Europe Books

This is an excellent book, well written, clear and concise. It focuses on the Year of the Terror during the French Revolution.

There are several strengths to this book.

First, Palmer does an excellent job of giving short biographies of the major characters that ruled France as a committee during this period. They include Carnot,the military officer who maintained the war office during the terror,including defending the northern border of France. Collot D'Herbois, the ex-actor and fanatic had a very different temprement from the monk-like Robespierre. Saint-Just's attacks against the Dantonists was fascinating. The fall of Herault de Sechelles, the philosopher former aristocrat is very interesting.

Second, the chapters are very well organized. They are aranged around topics, including a hyistory of how the Comitteee for Public Safety evolved in the fifth year of the revolution; three chapters on maintaining control of the other regions of France during the revolution; chapters on foreign conflicts; a chapter on wage and price control and maintaining a central economy, are all well written and interesting.

I read the book after reading Hilary Mantel's novel "A Place of Greater Safety" regarding the relationship and competition between Robespierre and Danton. The two books perfectly compliment each other.


This is a very accessible history of this portion of the revolution and is extremely informative. It was written in 1941 but is fresh, current, and alive with detail.

I decided to read R.R. Palmer's The Twelve Who Ruled after having it recommended to me in class. The Year of the Terror and the Committee of Public Safety are often overlooked or not given enough description in history classes and it wasn't until my senior year in college that I had even heard of the Year of the Terror. Palmer's book is great for the student because he includes enough background information so that one can understand the information without feeling overwhelmed. The text deals almost exclusively the events from the summer of 1793 through the summer of 1794. Because so much happened in this one year period, Palmer presents it on an almost day-to-day status.

Originally written in 1939 and 1940, Palmer mentions in the Bibliographical Essay how difficult it was to gather information from the French archives, but upon reading this book and having some basic knowledge of the events of the period, one finds it difficult to find any deficiency in Palmer's work. The 2005 edition of The Twelve Who Ruled opens with a new foreword by Isser Woloch, Moore Collegiate Professor of History at Columbia University. In this foreword, Woloch gives the reader a little history of Palmer's book, as well as a brief overview of the events detailed in the book.

Palmer begins his book with a one page list, titled "The Twelve", of the members of the CPS and gives a brief one-line description of each. On the next page is a sketched map with the locations and provinces mentioned in his book, as well as a translation of the Republican Calendar. I don't want to go into detail about all of Palmer's 15 chapters, but some need mentioning. The first chapter, "Twelve Terrorists to Be", gives a detailed description about the history of each member of the Committee of Public Safety leading up to the Revolution. The subsequent chapters describe the different political groups of the Revolution and how the CPS came to be as powerful as it did.

Chapters 6-9 deal with the individual missions of the CPS members to different parts of France. Chapter 6, "Republic in Miniature", describes Georges Couthon's mission to his native region of Clermont-Ferrand and his attempt to turn Puy-de-Dôme into a model for the Republic. Chapter 7, "Doom at Lyons", is self-explanatory and deals with Collot d'Herbois and the Committee's shocking actions in Lyons. Chapters 8 and 9 deal with the missions of Committee members to Alsace and Brittany to deal with the army and naval affairs in those regions, respectively.

The beginning of the end becomes apparent in chapter 11, "Finding the Narrow Way". In this chapter Danton makes his return to Paris and Robespierre and other members of the Committee are becoming more and more adamant in their positions. The remaining chapters detail the downfall of the Committee of Public Safety and the numerous executions that take place. The exception to this is chapter 14, "The Rush upon Europe", which describes the military events during the spring and early summer of 1794.

During the epilogue, Palmer sums up the lives of the eight of the original twelve that were remaining after 10 Thermidor and the different ways each one went. It is interesting to see how some of the members played a part during Napoleon's reign. Palmer end's the book with discussing Barère, him being the last surviving member of the Committee (passed away in 1841), and his last days.

Readability was something that I was looking for when I was choosing a book for this assignment. I didn't want a book that would be so in depth that it would be a chore to read, yet I didn't want a book that would have less information than my textbook. The Twelve Who Ruled was perfect in that sense and Palmer kept it interesting by including many quotations from meetings and correspondence of the period in his book. I haven't read any other books on the Year of the Terror, but I would have to recommend this book to anyone interested in the French Revolution, or even political science.

I agree with all of the amazon reviews as to this being a compelling narrative. Most interesting was Palmer's argument that the CPS wasn't merely Robespierre's beard. Palmer is mostly persuasive in his suggestion that power was more or less equitably diffused throughout the committee and that facesaving hindsight by CPS members is the reason why history has affixed sole blame for the terror on Robespierre's shoulders. Less convincing is Palmer's portait of Jacobin ideological purity. Robespierre and St.Just are presented as Spartan warriors with spotless souls even as he details their forgeries and chicanery in railroading their political rivals. Palmer often protests too much, bemoaning the miniscule percentage of victims of the terror and blaming CGS members, representatives on mission, anyone really but Robespierre. One can never escape bias in French revolution histories-so this criticism should certainly be taken with a grain of salt. Palmer's book is unique and refreshing however, meticulously and cogently argued.

In print since 1941, this fine book is a group portrait and analysis of the Committee of Public Safety, the most important organ of government in France from the fall of 1793 to the summer of 1794. Writing at the end of the 1930s, Palmer was particularly interested in the psychology of dictatorship and how much governments emerge.

When the members of the Committee took their seats, France and the French Revolution appeared headed for disaster. There was widespread dissent in the provinces, and in some, outright revolt. The chaotic politics in Paris made government from the center difficult and the armies of almost every other major European state seemed poised to dismember France. The members of the committee were on the face of it, an undistinguished lot of modest prior accomplishments. Almost exclusively middle class, none of them would have been able to rise high under the Ancien Regime. Most were lawyers or had legal training. Several were simultaneously minor provincial intellectuals. Two were army officers whose plebian origins would have prevented them from attaining significant rank in the Royal Army. As a group, and despite significant internal political strains, they proved to be an energetic and capable group of administrators and politicians. Palmer does very well in describing the considerable obstacles to success, the enormous efforts made by most of the Committee, and their considerable success as administrators.

Over the course of a year, the committee met the great challenges in front of them more or less successfully. Revolts in the provinces were crushed, often with great brutality. Though the Parisian political scene remained volatile, it did stabilize and the Committee was able to construct a reasonably effective central government. Assisted by dissent and incompetence among the monarchial opponents of France, the Committee found the resources and military leadership needed to prosecute the war successfully. The Committee arguably saved the Revolution and went a long way towards the construction of a powerful, centralized French state.

But what kind of Revolution did they save? Palmer shows very well that the Committee were not merely reacting to the pressure of events but were all committed Republicans of varying degrees of radicalism. It is impossible to understand their actions without recognizing their ideological commitment to a new kind of Republican society informed strongly by Rousseauist ideals. Detestation of inherited privilege, anti-clericalism (though not atheism), worship of the idea of virtue, a commitment to some form of popular sovereignty, and the pursuit of a strong state were common ideals of the Committee. As is often the case, war produced radicalization and these ideals would also justify the Terror and the ruthless suppression of provincial revolts, and encourage French armies in practices that anticipate the brutal behavior of Napoleon's armies in occupied Europe. In a few cases, the Committee made pragmatic choices that contradicted some of their earlier convictions. Most of the committee disliked the violent de-Christianization carried out by some radicals but did not interfere in some cases to maintain their political support in Paris. All the Committee members would have prefered an economic system based on free trade but the exigencies of war resulted in the first systematic and partially successful effort at a planned economy.

Palmer both describes the actions of the committee well and writes well about the individual members. His objective treatment of Robespierre is particularly good. This book is a model in terms of melding biographical information with the broader context of historical events. As a study of revolutionary psychology and a case example of how dictatorships form, this book is excellent.

This may have been the best book that I have ever read. Palmer does a great job of portraying the characters, the times, and the decisions they made. The last chapter is absolutely riveting. One of if not the best book I've ever read!

Outdated and long out of print, this is still one of the best budget travel books ever written. Keruoac got me off my butt and out onto the great American highways and byways. Ed Buryn got me off my butt and into the wonders of Europe and North Africa. I sometimes forget how much I owe this book. Written at the height of hippie adventurism of the late sixties and early seventies, I read it as a young and rudderless kid of those times and, smitten with wanderlust, found myself just a few years later hiking through the back alleys of Lisbon, Paris, Marrakesh, and Athens. Buryn fired my spirit and imagination and today, as my adventure on the road continues, his book is a continuous inspiration. And by "outdated" I only mean that most of the references mentioned in the book are no longer valid. In spirit, the book is a timeless evocation of the human spirit to discover and rejoice in exotic new worlds. Where are you Ed Buryn? Time to get off your butt and revise your budget travel masterpiece!

The title of this review is the eponymous opening quotation by Ed, who clearly found that combining roots and rootlessness were the central reason for joie de vivre. The sections on Ed meeting his relatives in Poland are priceless. Ed Buryn inspired, cajoled, wheedled and pushed, I would imagine, hundreds -- perhaps thousands -- of couch-bound and comfortable middle class youth into the wilds of Western and Eastern Europe. I was one of them -- and did it as an active duty Naval officer. Buryn had been a hero of one of my itinerant college roommates at University of Florida -- you know, the guy who sleeps on the couch and who has no visible means of support...except for the couch -- and, as my roommate (livingroommate, that is) extolled his virtues, I grew more and more enchanted with Buryn, and more and more disenchanted with my roommate, who never actually went anywhere. I bought a copy of Buryn's book, read it, and vicariously lived it for SIX YEARS...until I finally went twice to Europe (once on Uncle Sam's dime to fight the cold war, once on my own), living Buryn-tilt-boogie and still retaining my civility (a Buryn hallmark, by the way, for those parents who find their children reading Ed: they'll be much better kids, later on). Go to Europe. Go with Ed.

I read this (at least some of it) in 1973 before traveling with a friend to Europe, Middle East, Far East. It gave me great comfort then that I (we) could do so cheaply and quickly.

Now Ed's book is more of a history of 60s vagabonding than a practical guide for today's traveller, but fun reading and don't let that stop you from buying it and getting the Vagabonding Bug... Travel On!

A wonderful read if you're going to Europe or New Jersey!

I was a kid living at home, read the book at Los Alamitos library in 1973, and got the vision to do Europe in this way. Went alone in June 74 for 3 1/2 months. The book is a philosophy and attitude that the people of Europe are the key--if you can open yourself up to them. I was adopted, in a way, by different people throughout Europe as I traveled (part of it was probably that they sorry for me--dumb kid who really didn't know what he was doing). But what I remember well 27 years later is those people. I would not have been inspired to do the trip if it wasn't for the book. I passed the book on to someone at work after my trip--and remember the gratitude of the guy I gave it to. The philosophy that is this book IS a gift!

This wonderful book reveals the secret of how to be a good traveler. "Vagabonding" is the right word. And you don't have to be a low-budget traveler to vagabond. It's a way of thinking, a way of looking and hearing, and a way of being.

I read the book in 1972. Ed Buryn put my head in the right place to make my 9 month trip in Europe and North Africa, (of all places), an extremely enjoyable experience. I went alone but constantly met up with others who I traveled with for a day or months.

Today I do a lot of business travel. But even though its nice restaurants and first class hotels there are still the hassles - long days on the road, not sleeping well, changes in schedule. It's times like those that I use the wisdom brought out in this book. It should be required reading for "Life 101".

This is a superbly written and spellbounding book that offers tremendously unique insight into daily life during the short duration of Hitler's "Thousand Year Reich." I and my father, for whom this book was initially purchased, read the book non-stop cover to cover in two nights' of reading. A must read for any student of 20th Century European history and, in particular, WW II Nazi Germany.

This collection of short reminiscences by adult Germans who were children in Nazi Germany at the end of World War II is not quite as captivating as the author's own memoir "German Boy" but it is a fascinating nonetheless. If anything, given its format, this book would be even more accessible for a pre-teen reader than "German Boy."

For me personally, the biggest revelation in these stories is the repeated memory of children of running for cover from strafing fighter planes ("Tiefflieger"). Many of the children in this book mention this experience. Anyone who has seen the PBS documentary "A Fighter Pilot's Story" will find these descriptions of the air war over Europe from the point of view of children walking home from Kindergarten particularly chilling.

I enjoyed reading this book because I am interested in the social aspects of WWII not tactical battle discussions. This book does a good job a telling what happened in post war Germany through a child's eyes... even though the interviewees are now senior citizens.

The extreme hardships and moral dilemmas that faced women and children in an occupied country come to life. The book does an excellent job of illustrating how often women and children become the victims of war. Starvation, begging and rape, become daily events in the lives of once comfortable middle and working class children.

The difference between the kindness of the Americans soldiers and the often cruelty of the Russian forces is a major point. A shortcoming of the book is that no mention (in the narrative) is made of how most Russian soldiers probably came from villages that had been destroyed by Nazi forces (not that this justified their cruelty, but helps to explain it.) Several other books I have read explained how Russian soldiers entering Prussia were shocked at the apparent prosperity of Germany and wondered how they could be so greedy to take over less prosperous Russian land.

The book is well written and worth a read.

The War of Our Childhood is a perfect compliment, perhaps unintended, to German Boy. The trials and tribulations of a boy, which are seen in greater detail in German Boy, appear in lesser detail and intensity throughout the profiles of other children. Yet, in their collective memories a common thread is revealed, a golden thread if you will, of all the positive qualities necessary to succeed. It is most significant that amid the horror and setbacks, and in spite of it, the children behave with prime elements of mental health. There is a common display of flexibility under stress, recognition of individual assets and limitations, and a commendable quality of productive activity. The War of Our Childhood is a showcase of the human spirit at its best. It is beyond admiration that such human spirit appears in children during circumstances that may be unbearable to so many adults.

I purchased this book for my wife who survived the war as a child in Berlin. She said the book was so true and is was difficult to relive the repressed memories of the childhood she was robbed of by the horrors of war. She said the book was a factual and riveting description of events, and she wants our childern to read it. My wife never wanted the children to know what she experienced, but she now feel they probably should know these things.

David Burke's Writers in Paris: Literary Lives in the City of Light is simply perfect; not only does it present a treasure house of information (who knew it was Gargantua's tale that gave Paris its name?) but it's also written extremely well, with the scholarship balanced with wit and charm. I found so much in this book I had never known and timely connections between writers I had never guessed at. The joy of finding additional information about a particular writer popping up later in someone else's section gave Burke's book a rich sense of dovetailing detail. This book finally puts it all together for me, and I found great pleasure in reading it. Writers in Paris makes me exclaim: Euro be damned; I must get back to Paris!

This book is spectacular. It brings the writers alive in a Paris of the past but one that most travelers merely sense. The book is a must read for those who want to feel and see how Paris complimented the writers' lives. The meticulous research coupled with wonderful photos make this a pure joy to read.
I think this book would be of interest to anyone who enjoys a literary tour of Paris whether they visit the City of Light or take an armchair tour.

Literary Paris comes alive on the pages of David Burke's new book, Writer's In Paris. A beautiful and comprehensive book about the writers who lived, loved and created in the City of Light.
David Burke navigates the Arrondissements of Paris as easily as a native Frenchman, taking us through
the haunts of the likes of Andre Gide, Proust , Jean-Paul Sartre as well as the expatriate writers who
called it home, such as Ernest Hemingway, James Joyce, F.Scott Fitzgerald and many others. Buy this
book and take it to Paris - you won't regret it!

As an aspiring writer, this book was motivating, enlightening, and just plain enjoyable to read. It brings to life the lives of writers in Paris with more than broad brush strokes. It tells their story with details that shows their human and creative sides. Its easy to read and the index allows me to find my favorite authors immediately, making it a great reference for researching writers in Paris. Bravo David Burke!

How many streets in the city you live are named after writers?

In Paris: more than 400.

David Burke seems to have walked them all.

And that's just for starters. He also seems to have read all the books by those writers, cross-referenced their friendships, and then figured out a clever way to summarize his knowledge in a modest 240 pages, with 125 photos along the way.

But then, David Burke --- a "60 Minutes" producer who moved to Paris for a year and simply forgot to leave --- is a lifelong reader and Francophile. As a kid in the `50s, he went to Pamplona not just for the running of the bulls, but "because that was where the climax of `The Sun Also Rises' takes place." Later, he tried to find Jean-Paul Sartre in Saint Germain-des-Prés.

Now he's divided the city he loves into three sensible zones --- the Left Bank, the Islands, and the Right Bank --- and slotted in the writers who lived and work there, working mostly chronologically, delivering the most salient stories about each. Like...

The Church of Saint-Julien-le Pauvre
It's the oldest church in town. When we're in Paris, we like to go to concerts there. I had forgotten that Ford Madox Ford took his mistress Jean Rhys there - or, in one of her novels, his alter-ego did.

39 rue Descartes
Verlaine died there. Hemingway rented the garret he'd occupied.

Rue Mouffetard
What's in a name? Mouffle means "stink", and "skinners, tanners and tripe butchers" set up shop along the river here. No surprise that young, unknown George Orwell lived here.

Deux Magots
James Baldwin was taken here directly on his arrival in Paris to meet Richard Wright.

Colette
I don't know that she got her break with her "Claudine" book three years after it was universally rejected. Then another book about schoolgirls was a hit, her husband showed her manuscript around again, et voila --- Colette had a best seller.

Hotel du Vieux Paris
They called it "the Beat hotel". Allen Ginsberg lived here. He produced 56 lines of "Kaddish", "weeping as the wrote them in Café Sélect."

Gertrude Stein's Picassos
I never knew that the Gestapo searched her apartment and decided the Picassos were "Jewish trash, good for burning." But they left them hanging.

Hours Press
And I didn't know about Nancy Cunard's poetry contest. A young writer heard about it on the last day, wrote 98 lines and stuffed them in an envelope. He won ten pounds. Samuel Beckett, aged 24. Of course.

Luxembourg Gardens
"Balzac circled the garden at night in his monk's cowl, candelabra in hand" --- another tidbit I didn't know.

Le Dome
The first big café. One night when Sinclair Lewis was boasting about one of his books on the terrase, someone shouted, "Sit down, you're just a best seller."

Rue de la Gaité
Henry Miller was "drawn to the erotic as a bear to honey." He loved the sex shops and vaudeville theatres here.

Georges Simenon
Colette advised him, "No literature. Suppress all the literature and it will go fine."

Jim Morrison
And I didn't know this: No one recognized his corpse, including "the man who came every day to keep the body packed in dry ice because of the city's heat wave."

Emile Zola
I had no idea he died of carbon monoxide poisoning. The police said it was an accident. Some evidence suggests he was murdered. A tantalizing incident, briefly told, that leaves you wanting more.

Proust
And I certainly didn't know he inherited the equivalent of $6 million, giving him $180,000 or so in today's money to live on each year.

And there's so much more, much of it exhilarating. But watch out --- you'll read with a pencil, you'll mark titles and writers, and before you know it, you'll have a stack so tall you might as well have bought a plane ticket.

I read this book in fifth grade. It was one of the best books I have read. Me being a huge WWII fanatic who reads about it all the time. I was said when Uncle Heinrich didn't make it to the train i felt like crying because Ruth loved him and Jeanette. I have read many books like this like Number The Stars, Hitler's White Russians, The Russian Roots of Nazism, The Russian German War, but this book was nothing like those others it was incredible, fascinating, heart thumping, and most of all touching. Sure it was a little slow in the end, but it was still an incredible book.

This is the story written from the view of a 5 yr. old girl who is literally torn away from her parents where she is not old enough to understand what is happening. The story is heart rendering and a good one to start reading about the holocaust. Other books are far more compelling than this as regards what happens to people, but in the eyes of a youngster it is almost life ending for her and her friends. It seems there is another book or two awaiting to tell Ruth's parents' side of the story as well as possibly the Resistance Movement in and around the geographical area mentioned in this book.

Your Name Is Renee is an extraordinary book that captures the mind and spirit of the reader. It keeps you interested and has so much great detail that you just fall in love with the characters. I was truely amazed at how wonderful this book was. There were several reasons I found it so astonishing. There was great detail and information about the characters, events of WWII, and of the Holocaust. While you read this book you discover how hard the Jews had to work to stay unharmed and how scary it was for them for fear of being caught. You learn that everywhere they went they had to be cautious not to give themslves away as Jews. I love how you felt as if you were there. The events seemed so real. You especially felt sorry for the young children,such as Ruth (Renee was her fake French name), who had no idea what was going on, why families everywhere were being pulled away from eachother, and why her family was on a constant run. It was very emotional to learn about the Jew's struggles and ways of life during the Holocaust. Even children like Ruth had to adapt to this lifestyle and learn exactly what they should say around strangers to keep themselves safe. I got really into Your Name Is Renee, even catching myself yelling at characters for treating Ruth or another Jew cruely or taking something away from them. I mostly loved this book because I learned a lot about the Holocaust and who was involved during it. I also learned that the Jews always had to be alert no matter where they were and careful about who they trusted. Your Name Is Renee is a remarkable book full of suspicion, suspense, suffering, and support. I recommend to each and every person who likes or dislikes reading. Your Name Is Renee will astound everyone.

When i was a senior in high school, the class read this book. A chilling, heart rendering tale of a horrible time in our history through the eyes of a victim too young to be so brave. While others griped about having to read yet another book. it was not long till all eyes in the class were glued to their books. The writing makes you want to continue, almost as if you stop reading then maybe you can close your eyes and act as though the horror never happened. Yet you continue out of a strange respect for this child. Luckily for our class after we had read the book and its end became known to all of us, our teacher had Stacey Cretzmeyer,the author, come and speak to our class. An awe inspiring moment for most of us. While origianlly she was there to talk about the writing of the book, it became abundanlty clear that even the toughest of kids where concerned about what had happened to that child. She informed us that she had been to a family reunion not to far long before this event.She passed pictures around the class and yes.there were tears shed as people were finally able to put faces to names we had only read about. The most poignant picture was of a group photo. A large smiling group of people looked back from the glossy page-and the most hard hitting moment that dawned on the class-and finally uttered by one of the biggest, quietest, hulking guys in the class- "They grew into such a large family" They had carried on. The Nazi's had lost in every way. Not just to U.S. bombers and fighters but to the unending spirit to survive, thrive and to flourish. Even Ten years after reading this book for the first(but not the last time) I look forward to reading this story with my own little girl.This story is so touching and leaves a mark on you that never fades from your memory.

"Your Name is Renee" is the unforgettable story of Ruth Kapp Hartz, told from her viewpoint as a child in Nazi-occupied France in the early 1940's. It is too compelling to read in little increments...you'll want to consume it from cover to cover in one sitting. The writing style is simple and tremendously effective, never distracting from the story itself. Mrs. Hartz's story should be required reading from middle grades on up. Hats off to Stacy Cretzmeyer for giving us such a gem.

I very much enjoyed this book for many reasons, not just that it provides information you will never find anywhere else. The book covers many sites that I was familiar with and many that I have heard of and didn't know were accessible and many that I have never heard of. I will definitely take it with me on my upcoming trip, my 18th to London.

I like the style of the book, just casual enough to let you know the authors are real people (and have really been to the sites), but not overdone, which can get annoying with other authors. In fact, I skimmed through the entire book at one sitting, reading many parts entirely, as I found it interesting.

I have a few minor criticisms. (I'm still giving a five-star rating, especially since there is no other book quite like this, so invaluable.)

A few things people should know in advance: there is one general map at the beginning -- the authors state you need to pick up a map in London as this is not an easy city to navigate (I use London A-Z) -- and there are no floor plans of the sites. This is good (smaller size and price) and bad (toting and flipping from book to book or purchasing high-priced on-site guides). I'm sure it would be impossible to locate a floor plan for some of the more obscure buildings, so really can't blame the authors.

My main complaint (not major) is there is not a rating system, formal or informal, for sites. I know a lot of what is "worth seeing" depends on a person's individual interest, but, well, just because a site exists doesn't mean it's worth taking time out for if you just have a week or so in London. There's a big difference between "don't miss this hidden treasure" and "seek this out if you are in the neighborhood" or "best for those with a special interest in Edward IV, or stained glass windows, or gothic arches, or whatever."

Once again let me state that a major plus is the feeling that the authors have really been there and know what they are talking about.

By comparison, many years ago I bought a guide to London by a very well known guidebook publisher. I made a bed-and-breakfast booking on their recommendation of a charming hotel with a bright, cheery breakfast room. I won't tell you the full horrors of the place, other than to mention the tiny rooms with plywood walls and door, and the very dark basement breakfast room done up like a dungeon, complete with instruments of torture on the walls. And one shared toilet per floor, which sometimes actually flushed. I didn't just check out -- I escaped. It was very obvious that the authors of that other book had never set foot in the place, and I have more or less ignored mass-produced guidebooks ever since.

I've never known a lot about medieval and Tudor history, but a friend gave this book to me to help me plan a trip to England. Now I can't wait to see the places described in the book. These authors have a fan in me.

I've never known a lot about medieval and Tudor history, but a friend gave this book to me to help me plan a trip to England. Now I can't wait to see the places described in the book. These authors have a fan in me.

For anybody who wants to know more about the history of places they want to see in England, this is the guide book for them. I learned alot of interesting things and had alot of fun reading this book. I like the authors' style very much. They make the history easy to read and understand.

Travellers on the trail of history in London know how frustrating it can be to locate Tudor and medieval places still in existence in that busy, crowded, vibrant, thoroughly modern city. Last year we spent a week with this guide in hand, feeling a bit Sherlockian in our quest. Even with the detailed directions provided by the authors, finding most of these hidden, nearly forgotten sites was a challenge. But with persistence and patience, our efforts were rewarded. What fun! Couldn't have done it without this guide. But if you aren't particularly interested in the places, the era, and the difficult pursuit, better not bother.

Anyone who has ever visited Amsterdam knows the curious magic of that city, its canal-lined streets, polyglot population, and unconventional mores. But few are aware of Amsterdam's rich literary life. Manfred Wolf brilliantly redresses that cultural gap in Amsterdam, A Traveler's Literary Companion.
In what may be the best in an excellent series, Wolf, Professor of English at San Francisco State University and leading expert on Dutch literature, introduces the reader to an Amsterdam of gaiety and sadness, beauty and squalor, hope and despair. The selections are arranged thematically and geographically and include "City and People," "Canals," "Red-Light District," "Gay Amsterdam," and "Jewish Amsterdam." Among the provocative essays and stories are Remco Campert's "Soft Landings," Hermine Landvreugd's "Staring out the Window," and Margo Minco's "The Return."
To read this fine collection is to come a step closer to overcoming what Cees Nottebom observes in the opening selection, "Amsterdam": "This is my city, a token for the uninitiated. She will never reveal herself to the outsider who does not know her language and history, because it is precisely language and names that are the keepers of secret moods, secret places, secret memories."

Divided into sections including "City and People," "Canals," "Red-Light District," "Gay Amsterdam" and "Jewish Amsterdam," Manfred Wolf's wonderful new volume, "Amsterdam," is both travel guide to this quirky, classy, multi-cultural city, and an introduction to the writings of a number of Dutch literary greats. Through these samplings one is exposed to Dutch traditions of tolerance, freedom of expression, hatred of fanaticism, love of compromise and at the same time the occasional and peculiar manifestations of Dutch small-mindedness. It is the perfect book to accompany a visit to Amsterdam as well as the perfect volume for gaining insights into this imminently civilized city, if one lacks the opportunity to travel there. Don't miss it.

When I first learned of this collection of Dutch fiction, I was enthusiastic about the concept (a literary anthology for the traveler to Amsterdam) but at the same time a bit apprehensive about whether selections could be found which would give a taste of this historic and many-sided city without compromising either readability or literary merit. I needn't have worried. For the most part the translations are first-rate, and the short stories and excerpts from longer works are well chosen, both for quality and the information they convey about various aspects of the city. It is refreshing to see the work of eminent, but little-known (in the English-speaking world, at least) Dutch writers like Gerard Reve and Maarten `t Hart in English. The beauty of a book like this is that it can mentally prepare you for a visit to Amsterdam (or possibly even inspire you to plan one) in a much more subtle and ultimately more enjoyable way than any standard guidebook can do.

This is a rich and intruiging collection of Duch literature that should be of interest to anyone visiting Holland and seeking insight into the true culture of the country, which is far too often clouded by many popular stereotypes. I lived in Holland for two years and enjoyed picking out not only the references to familiar places, but also the small details of Dutch character, customs, history, and lifestyle that transported me back to the "real" Holland that only the Dutch--and insightful travelers--come to know. The selections are varied and of high literary quality in their own right, and are worth reading even if were one not planning a trip to Holland. But after finishing this book one might very well consider doing so.

I don't have a whole lot to add to these great reviews other than stating that this book deserves its current five-star rating. The excerpts are well-chosen and they really help the reader see into the lives of the Dutch from multiple angles. The fact that the excerpts are bite-size makes this an especially desirable book to take with you to read on the plane or in your hotel/apartment each night.

I am leading a group to the Netherlands next year and this will likely be required reading.

This is a wonderful book combined with an extraordinary collection of plates. The only problem is that virtually all the references in the text do not refer to the correct plates. This is really disappointing is such a fine, and expensive, book.

The Anatomy of Glory is a wonderful account of Napoleon's Guard, from its beginnings during the Revolutionary Wars to its end after Waterloo. The text is highly readable and engaging. The accompanying prints are wonderful, as are the useful appendices. I would recommend this to any student of Napoleonic history. The Tondu and his Grumblers seem to march across the pages of this seminal text.

I concur with the supportive opinions expressed here that this book, The Anatomy of Glory by Commandant LaChouque, et al, is the ultimate reference material for serious students of the History of the Imperial Guard.

I first came upon this wonderful book as a Senior at the University of Minnesota in 1984. My senior thesis was a study of Anglo-French Diplomacy during the Napoleonic period, and I find this book to be a wonderful source of information, not only information concerning the History of the Guard, but also more generalized history of the period itself.

This book, as stated, has a fabulous collection of artwork from the Anne Brown Collection at Brown U., and also does a wonderful job getting down to the nitty gritty concerning the Marshals, the Campaigns, the Politics of the Period, etc. Commandant LaChouque leaves no stone unturned in this hugely successful documentary on the Era.

The fact that this book centers the majority of its attention on Napoleon's Guard specifically is especially attractive to me since even now with the advent of the Internet it's still a bit of a tooth pull to get so complete an analysis of the history of one of the most courageous, loyal and dedicated organizations of professional soldiers the world has ever seen...La Garde Imperiale! These hardcore heroes richly deserve to be remembered, and this book does their memory ultimate honor.

The day I lost my original copy of this book was a sad one, and I'm very pleased I have now had, thanks to Amazon.Com, the opportunity to get a replacement. I most highly recommend this book for any gung-ho student of Napoleonic History...Vive L'Empereur!

The glory of the Imperial Guard resounds above all others in the annals of war. Created, built and nurtured as a bodyguard for Napoleon, it grew from a brigade of fewer than two thousand men into a virtual army, and became 'a human fortress which no one but [Napoleon] could dominate and no enemy could penetrate'. And, on such battlefields as Austerlitz, Jena, Friedland, Wagram and Waterloo, it won the laurels of undying fame. Written by France's foremost historian of the Napoleonic Wars, Commandant Henry Lachouque, and translated and adapted by Anne S. K. Brown, this sumptuous work is enhanced by over 180 illustrations, including 86 plates in full colour. This new printing from the second, revised edition of Lachouque's masterwork will be especially welcomed by students of Napoleonic history. The plates alone are uniquely valuable as a source of uniform colours and style, and the text provides the definitive history of an elite body of men. With its vivid narrative and lavish illustrations, The Anatomy of Glory can lay justifiable claim to be one of the most magnificent books on military history ever published. The critical acclaim that greeted it upon its first publication provides ample testimony to its reputation. The Anatomy of Glory is both informative and entertaining: a work of unquestionable quality - termed a masterpiece by Elting - and a monumental contribution to Napoleonic literature.

I first saw this book and read it in high school. Since then, it has been an indispensable part of my Napoleonic library. It is full of information unobtainable eslewhere in English. The superb illustrations, from the Anne S.K. Brown Collection at Brown University, greatly enhance the presentation, Mrs Brown also being the translator. The book traces the Guard from its inception during the Revolution, its emergence as the Guard of the Consuls, and into its final evolution in 1804 as the Imperial Guard. The personalities who populate it are a truly talented and colorful group, from Pere Roguet, to Napoleon himself. The book almost appears as a personal narrative of the author, Commandant Lachouque, and while he has been accused of being somewhat biased, his references used for the book itself are impeccable. That the book has already stood the test of time is a virtue in itself. The new Introduction to the latest edition is by Col John Elting the noted suthority on the Napoleonic period, and new information on the Guard was discovered by him for this introduction. It not only enhances the Guard's formidable combat reputation, but the book itself. This book is a must for every Napoleonic enthusiast.

This is a wonderful book. It really fleshes out the remains of Rome's ancient monuments

We're planning a trip to Rome and like to prepare by reading about places we'll be seeing. This gives a very good explanation of the Roman building remains in an interesting manner.

Great book
love to see rome then and now
makes history come alive

This book uses overlays to show what Ancient Rome looked like when everything was new and in good shape. Then, you can flip the overlay and see how things look now. I always wondered how things looked then and wished I had a time machine to go back to those days. This book is the second-best thing to a time machine. The artists have done a great job of reconstructing the famous buildings, forums and temples. The book is well worth the money and is less expensive from Amazon than buying it in Rome.

This is a great book but way too expensive. I could have bought the exact book in Rome for less than half the price from a vendor at the Colosseum but decided to wait until I got home.

Coming to America is the theme for ANNUSHKA'S VOYAGE authored by Edith
Tarbescu and illustrated by Lydia Dabcovich. It focuses on the life
story of the author's mother.

The plot is a simple one. Anya (nicknamed Annushka by her grandfather)
and Tanya, two little sisters are waiting with trepidation for the
steerage tickets that will take them from pogrom torn Russia to their
father in America. Supposedly their life will be good in America,
however, they must leave behind their grandparents.

The author is successful in penning credible characters. I
particularly liked the following sentence uttered by the thirteen year
old Annushka: "I could tell grandma was sad, so I hugged her and said:
I'll write every day and draw funny pictures..." expressing her mixed
feelings of sadness and happiness at the moment of departure.

Ms Tarbescu has captured the feelings of anxiety, separation and
reunion with great simplicity without falling into over
sentimentality. One can only imagine the fear and loneliness of two
little girls traveling by themselves, let alone crossing an ocean and
arriving at the processing melée of Ellis Island.

Hope for a bright future never fades. Annushka is the big sister who
keeps up the necessary courage for herself and her little sister, with
the help of the Sabbath candles given to them by their grand mother.

The illustrations by Lydia Dabcovich are true to the text. Ink lines
emphasize the expressive drawings and white gouache provides the right
highlights in simple strokes. The illustrator is a master of
perspective. The illustration on p.18 when the immigrants on the boat
get their first sighting of Ellis Island is very striking. The little
girls' expressions are precious throughout the book as well as the
faces of the grandparents and the father.

ANNUSHKA'S VOYAGE is a homage to the people who were left behind in
Russia, surrounded by the dangers of pogroms and anti-Semitism and to
the new immigrants. It is a charming telling of an immigrant
experience and is a must read for people of all ages.

Lily Azerad-Goldman, Reviewer for Bookpleasures.com

Rebeccasreads highly recommends ANNUSHKA'S VOYAGE as a riveting tale, simply told with fascinating illustrations by Lydia Dabcovich, that all immigrants & their children can relate to.

In the Author's Note, Edith Tarbescue recounts the reasons why her mother made that journey to America from their little Russian village, so ANNUSHKA'S VOYAGE is a true story, one millions of people from all over the world have made looking for a better, freer life, me among them.

Patriotism, a love for the new land, the thrill of seeing The Statue of Liberty for the first time, etc. are all stirred in this warm tale. I thought of my own Irish ancestors who came here about 50 years before the author's mother and aunt came. Her family is Jewish. Mine is Christian. We are all Americans.
I highly recommend using this book in classrooms followed by singing songs such as "I'm Proud to be an American." In spite of our problems, at least we know we are free. Let's help children appreciate that freedom and understand the need for responsible behavior.

I've enjoyed reading this warm story many times to students. It reflects family values of love, trust, faith (including religious faith) and it also shows girls a role model of sensitivity, caring, and true female strength. In these days of Barbie dolls and warrior princeses, girls need this experience with a young woman who has realistic strength and love.

ANNUSHKA'S VOYAGE A Children's Picture Book, Ages 4 - 8 Written by Edith Tarbescu Illustrated by Lydia Dabcovich Clarion Books, 1998 ISBN No. 0-395-64366-X, 32 Pages, $15.00

Anya (Annushka) and her little sister Tanya live with their grandparents in Russia. Each day, they work with their grandparents on the farm and await news from their father in America.

Papa's letter was filled with funny pictures. There were drawingsof the doll factory where he worked and of the pigeons on his roof.

He wrote, "People say the streets here are paved with gold. I am saving money to buy steamship tickes for Anya and Tanya."

That's when Tanya started crying. "First Mama died and went to heaven. Then Papa left for America."

I put my arms around her and wiped away her tears. "He'll send for us soon, you'll see."

Early each morning, even before it was light, we worked around the farm. In the afternoons we helped Grandma make puddings and potato pancakes. Before bed we had Hebrew lessons with Grandpa. And we waited.

After more than a year, two steamship tickets came in the mail with a letter from Papa telling us he'd meet us in New York.

Anya and Tanya soon travel from the old country in Russia toward the promise of a new life in America. Although they must leave their Grandparents and the life they know behind, they carry with them the clothes on their back, a pair of candlesticks---family heirlooms, a book of Russian fairy tales and a ragdoll.

Custom and tradition are woven through this wonderful tale of two young Jewish emigrants who go off to America alone, first crossing Europe on a train to Holland and then sailing toward "the land of opportunity" in a gigantic steamship. Through Annushka, her hopes and fears, this heartwarming story offers amazing insight into emigrant passage to America.

"As soon as we got off the train, we were sent to a big building to be examined by doctors. There were so many people speaking so many different languages."

"We kept going down, down, down, until we reached the basement of the ship. It was dark and scary, especially with the engines running."

In ANNUSHKA'S VOYAGE, author Edie Tarbescu effectively relates to children the important story of American Immigration in the late 1800s. Mixed with both adventure and history, Annushka's story is a delightful read. Lydia Dabcovich's expressive illustrations and the author's historical note make this story come alive. Although this book stands on its own, I must point out that it is an essential read for anyone (adults and children, alike) who is fortunate enough to learn about or visit the Statue of Liberty and/or pass through the Ellis Island gates. Writers Moon reViews (WritersMoon@aol.com) P.O. Box 182, Nesconset, NY 11767-0182 Copyright (c) 2000 Lynne Remick (LynnRemick@aol.com) Reprinted with permission from Lynne Remick =============================================