Crime Books

This is a must have referance/gangster/outlaw book. If this subject or even this era of history intrests you at all this book is a goldmine.

If there's a bible to crime, this is it. There are hundreds of books out there that deal with Depression Era crime. You can buy them all and plow through them for information, but seldom know how accurate that information is. On the other hand, you can get this one volume and have it all at your fingertips. Researched in detail and written with a light finger, this well-laid out book is easy to read. You get the dates, times, details, photos and personnel that made America's Golden Age of Crime what it was. Get it; read it; refer to it. It's a winner on all levels.

Not much can be added to previous reviews. This updated edition has given my earlier dog-eared copy a rest. For anyone who does any kind of Prohibition era crime research, this book is a must have by two of the masters in this field. The most complete compendium of crime information from that period available today. Whether you research or just enjoy reading about crime, this book is tops.

For those of us interested in true-crime, particularly the Roaring Twenties and the Depression era, this is THE reference book. This hugely informative and significantly expanded version of the earlier Public Enemies Almanac by Helmer and Mattix has photos, timelines, biographies and lists galore. Not a book that is intended to be read cover-to-cover, this is a crime browser's dream. The bibliography, which is fully annotated,is worth the price.
Writer, researcher, crime aficionado, or whatever, this book should be at the top of your list.

Respected authors William Helmer and Rick Mattix have provided us with a reference book of nearly 900 pages relating to "the gangster and outlaw era: 1920--1940." The book is divided into seven sections dealing with all facets of crime during this turbulent era. Parts of this book can be read like any other book while criminal incidents from various years are listed chronologically. I feel this part of the book can be best used as a reference. The book contains numerous photos, several of which I have never seen before. The big shots of both Chicago and New York are all here as are the depression-era desperadoes. Depending on your interest level you may feel you are being told more than you care to know. However, as I said, much of this book can be used as a useful reference book to your crime library. If you do have such a library this book would be a worthy addition. Co-author Rick Mattix has reviewed numerous crime books on Amazon, and his opinion carries considerable weight with me in whether or not I decide to purchase a book.

This book has to rank right up there with the best autobiographies of the last 100 years, next to Malcolm X, Nelson Mandela, and others. Mamie Till and Benson were a perfect team and together her and Emmett's story is so moving because she has made it so real. They come off as such everyday people but then Emmett seemed so extraordinary for a boy of his time as well. The book is many things but one thing it is not is this: Mamie is not asking for your pity, your sympathy, or even your donations. She is simply telling her story. Yet, as she tells her story one cannot help but feel all of those emotions along with it. It is such an enjoyable read about the incredible bond between a mother in son that you will hardly dwell on the awful crime that was committed aganist this young man.

WHEN I HEARD ABOUT THE DEATH OF EMMETT TILL IT WAS ABOUT 4 YEARS AGO EVEN THOUGH THE MURDER HAPPENED OVER FORTY YEARS AGO. I READ ABOUT IT IN AN ISSUE OF "JET" MAGAZINE. JUST WITH READING ONE ARTICLE I HAD TO GET THE FULL STORY ABOUT WHAT HAPPENED. THATS WHEN I PURCHASED "DEATH OF INNOCENCE". THE BOOK IS A FIRST HAND LOOK AT WHAT REALLY HAPPENED FROM BEGINNING TO END. IT IS WRITTEN BY EMMETT'S MOTHER MAMIE TILL MOBLEY. SHE SHARES HER HEART FELT STORY. THIS BOOK WILL TUG AT YOUR EMOTIONS, BECAUSE YOU WILL BE ABLE TO FEEL THE ANGER, SADNESS, FRUSTRATION AND MANY OTHER EMOTIONS SHE FELT WHILE GOING THROUGH SUCH A HORRIFIC EVENT . THIS IS A GREAT BOOK THAT I WOULD RECOMMENED TO ANYONE LOOKING TO GET MORE INFO ON THE EMMIT TILL MURDER AND THE CASE THAT FOLLOWED.

This is one of the saddest books I have ever read. The fact those two evil beasts got away with it is appalling. The fact they apparently did not bother repenting of the crime is even worse. Had they no remorse at all (one wonders the same of the jury and others involved with the csae, including the odious Sheriff Strider)? I wonder how it was for them on their deathbeds...did they suffer? One would hope they did...at the least, perhaps the spirit of Emmett Till came to them in their last hour of life and frightened the wits out of them the way even God's wrath on Judgment day did not appear to. I have never been to Mississippi and never shall, and am in the middle of writing a novel that concerns this tragic moment in the pitiful history of my people here in these United States of America.

Mamie Till Mobley is the mother of the Civil Rights Movement. I wish I had been able to give her a hug. This book should be required reading in every History class. I hope that the recent exhumation of Emmett's body will find evidence to bring some kind of justice to this most horrific tragedy.

Mother Mamie Till-Mobley will forever be remembered as a paragon of love, forgiveness, and indomitable strength. This moving memoir was told as only a mother could tell it with both tenderness and the maternal fervor that is so distinctly and universally "Mother." She paints for the reader a portrait of who Emmett was from the time of his birth up to his brutal death, and beyond. For the manner in which this 14-year-old boy was murdered so affected the consciousness of this nation that Emmett became a symbol of how hatred and racism in America not only doesn't exempt Black children, but demonstrates that they are so disposible as human beings that crimes against them go unpunished. The Emmett Till tragedy will forever serve as a shameful commentary on race relations in America, and how the sin of racism has left a permanent stain on the very flag that we say represents "liberty and justice for all."

Mother Mobley gives the reader delicious slices of her own backstory: her close relationship with her mother, her religious upbringing, and the demise of her first marriage (to Louis Till, Emmett's father), and subsequent marriage to Gene Mobley. The book draws you into the life of Mamie Till-Mobley and her family; the love and dedication shown to her by her own mother is almost tangible. The essence of who she was comes off the page. Throughout the pages you can sense her warmth, gentleness, and her strength. From the very beginning of the book, the reader gets to know Mamie as a woman of great strength and stoicism for early on her husband, Louis Till, was lynched while on a tour of duty in the U.S. Army. She goes on to raise her son alone for a season, teaching him responsibility and strict moral values. He turns out to be an obedient and responsible son who loves and respects his mother and grandmother.

The most moving passage was when Emmett's body is shipped back to Chicago. Mother Mobley along with members of the Black clergy, go to Union Station to retrieve her son's remains. She describes in detail the look of the ghastly box that held her 14-year-old baby; the awful stench that emanated from the box; and the emotion that she felt during this horrible juncture. You could feel the wrenching agony of this mother's soul when she describes her screams at the sight of the terrifying box that held her child. She, the funeral director, and her other relatives were ordered by Mississippi law officials not to open the box or there would be consequences. Naturally, this mother ignores this insane command vowing to pry the box open herself if need be. Once Emmett's body arrives at A.A. Raynor Funeral Parlour, Mother Mobley (against the strict admonition of law authorities)meticulously examines the body of her son. So grotesque were his remains, the funeral director suggested a closed casket service. However, Mother Mobley insists that her son's battered and monstrously bloated body be put on display for the world to see. She decribes how she started the examination of Emmett at his toes, and inch by inch she painstakingly worked her way up his thighs, middle, chest, ears one of which had been cut off, his pertruding tongue, and eventually to his enormously swollen head. She decribes his knees with reminisces of how they had been when he was an infant. She decribes her relief that his manhood hadn't been severed for castration was the all-too-familiar calling card of a lynch mob. She exercises grace and modesty when she examines his private parts, explaining how "Emmett would have a fit if he knew [she] was looking at him like this." She had such a connection to her son that even while examining his corpse, she respected his privacy as would any other mother of her adolescent son.

Mamie Till-Mobley's story takes the reader on a journey of love, tragedy, and forgiveness. This woman's faith is evident in the pages of this book. She relies on her faith and is able to forgive the vicious beasts who mutilated her boy. She forgives a country and a justice system that not only acquitted these killers, but reprehensibly subjected her to ridicule and various indignities during that farce they called a trial. And she forgives a president who shows cold indifference when she turns to him for help after having exhausted all legal channels trying to get justice for Emmett. Her strength knew no boundaries. In her later years she dedicated herself to mothering the children of others by first becoming a public school teacher, serving as a church mother in her local church, and establishing a drama group for children. She traveled the country speaking out against hatred and violence. Her healing came through the avenue of giving and not allowing this tragedy, painful as it was, to cause her to withhold her love. She never gave up the fight to get justice for her son; she was in her eighties when she departed this life in January 2003, and she fought for Emmett until the very end. She showed the tenacity and the depth of a mother's love--a love so great, only God's is greater. She was a remarkable woman--a remarkable mother. This was a remarkable story.

Hello, Folks this is a great audiobook. Excellent, thrilling, gripping story. Wonderful sound effects. Jason Culp did a fantastic job as narrator. I will listen to F2F many more times. I am going to try and obtain some of Phil Finch's other audiobooks if available. Get this audiobook, now !

The worst part of this book is that it could be real, never let your children at the internet alone, and you have to take care of what are you saying on the net.

Anything by this guy is fantastic! What a future vision...paranoia about keeping your personal information off the public domain seems like a good thing after reading this work.

Great book Phil! Miss you guys!

Rusty In KC

Better than tape!

Once you log on the Net...anyone can find you! April 19, 2001 My father handed me this book becasue I was a "computer guy" and he thought I might enjoy it. (He would have given it 3 stars at most); but being as I am in computers...and you can do everything that is done in this book....I enjoyed it. Anyone who uses a computer, a chat room and a bulletin board will really appreciated it. The deaths are a little more gruesome than is required...but once you get pass that, the book keeps your attention.

It starts slow and picks up with every page. I could not put it down. I finished it on one day! This book is a thriller even up to the last page. A must read.... this is a thoroughly entertaining novel.

Note: I now turn off my computer at night.

My father handed me this book becasue I was a "computer guy" and he thought I might enjoy it. (He would have given it 3 stars at most); but being as I am in computers...and you can do everything that is done in this book....I enjoyed it. Anyone who uses a computer, a chat room and a bulletin board will really appreciated it. The deaths are a little more gruesome than is required...but once you get pass that, the book keeps your attention.

It starts slow and picks up with every page. I could not put it down. I finished it on one day! This book is a thriller even up to the last page. A must read.... this is a thoroughly entertaining novel.

Note: I now turn off my computer at night.

Cats are superior to humans; just ask any dog. But does that necessarily make them better creatures? Not necessarily, as Francis, the feline hero of this book, discovers soon after having moved to a new home with his human pal Gustav. Equally annoyed by the laboratory smells of their new house and eager to get to know the rest of his new neighborhood, Francis decides to take a walk - and walks right into the discovery of a dead cat and, by virtue of that discovery, also into the guy who instantaneously becomes his new best friend. And as gruff old Bluebeard, Francis's new side kick explains to him, this is not the only dead cat he has recently seen. In fact, "cold bags" (cat corpses) have turned up in the neighborhood with an alarming frequency, all killed expertly and quickly by a bite to their necks. And their appearance somehow seems to coincide with the arrival of an exotic, wild, self-described "very ancient but very new" breed of cats whose females are, Francis is soon to discover, as seductive as they are angels of death to any male cat mating with them.

Chased by the local bully, King Kong, and his two brainless minions Hermann 1 and Hermann 2, and haunted by nightmares of being jerked around by puppet master Gregor Mendel (the Austrian monk who, in the late 19th century, first came up with the basic biological principles on breeding and inheritance of genes), Francis almost stumbles into the reunion of a secret sect honoring a certain Claudandus, mysterious savior of all cats' misery on earth who alone escaped a cruel series of experiments performed in the very house Francis now calls his home. But while sect members pay tribute to Claudandus's memory by the macabre practice of jumping into the electric current produced by two open wires, this is not the cause of the feline population's demise; although the figure of Claudandus undeniably has something to do with it. With his human buddy and (in Bluebeard's lingo) "tin opener" Gustav completely oblivious to the horrors Francis must witness and investigate, our feline sleuth is left to his own wits - at least until Bluebeard introduces him to Pascal, the neighborhood's other "smart [cat]."

This is an intelligently crafted thriller and, at the same time, a book every cat lover will relish. Pirincci, who says the book was inspired by his own cats, brings to it as much talent as a writer as understanding for our four-pawed friends. Felidae easily stands its ground not only next to other (and, in the States, better-known) cat detective stories such as those by Lillian Jackson Braun, but next to the great thrillers involving human detectives as well.

If you speak German and get a chance, do watch the video as well - it brings this story of, as Francis once says, "horrors east of Aristocats" to life with the help of a number of actors well-chosen to portray the book's characters; among them, Ulrich Tukur as Francis and Mario Adorf as Bluebeard (although the casting of others, particularly of Klaus-Maria Brandauer, is such a reinforcement of their cliché roles that it is almost a dead give-away... so watch the movie only after having read the book; I promise you'll still enjoy it). And who knows... with the book, which is the first of a series, still immensely popular in Europe, and the sixth and latest Francis story recently published in Germany, maybe there will be another chance for a U.S. edition some time in the future, too. My cats and I would certainly hope so!

You can see the animated movie of the book on DVD. If you look on ebay or some video stores you might find a copy. The DVD has the english dub too! As long as your computer or DVD player can play multi region discs then you can watch it. I saw it and say it is so like the book! The animation has a Don Bluth style to it. Very well done.

Excellent book but will appeal to a niche market. Nevertheless, I wish they would publish his other novels in English and get them out of the rare/collectibles market. I hate to pay high prices for an unopened first edition that I have every intention of reading-more than once.

In some ways, the concepts are similar to Gabriel King's "The Wild Road". I enjoyed the concept of a cat detective tracking down a murderer of cats-or perhaps, a cat murderer.

All right, this was written by a cat named Francis (Gustav is his owner and is a jerk like Garfield's Jon). There seems to be a vogue now for detective stories with cat heros, but I have resisted reading any of them up to now, even though I love and admire cats. Read this one because of its beautiful cover picture, and the fact that the author is a German Turk who writes very well even in translation to English (kudos to Ralph Noble in that role). This book is about a mass murderer of cats, by a cat, who has some mad-scientist dream of breeding a super race of felines who will come to dominate the world and eradicate or enslave human beings. A very cynical version of Animal Farm which also reminds me of that appalling book Perfume and also of Jorge Luis Borges. No Englishman could have written this, but the Englishness of it is pervasive --i.e. the morality (in spite of the political incorrectness of defending Anglo-Saxon ethos these days). The gimmick here is of course that cats are just as smart as we are, and spend the time while we are asleep at night reading our books and playing on our computers, and discussing Kierkegaardian philosophy when they are not driven crazy by the pheremones of females in heat (smelly stuff to us humans, but what do we know about the powers and subtleties of smells?)

Hi. I've been a long time fan of Felidae, a detective story starring cats, and for mature audiences(Think Disney, but with teeth). I'm really only writing this to tell American Amazon customers that there IS AN ANIMATED FILM, also for adults. It was released in Germany in the mid-90's. Sadly, we can't see it, as it hasn't been published in NTSC format. (In case you don't know, Europe uses PAL format; a different VHS and DVD coding than the US, Canada, and Japan use.) Personally, I think that's BS, as I believe that technology should unite, not devide...but...

Anyway, that said, if you like murder mysteries, cats, sarcasm, humor, and violence/gore, READ THIS BOOK. I haven't checked out the sequel yet, but I'm about to order it.

Peace.

This was my first Tricia Goyer book, but it won't be my last. I thoroughly enjoyed reading "From Dust and Ashes." The author managed to write a compelling novel, set in an exciting background with "lots" of heart. Her characters were entirely believable as well as being a bit unpredictable. Woman Submit! Christians & Domestic Violence

This was the first book of Tricias that I have read. I now have read them all, except her newest on the spanish war. This book was insightful and heartbreaking. The facts of WW 2 were horrific. There were those who fought for freedom of those captured and this is a story of such.I really recomend this book along with the next WW 2 story Night song.

This was my first Tricia Goyer book, but it won't be my last. I thouroghly enjoyed reading "From Dust and Ashes." The author managed to write a compelling novel, set in an exciting background with "lots" of heart. Her characters were entirely believable as well as being a bit unpredictable.

Inspired by true stories of a Nazi concentration camp, Tricia Goyer writes a spellbinding tale that includes history, mystery, forgiveness, and love.

In Austria, the lives of a Nazi camp guard's wife, an American GI, and two prisoners are intertwined as they deal with the effects of Hitler's plan to exterminate the Jews and their supporters. They learn that God can bring healing and new beginnings from dust and ashes.

I couldn't put down this fascinating book, and highly recommend it to everyone!

This book can really tug at your heartstrings. We are all familiar with the stories from Nazi concentration camps, but this tale delves farther into what happened in WWII's aftermath. From the point of view of an SS guard's wife, an American GI, and a former prisoner, you find yourself entrenched in the thick of rebuilding lives that will never be the same.
Helene, whose husband escaped before the Americans could capture him, is faced with seeing the men, women and children that her acquaintances starved and mistreated. She has a 4-year-old daughter and a baby on the way. Her heart goes out to the Jews and other freed prisoners, as guilt pricks her conscience, and she takes in two women to feed and care for. One of them, Michaela, a Christian and preacher's daughter, is shocked to find what Helene's husband was, but is willing to share the good news with Helene.
Peter, a soldier from Montana, feels responsible for the happiness and well-being of these women. He soon falls in love with one, but is faced with a bitter disappointment when she decides to follow God's call, rather than the temptation of leaving her homeland for America. He continues to help them both, after they all part ways, with his influence in the army.
Helene feels trapped when her husband's plan of stealing Jewish money is made known to her. His friend and fellow SS guard thinks she holds the key to getting this wealth and will stop at nothing to get it for himself, even threatening her life and the lives of her children. Her new faith in God must give her strength to make it until the trials against the guilty Nazi party.
Tricia Goyer paints a beautiful picture as the characters travel throughout post-war Europe. Her characters spoke to me about God's will for their lives and gave a hope that life can go on after such atrocities. She has kindled an interest in this era that will have me looking for more books, by her and others!

I often play with Nigerian scammers though not to the extent that the author does. Some of his responses to the scammers email are really funny. A lot like the annals of "The Porcine Princess".

There are some hilarious pages in this book, some that had me crying and unable to speak. If the author had a little more variety it would have been a great book, but it did seem to repeat its formula in the responses to the email scams after a while.

A laugh-riot from start to finish--the funniest book I've read in years.

This was one of the funniest books I have enjoyed in a long, long time. The content is fun and light and makes for an easy read. There were times I had tears in my eyes and pain in my stomach from laughing so hard. It's an excellent book for when you need a break from this mad, mad, world.

It's one of those purchases you won't regret.

Highly recommended!

The Publishers Weekly review above is on the money, in that this book is gleefully offensive.

I'm fine with that.

If you're fine with that as well, this book will make you snort with laughter at inappropriate times. Do not read while sitting in bed next to your sleeping spouse. She will eventually punch you in the chest for waking her up.

It'll be worth the bruise.

Based on the "Structural drama" we got a different option to see the incredible notes compiled after several interviews at Laramies' residents who was shock (as the rest of the world) for Matthew Shepards' case. I loved it.

The book was in excellent condition and was delivered even earlier than expected.Wonderful and smooth purchase.

Matthew Shepard was about two months short of his twenty-second birth when he was robbed, beaten, tied to a fence post and left to die in a rural area of Wyoming. The man who found him at first thought he was a scarecrow. Rushed to Poudre Valley Hospital at Fort Collins, he died on 12 October 1998--and when Russell Henderson and Aaron McKinney were arrested for the crime they resorted to a defense known as "gay panic." Matthew Shepherd had propositioned them, they said, and they were so horrified that they killed him in response.

The gay community and numerous civil rights watchdog groups were outraged by the defense, and as more and more facts came to light it seemed that the crime was somewhat more complicated than Henderson and McKinney wanted the public to know. Witnesses stated that Henderson and McKinney had specifically targeted Shepherd because he was gay. After much legal wrangling, Henderson pled guilty and testified against McKinney, who was convicted; after still more legal wrangling, and at the request of Shepherd's parents, McKinney escaped the death penalty but has no chance of parole.

The case made headlines from end of the United States to the other and prompted numerous calls for Hate Crimes legislation, which had long been stalled both at the state and federal level. And in the midst of the confusion, chaos, and controversy, Moises Kaufman and the members of The Tectonic Theatre Project arrived on the scene, interviewing more than two hundred people about their thoughts and feelings on the case. These were shaped into THE LARAMIE PROJECT, a drama that debuted in 2000 and which has since shocked, impressed, and deeply moved audiences from coast to coast.

Playscripts are not really intended to be read; they are intended to be performed, and there can be a significant difference between how a script and how it plays. This is particularly true of THE LARAMIE PROJECT, which doesn't consist of scenes or acts but of "moments"--bits and pieces of monologue and dialogue and staging that non-play-readers will likely find difficult to envision. When performed, all those bits and pieces become like tiles in a mosaic: they may seem to mean different things individually, but when performed one right after another they become a unified whole.

Perhaps the single most impressive thing about THE LARAMIE PROJECT is its refusal to "take sides." The play presents its characters and their words with commenting in favor of them or against them; you are instead allowed to interpret for yourself. The result is uniquely powerful. Strongly recommended.

GFT, Amazon Reviewer

We purchased this play because my son's High School principal decided not to allow the theater teacher to put it on at his school without even bothering to read the play before making this decision!!! Moreover, the principal essentially threatened to fire the teacher if the issue was pursued. We wanted to share this play with as many people as possible after that incident and so have been loaning it to friends, relatives, other teachers, anyone willing to read it. It is truly an important work, putting a human face on the people of Laramie, Wyoming. What happened there could happen anywhere, and we not only can't, but shouldn't, hide these difficult truths.

Like a quilt, each little piece of play is woven together beautifully. Some pieces are juxtaposed next to contrasting pieces, but step back -- the entire piece is a sight to see, and touch, and feel.

What a sad, revealing, fearful, fearless, exasperating and lovely work of theatre.

This truly is an American quilt -- the ugly, the bittersweet, the glorious.

Absolutely recommended for anyone mature enough to deal with a tragedy of hate.

This was a fast read for me because of the subject. I was transfixed as each story was told. I only wish she'd recorded even more experiences. These tales will stay with me forever and I highly recommend this book.

This woman is quite adorable. I found myself surprised at how, even though I picked the book up because I like crime nonfiction, I found it wasn't really a story about crime work at all. Some of the stories were very amusing but the deeper understanding I carried away was what a funny life it is. I greatly enjoyed the story of her parent's reaction to her crime stories and them not wanting to visit her work. I enjoyed the stories about her getting quite a rude introduction to being a crime worker who isn't a police officer and I loved the story of her sneaking home to take care of her dogs and accidentally pressing the panic button that allowed the whole department to hear her dog cooing. If you are looking for a hardcore crime solving book then this might be a little soft for you. If you're looking for a story of how ridiculous the actuality of crime is through the eyes of a quirky young mom then this is probably right up your alley.

Dana Kollman is hilarious, and very to the point. True forensics is nothing like it is on TV. Please read this if you are considering! Stories can be somewhat nauseating, don't read during dinner like I did.

I LOVED every part of this book. It's fantastically written and incredibly entertaining from start to finish. She has a way with words and is an excellent story teller! She was also my Forensics Professor at Towson University, so I may be a bit biased but I still think that this is probably one of the most entertaining books I've read in a long time.

Irreverent (only because we attach such hushed tones to death) and extremely informative for those of us who have only learned about death's aftermath from CSI, Ms. Kollman's book resonates with the writer's personality. It is to be hoped that the relatives and friends of the deceaseds mentioned in the book do not take umbrage with the light-hearted style of Never Suck A Dead Man's Hand. Once or twice I thought the humor was carefully cultured. This is a really useful handbook for writers, beginner CSI operatives or even those who simply like learning about the technical difficulties of collecting evidence from the dead.

I've worked my way through this entire series now, and while the first dozen or so (this is no. 23) were generally well done -- good, reasonably accurate descriptions of London of the 1880s, pointed contrast between Society's drawing rooms and the miserable existence of the laboring classes, vivid character development of both working cops and the elite -- the last few have shown a definite decline. Thomas Pitt, Inspector and then Superintendent at the Bow Street station, and a both very talented and highly empathic detective, has now been stripped of his position by the Forces of Evil (the entirely fictional and extremely melodramatic "Inner Circle") and dumped in the lap of Special Branch, where he's beginning to learn how to be a secret policeman instead of a public one. The "Seven Dials" area of London is a pretty minor player in this one, too; the author should have called it "Alexandria," because that's where Pitt is sent to gather information on a beautiful and patriotic Egyptian woman living in London who is caught red-handed wheeling a dead bottom through her back garden in a wheelbarrow. Also implicated is a high Foreign Office official, which is how Pitt and his "M"-like boss, Narraway, get involved. If the details of the motive for the murder become public, the government could fall, Egypt could erupt in revolt, and Suez might even be lost. Can't have that, right? The action is low-key, the plot development takes its time, and the reader will enjoy the scenery, both internal and external. At least The Inner Circle manages not to appear this time, and it's fun watching Pitt trying to deal with a totally foreign milieu -- even though Perry could have spent a lot more time painting its details.

I never really liked political anything, even in Anne Perry, but I could not put this one down. I finished it in one day. She did not disappoint me!!!! Thanks Anne

elizabeth cohen

Classic murder mysteries rely heavily for both their effectiveness and their appeal on a "slight of hands," and one of the tricks is a set of characters in whom one can become interested enough to relate to them in some way. Another is to create an ambiance that arrests the attention and keeps it. Anne Perry has a great knack for creating both memorable characters and an interesting stage on which they play out their roles in the story.

Her Seven Dials is an amazing recreation of Victorian England in the earlier days of the queen's reign. The era is young yet, and the political turmoil that will set the stage for World War I and the social changes it brings is just beginning. Some of the older characters can remember the Napoleon wars. Thomas and Charlotte Pitt are paradigms of lower middle class life in the period, with their fate in the hands of Thomas's mentor in the Secret Service, Victor Narroway, and their maid servant and her beau, Samuel Tellman, in theirs. The interactions among all of the characters gives as much a feeling for the period as does the mention of hansom cabs, harnesses, and horse manure in the streets. Even the yellow skies and the chocking, smog filled London streets is classic for the era.

Perry's characters are charming and detailed, each a work of art in them selves. The maidservant is spunky, savvy and sensitive, used to the school of hard knocks, and her friend Tellman is gruff, masculine in an "old fashioned" sort of way, and smarts under the unfairness of social inequality and the period's newly arising sense of social empowerment. The stiff, formal society in which Charlotte Pitt grew up and still has family is faced with an erosion of their privileges and with a growing sense that they are on the threshold of major change. They are like dinosaurs waiting for the asteroid to strike them.

All of this sets the background for a puzzling murder of a man who should not really have been where he was at all and certainly not dead. The central characters push forward in an attempt to make sense of the confusing, almost irrational facts. It is this irrationality that is part of the slight of hands. Eventually Pitt must go to Egypt to unravel the mystery by back tracking the murdered man and his alleged murderess.

The venue in Egypt is Alexandria, a city to which I have been about three or four times. The descriptions of Victorian Alexandria might still easily pass for today, although the city today is more Western than Cairo and much more so than Thebes. The description of the rug suq was definitely memorable. The quarrel that leads to a small riot in the book reminded me of the minor violence that occurred among men there and in Cairo in the few days before Sadat was assassinated. Like the brewing sense of political unrest in the book, here too, everyone felt the tension in the air; everyone knew that something was afoot, but no one knew what was about to happen. It was a very tense time, and so was Pitt's Egypt.

I can not for the life of me understand the author's description of malaquia, an Egyptian soup--which I refer to as "frog-pond"--made for special occasions, as "delicious." I found it slimy and green. The latter I could handle, the former I couldn't. The mention of the sound of what seemed like crickets to Pitt, also brings back memories. Actually the sound is not crickets but a similar one made by small frogs in the canals and on the banks of the Nile. It's very restful. All in all, Pitt's trip to Egypt was as memorable for me as for him.

A delightful mystery.

Anne Perry doesn't disappoint in this recorded book. Read well, and easily one for the bookshelf.

Very descriptive and historically accurate. You'll love her vivid pictures of Alexandria. Egypt comes alive. I'm a harsh critic but this work bowled me over.

There is simply no better way to immerse yourself in the semifictional London Holmes' lives in. All the rich cultural refernces are listed, plus every minor inconsistency in a continuity line Doyle never did care about. Great reading; adds immensely to the already great stories of Holmes and Watson.

William S. Baring-Gould (1913-1967) was one of the greatest Sherlock Holmes scholars ever. Publishing several works on Holmes publically and privately, this two-volume annotation of the Holmes canon is perhaps his greatest work, and was his last. Published in 1967, the copyright inscription shows that it is held by his widow, Lucile M. Baring-Gould. Baring-Gould himself was a life-long devotee of Holmes in particular, and mysteries in general. He is also noted for the fictional biography of Nero Wolfe, in which he puts forward the idea that Nero Wolfe is the son of Sherlock Holmes, via THE woman, Irene Adler, of 'A Scandal in Bohemia'.

Sherlock Holmes is one of the best known detectives in the world -- so famous in fact, that 221B Baker Street in London continues to get mail adddressed to this fictional character almost a century after he would have died had he been a real person. There are groups of people -- Sherlockians and Holmesians, the distinction between which is rather subtle -- who delight in retelling the tales. There are forever questions and debates about the ordering of the stories; Baring-Gould is one authority often referred to in these debates, thanks to his work on the Chronology of Holmes, used as a framework for this annotated set.

Baring-Gould breaks the time frame into the follow divisions:

- The Early Holmes (1874 - 1879)
- The Partnership with Watson to Watson's first marriage (1881 - 1886)
- Watson marriage to his wife's death (1886 - 1887)
- Partnership until Watson's second marriage (1887- 1889)
- Watson's second marriage to Holmes' disappearance (1889 - 1891)
- Holmes' return to Watson's third marriage (1894 - 1902)
- The end of the Partnership (1903)
- Sherlock Holmes in Retirement (1909)
- An epilogue (1914)

Baring-Gould introduces the series with a 12-part series of essays that look at various aspects of the Sherlock Holmes legend, including foreign translations, translation into stage and screen, and highlights of particular personalities (Watson, Moriarty). He includes a wonderful brief essay by Edgar W. Smith, an early Sherlockian, which asks (and answers) the question, 'What is it that we love in Sherlock Holmes?' In the end, beyond the setting and the culture and the chase, it is the values 'implicit and eternal in ourselves' that we recognise as manifest in Holmes that keeps him an enduring character.

The volumes are the complete texts of all short stories and novels, backed up with an almost equivalent amount of textual annotation, richly accentuated with photographs, engravings, maps, and other graphics (diagrams, coats-of-arms), often taken from Holmesian sources such as journals, playbills, early editions, and even 'The Strand' magazine.

Sherlock Holmes introduces us to a world foreign yet familiar, past yet somehow present -- the stories are very contextually bound yet timeless in almost inexplicable ways, and present mysteries beyond the face-value plots. Baring-Gould's love for his subject is very apparent throughout the over 800 pages of these volumes. Some editions of this book come with a slip-cover.

This is my favourite of all my Holmes books. It is must for any fan of Holmes.

I hope I am not the only one who loves reading Sherlock Holmes but is really annoyed by "Sherlockians" - people who take their Sherlock far too literally - a lot like Trekkies, who take Star Trek just way to seriously. Baring-Gould, it seems, was the ultimate Sherlockian, and this is his masterpiece - a 1500 page annotated, illustrated, and interpreted edition of everything Sir Arthur Conan Doyle - I'm sorry, Dr. John Watson - ever wrote about the subject, plus a healthy dose of his own interpretations and those of others.

I can't remember a piece of fiction recieving as much love and attention as the works of Sherlock Holmes. This edition has illustrations, maps, definitions, references - everything. Anybody who checks the actual weather and train schedules from a piece of fiction just has too much time on his hands. It truly is a work of art, marred only by an annoying habit of Sherlockians to take their subject far, far too literally. The biggest problem I have with the tome is B-G's annoying habit of inserting his own opinions as fact. My other major peeve was his organization of the work, which put everything in the author's own chronology rather than in the order in which the books were published. This makes finding anything a bit of a chore.

As far as the new Leslie Klinger three(!) volume annotated edition of Sherlock goes, I have seen it but not purchased them. Again, shelf space seems to be the major problem here, not to mention the $125 price tag. From a brief look-over, it appears to be a more subdued, up to date, better quality edition, but less exuberant and less fun than Baring-Gould.

`The Annotated Sherlock Holmes' by William S Baring-Gould is easily one of the top two or three best examples of annotated popular literature, as good as, and possibly even better than the most famous annotation efforts by Martin Gardner on the major works of Lewis Carroll.

It is not immediately evident to me that the works of Sherlock Holmes need annotation. Unlike the works of Carroll, there are very few linguistic tricks or cleverly veiled allusions to his English contemporaries. On the other hand, over the course of the last 120 years, there has been an enormous body of work dedicated to the exegesis of Conan Doyle's Sherlock Holmes stories. There has been probably more of this activity for works of popular fiction than for the next five cases put together. To my knowledge, there is virtually no similar activity on the mystery novels of, for example, either Agatha Christie or the mystery stories of Edgar Alan Poe, to take two authors who bracket Conan Doyle's' stories in time.

It is worth the effort to determine what it is which makes the Sherlock Holmes stories so popular. One of the easiest ways is to compare Holmes to the heroes of his greatest modern imitators, the lead characters of the CSI series, most especially Gil Grissom of the original CSI show, based in Las Vegas. Both characters are `amateur' scientists in that they apply scientific disciplines to solving crimes, and actually do original work in their respective sciences, in spite of the fact that their primary avocation is `consulting detective'. In Holmes case, this was a profession he invents out of whole cloth. In the case of Grissom and his colleagues, the `consulting detective' profession has become institutionalized in the discipline of forensics, where the crime scene investigators deal with things which are beyond the ken of the average detective.

There is an eerie similarity between Holmes and Grissom in that both are very detached from many normal human interactions. Holmes rationalizes this with his theory of the mind as an attic that can hold only so much information. To add new things, old things must be discarded. For this reason, Holmes is blissfully ignorant of the planets in the solar system, but he is an expert on over 100 different types of tobacco ash. Similarly, Grissom is very poor at office politics or romantic relations in favor of his dedication to the application of entomology (study of insects) to forensics, a subject on which he is a nationally recognized authority.

It should be no surprise if the popularity of Sherlock Holmes stories may actually be gaining in popularity, as the CSI shows go a long way to validating many of the scientific principles and techniques used by Holmes. The most famous may be his search for a very sensitive reagent for the detection of blood residues. This is what Holmes is doing when he and Dr. John Watson meet for the first time in the chemical laboratory of `Barts' (St. Bartholomew's Hospital). Holmes explanation of why such a reagent is important in the investigation of crime is verified on practically every episode of CSI, whether it be in Las Vegas, Miami, or New York City. So, not only are we taken by the fact that Conan Doyle had such a good grasp of criminal investigation, but that he was so astute as to realize that such a reagent was possible.

Holmes elevates intellectual competence almost to a level of magic, using that old chestnut that if the difference in the level of technology between two parties in an encounter is great enough, that higher technology becomes indistinguishable from magic. One major difference between Holmes and Grissom is that Holmes has no modesty about his abilities, demonstrated when he belittles' the deductive powers of Edgar Alan Poe's hero in his famous story, `Murders in the Rue Morgue'.

The value of this annotation also increases over time, as the world of Sherlock Holmes is rapidly slipping away from us. These stories were written when the sun literally never set on the great British Empire, stretching across Canada, hundreds of Pacific Islands, Hong Kong, southeast Asia, much of Africa, and that greatest `Jewel in the Crown', India, where Dr. Watson himself served as a surgeon in the British Army in India. Among other things, that meant that if anything could be found in the world at all, it could be found in London. London's scientific and intellectual centers were among the greatest in the world, so it should be no surprise that the world's greatest `consulting detective' should live in London. In many ways, Sherlock Holmes is a far more believable character than his later fictional colleague, James Bond, since England's fortunes as a mover and shaker on the world stage had fallen far between 1880 and 1950.

So, our pleasure is greatly enhanced by being given copious notes on Holmes' London as well as the science of the day. Also very satisfying are the notes that correlate events in various stories. The whole collection is laid out by the fictional chronological order of Holmes' cases.

The greatness of Holmes' character can be seen in the fact that he is probably the model for over half of the great fictional detectives of the last 100 years. While I am not a great fan of detective fiction, I am certain he was the inspiration for both Agatha Christie's Hercule Poirot and Dorothy Sayers' detective, Lord Peter Whimsey. In fact, the greatness of Dashiell Hammett's and Raymond Chandler's detective writing may be in the fact that they escape the Sherlock Holmes prototype and create a new style of private detective.

This work of annotation is so good, I am hard pressed to appreciate how anyone can fully enjoy reading Sherlock Holmes without these notes. As with the commentary track on better DVD releases of movies, the notes literally double or more than double the pleasure and rereadability of the works.

Very highly recommended.

Awesome is the only word I can think of to describe this particular collection--there is all the novels and stories with amplifing info on particular items in the story/novel you are reading listed on the sides of the pages, ala footnotes (sidenotes?)--and the supplementary info is staggering, with bios of Doyle, Holmes, Watson AND Moriarty, the history of Holmes on stage, screen and in print, 221B Baker Street info, etc.--these sections take up at LEAST the front 3rd or 4th of the 1st volume alone! If you are a Holmes fan, you MUST find and buy this collection ASAP!