Death Books

Beautiful story about how a family deals with the loss of someone they love. Excellent writing and character development, I was sucked in from the first chapter and was crying by the end of the book. I would highly recommend this book to anyone that has lost someone close to them.

Thank you for this wonderful, wonderful book. I wanted to stop reading it because I was afraid I'd be too sad but I couldn't stop once I'd started.

Dear Readers --- If you want to spend a few days curled up with a book that may change your life, then "Dear Zoe" is, hands down, the paramount choice. Have a full box of Kleenex nearby, though; I became a human waterfall while reading this book, empathizing with this young girl and her pain. I saw so much of my ownself in her, even though it has been decades since I was that age. Yet, I too went through the soul-shifting lifechange that was 9/11. I know my worldview will never again be the same after that day. I can distinctly recall thinking that was the beginning of the end of the world, and I spent the whole day on the phone gathering my husband and girls to come home so we could die together. God, how quickly we forget! I/we lost an innocence, a groundedness that day. We took so much for granted. This book reminded me, however, that one terrible occurrence, such as the death of a loved one, can shift one's world in much the same way. Additionally, my husband and I have raised three daughters, and I saw so much of each of my own girls in these three. A note for the author: Mr. Beard, you somehow managed to insert yourself into the psyche of a 15-year-old girl and you were right-on with frightening precision. I felt my own past exposed and I don't know how you did it, but seeing you do it was redeeming. Kudos to you and yours for tapping into and laying bare for us, the readers, the angst of a teenage girl! Lastly, I do not often buy books to keep; I usually read from the library. However, this is one book I will buy to keep on my shelf and to loan out to loved ones, with the only request being that it come back to me so that the cycle can continue.

"Maybe 'Z' is the shape of everyone's life," writes Philip Beard. "You're going along in what feels like a straight line, headed for one horizon, the only one as far as you know, and then something happens..."

But my zigs and zags were few in Philip Beard's slim novel, "Dear Zoe." On this level of writing, it's smooth sailing. Beard is a skilled writer, and his style is seamless enough that he accomplishes the very difficult writer's task - not only of crossing genders in this first person narrative by a female, but with the voice of a very young female - all of 15 years old. And he does it convincingly.

So convincingly, in fact, that I felt myself as reader engage as I should, that is, to lose awareness of self and surroundings, soon immersed completely into the storyline and characters. "Dear Zoe" is a letter, written across time, from one sister to another. Zoe, however, will never read this letter. Zoe is gone, killed in a car accident, and this letter is, perhaps, how older sister Tess copes with her loss, her grief, even her guilt.

This extended letter is about Tess but also about her extended family. It is family like any: not without its dysfunctions, not without its baggage and broken places, with elaborate wounds and still healing scars. When a member of a family unexpectedly dies, everyone grieves, each in his or her own way and own pace, and it can at times meld a family together, at others rip apart. Beard portrays all of this messy and zigzagging process, but without any melodrama, always sensing when to draw the appropriate line.

Then comes the true test. Nearing end, the storyline veers into an event in American history that is almost impossible to mention without imploding into melodrama. When I realized the backdrop this author was setting up for his story, I nearly winced, but, wait, what's this? Oh, my. Beard makes it work. Work so well, in fact, that he accomplishes the individualizing of something nationally, even internationally shared, and brings it down to one heart, one life, one experience, felt by one person at a time. This personal tragedy is of a size, immense and miniscule at once, that each reader will be able to absorb and comprehend, and through comprehending the miniscule, the immense suddenly gains full impact. Just as numbers that trail off into endless zero's at some point become incomprehensible, so perhaps we as human beings cannot truly comprehend tragedy unless it happens one soul at a time, passed gently on from one hand into the next.

Having accomplished this feat, the author, and "Dear Zoe," has earned my highest recommendation.

On September 11th, 2001, nearly 3,000 people lost their lives in numerous acts of terrorism against the United States. Even now, five years later, people still ask the question, "Where were you on 9/11?" I remember watching, on that fateful day, news coverage that left me horrified, aghast, and haunted. Where was I on 9/11? At work, on a day that started out like any other and quickly turned into one that no one will ever forget.

If you asked Tess DeNunzio, the fifteen-year-old girl at the center of DEAR ZOE, where she was on 9/11, she'll be quick to tell you that she was at home with her younger half-sister, Zoe, waiting for the school bus like any other day. Except for that one moment, when she let her gaze wander elsewhere, and Zoe ran into the street, into the path of an oncoming car. For Tess and her family, 9/11 is a day they'll never forget.

DEAR ZOE is Tess's letter to Zoe, her way of healing from her sister's death and coming to terms with the changes that have taken place in her extended family. This isn't a story about September 11th, 2001, in the ways that most of us have come to view that day. As Tess puts it, "...just like all the people who go to New York and cry over the rubble. I want to tell them all to go home. I want to tell them to go home and hold their children or their lovers or their parents. I want to tell them that they are using that place as an excuse to be sad and afraid when there will be reason enough for that in their own lives if they just wait."

According to recent facts, nearly 150,000 people die every day. That's about 1.8 people every second. And yet no one seems to remember the other 147,000 people that died on 9/11. That includes myself. Until reading DEAR ZOE, I had never stopped to consider that there were other people around the world who were grieving for lost loved ones who had
nothing to do with an act of terror.

Thanks to Mr. Beard, I now have a new way of looking at that day in history. I also have the story of Tess and Zoe, which will stay with me for much longer than it took for me to read the book. Love, loss, regret, and forgiveness mingle within the pages of DEAR ZOE to form a story that, quite possibly, you'll remember even five years later.

Reviewed by: Jennifer Wardrip, aka "The Genius"

Capstick's pithy and humerous writings, on the one hand, are enough to make you howl with laughter and, in the next instance, scare the heck out of most sane readers. Rate his book a fiver.

I got this for my husband for his birthday because he lived for 5 years in Africa as a child and his father used to hunt big game, so he loves reading books like this, and he said this one was an outstanding read.

Reading books by authors like Capstick is a very good alternative to reading fiction. When you are reading fiction, however scary, thrilling and realistic it may be, at the back of your mind you know that it is fiction. Some of it may not even be plausible. When you are reading true adventure, it is then that you can realise the closeness of death to life, you can identify with the characters more closely, and you can feel their fear of something as primeval and primitive as claws, fangs and horns. You can also feel their elation at escaping injury.
This book is not meant only for hunters and any one reading it will learn something new on practically every second page.On the whole I did not like it as much as much as "death in the long grass". Still, the book has its chilling moments. It also has its share of dark humor. The author does not defend hunting and "cropping" of elephants as much as he does in death in the long grass.
Halfway through the chapter on leopards, I lost touch with what the author was trying to say.

Originally published in 1983, this book describes big game hunting in Africa. After a brief introduction, each subsequent chapter contains details and anecdotes about hunting each of the Big Five game animals of Africa (Cape Buffalo, Rhino, Elephant, Leopard, and Lion). In particular, this book is largely about the dangers of hunting each of the Big Five. All I can say is that being a safari guide/hunter must be an incredible life. I purchased this after reading Hemingway's `Green Hills of Africa' and Robert Ruark's `Robert Ruark's Africa' and was not disappointed. There isn't really a single narrative through this book, it is written in a more of a conversational style, almost as if you are sitting with Capstick in camp in the evening after a day of hunting and he is recounting various tales, `urban legands', and historical anecdotes about hunting each of the big five over a Scotch whiskey. If you don't know who he was, Peter Capstick was a hunter, guide, and prolific author who passed away in 1996. Capstick writes about a much later era than Ruark or Hemingway, things have clearly changed. There are more people about (farming, grazing animals, etc.), and the game is heavily controlled by the national authorities. Overall this is a very good, if not uniquely outstanding, read. Capstick writes with an easy prose, and the pages just sail by. After working through this book, you're quite likely to get the urge to pack up a few of your shootin' irons and buy an airline ticket to Nairobi (I know I did!). I give it only four stars though as much of the ground covered by Capstick has been well tread by others (e.g. everyone seems to feel the need to give their opinion about which of the big five is the most dangerous). I also liked Ruark's writing style more, and there was something more romantic and dangerous about safari hunting in Ruark's era (this is no fault of PC though) - they really were out in Indian territory. The more modern safari isn't quite so wild. In any case, if you love the outdoors, hunting, and testing your mettle against some of the world most dangerous game (or at least reading about it!), I would highly recommend this book. A little different than hunting white-tailed deer!

Many other reviewers have characterized "Death in the Dark Continent" very, very well. It is a bit more graphic than Capstick's earlier "Death in the Long Grass", but not much.
But you definitely do NOT have to be a hunter to thoroughly enjoy Capstick. I think, though, there are a lot of non-hunters who simply haven't discovered how good Capstick really is at "grabbing you, making you sweat blood, and not releasing you until you've died three times, passed Elvis and Hoffa twice, and are coming around for heart attack number 4. Capstick is not just " a hunter with a typewriter". He is Hannibal Lecter mixed with Edgar Allen Poe and Stephen King multiplied by Norman Bates and home-schooled by JAWS. If you thought Amityville and Elm Street were scary, you were wrong. Peter Capstick will show you Scary in "Death in the Dark Continent". If you thought "The Pit and the Pendulum" was mind-wrecking, you were wrong. "Mind-wrecking" starts on page 152 of Death in the Silent Places. Read it early in the day.

The author writes beautifully & this is well-translated.

The pages fly by. Terrific story, wonderful plot with twists & turns. Highly enjoyable.

i ordered this one and the 'special assignments' book at the same time and read them both back to back. the way that 'achilles' slips from fandorin's view to achimas's view is seamless and well crafted. the story moves quickly, and the internal politics between the different departments are just as interesting as the battle between our hero and his main adversary. i liked very much that akunin gives the antagonist a human side (as much as possible for a professional killer). the fact that fandorin is not entirely perfect, and he's not entirely invulnerable makes him so much more believable. this book is well worth your time if you loved earlier fandorin mysteries.

This is the fourth Fandorin story to be translated (with kudos to Andrew Bromfield for a great job) of the eleven stories that Akunin has written. It would be great if the publishers could get moving and get more than one book translated each year. Much of this book is a continuation of the story line from the "Winter Queen" and the conflict between Erast and the assassin Achimas.

The book itself has an inventive structure. The first part (which is divided into chapters) deals with Erast and the 'Death of Achilles' (aka General Sobelev) who was a hero to most of Russia. We learn that the General was planning a 'coup d'etat' and that he planned to set himself up as Tsar. He dies though, inflagarante and this is just the beginning of the story. Erast is certain that the General was murdered but he is not sure why, how or on whose orders. As he works his way through the maze of misinformation, double and triple agents, just as he is about to confront Achimas, the first part ends.

The second part (where chapters are headlined by names) is the biography or history of Achimas. How he came to be an assassin for hire and his training and background. We even see how he first encounters Erast. In the end we follow him through the murder of Sobelev and fill in some of the information left out in the first part. Again this section ends as he is about to be confronted by Erast.

The third part is the short (only twenty pages, two chapters) where the two antagonists square off and we learn the identity of the man who has ordered the 'Death of Achilles' and why.

Though I would have preferred to read more about the six years that Erast spent in Japan (I assume there will be flashbacks in future novels) the background on Achimas is entertaining reading.

A remarkable series to say the least , with an incredible backdrop of Russia towards the end of the period of the Tsars. The one thought which crossed my mind when I put down the novel was , just where was Boris Akunin all this while. Erast Fandorin , a 24 carat hero, is one of the best sleuths that you will encounter in literature.
The setting is 19th century Russia flirting with enlightenment , with significant tension simmering with imperial neighbors. The nation is rocked with the death of its favourite general in rather suspicious circumstances, conveniently in the same hotel where Erast Fandorin is lodged. What follows is a remarkable story of unravelling layers of intrigue .Every murder seems to indicate an acceptable closure to the mystery , but a never say die pursuit by the detective takes you deeper into the darker forces involved. Fandorin has a remarkable Japanese man friday which tends to deviate from the usual diet of dumb counterfoils to brilliant detectives. Fandorin is Holmes with Zen nay a Bond with restraint. There's much more than just Fandorin to savor here. The rather brutal rural Russian setting gives rise to a diabolical assassin who almost proves too much for out hero.
Its a great commentary on Russian society during the 19th century, much as the pipe smoking Holmes characterises Britain. Never a dull moment , this is a book to savor.

Erast Fandorin's return to Moscow is marred by the death of his war-hero friend, The White General - Mikhail Sobolev. Although the apparent cause is an unexpected heart-attack, Fandorin, exercising his unusual observation skills suspects foul play. As he investigates the circumstances, it seems he's correct, but nobody is willing to acknowledge the reality. Fandorin, in fact, sees any support for his seeking the truth not only whither away, but become outright hostile. This is a very political crime, indeed. In an excruciatingly twisted and seemingly endless story, Akunin has again demonstrated the skills that have made him one of Russia's most popular contemporary writers.

Unlike some of the Fandorin books, such as "The Turkish Gambit" where our hero often seems limited to almost cameo roles, the "collegiate assessor" - his innocuous-sounding official title - is more present and accounted for in this story. He even demonstrates his skills at disguise to enter one of Moscow's less salubrious evening entertainment establishments in search of information for his quest. Although the politicians fail to provide Erast with any support, the "registrar's" time in the Orient enabled him to gain a helpmeet. Masahiru, who bears an interesting resemblance to Peter Sellers' "Kato" in the Inspector Clouseau films, has interesting tastes in both food and women. A samurai, he's taught Erast much, but is seriously challenged in adapting to the West. Still, it's a team with amazing potential. Akunin has a talent for giving us only a partial view of Fandorin. Even after four introductions, we remain uncertain of with whom we are dealing. Which certainly doesn't detract from the story.

In this tale, a new prose style and an unexpected element appear as a departure from the rest of the series. The style is slightly more open and there are flashes of humour rarely present in Akunin's work - if you set aside ironies. In many ways, this is the most "readable" of the Fandorin tales. Subtle differences from the rest of the series - it is less "imitative" than the previous books -providing it with a characteristic flavour. The element is to set aside over a third of the book to a [seemingly] new character - Achimas. Akunin develops this man in exquisite detail, weaving a compelling, if disturbing narrative around the forming of a dedicated killer. Known as Aksahir - the "White Wizard" - Achimas moves through Russia and into Europe building a reputation. With so much space dedicated to Achimas' story, it's clear that a confrontation with Fandorin is inevitable. Its resolution, of course, will have surprising twists. After all, this is Akunin! [stephen a. haines - Ottawa, Canada]

Every once in a while someone is affected by cancer or a sickness. This book Guardian of Angels by Lurlene McDaniel shows how problems can affect a family. A young girl named Darcy fears that her mother won't get better because she hasn't been well since she was diagnosed with breast cancer. She has been constantly in and out of the hospital. Darcy's mother has great hope that she will be better in no time. Darcy has to trust her mother and she has to try to keep her life moving along just like it was before her mother became sick.

The family is soon overwhelmed with Darcy's sister, Adel, getting married and her mother being sick. After the wedding Adel is planning on moving to Germany and this is when Darcy and their father need her the most.

Will Darcy's mother ever get better and will her family ever be the same again? Find out by reading Garden of Angels by Lurlene McDaniel.

Garden of Angels is a wonderful book about a girl named Darcy who's mother gets a rude a-waking by cancer. As her family and friends help Darcy's mother with her illness, Darcy meets a boy named Jason, who helps Darcy face reilty. But can Darcy's mother live and fight this cancer or will medial science fail her. The most needed question to be answer is: Are the Angels watching over Darcy and her family?

Lurlene McDaniel is one of my most favorite authors, and this book is by far one of the most inspiring books you could ever read. It's about a girl whose beloved mother gets struck with breast cancer, and her world is never the same again.

McDaniel writes with such flair that you can hardly bring yourself to put the book down. The ending is very sad, but also leaves you with a feeling of hope. This book teaches us that while we may not get to choose what happens to us, we do get to choose how we respond. This book reveals that people don't always get what they deserve, whether they be good or bad.

If you haven't read this book yet, then I highly recommend you read it. You won't be disappointed.

Some parts of this book were excellent. I loved the whole story, until I got to the epolouge. Why did Jason have to die? And why is Darcey living in the mountains? Although the epolouge isn't the best, and the story is rather predictable (mom dies, Jason liked Darcey all along, Connors would develop) it was an all in all good book. I would recomend it to anyone who wants to know Lurlene a little bit more.

After Darcy Quinlin finds out her mother has breast cancer, she is deeply saddened and in disbelief. She is also loosing her sister, Adel, to Barry Sorensen, a soldier in Vietnam. Above all that, there is J.T. who pushes her around especially when she falls hard for Pastor Jim's brother-in-law, Jason, who just moved to Connors. Darcy needs comfort and someone to talk to about boys, feelings, and school problems and her mother can't be that person. Neither can Adel because she is moving far away with Barry. Her mother did leave a beautiful garden that Darcy takes care of and it helps her through her many situations now and to come.
I liked this book because it was different from other Lurlene McDaniel books. In this book the girl doesn't have cancer, like in many other books, it's her mother. Also, this book is set in the 1970's during the Vietnam War.
I would recommend this book to teenage girls who like sad, loving stories or like other Lurlene McDaniel books.

This is one of the most simple, clear, concise and understandable commentaries on this very important buddhist sutra. I have read several throughout the years, and consider this one of the most important books in my library. Highly recommended!

When I first read the heart sutra I didn't understand. After reading and studying with TNH's commentary, it is alive.

We chant the Heart Sutra several times a day at our center. I never really understood the complete thing. Initially I read a book by Red Pine and that was an amazing in-depth discussion of the minutia of the sutra. However, my thick skull could not wrap itself around Red Pine's discussion.

Venerable Thich Nhat Hahn presents the material in common-sense beautifully simple writing. If you are at all wondering about the emptiness of form please check out this wonderful book.
Gate Gate Paragate Parasamgate Bhodisavha!

This is THE book that made me call myself a Buddhist with confidence.

I'm a Japanese who was born to a Zen Buddhist family.
Although I naturally memorised the Heart Sutra growing up listening to it being recited by monks often, I'd never really understood what it meant.

I've read several commentaries on this sutra (by Japanese monks and nuns)but none of them helped me. Some didn't make sense, others left me pessimistic. Let alone allowing me to adapt the teaching to my real life.

Now, with this Thich Nhat Hanh's little book, I finally got the "A-ha!" moment.
The Prajnaparamita Heart Sutra is not an enigma any more to me because this fantastic teacher explained it in the warmest way possible.
I will recommend this book to anyone who has been questioning the significance of this sutra (or even Buddhism generally).

One more thing...
Thich Nhat Hanh's approach towards Buddhism wouldn't give any atheist a yuk. It's got nothing to do with supernatural power or anything, like some denominations' do.

This 54-page book is compiled from a series of talks that Thich Nhat Hanh presented to large groups of Americans at retreats and lectures in the United States. A master and enlightened communicator the author explains the aphorisms of the famous ancient Buddhist teacher, Bodhisattva Avalokiteshvara and his five elements that comprise a human being--form, feelings, perceptions, mental formations, and consciousness.

Thich simplifies would-be difficult topics in a flowing easy to follow manner. He takes the time to translate and define foreign terms and provides vivid examples to help the reader visualize concepts. He skillfully shows how all things, life, and thought are part and parcel to one another.

While this book was short, it was well-worth the price. It's not often that a truly enlightened person has the ability to transcend culture and relay the essence of such great works in such a succinct and enjoyable manner.

I recommend this book to all people who want to better understand themselves and their relationship to their environment, life and death. For an equally enlightening book by this author, I recommend Peace Is Every Step: The Path of Mindfulness in Everyday Life.

Buy this book now. You will not be sorry.

This a a must have for all the True crime collectors! Corey Mitchell has done an excellent job with showing us a little different view of Hollywood. Highly recommended!

Hollywood Death Scenes makes a great substitute for those who are unable (or too ashamed) to take one of those tacky guided tours through Tinseltown's more notorious sin spots.

A handy book to keep next to your volumes of Hollywood Babylon, Hollywood Death Scenes examines `True Crime and Tragedy in Paradise', with sections devoted to Hollywood homicides (Sam Cooke, Phil Hartman, Sal Mineo), suicides (Margaux Hemingway, Brian Keith, Freddie Prinze, porn starlet Savannah), overdoses (John Belushi, Janis Joplin, Lenny Bruce), unsolved mysteries (Superman George Reeves, the mugging of Eraserhead star Jack Nance, the Wonderland Murders involving John Holmes) and serial killings/murder sprees (which, apart from a great section on Charles Manson, features Night Stalker Richard Ramirez and the Hillside Stranglers, Angelo Buono and Kenneth Bianchi).

Encompassing 25 pages (one of the largest sections in the book), the Manson chapter is broken down into segments profiling all the major and minor players (including Lotsapoppa and the Beach Boys), the crimes and locations. Like most of the entries in the book, photos (vintage and recent) of all the crime scenes, jail and court houses, etc. are included, along with relevant address information. A sidebar details some of the people who have occupied 10050 Cielo Drive both prior to and after the murders (including Cary Grant, Henry Fonda and Candice Bergen), and it's nice to see a couple of fairly uncommon (B&W) photos mixed in with some of the more familiar images.

While not designed to outwardly provoke or horrify, Hollywood Death Scenes does make for a suitable coffee table curio, allowing the reader to trawl through the sewers of America's sin city without having to abandon the security of their living room....

This book will keep you turning the page. He explores several different crime scenes and explains in detail the story behind the scene. I love murder books and this one is one of the best. It does have some great pictures too. I say Buy It, Buy It, Buy It.

The pictures in this book alone are worth the buying...and ofcourse an incredible author, as usual :)

I am a huge fan of author Corey Mitchell's work. I have given all three of his paperback releases with Pinnacle 5 star reviews. I was hesitant, however, to plunk down $50+ for his first book which is long out of print. Well, I didn't have to as my wife bought one for me this Christmas and I am glad she did. Mitchell's first book is fantastic. While the writing is not as strong as his current writing in "Evil Eyes," he still is a fantastic writer. It's fascinating to see the progression in the quality of his writing.

As with all his following books, his research is top notch. There are several cases here I had never heard of like Rozz Williams, Hillel Sloak, and Jason Thirsk. There were also tons of new facts on familiar cases such as the Charles manson Murders, The Hillside Stranglers, and the Night Stalker that I had never read anywhere else. Not to mention that Mitchell shot and included over 500 photographs, a couple of hundred crime scene addresses (including updated versions), and that stylistically the book looks killer. My wife is the greatest and I believe the book is worth every dollar she paid for it.

I hope Mitchell continues the series. He mentions in the back of the book that a New York version was next. I guess after the death of his wife (as mentioned at the beginning of his next book "Dead and Buried") he put the "Death Scenes" books aside. I would love to see one of these books for my hometown.

LZJ

I read this book in two days because it was so captavating! This book is great for sixth grade and up. I loved it because it kept you wanting to read more and more to find out how died and if Ava would ever get over the loss of her boyfriend, Jackson. I really recomend this book to anyone who like books filled with drama and sadness. If you read this have a box of tissue next to you.

the story is about a girl named ava, who just lost her boyfriend, jackson in a trajic way. after jackson dies she keeps seeing him everywhere...she doesnt know the reason that he keeps haunting her, and belives he is doing it because he is mad at her for the way he dies. when she finds the reason for why he is haunting her she is overcome with his true love for her and finally lets him go.

this is one of the most beautiful and saddest books i have ever read. the good thing about this book is that its so short you can read quickly. i cried so hard when i read this. it touched my heart and made me feel ava's love for jackson and made me sad that she will never see him again.

i recommend this to anyone. its a great book and one you wont regret reading.

This book was very coherently and beautifully written. It was focused and poetic, magical and real, all at once.
Ava really touches readers as she is so human-- she wants to be more of something, she wishes she were something, and she both loved and lost, and let go.
The author conveyed the essence of true love very effectively-- emphasizing that Ava loved her boyfriend not only because of what he was, but because of what she was when he was with her. The book also explores the question of letting go and when to do it and how to know when you are ready to do it. And anyone of any age is capable of love, for there are so many types of love.
I highly recommend this touching, tear-evoking novel!

Ava's boyfriend was perfect, he understood her. But when their game of dares goes to far and he is killed, Ava is guilty.
She misses him and stays home all the time, she won't talk to anyone, but then one night when she is finally starting to get better Jackson appears to her (in his own way).
He can't leave the house, so she stays home too.
He can't touch her or talk to her, but he's there and he still loves her.
But will Ava become a prisoner of her lost love or be set free by his presences?
I thought it was a great haunting read. The free verse really adds to it and it is the kind of book you can read over and over.
I really can't think of any negative feedback for the book. It is a beautiful, haunting book.
Warning: keep tissues near by.

Ava can't see him or touch him, unless she's dreaming. She can't hear his voice, except for the faint whispers in her mind. Most would think she's crazy, but she knows he's here.

Jackson. The boy Ava thought she'd spend the rest of her life with. He's back from the dead, as proof that love truly knows no bounds.

This is a touching story, written in free verse, about a teenage girl whose boyfriend dies, and we see her go through all the different phases of this loss. She's grieving and feels she is to blame for his death. But Jackson starts to appear to her in her home, as a ghost. This book is a wonderful read for teenagers who have lost someone close to them, and even those who have not. It's all about healing, and moving forward with your life after a tragedy.

It is recommended for grades 9 and up. There are mild references to sex, but I don't think it's something an 8th grader should be kept from reading. Its beautiful poetry, and a easy read.

The stories in this book are almost all winners. Read with care or you will miss critical details. Wolfe never explains completely, and he never gives a clue twice. My favorite is "Seven American Nights," the travel journal of a lost tourist from the Middle East in a fallen America. Pay attention and you may find a second horror story behind the obvious one.

I also loved "The Death of Dr. Island," "The Eyeflash Miracles," "Hour of Trust," and "Tracking Song." Some of the really short ones, like "Cues" are extremely cryptic and seem to be jokes.

Wolfe is the best writer at work in SF and fantasy. These early stories prove just how subtle, exciting and completely riveting his writing can be. Each story is a true gem, and each is totally different. The title story (and the variants on that title) all provide insight into the human heart you cannot believe until you have read them, aand the sorcery of the writing just pulls you right into each imaginary world. Irresistable.

These being the first short stories I've read by Gene Wolfe I went into the read curious, hopeful and genuinely unsure how they'd turn out. I'll be upfront w/my bias; I think Gene Wolfe is an amazing author.

The good news: I'm even more impressed by his writing and stories than I was before.

The bad news: Not every story is amazing; such is reading short fiction collections.

Overall, I rate this as an excellent collection of short fiction, and unless you simply have an aversion to the fantastic, I would highly recommend it. And if you already like Gene Wolfe? Look for familiar devices, such as memory and sense perception. He winds such nice paths...

His Castle of Days comes at the second place.
One other reviewer called this a perfect introduction to Wolfe. It certainly is. Do not begin with The Fifth Head of Cerberus. That one might turn you off.
Wolfe is at his best in these short stories and he keeps publishing them. I hope an additional collection will appear. Even in his novels Gene Wolfe holds tight to his concept of creating tiny gems of writing. Every chapter in the Book of the New Sun could be seen as a short story. Some of them might well stand alone. Will make some weird reading, but that's Wolfe.
This is a review of this collection, so I will return to this book now. This language is one of the best prose I have yet encountered. Vladimir Nabokov is another superb stylist. If the language won't sedate you the ideas will.
This is so good! On par with the greatest of short story writers. Certainly the top of SF in general.
I'm not giving away anything. Just buy yourself a copy and start reading, slowly. Give it the time it needs. SF readers are generally not used to this kind of writing, but don't think you can't handle it. I don't think that many non-SF/F readers come here, but that's fine. They don't know what they're missing.
Other readers recommended the more favorite stories in this collection. Follow their advice. Start with them.

THE ISLAND OF DOCTOR DEATH AND OTHER STORIES AND OTHER STORIES (yes, it's supposed to be titled that way), first published in 1980, is Gene Wolfe's first collection of short stories. It brings together 14 works published in the 1970's, some of which originally appeared in Damon Knight's "Orbit" anthologies. Like with any collection of short stories it ranges widely, but the volume does contain some of Wolfe's finest pieces.

The first story in this book may make the reader wonder why exactly Wolfe receives so much praise, for "The Island of Doctor Death and Other Stories" (1970) is a very immature work, an unconvincingly written tale of child whose love of pulp adventure magazines helps him escape a broken home. The next story, "Alien Stones", dates from two years later and shows a dramatic improvement in Wolfe's writing. On the surface it appears to be about a spaceship crew exploring an abandoned alien vessel, but under the surface hints at a darker story. Wolfe, like Larry Niven in his 60's hard science-fiction works, unfortunately underestimates the progress of technology---his spacecraft's computer uses CRT's and manual switches---and his far-future female character seems supiciously like a stereotypical ditz of the early 1970's. Nonetheless, the strong storytelling and intricate plot more than make up for this.

"Three Fingers" is a short diversion, an enhibition of Wolfe's droll sense of humour. "Tracking Song" is another of the high points of the volume, the chronicle of a journey on a frozen world where humanity has evolved into myriad diverse forms. The narration is reminiscent of Wolfe's first great novel, THE FIFTH HEAD OF CERBERUS.

If this collection begins with Wolfe's weakest story, it ends with one of his best. "Seven American Nights" is the record of an Iranian visiting a bizarre post-apocalyptic America for less than honourable purposes, an ironic reversal of the phenomenon of 60's hippies visiting the Middle East for drug tourism. The novella contains the hallmarks of Wolfe's finest writing: unreliable narration, casual relevations, fantastic world-building, the perpetual feeling that the reader isn't getting the whole story, and an ending that shows that all the plot's secrets were really right there in the text all along. This is a powerful work, and it is worth buying the entire collection just for it.

While perhaps not ideal for the reader who hasn't read anything but Wolfe yet, this is an excellent work to turn to next if you enjoyed one of his accessible works like The Book of the New Sun, PEACE, or THE FIFTH HEAD OF CERBERUS.

Tammy is an engaging writer with the gift of turning her nightmare into a positive, spiritual gift to all who read her story. Both her family and Trent's are amazing.

This is the best book I have read in years! I think everybody that can should read this book and not take LIFE for granted!!!

Tammy did a wonderful work in describing a pain that many of us face and have to go through. At times I felt like she was describing my own thoughts and feelings when I lost my only child in a car accident. While you are learning to draw breath again, our Lord and Savior truly does literally carry you through the pain until you can begin to see hope again. Life doesn't stop just because a life that means more to you than your own, has stopped. In telling her own story, Tammy helps us to tell ours.

I recently lost my husband suddenly, I have felt all the emotions that Tammy expressed in her book. At 24 I have lost my husband, my father (at 16) and two sisters. Last year my husband and I were expecting a little girl and he was so excited to becoming a father. We had been married for 3 years and just bought a house and another car. Unexpectedly my husband was killed a snowmobiling accident, while on a vacation with his brothers. The area that they were on was about 66 acres and he had gone out alone (this was unusual for him) and hadn't returned after three hours they became worried and went to search for him. There were alot of snowmobile tracks and they weren't sure which ones to follow, so they had formed a search party to look for him. As night fell still no sign of my wonderful husband. The next morning they found my husband who had hit a tree, he was wearing a helmet but somehow it had come off of his head upon the snowmobile hitting the tree sending him flying into the tree, he was gone taking my heart with him. I totally understand why she choose the title "Learning to breathe again: choosing life and finding hope after a shattering loss" because thats just what you have to do, when you lose your husband like that, and being so young you think you have your whole life ahead of you and you make so many plans, When you lose it all like that you feel like you have to learn how to breathe again (Im still learning to breathe again)

Tim was my life, my forever love. I know that when I had our daughter Grace Katheryne (it seemed to fit her she was God's Grace to me in such a rough time in my life and it was also the name Tim picked) I felt his presence as I gave birth to her 6 months ago (just 6 weeks after the accident) I know I will see him again in another time and Another place. As I look at her she looks more and more like her daddy each day she has his dark hair nose mouth and chin and my eyes. I know I have had some days when Ive said "I can't do this alone Lord" but then Im reminded that Im not alone God is with me each day and he will never leave me or forsake me. Tammy did such a beautiful job on this book I share it with other widows I know. No doubt it reached an unbeliever and has made them commit their lives to Christ
From the bottom of my heart thank you so much Tammy

As I read this book I had tears in my eyes. I am also a young widow and I have two children (the last was born 3 months after her father passed away while on a business trip in California the rental car he had been driving was hit by a semi. Being a widow I didn't care for the comments made by Deborah Reece, I thought them to be insensitive and hurtful. saying "be thankful for what you have" is just like saying the pain lessens with time. For me it hasn't. It doesn't appear to me she has read the book (kind of like the other book she "read") but for some reason she had an opinion about it. Finding true love is not hard (once upon a time I thought it was) its just about not settling for second best. We should feel sorry for Tammy as she has been through alot. Yes alot of women go through it but that doesn't make it less painful. Also the book I feel was a testamony I don't think she wrote it to make people feel sorry for her. Trent was an amazing man and I was deeply touched by the book (I lead it out alot sometimes to unbelievers one of whom I believe has come to Christ from being inspired by Tammy's book. I love the title as I too thought I couldn't breathe after Dan's crash, everytime I would take a deep breathe I felt as if I couldn't take another breath.Deborah, If you want a wonderful man just pray about it and try to show that you have a wonderful personality, I think guys like positive girls not ones who have negative things to say where they shouldn't be.

Though I'm one of the lucky who haven't yet suffered the loss of anyone close, I know that inevitably, I will.

In this book, through Edie's eyes, I can see what the journey through grief to find a new place in the world is like after such a loss.

This book is a must-read for everyone.

What a lovely, spare set of koan-like wisdoms Edie Hartshorne has shared in her poetic memoir of grief, Light in Blue Shadows. The writing, so vivid and fluent, moves through a story rhythm that elicits the page turn. I found it so clear and lyrical, a spiritual epiphany worthy of widespread reading. I am sure this book will be gifted to many families and individuals needing music and light in the midst of grieving.

Loss is the shadow twin of love. When we give birth to a child this inevitable separation is already written into the narrative of connection that begins with the first breath. And yet, who among us imagines the shape of this parting as we go about the uneventful day-to-day routines of family life. The shared hours we spend together are precious, fleeting and ordinary. We both know and don't know that life is transitory, that each moment we share with our children is potentially our last. "Light in Blue Shadows" is a rare record of one mother's passage through the stations of pain that accompany the sudden loss of a child. Edie Hartshorne's book begins with the absolute horror of the first phone call -- the one we all dread -- the one from which there is no escape. We share with her the chasm that separates her simple three word question -- "Is Jonathan okay?" -- from its unimaginable answer -- "No. He's not."

We follow the author through the days, weeks, and ultimately years where the loss of her son slowly became integrated into the marrow of her life. We share the intimate lyrical letters she writes to her beloved first-born:

Dear Jonathan,
I'm looking at your baby pictures. So vividly, I remember that moment you transformed our lives, falling like a sapphire star into my heart. Dear Jonathan, imagine--I've been writing to you ever since you were born. I just found this song I wrote for you in my old Kyoto journal. You were four days old. Of course, I never would have shown it to you while you were alive. But now everything's different.

There is a moment late in the book where Edie begins to comprehend the wholeness that can exist along side the irreversible truth of physical death. She writes that "In the shower this morning, I suddenly realize: We are a `blended family' both living and dead, combining two cultures. It is just that Alan and Yoko and Jonathan are on the other side, and we are here. I was touched by this passage because at this point in the narrative I felt included in Edie's large circle of caring friends. There is such intimate truthfulness in this book that the barrier between author and reader begins to seem illusory. We are all part of the human blended family.

"Light in Blue Shadows" unflinchingly chronicles a sorrowful subject in a way that allows the reader a glimpse into the grace that ultimately transcends sorrow. Edie Hartshorne's moving memoir reinforces the truth of both/and that is well captured by Rumi's famous lines:

We are the mirror as well as the face in it.
We are tasting the taste this minute
of eternity. We are
pain and what cures pain, both. We are
the sweet cold water and the jar that pours.

Ms. Hartshorne's book both feeds the soul and nourishes the heart. It is a welcome addition to the library of wisdom literature that offers solace in times of great need.

Edie Hartschorne has presented new questions about the mysteries of love, life and death. How does a mother survive the death of her beloved son?
How does her heart heal? Does time heal all wounds? Or are we blessed with a source of healing that patiently awaits our calling? And finally, how does the deepest grief break open our heart and gently breath us back to life? WIth a lyrical soul and a generous spirit, Edie's journey is a bright beacon for others who grieve and mourn.

An exquisite rendering of the unbearable pain of losing a child, this account of the sudden death of a 'perfect' son at the age of 20 could be too hard to read. But given the 15 plus years that pain flourished and subsided and became internalized has tempered the mother's ability to tell the story. Written in short, simple sentences, and with the greatest restraint possible from a mother's burned insides comes a lucid, detailed account of how a computer whiz kid, working for a company on the usual "rush" schedule, inhaled nitrous oxide to stay awake through the night and accidentally killed himself.
As a mother whose daughter died earlier than she ought to I find the writer's blend of the overwhelming grief and the lucid rendering of those waves of pain just the right balance for the narrative. Neither sentimental nor distanced from the loss, Edie Hartshorne's intellectual, emotional, maternal instincts are woven together in a perfect tapestry of shock and awe at what humans are capable of absorbing.
This book is a balm and a beacon of courage.