Europe Books

Accessibly written by Gary Lee Kraut (winner of FracePress' Prix d'Excellence for work on France), Paris Revisited: The Guide For The Return Traveler is an excellent travel guide to exploring the splendors of France's grand capital, whether you are returning for revisit or are experiencing Paris' cultural, historical, and architectural grandeur for the very first time. Covering both famous and infamous historical sites, grand museums, prime shopping locals, choice hotels, extensive adventure and gastronomical delights in the restaurant scene, and so much more, Paris Revisited is a superbly organized and enthusiastically recommended reference for enhancing one's travel experience.

Very usable guide to your personal tour of Paris. What Parisian visit are you looking for....this time? If it's casual, or romantic, or historical, or the great cafes, or quick highlights, this is the book to have in hand. Mr. Kraut out does himself in this addition to his books on Paris. As a long time American in Paris, Gary Kraut walks you through the most beautiful and interesting and tasty parts of Paris.

A friends passed me this book--and after finding it so useful I've passed it on to others. It's not a typical guide book...and it is. What's great about this book is that it gets you off the beaten path a bit, and it's fun to read. Lots of info, and like a standard guidebook it has all the relevent information. As a more intimate guide, this author isn't afraid to tell you what he thinks or how he thinks--but the bottom line is always Paris in all its beauty and complexity. It's a good read, as well as a great guide. And for first time travelers, it might be ok, too.

A friend gave this book to me just before my recent visit to Paris and it turned out to be the only one I used. There were extensive descriptions and background for places I'd never heard of before, the guidance intrigued me, and all of the ones I visited turned out to be little gems (and not overrun by tourists) that made my visit more memorable. The major sights are all covered also, but with more of an eye toward appreciation of their charms than a must-see checklist. A great resource.

Most of the mainstream travel books don't fit my personality or have listings that fit my pocket book. This one is for the traveller that wants to see the city - not just other tourists. It's easy to read, has opinions that you can agree (or disagree) with and encourages you to see things, not just for the first time but in a new way. You can tell the book was written by someone that loves the city and he makes you fall in love with Paris too. If you're going to Paris alone, or with someone you're fond of, you'll be delighted. I'm ready to go back.

"çà, c'est paris"! is a popular french song from WWII period. Parisians sang it when Paris was delivered by US and french troops. This is the song I started whislting when I read the first pages and table of contents of this book. It's good to read paris guide books where you're not obliged to go through 50 pages of historical descriptions before you understand what paris is all about. This book is not dull. It is well documented even if this documentation has nothing to do with "classical" culture. It belongs to a tradition in French publishing business: collection of essays written by famous writers about a specific place. In this case, I do not know the writers (I am french)and am not influenced by their past works. One could imagine to publish the same kind of books with texts from Victor Hugo, Ernst Hemmingway and other famous writers.

I took one of the Traveler's Tales books on my trip to Paris, and bought this one when I got back. One of the stories made me miss Paris so much that I wept. I'm doling the stories out slowly to make them last. If you love Paris, this book will keep your psychic connection alive.

If I had not already been Paris-bound, this book assuredly would have had me calling the airlines. What a wonderful, eclectic collection of essays! The piece on Ste. Chappelle, for example, actually manages to convey the jaw-dropping, heart-clenching, breath-taking sheer beauty of the place. Other pieces, such as SOS Medecin, captured utterly the blend of whimsy and solemnity that is Paris. You don't have to be headed for Paris to love this book; you don't even have to be a traveler.

Ahhh Paris. As a graduate student fortunate to be studying in Paris, I found myself falling into the dull routine of class and studying. I was failing to appreciate one of the prettiest cities on earth. This book opened my eyes to the multitude of interesting "trucs" around me in the Latin Quarter. Although some of the stories are more interesting than others, there is genuinely something for everyone's taste in this book. I now often study at the "Deux Magots" cafe due to its history and popularity with Jean Paul Sartres and Simone de Beauvoir that I read about. This book is wonderful for anyone interested in Paris, wanting to take a mental journey there, or a seasoned traveller who thinks they already know Paris. Anyone armed with "Paris Traveler's Tales" can discover the "Joie de Vivre" en Paris!

Like TT: France, this book is a perfect way to prepare psychologically for entering La France. Its collection of essays on living or traveling in Paris has passionate tales and historical accounts.

A book like this is an excellent way to give you pointers on Paris city life. I would never have thought of experiencing the Turkish bathes of a Paris without the wonderful story in TT: Paris. And many would find it maudlin to go exploring Pere Lachaise cemetery, until reading some stories of the experience.

Rick Steves' travel guides do a good job of highlighting particular things to see. Travelers' Tales take the experience to a deeper level.

Set in a Swedish village long ago, Per and the Dala Horse is the charming tale of a young boy's quest to recover a golden chalice stolen by trolls. When an old farmer dies, he leaves all his worldly possessions to his three sons. The eldest inherits the farm. The middle son receives a fine riding horse. But Per, the youngest son, receives only a beautifully carved and painted wooden horse. The two elder brothers laugh at Per and his seemingly worthless wooden horse; but Per cherishes it, sure that it will one day prove useful. When the trolls steal the golden communion chalice from the village church, Per's two older brothers try unsuccessfully to rescue it. It is Per, with the help of his magnificent Dala horse, who is able to rescue the cherished stolen chalice. Yvonne Gilbert's stunning colored pencil illustrations are more vibrant than ever in this new edition of Per and the Dala Horse. Rebecca Hickox's spirited text makes this an enchanting picture book.

Illustrated by Yvonne Gilbert

This really is a must for anyone of Swedish heritage - especially for boys. The story is suitable for around 3-8 years. The illustrations are probably the most gorgeous I have ever seen in any child's book. The author has combined the best of many traditional Swedish stories. Consequently the book has a very evocative, almost primal feel. Anyone with Swedish blood will relate to this story in a very deep way. This is a magical book and it really should come back into print - publishers, why are you wasting time! Reprint this book!

My heritage is 100% Swedish. It is difficult for me to find books about Swedish culture in general, and close to impossible to find Swedish stories to which my seven-year old son can relate.

I believe each cultural has its own beauty and much to offer the world. I often encounter people assuming that because we speak English and are Lutheran, then our cultural heritage is the same as Britain's (we're are not Anglo-Saxons, the Church of England has nothing to do with Scandinavia, and our native tongue is Swedish) or since Swedish is a Germanic language, then our culture must be like the Germans'. Like every other society that has evolved on its own, the Swedes are proud of who they are and how they came to be.

I remember Dala horses all over my grandparents' homes and in my house growing up as well. I want very much for my son to enjoy the richness of where his family comes from, and why we still remain so close to our relatives in "the old country." This is simply a wonderful book that has aided in giving my son his own cultural identity.

I am very grateful that this book is so Swedish. I highly recommend it to anyone looking for new perspectives about the smaller European nations.

Set in a Swedish village long ago, Per and the Dala Horse is the tale of a young boy's quest to recover a golden chalice stolen by trolls. When an old farmer dies, he leaves all his worldly possessions to his three sons. The eldest inherits the farm. The middle son receives a fine riding horse. But Per, the youngest son, receives only a beautifully carved and painted wooden horse. When the trolls steal the golden communion chalice from the village church, Per, with the help of his magnificent Dala horse, is able to rescue the cherished stolen chalice. Yvonne Gilbert's stunning colored pencil illustrations are more vibrant than ever in this new edition of Per and the Dala Horse. Rebecca Hickox's spirited text makes this an enchanting picture book. Ages 4-9. Paperback.

This book so captured our imaginations that I had to purchase a little wooden Dala horse for our son. The artwork is beautiful, the story is culturally sensitive, the scenes are exciting and the language is rich. I've been reading this book to my son since he was two. He's four, now, and still loves it!

And for that matter, how can you not love Lloyd Alexander? I have yet to read a book of his I didn't like.

In the Vesper Holly books, Alexander has created a fun, spunky heroine who's as smart and resourceful as she is beautiful. In contrast is her ever-patient, loveable but not-as-sharp guardian, Brinnie, who finds himself in impossible life-or-death situations - thanks to Vesper.

The whole series is a great, fast-paced, fun adventure in the style of Indiana Jones. But I have to say, of all the books, the Philadelphia Adventure is my favorite.

For one thing, while all the other books in the series are set in far-off, imaginary, exotic locales, the Philadelphia Adventure is set in - well, Philadelphia, PA, in the good ol' USA. The characters Vesper and her friends encounter are true historical figures, as is the Exposition that supplies the backdrop for the book.

The plot in this book is also tighter and more realistic than previous Vesper Holly titles. While I do love the other books, you have to wonder how Vesper just happens to come to the right conclusion every time (when there aren't many clues given to the reader or narrator). And, it's just a startling coincidence that in several of the other books, Vesper's nemesis Dr. Helvitius just "happens" to be in the area, versus in this book, where he actually launches a scheme against Vesper while trying to take over the world.

Vesper shows a more realistic, human side in the Philadelphia Adventure, often second-guessing her actions, wondering what the best course of action is. While she comes out on top every time, it's nice to see that, in this book, she's still an imperfect person - it makes her choices and the final outcome that much better.

Overall, a great series for kids with a literary character they can truly look up to.

I'm 21, and I must say I love the Vesper Holly books as much as I did when I first discovered them at age 10. I read them over and over again through my teen years. They're like a cross between Indiana Jones and the Adventures of Tintin, with an added bonus--an original female heroine! As a little girl I admired Vesper and all her intelligence and pluck; she's a great role model for smart, ambitious girls who want to make discoveries. The Philadelphia Adventure was always my favorite of the series; the humor and action that are the hallmark of the series are at their peak here. I sniffled when I got to the end, because until last year, this was the final installment. I was delighted to discover that Lloyd Alexander has recently written a series finale (Xanadu Adventure).

Vesper, with a heart as big as her brain and her endearing knacks for mathematics, historical puzzles, and banjo music is a truly trailbrazing heroine in young adult literature. Thank you, thank you, Lloyd Alexander!

The ever delightful Vesper Holly is back in this fifth chronicle by one of my favorite master storytellers. Vesper's resourcefulness, bravery and wit are ever-present while she falls in love (innocently) yet again. Her red hair, fiery personality, orphaned status and love for a certain fat cat conjure up another favorite heroine of the historical fiction world, exotic Nefret Emerson from the Amelia Peabody series by Elizabeth Peters. Each of these books packs a lot of punch considering how short they are, making them perfect for any young reader.

This was a wonderful book, with characteristic Lloyd Alexander wit and humor, along with his deft story-telling. People of all ages will enjoy this latest escapade of Vesper Holly!

Unlike the other books in the Vesper Holly series, this book takes places in an actual place, Philadelphia (as you might have gathered from the title). The World Exposition is going to be held there, but the opening keeps on being delayed, problems of plagued it from the start. President Grant goes to Vesper Holly's home and pleads for Vesper to rescue the kidnapped children in the care of the Brazilian King. The stage is set for some grand Vesper Holly action with her guardian Brinnie, Smiler and Slider (from the previous books), and a new character, Weed in toll! This is a fabulous book!

I really enjoyed this book. It is by Lloyd Alexander, author of The High King winner of the Newbery Medal. One reason I enjoyed was that it kept on surprising me until the end.
It is not based on things that really happened, although it has people who really existed, such as President Ulysses S. Grant.
The adventure begins when Ulysses Grant comes to Vesper Holly's door asking for her help with a kidnaping of two children. The kidnaper is using the children to ransom the emperor of Brazil.
The kidnapper hates Vesper Holly, so he made it clear that bad things would happen to the children if she did not deliver the ransom. That way he can put her in danger to get revenge on her.

First book on World War One that covers the French strategy. Most books cover the Btitish or American effort. All other books on WWI pale beside this magnificent effort. Great insight into the strengths and weaknesses of Marshals Joffre, Petain and Foch. Balanced view of the tug of war between the French politicos and the generals. Another book I would recommend on WWI if you want to learn about the German strategy would be Robert Asprey's book on Hindeburg and Ludendorf.

Most histories of the First World War have focused on the British or German perspective. This is a history of the French operations, which provided the bulk of the resistance to the Germans on the western front.

Histories of the First World War suffered from partisan books written directly after the war that gave a caricatured version of operations. They suggested that French and British generals failed to appreciate the impact of modern technology and simply used men as cannon fodder. This book is one that seeks to counter that view and show how the French commanders reacted to the success and failure of operations and developed strategies which evolved during the war to lessen the loss of human life and develop more efficient methods of attack and defence. In fact the year of 1914 saw one of the French Armies considerable triumphs the defeat of the German movement through Belgium aimed at outflanking the French line. This success occurred when the Germans devoted the majority of their army to the western front in an attempt to gain an early victory. England at the time had only mobilised a small army so the defeat of the Germans was a remarkable victory.

One of the interesting points made by the book is that some 50% of the French losses occurred in the first year of the war before the development of the trench system. The reason of course was that before the development of the trenches when there was the war of movement infantry were much more vulnerable to artillery fire. In 1915 when the French attacked again and again in an attempt to aid the Russian offensives the losses were although substantial far less than in the disastrous first year. The losses suffered in resisting the German offensive at Verdun again were again less than in 1915. It was only in 1918 that France carried out the series of attacks that finally led to Germany's capitulation that the casualty figures increased to levels close to 1915.

The book is interesting as it shows how the French developed tactics over time. The rolling barrage to protect the infantry in its advance. The notion of the flexible defence so that infantry was kept away from the front line to avoid the heavy losses which resulted from opening barrages and instead using counter attacks and the holding of key points to inflict casualties on the attacker.

In fact it is clear that the French became frustrated with the English under Haig who launched his Somme offensive without using the sorts of advances in strategy that had been developed by the French and Germans thus turning that battle into a costly stalemate. One of the attractions of the book is that it shows the history of the English campaign and issues though an observers eyes.

The book also reveals how close the Germans came to victory in 1918. If Ludendorff had been able to move more quickly to separate the English and French armies in detail he could have won. Instead he relied on costly staged offensives delayed so much that the French and English were able to hang on.

Despite the loss of the major industrial section of their country the French were able to turn their country into an arsenal producing ¾ of the weapons that were used by the Americans. Huge numbers of tanks aircraft and heavy artillery.

The book also shows clearly the importance of the operations in Macedonian in hastening the end of the war. The attack on this front in `1918 led to Bulgaria being forced out of the war. This broke the German supply line to Turkey which meant that the British under Allenby were able to advance from Egypt easily also defeating that country. Lastly the surrender of Bulgaria opened up yet another front that the weakened Austro-Hungarian Empire could not hold. One of the more interesting books on the First World War which is valuable in giving another perspective on the conflict.

Robert Doughty's 2005 "Pyrrhic Victory" may be the most extensive English-language account available of Franch strategy and operations during the First World War. Doughty has combed a variety of archives to document that, contrary to popular myth, France sought throughout 1914-1918 to execute a coherent strategy of fighting a multi-front war in order to maintain pressure on Germany. Moreover, France executed this strategy despite increasing shortages of manpower, a ferocious battlefield learning curve for its general officers, and several crises of confidence.

France understood itself in 1914 to be at a distinct disadvantage in population and industrial base with respect to Germany. This disadvantage drove France to seek out allies throughout the war. France would rely on the huge but unsophisticated Russian Army to force Germany to fight a two-front war and on a reluctant Great Britain to help defend France itself.

In 1914, France and Britain narrowly avoided defeat in a war of movement that culminated in the miracle victory at the Battle of the Marne. As the Western Front stabilized into hundreds of kilometers of opposing trenches, France and its allies would spend the next four years trying to break the stalemate in France while applying pressure on German and its allies through operations in Turkey, the Balkans, Italy and Eastern Europe.

Doughty recounts the tense struggles between French civilian and military leaders over the best way to identify and carry out a winning strategy. The inability to impose a decisive battle on the Western Front in 1914 led to experimentation with siege tactics, renewed offensives in 1915, and a reluctant acceptance of a strategy of attrition by 1916. A premature return to a strategy of decisive battle in early 1917 nearly broke the French Army. France leaned heavily on the British Army to carry the load during much of 1917 while suppressing mutinies and scraping the bottom of its manpower barrel. Key changes in leadership, especially the elevation of Generals Petain and Foch, enabled France to ride out the supreme crisis of renewed German offensives in early 1918. The arrival in numbers of trained U.S. troops on the front lines by summer 1918 enabled the Allies to go over to the offensive and finally defeat an exhausted German Army.

Doughty's narrative makes clear what a close-run thing the Allied victory was. Despite a total nation effort to field and equip an enormous Army, France had been bled white by 1917 and was completely exhausted in the military sense by 1918. The maturation of a mass British Army on the continent, and the creation of a mass American Army in France, both events fostered by French leadership, enabled France to persevere to a pyrrhic victory that may have gutted its national resources and will for a generation.

"Pyrrhic Victory" is a scholarly work written perhaps as much for other scholars as for the general reader, who may find it a long dry effort at over 500 pages. Doughty has included some good maps; this reviewer wishes he had included a few more. Doughty's discussion of French strategy and operations might have included more commentary on corresponding German actions, making the external context of French actions a little clearer.

These minor criticisms aside, this is an exceptional work of military history, very highly recommended to students of the First World War, especially those seeking insight to evolving French strategy.

As has been noted there are a rash of english language books on the Anglo and American participation of the war. The battle of the Somme and the 1918 offensive are covered in detail in most books on the war. Anyone with a serious interest knows about the destruction of the British regular army and England's officer class. We read about the war at sea because of England's involvement.

Few books have concentrated on the French aspect except to mention the Mutiny's, the miracle of 1914 and of course the mention the damage done to the French nation by the death of so many Frenchmen.

THis book is parhaps one of a kind then because it gives the English language reader insight into the French strategy. Mostly a strategy that hs been mocked or passed over. Most have viewed the 1917 offensive as one more ill-concevied blood bath leading directly to mutiny. Many know about Verdun, however the rest of the front, some 70% of it was manned by Frenchmen. The French army shared the burden of the war on the western front. Here we are given a fuller picture of the french general staff, of Foch and Petain and of the french strategy in more minute detail. Keegan and others have done wonderful books on WWI, the more specific study will sppeal to those with a genuine interest in the period. A worthwhile read.

Seth J. Frantzman

Despite the fact that the French Army carried the bulk of the Allied war effort on the Western Front in 1914-18, it has rarely received its due in First World War historiography. Brigadier General (ret.) Robert A. Doughty, head of West Point's history department for twenty years, seeks to correct that omission in his Pyrrhic Victory: French Strategy and Operations in the Great War. Overall, this is an erudite, well-written book for professional military officers and historians and an essential addition to any serious library on the First World War.

This book consists of ten chapters, with one on pre-war doctrine, eight that each cover about six months of the war and a conclusion. The initial chapter on transformation examines pre-war doctrine and strategic planning. Despite first-rate intelligence on German order of battle, the author notes that the French expected an invasion of Belgium but thought that the Germans lacked the reserves to make a deep penetration. The French Army was also fairly well equipped for war, but the neglect of heavy artillery was a serious omission. Furthermore, the author notes that initial combat on the borders indicated "the bankruptcy of French tactical doctrine and the inadequacy of their artillery," although these flaws were not immediately apparent to General Joffre, the French commander-in-chief. Indeed, the author paints a poor picture of Joffre in August 1914, as a commander who blamed others for his faulty operational plan, failed to concentrate his forces and ignored intelligence about enemy intentions. On the other hand, Joffre showed marked improvement in September 1914 by effectively utilizing France's railroads to mass forces for the Battle of the Marne - a victory which the author notes to Joffre's credit.

Once the war shifted to a static phase in 1915, the author notes that the French failure to defend vital coal and steel regions at the start of the war hindered their long-term war industrial potential. It is not uncommon that military men ignore economic factors until they are faced with shortages. As the French Army gradually shifted to an offensive strategy in 1915, the author describes how Joffre succeeded in creating a substantial reserve force but that the early attacks were costly failures due to limited artillery support. Two competing offensive doctrines emerged: Joffre's "continuous battle," which envisaged a massive `big push' style attack, and the "methodical battle" advocated by younger generals such as Foch and Petain. While Joffre believed that a decisive breakthrough on the Western Front was possible, more realistic officers such as Petain realized that it was no longer possible and that the conflict had become a war of attrition. However, Joffre set the strategic agenda well into 1916 and he adamantly opposed diversions such as operations in the Mediterranean that took troops away from his `big push' offensives on the Western Front. It was not until near-disaster at Verdun that Joffre realized the demands of attrition warfare and promoted defense-in-depth against German counterattacks. Also, by 1916 the French Army had finally corrected its deficiencies in heavy artillery, which transformed its operational potential. Yet unlike Germany, France did not opt for total war as Germany did, with its political leaders placing limits on bombing German cities and the use of chemical warfare.

By the end of 1916, French officers such as Nivelle, Petain and Foch had developed new methods of infantry-artillery coordination that enabled the French Army to launch short, but effective attacks. Nivelle became a little too enamored of these new tactics and when he replaced Joffre, he attempted to use them to achieve a major breakthrough in the ill-fated Nivelle offensive. The mutiny that resulted from Nivelle's poor judgment nearly broke the French Army, but it was Petain that saved it from dissolution. Petain adopted a new program for the army that emphasized material over haphazard use of infantry and this program emphasized aircraft, heavy artillery, tanks and chemicals. Ultimately, Petain found the material key to victory but it was Foch - who finally became the unified commander of Allied forces in the desperate days of 1918 - who found the morale key to victory.
Pyrrhic Victory also offers readers a very different perspective on British actions. From the French perspective, the BEF was not pulling its fair share of the load in 1914-15 and British offensives were rather puny. While the author does not denigrate the British, Belgian or American contributions to victory, this book helps to illuminate the major role played by the French in achieving that victory. Although starting out wrong-footed, the French Army survived a major offensive by one of the best armies in the world, adapted and eventually developed the means to push that enemy off its soil. While the price of victory was crippling, there is no doubt that the French Army in the First World did far more than merely `survive' until the Americans came to `rescue them.'

I've been to Paris countless times and never knew about many of the hidden corners and little parks that are featured in this book. I can't wait to return to explore them. I loved this little book.

I will keep my review uncomplicated, like this book. There is a lot of information packed into this little book. Instead of focusing on the usual tourist sights, the author points out some of the beautiful, quaint parks, gardens and museums. The book also shows other out of the way places that the usual travel books don't. With the exception of 1 site (Musee Eugene Delacroix), all the sights shown are free to the public. If you are going to visit Paris, this is a great little guide book when searching for different places to see. If you want to go to Paris some day, this is a great book to dream by. It's packed with beautiful pictures. I just loved it!

I bought this book based on previous reviews. It is a wonderful little book with lovely photographs. I plan to use it to plan my next trip to Paris. The fact that all of the places mentioned are free to the public , is an added plus for travelers.

This is a sweet little book. I wish I'd had it when I lived in Paris. It reveals many wonderful quiet spots, places for picnics and contemplation, and peace in that busy city. As a tourist to Paris, you probably won't value it as much--you'll want to be out in the busy, soaking it all up. But for anyone who lives in Paris, or is going to spend a long time there, I'd recommend it. And for those of us who just like to read about Paris, in between visits, it's a great book, well written and warm.

A very interesting small book that details some of the hidden places in Paris. A joy for those who have "Paris on the Brain".

If you're into swords, this is a must have book. It's more than a catolog of styles of medieval swords but also explains the developement of the weapons and how swords and armour influenced each other. It also explains the difficulty in dating a weapon by the style of blade and hilt.

Ewart Oakeshott in this pictorial guide takes you by the hand
in a enjoyable trip along the classification created by him
on the european medieval sword: The Oakeshott Typology. You'll be delighted by the pictures of dozens of vintage pieces and you'll be inspired to forge your own swords based on the different pieces depicted in this book. A useful reference for the advanced sword enthusiast and an excellent introduction to the novice.

This book contains a life-time's work and research of the sword. All the way from the early Scandinavian sword to the swords of the Renaissance and gives full in-depth summary and description on each piece. The author, Ewart Oakeshott is the leading expert of medieval swords and has taught me plenty (if not more) from his previous works. I am satisfied with the latest one here. "Records of the Medieval Sword" is well suited for a sword expert as well as for beginners and is for all to enjoy. The only thing I have to complain is that the binding of the book isnt done very well, but then again it could just be mine only. But then again, it should stop you from purchasing one.

Ewart Oakeshott was unsurpassed in his understanding of medieval swords. Unlike the majority of weapons curators who focus exclusively on the hilt and try their hardest to pretend that the sword was never a practical tool, he appreciated the whole sword. Oakeshott's typology is based on blade shape, i.e. on how the sword handles and what it can be used for. Because of this Ewart was loved by re-enactors and historical swordsmen who view swords as a beautifully designed tool that comes to life in their hands.

I feel very fortunate to have had the chance to work with Ewart just before his death (editing a paper he submitted to the anthology Spada). Just as he reminded museum curators that the sword was a practical tool, not an art object, he reminded swordsmen that the sword was an important symbol of just might, not just a tool.

Records of the Medieval Sword is the best available book describing medieval swords (though his earlier book The Sword in the Age of Chivalry is also well worth picking up). It has clear photographs of the whole sword, and lists blade lengths. If only it had a few more measurements (weight, blade width at various points, point of balance, centre of percussion etc.) it would be a perfect resource for people who make and use swords but who rarely have the opportunity to hold genuine originals and feel their handling characteristics. Even with this minor omission, this book deserves pride of place in the library of anyone interested in the medieval sword.

Stephen Hand
Author, English Swordsmanship, Medieval Sword and Shield
Editor Spada, Spada II

Records of the Medieval Sword is a remarkable volume, representing a body of work in the subject area with no equal.

Although the information is provided in an extremely authoritative manner, it is written in a very personable way, leaving this reader with a desire to know (have known?) the author.

If I were to attempt to be overly critical of this book, I would mention that there are a few minor, but still rather annoying, typographical errors and mis-numbered illustrations that detract somewhat from the otherwise masterly scholorship presented in the volume.

Also, in my opinion, a reference such as this should be provided in a hard cover edition, with full color plates wherever possible.

I will treasure this addition to my library.

Terrific Book. Detailed descriptions of this glorious city. Every traveler to Rome should use it as reference.

Did you ever run across a guidebook that, at the same time, 1) gives you a brilliantly clever and comprehensive choice of information about the sites and 2) allows you to get to each site in the easiest, quickest way?

I didn't, until I found "Rome" by Mauro Lucentini. That double record is especially remarkable in a city like Rome, where the various sights may have lifespans of up to 2,800 years requiring equally monumental explanations, and/or be concealed into corners of a labyrinthine ancient habitat, where you can easily lose your way. With 700-plus pages, Lucentini's book may be a bit heavy to carry, but it is an incredible pleasure to read, and you will be thankful for each page, so fascinating is every bit of the information provided - no other Roman guide comes even close to the amount of historic or artistic background supplied - and for the fact that it will lead you in front of every item by the hand.

Also, the book is structured in such a way that, if you care doing it, you are able to read a good half of it and digest quite a lot of information even before you leave for your destination, This is a quality no other guidebook I know possesses, at least not to such an extent.

Brilliant! I've been to Rome five times with this book... although it was concise enough to give me an excellent overview even by the first time.

This book is a wonderful foray into the many aspects and history of Rome, and can be enjoyed sitting in New York, as well as walking in Rome. I've taken many of the walks, and the book is a chatty, fun, and erudite companion, pointing out all of the (almost) hidden traces of centuries past. A must for travelers in Italy (or just in your armchair)!

I Wish this book had been available when I was in Rome. At 700+ pages, it's not for everybody, but if you want more in-depth knowledge than the average guidebook provides, then this is the book for you. For example: this book has six illustrations showing how the modern road network overlies the ancient imperial fora - one double page plus five smaller diagrams. This is vital for getting a sense of how it looked in ancient times. Another example: this book devotes seven pages to the fascinating three-level church of San Clemente; most guidebooks give it less than a page! I could go on and on.

It's organized around 10 walks (Rick Steve's guide also has fine walks) plus a number of detours, but these can be treated as entries to the wealth of historical detail. Then there are three indices: an index of artists; an index of people and gods, and an index of places. These can be very useful. For example, if you decide you want to spend a weekend doing a 'Caravaggio tour,' (as was suggested in a March 2007 Smithsonian article) just look him up in the index and make your plans.

I should point out that the 'hotels and restaurants' section of the guidebook is fairly minimal. For restaurant selection we found 'Blue Guide' to be the most reliable, so foodies should supplement their Lucentini with one. My favorite map of Rome is the Rough Guide map; it's made of tougher tyvek-like material so it withstands plenty of opening and closing.

This book has a lot of valuable information for anyone interested in the Templars. It has historical information in the preface and appendix and its content has every single rule the Knights of the Temple followed. It has every single battle rule and the everyday life activities of templars. The sins and the penitence, how to be admitted and the admittance ritual. How to get a counsil toghether, everything they were supposed to do. I suggest that if you are interested either in Templars or in the Dark Ages, you ought to buy this book.

This English translation of the French "Rule" of the Templars is an essential reference for all students of the Templars, and of the history of "related" organizations such as Freemasonry. The "Reception" ritual will be of special interest to Freemason's, as parts of it are hauntingly familiar.

Excellent. No doubt already on the shelves of those interested in this Medieval Catholic military lay religious order.
For the uninitiated reader, first read the Introduction, Primitive Rule, and Appendix. Then, the rest. To a reader for whom the Templars are "knights who fought in the crusades,"
the Rule will seem most unexpectedly profuse in dwelling upon internal monastic disciplines, religious guidelines, and personal observances. Regulations addressing military issues and a Knight's behavior in the field are present.
An appendix, coordinated with references to the Rule, treats some of the military aspect, especially in regards to the use of armed mounted force and the order's rankings.
If unfamiliar with the Military Orders, it will be an eye-opener as to what the Catholic Church proposed for its monks.
If doing extended reading elsewhere, a reader will be startled at the surprise ending of that now supressed Order. I would alert those who do followup, not to confuse "Templar," as properly used for this group, with some current appropriators of that name, used for purposes of having mystique of lore & legend.

J.M. Upton-Ward has earned my eternal respect for the work presented here. The Rule, so vital to understanding the Order is clearly layed out and explained. Additional information is also included making this the one "must own" book for Templar scholars.

The Rule of the Templars: The French Text of the Rule of the Order of the Knights Templar, Judi Upton-Ward (Woodbridge, UK: The Boydell Press, 1992)

The myths surrounding the Knights Templar range from tales of great treasure to legends concerning a wealth of wisdom kept secret for a thousand years. Many have tried to discover what this great esoteric wisdom was, but, so far, no one has been able to 'decipher' any of the so-called 'clues' allegedly left behind by the Templars. These references to secret wisdom perhaps arose from the accusations of secrecy brought against the order during their trial. What many failed to recognize, or perhaps ignored, was that as a military order, the Templars had many reasons to keep their Rule, which governed their lives and their behavior in battle, a secret. Fortunately for us living nearly a thousand years later, we now have access to this 'secret knowledge' through Judi Upton-Ward's translation of the French version of the Rule, found in her book, The Rule of the Templars. In this work, Upton-Ward translates not only the Templars' Rule but also the statutes and includes an article by Matthew Bennett that discusses the military side of the Rule. In translating the Templar Rule from the vernacular, Upton-Ward points out that this work is just how the Templars themselves would have read it, straight from their native language, rather than being written in Latin by scholars who may not have know the military implications of what they were writing about. The importance of the French text lies here. This was a work written by and for the military men of the order for the purpose of governing their lives and ordering their behavior. Like any well-oiled military machine, it was necessary for the Rule to contain information on how to act on and off the field, information the Templars would not have wanted to fall into enemy hands.

What Upton-Ward accomplishes with her translation of the Templar Rule is an accessible look at the 'secret knowledge' of the Templars and a detailed look at the lives the Templars led, which, it turns out, actually closely paralleled the lives of other religious orders, which a few changes needed to accommodate the military nature of the Templars. The work is easy to read and geared to both scholars and pleasure readers alike.


Jennifer Regan and Dr. Carl Edwin Lindgren

Robert Burns said of his bottle "...heals the wounds o' care an' dool." With that simply profound (and true) statement, I believe that he would have approved of Michael Jackson's beautiful portrait of his beloved Scotland and the honoring of the "water of life" that courses through the rite Scottish soul and his precious bottle. It's not just only "wee dram" - it's a taste of the culture, the people, the history, and the landscape, which this book captures. Enjoy your single malt, I know I do...
Slainte

This is a quality production. The photos and the descriptions are fantastic. I found myself pouring a glass of scotch from whichever region I was reading that night, ie. Islay, Speyside, etc, and enjoying the dram more than usual.

This book was purchased along with MJ's 5th Edition Whisky guide. I found it an excellent read while enjoying a nice glass of single malt. The pictures are beautiful and MJ's commentary make me want to visit Scotland and tour the distilleries myself.

An excellent book about my favourite all time drink! That's how I would describe this well written, beautifully photographed and intricate journey through Scotland, describing its whiskies.

Working together, Jackson and Wright have put together a combined piece of verbal and photographic artwork. The information provided is very educational, but enjoyable, with historic and technical information entwined with Jackson's fireside conversational style making this a pleasure to read. I can't reproduce the photography but I can give you a sample of the style of writing from page 63:

"After I had breathed the air of early Christianity and Celtic myth, the journey back was slow. It was not just the two hours' drive from Fionnphort to Tobermory, the main town of Mull, but also the otherworldliness of the landscape."

This book has been broken up with the chapters as follows: Overture; The Islands; The East; Coda; Directory of distilleries; Glossary, Index and Acknowledgements. I liked the maps each section had that showed where distilleries were either operating, operating with visitor centre, mothballed or operating intermittently; or closed. This information would come in handy if you are planning on visiting the areas yourself.

`Scotland and its Whiskies' is the perfect gift for that special person who has everything (including you!). It is an informative and enjoyable read; while pleasing the eye at the same time.

I got hooked on single malt scotches a few years ago--not hooked in an AA "higher power" sense--but hooked on sipping and savoring Balvenie, Oban, Cragganmore, and others.

As an adoptee who recently learned of his Scottish heritage, this handsome book with its lovely pictures of the highland countryside makes me proud. The Scottish have given the world the telephone (Graham Bell), the bicycle (Dunlop), the game of golf (St. Andrew's), cloning (Wilmut), penicillin (Fleming), and capitalism (Adam Smith)...not to mention some fabulous hooch

Our author is a foremost specialist on the subject of single malts discussing the subtle differences based on barrel-wood and mineral earth that make each scotch unique to its region. Besides, with someone like Michael Jackson says a 12 year old is tastier than a 16 year old, you better believe him.