Art Books

I have been in business for many years as a literary publicist, but I am constantly
on the lookout for good reference books for publicity for myself and my staff.
This book is one of them. I highly recommend it.
Sherri Rosen
sherri Rosen Publicity LLC
NYC

As if the process of completing a literary work were not enough, Mr. Marich clearly illuminates the most treacherous path of promoting that work once it is complete. Having tried unsuccessfully to navigate this path on my own in the past, this book became a true beacon in my career. His insightful, witty comments make this book both a great read as well as an invaluable tool for anyone who ever had the courage to take the bull by the horns and promote themselves with the same energy as a PR firm. I know that on all subsequent endeavors I will gladly return to the core lessons found within to ensure my ongoing success.

I own a small PR agency in Chicago and am always looking for tools to help our junior staff be more effective and efficient. This book is great! Everyone of my employees now has their own copy of Literary Publicity: The Final Chapter. It's got everything a professional needs to know -- and, even better, what a non-pro needs to know to help make their book successful. I also like how Marich uses humor to make his points. I recommend this for any writer or any beginning publicist.

Mr. Marich has cured my writer's block. I realized after reading this incredible "BIBLE" that the root of my writer's anxiety was my fear that I would never be able to get my work to the public, press or broadcast media. I know now that there are tried and true ways to get my work noticed. After finishing Mr. Marich's book, I went right back to my P.C. with new inspiration. How very unselfish of Mr. Marich to share his experience and know-how with other writers. Anyone who is even thinking about writing for public consumption should read this book. No agent in the world could do in one year what Mr. Marich has done in one incredible book.

As an author, I am quite familiar with the search for publicity. This book was an enormous help, very clearly organized, and, most surprisingly, fun to read. The author obviously has a lot of experience in the field, and shares his trade secrets. It should be very helpful for beginning authors as well as more established ones looking to further their literary careers. Highyl recommended.

Like all the other reviewers I'm staggered by Youngkin's accomplishment, which seems to me--perhaps profanely--even more impressive than Lorre's own. In a way, Lorre has found a biographer supreme, one beautifully blessed by all the gifts of sympathy and knowledge needed to translate an artist's work into contemporary times. How many of Lorre's peers have been given such a chance to live again? It's really shocking how few good biographies there have been of Hollywood stars, and even some of the most acclaimed (think of Gavin Lambert's Norma Shearer) have actually been among the most banal and simplistic.

Of course Lorre gave Youngkin a life really worth chronicling. If it wasn't the drug addiction, it was the dramatic life in Germamny observing and protesting the rise of Hitler, till he and Celia Lovsky found their way out in a sequence right out of Shearer's ESCAPE! The work with Fritz Lang, with Brecht, with Hitchcock, with Bogart, with Irwin Allen, with Roger Corman, each one of these phases could have made an interesting book, and Youngkin knows how to spread them out so that every angle is covered and yet our curiosity remains high. And the research and the interviewing is by itself amazing. Every time you turn around, Youngkin is eliciting revealing and wry comments from exactly the people you hope would comment on the particular situation he is writing about. Because the book has apparently been in motion for something like 30 years, his reach goes way back--he spoke with Frank Capra, with Hitchcock and Huston, with Broderick Crawford and Corinne Calvet--hundreds of actors, writers, directors and behind the scenes personnel. This research gives the book a depth and richness of point of view that elevates it to the Mount Rushmore of biography.

I wasn't always persuaded by Youngkin's critical judgments, and would rather put a staple gun to my face than have to watch SILK STOCKINGS again, for example--but now he's got me re-thinking, "Maybe it is a great performance stuck within a lousy film." Youngkin pulls the camera way back and takes us through Rouben Mamoulian's whole career, his way of astonishing audiences by revealing unexpected sides to their favorite stars. I didn't actually need all of that to get the point, but I hope he gets to do the DVD commentary for SILK STOCKINGS, for we need more enthusiasts and fewer haters. Why write a book about a man, even a drug-addled and morose one, unless you love him?

if you are unable to get ahold of author stephen youngkin's earlier biography of peter lorre, then by all means purchase this book. it's comprehensive and thorough, and a good read of a fascinating subject. if you were able to get ahold of the earlier book, then you can save your money on this one. the only new item that would make purchasing this edition worthwhile is the photo and information on peter's daughter catherine. she looks like him but pretty, and her connection to the hillside strangler is included.

Peter lorre was one of the most unique and fascinating actors ever to come out of the studio system in Hollywood. Anyone who has every seen his soft, silken acting or heard that lyrically menacing voice ever forgot it. I know that I never did. I have been a fan since seeing him go toe to toe with Cary Grant in Arsnic and Old Lace when I was in my teens.

Peter Lorre fans have cause for celebration with this book, which is full of tremendous insight and depth. It covers all of Lorre's life and does so with compassion and appreciation. This work never becomes a fan's love letter, though, as the author does not shy away from the star's less admiriable qualities (which I will leave to the reader to discover). But everything is put in context, which often provides a certain understanding. And what a fascinating context it is - from the German stage of Bertolt Brecht to the Hollywood horror of Roger Corman. It's worth noting that this book is extremely well researched and includes a complete Lorre filmography as well as a complete listing of his tremendous radio work (was ever their a voice better suited for telling stories over the radio?).

As the Author tells Lorre's story, the reader is treated to plenty glimpses into several Hollywood immortals, such as Humphry Bogart, Walter Huston, Sidney Greenstreet, and Lauren Bacall (with whom Lorre had a close friendship). And the writing style is very readable and smooth.

All I can say is, for all of us Peter Lorre fans, Thank you, Mr. Youngkin.

And while we are on the subject of Hollywood greats that never have been given an aurhorative bio, what about Boris Karloff. Mr. Youngkin . . .?

-Mykal Banta

First of all I am profoundly grateful, that finally someone took up the task to write a biography on one of the greatest actors of the 20th century. Mr. Youngkin did very good work especially in researching the very early years of Peter Lorre in Vienna and Berlin, which I assume must have been a quite excrutiating task. Nobody who ever saw the film "M" will ever forget the wonderful performance Peter Lorre gave. Even later on, nearing the end of his live, when he was doing B-movies, he gave them that certain Lorre-touch. It is a wonderful read and Mr. Youngkins work cannot be praised enough. Sometimes this biography makes you cry and laugh at the same time. Finally somebody did credit to this wonderful, wonderful actor.

"He's crazy about me...all the degenerates are." Peter Lorre, speaking of his chimpanzee co-star in "Five Weeks in a Balloon."


From the beginning of his career, Peter Lorre was typecast. The classic German Expressionist drama, "M", set the tone for his entire career. Lorre said that from that point on, in people's eyes he was "forever the murderer". This was allowed to overshadow his incredible talent and his great aptitude for comedy. (His throwaway lines, like the one I quoted above, are priceless!)

His career spanned from experimental theater in pre-Nazi Germany, to classic noir films with Humphrey Bogart, to eminently forgettable films from the Sixties. (How odd that one of his last appearances was in "Muscle Beach Party"!)

Stephen Youngkin does an admirable job of chronicling Lorre's professional life, including the myriad missed opportunities--(of note: Malcolm Lowry's rabid interest in seeing Lorre play "the consul" in "Under the Volcano", and Lorre's own desire to produce a film about Kasper Hauser. Both of those projects, never realized, would have added so much to Lorre's cachet.)

The book overflows with examples of Lorre's humanity, professionalism, and wit. Unfortunately, the actor's personal battles with the demons of drug abuse and poor health, his unluckiness at love, and his profligate nature create an undertow of tragedy which no reader can escape. In the end, this is a deeply saddening and troubling book. Long after you have finished reading it, you will find yourself reflecting on the life of this brilliant and tormented individual, who indeed has a special place in the hearts of all the "outsiders" in the world.

I have actually used this reference for years as needed for ActionScript. I still had a good use for this text in ensuring compatibility with Flash MX until the lack of features became too overwhelming. This is in the face of newer versions of Flash such as CS3 (9.0) that use ActionScript 2.0/3.0. All in all, this book was wonderful until the release of Flash 8.

Because of the new Filters that have come out with Flash 8.0 and the features of ActionScript 2.0 to support these and other enhancements, I would instead recommend Flash 8 ActionScript Bible if one is concerned with cross-compatibility in their ActionScript code and wishes to still be able to use AS with newer features such as Filters (but not as new as Transitions or other CS3 exclusive features - for that, I'd recommend ActionScript 3.0 Bible or something similar).

As far as who I could possibly recommend this book for: It's good for somebody who is still working with Flash MX 2004 and below to Flash 5 (much of the text is compatible with Flash 5), however, I don't know that there are many of those sorts of individuals.

This book is a great resource for when you're looking for that specific line of code. Its terrible to read from front to back, but its an excellent way to find exactly what you're looking for. Its so much code, it'll make your eyes bleed.

One of the few comprehensive actionsctipt titles on the market. The first half of the book boasts a large variety of tutorials and examples that skillfully lead the reader through both the syntax and use of actionscript. Personally I found the text clear and practical. The chapters on OOP were of particular value as they went beyond actionscript basics into application, bordering on philosophical.

The second half is an invaluable reference of the entire actionscript dictionary with a comprehensive CD full of .fla example files and bonus chapters on the XML Object. As a qualified teacher I found it hard to fault the methodology employed by the various authors.

Well worth the purchase.

I am a former programming teacher and I have a style to teach my students the most UNDERSTANDABLE way to do something not just how to do it. This text/reference achieves that purpose. If you have an understanding of Flash (which you should have before getting into scripting see Weinman books) then this book will serve you well. There are other books on scripting - great books - such as Moock's books but they are more so for the programmer. This book is for the novelist programmer that desires to learn about action scripting.

5 stars if you know Flash well.
1 star if you haven't had any experience with it at all.

I was a beginner once, who couldn't figure out Flash at all. I'd like to help you build a bridge between where you may be now, as a beginner, to where you may find yourself aspiring to go.

If your only experience with Flash is to have seen the many wonderful and breathtaking Flash movies on the Internet and just had a look at the authoring tool, I strongly recommend that you leave this book until much later. It has its place in the learning curve but it isn't, in my opinion, the first book to see.

There are understandings to possess that this book doesn't cover sufficiently well enough for those whose minds work in particular ways. This is a programming book, for using the phenomenon of programming to create great design and animations. Whilst the focus is on design, you aren't using the design tools on the interface. With this book, you are using the Actionscript language and you have to have a logical mind for this activity (as well as keeping your strong creative one).

I began my steep learning curve with Flash by watching others and watching video tutorials, especially those by George Pierson. In this way, I can ask questions that are tailored for me and I get tailored responses. Books aren't always able to do so well here.

What is great about this book is the MX Actionscript reference in it and the seemingly well designed theory tutorials. I can't find a fault with the reference. The theory is quite good. In the reference, all Flash MX commands are covered. There are examples of how to use them, but the coverage may not be enough for some. Brill. Just BRILL. I can be excited but because I can follow Actionscript.

Approach this book when you are successfully making Flash movies on your own. Yes, on your own. For me, this book is an aid for when I am going to where I haven't gone to before. It helps me make judgements on ideas I get.

I reccomend this book to any one. It is a touching story that opened my eyes to the horrors of the holcaust.

I'm ordering my second (replacement) set today-- I've lent these books out so many times, and I didn't get them back last time. I know why... these are books you can't forget, you don't want to lose, books you want to look at again and again and share with your friends. I've read much about the Holocaust and been moved by many stories, but none seemed more real or more human than these incredible comic strip figures. Spiegelman captures his father's attitude and dialect so well that I can hear him speak in my mind. Everyone should read these books, Jew or non-Jew, young or old. We must never forget.

This set of books is so terrifically done that I cannot recommend it enough. I have owned the set for a few years now, and every time I reread the books I notice another facet to the drawings or text that adds something new to the story. The first time you read the books, you won't have time to really look at the pictures, but as you read them again, read slowly and observe at the backgrounds and the other people in the panels.

I can only imagine how gut wrenching this series must have been to write for Mr. Spiegelman, but I thank him for doing so. This story brings the Holocaust down to such a personal level, the people in the story are real human beings whose lives don't just begin and end with the Holocaust. You get to see how they lived before, coped during, and survive with the memories of the war years.

Finally, to this day I am moved to tears by the last few pages of the second book. Although Vladek Spiegelman comes off as a racist miser at times (i.e., a real human with flaws), the reunion with Anja is drawn with such genuine emotion between the characters that it is almost painful to read. Imagine yourself in that situation with your significant other and the scene becomes so intensely emotional that you have to look away.

It helps to have a background in the Holocaust but is in no way necessary when reading this book. It should be part of everyone's library!

A few years ago, when I first read MAUS, I was filled with trepidation at the thought of a comic book about the holocaust. As a holocaust educator, I worried that any trivialization of the topic might do more harm than good. After I finished reading MAUS, I walked away believing it did a better job of communicating the loss, suffering and lifelong consequences better than almost any novel or scholarly work I had ever read.
Spiegleman could have bombed on this one: too much 'comic book' or too much history would have ruined the work and caused a nightmare. Instead, he found the most remarkable juxtaposition of human understanding and tragedy communicated sensitively and sorrowfully, in a way in which those of all ages can identify.
My concerns about the Jews portrayed as 'mice' were quickly allayed: these mice had more humanity than most people. The metaphor was so powerful and 'receivable' that I do not think it would have worked any other way. I would recommend it for High School and above, because of its intensity, but at the same time it's hyper-reality is so magnificent that no one studying the holocaust or Shoah, whether at the beginning level or far into a scholarly career, should escape reading it. It is a masterful classic and has left a lasting impression on me for the entire time of my own studies.
Elizabeth Kirkley-Best, PhD, Director: Shoah Education Project (Web)

Incredibly, this story could not have been told in any other medium - it had to be in comic form.

Vladek's story is amazing and horrible, and though he did not die in Auschwitz, perhaps he did not survive.

Speigleman captures his father's horror, and lack of horror in chilling detail, often with little editorial input.

I reread both books almost monthly, and never tired of putting voices to the drawings.

No simple review can wrap-up the power of these little drawings, or of Vladek's calm recall one of the most regretable events of the last century.

Compelling, frightening, powerful and addictive.

Just like The Winter Child and The Faeries of Spring Cottage this is very lovely book. Both adults and children will enjoy the pictures and lovely story. This is a must have for all children and Froudians.

Wendy Froud is every bit the genius as her husband. This book is absolutly enchanting. Her dolls and her vision coupled with Terry Windling's adorable story create a world that young and old will want to escape to time and again. A must have for all fans of Frouds and faeries.

An excellent book for children. My daughter loved the heroic faery. The illustrations are first rate. After getting this book for my little girl, I tried out Terri Windling's "The Wood Wife" which is written for more adult readers. I am glad I stumbled onto Ms. Windling's work. Both books were excellent. She is a very good story teller.

Sneezle, you ask? What exactly is a Sneezle? Well, Sneezle is our little root faery hero, that's who! This is a wonderful book with a very good lesson that teaches us that everyone in life has been put here for a reason. Sometimes it may seem that certain people in life have better luck, are more beautiful, are thinner, have a better voice, etc but this book shows us that there is something special in everyone, even when we least expect it. Sneezle shows us that the pure of heart will always prevail over the forces of evil.

The artwork in this book is also PHENOMINAL (please forgive me if my spelling is incorrect.) Every time I look at the pictures, I find something new. The creatures, the landscapes, the settings are all GLORIOUS! Although this is a "children's" book, I highly recommend it for both the young and old at heart.

The book refers all to faeries, the story is good but what I was interested on was the art. Wendy Froud created the dolls for the story and since my interest is doll making, this was a great book full of details. She has another book named "The Winter Child" in which she uses the same dolls but there is different story line. If you are interested in books with great pictures, this is the one or if you enjoy reading good stories to children you will greatly enjoy it. Wendy Froud is the wife of Bryan Froud the great illustrator of "Good Faeries, Bad Faeries" and "The Faeries' Oracle".

Book was purchased as a gift for my mother. Arrived on time, in great condition as it was listed. There was a small tear on the cover - but it was listed this way so it was what I was expecting. I just taped it up! She won't mind as she will be delighted with the book.

Let me first say that I have a ton of vintage jewelry in my personal collection and I also sell it in our family owned antique store. I purchased this book and read it from cover to cover. WOWOW, what a great book. So much great information and easy to read. These girls did a wonderful job in the layout of this beautful book. The pictures to say the least are all stunning and really show up great in their book.
I would recommend this book to anyone that has ANY kind of interest in vintage jewelry. This book really explains how different designers tried to copy the Haskell style. Great reference on how to date pieces and also identify key Haskell style trademarks.
Thanks for a wondeful book!

Serious collectors must have this book on their shelf. Close-up photographs show the jewelry's intricate designs in detail.

This is a fantastic resource book for the Vintage Jewelry Collector or Seller. It is wonderfully organized & beautifully illustrated with many large color pictures. The descriptions are concise & precise. Values are given after each description.
There is also a wonderful & informative section on Identifying & Dating Haskell Jewelry~vintage to present~including clasps & materials. This section also has clear close-up photographs.
I feel it is an invaluable tool for the serious collector. And well worth the investment!

Dealing with jewelry is both to me, profession and hobby. So I also like reading books about the stuff I love, and this one really got past my expectations. It helps getting insight not only in a really interesting branch of the jewelry business, but tells also about the people behind the design. At the same time, the author manages to give a helpful guide to the ambitioned collector of that kind. The book reminds one how much fun it is to create and wear exceptional pieces and tells some stories that are connected with those. The pictures are magnificent. This book is motivation for new ideas and simply fun to read.

Well done Norman J Hyne, what an excellent edition. You explain how this complex industy works in very easy to understand chapters and supporting diagrams. Well worth the price.

I was looking for a book giving a comprehensive overview ofthe petroleum industry Upstream processes.

I found it. This is a great book with a practical sense and the figures and tables needed to build Your own frame of information.

If You need a practical understanding of the industry to build a business case, or figure out Oil Co needs. This is where to start

This is the best book available if you want to understand the petroleum industry without all of the techy details (or the engineering that comes with it). An excellent overview & reference.

Very well written and formatted for those of us with very little or no previous oil and gas related experience. Covers all the bases and allows the reader to see how prospects are identified and analyzed and the hydrocarbons recovered and marketed. Recommended for all those wanting to learn more about the industry.

I am a graduate geologist and I found this book ideal in my circumstances as an introduction before I got some petroleum work experience.It is very well written ,even a layperson could get a good appreciation for the wide encompassing subject matter.It is not aimed at specialists or those with a lot of experience in the petroleum geoscience.However, it is one of the best text books I have read.

This is a 50 card deck created by literary escort, Naomi Epel who would get writing advice/ideas from the authors that she toted around. She used an index card system where she had wrote phrases or questions. When she was feeling stuck, she'd pull out a card to induce ideas.

The cards have words, suggestions, ideas to help pull you out of being stuck or to spark your creativity with your writing. Accompanying the cards is a book that is slightly larger than the cards. The book contains suggested uses for the cards and meanings. I like in the introduction where Naomi says: "The spontaneity of pulling cards freed me from having to be too self-directive and my writing began to flow."

I have enjoyed using the cards and the book is interesting. I have been keeping the cards beside my computer when I write, and sometimes when I take a break I'll shuffle and see what comes up. This morning when I went to my computer, (after reading a book that had me thinking about writing down some goals)I looked at the cards sitting atop a pile of books. The top card facing me read: "Set realistic goals." -Wow, maybe they're psychic too!

The cards and book come in a nice box. Mine haven't been back in the box since I got them. This is a great gift for writers or anyone who enjoys creativity and expanding their thinking.

I bought the book used here sans cards and the book itself is interesting. It has about five references to the wonderful writer Julie Smith whose work I'm reading now as a result. She's terrific and until now I had not considered myself a mystery reader.

A few of the topics/ideas in the are common sense (well, actually they all are), but I am surprised at how having them in one place is inspirational. I wish I had this book on my writer's retreat last weekend for a craft lesson presentation.

The edition I have is a small paperback and has a colorful, interesting cover. It would make a great gift.

So, in short, I recommend the book as a gift for writer friends or for yourself to nurture your creative side. I'm so torn between the two, I'll buy another copy.

These pretty cards are an excellent device to jump-start ideas when that sneaky writer's block comes up. Great for brainstorm sessions and getting ideas organized. This is a fun tool for those who love cards - playing cards, tarot decks, and affirmations. Creative minds will have a blast using this "ingredient" in their recipe of book writing!

My soon-to-be published friend Debra introduce me to The Observation Deck -- which I now lovingly call "a writing class in a box."

This is not new, published in 1998, so I was late to join the fan club, and when I tell other friends about it, some look at me patiently and say: You just found it now!

The idea (should you choose to accept this mission) is to use the deck of get-off-your-duff cards to urge you out of writer's block.

This may sound melodramatic, but it has changed my life -- as a writer, editor, listener and observer of people, places and things.

When writer's block hits, pick from over 20 cards that might say: Take a walk; or zoom in and out; explore the underside; follow the scent.... You get the idea. My favorite is: EVERY SINGLE CHAPTER.

The purse-sized, 160-page book has a chapter on each of the "pushes" on the cards. My book is highlighted in yellow, with X in red and Q for wonderful quotes. I read a little, think a lot, and then an idea, or a new way to look at an idea that has been rumbling and grumbling around in my head pops into my thought process.

If you are wannabe writer (or better writer), this would be a great self-gift or for family or friends who are writers.

"The Observation Deck" is a cute boxed set from Naomi Epel for writers who suffer from writers block or other inspiration malfunctions.

The set from Epel contains 50 cards meant to inspire thoughts, stories or other ways of thinking during the writing process. A little book is also included that contains techniques that have worked for other writers such as "Eavesdrop" a little trick apparently used by famous writers like F. Scott Fitzgerald, Eudora Welty and many others. The book is more effective than the cards and I would like to see that thought continued in larger volume by Epel.

This set is a nice handy tool to have at hand when doubting your worth as a writer. Grab it for inspiration but rely on your own observations.

Book is in excellent shape, is full of awesome information, arrived very quickly and overall, I'm psyched. THanks.

This is a must have book for origami designer as well as folder.
Robert J. Lang is obviously a great author.

The delivery of Amazon is faster than I experted.
The book was in good condition when I received it.

This book is amazing, if a little daunting. It will take some time but I hope to be creating my own patterns some day. Happy folding!

Dr. Lang delves into the hows and whys of origami design exploring origami the way Alton Brown explores food and cooking.

The instructions for creating beautifully made koi decorating the cover are not included in their entirety, notably excluding the sequence for creating the scales. Instead, Lang describes the principles and techniques for creating textures on paper, leaving the creation of the fish as an exercise for the reader.

If you're looking for a recipe book for cool origami designs, then this is not the book for you. Rather, this book is for anyone curious about just how the heck someone makes a cuckoo clock out of one uncut sheet of paper.

This book is a MUST HAVE for the origami enthusiast - it begins with excellent coverage of the basics and each chapter builds on the last. When you finish this book, you'll be able to fold anything, except maybe time and space ;-)

Excellent book, but I am not sure the distinction is between Western and Oriental tactics. I suspect that American Indians, frontier scouts, the British SAS, U.S. Special Operations community, etc...would be very familiar with, and skilled at, these tactics.

A classic dilemma that resurfaces every time we go to war. Militaries, at least in the West, prepare to fight the last war and not the next one. As a free society, the public tends to forget the hard lessons learned and shuns warriors during times of peace. The end result is that we constantly are reinventing the wheel after every war/generation.

Victor Davis Hanson, in a recent editorial in the City Journal called Why Study War, gave a perfect example from the Post-Vietnam era; "The public perception in the Carter years was that America had lost a war that for moral and practical reasons it should never have fought--a catastrophe, for many in the universities, that it must never repeat. The necessary corrective wasn't to learn how such wars started, went forward, and were lost. Better to ignore anything that had to do with such odious business in the first place"...."A wartime public illiterate about the conflicts of the past can easily find itself paralyzed in the acrimony of the present. Without standards of historical comparison, it will prove ill equipped to make informed judgments."

A well-written and important book that provides an in-depth analysis of small unit tactics.

Danger, danger, is very much the message put forth in this book and it should be heeded before it is too late. Some reviewers have mentioned Sun Tzu and his rules of warfare. Sun Tzu puts forth a very reasoned and systematic set of rules that define a nations path to victory or defeat. By definition, our present leadership has us solidly on the path of defeat. Our people in the field have to both fight our Eastern enemies as well as carry a great weight of poor leadership at the highest levels. This book is very informative and is for the most part, completely accurate and frightening.

The idea that hardware superiority alone can replace common sense is ludicrous and this book digs deeply into this. I remember seeing news footage of our troops in Afganistan heading up into steep mountainous terrain encumbered with huge heavy packs and body armor. They could barely move. They should have had only their clothes, rifles, ammunition and food and water and some good lightweight footwear. If you are going to fight an Apache you have to be an Apache. It seems at times to me that our soldiers are forced simply to carry as much weight in useless (and expensive) contractor equipment as a mule. Small unit combat and the tactics that win in this arena will be the deciding factor. Something also needs to be done about our so called free press. This game is for blood not for profitable commercial air time and these people should be subjected to the sort of censorship that our country used in WWII and the sooner the better.

I feel also that some of the opinions voiced on China are a bit over the top. The Chinese wish to better themselves and are not necessarily motivated by a desire to hurt us per se. It is very possible that in future that the Chinese could help us. They should not be blindly antagonized. They think and plan in a fashion that is very, very, long term. Our own leadership is cripplingly shortsighted in strategic planning.

I have lived and worked in the Mid East for a number of years and my personal opinion of the Iraq war can be summed up as follows:

1. The US leaves Iraq now and the country will dissolve into a bloody civil war.

2. The US leaves later and Iraq dissolves into a bloody civil war.

This book documents many of the reasons why this is so. Anyone who cares about the future of our country and indeed the world (China included) should read this book.

A sure test of talent and knowledge is the challenge of taking a very complex subject, explaining it in understandable terms and then offering solutions along with the understanding. My very brief stint in the Army ended long before Vietnam called the younger brothers of my generation. From the news reports it appeared that we suffered so many casualties only because the enemy was "sneaky" and prepared to die. How could the US lose to people who could not afford shoes?

Poole does a great job of bridging the gap from Sun Tzu to the muddy jungles of Vietnam and the significance of the lessons to our maneuver warfare. It is no accident that Boyd associate Willian Lind wrote the preface.

Poole finished the book just before 9/11. Our experience in Iraq and the Israeli experience during the past year show that we have much to learn. After 50 plus years of victories over various armies, the Israelis lost to what most consider a rag-tag army. Other than their heritage, they are as unlikely to defeat the Israelis as the sandal clod Vietnamese.

Poole's book is a gift to the small unit soldier and perhaps a greater gift to those in higher command who will order soldiers to assault targets with little understanding of what they may be facing. It may be at a distant command post or in the case of Somalia the commander flying overhead at 2,000 feet but unable to understand the river of lead flying down the street as he instructs troops to consolidate their positions.

This is a great aid to understanding current events and history from the comfort of your easy chair while balancing a martini on the arm. However, my sense is that it is far more valuable as a gift to a young trooper. In addition it should be mandatory reading ( along with Sun Tzu and Boyd's briefing slides) for every reporter who covers wars and "low intensity" conflicts.

Reading the book makes you appreciate Poole but feel uncomfortable with the contents. A great contribution.

As with all of Poole's works, we are treated here to an excellent analysis of the tactical sphere of war. This time, from the eastern fighter's perspective. Written, I believe, pre-9/11, the work itself is a thorough offering of actual techniques and wartime practices used by small units against western forces, but it is most remarkable in that it outlines in a concise and friendly manner what most analysts still fumble over on MSNBC.

In the world of tactical operations and small unit tactics, we can not ask for a better teacher than John Poole. Keep a close eye out for any and all of his works, for they have a lot to say about how and what western forces will fight for the next fifty years.

NOTE: This work makes a perfect companion to the author's "The Tiger Way," which outlines the ideal western method for combating such tactics.

I read all these reviews and in the main agree with them. However, the real "way of western combat" is exemplified right here: we -- AT THE BOTTOM LEVEL -- are discussing all this and implementing it as we go. And as another reviewer mentioned, our soldiers are getting at it and learning from this NOW. Here's the clincher: does the oriental soldier or citizen do this. No way. It's not in their culture. Hasn't been for thousands of years. Unlikely to be unless huge changes occur in their citizenry. West = democracy / more free / BOTTOM-UP APPROACH. East = tyrrany / less free / TOP-DOWN APPROACH.

SUMMARY: I'd much rather be in the West facing the Eastern way of war rather than be in the East facing the Western way of war. Let's be data-driven: what is the kill ratio of WW2, Korea, and Vietnam? 40-1? 10-1? And yet, Poole's talk about Japan in WW2 making "infantry the most valued weapon". What?! Americans (and all European armies before them all the way back to Alexander) don't line up rows of infantry and charge across open fields to be mowed down. Doubt it? Guadacanal. Korea. etc. That's the "cultural" difference highlighted here: we value life, even a single soldiers.

Further reading: Carnage & Culture, by Victor Davis Hanson.