Art Books

This book has all the information you need to find where the various shortwave stations are located and what will be on at different times. I am happy I got it to go along with the shortwave radio that I purchased.

This is one of the books I included in the present I bought for my 20-year-old grandson along with the Sony Broadband radio. This book is interesting and opening the world of broadband radio to my grandson. He finds it very useful.

I have been reading this book for 10 years, & find it invaluable for any info about new & old equipment.Great info about stations & broadcasts from around the globe & program schedules.Also good info for newcomers to sw. Highly reccomend as a gift for anyone that you might want to share your hobby with.

Exelent, Idon't know why people by brand new books, thers amazon
Jose

.. also full of confusing graphical pages so you can not resolve what is the comercial and what article!

Once again the graphical arrangement of comercial, articles, content for example which you can not find quickly and the the rest of the book is not in accordance with the technical content of the book!

After some time of digging you can find everything what you need but again: it is very confusing book becuse of the similar colours of the comercials and articles!
For stars because of that!

It is more accurate for local frequecies than WRTH!

Enjoy anyway!

I agree with the critics who claim this book . . . "a delightful, rollicking history, a fun read and well supported by research". Greenfield's account is entertaining as well as informative, not a book to put you to sleep as some histories are. I read it as a library book and decided it is a 'must have' in my library. Although her style is professional, the read is easy - no big words to look up in order to understand the full meaning. Her account of world events is so insightful and complete, you come away with more than an appreciation of how color has changed the world An understanding of world history in general is gained, both political and economical. I especially loved the personal stories that added so much interest for me.

I live in Oaxaca, Mexico and even many people here are not aware of the impact of cochineal on the Spanish Empire and Europe. This book is fascinating! And well written.

This was one of two books a friend traveled across the country to share with me. I am so glad she did. I would never have picked up this book on my own. I have a terrible time finding non-fiction works that are interesting - unless they are recommended. I look at the table of books and decide something looks good. Then when I get it home, I have a hard time getting to my 100 page allowed stopping point.

Greenfield does a wonderful job of describing the importance of the color red throughout history and the different compounds used to create it. With a focus on the cochineal originating in Mexico, this book covers the fortunes of Spain and the industry itself. Weaving the domestication of cochineal with the efforts of other countries to destroy Spain's monopoly, the book moves quickly. there were very few sections of the book where I was willing to put it down. Yes, I could stop at the chapters, but I only once put it down while in the middle of a chapter.

I highly recommend this book - and if I didn't have to send it back to its owner, I would keep it in the library. I will be recommending it to my mother for her book club. With their focus on women authors and a mix of fiction and non-fiction, this book will give them much to discuss.

Some of the best stories are the histories of everyday objects that few ever consider. This book is an example of such a story. It traces the history of the color red; specifically, it examines the sources of red dye sought by humans over the past 700 years. Something as simple as a color can actually be quite difficult to obtain without the marvels of modern technology. This book starts of at the Venetian textile guilds of the late Middle Ages and shows the reader the state of the world's textile industry. Of all the colors, bright red is hardest to produce on clothing, and individuals and governments devote a lot of time and effort to procure new sources. Many are found, but the best one is carminic acid found in the insect cochineal, native to the Americas, and cultivated in Mexico specifically to obtain the color red. Starting with the Spanish conquest, red dye from Mexico is exported to the rest of the world, and four centuries of trade wars and political intrigue follow. The book lays all this out in chronological order, citing places, people, governments and institutions. But eventually, man's technology caught up with nature's bounty, and by 1900, synthetic red dyes destroy the cochineal cultivation industry. All the ensuing technical advances, scientific discoveries, and commercial contests are detailed clearly by the author. The book ends with a survey of the dye industry at the end of the 20th century, and a review of how red dye has influenced, and been influenced by fashion tastes throughout the centuries. This book touches many countries, and ties in history, economics, fashion, politics and science into a wonderful tale of man's obsession for a specific color.

This book is one of the very best I have seen in a long time. The author has taken great care to present historically correct and detailed information about the long history of cochineal farming, and sale of this commodity (dried beetles that can be processed to create a brilliant hue of red).
She reveals all of the intrigue of Spain's royalty, as they sought to keep this much prized product of New Spain exclusively for the Spanish empire. Even Perkin's discovery of the color "mauve" is discussed. This book will find broad interest among scholars and the general public. It is certainly a book worth owning, if you love the history of textiles.

Patricia Cummings

"Trust used to be all about a handshake - and nothing has changed..."

So begins Appendix F in Vacca's book. The entirety of the book defines that critical handshake, which has been made so much more complex by Internet
freedom and opportunities. Layers of certification and handshaking, both online and offline, hashing, third parties, CA's.

Vacca includes costings, comparatives, definitions, implementation instructions, and white papers written by others with expertise in the area.

This book is a 'must read' for those of us working in IT security.

As usual, John writes a very timely book on contemporary IT issues. Most people are still afraid to use their credit cards on the net and businesses have huge constraints in terms of what can and can't be done through the web. As the rules of the game toughen for the every-ready hacking minds, government are also cracking down on such culprits, however, for the average user of electronic commercial transactions, there needs to be a stronger feeling that their money is safe. John's PKI book helps to educate those with this understandable concern, that it may now be getting safer to do business on the net.

This book covers the entire spectrum of PKI technology with an emphasis on the pratical aspects of design,implementation and use. As an IT security professional, I have found this book to be extremely useful in my job as we must constantly be on guard and make use of the latest technology to stay one step ahead of the multitude of security threats we face on a day-to-day basis.

To successfully transact business on the worldwide web, a secure network is essential. John Vacca's book explores public key infrastructures (PKIs)as a technology to provide that security. This book would be a good resource for anyone responsible for maintaining network security in big business or small.

"Trust used to be all about a handshake - and nothing has changed..."

So begins Appendix F in Vacca's book. The entirety of the book defines that critical handshake, which has been made so much more complex by Internet freedom and opportunities. Layers of certification and handshaking, both online and offline, hashing, third parties, CA's.

Vacca includes costings, comparatives, definitions, implementation instructions, and white papers written by others with expertise in the area.

Previously a developer and implementor, and now a user, I wish that we had had this information then when we were implementing PGP, and I can only hope that my host sites now are compliant.

This book is excellent for someone starting in the art of pyrography. It covers all you need to know about techniques and the art and gives great examples of each . Deloy Robert Moore Artist

Great book for beginners and experts with many ideas and tips Highly recommend it to others

I only did some pyrography when I was very young, and the patterns were already on the boards.

I found the beginner patterns to be more advanced, in my opinion. (However, I haven't burned the copied one on my board, as yet. If I find time, it's ready to go!)

I think I need something even more beginner oriented, as far as patterns go.

Overall, there is a LOT of GREAT information in this book that's helped me decide on a burner, wood types to use, etc.

I'm happy with the book.

A wonderful book that teaches a beginner so many things! I cannot wait to start working with it!!!

A complete and detailed book, with a lot of necessary technical info and tutoring for beginners and advanced. Nice touch are the beautifull step by step examples you can make at the end of the book. If you plan to buy only one book on pyrography, this is it!

I have the hardcover edition. I collect Robert Crumb's works and this is a favorite of everyone looking at my collection. It you are an art student this along with his Gotta Have'Em Portraits of Women by R.Crumb is good resource material. I'd give The R. Crumb Coffee Table Art Book in (hardcover) ten stars if I could. I have not had the opportunity to look at the soft cover version but I would bet it is well done.

I just picked up the hardcover edition yesterday at the bargain section of my local bookstore. Once I started reading it I couldn't put it down. It's in chronological order of R. Crumb's work broken into chapters. Each chapter starts with a write up by him telling about what was going on in his life at that time, and how some of the drawings came to be. I find him to be a fascinating artist. He bares his soul in his work, not really caring how he appears or what people think.

This book is the ultimate Crumb. You won't be disappointed if you love his work.

Just about every huge page (this book is big!) is filled with inspired color drawings from the legendary underground artist. Crumb gets very personal in this book, it's incredibly honest and, at times, deep. He takes the reader on a nostalgic journey through his childhood, life, and career. It's about growing up, finding the artist within, and adjusting to the insanity of the world. Or, you can simply read it for the edgy, often sexual comics. Either way, this is a big heavy book that is hard to pick up, but harder to put down.

A generation ago, American poets such as Sylvia Plath, Robert Lowell, John Berryman, and Anne Sexton gave birth to a genre that's come to be known as "confessional poetry." Their verse revealed intimate facts about their lives that simply weren't spoken of in polite company: fears, phobias, sexual hang-ups, pettiness, depression, suicidal tendencies. Some of their work wound up being rather pathetic, more confessional than poetic. But when it was good, it invited readers to face their own demons.

Robert Crumb, whom the art critic Robert Hughes has called the "Breughel of the 20th century," is a confessional artist whose chosen genre is comics. For 50-odd years (with the emphasis on "odd"!), R. Crumb has explored his many identities and personae in thousands of sketches, drawings, and paintings. The R. Crumb Coffee Table Art Book is actually an autobiography put together from a handful of the work Crumb has produced over the years. It's interspersed with essays by Crumb on his childhood, school days, the hippie scene in San Francisco, his marriages, his "personal obsession with big women," his spiritual yearnings, and his love of old music. Taken together, it's a fascinating portrait of a man who's dared to explore some of his deepest and darkest places, and to do so (at least sometimes) publicly.

Crumb believes that the pivotal moment in his personal and artistic life was the period in the mid-60s to the early 70s when he dropped acid on a regular basis. Although he sometimes worries that he might've fried his brain, he also thinks that the LSD trips liberated his psyche and helped him break through to new and deeper levels of creativity. The LSD was, he tells us, his "road to Damascus."

Perhaps. It's true that Crumb's work has changed over the years--it's become more brutally honest, more introspective, darker and at the same time funnier. Perhaps the LSD had something to do with it (although, personally, I quite dislike some of the work that comes from that period, finding it rather flat and silly). But I suspect that the single greatest influence on Crumb was his childhood and his family, especially his brother Charlie, who seems to have been just as much a genius as Robert. Crumb the man really is the child of Crumb the boy. The LSD may've helped Crumb get in touch with the raw energy generated from those days.

Crumb has become notorious for the sexuality of some of his comics, and has taken his share of political correct knocks. But The R. Crumb Coffee Table Art Book makes clear that the bottom line of much of his art is his existential need to explore and expose the shallowness and absurdity of much of modern life. Above all, as he tells us (p. 247), he wants to tell the truth, not only about himself but about us as well. Whether it's in the pages of "Zap" or "Weirdo" comics, or in panels featuring Shuman the Human or Mr. Natural, Crumb continuously questions racial, sexual, cultural, and artistic conventions, pushing the envelope as far as it can go and frequently causing readers discomfort. There's also a longing on Crumb's part for deep meaning in a universe that appears crazy. This most often reveals itself as nostalgia for bygone days (his love of "old" music, for example), but also more explicitly as a yearning for a god that he can no longer fully believe in and frequently mocks.

Reading R. Crumb is an intense experience. Like all good art, his stuff can make one laugh with joy or send shivers down the spine. The R. Crumb Coffee Table Art Book is a good place to start if you're just discovering Crumb, and an equally good collection to help long-time admirers get some idea of the big picture of Crumb's work and to better appreciate its depth. It's also a good catalyst for getting in touch with one's own multiple identities.

Etta James has lived a wild life, and she lays it out unvarnished in Rage to Survive. Plenty of detail about what the music scene was like during her formative years, and she pulls no punches when discussing her bad habits and mistakes. Refreshingly straight forward and entertaining. I highly recommend reading this.

I, Tina; Don't Block the Blessings by Patti LaBelle, Bobby Womack, Pryor Convictions (Richard Pryor), Super Freak (Rick James) and The Etta James Story have been some of the most TELLING books that I have EVER had the pleasure of reading.

I personally prefer when an artist joins with their OWN writer and composes their OWN story, instead of waiting for someone else to do it, only to wind up in court desperately trying to refute the ill-refuted claims gathered by 2nd, 3rd and 4th-hand witnesses to something they heard told to their 3rd cousin twice removed.

I agree with Etta, your only TRUE judge in this ball of confusion is God, so why should you apologize to anyone else? Why not put it out there for everyone to finally snicker, whisper and gossip about, and then ultimately get over?

This book is only a grave reminder to everyone who has always looked to "Holly-WEIRD'S" version of a "hero", that perhaps it would be best to look a little closer to home.

Celebrities are only humans, too. Try looking up to the everyday, ordinary people that you see delivering your mail daily, pulling over drunk drivers, extinguishing fires, teaching your children, preaching to your families and saving your loved ones~~instead of people who can never vote (because they're felons), don't own property or their own vehicles, and are barely able to do a better job than YOU at child-rearing!

the book is great to read it came in very good condition not dirty or torn or bent.

With odds stacked against her in every direction - including personal resistance to success - Etta manages to not only survive, but thrive & inspire!
Stories of the early days of motown, touring, & musician swapping is exciting and nearly incestuous (so many huge names in music ran the same circuits, competing for musicians, songs, gigs & label attention).

The title of this book, Rage to Survive, is very well chosen, hinting is at does to the French phrase "rage de vivre," rage to live.

I grew up with Motown, Aretha, and Otis Redding, but never heard of Etta James until I was over 50! The singer I know only thanks to YouTube, but what I heard there was so talented it's almost scary: soul and blues, sure, but also country and jazz. I suspect that her drug addiction in the late 50s and early 60s led the publicity industry to shun her. (It was only starting in 1968 that one could do drugs and not get the silent treatment.) I know that this is an "as told to" book, but how many soul musicians have bothered to write any kind of memoir? This book deserves to become a classic of its kind.

Amy Weinhaus sounds fresh and interesting only because Etta James is so little known. Weinhaus's career may be over, and she probably won't live to see 30. James is 71. If I am right, Weinhaus will never have a child. James performs with her sons. Etta, you are one tough momma...

I absolutly loved this book!!! As with other readers, I also felt that it was a bit "much" for my 5yr old. I mean, it does say stuff like "a man putting his hands down a little girls panties..." However, even though it is a bit much, I believe that I would rather teach my daughter about these things now rather than end up with her being abused later because she didnt know what was going on. Just telling her to respect her body isnt enough. She needs to know what kinds of things to look out for and needs to be able to recognise that something bad is happening. I found this book to be tasteful and my daughter was attentive to it. I especailly like that this book points out that Mommies and Daddies should be respectful of her body too. So often you see on the news that children have been abused by their own parents. It's terrible. I loved that this book noted that EVERYONE shoudl respect her body and that only SHE has the right to share it. WAY TO GO!!!!!

Excellent on teaching children that their body belongs to them - and no one else. Discusses appropriate & inappropriate touches. Provides an example of a trusted neighbor who tricked and tried to inappropriately touch a child - all in child-friendly language and drawings. It also discusses when it is okay to be touched - bathing or when at the doctor's for a check-up. It is not scary, but matter-of-fact. We read this to our 4.5 & 3 year old daughters and have them practice saying STOP with an outstretched hand at appropriate parts of the book. Highly recommended.

This book provides the details all parents need to have to protect thier children. It gives great tools for parents to use. I will purchase this book for all my friends as baby shower gifts!

This book is tastefully written, not scary, but led to good discussion about boundaries- with anyone he knows or doesn't know, and serious thought by my 3 1/2 year old son. He asks for the book about once a month, and refers to "touching problems" occasionally in general conversation, saying something like "you don't keep touching secrets and you say 'Stop it! I don't like that!' if someone tries to put their hand in your pants, and go tell Mom!"

It's a little shocking when your baby gets a grasp of something like that, but I'd really rather that be the case than the first time he knows of it is with a previously trusted person that betrays that trust. It's not graphic or detailed and doesn't attempt to explain why a pervert would do such a thing. It appears serious to him and has caused him to talk with me and plan his response (just like what to do if he became lost in a store), but it's no more scary to him just from reading about it and talking about it than a toothy shark or scary shadow in another book. I highly recommend this for parents brave enough to tackle this subject before your child starts attending birthday parties alone or going to neighbors' houses to play.

I bought this book because I wanted help teaching my daughter why she needs to keep her privates covered and the reviews said this book was great for children as young as three years old. I personally felt this book was a little much for my five year old daughter so I decided against reading it to her. I wasn't comfortable reading about `a man trying to put his hand down a child's panties while sitting on his lap.' I'm pretty surprised I am the only one who feels this way. I also bought `Your Body Belongs To You' by Cornelia Spelman and felt that book was much more appropriate for her so that is the book I read with her. I think The Right Touch is better for children a little older or any child you might suspect has possibly been abused.

Michael Troyan has a gift for biography. I hope he can collaborate with Turner Classic Movies to produce a video on the life of Greer Garson.
This book makes me wish I could have known Greer Garson. She loved and respected her mother, she loved her husband, she loved children and orphans and the disabled and disadvantaged. She loved her dogs, ranching in New Mexico, history, and she loved Texas...makes me love her even though I never met her. Good job, Mr. Troyan.

Michael Troyan has done a wonderful job of putting together an informative and enjoyable biography on a fascinating subject. In fact, I found the book so delightful as to find it to be one of the best biographies I've ever read.

While there is no doubt that the charming personality of Greer Garson herself that radiates throughout the book has helped in the formation of my favorable opinion, I give much-deserved kudos to Mr. Troyan for being able to present his subject to the audience in such a friendly manner. By that I mean that throughout the pages, I could feel the presence of Greer Garson, and after having finished the book, felt as if I had just finished reading a letter from a long-time friend.

The first half of the book, which deals with Greer's childhood, life in Britain as a stage actress, and the later move to Hollywood, is generally a smooth and easy read. The toll of the grinding studio system and the competition involved for the popular actresses of the time are keenly felt and one can get a very good idea of the kind of position the actress was in at the time. Eventually though, talent perseveres and success follows. Detailed and interesting accounts of each of Greer's films are available and are a joy to read.

The latter half of the book is a particularly refreshing read because of the relatively vast amount of information about Greer's later life outside of Hollywood. Personally, I had not previously been aware of her various activities and hobbies and learned a great deal more about Greer Garson than when I first started out. A sign of a good biography is new information, and this one certainly has its fair share.

Now, all other traits aside, the most notable accomplishment of this work is that it does not read as a stiff, dull and fact-driven thesis paper, which is a pitfall that so many biographies of this kind can fall into. Rather, it is an intimate yet respectfully distant portrait of a lovely human being who was also a remarkable artist in her own right.

This book on Greer Garson I highly recommend. It's very balances and tells of the good and bad times in her life about her career andher fmaily. Though i must admit I wished it had mentioned more about her interests and personal life off screem. But overall it's really well written and interesting book about alovely screen actress. Greer Garson really had class
and a wnderful grace about her in all of her films

Modern actors and actresses don't seem to have the charisma, style and elegance of yesteryear's stars. Maybe that's because most of today's actors are really nothing but pitiful celebrities striving to be what once was, when Hollywood was golden.

I long for yesterday when it comes to film stars: Betty Davis, Myrna Loy, Katherine Hepburn Ginger Rogers, and so many more. Oh, yes, and that includes Greer Garson. The beautiful and talented woman we thought was born in Ireland in 1908, was really born in London in 1904.

Author Michael Troyan delves into Greer Garson's life, as much as anyone could, given that she was an extremely private woman. He carries you through her intense desire to succeed as an actress, her `discovery' and career struggles to resist being typecast, all the way through her marriages, and to her death on April 5, 1996 at Dallas Presbyterian Hospital with Van Cliburn at her bedside.

I'd always thought of Ms. Garson as a brilliant actress who could get any part she wanted. I had no idea of her struggles with Metro-Goldwyn-Mayer. One of my favorite films is the record-breaking "Mrs. Miniver." I get chills thinking about her Academy Award-winning performance.

And while it felt a bit like voyeurism looking in on her life, I'm glad I visited it through Troyan's eyes. It was a satisfying trip. And the author did a marvelous job showing us a small part of the woman who was Greer Garson.

For a compelling look at one of the best actresses to ever grace the stage, big or small screen, read A Rose for Mrs. Miniver: The Life of Greer Garson.

Armchair Interviews says: This is a wonderful slice of our American film history.

An excellent read if you're into details. For me, the details got a little overwhelming, but I so much wanted to learn more about this actress that I admire greatly. Sadly, as the author himself stated, it was difficult to write a biography because Greer Garson was a very private person and did not give many interviews or express many personal opinions in public. However, he richly details her movies, her public service, and others' opinions of her (and a good name is more desirable than great riches; to be esteemed is better than silver or gold). I have always enjoyed watching her many films and am tracking down as many of them as I can on DVD so this made for a fine addition to my collection of her work. I enthusiastically recommend this book to anyone who enjoys reading and loves any of her many films.

This is the pocket version of the Barron's 501 Spanish Verbs. The layout is exactly the same, but with 200 less verbs. Like the bigger 501 Spanish Verbs, it provides an explanation and examples on the different tenses and their usages.

The reason that I bought this book was that my 501 Spanish Verbs was getting ripped up from carrying it around everywhere. Because this book is so much smaller than the 501 Spanish Verbs, I'm more inclined to carry it around with me when I go traveling.

If you need to do constant drills to remember the Spanish verbs, this is the book to carry around. If you're a fan of 501 Spanish Verbs, you'll like this as a "pocket" reference book.

Watch Video Here: http://www.amazon.com/review/RXKHCQO0FOKYQ I recommend using this book with the other Barron's book in this series called Spanish Grammar (Barron's Verb Series).

This is the best Spanish verbs book for beginning or intermediate students because it has about 300 of the most frequently used verbs with all the tenses, and it is of a size and weight to easily fit in a crowded backpack, briefcase, etc. 99 out of 100 verbs that you need to check the tense on will be in this book.

This is a quck reference card intended as a companion to the Barron's book -- 501 Verbs. It is not sufficient on its own. However it is a very dense compilation of essentials, much more easily accessed than having to dig through the 501 or similar grammar books when one is first learning the ropes and framework of Spanish.

I used this card very, very frequently for my first month of independent spanish study. I greatly appreciated having a compact source of key things I needed to read over and over while trying to form a landscape view of this language. I am still pulling it out often to review key points. I am now at the start of month #3.

On one side of the card (3 pages worth when unfolded), it describes the purpose of each of the 7 simple tenses, the 7 compound tenses, the imperativo, the progressive forms, participles (Present and Past) as well as active versus passive voices. Key examples are given. On the other side is a very detailed conjugation plus English translation of a model verb (comer). Then the same table used in 501 is given for several strategically chosen regular and irregular verbs: dar, decir, estar, haber, hablar, hacer, ir and lavar.

The overall presentation of the card utilizes good graphics and color coded variations to assist in quickly finding the highlights. Without this feature, the very dense amount of information would be overwhelming -- but given the authors/publishers attention to detail -- I find it to be very user friendly.

The card is laminated and should be durable if kept reasonably protected in a notebook. Using it during my novice stage of exploring Spanish clearly saved a lot of wear and tear on my copy of 501 Verbs -- a resource needed indefinitely.

Watch Video Here: http://www.amazon.com/review/R2VEGEHB5XLGR6 Watch my video review and find out how this book compares to Barron's 501 Spanish Verbs. And also watch this video review to find out exactly what you must do in order to buy Spanish Verbs (Barron's Verb Series) here at Amazon and also get lots of BONUS video lessons from your's truly, Jazmin, where I teach Spanish words and phrases.

Being heavily interested in art, I fell in love with the philosphy of postmodernism as it is an issue, and a period, in which we live. While philosphy is often incredibly dense, this book helps lure you in as it gives a simple, unbiased overview of different aspects, reasons, and affects of postmodernism. It draws on several different critics of postmodernism and branches out to discuss the cultural, architectural, artistic, political, and self-developmental issues. After reading this, I find it hard to objectively view everything in life as I somehow draw connections back to postmodernism. The book also gives suggestions for further reading if you're interested in a certain viewpoint and would like to explore it in greater depth. Unfortionately, there are some issues in the book that you wonder why people would actually waste their time studying as they are rather pretensious, but nonetheless, it is a nice, easy, broad introduction into an boundless area of study.

This book has a lot of information in it. I am using it in a class.

Teach Yourself Postmodernism, despite the slightly tacky series title, is by far the best introduction to the topic I have yet to come across. It is easy to read, exceptionally inclusive, and well-researched,and concludes every section with what critics of the philosopher/philosophy say about him/it. It is very narrative-neutral in its own postmodern way.

Even readers already familiar with the work of many the writers and philosophers most closely associated with post modernism will find this book useful, as it serves as an excellent pocket resource to all of the important people and ideas of our post-modern era - including the idea that postmdernism is an oxymoron or just another modernism.

This is a good read if you're new to what postmodernism is all about. It's fairly clear as far as explaining things and it gives you direction on who and what to read should you desire to delve deeper into postmodernism.

I had always heard the term "postmodernism" and never really put much thought into it. However about four years ago, while I was working on my masters in social sciences the term was brought up again and again. After reading many philosophy type books, I thought the concept was grasped. Consequently, the notion of postmodernism was still nebulous, evasive and elusive. I can recall asking my advisor in my graduate program what defines a postmodern theorist. He simplistically stated that a postmodern theorist will claim he/she isn't a postmodern theorist. Also postmodern theorists tend to not agree with one and other.

Ultimately I felt quasi-comfortable about my knowledge in postmodernism, yet I had a thirst for more. This led me to look for a book on the topic and to "Teach Yourself Postmodernism". I have to say that I am very pleased with the content within the pages of this paperback by Glenn Ward. This book spoke of postmodernism in terms of architecture, art, music, film, history, politics, fashion, languages/words/text and psychology (to list a few). Another thing that I liked about this book is it provided many lucid and tangible examples when discussing concepts. For instance, the movie Blade Runner was used as paradigm of postmodernism.

Modernism was also tackled in this book, mainly because there can't be postmodern without modern. The book also is reader friendly. However, there were some aspects/points that were totally over my head. I reread many components several times and grasped it and other things were just way too abstract for me to clench.

Other cool parts of this book:

* Ideas are broken down by chapters
* Theorists from both modern & postmodern are reviewed
* Books on similar subject matter within a chapter are provided
* There is a chronological list dates of postmodern history
* A glossary of key terms used throughout the book
* As noted prior, many lucid examples of postmodernism

Overall, I felt like this was a great book to learn about not only postmodernism, but society and really the world people live in. The book is only about 232 pages, but Glenn Ward packed a great deal of information in this book. I would be really interested in reading another book by him, just based off this one. After finishing this book, I feel like I have a more solid understanding of the complex perception that is postmodernism.