Art Books
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Yoga for BeginnersReview Date: 2008-01-06
HelpfulReview Date: 2007-09-20
Very helpful and easy to follow instructions.Review Date: 2005-10-31
Clear Design.Review Date: 2005-01-17
Excellent starting pointReview Date: 2006-07-10

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Get itReview Date: 2008-06-21
Best book for wanna be authorsReview Date: 2007-12-18
Yet another valuable book I wish I could get on PDFReview Date: 2007-12-02
I am mobile right now, moving from Europe to Asia to America. Lugging this book around is not fun.
Pleasseee, get over the obsession with killing trees and provide a PDF option.
Wonderful aid for aspiring writers!Review Date: 2007-08-04
Children's Reference Resource Full of Valuable InformationReview Date: 2007-05-19
This book is instrumental in providing much needed information regarding the childen's writing and publishing industry. It is a must for all writer's of children's literature. There is a ton of information in it to guide you as the writer/author to submit your manuscript to the appropriate publisher. You can find exactly what you are looking for in this wonderful book.
Cheryl A. Martin, M.A. Author of "Woman Reclining"Woman Reclining

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Omigosh!Review Date: 2008-07-14
Gorgeous inspiration photos on all aspects of bead art todayReview Date: 2008-02-22
Remarkable DelightsReview Date: 2008-02-07
The Best Bead Show in TownReview Date: 2007-09-22
This is truly a beautiful collection of "beadwork". Not only is it wonderfully diverse in the inspiration department, but the photographs are stellar, too. I got this book for my daughter who works with beads on the same artistic level, but having sent it to her I knew that I needed to have these wonderful images for myself, too. So I have bought two copies so far and will probably by more as gifts for my other art-minded friends. A treasure trove of imaginative art. I highly recommend this book .
a photographic bonanza of beadworkReview Date: 2007-08-25

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Collectible price: $18.00

"She doesn't need a Beatle. Who needs a Beatle?"Review Date: 2005-08-31
All We Are Saying does not lack in humor and seriousness. This was the man, not the Sixties icon who sang against a "Revolution," who still had dreams and aspirations to accomplish at the time the interview was conducted. For fans of Lennon as well as the Beatles, this was Lennon stripped down and open for questions, and he merely tells it like it is or was. He expresses the breakup of the Beatles, and emphasizes that they were great, but they were in the past. He talks about the ups and downs of his individual experience from being a heroin addict to a househusband. He was living in the here and now, and the music that he was making at the time reflected that mantra. Though the references he made about the music scene now appear dated, Lennon was ahead of his game and kept up with bands, such as the Clash, Pretenders, and the B-52's. He even raves how the B-52's rip-off Yoko's style of music.
Sheff writes the interview in clear and picturesque narrative. For every new chapter, he introduces the reader to where the interview is going. However, the concluding portions of the book appear too rushed. Sheff appears to have wanted to discuss or at least learn about every tidbit about each Beatles song, which almost portrayed a to-do list, and at times it appears as if he did not want to run out of tape. From the transcript of the interview, Lennon appears too tired to talk about each and every Beatle song as he answers with yes and no answers. For the most part, Lennon wanted to speak about his new album at the time, "Double Fantasy", and new projects he was planning.
All We Are Saying is an important document of the life of John Lennon. For Beatle and Lennon fans, the book is quite ironic and sad due to the circumstance, but that should not stop any one from learning more about one of the most legendary artists of the twentieth century.
If you are a real fan you will love this!Review Date: 2006-08-13
Get the book if you are a Beatles or John Lennon fan... ;-)
I COULDN'T PUT THIS BOOK DOWN!! 10 STARS!!!Review Date: 2005-12-30
Listen to this Book!Review Date: 2005-11-15
John is shown, warts and all in real, living color. He is not glamorized nor vilified; he is presented as the man that he was. John Lennon was many things to many people; Sixties icon; musician extraordinaire; artist; spouse; father; author; actor; joker; interviewee; "militant pacifist," an oxymoronic term. John was a very complex man and this Rubik's cube of a book puts the pieces together in such a way that readers can readily assemble their image of John Lennon.
John makes no bones abut the Beatles being part of his past; he appears to want to move further down the Long & Winding Road without further Hard Day's Nights in re his Beatle history. It was also interesting to learn what groups and artists John liked and how he felt they influenced him.
Hats off to Sheff for introducing readers to each person in the interview. If there is one literary pitfall to avoid, it is never, repeat, never spring characters or real people onto readers without introducing them. That weakens a work and Sheff is quite adept at dodging this trap.
John appeared to be moving at a quicker pace in this interview; whereas Sheff wanted to discuss the Beatles more in depth, John gave one word answers to Beatle related questions and seemed eager to discuss his 1980 album, "Double Fantasy" as well as works he was planning after that.
This is a bittersweet book for Beatle and Lennon fans because of John's untimely death in late 1980. Even so, the book remains an excellent source of information about the man who founded the World's Number One Band, the Beatles and the man who made the world listen.
Listen to John Lennon.
The Walrus and the CarpenterReview Date: 2007-01-09
My favorite Lennon quote comes not from this book, but from the Beatle's set during the Royal Variety Performance for the British Royal Family in 1963: "Will the people in the cheaper seats clap your hands? And the rest of you, if you'll just rattle your jewelry." I love that, though I've been told you need to be raised in the British class-consciousness to fully appreciate the insolence of that.
I grabbed this book just out of curiosity, as a Beatles fan and a Lennon fan in particular. I read in a review that Lennon goes through the whole catalog of Beatles songs and comments on them. I thought that would be interesting to read. Yoko Ono was the least of my concerns, but they were and are a package deal. I bought into the popular cultural conception of Yoko as the villainess who broke up the Beatles. So the first thing that struck me, reading these interviews, is what an intelligent, sympathetic, and likeable figure she is, when heard in her own words, in the comforts of her home base. And the two of them together actually seem like a nice, well-matched couple, decent people who- against the odds- had found contentment amid the surreal circumstances of their lives. No doubt that they are eccentric in some ways, and some of their philosophizing has that post-Hippie, flaky, dated feel, as you might expect. They are artists after all. But at the same time, they surprised me at times at how level-headed they came off. Despite the near deification of the Beatles, it is John who continuously reminds us that they were just a rock and roll band that was in the right place at the right time and wrote some good songs. And they are able to honestly talk about the strain on their relationship caused by their celebrity. With all the typical defiant talk about letting people think whatever they are going to think, Yoko admits to the heartache of bad press: "It's a very strange thing that society can do that much to a relationship, but it does because we're social animals. We're social beings. A relationship is not isolated from society." "Society can break an individual. That is what happened." John, too, often displays the vulnerability buried within the armor of the iconoclast: "We're both sensitive people and we were both hurt by a lot of it." Enough time has passed for them to analyze the hostility garnered by Yoko, as a woman, when she began managing John's business affairs. John talks about the attitude towards Yoko at these meetings where she was the only woman, "They're all male, you know, just big and fat, vodka lunch, shouting males, like trained dogs, trained to attack all the time." Yoko is wonderful, chiming in with "I was emasculated." Then launching into her formulation of male aggressiveness, "you must have the womb-envy thing," she speculates. Men are aggressive to mask their intimidation and jealousy. After all, she notes, "we give life."
The most valuable part of this book, in which John systematically goes through almost every Beatles and solo Lennon song, is a concession John granted after blowing Playboy's scoop by giving an interview to Newsweek magazine. We get John's feelings about each of the songs as well as the memories triggered by them, what was going on in that period of his life and how they were written. Though John continues with the superficial model of `John songs' and `Paul songs,' we see that the truth is more complicated, they wrote the best of the Beatles "one-on-one, eyeball to eyeball... both playing into each other's noses." We see why they were great together (and why George and Ringo are two very lucky men to have been along for the ride) and why neither of them, as solo musicians, could produce songs that measure up well to the Beatles. There are several examples of the two of them contributing little touches to each others songs, the little shadings that profoundly deepen the work. Without Paul, John was mostly a writer of catchy tunes, superficial fluff with great hooks. Some of Paul's solo works come close to the best of the Beatles, but for the most part, he was missing the nuances- the melodies and tenderness- of Paul's sound. A song like "Michele" is a perfect example. Paul wrote a pretty little love ballad. John heard it shortly after hearing Nina Simone sing the blues, and he suggested the bluesy "I love you, I love you, I love you," bridge. Paul writes "It's getting better all the time," and John adds "it couldn't get much worse." Paul writes "We can work it out" and John adds "Life is very short..." Or conversely, John writes about "A Day in the Life," about a man violently killing himself, and Paul adds the sweetest little lick to ever float into a song from nowhere: "I'd love to turn you on." And so on. I particularly recommend this section as a morning commute read, riding the train with Ipod in hand, keeping the songs in your ears as you read John's analysis of them.
Of course, one can't read these interviews without being constantly reminded that John was assassinated just months afterwards. It gave me chills to read some of John's philosophizing in that light, "Mahatma Gandhi and Martin Luther King are great examples of fantastic nonviolents who died violently. I can never work that out. We're pacifists, but I'm not sure what it means when you're such a pacifist that you get shot."
And the heartbreak is palpable when reading of the pride John took in stepping out of the action and becoming a full time father to Sean. "Here we are: I'm going to be forty, Sean's going to be five. Isn't it great! We survived!"

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Is this an illusion,or am I seeing things?Review Date: 2005-02-27
Another wonderful work by Al Seckel and an appropriate companion to his other gem "Master's of Detection".See my review of it dated Dec 1,2004.
This is a fine collection of 144 intriguing illusions.There are examples of a lot of different forms of illusions.I say a lot because there is one form which I like which is not included. That being "trompe-l'oeil" which is French for still-life deception,illusion,sham or camouflage.A well known artist who excels at it is Bev Doolittle.
Al has included many of the classic illusions,of which 105 is an example from the puzzle master Sam Loyd,and crops up in many books.No.5 is really good being a combination of a photograph of a man holding an "impossible figure".Nos.10 & 104 are similar,but 10 jumps out at me while 104 is something else!No.26 and 139 would have to be called "real illusions".No.139 reminds me of an experience I had on the Marsh Boardwalk at Point Pelee National Park during spring bird migration.An American Bittern,which stands about 20 inches tall, was standing in the reeds about 30 feet from me in a similar pose;except the bill was pointed straight up.The bird held itself completely motionless while I pointed it out to quite a few people over a period of a half hour or so.Some had great dificulty in picking it out,even with binoculars.What a thrill it was for them when they finally "found it".
A few are ageless ones namely,14(which reminds me of another of a girl in a mirror),77,95,147 and 144 ;but always good to see again.No. 119 is a switch where you get to make and solve your own illusion or puzzle.
Kudos to Jerry,see review of Oct 23,2000,who states:
"The mind is blind to what the eye can't see".Well said!
Anyway, a great treatment of illusions and sure to catch the interest of young and not so young,and all in between.
'
WonderfulReview Date: 2002-03-28
You will smile and get amazed with such incredible pictures
and effects.
I agree with other people that the explanations about each effect are minimum. I'd like little more about the theory
behind each one, but it doesn't matter, you and your family
will spend great moments with this book. I definetly
recommend it to everyone :-)
Good!Review Date: 2001-11-04
The very bestReview Date: 2002-10-26
1st Place winner by American Library AssociationReview Date: 2001-04-24
Compiled by an 11-member committee, the 79 nominated titles on the list were published from late 1999 through 2000 and represent more than 40 different publisher imprints. The list is composed of 35 fiction and 44 non-fiction titles. The committee annually selects for the Quick Picks list, outstanding titles that will appeal to reluctant teen readers, aged 12 - 18 years old. Reluctant readers are considered those teenagers who, for whatever reason, choose not to read. Teen input is a vital aspect in the final decisions of the committee. The visual appearance of a book and the standard considerations in the quality of content also are equally important when selecting books.
The list is not intended for teenagers with reading disabilities, though someof the selected titles may be appropriate for those teens.
The winner of the first prize went to the following title:
1. "The Art of Optical Illusions," Carlton Books, 2000 by Al Seckel

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Great book!!Review Date: 2008-06-02
OUTSTANDING!!
Awesome Cook Book!Review Date: 2008-06-19
AmazingReview Date: 2008-02-19
I gave this book to my boyfriend's dad, who is peruvian and he can attest to the loyalty, and authenticity of the cookbook. I know it is quite expensive, but I had no regrets buying the perfect gift.
Never regret getting this bookReview Date: 2007-12-09
The book is quite large and heavy; I'd say about 60~70% larger then a letter sized paper. I paid quite a lot on the int'l shipping for that reason. Even so, I am quite happy of this investment.
The book is very nicely well layout with clear photos and instructions. This is definitely one of my favorite cookbooks.
A magnificent survey of Peruvian cuisineReview Date: 2008-05-10
Custer was educated at Harvard and is the CEO of Corporación Custer and a member of Harvard's David Rockefeller Center for Latin American Studies. He decided to write this book to celebrate Peruvian cuisine. Production values are very high: there are 100 full-page, full-color photographs by Miguel Etchepare. It includes an overview of Peruvian cuisine, as well as recipes, some of which are fairly complicated and require some background information.
The Fundación website contains an excellent preview of this coffee table cookbook, with a number of recipes which are true to the character of the book. The entry on ceviche is typical.
"Ceviche may have a complex lineage, but the basic elements for a good ceviche are freshness and simplicity.
"Use a firm fleshed white fish, which won't disintegrate in the lime juice. Limes should always be squeezed just at the moment of preparation and ingredients kept well chilled. The very special taste of the Peruvian tropical lime is difficult to replace, though closest in flavor is its cousin the key lime. To prevent the ceviche from being too acidic, refresh just before serving by tossing with a couple of ice cubes, but be careful not to let them melt and dilute the taste too much.
"Most importantly, ceviche should be eaten immediately. The lime will 'cook' the fish as you bring it to table and the fish will maintain a sensational taste and texture. Peruvians affectionately call the spicy marination juices of ceviche 'leche de tigre' (tiger's milk), and will drink a small glass to cure a hangover! Eat ceviche with a fork and provide a spoon for the juices. The traditional accompaniments are corn and sweet potatoes, providing a perfect balance for the complete dish."
This recipe is classic, with only six ingredients:
1 ¾ lb (800g) sea bass or flounder fillets
1 red onion, in very fine slices
½ red ají limo, chopped very fine
½ yellow ají limo, chopped very fine
Juice of 16 key limes
Salt
Cut fish into bite size pieces and mix together with onion in large bowl. Wash onion and fish and drain well. Season with salt and ají limo.
Toss fish preparation quickly in lime juice. Refresh by adding a couple of ice cubes, mixing well and removing immediately before they have a chance to melt. Serve ceviche immediately in a deep dish, accompanied by boiled sweet potato, fresh cooked corn and leaves of lettuce. (The corn is typically served on the cob in one inch long rounds.)
Cook's Note: You can substitute habanero or scotch bonnet chiles for ají limo; warning: ají limo is very hot.
***
I enjoyed not only reading this superb book, but as an intermediate cook, have had good success using it to prepare Peruvian dishes generally as good as those we enjoyed in Lima.
Robert C. Ross 2008

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The Artful Ribbon: Beauties in BloomReview Date: 2007-07-16
Have been using The Artful Ribbon since it was first available in Australia and this copy (second hand) was for one of my students. The quality, price and speed of delivery was excellent. Thank you.
The Best book on Ribbonwork!Review Date: 2005-09-21
Absolute "Eye Candy" for the "Ribbonaholic"Review Date: 2005-08-07
This book is a wealth of inspiration and a source of continual referral for most any project using ribbon and will keep it's prominent place on my bookshelf!
The Best Directions Ever!Review Date: 2006-09-02
In comparison to the other books available, it has more projects and I think the directions are easier.
If you love ribbon flowers (I make them as accessories in a business partnership) you will absolutely love this book!
Beautiful & InspiringReview Date: 2004-01-02

great bookReview Date: 2008-05-23
Kat's KritiqueReview Date: 2008-04-26
My one disappointment with this book was the comments by Hillary Clinton on the cover. I work hard at keeping my politics separate from my church, and I was shocked and appalled that a story about this wonderful program was contaminated in this manner. I never would have purchased the book for this purpose had I known.
Great story and illustrations, beautiful bookReview Date: 2007-11-07
Wonderful bookReview Date: 2007-09-07
Touching storyReview Date: 2007-05-05

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Most Excellent!Review Date: 2007-10-13
It is written in a narative style which makes it very easy to read. The stories are told by the people who were there, some happy, some sad ,some very funny.
If you are interested in the life of this man or even the history of modern day Rock and Roll Concert Production, how it started and evolved, I highly recomend this book.
Great, interesting bookReview Date: 2007-04-03
InsightfulReview Date: 2007-03-24
judgescottReview Date: 2007-01-10
montery pop ,woodstock, altamont,ect............
The Production Manager kingReview Date: 2006-12-21

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Great book for the true Bobby Sherman fanReview Date: 2008-06-27
HIS BLUE EYES STLL MAKE ME MELTReview Date: 2007-04-03
BOBBY SHERMAN HAS ALWAYS BEEN A CLASS ACT!!!!Review Date: 2006-07-23
I still love BobbyReview Date: 2005-02-10
good stuffReview Date: 2006-07-31
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