated writer of this Whitbread Book winner, "The Banyan Tree" as well as an early book of poems. Without taking anything away from Joseph Meehan (a self portrait of Nolan), he couldn't have overcome his debilitating handicaps to scale the heights he did without the steady support and tender loving care of his family. A father, mother and sister who are such warm and emotionally intelligent human beings anybody would be blessed and proud to have them as family. The school principals, teachers and fellow students who accepted him, nurtured him and gave him the chance to prove himself equal to the best among physically whole human specimens are themselves shining examples of humanity who deserve as much recognition in Nolan's lifestory. Although it has been compared with James Joyce's "Portrait of an Artist as a Young Man", it is in reality nothing like it. Whereas Joyce's work is for the most part depressing and full of pain and harshness, Nolan's story is so morally uplifting you almost forget its grave subject matter. Nolan's dazzling and inventive writing style is also unique and something to relish. He coins and mints new words which have a yet found a conventional meaning but are so emotionally accurate you know they're right. Read this if you're feeling down and need something to restore your faith in mankind !

To learn about such an exceptional poet who, without the faith of his family, would never have been revealed to the world, gives the reader a new view of people's limitations. I bought 12 copies of this book (when it was in print)and somehow have given them all away over time.

I found my way to this book after I had read "The Banyan Tree" by Christopher Nolan. This was a book that I read and reviewed back in February, and ever since I have been mystified why the book never seemed to gain the wide acceptance of readers. All of the reviews that have been posted by readers for "The Banyan Tree" have been 5 star reviews, and the same is the case for "Under The Eye Of The Clock".

If you read you understand how difficult it is to write anything, much less a full book, and then have it selected for and win a prestigious award. In the case of the book I review now it was the 1987 Whitbred Award that was awarded to Mr. Nolan. All very impressive, but that's just the start.

This is an autobiography written by a very young man who next wrote the book "The Banyan Tree" and would take 12 years to do so. This is a painfully candid, but uplifting book about a man with the support of a wonderful Family overcomes extreme realities that are his life to become an Author of international renown.

Mr. Nolan cannot speak, he can barely move at all. He types with what he calls his "Unicorn Stick" that he wears on his head, and even then his head must be supported while he works.

An Autobiography is a courageous work if honestly presented. When you add Mr. Nolan's additional challenges he faces as a writer, and as a person living with his physical issues it becomes an extraordinary autobiographical book.

I hope more readers find Mr. Nolan, he is a unique writer of immense talent, and if you pass by his work you deprive yourself of great literature.