Books and Authors Books

No other book has ever hit me this hard with its message in so few pages like Twain's The War Prayer. In our troubled world today, this book should be read by everyone. The book portrays the unspoken side of a war prayer, the consequences of victory and conquest. This dark tale of Twain is bound well into a small book that is accompanied by illustrations. The drawings here (just look at the cover page) are eloquent as they are haunting and accompany the grimness of Twain's piece absolutely beautifully. A buy you will never forget. After you read it, buy a few more copies, and give this to family and friends. To ignore such a book with a powerful message, bound in a beautiful edition with illustrations as melancholy as the story itself, would be a sin.

This short book should be required reading for all politicians. While there may be valid reasons for starting a war, the unintended consequences are not always considered, including the impact on families and the innocent. We should all temper our patriotism with a little dose of reality.

Twain's _War Prayer_ is a classic piece of anti-war literature. Written during the Spanish-American war, the sentiments Twain expresses are still relevent today. As a combat vet, I always struggle with those who invoke the name of religion, morality or righteousness with war. War is obscene - Twain's vivid poem illustrates what that is. The power of Twain's words are supported by the drawings of John Groth, which fit the tone and time of the story.

As a previous reviewer has noted, the printing quality of the book leaves something to be desired; with that said, I strongly recommend this powerful piece.

This short narrative is simple and to read an understand. It gives the dramatic account of a blindly patriotic church service being interrupted by a "messenger of God," who proceeds to reveal the unspoken prayer of the congregation as heard by the ears of the LORD. It is, to put it breifly, a caution against self-centered prayer and/or a reprimand against needless bloodshed. This should be standard reading in schools and churches across the globe, especially here in the good 'ole war-mongering USA.

OK - A note from a middle american man on the War Prayer. This book should be read every morning at schools rather than the pledge of allegiance. It takes the american psyche of war and turns it on its ear, with no need for the author's typical wit. I have bought and given away many copies, but more importantly always have a copy hanging around somewhere in your house where visitors or your kids might come across it. They might pick it up, and to pick it up is the same as to read it for the ten minutes it would take anyone to get through it. If more and more people read this book, our culture could perhaps find a more humane view of what warfare truly is. Are you truly willing to pray that your enemies children will be left wandering, wounded, trying to find enough food to survive? I sure hope I know your answer.

Entertaining book for the whole family. Lessons in life and in the martial arts are finely inserted into the story.

What a joy to find a book that lays out a life philosophy in a story that is both engaging and emminently readable! Whether you are an adult or a youngster, this book helps you understand what it means to live up to a high ethical standard, and how to find "the way" of a martial artist to establish that standard.

Turns out that to live "the way" is not at all what is depicted in movies --- being able to jump high, kick and punch is not the final goal! The real goal is self knowledge, inner peace, gentleness, honor, respect ---- acquired through the physical training of martial arts.

Read this book, you will enjoy the story that helps you find "the way". Give it to your friends and family, make sure the youngsters read it!!

I am very fortunate to be a pupil of this great man for many years and have been also fortunate to of read his other two books and his recent Bachelors Thesis. I have trained in many styles by many greats including Bruce Lee and Chuck Norris. This book was very pleasant and surprised me because I thought I've heard all of Grand Masters stories. This book made it simple to understand and helpful for young and old. I now use it to help my teaching and as Grand Master says I also use his words to live life has we should.

This story covers a lot of ground. Everything from naive optimisim to serious life and death struggles.

While the lead charater is being put through many trials and challenges to survive the author manages to explain, very simply, of how everyone has it within themselves to find the strength and will to overcome any obstacle. through the physical and mental teachings of martial arts and applying these teachings and princples to ones daily life, ensures that you will have balance and the ability to persevere, even through lifes toughest challenges.

I have been a student of Grand Master Dong's for more than twelve years. The Grand Master never ceases to amaze me in the mount of energy and care that he puts into everything. I knew that he was working on a book and I waited patiently, not asking anyone about it so that it would be a total surprise to me. I was hoping for a "Crouching Tiger, Hidden Dragon" style book that explores the mystical side of the martial art. What he has delivered is something even better, because simple ideas and concepts result in big changes and advances.

I knew that it would be written on several levels; each appealing to a different age group or experience level. I saw it as a localized conflict (both between individuals and within the individuals) that you could place in any setting or with any age group. It is about people, and their emotions, prejudices, habits, and fears, all of which are hard to overcome. It is about discipline, goal setting and growing one's self to be bigger that what you are, showing others the respect that you would have them show you. With the correct guidance, each of us has what it takes to overcome insurmountable obstacles that we find going through life. The ideas and concepts in this book are elemental to a good life and better world.

Thank you Grand Master Dong

Word cannot begin to say how insightful this author is. And still speaking to us many years after his death.

Once again Andrew Murray gives excellent counsel for spiritual growth. Every believer needs help along the way and Absolute Surrender is a great tool to use as a springboard. The message is meaty and to be taken in with the intent of life transformation! As Jesus lived His life in absolute surrender to Father God, so must we, and this book points the way!

THIS IS THE MOST WONDERFUL BOOK I HAVE EVER FOUND OTHER THAN Andrew Murray,THE POWER OF Intercession. I suggest the whole world would Understand the Bible A whole lot clearer if they just read Andrew Murray Books. What A wonderful Evnagelist he was.

This book was truly insightful and should be used as a tool to assist all who strives to improve their Christian walk.

Right up there near Brother Lawrence's "The Practice of the Presence of God" (free online at the Practice Gods Presence web site) are the wonderful works of Andrew Murray. "Absolute Surrender" is a classic in every sense.

These gifted children of God have a way of restating, enlivening, and magnifying the very words of Our Lord and do greatly glorify Our Father.

The stories in this collection have more in common with the novel, 'The Known World', than with the other collection of Edward P Jones short stories, 'Lost in the City', in that they tend to drift and ramble in time, the past frequently cutting across narration of the present. This is a part of the Jones art which presents an extra challenge to the reader. Nevertheless, nothing in this collection detracts from my opinion of Edward P Jones as a wonderful writer who paints a disturbing picture of the cyclical brutality of life. The stories in 'All Aunt Hagar's Children' have not made as deep an impression on me as those of 'Lost in the City', but I am glad they are in my library.

As for the production quality of the hardcover book, it is as cheap and nasty as any book I have handled. The pages, whose texture reminds me of blotting paper, seem to have been cut (torn?) by pre school children during a let's-play-with-blunt-scissors session just after morning nap. The front cover was dented and the first few pages crinkled - perhaps damaged in transit, but quite consistent with the substandard production quality. Not a book I would be proud to hand on to my children, (unless they be short of cleaning material). I must add, in fairness, that this is my first disappointment with any product ordered through Amazon.

All Aunt Hagar's Children is a collection of short stories by Washington D.C. native Edward P. Jones, it is his third book and the first since winning the Pulitzer Prize for The Known World (2003). The stories are about black Americans in Washington D.C. during the 20th century. Each story revolves around family, society and self, detailing experiences emblematic of southern blacks who migrated to northern cities from rural roots: some found salvation and others a living hell. In all the stories there are transformative turning points in peoples lives. As Jones shows, they are often not conscious of what happened - life-altering events can happen in the course of the banal every-day, setting in motion life patterns that can be hard to break when it's forgotten or not noticed how it started. In some cases the patterns are passed down unconsciously generation to generation - like the devil, cycles of violence, poverty, addiction, sickness and ignorance stalk many of the characters for seemingly mysterious reasons, bordering on the mystic in some stories.

The stories are beautifully original, Jones employs authentic southern expressions creating a time capsule reverberating with fading folkways. Like the characters he writes about, Jones grew up poor in Washington. He had a strong mother - whom he dedicates the book too - and it contains many of her colloquial sayings. This is not a book to be read quickly, like the pace of southern culture, each sentence demands respect for plot structure, character development and the unique southern way of putting words together. I read this hoping to learn more about the black culture of Washington (and Baltimore up the road) and was not disappointed, but what an extra treat to have a world-class writer with a deep sense of humanity, empathy (and sometimes sly humor) show the way.

This author has done it again with brilliant illustrations of a city and families that touch the core of our compassion. No wonder he won the Pulitzer-he is amazing, and this is an amazing piece of work with suspenseful endings quite similar to Toni Morrison.

In his highly-acclaimed volume of 14 stories, "All Aunt Hagar's Children", Edward P. Jones draws portraits of African Americans who have migrated from the South to Washington D.C. The stories are set from around the beginning of the 20th Century to the present day. The stories describe many types of people from young children to old men and women and from the poor and illiterate to the highly educated. They speak of loneliness and change, of the frustration, sexual and otherwise, that results from moving to a new urban place, of criminality and drugs, and of education. The stories are short but deeply textured, as in tapestries(the title of the final story). Characters, histories and sub-themes are realized in brief spaces.

The writing style in these stories is a major factor in their success. All but two of the stories are told in the third person by an all-knowing narrator. (The exceptions are "Spanish in the Morning" told in the voice of a precocious young girl and the title story "All Aunt Hagar's Children told in the voice of a young Korean War veteran who hopes to move to Alaska in search of fortune and women.) The writing is full of Biblical allusions. Hagar, of course, was the concubine of the patriarch Abraham who was sent into the desert after she mocked the childlesness of Sarah who then became jealous of her. God spared Hagar and her childen. The figure of Hagar is used her for the outsider and the outcast -- symbolizing the lives of the African American characters of the stories. The language of the stories in its richness, difficulty, and frequent elliptical character, particularly in its repetition and in its use of names, also owes a great deal to the Old Testament. There is also much in the stories that reminds me of the African American preacher of Jame's Weldon Johnson's poem "God's Trombones". The rich, narrative voice of the stories is complemented by the contrasting voice of many of the characters with its slang, dialect, and frequent use of obscenity.

The stories develop character and place. Jones shows the reader a Washington D.C separate from the world of national politics familiar to most Americans. I have lived in Washington D.C. for many years. Jones's depictions of neighborhoods, streets, landmarks, stores, and people had a deep sense of familiarity. They also helped me see the familiar aspects of my city in a new way. The characters are true and believable in their many responses to living in Washington.

The stories I especially enjoyed included the first story "In the Blink of God's Eye" and the final story "Tapestries". Both these stories are set both in the rural South and in Washington, D.C., the former at the turn of the 20th Century and the latter in the 1930s. They both show the difficulties young married couples encounter with the change of place.

The story "Old Boys Old Girls" describes the life of a young man who spends years in Lorton prison and his attempt to make a life for himself when he is released. Jones contrasts the life of his down-and-out protagonist with the lives of his wealthy and successful family. "A Poor Guatamalean Dreams of a Downtown in Peru" tells of a young poor girl who achieves great academic success but whose life has otherwise been filled with catastrophe and loss. "All Aunt Hagar's Children" is a complex story filled with themes of womanizing, murder, family, and wanderlust. It is a compelling portrait of African American life in the Washington D.C. of the early 1950s and it touches briefly as well upon African American -- Jewish relations.

My two favorite stories were "Root Worker" and "Bad Neighbors" both of which explore themes of the search for love and finding it in unexpected places. The main character in "Root Worker" is a young successful woman doctor who gives up a planned vacation to travel South to consult a root doctor for what ails her mother. In the process, she learns a great deal about herself. "Bad Neighbors" tells the story of a large, poor family that rents a home in a middle-class black neighborhood where they are shunned and feared by their more successful neighbors. There are many turns as the story progresses, as the main character, a young woman who has become a nurse, gains a deeper understanding of people, status, and love.

Jones' stories depict African American life in a loving, involved manner but without polemicizing or blatant social criticism. They are rooted in African American life but, in their treatment of love, sexuality, change, and character speak universally as well. The stories are dense and thoughtful and will reward careful reading. I am pleased that many of my fellow Amazon reviewers have enjoyed this outstanding book and written insightfully about it.

Robin Friedman

In his second book of short stories, Edward P. Jones does a wonderful job of chronicling the African-American experience in All Aunt Hagar' Children. Just as Lost in the City did, Jones brings to life a city that is hardly ever written about, Washington, D.C., and uses fourteen tales to describe circumstances that include life inside of homes full of love, and those without and those that are wealthy and those that are struggling.

Jones' depictions are as real as it gets, thoroughly describing life for Blacks fleeing an angry South to a new beginning in their first experience of living an "urban" American life from the early 1900's all the way to the mid-twentieth century and the loneliness it may sometimes bring. For example, "In the Blink of God's Eye" is about a newlywed couple that moves from Virginia to Washington, D.C. From the way Jones writes, the reader would assume that the couple traveled all the way to Washington State, because that is just how much home was missed for the young bride and how far away it seemed to her. In the title story, "All Aunt Hagar's Children", a hopeless young man aspires to go to Alaska to hunt for gold but in the meantime, spends his days helping a neighbor solve the mystery of how her son was murdered while also dodging an ex-girlfriend that he perceives to be angry.

Overall, this reader really enjoyed Jones' ability to tell a story but at times, wanted it to be longer and did not feel that the short story version could give these stories justice. At other times, the story was just long enough to get to know the characters and get a meaning out of the story that could resonate. Avid readers of Edward P. Jones will definitely want to add this collection to their libraries and will pick their favorites within All Aunt Hagar's Children.

Reviewed by Lena Willis
APOOO BookClub

#2 in the Bodyguard series is even funnier than the first. Natasha is on her own this time, hired to guard a show dog named Chumley, who is so obnoxious he's cute, while trying to figure out who is threatening the dog's life. In her usual overzealous way, Natasha manages to get herself into some wacky situations. The chapter with the massage parlor involving Natasha, Pit and Bigun was so funny, I had to put the book down I was laughing so hard.

There's plenty of romance between Natasha and Striker, with the usual cast of quirky characters surrounding Natasha. Roger and Stevie aren't given much space in this book, and I hope to see more of them in future books.

A really fun, well-written series. I look forward to the next one.

I READ ALOT MORE OF THIS BOOK THAN I WANTED TO, DUE TO THE GLOWING REVIEWS...BUT IT NEVER GOT ANY BETTER. THERE'S NO DEPTH TO THE CHARACTERS AND A WASTE OF 3+ HOURS SPENT READING.

[...]

The Bodyguard and the Show Dog is Christy Tillery French's second installment in her Bodyguard series. By some bizarre cosmic twist, I am reading this series in reverse order. Fortunately, Ms. French's stories each stand on their own, and I am able to thoroughly enjoy this book on its own merits. Hang on for a wild ride!

This book is a fast and fun continuation (in either direction!) of the zany, madcap, e-ticket adventures of protection specialist Natasha Chamberlain, a diminutive, clumsy, danger-prone, feisty, gun-toting, southern girl from Tennessee. This time, Natasha has been hired to protect Chumley, a spoiled, stinky, sex-crazed champion show dog. The scene is impeccably set for the wacky situations that Natasha is (in)famous for, and Ms. French delivers on every page.

Although The Bodyguard and the Show Dog is humorous, breezy, summer fun, Ms. French's characters also deal some difficult topics, including animal abuse, with fitting vigilantly justice satisfyingly meted out in true Natasha fashion. Natasha has a strong, well defined moral character, and she always stands up for anyone who cannot stand up for themselves. She delivers apt punishments and has her own special way of dealing with the worst offenders.

This book is truly a wild ride, well written, fasted paced, and very, very funny. The characters are endearing, the situations are hilarious, and the love making is hot. What more could you want? I can't think of a thing.

Hands up everyone who ever fell for a smelly little dog ... or for a hectic, independent heroine with poor impulse control ... or for a handsome hunk of a man not afraid of anything but being too much in love. Anyone left out there? How about a bunch of crazy friends and relatives and an adventure with the energy of a skyrocket?

Oh yes, there's something for everyone in The Bodyguard and the Show Dog (Bodyguard). This is the second book in author Christy Tillery French's BODYGUARD series and it's a wonderful rollicking ride. Natasha Chamberlain is determined to pursue her chosen career -- protection specialist -- in spite of her boyfriend Jonce's objections. When Myrtle Galbreath hires Nattie to protect her prize pug, Chumley, it ought to be simple, right? Then why does Nattie wind up in the Emergency Department so often? Why are people shooting at her? What, for that matter, is Nattie doing hanging around biker bars and massage parlors, and driving around with bags of horse manure? And the big question: how does she get anything done at all with her interfering mother and grandmother on her heels and Jonce's heavyweight employees trying to protect her?

For all the laugh-out-loud action and dialogue, there are some serious elements to the story. Nattie's a thoroughly modern young woman and she wrestles with her need for independence. When Nattie and Jonce are together the sparks fly, and she worries about being drawn into his orbit and losing herself. Jonce, on the other hand, struggles with his urge to protect her from her own decisions. These problems play out in an entertaining "show, don't tell" fashion thanks to the effective character portrayal.

Christy Tillery French is strongly committed to the humane treatment of animals, and this theme is also played out poignantly in Show Dog. Don't be fooled by the fact that Chumley's got his papers -- there are plenty of animals that need rescuing and Nattie does her best for them all.

Just by chance I'm working my way backward through this series of three BODYGUARD books. I just hope that by the time I finish the first installment, there will be a new set of Nattie's adventures for my enjoyment. Don't miss out! Get your hands on these books and enjoy the fun.

Linda Bulger, 2008

"The Bodyguard and the Show Dog" by Christy French is a book that will entertain the reader for hours on end. The characters are easy to relate to and the plot (like most of Ms. French's stories) will leave the reader eager to read the next book in the series.

I am a huge fan and truly enjoy all of Ms. French's books. If you have not had a chance to sample any of her stories then this is the perfect book to begin with. You will quickly become a fan too!

I meant to post a review of this book when it first came out but I have been on location in France and haven't had the chance to get it done until now. For this Ms. French, I'm sorry. Better late than never, I suppose.

I enjoyed your new book very much! Keep them coming.

John Savoy
International Film Maker
California

Reading these essays which span more than two decades (early 50s to mid-70s), I am struck both by their craft and their antiquity. E.B. White wrote the book on writing, literally, with William Strunk; THE ELEMENTS OF STYLE remains the most useful and concise rule book for modern English exposition yet written, and White's CHARLOTTE'S WEB remains a childhood favorite for many. White was a master of the essay form, sparking a reader's interest in the subject at hand and cajoling further attention to the tangents and digressions which are an essayists stock in trade. He easily wends narratives which include broody geese, nuclear power stations, old dogs, oil tankers and mortality. His voice is plainspoken -- the viewpoint that of a person with deerhunters for neighbors, who enjoys the occasional venison steak, who roots for the deer in hunting season, and yet admits to shooting the foxes who kill his chickens. At the same time, his writing feels dated, rooted in an era when feelings were less admissible than ideas. His writing seems honest, but guarded, particularly after my recent immersion in Ann Lamott, a decidedly unguarded and modernist chronicler. Thus, I emerge from White's work impressed with his grace, language and fluidity, but disappointed in the gut. There are tales untold between these lines and I am left hungry. Old-school excellence, but aging fast.

What do you expect of tomorrow? "THE WORLD OF TOMORROW", perhaps the best known essay among his essay collactiond,"Essa of E.B. White". It contains thirty other essays organozed into seven sections.

The scene of "THE WORLD OF TOMORROW" is in New York in May 1939. White mentions "Tomorrow" remembering the World's Fair held there. The Fair's theme was also "THE WORLD OF TOMORROW", and there were the white ball and spire named the Tylon and Perisphere which were two landmark monumental buildings in the fair. Actually White had to visit there with a box of Kleenex...

At first, the road to the World's Fair is refered as the road to "Tomorrow". Through the street, he arrived at "the very threshold of Tomorrow". At the Fair, he made a few notes about what you may expext of tomorrow--In tomorrow, most sounds aren't these themselves, and we can't tallk back.

The New York World's Fair was filled with man's dream, and it's held 66 years ago! The more I read this book, the more I can be into White's world. His way to use metaphor is brilliant, and it makes me feel more comfortable. So, I really recommend you not only this essay but also his another collection.

I live on a small rural island in the Pacific Northwest, home to fewer than a thousand people in the winter, so I have a deep understanding of what E. B. White means when he writes: "Feeling ran so high that some people stopped speaking to each other--which is a form of discourse."

Lately, I felt the need for something calming in my life and, for the first time in years, I picked up a collection of E. B. White's essays. Reading him is like lighting a fire on a cold and windy evening. This man can write a sentence and create a sense of life as well as anyone I've ever read.

And no one ever wrote more heartfelt prose about barnyard geese.

This is such a marvelous book.

The sentences are simply perfect and the sense of wonder he creates makes this a text you will want to go back to over and over. A great gift for any literate person in your life.

Really great.

Twenty two of the essays appeared in THE NEW YORKER. White had candor. His piece on the death of his pig is masterful. He examined his own feelings and community reaction. The role of his dachshund, Fred, is described amusingly. It is no wonder White wrote so winningly for children.

In 1954 when he had no television he was looked upon as an eccentric. During Hurricane Edna radio worked people up to an incredible state of alarm. It seemed that no wick was available for the Whites' kerosene lamp. White has some gentle fun with mistakes of the exhausted radio announcers. Battered down was said instead of battened down, and unindated for inundated. There are two stages in the country of a storm. There is the period when phones and lights are still going, and then there is the stage when these cease to work. The storm itself did not seem long in comparison to the radio vigil.

He came to feel that living in New England in the winter was a full time job in itself. Another use of his time was having an enemy, the fox. Darkness was more insistent than the cold. Farming, even the kind pursued by the author, is infinitely complex. When the snow arrived early in 1971 White was cut short. The usual things were not done. It got so there was no place to put the snow after it was plowed.

In the city section of the essays it is noted that New York City bestows the gift of loneliness and privacy. In 1939 there were eight million people in the five boroughs. In Florida it appears that the sun and the lizard maintain the same schedule. The tiny spots of the fiddler crab's body enlarge during the daytime hours. To have a pointsettia plant at Christmastime in
Florida seems faintly ridiculous. Pointsettias bloom naturally in the yards. A small chameleon arrives with the Whites' tropical substitute for a Christmas tree much to Mrs. White's delight.

In 1923 the author kept a diary of his trip to Alaska. A ship, docking at Seattle, was to go on a journey for forty days. He had only forty dollars, enough to traverse the inner passage to Skagway, and so he went. The Buford, for some of the passengers, became a high class floating jail because although food and scenery were good, there was no escape. Youthful, White absorbed the vast scene of Alaska. This was a trip promoted by the Chamber of Commerce, but White's roommate was another odd man to the enterprise, a Laplander. He was a reindeer butcher, going to a job in Nome. When the boat reached Skagway White's ticket ran out. The captain came up with the idea of putting him on as a night saloonsman. His metamorphosis took the passengers by surprise.

WALDEN is not a well-liked book among White's acquaintances. Thoreau was torn by two desires, to enjoy the world and to set the world straight. He tended to write in sentences, and WALDEN is a collection of certified sentences. I have tried to give the prospective reader some notion of the enjoyment to be obtained from reading White's essays.

In this mosaic of stories, Lillian comes of age and matures beyond her years, almost against her will. With an alcoholic father and a fragile, flighty mother, Lillian, with her siblings, struggles with her troubled family, and yet they all fiercely love each other, flaws and all. While this isn't a conscious feeling, it does crackle beneath the surface and colors the actions of everyone. Lillian navigates a lonely path encompassing sexuality and a yearning to be free. With a crisp voice and a vivid portrait of Acorn Lake, Minnesota, "A Brief History of the Flood" waxes almost nostalgic as it nudges the reader through these various tales that deliver a surprising portrait of a family unbalanced.

The perfect choice for a book club looking for an undiscovered gem, this is a delightful read that is lean enough to consume in one sitting, or savor over a few days. It's a coming of age story told through the eyes of young Lillian Anderson, a girl growing up in the sixties in a small town in Minnesota. Chapters are short bursts of her life: her Mother's dramatic mood swings, her Father's alcoholism, first sexual experience, first job, first crush.All told with an honest intimacy that at times feels less like a novel, and more like someone's diary entries. Her heroine at times reminded me of Astrid in "White Oleander", and if that was a book you liked you'd probably enjoy this one as well. A well written, comfortable first novel.

This book literally found me (and I must say that I am really glad it did.) I am still unsure how this slim little gift of a novel made it into my hands, but according to the Amazon.com reciept, it is a gift from the author so I figured: What the hell, I'll read this and see what I think. So, I cracked open the cover and was wonderfully entertained right up until the end.

Lillian Anderson is a strong-minded, fiery, wise-beyond-her years-girl who tells the story of her family, her perpetually run-down house and her life in rural Acorn Lake, Minnesota. Lillian begins narrating the story at the age of eight and it continues virtually seamlessly, with Lily's steady hand on the pulse of her family until the age of nineteen. Lily's mother, Marion is a neurotic, manic depressive personality who always has some wierd project in the works. Jack, Lily's Dad, is an alcoholic but no one ever talks in such negative terms. Marion seems to be able to put a positive spin on everything that's wrong, even her husband's years of substance abuse. Oldest child, Randy, (age twelve when the book begins is the dyed-in-the-wool peacekeeper of the family. Mitzy, the middle daughter, seems to see her mother for what she really is and is very bitter about it. Mitzy has no trouble saying what's on her mind and even at ten years of age is tired of ignoring the pink elephant in the living room. I am amazed that Lilian seems to be the only sane one in the family and has learned, (certainly not through example) to take care of herself. She has learned to become a mother figure for the youngest, Davey who is too young to understand the extent of the chaos in the family.

I love coming of age stories and this one was a very good one. It reminded me very much of ELLEN FOSTER by Kaye Gibbons and AMY & ISABELLE by Elizabeth Strout. The writing and the imagery and the lanuage of A BRIEF HISTORY OF THE FLOOD were very high caliber. I will be watching for more from this author.

I wasn't bothered at all by the fact that this book was originally chopped up into several short stories. The stories came together so well and the novel made such an impact that I can't imagine it in any other form. Bravo to a wondeful new writer.

I concur with the opinions expressed by the other reviewers. I casually picked this book up at the library as part of a stack of summer reading. It's such a joy to start a book with no expectations whatsoever and be so tremendously satisfied. I am a bit puzzled, however, at the author's choice of the short story format. Why write a series of short stories and then package them together chronologically this way, so that the result is an "almost" novel? Because each story is meant to stand alone, there is some repetitiousness in certain descriptions of people and places--yet we are obviously intended to read them as a whole. I'd be interested to know whether the stories were written and/or published individually, and, if so, in what order they appeared. Are you out they Ms. Harfenist? Please enlighten us!

  A Brief History of the Flood is that rare book that can't be put down, and one you'll want to read again and again.  Like pieces in a jigsaw puzzle, each chapter fits together with a satisfying click to reveal an insightful picture of an unforgettable family of unique characters. Read the excerpt and I guarantee you'll be captivated by Harfenist's voice, wit, and the wisdom that comes with understanding how we all grow up survivors of imperfect families. If you liked Mary Karr's memoir, The Liars Club, you will love this book. It may be billed as fiction, but it has the unmistakable ring of truth. Ironically, A Brief History of the Flood turns out to be a life preserver--reminding each of us how our unique childhood journeys help determine our destination in the world, and how understanding the past can buoy us in the present.

The kids in my son's fifth grade class were all raving about this book, which was a miracle in itself, so I decided to read it for myself. I have to admit, I've been a big fan of Gina Gershon for a long time and it's hard to imagine her writing a kid's book. What a pleasant surprise! The book is well written, the story is clever, and the dialog is hysterical. The main character, Einstein P. Fleet, is a computer geek turned reluctant hero who faces the challenges of a monster theme camp run by aliens with a great sense of purpose and humor. My son has turned me on to a lot of new experiences --- reading Camp Creepy Time was one of them. Looking forward to the sequel.

Einstein P. Fleet has already logged hundreds of hours trying to blow the whistle on baddies. Through his popular blog, The Smoking Peashooter, Einstein manages to spread the word on all sorts of conspiracy theories, and he's even had a lawsuit pending against him since the fourth grade, all thanks to "The Wilson Incident."

Naturally, he questions his parents' motives for sending him to a remote summer camp for eight agonizing weeks, with no Internet access and a limited supply of Twinkies. From the moment he steps on the bus and sees every other camper in a monster costume, Einstein worries that perhaps this particular camp may be much more difficult to deal with than any normal one would be.

Unfortunately for him and his unsuspecting parents, his fears are well-founded...

Chock full of werewolves, vampires, mummies, giant spiders, and greedy mobster aliens, this book provides the same brand of entertainment as a classically cheesy monster film. Highly recommended for reluctant readers.

Reviewed by: Allison Fraclose

I got this book as a present and really had fun reading it. So much so, I ran out and bought 3 books, one for each of my nieces and nephews, ages 8-13. They loved it! We all had fun talking about the adventures of Einstein and his cohort. My 11-year-old niece really loved Roxie and has decided she wants to be an alien spy. I would recommend this book for anyone. We are all looking forward to the movie version to come out.

Every once in a while you come across a book that makes you laugh out loud. Camp Creepy Time is one of them. The main character, Einstein P. Fleet, is a lovable thirteen year old computer geek. You know, the kind of kid that rarely sees the light of day. His parents send him packing off to a monster theme camp smack dab in the middle of the Mojave Desert for the summer ---- which turns out to be merely a stop over on the way to being abducted and sold to an intergalactic monster zoo in another galaxy. The story mixes all types of elements from the science fiction genre and somehow manages to glue them into a cohesive, original plot. It's also funny and very well written, especially for a pair of first time authors. The book ends leaving the door open for a sequel, which I can't wait to read. I highly recommend this book to anyone with a sense of humor. You will be pleasantly surprised.

You simply can't go wrong with this wacky zany summer send-up. Einstein P. Fleet, a loner-nerd trapped at a hellish summer camp in the Mojave Desert, leads us through a wild storyline of escape, with monster costumes, vampires, werewolves and aliens all in the mix.

This fast-paced, well-written farce is a quick, irreverent, hilarious read for kids and adult-kids. Highly recommended. It's no surprise that Dreamworks has this story in script development....Can't wait for the movie!

For readers coming to Faulkner for the first time, or from having read The Sound and the Fury, the expectation is that his large collection of short fiction, some 900 pages in my edition, will be wall-to-wall southern gothic tales, post and ante-bellum stories of the south and its unique American culture. And indeed, in the Collected Stories there are tales of these aplenty. But refreshingly, Faulkner shows his great power as a writer by throwing a knuckle ball every now and again. There are a string of short stories in this collection which take place in the Great War and involve largely British characters (Turnaround). There is a story about aviators in the Great War (All the Dead Pilots). A story about homeless men in New York City (Pennsylvania Station) and even the writer writing of writers story (Artist at Home). Nothing is more refreshing to than to approach a writer the stature and reputation of Faulker, who made his bones in one type of literary fiction and realize that in addition to his well trodden paths he has range and depth of subject matter.

... if you like Faulkner. You'll enjoy the stories here; this is also a great starting point for someone just learning to appreciate the genius of this writer.

This short story is twisted, but that's why it's so great. The story is dark and gloomy, but it is really interesting. A Rose for Emily recounts the story of an eccentric spinster, Emily Grierson. An unnamed narrator details the strange circumstances of Emily's life and her odd relationships with her father, who controlled and manipulated her, and her lover, the Yankee road worker Homer Barron. When Homer Barron threatens to leave her, she is seen buying arsenic, which the townspeople believe she will commit suicide with. Faulkner based the story upon a true incident. The rose indeed was for his friend, Emily Grierson. In the story, the townspeople's points of views on Emily actually reflect the society's value at that moment to some extent. Emily feels that she is released when her father is dead.
However, I do not recommend this book if you might get scared easily. The ending might come as a surprise, but that's suspense. Go read it, if you like it a bit twisted.

As someone who read Flannery O'Conner before ever getting near Faulkner, I must say that he does hold his own with these stories. For better or worse, Faulkner will always be near the top of great American authors. I say for better or worse, because some people can be greatly turned off by his novels, and the difficulty in reading them. While I've been greatly critical of him in the past, I'm still trying to learn and understand his modus operandi. It's been a rewarding learning experience, but one that hasn't been without some exasperation.....I still like O'Conner better!

After reading "A Mule in the Yard," "That Will Be Fine," and "That Evening Sun" I was reminded of why this guy is one of the greatest storytellers ever. I know, his writing can be dense and even a times nearly unintelligible, but patience and concentration pays off with Faulkner. And his use of point of view is amazing.

This book is an outstanding resource for readers who devour mysteries. Heising's multiple ways of listing books (geographical, by profession, etc.) provides a wealth of information for the reader who is always on the lookout for a new author. I just wish there was a new edition! I wouldn't part with this one, though. It's always a good way to start on a new author.

This reference work is invaluable in finding mystery series by woman up to 1999 or so, when I bought my copy. However, it is now very much out-of-date and of little use on newer series/authors/titles. I keep checking to see if there's a Detecting Women 4, and can still hope, but possibly this one is the end of the line. What a shame!

This is a wonderful tool to keep track of all those mystery books on your shelves. This book offers a comprehensive listing of women's fiction mysteries. Books are listed by author and title. It is great way to see the order of books written in a series. There is also a check list where you can check off the book once you purchase it, and then check it after you read it. I like to make notations next to the books once I finish the book. Books that have been nominated or received awards are designated with a star by the title.

Watching the Detectives
How far has Sue Grafton gotten in her alphabet mystery series? What's the first book in Patricia Cornwell's Kay Scarpetta series? Who are writing books featuring bed & breakfasts?

As those who love reading mystery series know, it's difficult to keep track of the hundreds of writers past and present who have contributed to the mystery genre, which is why reading sleuths will love "Detecting Women," a guidebook to the distaff side of mysteries.

This handsome, large paper bound book lists more than 600 series and 3,400 books written by women. Each entry contains a biographical introduction with the title and year of each book, and notes if the book has been nominated for any awards. Editor Wiletta Heising has done an exceptional job of breaking down the information, providing extensive lists that break down series by year, occupation, geographic location and even pseudonym.

The brief biographies are gold mines of fascinating information that invites lengthy browsing. Here is where you can learn that Grafton's fictional P.I. Kinsey Millhone will celebrate her 40th birthday once "`Z' is for Zero" appears in 2009 (when Grafton will be 69); that Agatha Christie wrote 35 novels featuring Hercule Poirot, and 12 about Jane Marple; and that the largely forgotten Anne Katherine Green is considered the "mother of the detective story," and was a best-selling author nine years before Arthur Conan Doyle put pen to paper.

Purple Moon also publishes a pocket guide to help mystery fans track of their favorite series, and comes with a notepad useful for noting suspects, clues, and books desired. "Detecting Women" provides a welcome overview of the rapidly expanding mystery field, and can reintroduce readers to now-forgotten and obscure writers. It is nothing less than required, fascinating reading for mystery fans.

How many times have you discovered a new author and tried to unravel the sequence of the series? Publishers sometimes list previous books - provided they published those previous books. Or the author's work is neatly cited in alphabetical order. Great if you've picked up Sue Grafton, not so good if the author is Martha Grimes. Or only the books still in print appear.

I edit two mystery newsletters, one for a general bookstore. My readers want to know series order. Short of tracking all the mystery writers yourself (good luck!), DETECTING WOMEN-3rd Ed. is the very best thing. Willetta Heising also includes bibliographies to catch the fancy of the most fanatic fan - settings, characters, types, historical venue, pseudonyms, and award nominees/winners. The master list even has blank spaces to accommodate future titles.

There has never been a more comprehensive listing. I wouldn't/couldn't prepare a newsletter without it. This is definitely a keeper -- until DETECTING WOMEN 4 comes along!