Media Books
Related Subjects: Culture Jamming Anti-Channel-Logos Radio
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Eh...Review Date: 2008-09-21
old memoriesReview Date: 2005-04-23
i'm talking about the paperback here (librarry)Review Date: 2003-06-21
Reader Over 25Review Date: 2002-09-12
The Change is narrated by Tobias, one of the five humans who have the power to become any animal they touch, and one alien who was a survivor from a crashed spaceship. They, alone, are the resistence force for earth to halt a race of slug like creatures called Yeerks from taking over the bodies of billions of humans, then destroying what's left of the planet. Tobias is a boy who is trapped in the body of a red tail hawk, so different from the others in that respect. Why is covered in the short form at the start of the book, or full form in The Invasion. He spends his days either hunting for rodents or when full, has a lot of time to follow known Controllers (people who have a Yeerk living in their brain which completely controls the host body.)
When Tobias invites his fellow friend and Animorph, Rachel, out for a flight to look at some entrances to the Yeerk pool he's found (again, see earlier books in the series for the Yeerk pool), they find themselves flying in completely the wrong area, as if Tobias was lost. Although this bothers him, because he can't imagine how he lost his sense of direction, all thoughts turn to something else when they witness a pair of Hork-Bajir fleeing for their lives from other Controllers. To date, all the Hork-Bajir have been enslaved, so why they're being chased is a puzzle at first. The once gentle species was entirely enslaved because of their great physical strength and cutting blades covering their arms, legs, heads, and tails. As Marco put it "walking salad shooters." The realization strikes the characters that somehow these two Hork-Bajir might actually be free of the Yeerks which were inside their minds, and they rush to the rescue.
Unfortunately, saving and keeping two free Hork-Bajir from recapture is a grueling task. The Yeerks are willing to stop at nothing to get them back, throwing Taaxons (a giant centipede race with a nasty habit of devouring even their own kind, along with anything else), humans with Dracon beams, humans with ordinary guns, helicopters, vehicles, and Hork-Bajir controllers at them. Tobias brings in the rest of the group to help, and throughout the story, he finds himself places he didn't intend to be or has visions which help him along. Angry at being used, Tobias finally plants his talons and won't carry on until the person/creature who is using him reveals himself. The Ellimist proves to be behind it, and says he'll grant Tobias' greatest wish if he'll continue the mission. He would have done it, anyway, but now he hopes to be human again, giving him even more reason to carry on. Working with the Animorphs, he has to try and find a safe haven for the two peaceful, sweet, and somewhat dull witted aliens. I won't spoil the ending for those who haven't read the book, but as always, the story keeps itself together well. It has more action in it than the last book, being closer to Megamorphs #1: The Andalite's Gift in that regard. The ending is also well thought out.
This area is what I call my "older than thou" part of the review because I'm way over the normal age group these are written for. So why exactly do I write these reviews? Because I think it's a good idea to have a synapsis up if there isn't one, yet, and also to give a very different insight if adults are looking into what their kids read, looking for a gift, etc. (Much like the last book, there aren't any strong, underlying themes to this story (as there have been in others.) Tobias is, in many ways, the inner strength of the group, not letting self pity take control over him in spite of the tremendous amount of loss he's had to deal with. To use an old phrase, "when the going gets tough, Tobias keeps going." The character has to question himself in several places when the Ellimist keeps his "promise," and in doing so, has to do even more growing up mentally and emotionally. He asks himself if this was what he really wanted, and had he been tricked? The reader is left to decide that on their own, but the very ending paragraphs will tend to leave the reader with a smile. Overall, this is one has a lot of action, near escapes, and "grip the edge of your seat" scenes in it. Some of the books in the series get more introspective, others focus mainly just on a good, flowing story, and still others have more action than normal. Although this is a well written novel with a very good flow beginning to end, its one of the more action oriented ones, in my opinion. This is a good one if you want to skip books like The Secret where the reader is left to ponder age old questions which don't have answers (yet they will always still be asked by the human race) in favor of some hard hitting scenes of fugitives on the run and trying to beat all the odds which are against them. This is also a very important one to read for some of the future books in the series.
Great!!!!Review Date: 2004-08-26

Too many coincidences.Review Date: 2008-04-18
Only the most amazing book everReview Date: 2008-03-07
Moving and poignant bookReview Date: 2008-03-03
Wonderful Book!Review Date: 2008-01-22
Loved it!Review Date: 2008-06-07
Used price: $19.53

useful at times, but overall boring to readReview Date: 2008-05-20
Non-FictionReview Date: 2008-05-05
Along with brief episode descriptions and information there is a whole lot more fun stuff to be found in this look at the first couple of seasons of the tv show.
Informations on the various quips and references made by the characters, and also some quotable quotes will come in handy for fans, no doubt about it.
Plenty of other bits and pieces following the characters and their relationships.
Good stuff.
Great resources, but...Review Date: 2008-04-26
Not the best, but a must have for any avid fanReview Date: 2004-05-25
This has an excellent array of quotes from seasons 1 and 2(which is what this book covers). It also has pretty good episode reviews, with some deleted scenes usually showing up along with some unknown facts.
But it also has some information that I found boring, which included a tour of Sunnydale.
But on the whole, not to bad of a book.
Pretty interesting though a bit lightweightReview Date: 2003-12-06

Such a fun book!Review Date: 2008-10-01
Cute bookReview Date: 2008-09-30
Wow what a big book!Review Date: 2008-09-29
My 20 year old daughter won't give up her copyReview Date: 2008-09-10
***HUGE****versionReview Date: 2008-08-26

Excellent look into front line VietnamReview Date: 2008-06-06
Well written and engrossingReview Date: 2008-06-03
Real life accountReview Date: 2008-05-29
A must read to understand the war and its effects on our soldiers.
Remebering Vietnam - A Review of "A Rumor of War"Review Date: 2008-05-25
Caputo's recollections of his time as a Marine in Vietnam are filled with anger and sorrow at the misbegotten policies promulgated in Washington and carried out with disastrous results by General Westmorland and his subordinates. The author makes it clear in his introductory remarks how he felt and feels about that war and the impact that it had upon him and his comrades in arms:
"Beyond adding a few more corpses to the weekly body count, none of these encounters achieved anything; none will ever appear in military histories or be studied by cadets at West Point. Still, they changed us and taught us, the men who fought in them; in those obscure skirmishes we learned the old lessons about fear, cowardice, courage, suffering, cruelty and comradeship. Most of all, we learned about death at an age when it is common to think of oneself as immortal. Everyone loses that illusion eventually, but in civilian life it is lost in installments over the years. We lost it all at once, and in the span of months, passed from boyhood through manhood to a premature middle age. The knowledge of death, of the implacable limits placed on a man's existence, severed us from our youth as irrevocably as a surgeon's scissors had once severed us from the womb. And yet, few of us were past twenty-five. We left Vietnam peculiar creatures, with young shoulders that bore rather old heads. . .
This book is partly an attempt to capture something of its [the war's] ambivalent realities. Anyone who fought in Vietnam, if he is honest about himself, will have to admit he enjoyed the compelling attractiveness of combat. It was a peculiar enjoyment because it was mixed with a commensurate pain. Under fire, a man's powers of life heightened in proportion to the proximity of death, so that he felt an elation as extreme as his dread. His senses quickened, and he attained an acuity of consciousness at once pleasurable and excruciating. It was something like the elevated state of awareness induced by drugs. And it could be just as addictive, for it made whatever else life offered in the way of delights or torments see pedestrian." (Pages xv-xvii)
Caputo's last comments in the section just quoted seem to be eerily in keeping with the themes of the stunning films, "The Deer Hunter" and "Apocalypse Now."
In one of the most gripping passages in the book, Caputo recaptures the spectrum of emotions he felt during a helicopter assault - running the gamut from fear to courage:
"A helicopter assault on a hot landing zone creates emotional pressures far more intense than a conventional ground assault. It is the enclosed space, the noise, the speed, and, above all, the sense of total helplessness. There is a certain excitement to it the first time, but after that it is one of the more unpleasant experiences offered by modern war. On the ground, an infantryman has some control over his destiny, or at least the illusion of it. In a helicopter under fire, he hasn't even the illusion. Confronted by the indifferent forces of gravity, ballistics and machinery, he is himself pulled in several directions at once by a range of extreme, conflicting emotions. Claustrophobia plagues him in the small space: the sense of being trapped and powerless in a machine in unbearable, and yet he has to bear it. Bearing it, he begins to feel a blind fury toward the forces that made him powerless, but has to control his fury until he is out of the helicopter and on the ground again. He yearns to be on the ground, but the desire is countered by the danger he knows is there. Yet, he is also attracted by the danger, for he knows he can only overcome his fear by facing it. His blind rage then begins to focus on the men who are the source of the danger - and of his fear. It concentrates inside him, and through some chemistry is transformed into a fierce resolve to fight until the danger ceases to exist. But this resolve, which is sometimes called courage, cannot be separated from the fear that has aroused it. Its very measure is the measure of that fear. It is, in fact, a powerful urge not to be afraid anymore, to rid himself of fear by eliminating the source of it. This inner, emotional war produces tension almost sexual in its intensity. It is too painful to endure for long. All a soldier can think about is the moment when he can escape his impotent confinement and release this tension. All other considerations, the rights and wrongs of what he is doing, the chances for victory or defeat in the battle, the battle's purpose or lack of it, become so absurd as to be less than irrelevant. Nothing matters except the final, critical instant when he leaps out into the violent catharsis he both seeks and dreads." (Pages 277-8)
Caputo's thoughtful and passionate recounting of the growing up that he did in the cauldron of Vietnam added to my understanding of what many of my generation experienced as they fought in Southeast Asia and returned to a country that had grown sick of the fighting. As our nation once again wrestles with combat fatigue and the questions of when to withdraw and how to withdraw from Iraq, I am grateful that this time around - unlike the situation that existed in the late `60's and 70's - even those who oppose the war have not showered those returning from the Gulf with opprobrium. They desire our admiration and our gratitude.
Thanks Kyle, for recommending this book, and for your continuing service to our nation.
Al
Caputo wasn't much of a marineReview Date: 2008-05-31

*tear*Review Date: 2008-09-19
Amazing BookReview Date: 2007-10-25
Well,the book was about this girl that's an animorph and her name is Cassie. She got tired of doing missions,so she quit her job on being a animorph. But that was not the biggest problem,the biggest problem was that a human-Controller named Karen followed Cassie everywhere. She knows that Cassie is an Andalite or human. If she tells her friends they will kill her because that's what Yeerks do to Andalites. They been in war for a long time. In story it also says that Karen followed Cassie and when she tried to spy on her she got attacked by a bear and Cassie saved her from being killed
Then they got stuck in the forest for a long time and then Cassie realizes that inside of Karen was a little girl with feelings. So she decides not to tell hey friends about Karen so they don't kill her.
BY:SELENA MARTINEZ RM:230
Amazing BookReview Date: 2007-10-25
Well,the book was about this girl that's an animorph and her name is Cassie. She got tired of doing missions,so she quit her job on being a animorph. But that was not the biggest problem,the biggest problem was that a human-Controller named Karen followed Cassie everywhere. She knows that Cassie is an Andalite or human. If she tells her friends they will kill her because that's what Yeerks do to Andalites. They been in war for a long time. In story it also says that Karen followed Cassie and when she tried to spy on her she got attacked by a bear and Cassie saved her from being killed
Then they got stuck in the forest for a long time and then Cassie realizes that inside of Karen was a little girl with feelings. So she decides not to tell hey friends about Karen so they don't kill her.
The DepartureReview Date: 2002-12-23
Definately the Best Cassie and In the Top Animorph category!Review Date: 2004-08-25


So B. ItReview Date: 2008-07-30
Okay, that was lame. But, 'So B. It' is an amazing novel, especially to read to classrooms of YA readers. Even some guys I know have read the book and liked it!
'So B. It' is an exceptional book and I would recommend it to anyone. It's a short, quick read, and is definitely worth your time.
BeautifulReview Date: 2008-07-25
Such a Great BookReview Date: 2008-06-23
Brigett's ReviewReview Date: 2008-04-16
So I thank you should read this book If you like mysteries. It is the best book in the world!!!
A amazing bookReview Date: 2008-03-28
But then Heidi won money from the slot machine. She also wanted to find the meaning of soof and she did by communicating with Bernadette on the phone. She was also trying to find out about her past and she used to ride the bus to where her mother used to go.

BINGOReview Date: 2007-10-26
I was overjoyed to read this book and discover that it would be a love story again, but this time with a compelling conflict in the background to sustain it. It was, in my opinion, even more believable and touching than the first romance in Magic's Pawn. Besides the romantic points, the book had mystery and intrigue, brilliantly shaped characters, and heroic and heart-wrenching moments of joy, sorrow, pain, and love. To top it all off, the character arcs of virtually all of the major players in the series are concluded nicely, even though not all end happily.
My gripes with this book are mostly picky details. For instance: a villain who is only a threat when the plot demands it, but who backs off when the characters need time. Along those lines: Benevolent creatures who just happen to show up out of nowhere in a time of need (think eagles in Lord of the Rings and The Hobbit). But it's still, hands down, the best of the series, and well worth the journey.
The price of MagicReview Date: 2007-10-09
In the final book,Vanyel is older,wiser,and still dealing with his grief from losing Tylendel. He has had many lovers,even fathering children with women despite his own attraction to men. Tylendel is his lifebonded. Mercedes Lackey solves the problem of Vanyel's loneliness with Stefen,a Bard with the power to sing away pain. Stefen is young enough to be Vanyel's son,yet he is Tylendel reincarnate (though Tylendel was slightly older when they first met) Stefen's courtship of Vanyel is at once romantic and humorous. The rarely humored Vanyel finally laughs,finding love in the process.
However,tragedy darkens their blissful world. Vanyel's beloved Aunt Savil is murdered,as are other Herald-Mages. Vanyel is brutally gang-raped. While the villain is vaguely defined (a common problem in Lackey's writing),Vanyel gives the final battle his all. In the epilogue,however,Lackey shows that death does not have the last word.
When Mercedes Lackey created the character of Vanyel,she said she intended for him to be gay,connecting it to him being the Last Herald-Mage. Though he has fathered children,he dies without heirs of his own and a family. He finds love with Stefen,who mirrors himself at a younger age;paradoxically,Vanyel sees him like his father,and emulates his mother. In some ways,Vanyel drowns in his own image like Narcissus,yet in the end he is redeemed through his ultimate sacrifice. In the beginning,Vanyel was a vain peacock;in the end,he is the fiery phoenix.
An Utterly Engrossing Series!Review Date: 2007-03-31
This trilogy gave me a great deal of inspiration to push on with my own fantasy aspirations. I owe Misty a big hug if we ever meet face to face. I highly recommend these three books. Whether you're gay or straight, you'll find them an excellent read and, like me, you'll be sorry to reach that last page.
Best and worst of the trilogyReview Date: 2006-02-27
I tolerated the first two because of the tasteful use of "fade to black" before any love scenes. This one goes into more detail -- though still tame by "romance novel" standards.
The worst was the depiction of a gang-rape. Uncomfortable to read.
The hero was still too moody and sulky for me and too dense to see the good in his life. Also, too careless in some very important decisions.
A reasonably satisfying ending.
I'm glad I read it. I will not be recommending it to my children, however.
Excellent!Review Date: 2006-01-20

childhood favoriteReview Date: 2008-02-28
A heartwarming book for all ages.Review Date: 2007-12-28
A Fairytale you'll want your kids to readReview Date: 2007-08-25
Every child should read this bookReview Date: 2007-08-31
M.M. Kaye's The Ordinary Princess: Ordinary and Fantastic in Delightful HarmonyReview Date: 2007-11-14
One may know the story of the servant girl who gets to go to the ball, the story of the beautiful girl that falls in love with the beast, the princess that is finally awakened by a kiss from a dashing prince. But, it is quite possible that one may go half of her life before ever hearing the story of another girl, a princess in fact, who was born once upon a time in a land called Phantasmorania. She was christened Her Serene and Royal Highness Princess Amethyst Alexandra Augusta Araminta Adelaide Aurelia Anne--a name fit for the most beautiful and exraordinary princess in all the land. Special gifts were bestowed upon the baby at this christening celebration by the magical fairies of the land. All seems to be heading straight for happily ever after until the last fairy bestows her idea of a gift on the princess: "You shall be ordinary!" The kingdom is turned upside down. An ordinary princess?
The king and queen may consider this gift a curse indeed, but it is what makes the story so endearing to readers. Traditional views of what makes someone noble and special are tried, especially what makes a woman beautiful and of worth. In a classically fairy-tale setting, a mythical land ruled by Oberon, king of the fairies, new-age ideas are considered and ultimately proven plausible. M.M. Kaye's story, The Ordinary Princess, is a refreshing new take on classical fairy-tale stories that enamors readers with its relatable characters all the while enchanting them with a somewhat fantastic plot and imagery. Because Princess Amy is so believable, readers are better able to walk along side-by-side with a princess and vicariously experience all her adventures instead of gazing longingly from afar.
Kaye's story brings ordinary and fantasy into beautiful harmony: it is what makes this story the most enchanting fairy-tale you might've never heard of. It's never too late for this kind of magic.
A princess is supposed to be fair, with hair golden, skin like wild rose petals and cream, and eyes as blue as larkspurs (3). A princess is supposed to be graceful, well-tempered, always behaving with the utmost dignity and poise. Kaye characterizes all six of Amethyst's sisters by nothing more than this description of what a royal princess should be. But, because of the gift bestowed on the little princess to be ordinary, Amy, as she was thereafter called (for "what could be more ordinary than that?"), is hardly those things at all (21). Amy was much more like us: she was imperfect. She had a stubbed-nose, freckles. She was gawky and had the "distressing habit of standing with her feet apart and her hands behind her back" (22). Already, an ordinary audience has come to relate to this ordinary princess. The audience can relate to physical imperfections, but the audience is inspired by the way Amy reacted to her imperfections and lived her life. It wasn't that Amy never was discouraged. Indeed, no. This facet of character makes her all the more relatable, realistic. But, she was optimistic about looking at things though and she enjoyed life, trying to look at the bad in a positive light. Amy was such an ordinary sort of girl that she would sneak out of her window to play in the Forest of Faraway. It is easy for the audience to like Amy for themselves and it is natural for them to empathize with her, but the people in the kingdom don't seem to like Amy and her manners very much at all. The reader finds acceptance and an embracing of his imperfections through the character of Peregrine, the "man-of-all-work" she meets a neighboring kingdom. He grows to love her for her ordinary self and her ordinary habits. She is not timid and delicate like a princess is expected to be and he loves her and all of her "imperfections," without even knowing that she is a princess. It is human, it is ordinary, to want to be loved for what we really are and Amy and Peregrine's story gives the reader hope that it can happen.
Their relationship manifests the harmony of the ordinary and the fantastic that Kaye uses to enthrall readers. Amy meets him in a very casual setting and they decide that they would like to be friends. They talk as friends. They are informal and playful in their dialogue. One day, when they are lounging in the forest as they often liked to do, he talks of having seen the princess that had come to visit the king of this far away kingdom where Amy had runaway and where she met Peregrine. She asked him, "What's she like?"
He answered her, "Like a princess." She didn't like this answer saying that it was silly, so she threw a blackberry at his nose. That's not the sort of thing Cinderella would do but it seems an ordinary thing for a modern girl today to do. Their conversations are full of silly, friendly dialogue and they almost always end their rendezvous walking hand in hand and laughing together. But, the fantastic part about it is that they truly love each other. This ordinary relationship turns into something real and something that can last. Even when the plot takes an unexpected turn, they still live happily ever after together. The coming together of the ordinary and the extraordinary in their relationship uplifts the ordinary reader, giving him or her evidence that fantastic is in the realm of possibility.
In addition to character development and plot in bringing a refreshing harmony to the work, M.M. Kaye cleverly and naturally manipulates simple, every-day words and assembles them in an enchanting way that creates the sweet, lovely undertone of the entire work. Instead of using extraordinary, sophisticated words to describe the beauty of a baby, she says simply, "she was as pink and white and gold as apple blossoms and the spring sunshine." In these simple words, the reader receives almost an entire idea of what this baby is like because the reader is able to imagine the softness of the babies skin like the petals of the blossom, the babies sweet smell like the scent of the blossom, and the warmth of the babies skin like clean spring sunshine. Kaye takes advantage of the readers' minds ability to make relationships to words and bring up images without the image being explicitly laid-out by the author through unnecessary wordiness. The images that Kaye creates using such simple words are so brilliant that it would seem that she were a fairy herself. Because she uses this simple diction to color her piece, all, young or old, are able to read her story as if it were meant for them, gleening from it what their mind imagines all on its own.
Even the illustrations that enliven the pages of Kaye's fairy-tale are enchanting. The simple and sometimes amusing black and white line drawings add a childlike intrigue to the book. The images look simple enough but they are beautiful and oftimes delightful caricatures of the people or the situations Kaye is describing, adding to the humorous, casual, friendly aspect of The Ordinary Princess.
This story is attractive to modern audiences because of the idea that what is traditionally valued by society is not always the most valuable thing to have. What Amy lacked in beauty and elegance, she certainly made up for in warm, gentle kindness and friendliness. Amy, like other fair-tale princesses, was so gentle that she had animal friends that kept her company, a crow and a squirrel. She was able to look past herself and think of others because she was not caught up in her appearance. She was straight-forward and sometimes rambunctious about the way she did things, something contrary to the traditional idea that a woman should be demure, and in this way attracts the modern reader whose idea of woman may be different. This story has the fantastic, enchanting aspect of a fairy tale but because Kaye chose to combine that with the ordinary aspect of humanity, it can attract and resonate with a wider audience.
The title of the book itself, The Ordinary Princess, brings too dissimilar things, ordinary which connotes mundane or down-to-earth, homely and the idea of a princess which is basically everything extraordinary, beautiful and noble and sophisticated. The title intrigues readers because of the juxtaposition of these two seemingly paradoxical ideas; the reader may question or dare to hope that these two characteristics aren't so contradictory after all. As the reader turns the pages of Kaye's tale, absorbing the character of Amy, the fun and childlike humor of the dialogue and the characters, and the mesmerizing illustrations one comes across every so often, they are increasingly enchanted with the idea that fantastic is in the realm of possibility. Amy is loved for her ordinary self. Being true to one self is more important than living by society's norms and that is when happily ever after can really happen.

Glad I Found It AgainReview Date: 2007-08-17
A childhood memoryReview Date: 2007-02-02
GREAT!!!!Review Date: 2006-05-19
Amazing bookReview Date: 2006-04-25
It is so sad and sweet and touching, and I really good book.
best bookReview Date: 2006-06-28
Related Subjects: Culture Jamming Anti-Channel-Logos Radio
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