Books and Authors Books

I was a student of Jess Moody at Palm Beach Atlantic and it thrills me to see him still at it in "Club Sandwich". His gift to tell meaningful stories in a memorable way shines through once again. He writes the way he preaches, short, succinct, and powerful. If you need a heart- warming lift I highly recommend you read "Club Sandwich".

I am Jess Moody's granddaughter,Jessica. Even if he wasn't in my family, I would always rate this book with 5 stars. It's a great book with wonderful stories about his life. Try reading it, it's awesome!

I have read all of Jess Moody's books. I think he has found his niche with "Club Sandwich." He is a superb spinner of stories! This is his best book to date, his personal Everest of human interest and insight. He dares to share himself with the reader in an audacious and attractive way that appeals to the voyeur in us that clamors for celebrity dope. Buy it, read it loan it, but get it back. Long summer afternoons are coming!

Jess Moody is a master storyteller. He writes with great wit and intellegence, and has the ability to touch your soul with truth and insight when you least expect it. Jess is really an American treasure and this book underlines that fact. I can't think of anyone quite like him. I hope he continues to write books in the future. His voice needs to be heard. For those familiar with his other books this is vintage Jess Moody. For those haven't had the opportunity to feast on his stories and the visual images they evoke, this is a great introduction to a master wordsmith.

Club Sandwich is so good, you'll be asking for seconds. Jess Moody is a masterful storyteller with a message of faith, hope and humor. You can tell he's related to Will Rogers, Jr. because he got the "story-telling" gene that captures audiences with rememberances of the rich and famous and common folk.

My husband and I have been reading Club Sandwich as a morning devotional and it's a wonderful way to start a new day. In fact, it's so wonderful, we just purchased 40 copies to give as gifts to our family and friends.

I recommend Club Sandwich to everyone.

The only thing wrong with this book is that there should be more of it.
Roethke represents a watershed in American letters, a watershed we kids slobbered down the wrong side of, the side not his. For delicacy of daring the difficult to bear, even to notice, he can hardly be surpassed, and this almost without ever choking up the voice -- his or ours.

"A late rose ravages the casual eye," writes Roethke in A Walk in Late Summer, "a blaze of being on a central stem." In such images we see the symbols of nature fully tapped in modern poetry -- and tapped in American English, in fresh, vivid language that overpowers the reader with its grace and presence. The poetry of Theodore Roethke is written by a man profoundly alive -- skirting the edge of suicide, losing his voice in the awe of love, reeling wildly in the throes of "the pure fury," and looking at last with calm eyes into infinity and his own undoing in the Far Field. Roethke was a true descendent of Whitman where the latter wrote "This is no book / Who touches this touches a man." But Roethke's poetry moves us as much by its lyrical language as by the power and wisdom of its experience. Roethke himself was, as represented by his art alone, a "blaze of being."

Among Roethke's contributions to literature are his poems that treat depression. Far from letting his manic episodes paralyze him, he used them to write some his most intense poetry. "In a Dark Time" is one of the immortal poems of the 20th century, worthy to be set aside a Van Gogh painting. Roethke was not alone in treating these subjects: two other Pulitzer Prize-winning poets of his time, Sylvia Plath and Anne Sexton, learned from him and wrote about similar themes. But Roethke's writing stands out in two ways from these poets and other poets the 50's and 60's.

One is the unity of his work and vision -- this Collected Poems traces a single spiritual journey beginning with his childhood memories of the greenhouse, and ending somewhere among "the windy cliffs of forever", last visions tragically cut short by his early death. Between those points are rendered all of the experiences of his life -- as he wrote in his first poem, "my heart keeps open-house." But he never fails to interpret these experiences and understand their significance in the larger picture of his life and poetry. Unlike so much of the poetry of Sylvia Plath and other Confessional poets, Roethke never demands that you read his biography to understand his symbolism. Rather, his symbols develop among his poems to form a kind of mythology: his recurring symbols include stones, fire, light, "the small," and the spirit.

The other difference between Roethke and other poets of his time is his technique. Roethke is never obscure; he always writes in fresh language, avoiding cliches, although his symbols are indeed personal and take time to understand. Roethke's craft is "strict and pure," such that even the staunchest defenders of Sylvia Plath have confessed that Roethke's writing is more disciplined. The Deep Image movement of poets like Robert Bly and James Wright is influenced by the kind of symbolism found throughout Roethke's poetry, and those writers have acknowledged their debt to him. Roethke retained rhyme and meter in a time when all the conventions of poetry were being ripped apart; and he did so with a consummate technical skill not to be found in the Beatniks or in the Black Mountain poets. Roethke's ear for poetry is much more sensitive than that of other poets of his time. We are gagged by the lyricism in lines like

"She came toward me in the flowing air,
A shape of change, encircled by its fire."
("The Dream")

"When all
My waterfall
Fancies sway away
From me, in the sea's silence..."
("Her Time")

"O love, you who hear
The slow tick of time
In your sea-buried ear..."
("Song")


The most exhilarating of all these are Roethke's love poems in "Words for the Wind", which justly won the Bollingen Prize and the National Book Award. These poems are unmatched for eloquence and spiritual intensity -- and it's a damn shame that modern anthologies do not reprint them, aside from the famous "I Knew a Woman." For it is in these love poems that Roethke's soul soars, and his poetic power is fully realized.

"She knew the grammar of least motion."
("The Dream")

"Light listened when she sang."
("Light Listened")

"I measure time by how a body sways."
("I Knew a Woman").


Theodore Roethke achieved greatness in art by having the courage to confront the most intense human experiences and the skill to craft them into some of the most eloquent poems of his time. If there is ONE modern poet you will read, let it be Roethke. His "Collected Poems" is a must for every poet and every lover of poetry.

I relished Roethke when I first read him in high school, along with Hart Crane, e.e. cummings, and the Beats. I still admired him in college, when I wrote poetry myself, and regarded most other "living" poets with suspicious disdain. Many poets I loved then have lost some of their charm for me (my loss, not theirs) but, forty five years later, I still read Roethke. Does that speak to you?

To My Sister; The Heron; No Bird; Elegy for Jane; She; Her Reticence; The Meadow Mouse; and of course, My Papa's Waltz--these are all some of the great poems that Theodore Roethke wrote. Roethke is one of our American masters. I found that when he was on his game (as he was in the poems above, among others) his poetry was phenomenal, but when he wasn't, his poetry could be awful. His earlier work is better than his later work, though he seems to have gotten most of his recognition for his later work. Still, for the poetry lover this is pretty much a required volume for your shelves.

At first, I was heitant to delve into this author's work simply because I'd never heard of him in all my wide readings of poetry, both modern and old.

Don't make the same mistake I did. Roethke WILL NOT disappoint you. "The Lost Son" has become my new favourite poem, and this book goes with me perpetually, and will until I finish every line in it.

Exquisite.

forces you to look in the mirror. I was introduced to Dahl by my 8th grade English teacher who saw something very dark inside of me (yes, another plug for better teacher pay!). "Pig" gave me nightmares, "Skin" made me wonder about the greed of human beings. What's missing are the "My Uncle Oswald" stories, but this collection is absolutely priceless!

Excellent book from all points of view. Sewn edition, bound and quality of printing. I have another edition of Roald Dahl but unfortunately it's a paperback edition and the pages disappear one after another. I decided never to buy again paperback books. When I saw that Roald Dahl was published in Everyman's Library I immediately decided to order it and I am more than happy with what I received. It's very good for work with my students and I will leave it to my children as well. Many thanks to the publishers.

Once again! the Everyman's Library has outdone any other publisher's job of creating a thorough and precise piece of book history. This is the third book I have purchased and read through Everyman's Library and I sincerely feel their books are the only ones I will buy when creating my own hardcover collection. The quality of paper, the texture of the outer red cover, the beauty of the chronological timeline of events in the author's life, they not only think of it all, but go so far beyond what is called for in a $20 book. If I were a tree that died in the name of paper, I would only hope my flesh would go towards another Everyman's success.
On to Roald Dahl. Best writer Ever. Best collection Ever. Best stories I have Ever read. Best organization of stories contained within a single volume. This book is Paper Gold. My favorite writer and my favorite book publish company smooshed into a magnificent creation that is the perfect size for the average human; hand and lap!!! Touch the hard cover. Feel it upon your cheek. Smell the pages... In the name of all that is holy!

I actually have a compendium of Roald Dahl's stories in a different edition but when I came across this edition with the inimitable Mr Dahl on the cover I had to buy it. It is a lovely edition that collects all of Dahl's short stories in one book, and I love the fact that it comes with a lovely red satin page marker! A great addition to any library.

This collection of stories by Roald Dahl is great. He was one of the best and entertaining writers that composed such original work. I have read some of his stories more than once. I read them and when I am in the mood I pick them up again and read them again. I highly recommend these to anyone who especially has never read anything by Mr. Dahl.

I was not familiar with Singer's work at all -- having not even seen the movie "Yentl" which was based on one of them, but the stories are quite engaging, with compelling characters and surprising plot twists. Singer is a masterful storytelller; and though obviously rooted in Jewish culture (both his father and grandfather were Rabbis) his exploration of the vicissitudes of life, character and relationships is universal.

A collection of Jewish tales, essentially from Poland and full of the fatalistic themes permeating the diaspora, along with a spicy dash of the demonistic.

This is the first ive read of Bashevi Singers work but its sure aint the last.
Ive read quite a lot of the classics and more than a couple of the Nobel prize winners, but I can honestly say that I have a hard time remembering such joyous storytelling. Singer was amazing; it all seems so easy when he tells his stories; its almost like the stories flows from his pen.
The fact that the stories often stem from the culturally rich jewish community in Europe makes it even more interesting. We tend to forget today, that much of what we call art was carried at great length by that community, together with the russian.
Anyway...if we forget all this and center on the prose, i end up with the following recommendation:
If you want to read something marvellous, enchanting and extraordinary,
dont miss Singer.

This truly excellent collection of Singer's stories (all originally composed in the Yiddish language) are as colorful as the people about whom the stories were written. Here are tales of weddings, of jokesters, of happy occasions of all variety, of feuding farmwives, and of unrepentant fools. After reading through a handful of Singer's works, a person gets the feeling of how it must have been to live as a Jew in eastern Europe a hundred years ago. This was a culture rich in its traditions and lore, a people who loved life and kept their identity through good times and bad. Singer, himself born and raised in the region so many of his short stories describe, was one of very few authors I would unhesitantly dub "a human treasure".

Isaac Bashevis Singer was a master storyteller and any reader will be well-rewarded for spending time with his "Collected Stories." Many of these stories are set in Poland before World War II or post-war New York City, but there is a spiritual energy that drives all of these tales, regardless of location. Old World demons and devils can be found in "The Unseen," "The Destruction of Kreshev," "Henne Fire," "Zeidlus the Pope," about the Devil tempting a Rabbi into becoming the Pope, and one of the collection's best, "The Dead Fiddler," about a would-be bride inhabited by dueling dybbuks. New World mystical forces are recounted in "Powers," about a man's seductive past, and "The Psychic Journey," about war breaking out during a writer's trip to Israel. Several stories involve survivors of World War II, among them "The Cafeteria," about a woman who imagines seeing Hitler in a New York City deli, and the unexpectedly heartbreaking "The Joke," about a practical joke taken seriously. Every story is deeply felt and richly detailed, including the more comic ones such as "Gimpel the Fool," "The Yearning Heifer," and "The Admirer," about a writer's fan disrupting his day. Choosing favorite stories in this collection is almost impossible, because they are all unforgettable, but ones that resonated most richly for me include "Taibele and her Demon," about a woman's mysterious night visitor, "The Little Shoemakers," about a family of cobblers who courageously survive two world wars, "The Manuscript," about a mistress who saves her lover's novel from destruction, and the transformative "A Crown of Feathers," about a young woman losing and then trying to regain her faith.

David Crouse's Copy Cats is a book of fictional short stories revolving around characters that are on the fringes of society searching for their sense of self and struggling with truth and lies. Crouse's characters are unable to cope with reality, so they fabricate stories (or lies) to make their lives meaningful and justify their own actions. The structures of the stories are all a kind of twisted irony. The truth and reality the characters live in are presented very simply. By the end the reader is either extremely confused or distraught at the happenings of the story, or a mix of both. And yet, through all the darkness, confusion and irony, the reader is drawn to the beauty of the writing and the almost intimate, personal window given to the reader through his style of writing, allowing the reader to catch a glimpse of the struggle these characters endure.

Crouse writes modern tales in a modern world. His story Click, a novella, is filled with conflict, longing, tension building up to a slap in the face of reality. If you bought the book for this story alone you will come away feeling satisfied with the overall product. Crouse is an excellent writer that tells a great story.

The characters are dark and foreboding, with good intentions through every situation Crouse's protagonists deal with. The plots are cutting but believable. It is as if you were listening to a friend telling you a supremely odd tale tempting you to cry out, "No Way!" right in the middle of them. Stranger things do happen in the real world, and when they occur they are the things one talks about over and over again amongst friends and at gatherings.

I highly recommend this book.

This is an incredible collection of short stories, deserving of the Flannery O'Connor award. Buy it, it's wonderful!

The kind of book I love to savor, but can't put down. Every single story is a treat, with unforgettable characters that want to stay longer than you wish.

I think of that line, taken from a Silver Jews song, because it describes this book fully. These are real people--fringe, or whatever you want to call them. There is something true about this book that some people may not want to admit. The sometimes broken nature of our selves that plays out in unsuspected ways runs rampant through these stories--they are stories about here, about now. Buy this, you need it.

Also, look for a fun little story by Crouse in the Dark Horse Book of the Dead.

I was fortunate enough to receive a copy of this book as a gift!
Just like Clint, this book is not for everyone. But if you have an open mind, you should really enjoy it!

Clint has an amazing way with words that draws the reader in. Full of emotion & very moving... I finished this book with a quickness & now I am ready to read it all over again.

This review does not do Cottonmouth Kisses justice, you simply MUST read it!

xo

"Don't judge a book by its cover!" they scream as I hang my head in shame. Once again I have proven to myself how narrow minded and judgmental I can be. This brilliant little book is packed full of surprises especially for those who have developed some preconceived notion as to what it's about. Starting with the title which, now that I know what it means, I think is brilliant. I was picturing two pot heads making out with a sort of latte-esque foam covering their mouths which I'm sure is exactly what the author wanted me to believe. Then turning past the table of contents I came upon the explanation of the title and was immediately transported back to my youth in Florida and my fear of the tall grass. I won't say more about that in order not to ruin this very pleasant little surprise for others.

Then the first story "Some new kind of kick" is pretty much exactly what I was expecting. A very dark and seedy tale of Goth clubs, speed and sex, although one thing I didn't expect was to really like it. Something about the way Clint Catalyst casts his penetrating stare into this so called "Goth" scene is so incredibly revealing of not just the Goth scene, but any scene that's gotten old and tired. And it's in this first story that I began to realize that the scenes and the players are all the same. It doesn't matter what scene you were in, because we all got tired and we all ended up alone. The scenes all lacked something, or as the author so eloquently points out, we ourselves lacked something in ourselves that our "scenes" or distractions could not replace; well, not for long anyway.

So I guess it's clear that I'm not a "Goth". And while I did think they were cute in the mid eighties when they were still known affectionately as "Death Rockers" I've never been into things "Goth". I've also never been into speed of any sort. Of course I've done speed and had so called "Speed Sex" which contrary to the name takes hours, but I've never been into the whole "gak" experience if you know what I mean. So despite hearing the rave reviews of "Cottonmouth Kisses" I put off actually reading it, thinking it was fifty percent Goth and fifty percent homoerotic speed induced sex. Not my cup of tea exactly.

But from that first story Clint Catalyst just blew me away. His insight into moms, wanna-bees, punks, straight boys, art school girls, alleged bisexuals, strippers, bag ladies, in fact everyone he encounters and most importantly himself is nothing short of stunning. This book is crammed with fascinating stories which in and of themselves are great but without which you would still be left with an incredibly insightful book about people and our inner truths and fears.

Stories I particularly like are "Party Favors", "Conversation with what once was a friend", "To Push Away or to Clutch" and "Taking Care of".
Poems I particularly liked are the beautiful and charming "First Person Third Person First", the dark and direct "Guess I should talk about sex", the dark and funny "Truth about Modeling", the grim foreboding "Inky Bloater" and my favorite, "At the Edge" which to me was like an updated and slightly more optimistic take on Langston Hughes' "A Suicide Note".

Overall, I read this book too fast and have had to re-read it twice to catch up with the brilliant and still racing mind and prose of the enigma that is Clint Catalyst.

This is a great selection of essays and poetry from Clint Catalyst. They deal with gay relationships, adolescence, and out of control drug addiction. These subjects are dealt with in such an honest, clear and edgy way. The lives of these unconventional characters are brought to the page so intensely with all their flaws clearly exposed. You'll feel their thoughts and feelings. The artistic language used in this book make it a pleasure to read right through to the last page. No matter how dark and trashy these characters get you'll want to read more.

This was my first introduction to the author's writings (thanks,Sheldon) and I truly enjoyed this book. I think what really made this book special was the poetry in-between the essays and fiction. These poems were so easy to read and what I mean by that is they were very understandable. You don't have to spend all day figuring out what the author is trying to say. They are a joy to read. I look forward to this author's future work. Highly recommended.

which I deem:

1) "What is Goth?" by Voltaire
For spelling out the basics to looky-loos, kinderbats, or insiders who aren't afraid to laugh at themselves (for fear of exposing the adhesive-stripes along the gumline of their fake fangs)...

2) "Cottonmouth Kisses" by Clint Catalyst
For its sinister and gorgeous first-person account of life within the nightclub netherworlds. I've known many a Goth girl over the years who's had her share of Clint "pin-ups" and "shrines," and the fact that he's lived a life so far beyond the margins of Hot Topic and mainstream acceptability (and SURVIVED it) is more "Goth" (i.e., barbaric -- i.e., AUTHENTIC) than any paint-by-numbers impostors out there...

3) "21st Century Goth" by Mick Mercer
For its role as an informative compendium of the international scene in all its varied shades of shadow. There is no easy answer, no singular attempt in this book to pigeonhole Goths -- in fact, it does the opposite. Plus, I mean, it's MICK MERCER, who's been reporting on the scene longer than most batpackers these days have been alive. Pay your respects to the grandaddy of Goth!

And ALL HAIL THE TRIUMVIRATE!

Mr. Clint has really let all of us, no matter what stage of life we are in, what planet we are from, or the aumont of zeros on our paycheck, look inside his world and gave us a whole new realm of thought. I loved this book. I read it in two days. AND thats with two kids under the age of 4, a hubby and a big white dog. I couldnt put it down. Its an awesome book. I can not wait for his next wonder in print... keep up the good work clint. This is definately a must read!

My wife is a first class Chef and needed information abiout Iraqi Cooking
to prepare and serve at Master classes
On the WWW there was only 11 recipies
So doing a search on AMazon.com walla a book. The book has many recipies and information about Iraqi Culture it is easily to read and is very informative, it is pity that the Americans went in on a false premise and are surely destroying a vibrant culture.

A great cookbook. Easy to follow for those not familiar with Arabic/Middle Eastern Cooking. Good back stories and illustrations. A true one of a kind work. Be sure to buy this treasure before it goes out of print. A delight as the title suggests.

I received this cookbook as a birthday gift two years ago. When I opened it, I was excited to find a Middle Eastern cookbook, but was not expecting it to 'measure up' to the 10 or so Middle Eastern/North African cookbooks in my collection, as the author is not well known as are the authors of many of the other books. After all this time, I have made quite a few recipes from this book, and all were fantastic. That being said, I feel that I haven't even scratched the surface of this book. The number of good recipes in the book is astounding, and the history portion of the book is very interesting. I highly recommend the book for anyone interested in learning more about cooking Middle Eastern food, and learning about its roots.

Thanks to Nawal for writting this excellent cookbook which includes almost all the iraqi recipes in such nice order.

As a kurd I found many recipes that brought back memories from my childhood, even the terms/words used!

I looked through the whole book briefly, the recipes look easy and well written, not many pictures but I doubt they are needed. Can't wait to try more recipes.

I know I will treasure this book for life..

This book is unlike any other cookbook that I have pruchased or read. It is written with clarity and with great efforts to simplify every resipe to anyone who is not familiar with Iraqi cooking. The author explains every dish; its orgion, its flavor and its popualrity in Iraq. I bought five copies and gave them as gifts. everyone got it enjoyed reading it and cooked some dishes

This is truly one of the cult pieces of literature, right up there with Tropic of Cancer and even Fight Club. The writing is beautiful and erotic, and Nin comes across as a mature individual with special needs and insights. While every woman should read this book, guys will enjoy seeing things from the "other side."

...with "Tropic of Cancer." For newbies, read the synopsis of Anais Nin and Henry Miller at "wikipedia." Then start reading Volume 1 of Anais Nin's diaries (1931 - 1934). After a while, maybe 30 - 40 pages you will want to take a break. So, pick up "Tropic of Cancer" and read the first couple of chapters. Anais had Henry read her journals; Anais and Henry helped each other with each others works. The preface to "Tropic of Cancer" was written by Anais Nin (at least it was signed by her; legend has it that Henry actually wrote it). "Tropic of Cancer" was published (and immediately banned in the United States) in 1934. (By the way, off topic, Henry Miller reminds me a lot of Hunter S. Thompson, at least "Tropic of Cancer" and "Fear and Loathing in Las Vegas.")

A bit long and occasionally dense, but overall, a worthwhile and insightful glimpse into the life of a remarkable, thoughtful writer in 1930s France.

This is one of the most profound works of literature I have ever read. Nin leads you directly into her life, the nature of the people around her, her feelings and internal conflicts. She writes delicately and powerfully and womanly. Everyone should have a chance to read this.

I recomend reading Anais Nin's diary. The book is such poetic prose. Some sentences really took my breath away, the way she can captivate something so beautiful and human in simple words. Since it is a diary, its main focus is her life, but its not selfish, infact she mentions herself very little. The main focus is Henry (Miller) and June, his wife. When Ananis Nin falls inlove with someone, so does the reader. Her descriptive skills gave me goosebumps, you really can see it in your minds eye, hear the music or feel the softness of skin. I highly recomend this to anyone thinking about reading this book, you will come away with a slice of life from 1930's France.

If you have a sincere interest in Edgar Allan Poe, you must read Silverman's biography of Poe! It is well-researched, comprehensive, and written in an accessible, understandable way (just what you'd expect from a Pulitzer Prize winner). Silverman lays down all the facts, but also makes the reader aware of the complexities of Poe's story, admitting there are certain fuzzy areas. The book interweaves Poe's life with his work, the background of the 19th century American publishing industry, and critical interpretations both contemporary and modern. Silverman has admitted he was not a Poe fan before setting out to write this book so it is unbiased. Incredibly thorough and an enjoyable read, this is the last Poe biography you'll ever need!

I bought this book primarily to find out Silverman's take on Poe's being found (just before his death) in clothes that did not belong to him (as indicated in a video in the Great Authors series). That odd fact, combined with the alter egos he created in stories like "Fall of the House of Usher" made me wonder if Poe had some sort of alter ego himself. Though the clothing issue is not completely explained (after all, who could know with certainty?), Silverman's book does offer insights into Poe's use of false identity, pseudonym, anonymous writing, plagiarism, and other identity issues (especially relating to his odd perversions of the Allan name and his brother's name). In addition, Poe's behavior, as explained by Silverman, put me in mind of a book entitled *I Hate You, Don't Leave Me: Understanding the Borderline Personality Disorder* by Jerold J. Kreisman and Hal Straus, published in 1989. I'm an English teacher, not a psychologist, and I do not know the current thinking on borderline personality disorder, but it is apparent that virtually every characteristic Kreisman and Straus identified in the borderline personality were exhibited by Poe. The next time I teach Poe, I plan to present information from both books for my students to consider (after reading "Fall of the House of Usher," Poe's story with a cross-gender alter ego). Thanks, Professor Silverman, for a marvelously researched and documented book!

i loved the honest attempt in this work to deal with Poe's alleged alcoholism,something hinted at or dealt scantily with in other biographies. As if a writer would somehow be afraid that by dealing with the alcoholism issue,Poe's works could be downgraded.(NOT POSSIBLE!!)The way this biography is presented,Poe comes off as being a seedy,yet noble character in a real life Poe tale,so as life imitates art.Lots of goodies here in this biography,if you only read 1 biography a year make this one your project.the Foster Brooks moments keep the book rolling.still this a serious work on a serious,interesting personality. Who was the real Poe,the writer,the philosopher,the seeker of beauty in all its forms,or the at times petty,vice driven man of ambition.From reading this book i would say Poe was both and maybe more as well.Ithank Poe everytime I have to absorb criticism of my amateurish attempts at poetry,i in turn read my critics material and say "well your poems aren't exactly "The Raven" either!! Poe may have been a "binge" type alcoholic,sober most of the time and then losing control at times,this would explain the discrepancies from descriptions of him as noted by numerous sources.Being sober 99% of the time,that other 1% can get you every time.Also covered in this book is a good description of Poe's service in the United States Army as an artillery seargent.Most people don't realize that he served 2 years with honors and i wouldn't have wanted to be on the receiving end of a cannon sighted and calculated by Poe!If in the .5 of the 1% chance he was inebriated even less.

This is an excellent, highly detailed and informative biography of one of the greatest American authors and poets.

Poe's life was rough from the start. His parents (David and Eliza) left him early, his father through abandonment, his mother through an early death. Young Poe was sent to live with surrogate parents, the "father" being John Allan, a wealthy merchant who wanted Poe to be something more (or at least something different) than Poe himself wanted to be.

Silverman pulls no punches, painting a most realistic and unbiased account of Poe's life. For example, he tells of Poe's troubles in his early college years, with Poe blaming his troubles on the parsimonious John Allan. In reality, however, much of Poe's troubles were caused by Poe himself, via his gambling, his habit of breaking promises, of borrowing and not repaying, and so on.

Silverman covers Poe's Army serivce, telling of young Edgar as Sergeant Major of Artillery, of Poe's few months at West Point (he did not graduate), of his work as a magazine writer, editor, and critic, and of Poe's most memorable triumphs--including the publication of the poem THE RAVEN, a masterpiece for which Poe is perhaps best known. Silverman also tells of Poe's almost constant grinding poverty, his relationships with women and family members, his struggles to start his own magazine, his depression, his alcoholism, and much more.

My overall sense from reading this bio is that Poe was certainly a tragic figure, recognized by many during his time for being a literary genius, but not often rewarded as such. Then again, Poe's boorish, drunken behavior, his near constant begging for money, his failure to repay his debts (not to mention his almost complete lack of a business sense) certainly did not help him gain positive recognition. It seems, in fact, that Poe was often his own worst enemy.

Poor Poe suffered a great deal of personal tragedy. Silverman's account is probably the best current critical bio around.

This is a real treat for not only Ellison fans, but any SF fan worth his salt. Features some of the best and worst pieces of fiction by Ellison. It could have been alternatively titled "How I became a writer - Harlan Ellison", for through the pages, we (literally) travel through time and realize how Ellison's writings matured and shaped over the years, from his early teens to the present.

I am not rating or dissecting the actual stories cos that takes half the suspense out of the plots .. Just a line of recommendation: GO BUY IT!

Here it is: 50 years of the splenetic imaginings of Harlan Ellison, who writes like an angel on speed, and doesn't care, God bless him,
if he offends you or not. Read "REPENT HARLEQUIN! Said the Ticktockman,"
and "A Boy and His Dog." Ladies, don't let Ellison's misogynism spook you: you'll be better for having enjoyed the stories of this prolific, disciplined madman.

i ordered this book because i just recently discovered the awesomeness of mr. ellison's work, and i wanted more of it. more is what i got! nobody told me how huge a tome this thing is... it weighs at least 5 pounds and it's as thick as one of those dictionaries you get at the public library! portable it's not, but if you want absolutely as much of ellison you can get for the money, look no further.

I bought this book initially so I'd have a copy of the essay 'Xenogenesis', which scared seven shades of pea soup out of me when I first read it in IASFM. Further perusal gave me a thorough glimpse of the work of an author I'd been skipping, as I considered him a product of the 'second wave' of science fiction/science fiction-influenced authors (first wave involving Heinlein, E. E. 'Doc' Smith, and so on). Good to have been proven so wrong, and now it's a book I'll recommend to those of my friends who see 'Harlan Ellison' and only think 'that guy from Babylon 5'.

For the uninitiated or causal reader, "The Essential Ellison" represents the best compilation of the author's works between two covers. With 1400 + stories under his belt, Harlan Ellison is one of the most prolific writers of any genre of fiction. The amazing thing is that all of them are good. Even better, most of them are great. And better yet, a good number of them are some of the best short stories written in the last fifty years. Though classified as a sci-fi author, Ellison writes fierce and barbed tales about the alienation of the individual in modern life, whether it's the guise of sci-fi, fantasy, or non-genre fiction. With defiant tone, Ellison passionately defends the individual against the impersonal machinations of ridged, authoritarian systems and their apathetic leaders. Unrelenting and sincere, Ellison's prose and characters take a stand for those who can't or won't. "The Essential Ellison" contains most of the author's greatest stories. From the spiritual longing of "Grail" to the utter insanity of "I Have No Mouth, And I Must Scream"; from the mute hopelessness of "The Whimper of Whipped Dogs" to the phantasmagorical absurdity of "Repent, Harlequin! Said the Ticktock Man"; from the prophetic frustration of "Along the Scenic Route" to the rebellious shriek of "A Boy and His Dog." Mercurial and pointed, purposeful and thought-provoking, Ellison rarely writes for bemusement's sake alone. And like all great authors, the reader leaves a story with more than they started with. So, if you're tired of the same ol' sci-fi/fantasy story of "an ambitious young farm lad who is really of noble birth assembles a cadre of trusted misfit warriors and does battle with the great evil that threatens to envelop the world" rot, then I whole-heartedly suggest you check out the work of Harlan Ellison.