Art Books

This book is excellent on several levels. It is an extremely useful way to approach sitcom scene analysis through eight archetypal characters, and it has the added bonus of being both funny and fun. I mean, how often does a book help you to become a better bastard? Great for writers and actors - this book is an important resource if you are passionate about sit coms.

The book provides an excellent resource for anyone writing comedic material, whether sitcom based or not. These characters are timeless.

I was so impressed with this book. It is written mostly for actors, but is a gem for writers as well! This guy breaks down comedy like nothing I've ever seen.

Buy the book. It really is worth every dime - and no, I don't know the guy.

As an actress and a writer, I was thrilled that this book helped me out in both fields. You get great ideas and inspiration for characters to write, as well as great tips and tricks for acting out very specific characters. It's also fantastic how the author talks about "types" of actors and characters and knowing yourself well enough to know who you will pull off well. Which I think applies to more actors than we actors would like to admit... I found myself discovering things about myself, not only as an actress, but as a person, which can only help in my portrayal of certain characters! Great read!

The "Eight Characters of Comedy" by Scott Sedita was absolutely fantastic! The book was incredibly informative to a writer and an actor, but also gives the audience/reader such an insight to how tv shows and film are created. It's a wonderful book. I recommend it to all!

This is the absolute book for every engineer who wants to be the leader. This is a very good handbook of daily need. I suggest each one of you to buy this without any doubt.

This book is a great tool for engineering students and expeienced engineers alike!

This book is a newer version to the one my father lent me while on my first internship. I recommend this book to any engineer, since you can find all the formulas you might ever need all in a nice pocket size book.

This a must have for all engineers, it contains the simplest to more complex formulae required for day to day engineering calculations & design.

The fun thing about this book is that it has everthing you learned (or should have learned) getting your Engineering degree. It's all there! It usually takes some time to sort thru what all the vaiables mean, and often you have to flip between look up tables, but it is so charming to find EVERYTHING in one spot in a book so small you can carry it in your front pocket.

Reading all the praise here, I was pretty anxious to receive this book, EVERYTHING YOU EVER WANTED TO KNOW ABOUT CARTOONING BUT WERE AFRAID TO DRAW. I expected to get inspired and learn techniques in writing and drawing I had not perhaps even considered before. In this respect, I can't hide my disappointment. I had not read for long before I realized that what this book had to offer would not be of much use to me. I am a self-taught cartoonist, I've been doing comic strips my entire life and all the advice this book provided I found to be completely obvious; not without relevance, certainly, but I didn't purchase this book to be told that "monsters get more effective if colorized green," or to study the contrast between a happy face and a sad face. Also, the drawings used to represent the points in the text are just about as stereotypical as they can get; I'm not saying I expected it to do the process of creating original characters and ideas for me, but in a book of this kind I find it of invaluable importance that the author is able to really inspire the reader to go ahead and make something good. After all, we've got HI AND LOIS and U.S. ACRES already, or what?

However, if you have just discovered that you got a knack for drawing and want to try it out as a cartoonist, but need guidance in the (very) main rules, this is a good book. If you have been part of this medium for a while and seek new opportunities to get inspired or learn new tricks, try elsewhere. Your own mind for instance.

I love how Christopher Hart really delves into the hard things to draw. Like hands and feet and expressions. This is a wonderful art resource. The pictures are fun and will help you generate many of your own ideas.

This would make a great gift!

I have never done any kind of drawing other than when I was 8yrs old for fun. I wanted to learn how to draw cartoons and this book was my first purchase on my road to drawing.

I thought the instruction was simplified for the beginning artist like me. I am very visual and so I was pleased with the tremendous amount of examples included. I also thought that the lay-out of instruction was helpful, step by step.

Over all this book was very helpful, to the point, and interesting to read. Christopher Hart kept my attention while teaching me the basics of cartooning.

thanks

Before I finished my third book I decided it needed cartoons to visually explain some ideas (a picture is worth 1000 words) and provide humor to a tough subject. I started checking with hiring a professional artist (or student artist) to do the work. It quickly became clear the task would be time consuming, expensive and I may not get what I wanted in the end.

First, it would be difficult to find someone who would be able to take what was in my mind and transfer it to a cartoon

Second, it became painfully clear it would be expensive (even with a student artist). I wanted around twenty five cartoons drawn.

Third, some individuals wanted to discuss contracts and usage.

My best option was to learn how to draw cartoons myself. I figured it would be less expensive (only the cost of books and art supplies), and frustrating and I would get exactly what was in my brain. It would take some time to become proficient, but it sounded like a fun project. I was fortunately right.

Everything You Ever Wanted to Know About Cartooning but Were Afraid to Ask by Christopher Hart and a couple other books helped me learn how to draw cartoons good enough to put in my latest book.

Christopher Hart has done several books on drawing comics. He provides excellent common sense content, and teaches the skill very well though his words and cartoons.

Some the sections that I found especially helpful were: Expressions, How to Draw Hands, The Art of Character Design, Body Types, Principles of Layout, Layouts from a Distance, The Special Effects Lab, Explosions and more.

After finishing my sketches, I used Adobe Elements software to polish up the work. I was very pleased with the final cartoons that went into my book..and there have been many positive comments about them from people who have the book!

Overall, this is a great resource for learning to draw cartoons!

The Re-Discovery of Common Sense: A Guide to: The Lost Art of Critical Thinking

Drawing on the Funny Side of the Brain : How to Come Up With Jokes for Cartoons and Comic Strips

The Cartoonist's Workbook Drawing, Writing Gags, Selling

Far more detailed than the How to Draw Cartoons book by this author. There are examples of heads, eyes, noses, mouth, hands, and many other elements in good detail.

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

Beautiful! It's hard to believe these are all fabric, truly. Very inspirational! I doubt I'd ever be able to make one of my own but it's wonderful to have on my coffee table and druel over from time to time. Wonderful book!

How does she do it??? It is hard to believe the dolls won't get up from the page and talk to you. They are alive. Kudos to Lisa. This book does not disappoint.

Figures in Fabric is inspirational! The creations of Lisa Litchtenfels are truely exceptional works of art which are beautifully presented in this book, a definite "onshow" publication that will never go on a bookishelf or in a closet. A book to drool over again and again for inspiration and creativity, though I doubt anyone can measure up to her realism and vision. A must for any dollmaker to have in their library.

I bought this book to learn how these amazing figures were constructed but was even more surprised when my husband "borrowed" it from me as inspiration for figures and the human form for his drawings. I haven't seen the book since!

What an amazing author therefore an amazing book. The talent of this woman and the passion she has is very inspiring and to think they are done in fabric. I am in total amazement.

Wonderful is too weak a superlative to describe this book. Written in a factual style and incorporating historical events such as Peary's trek to the North Pole, it is one of the most delightful stories about Christmas ever written. There is also a detailed account of the land expedition by Will Steger, the only man to actually see Santa's village at the North Pole.
The chapters are:

*) The reindeer by the river: It was a wondrous thing. In which the author tells of his search for the true Santa Claus.
*) The echo of hooves: Searching for yesteryear's reindeer. In which Santa's history is detailed, past adventures are recounted.
*) The North Pole today: On the roof of the world. In which the kingdom is visited, the elfin life is described.
*) The miracle of reindeer flight: Mysteries explained, science revealed. In which the way he does things he does is discussed.
*) Eight tiny reindeer (Plus one): Santa's starting team and his helpers. In which a host of heroic animals and people are met.
*) Like down on a thistle, evermore: Work that never ends. In which the future of Santa Claus and his mission is pondered.

The spirit of Santa Claus within the concept of Christmas is a powerful one, in this book you can capture some of that spirit and appreciate the strength of the man and his mission.

I have this book, with some handwritten annotations. The author got a couple facts wrong, but then I used to be in the Air Force, worked in many. many different command posts and operational centers, and well somethings are still classified. Some good guessing and all!

Cute book, I love it, my husband, a "Santa Helper" loves it, our teens liked it (really!) and the few copies I have given as gifts were very well received.

If you have older kids this is a great book.

I have the movie with Bridges and Thomas and I love it. It is called "The Christmas Secret" it is suppose to be taken from part of the book "Flight of the Reindeer" I don't know if that is true or not. Because I did not buy the book yet.

There is a Santa Claus! This is an amazing book, written in documentary style about the existence of Santa and his reindeer. It is a delightful addition to anybody's coffee table at Christmas time or any time. I really love his description of how he found Rudolph, and how he guided the team that one year, a small reindeer with a big heart. The description of the reindeer's year is fascinating!

This book will warm the hearts of Virginias everywhere. Yes, there is a Santa Claus!

I found this a long time ago in a bargain bin for $2. I *love* this book--it's one of my all-time favorite books. Although I haven't put up a tree in years, it's now a tradition to read this book every year. It puts me in the Christmas spirit--and adds realism, proof and perspective to the Christmas mission.

Buy it and make your own family tradition.

Brilliantly photographed. The sheer joy of yoga shows on all of the little faces. I plan to use it as a teaching tool and hope my little yogis find joy in my classes.
Namaste

"Fly Like a Butterfly" is truely exhilarating and simply FUN! The photos are absolutely beautiful.
I have nine nieces and nephews and practice yoga with them weekly. They LOVE the "Frog". Because of your book we have a new found love.... YOGA!
Thank you Shakta for bringing "Children and Yoga" into my life.

This book is great! I like to do a lot of fun things with my kids and this book helps me to "instruct" the under 3 crowd in my house. The kids love it and everyone laughs when we do it! A definite must buy!

This was my first children's yoga purchase which I still use today when teaching young ones. This book gives many different stories to tell as you are teaching children to move their bodies and breath within the poses. A great tool for educators and parents of children preschool through elementary age.

Out of three Children Yoga books I bought off of Amazon, this was far the best! it gave me a lot of ideas to work with and was able to build up a lot of lessons to teach the children. Children love the chanting meditaions and acting like the animals in the jungle story.

I thought this book was written by someone who owned a restaurant in Mexico, but was pleasantly surprised to find out the location was in Austin Texas. This book consists of recipes that are on their menu inspired by authentic Mexican connoisseurs like Diana Kennedy and former head chef Roberto Santibanez who now owns the New York based Mexican chain Rosa Mexicanos. Having lived for years in Mexico this has taken me back to the culinary culture that I love and miss dearly. The artwork that hangs in the restaurant is beautifully displayed as is the history. This is definitely a go to book since the recipes are right on to what I remember in Mexico. Definitely worth getting, but remember this is an authentic Mexican cookbook and not a Tex Mex cookbook.

I do not cook- until now. We visited this restaurant in Austin and were so impressed by the beauty of the location that when I went home, I went online and purchased the cookbook. My only intention was to be an "armchair cook" until I read how easy most of the recipes are! I'm shocked to say it, but everything has been easy and delicious. Try it, you'll love it.

This book is a must for every Mexian food lover and art. I have attended a cooking glass by them and have eaten brunch at their restaurant. Absolutely fantastic. The almond flan is superb and very easy to prepare in a blender. The chicken in banana leaves is also a standout. Recipes are fairly easy to understand and prepare, it just takes a bit of time.

Beautiful pictures, great recipe. Perfect for a table book, not just a cookbook.

The cookbook Fonda San Miguel: Thirty years of Food and Art seems to be one of those titles you see from time to time, when an established restaurant puts together a collection of recipes and a publisher hopes that name recognition will move copies. But open the cover, try some of the recipes, and you find a culinary gem.

Fonda San Miguel is a well-regarded restaurant in Austin offering Mexican cuisine. Author credits are co-founders Tom Gilliland (runs the front of the house) and Miguel Ravago (the chef) as well as "text by" Virginia B. Wood, whom is an Austin writer. The foreword is by noted Mexican cuisine expert Diana Kennedy, who apparently is a friend of the founders and whose work has inspired some of the dishes.

From first glance, the book is visually sumptuous: all color photography of the recipes and art in the restaurant with attractive design, hardbound. And here comes the first of my few quibbles: even though the publisher, Shearer Publishing, may have bought the rights to the photography, or even done it in-house, it should have given full credit to the people responsible for the actual photographic and food styling work. There also should have been better photo editing; I noticed a few out-of-focus images, one of which seemed planned and appropriate although the others looked like mistakes.

The recipes, though - marvelous. I tried four for a family dinner: guacamole, Sopa de Elote (a smooth corn soup served with roasted chiles and cheese), Adoba Sauce (pork marinade made with ancho chiles, garlic, cumin, cinnamon, cloves, and black peppercorns), and Comote Y Piña (baked sweet potato puree with pineapple). The results were uniformly excellent. Unlike many cookbook recipes, I found that I could use each of these without modification or even adjusting amounts, which is pretty rare. I do wish that when a recipe referred to a preparation or technique elsewhere in the book that there was a page number associated, but, again, I did say quibbles.

The book originally came out in 2005, which does have me wondering why the PR firm that sent the copy is promoting it now, but it's nice to see that someone is taking an active interest in promotion this excellent volume.

This story is so exceptional and wonderful!!! I read the book loaned by a New Zealand friend and loved it so much that I purchased it in N.Z. It has now been loaned to friends here in the U.S. and in turn they have passed my copy on to others. I have just finished buying a 2nd copy.

After reading this book I felt two things, the first being emotionaly drained, and the second so humbled. I cried when he cried and laughed when he laughed. The thing that struck me most was that any other person who would of gone through what he did what of been so bitter and sad, yet you really did believe that he considered himself fortunate. The way it which he meets his wife will warm even the coldest heart. A truly beautiful book

As a young Australian, reading this book reinforced the hardships the early Australians had to put up with. This is an amazing and inspirational story about a young mans life that had to put up with the hardest upbringing and the Gallipoli campaign. Even at the end of his life he was still able to call it fortunate. Its a great read for anybody.

When this book was first released, I saw that it had won a State Award (NSW Premier's Award). So I picked it up and started reading. I couldn't put it down. I bought it, read it and couldn't stop praising it. I was SO impressed that I bought 25 copies to give to friends for Christmas.

Bert Facey, the man that this book is about, speaks to you from the book as your grandparents would tell you a story whilst you sat at their knee.

It is beatifully told. Such courage in adversity, stoic in enduring pains, the love he shows to his family.

I wish I could tell you more; but I belive that reviews that tell you about a book ruin the story.

It has my highest recommendation! A must have book, to read again and again.

The author of this book was approached in old age to talk about his life. From memory it was because of some form of literary grant or a history project. However what was said was of such quality it was transcribed into a book and became a huge seller in Australia.

The author grew up in Australia around the time of Federation. He was abandoned by his mother and from an early age did tough farming work in Western Australia at the time pasture land was being cut out of the forests. His work involved ringbarking trees and then clearing them. He worked for a brutal man and his early life is enough to make anyone cry.

He served at Galliopoli and was injured by a trench collapse. This restricted his ability to do farm work and after the first world war he worked as a tram driver and later owned a poultry farm.

One of the most touching things about the book is the quality of its author. Despite the worst hardships imaginable not one bitter word comes from his mouth. His view of his life was that it was fortunate despite being the victim of countless acts of cruelty and abandoment.

The book is a classif of life in early Australia and if there was justice in the world it should never go out of print.

At school my whole class read this book for read aloud! It was a very good book. Frida was very good at art. She had five sisters but it seamed like they didn't pay attention to her! She was always lonely and she was bored.But atleast she had Imaginary friends to comfort her. One day she got in a horrible bus accident! Read this book to find out how Frida turned out after her pain. Reccomended for people who may want to learn how to turn pain into beauty.

I own the Spanish version of this book, and I love it. So do all my students - I teach Preschool Spanish (ages 3-6). My 5 year old daughter is an artist and she loves the vivid colors and imaginative characters that follow Frida through her life. The children I teach do not know Spanish, but they are able to look at the pictures and understand the story. They regularly request this book and enjoy looking for the 'spooky' characters.

My son and daughter could really relate to another person's life thanks to this well-written and cleverly illustrated book. Frida was, as they are now, someone who wasn't always able to have her mother's attention. She lived out fantasies in her mind, just as they do. She used her imagination even when she was unable to move her body, just like they do before they fall asleep at night. Frida's quotidian and extraordinary experiences spring to life thanks to the inventive illustrations and sympathetic writing.

More than once, creating art saved Frida Kahlo's life. Even though she had five sisters, she was almost always lonely and sad. When she was infected with polio and she was very sick, even her imaginary friends couldn't cheer her up, but painting and drawing rescued her. Most of her life, she was in heart-breaking pain after being in a horrible bus accident. Read this book to find out how art saved her once more. Recommended for people who want to learn how Frida Kahlo turned terrible pain into beautiful masterpieces.

My mom read me this book and I saw that art is important and special, it can save you and allow you to express your imagination even when times are tough