Europe Books

David Glantz may not write in the most exciting way or use tons of hyperbole or focus alot on the human facet of his stories on the Russo-German war, however as far as wealth of information on the Soviet side of things go there is no one better equipped in the western world to write about The Great Patriotic War. His access to Soviet military information is unprecedented and his attention to detail of the military operations second to none. When I first began reading Glantz's tomes on the war I had preconceived notions about this conflict. If Hitler had stayed on course for Moscow after the battle of Smolensk, if he had not split Operation Blau into a Stalingrad and a Caucauses dual front and kept those troops together for a concerted drive to the Volga, if Barbarossa had been launched in May instead of late June, if the Rasputista and bitter Russian winter had not intervened, if if if. And i truly believed Hitler could and should have won this war. After starting on Glantz's books around the year 2000 or so, and truly realizing the awesome potential in manpower and equipment the Soviets had, and realizing in these readings how unprepared materially and logistically the Germans were to fight this war my whole mindset has changed. I believe even if the Germans had taken Moscow Russia would still have won this war. Other then the Germans developing atomic weapons before anyone I have radically altered my view on Germany's chances here. The Soviet Union was destined to win this war no matter what the cost. Barbarossa more then anything else, was Hitler's greatest mistake in the war. I owe this new view to the works of David Glantz. His information is incredible, his summaries superlative, his conclusions inescapable. Dry and technical it may be, but for my money there is no better writer on The Great Patriotic War then David Glantz. Remember, Germany lost the war and 90 percent of her casualties on the Eastern front. Remember, the Soviet Union lost 27 million dead and most of her agricultural and economic bases and STILL won this war. She probably could have done so, although at even greater cost, without a second front in Italy in 1943, and in France in 1944. The Russian contribution to World War II must not be downplayed in the west. The war against Germany was primarily a Russian one, and David Glantz deserves accolades for being one of very few western writers to acknowledge this fact.

So, this is something that's only for professionals and hardcore fanatics, but it is highly recommended for them. It contains everything you ever wanted to know about the Red Army between 1941-43, and even more.

OK, nothing's perfect (5 stars means it's as perfect as it could be in our imperfect world), I can tell you one complaint. At one point he claims that command turbulance wasn't that bad even during Barbarossa. He cites statistics. But what I would've needed is some comparison. It's fine to know that less than X% of certain types of commanders were relieved of command, but it would've been nice to read some comparison: how was it with other armies... Without those, the data just hang in the air... (There were a few similar points - it's not much in a book well over 600 pages. So I still give it the 5 stars.)

Excellently detailed book! Some of the information is rehashed from previous Glantz books but put into very good context, especially with the enormous amount of details, tables, statistics, and facts. For those who are interested in learning more about the Eastern Front, and by more I mean really in depth like how many tanks per division/brigade/corps at certain periods during the war, what type of nationalities made up some of the rifle divisions/corps, or how many men were some divisions down to at one time or another (one guards division had 80!!! out of a required paper strength of over 10,000!!), this is a very good investment and you will not be disappointed! He also addresses some of the 'what if's' and 'myths' that have been created around the Eastern Front for the past few decades, so a big help in that respect as well.

Glantz does his usual excellent job on the Soviet military in World War II. He covers the campaigns, and the structure and development of the red army during the early part of the war. Separating much of the formation, commander and OoB material into the companion volume is actually a plus. Both volumes are easier to handle becuase of the size and it is easier to use two books to cross reference material.

Although hundreds of histories of Soviet-German war have been published in the last decade or so, they have for the most part either focused on large-scale operations, told the story from a predominantly German perspective, or, most likely, done both. Another unfortunate result of this has been the number of revisionist works, in some degree or another based on Viktor Suvorov's Icebreaker. In part this was out of necessity due to a a number of factors, including the lack of access to former Soviet archives as well as the repression of histories deemed embarrassing to important wartime heroes. David Glantz has once again answered this dearth of reliable Soviet-perspective war history with his newest volume Colossus Reborn. Using a massive number or Soviet primary sources he has written the comprehensive history of the Soviet-German war.

Glantz' book is divided into three parts to tell this story. The first is a chronological discussion of the first 30 months of war, subdivided into the initial period, which covers the war up to the Soviet counteroffensive at Stalingrad and then the second period, which covers the remaining 12 months. This first part of the book not only discusses the conventional view of the war but also clearly exposes the many Soviet operations that have lay hidden in virtual obscurity since war's end. Glantz also does a fine job showing how the Soviet-German war affected the course of WWII in general. Perhaps out of necessity this part of the book is rather concise. In any case it is still eye opening to have the vast number of counterstrokes, counteroffensives and strategic offensives laid out as they are here. As he himself points out, prior histories of the war have led to an almost constant and simplistic portrayal of operations as smooth periods of Wehrmacht offensives in the summer and Soviet offensives in the winter. He also clearly dispels the myth that the Red Army was simply along for the ride after the surprise attack and shows how Stalin and the Stavka repeatedly during the initial period of war attempted to organize counterstrokes as well as full counteroffensives.

Part two of the book is a very thorough look into the force structure of the Soviet army. This section is as comprehensive as one could possible ask for and retain a modicum of readability. Even as such, it is certainly the most difficult section to work through as it is basically a detailed look into how every aspect of the Soviet forces were reorganized from Front down to battalions in some instances. As such is feels at times to be comprised of endless tables of organization. This should not be overstated however, as this type of attention to detail is what most readers of Glantz have come to expect. Furthermore, it is this level of detail that sets him apart from most other widely published WWII historians. He does not simply explain to the reader that a particular type of unit was employed in a particular defensive or offensive action. He thoroughly explains how that type of unit came to be and gives the prior organization of similar units and why they failed to work.

Part three is a thorough analysis of the leaders of the Red Army and those that they led. The first subsection is broken up primarily into mini biographies of every major general, commanding every Front, Army, and Corps and all of their variants. It does so and gives a very interesting breakdown and percentages by year of the surviving and thriving general staff as well as command failures and traitors. Glantz then gives a very enlightening look into the soviet soldiers; who they were (ethnicity and gender are investigated here) how they survived, why they fought and what methods were used to keep them toeing the line, particularly after the hideous and demoralizing losses of the first six months. This section is probably the most readable of the three and is a very well written look into the human aspects of the war.

Finally, Glantz has once again written a history of the Soviet-German war that is groundbreaking, to say the least. Using sources that only he seems to be able to gain access to, he has delved more comprehensively into the factors that allowed the Red Army to first survive and eventually defeat Hitler's Wehrmacht, than anyone else before him. Yes, this volume reads quite dryly at times and the tables of organization can seem daunting but it must clearly be understood from the beginning that this is not a book for the casual history reader by any stretch. This book is meant for the dedicated historian of the Soviet-German war-those who need more than a basic overview of the military operations and geopolitical ramifications of the war. With all that said the only weakness that this book has are some instances of sloppy writing and subsequent poor editing. At times-particularly in Part I-this poor editing is truly frustrating and frequent. For the most part though, this is never more than a minor irritation. As a whole Glantz can, once again, be said to be the undisputed master of Soviet-German war history.

In your life you most likely face challenges as we all do. Few people have ever been challenged and triumphed over adversity like Viktor Hermann.

If you are a fan of "One Day In The Life Of Ivan Denisovich", here is another inspiring story of one who returned and survived the Gulag!

Hermann, an American is trapped within the Soviet Union and left behind. He is sent to the gulag and only by his wits, strength and inner presence does he manage to return.

This book is a personal memoir, it may not be the most well-written book but its story will not easily leave you. You will see the heights to which the spirit can rise and the depths and depravity to which it can sink.

Highly recommended and a true survivors tale.

Cheers!

I was so moved while reading this book I could hardly eat or sleep.It pounds at your heart and tears your soul and makes you laugh and cry ,like I have never done with reading any book! "This book should be a classic period"! I have read Solzhenitsyn Gulag Archipelago "But" Victor Herman "Coming Out Of The Ice" is number #1. Because I couldnt stop thinking about it for years and years.It leaves an impression at your very soul and you come out alive and on top! Hang on to seat because its a True Story you wont forget as long as you live. Sincerely Chuck Kinney

I first read Herman's "Coming out of the Ice" when I was 14 yrs old. Since my first encounter with the book, I have opened the worn covers many times to re-read my favorite excerpts.

I will pass this book on to my children just as my father did to me. For, this story heralds the triumph of the human spirit in the bleakest sittuations imaginable. We must remember the acts of Stalin and other leaders like him. Only by studying the history of human supression can we move forward into the future with the confidence that the human spirit will triumph.

Tongight when you are eating your dinner in a heated home, remember these words, "Two potatoes Papa?"

I met Victor Herman in 1981 at a small gathering at Rutgers College. He told us all about his experiences, although not in as much detail as in the book. I didn't buy the book at the time because I needed the money to buy food. I saw the TV movie a couple of years later, but I never read the book until recently. And only because I hunted it down. I never forgot the look of intense sadness in Victor's eyes or his story. This is 1984 in real life. Coming Out Of The Ice should be required reading for every high school student in the world.

I am (very untypically) finding it difficult to express how important this book is. It's a story of incredible endurance and perseverance that will help you stop worrying about most of what's troubling you. It's also a reminder that everyone in the world does not think the same way, that other cultures and countries are very different, and that we truly have something special in the U.S. Our society of law, freedom, independence is very precious -- worth defending against enemies, both foreign and domestic. In a time when some Americans seem bent on giving away our democracy in order to feel safe again, this story is a powerful reminder of why we must all stand up for freedom. And if you think these comments are overblown, read the book anyway and decide again when you're done.

A lot of things began in Renaissance Florence: the way businesses keep their books, the way sovereign states relate to each other, the way people use art to tell stories and create beauty. These things and many more elements of modern society have their origins in this smallish Tuscan city. These impulses were born in the middle of the last millenium - during the century or so when Florence blossomed as the intellectual and artistic supernova of the Italian Renaissance. Today, Florence remains densely packed with the memories of that time. Eve Borsook's "THE COMPANION GUIDE TO FLORENCE" is the key to the city. In addition to all the names, dates, places of history, Borsook skillfully weaves in meaning and context so that you may know who painted what fresco in which church - but why it remains meaningful 500 years down the road. You can go to Florence to shop for many beautiful Italian creations. But with this book, you can gain a clear appreciation about why the names,images and achievements from this amazing city's glorious past still resonate in our lives today.

I lived in Florence as a full time tourist for a year in the early eighties. I could divide my year into before and after finding this book; it's that good. The maps reveal every nook and cranny, helping you to see the hidden wonders right before your eyes in this city that is so immensely rich in wonders. The recommended walking tours make your time more meaningful, as the buildings and artwork become not only isolated splendors, but also pieces of the history of this remarkable city. I am eagerly awaiting the arrival of the latest edition so that I can plan a return visit for next year. Buy yours early and plan your time, and you will have a visit beyond what even the best tour guide could ever offer. Buon viaggio!

Borsook offers a comprehensive overview of the history and culture of the cradle of the Renaissance, and a guide to the many nooks and crannys of old Florence. This book details all the important venues open to the public, plus many that are not. It gives invaluable insight into the context of the city, and site maps to all the important works of art and science.

I read this book before a recent trip to Florence, using it to plan the visit. I left it home, thinking it too heavy to tote along. I won't make that mistake when we return. Forget the guidebooks; Borsook is all you need to enjoy Florence.

A lot of things began in Florence. The way businesses keep their books, the way sovereign states relate to each other, the way people use art to tell stories and create beauty. These things and many more elements of modern society have their origins in this smallish Tuscan city. These impulses were born in the middle of the last millenium - during a century or so when Florence blossomed as an intellectual and artistic supernova of the Italian Renaissance. Today, Florence remains densely packed with the memories of that time. Eve Borsook's "THE COMPANION GUIDE TO FLORENCE" is the key to the city. In addition to all the names, dates, places of history, Borsook skillfully weaves in meaning and context so that you may not only know who painted what fresco in which church - but why it remains meaningful 500 years down the road. You can go to Florence to shop for many beautiful Italian creations. But with this book, you can gain a clear appreciation about why the names and images from this amazing city's glorious past still resonate in our lives today.

A lot of things began in Renaissance Florence: the way businesses keep their books, the way sovereign states relate to each other, the way people use art to tell stories and create beauty. These things and many more elements of modern society have their origins in this smallish Tuscan city. These impulses were born in the middle of the last millenium - during the century or so when Florence blossomed as the intellectual and artistic supernova of the Italian Renaissance. Today, Florence remains densely packed with the memories of that time. Eve Borsook's "THE COMPANION GUIDE TO FLORENCE" is the key to the city. In addition to all the names, dates, places of history, Borsook skillfully weaves in meaning and context so that you may know who painted what fresco in which church - but why it remains meaningful 500 years down the road. You can go to Florence to shop for many beautiful Italian creations. But with this book, you can gain a clear appreciation about why the names,images and achievements from this amazing city's glorious past still resonate in our lives today.

Having spent my teenage years in Mozambique during the 1950s, I've always felt a strong affinity for Mozambique and its people. I read Finnegan's book with a heavy heart, finally piecing together the puzzle of what has become of the, "Terra de boa gente", the land of the good people. Finnegan's book is amazingly sensitive and intelligent. This is a book built on a foundation of deep insight, patience and great scholarship. Through Finnegan's incisive reporting, I was transported back to this "harrowed" land down to the smell of the wood fires. Not having been in Mozambique since 1968, Finnegan re-kindled my interest and wish to re-visit this challenged land and to see it again for myself.

This is a great introductory book to understanding the war in Mozambique from independence until 1992. This would be the first book that I would recommend anyone wanting to know about the history behind current events not only in Mozambique, but in Southern Africa in general. Finnegan divided the war into sections based on the provinces of Mozambique, and then told the unique story relative to each region and how the war was influenced by Mozambicans and its neighbors. If anyone is interested in further reading on Mozambique and/or Southern Africa, the bibliography in the back of this book is exceptional. Most highly recommended!

I bought this book before a trip to Mozambique in the summer of 2000. I found it very hard to find books about the country. I found this to be the most complete book as far as giving me a big picture of what the people had been through in recent years. The book has many anecdotes to show the typical western reader just how different life is in Mozambique. I found that the sense of poverty as well as generosity and warmth that the author communicated was verified by my own experience. It is the stories of the everyday person in the book that are so wonderful. Stories of the joy of children upon recieving a gift of a pen or the desire of young man for a pair of shoes.

The Mozambicans are amazing people. I apprciated them even more because I had read this this book. I was filled with wonder at the total complete wonderful humanity I encountered given the populations truly horrible experience of war.

I bought this book before a trip to Mozambique in the summer of 2000. It was very hard to find books about the country. I ended up coming to Amazon and jsut doing a search. This was one of the books I bought sight unseen. It turned out to be the best. It was the most complete book as far as giving me a big picture of what the people had been through in recent years. The book has many anecdotes to show the typical western reader just how different life is in Mozambique. I found that the sense of poverty as well as generosity and warmth that the author communicated was verified by my own experience. It is the stories of the everyday person in the book that are so wonderful. Stories of the joy of children upon recieving a gift of a pen or the desire of young man for a pair of shoes.

The Mozambicans are amazing people. I apprciated them even more because I had read this this book. I was filled with wonder at the total complete wonderful humanity I encountered given the populations truly horrible experience of war.

This is a lively and well written book which deals with the period of civil war in Mozambique. It was completed and published just before the conclusion of a successful peace process and so provides a particularly clear and powerful view of recent history.It is based on the author's travels within country during the war period and includes extensive interviews. The people he talked and worked with emerge as very vivid and lively characters. The support of the rebels by Rhodesia and South Africa, and the reasons for that support, are well described. A must read for anyone going to work in Mz, strongly recommended for the serious traveler as well.

A very interesting and concise history of Greece from the 18th century to the present. It includes detailed examinations of all the major turning points in Greek history in the last three hundred years; the Greek war of independence, Greece under the Nazis, the Greek Civil War and the dictatorship. All of the important passions that have overcome the Greeks are woven into the story as is the story of the destruction of the Greek peoples of Anatolia (The Pontic Greeks and Smyrna Greeks and others) as well as the ethnic-cleansing of Greeks by the Turks from places such as Adrianople, Constantinople and Rumania and Bulgaria. The conflict over Macedonia is highlighted as is the tragic story of the 100,000 strong Greek community of Egypt that was also cleansed by the Nasser regime.

A fascinating history,

Seth J. Frantzman

This is a great book for both an introduction as well as an on-going reference source on modern Greece.
Highly recommend it to students or anyone interested in learning the history of the modern state, without getting bogged down with boring details.

I enjoyed reading the book but in some parts I had difficulties to understand the context. Somehow, Clogg jumps from one subject to the other. Also, there were very difficult historical words which are especially difficult for readers whose mother tongue is not English. Admittedly, the book has not been written for foreign readers but I think that even an English native speaker has a problem to understand words like "irredentism" and "shibboleth" if he didn't study history. Another problem is the title of some chapters. He calls one chapter "The legacy of the Civil war 1950 - 1974" although the civil war in Greece was between 1944 and 1949 or so. How can he call this capter in the abovementioned way if he writes about military rule and the Cyprus conflict? He admitted in a way that Britain and the USA have contributed to the beginning of the Cyprus conflict but he doesn't write much about it. I read the book but sometimes I did not understand it, in particular the context. I wished he would have written also more about the Ottoman rule in Greece or even the beginning of the history of Greece. The book would have been thicker, indeed, but it would have given more information. Also, he should have given the book a slightly different title, for instance "A Concise History of Greece - 1770 - 1990". This would have been clearer because as a reader you think that he has written about the whole history of Greece. However, all in all it was a good book. I enjoyed it.

Now in an expanded second edition, A Concise History Of Greece by Richard Clogg (Fellow of St. Anthony's College, Oxford University, England) is a straightforward, scholarly chronicle of the modern history of Greece, ranging from the Ottoman rule of the late 1700's, to the pressures of Balkan strife and political modernization of the present day. Deftly written and carefully researched, supplemented with tables, short biographies, as well as a listing of the royal houses of Greece, A Concise History Of Greece is an excellent and scholarly survey of the modern growth of the nation which is a strongly recommended addition to academic World History collections in general, and Hellenic History supplemental reading lists in particular.

Richard Clogg is a renowned international scholar who has been writing about Greek history for decades. This work is a popularization (from footnotes deliver me) that should prove very helpful to the layman with more than a casual interest in Greece. It invites comparison with C.M. Woodhouse's also famous history, but I must declare myself incompetent to decide if one is better than the other.

Clogg's section on the Ottoman period is blessedly brief and his discussion of the Nazi occupation and Communist insurection are to-the-point yet incisive.

Perhaps the most exciting feature of the work is the great bunch of pictures gracing nearly every page and showing the days of glory in Modern Greece as well as some of the saddest. The maps are also helpful.

There are no footnotes but the selective bibliography will be useful to most readers. There is also an appendix giving thumbnail biographies of some luminaries in modern Greek history.

For most, Charles Dickens is the only source we've encountered regarding the awful human misery of the early industrial revolution. However, Friedrich Engels and Karl Marx reported on it, too. Indeed, most of their criticisms were far more applicable to the raw capitalism of contemporary England than their native Germany.

Engels stayed in Manchester, the premier industrial city of the time, during the early 1840's to research his book. And he produced a devastating indictment of the truly miserable and life-threatening living conditions he found. Unlike Marx, Engels had a pronounced flair for writing; he makes it a fascinating, eye-opening journey back through time.

The topics he includes cover: struggling labor movements, the denigrating effects of immigration on domestic workers (due to competing subsistence-cost labor), the ignorance and crippling of child workers, the sexual exploitation of women workers, the displacement of male heads of household by lower-cost and more pliant women/children, the unbelievable filth and subhuman housing conditions workers endured, the dangerous and unhealthy working conditions of miners/factory workers, rampant substance abuse, doping of children by babysitters, the total lack of legal redress for the poor, the displacement of labor by machinery, and the role of unbridled competition in perpetrating economic distress.

While we all know communism has failed, its rise was due to these very real and serious problems, some of which remain with many Western workers today. And most of these conditions do very much persist in emerging economies right now. So, even though the book is well over 150 years old it is still highly valid!

The main fault of course with Marx/Engels' communist philosophy is that ALL humans are greedy and lazy - it's just that the clever ones (whether they originate from 'bourgeous' or 'working' classes) will always exploit the others. And it doesn't matter whether the system is capitalist or communist - those at the top will always exploit those below for personal advantage. Probably the best response has been the progressive social reform in Western nations over the last 100 years. (Revolutions and dictatorships usually only lead to mass murder.)

This chilling book is the real-life Oliver Twist exposed.I think Fredrick Engels wrote this book,in part to clear his conscious.And largely, to shed light on the fetid ,wretched underbelly of the 19th century industrial-age society.The nameless toilers working ten to twelve hour shifts,in a factory operation they had no vote or control over.Marx and Engels had many valid arguments for improving the workers lives.Did their end-results justify their means of social revolution? Engels would be amazed at the former textile towns,like Manchester,absorbing the large influx of Asians,Moslims and Africans today.It is still being debated,whether history has proven Engels & Marx right.This book is still a historical classic,thats presumptive findings give the modern reader,reason to pause. So,look all around you. -A Great Book !

Fabuous book. Engels wrote this when he was only 24- and what a tour de force.

The work is detailed, beautifully observed and elegantly written. Despite the depressing nature of the subject matter, the tone is always possible about a better world beyond the evils of capitalism.

Unfortunately 150 years after this masterpiece was written things dont seen to have gotten better under capitalism. Rather, the old evils of poverty, infectious diseases, starvation have been replaced by the modern evils of capitalism: obesity, alienation, mass materialism, depression, plunging fertility and marriage rates and so on...

Engels was the engine behind Karl Marx, one that gave him all the support he could, so to permit Marx to dedicate himself almost completely to the completion of his works. Judging himself many degrees bellow Marx in terms of intelect, Engels nonetheless is capable of writting a book such as this which describes all the impoverishment of the working class in the beginning of the industrialization in England, being helped by some well porputed factories labor fiscalization agents who allowed Engels to flip trough their reports. Strong terms like "the dark satanic mills" describe fully what were the working conditions of the time in a so rich country as England. An historical document lest no one forget what can happen again if the free hand of capitalism is allowed to run free of any barriers.

Friedrich Engels' classic "The Condition of the Working Class in England" was written when he was only twenty-four, and had but recently abandoned his Calvinist upbringing for a more critical, socialist, point of view. Yet this book reads as if it were written by an experienced political commentator or a radical sociologist, without actually at any point becoming melodramatic or dense.

Engels' main purpose is to confront the bourgeoisie with the reality of their mode of production and to contrast this with the rhetoric of "free choice" and "civil liberties", as well as the capitalist apologia of the political economists of his day, in particular Andrew Ure. With great insight into both the causes and effects of the capitalist system, Engels catalogues the endless want, filth, despair and misery experienced by millions of labourers every day in 19th century England. He pays attention to housing, to factory safety, to unionism, to the physical condition of the workers, to alcoholism, the state of the Irish underclass, to prostitution and disease; in short, all the ills attendant on industrialization.

What gives this book such power is that Engels on the one hand proceeds in an analytical manner, making use above all of sources from the bourgeoisie itself and from Parliamentary reports, in explaining the functioning of the capitalist system and the competition between capitalists and between labourers. On the other hand, he writes in a particularly readable manner and at no point bores the reader with the mere summing-up of statistics. On the contrary, every analytical truth is accompanied by a vivid description, taken from Engels' excursions into working-class neighbourhoods, of the terrible state of humanity that the economic laws of capitalism cause for a great number of people.

For those interested in political economy, it may come as a surprise to see how much of the functioning of capitalism Engels already understood at such an early point in the development of theory. This gives the lie to the many theorists who would later claim that it was Marx only who worked on economics and that Engels was a mere epigone; this book should be a vindication of Engels. His later sketches of the political economy and of the historical development of capitalism would lay the foundation for both the Communist Manifesto and Marx' economic works. But the core insights that would create the modern theory of socialism are for the first time fully expressed here, and in a most appealing and shockingly effective manner.

In other words, an absolute must read for every person of intelligence.

It is 1741; Otis Gardner is the Coram Man, a cruel, sadistic trader who makes his living from the disposal of unwanted infants and by selling older children into slavery. Together with his half-wit son Meshak, he travels from Gloucester to London, collecting children under false promises of delivering them to the famous hospice founded by Thomas Coram.

Alexander Ashbrook, disinherited heir to a large estate, is unaware of the existence of his illegitimate son Aaron, a child given away in infancy and brought up in the Coram hospice to avoid scandal. Aaron, also oblivious to his father's identity, befriends Toby, a young boy saved from an African slave ship, and the childlike Mish who brought him to the orphanage all those years ago.

Set in eighteenth century Britain, "Coram Boy" is an epic tale of good and evil and the relationships between a father and a son. The plot is complicated yet compelling enough to make this novel impossible to put down. Jamila Gavin weaves a powerful story that explores the darker side of life in the 1700s and which combines romance, history, tragedy and hope. Beautifully written and filled with a cast of colourful and memorable characters to bring this eighteenth century world to life, Coram Boy is both a unique and special book. Although difficult to get into, this is ultimately an extremely rewarding read that has a wide appeal, although some readers may find the content of infanticide disturbing. Overall, this is definitely a five star book, and I would highly recommend it to both teens and adults .

~Jenna~

Otis Gardiner is a peddler in London who persuades young women to pay him for bringing their babies to the famous Coram Hospital, a place where unwanted children can receive proper education and have a successful future. However, after Otis got paid, he would kill these babies and later on blackmail the women who entrusted him with their babies for more money. His son, Meshak, saved a baby that he was about to kill and escaped to the Coram Hospital and stayed there for the next eight years. The baby was named Aaron Dangersfield and was very talented in music, like his father, Alexander Ashbrook. Alexander discovered that Aaron is actually his son in a meeting with his wife and sister, but Aaron was already being sent on a ship to America to be sold as a slave. Someone rescued Aaron from the ship shortly after it parted. Finally, Alexander reconciled with his long lost son.
I think this is an unbelievably awesome book. It involved many characters that each has their own small story in this book. For example, Aaron Dangersfield¡¦s foster father is a simpleton, and he often dreamed of living with the kind angles in the chapels away from his cruel father. Aaron¡¦s real father was kicked out of his family for living a life as a musician instead of learning how to take care and prosper from his father¡¦s estates. Furthermore Aaron¡¦s best friend, Toby, is an African, and he was being treated like a rare, dark-skin plaything more than a human. All of these small stories add up to be what Aaron has to experience or discover, which is what makes Coram Boy extra interesting.
My favorite part of this book is the epilogue. In the epilogue, Meshak was finally able to be with his imaginary angels after all the suffering he went through. He is a simpleton and was being treated cruelly by his father ever since he was born. He doesn¡¦t really mind being mistreated by his father, but he does feel mad when he saw with his very own eyes that the girl he admired fell in love with somebody else. Therefore, he saved that girl¡¦s baby boy and loved him like his son. At the end, when even the boy that he cared about so much went away, he asked his imaginary angels, ¡§Can I be dead now?¡¨ With merely five short words, so much is being remembered and expressed.

Otis Gardiner is a peddler in London who persuades young women to pay him for bringing their babies to the famous Coram Hospital, a place where unwanted children can receive proper education and have a successful future. However, after Otis got paid, he would kill these babies and later on blackmail the women who entrusted him with their babies for more money. His son, Meshak, saved a baby that he was about to kill and escaped to the Coram Hospital and stayed there for the next eight years. The baby was named Aaron Dangersfield and was very talented in music, like his father, Alexander Ashbrook. Alexander discovered that Aaron is actually his son in a meeting with his wife and sister, but Aaron was already being sent on a ship to America to be sold as a slave. Someone rescued Aaron from the ship shortly after it parted. Finally, Alexander reconciled with his long lost son.
I think this is an unbelievably awesome book. It involved many characters that each has their own small story in this book. For example, Aaron Dangersfield¡¦s foster father is a simpleton, and he often dreamed of living with the kind angles in the chapels away from his cruel father. Aaron¡¦s real father was kicked out of his family for living a life as a musician instead of learning how to take care and prosper from his father¡¦s estates. Furthermore Aaron¡¦s best friend, Toby, is an African, and he was being treated like a rare, dark-skin plaything more than a human. All of these small stories add up to be what Aaron has to experience or discover, which is what makes Coram Boy extra interesting.
My favorite part of this book is the epilogue. In the epilogue, Meshak was finally able to be with his imaginary angels after all the suffering he went through. He is a simpleton and was being treated cruelly by his father ever since he was born. He doesn¡¦t really mind being mistreated by his father, but he does feel mad when he saw with his very own eyes that the girl he admired fell in love with somebody else. Therefore, he saved that girl¡¦s baby boy and loved him like his son. At the end, when even the boy that he cared about so much went away, he asked his imaginary angels, ¡§Can I be dead now?¡¨ With merely five short words, so much is being remembered and expressed.

Books are like baskets, with sturdy sides and empty spaces in the centers to fill. It's rare to find a novel so well-crafted that its story fills the basket up to the brim, but I have. Coram Boy is one that shines because of its powerful story, life-like characters, and the many emotions portrayed throughout the tale.
Alexander is a rich, talented choirboy who spends his life enveloped in music. Thomas, his best friend, comes from a poorer family, but is also devoted to melodies. There is one difference: Thomas is free to become a musician, but Alex can only look forward to becoming the master of his huge mansion. When Thomas is invited to spend the summer at his friend's house, he discovers that Alex holds a great passion for Melissa, the maid's lovely daughter, while at the same time dislikes his father for not letting him follow his musical talent. However, none of them know that another person trails Melissa too: Meshak, the unloved son of a man who makes money out of selling babies to become slaves. To everybody's shock, Alex runs away from his father's grip to become a musician, and Melissa, barely a child herself, gives birth to his baby. The baby is handed over to the `slave-dealer' secretly, but Meshak snatches it away, and cares for his angel's child as if it were his own.
Eight years later, the child, called Aaron, is taken as the now famous Alexander Ashbrook's apprentice without knowing that they are related. Meshak's father is still on the lookout for young boys and girls to become slaves. He gets his hand on Aaron and plans to ship him across the sea. Will the innocent Aaron become a slave? Will he find out that his mother and father are still alive? Will Alexander discover that he has a son to love?
In a way, the characters in the novel are examples of people in real life. There are conflicts between fathers and sons, between girls and boys, and between best friends. These work out in the end because the characters feel a push to make things right again, even if it's a few years late. You can also learn numerous life lessons from this book. I found out that people with bad intentions never win in the long run; their bad hearts stick out like a piece of coal in gold! I also learned that you should always be optimistic, because you never know if your life will turn a bend that will change your life forever!
Out of the many characters in the book, whether old or young, I must say that my favourite one was Thomas, Alexander's friend. He felt sympathy for Alex when his family problems became bigger and helped him without any questions. He raised the suspicion of Meshak's father when many children started disappearing. He started the question of whether Aaron was his best friend's son. He raised many spirits with his sense of humour. Without him, how could the story have gone on?
Why did I choose this book and not a fat juicy one then? I leafed through the novel and discovered that it was the proud winner of the Whitbread Children's Book Award, and decided to give it a try. Even though the novel isn't as thick as some as the other ones, it's packed with precious lessons for life and stories you'll never forget!
I love this book with all my heart; I love the plot and the way the ending is a complete and breathtaking surprise! I recommend this book to the whole world, because everyone on Earth deserves such a great book!

Set in the eighteenth century, Coram Boy is a story of love, crime, tragedy, heartbreak and miracles. It is one of the most beautifully written books I have ever read and one of my all time favourites. I am always reading it aloud, just because the words are so nice. The characters are very clear and made to love or hate. The author shows such depth of knowledge and expresses so much emotion! It is a complex, exciting novel and the end will make you cry! I love it to bits. I'm sure you will to.

It is 1741; Otis Gardner is the Coram Man, a cruel, sadistic trader who makes his living from the disposal of unwanted infants and by selling older children into slavery. Together with his half-wit son Meshak, he travels from Gloucester to London, collecting children under false promises of delivering them to the famous hospice founded by Thomas Coram.

Alexander Ashbrook, disinherited heir to a large estate, is unaware of the existence of his illegitimate son Aaron, a child given away in infancy and brought up in the Coram hospice to avoid scandal. Aaron, also oblivious to his father's identity, befriends Toby, a young boy saved from an African slave ship, and the childlike Mish who brought him to the orphanage all those years ago.

Set in eighteenth century Britain, "Coram Boy" is an epic tale of good and evil and the relationships between a father and a son. The plot is complicated yet compelling enough to make this novel impossible to put down. Jamila Gavin weaves a powerful story that explores the darker side of life in the 1700s and which combines romance, history, tragedy and hope. Beautifully written and filled with a cast of colourful and memorable characters to bring this eighteenth century world to life, Coram Boy is both a unique and special book. Although difficult to get into, this is ultimately an extremely rewarding read that has a wide appeal, although some readers may find the content of infanticide disturbing. Overall, this is definitely a five star book, and I would highly recommend it to both teens and adults .

~Jenna~

Otis Gardiner is a peddler in London who persuades young women to pay him for bringing their babies to the famous Coram Hospital, a place where unwanted children can receive proper education and have a successful future. However, after Otis got paid, he would kill these babies and later on blackmail the women who entrusted him with their babies for more money. His son, Meshak, saved a baby that he was about to kill and escaped to the Coram Hospital and stayed there for the next eight years. The baby was named Aaron Dangersfield and was very talented in music, like his father, Alexander Ashbrook. Alexander discovered that Aaron is actually his son in a meeting with his wife and sister, but Aaron was already being sent on a ship to America to be sold as a slave. Someone rescued Aaron from the ship shortly after it parted. Finally, Alexander reconciled with his long lost son.
I think this is an unbelievably awesome book. It involved many characters that each has their own small story in this book. For example, Aaron Dangersfield¡¦s foster father is a simpleton, and he often dreamed of living with the kind angles in the chapels away from his cruel father. Aaron¡¦s real father was kicked out of his family for living a life as a musician instead of learning how to take care and prosper from his father¡¦s estates. Furthermore Aaron¡¦s best friend, Toby, is an African, and he was being treated like a rare, dark-skin plaything more than a human. All of these small stories add up to be what Aaron has to experience or discover, which is what makes Coram Boy extra interesting.
My favorite part of this book is the epilogue. In the epilogue, Meshak was finally able to be with his imaginary angels after all the suffering he went through. He is a simpleton and was being treated cruelly by his father ever since he was born. He doesn¡¦t really mind being mistreated by his father, but he does feel mad when he saw with his very own eyes that the girl he admired fell in love with somebody else. Therefore, he saved that girl¡¦s baby boy and loved him like his son. At the end, when even the boy that he cared about so much went away, he asked his imaginary angels, ¡§Can I be dead now?¡¨ With merely five short words, so much is being remembered and expressed.

Otis Gardiner is a peddler in London who persuades young women to pay him for bringing their babies to the famous Coram Hospital, a place where unwanted children can receive proper education and have a successful future. However, after Otis got paid, he would kill these babies and later on blackmail the women who entrusted him with their babies for more money. His son, Meshak, saved a baby that he was about to kill and escaped to the Coram Hospital and stayed there for the next eight years. The baby was named Aaron Dangersfield and was very talented in music, like his father, Alexander Ashbrook. Alexander discovered that Aaron is actually his son in a meeting with his wife and sister, but Aaron was already being sent on a ship to America to be sold as a slave. Someone rescued Aaron from the ship shortly after it parted. Finally, Alexander reconciled with his long lost son.
I think this is an unbelievably awesome book. It involved many characters that each has their own small story in this book. For example, Aaron Dangersfield¡¦s foster father is a simpleton, and he often dreamed of living with the kind angles in the chapels away from his cruel father. Aaron¡¦s real father was kicked out of his family for living a life as a musician instead of learning how to take care and prosper from his father¡¦s estates. Furthermore Aaron¡¦s best friend, Toby, is an African, and he was being treated like a rare, dark-skin plaything more than a human. All of these small stories add up to be what Aaron has to experience or discover, which is what makes Coram Boy extra interesting.
My favorite part of this book is the epilogue. In the epilogue, Meshak was finally able to be with his imaginary angels after all the suffering he went through. He is a simpleton and was being treated cruelly by his father ever since he was born. He doesn¡¦t really mind being mistreated by his father, but he does feel mad when he saw with his very own eyes that the girl he admired fell in love with somebody else. Therefore, he saved that girl¡¦s baby boy and loved him like his son. At the end, when even the boy that he cared about so much went away, he asked his imaginary angels, ¡§Can I be dead now?¡¨ With merely five short words, so much is being remembered and expressed.

Books are like baskets, with sturdy sides and empty spaces in the centers to fill. It's rare to find a novel so well-crafted that its story fills the basket up to the brim, but I have. Coram Boy is one that shines because of its powerful story, life-like characters, and the many emotions portrayed throughout the tale.
Alexander is a rich, talented choirboy who spends his life enveloped in music. Thomas, his best friend, comes from a poorer family, but is also devoted to melodies. There is one difference: Thomas is free to become a musician, but Alex can only look forward to becoming the master of his huge mansion. When Thomas is invited to spend the summer at his friend's house, he discovers that Alex holds a great passion for Melissa, the maid's lovely daughter, while at the same time dislikes his father for not letting him follow his musical talent. However, none of them know that another person trails Melissa too: Meshak, the unloved son of a man who makes money out of selling babies to become slaves. To everybody's shock, Alex runs away from his father's grip to become a musician, and Melissa, barely a child herself, gives birth to his baby. The baby is handed over to the `slave-dealer' secretly, but Meshak snatches it away, and cares for his angel's child as if it were his own.
Eight years later, the child, called Aaron, is taken as the now famous Alexander Ashbrook's apprentice without knowing that they are related. Meshak's father is still on the lookout for young boys and girls to become slaves. He gets his hand on Aaron and plans to ship him across the sea. Will the innocent Aaron become a slave? Will he find out that his mother and father are still alive? Will Alexander discover that he has a son to love?
In a way, the characters in the novel are examples of people in real life. There are conflicts between fathers and sons, between girls and boys, and between best friends. These work out in the end because the characters feel a push to make things right again, even if it's a few years late. You can also learn numerous life lessons from this book. I found out that people with bad intentions never win in the long run; their bad hearts stick out like a piece of coal in gold! I also learned that you should always be optimistic, because you never know if your life will turn a bend that will change your life forever!
Out of the many characters in the book, whether old or young, I must say that my favourite one was Thomas, Alexander's friend. He felt sympathy for Alex when his family problems became bigger and helped him without any questions. He raised the suspicion of Meshak's father when many children started disappearing. He started the question of whether Aaron was his best friend's son. He raised many spirits with his sense of humour. Without him, how could the story have gone on?
Why did I choose this book and not a fat juicy one then? I leafed through the novel and discovered that it was the proud winner of the Whitbread Children's Book Award, and decided to give it a try. Even though the novel isn't as thick as some as the other ones, it's packed with precious lessons for life and stories you'll never forget!
I love this book with all my heart; I love the plot and the way the ending is a complete and breathtaking surprise! I recommend this book to the whole world, because everyone on Earth deserves such a great book!

Set in the eighteenth century, Coram Boy is a story of love, crime, tragedy, heartbreak and miracles. It is one of the most beautifully written books I have ever read and one of my all time favourites. I am always reading it aloud, just because the words are so nice. The characters are very clear and made to love or hate. The author shows such depth of knowledge and expresses so much emotion! It is a complex, exciting novel and the end will make you cry! I love it to bits. I'm sure you will to.

1970's "The Crofter and the Laird" is John McPhee's graceful account of an extended stay on the Scottish island of Colonsay, ancestral home to his clan and a living fragment of an almost feudal lifestyle in the 20th Century.

Author John McPhee is rightly known for his keen observation, his simple but highly descriptive prose, and his ability to capture a sense of place. These skills are very evident in his clear-eyed yet sympathetic narrative of a vanishing culture in the Hebrides. The residents work small crofts, or rented farms, for a thin but apparently rewarding living in the solitude of a remote and beautiful island. The laird, owner of the island, lives in England but visits every summer. The crofters and the laird are enmeshed in an ancient legal tradition of mutual obligation, an anachronism which neither party was quite yet prepared to give up when McPhee stayed on Colonsay.

Colonsay's culture sits on a couple of millennia of history contributed by Picts, Celts, Scots, Vikings, and others. Some of the best parts of McPhee's narrative are his observations of the ancient remnants, such as ruined chapels, and the myths, stories, and customs forwarded by the islanders. Every physical feature on the island seems to have a name and a story.

The center of McPhee's narrative is his host on the island, one Donald McNeill, who pursues a variety of vocations to feed his family and make a living, and who provides insight into a close-knit society that regards "incomers" with some suspicion. McNeill is entirely comfortable in his life, appreciative of his family's long continuity on the island, yet honest about the hard work required by what is nearly subsistance living.

This book is highly recommended as a fascinating and enjoyable read on a small fragment of a vanishing island culture in a place time seemed almost to have forgotten.

The finely detailed observations and vivid turn-of-words which we have come to know so well from McPhee's books on North America and its geological history, is applied here with great skill in this look at the tiny Scottish island of Colonsay and its inhabitants. The small population of under 150 people can trace ancestry to two castes or clans. Most are crofters or farmers. Some are true islanders with family roots going back hundreds of years; others are "incomers". It's not a derogatory term but simply another social distinction. Then there's THE CROFTER AND THE LAIRD. McPhee offers a distillation of this social concoction. "The usual frictions, gossip, and intense social espionage that characterize life in a small town are so grandly magnified...everyone is many things to everyone else, and is encountered daily in a dozen guises. Enmeshed together, the people of the island become one another. Friend and enemy dwell in the same skin."

McPhee deals with his usual areas of interest such as the environmental past of the island, but its the people that fascinate him. Here it's also a little closer to home as Colonsay is the home of McPhee's ancestors. The book is as much a narrative of the strife torn history of clans as it is one Americans' exploration of the "sentimental myth" that he attaches to his Scottish surname. McPhee quickly sees that, rather than myth, the clan is as real to Scots as it ever was. This is only amplified in a feudal and cloistered social setting such as on Colonsay.

The McPhee's (or Macafee, MacPhee, Macheffie, or MacDuffie, as the various septs are known) are part of the ancient clan MacFie. They're Celtic, and the Gaelic origin of the name means "son of the Dark Fairy or Elf". Such fairy-tale-like legends seem incongruous when set against the treacherous and bloody reality of clan history. The McPhee's are a "broken clan", the last chieftan was murdered by the MacDonald's in the 17th century. The MacDonald's however got their comeuppance in the way of the clans. A group of MacDonald's were butchered in their sleep by the Campbell's of Argyll in the Glencoe Massacre of 1692.

And just to show that clan history dies very hard, many Scots, even until today, when pressed just a little bit can usually find something uncharitable to say about my Campbell clan. Time and geographical distance may make the clans of only historical interest to McPhee, myself, and other North Americans with Scots ancestors. In Scotland it's a lot more real and present, and this wonderful book gives us a slice of that life.

I really enjoyed this book. It was refreshing and light but great in detail. John McPhee explains his move from the U.S. with his wife and 4 daughters back to his Great Grandfather's ancestral home on the island of Colonsay in the Hebrides of Scotland. The population is around 150 and he learns all about the small town life in a feudal environment. McPhee talks about everything from farmers, crofters, and general laborers and their daily lives on the island. He also shifts from what he sees and experiences with first person gossip and comments from the islanders to stories and legends from the island's and his clan's past.

All the islanders talk of the Laird Strathcona who owns everything. Then John meets him and sees he is just a minor peer in the Scottish Court and more of a landlord trying to bring the island of Colonsay a little out of the past. The book is lightly sprinkled with simple sketches of the island which brings everything together.

A really enjoyable read for anyone with Scottish roots or just interested in Scottish life and history. Not everyone is descended from Scottish Kings and famous knights. Most of us are of the poorer stock like those portrayed in this book. I am even more proud of them now.

THE BOOK HELP INSPIRE ME, MY SON, AND BROTHER TO GO TO COLONSAY IN THE SPRING OF 1998. MOST OF THE PEOPLE YOU WROTE ABOUT ARE DEAD. HOWEVER CHARLIE MCKINNON AND HIS WIFE, GIBBIE MCNEIL, KEITH RUTHERFORD, AND A FEW MORE ARE STILL LIVING. I HAVE WRITTEN AN ACCOUNT OF MY VISIT AND WILL MAKE IT AVAILABLE TO THE AUTHOR IS HE WISHES. LAN NA LEF. JERRY D. MCAFEE

My family also originates on Colonsay, and we go back to visit occasionally. We were asked if we were related to John McPhee, because our name is McAfee. We were told that it was a good thing we weren't, because John had given away more secrets than the islanders thought wise. They told us that if he ever returned he would not make it off the ferry onto the dock. This is a great book and should be read and appreciated by all.

I mean it,this is brilliant stuff ! Mr. Reginald has done his homework and proves himself a master of all things medieval with this first tale set in Nova Europa. His grasp of history playing itself out in a dark and bloody alternate Middle Ages and his subtle introduction of fantasy elements to the mix, earmark this as a series to follow closely in the months and years ahead. Im hoping that we are treated to maps in future volumes since the various tales are set in different areas of Nova Europa and at different times in history.Speaking with Ariadne Press,the second novel,The Exiled Prince will be arriving soon in Amazon warehouses and the third novel Questiones is due to be released in September.
May this author live to be a hundred !

It was with a degree of trepidation that I set out to read THE DARK-HAIRED MAN. 600 pages! I'm a strong admirer of Robert Reginald's short stories (see my Amazon review) but not a big fantasy fan. And the first few chapters were indeed not so easy. All those funny half-familiar names, for instance. Granted, there is a useful glossary at the back of the book for quick reference, and in any case that half-familiarity is the whole key to Reginald's Nova Europa. Nova Europa is how the world might have developed if the Roman emperor Julian, known to us as "Julian the Apostate", had not been killed in the year 363 in battle with the Persians (or perhaps at the hand of a Christian enemy? According to one tradition, this was the martyr St. Mercurius, who returned briefly from the dead to finish off the wicked pagan emperor). In this alternative vision of history Julian survived, to become "Julian the Great", and the following centuries worked out rather differently. The trick is not original, but Reginald carries it off most elegantly. Once the reader has grasped what the situation is, the novel zooms along in great style. I actually found it difficult to put down, and I read it through to the end in two late evening reading sessions each of which followed a long working day. THE DARK-HAIRED MAN is one of the most exuberant books that I've ever read. There is a wide-range of distinctively-drawn characters, the writing is atmospheric, the "fantasy elements" (the things I normally like least in fiction) are plausible within their frame of reference, and the main source of evil in the story is immediate, psychologically convincing and chillingly spiteful (which is more than can be said for Tolkien's Sauron, for example). So: Hats off to Mr. Reginald for a really fine piece of work! The second novel in the series, THE EXILED PRINCE, has already appeared, and there are apparently further novels on their way. If they can match the quality of this one, we shall be witnessing the creation of a major literary phenomenon.

P.S. The novel is very funny too.

And, here is a book truly for the readers of ... well... of ... "this kind of book". And, just what "kind" of book is it? Well, it's a book on the massive historical scale that includes pretty much all of the genres: mystery, suspense, romance, sci-fi, fantasy, murder, humor ... It's chockablock with a distorted Medieval Europe, and the myriad characters existing therein, that/who could well be assumed to exist in some other dimension. Kings and Queens and Dukes and Witches and Warlocks and Wizards, and Demons, even the Devil, come into play, in this fictionalized account of somewhere, sometime, Middle-Ages' landscapes whereupon power struggles bring into play, on an enormously large stage, all of the delicious vices and virtues, all of the acts of bravery and vengeance, all of the greediness for power and machinations of powerful people, good and bad who die and are born ... of nations that rise and fall ... of metamorphoses, physical and mental, that occur. Magic rings and torques and mirrors come into play. Magic, black and white, along with many momentous magical moments, arise on each and every page, as the brilliance of author Robert Reginald weaves this literary tapestry that, while it may prove too complex for some readers to fathom, on all its myriad literary (and those not in-on-the-inside-jokes) levels, does reward, one and all, in the end, with a finely-wrought solution to one man's search for his identify in a world suddenly gone mad because of vengeance and witchcraft. [Speaking of tapestries, by the way, a series of them play an important part in the latter pages of the volume]. THE DARK-HAIRED MAN is a must read for anyone "into" this kind of book.

In "The Dark-Haired Man, or A Hieromonk's Tale" Rob Reginald has created an intriguing blend of fantasy, history, romance, and mystery. Fascinating characters, from the tragic to the humorous populate in medieval world of Nova Europa. I especially like the strong female characters who use their brains, feminine wiles, magic, and their political connections to change their world. These women operate within the constraints of their roles as queens, princesses, and noblewomen but exhibit every bit as much power as men, without dueling with swords. Several forms of magic work in Nova Europa, sometimes in opposition to each other. Mysteries, from the overarching questions of Afanasy's parentage and the evil one's identity, to the small questions about magical dolls, increase the suspense. Amusing situations, witty dialogue, and sarcastic comments keep the reader laughing just enough to offset the sorrow over the horrific battle scenes and the death's of major characters. Although quite different from most fantasy worlds, Nova Europa is a delightful place to visit and I look forward to Rob Reginald's future fantasy novels.