Art Books

I enjoyed this book so much that I read it twice,
then a year later, read it again!!---FANTASTIC!!
It captures the times, the people, places and things that
made Sylvester, San Francisco, that music and that era
such a golden & magical time!
I love the stories of the young Sylvester growing up in
South Central L.A. in the 50's and 60's, FLAMING THE CHILDREN!!
Giving them fabulousness and outrageousness at every turn,
from his soul-stirring falsetto rendition of the black gospel
classic "Never Grow Old", to the rawkus "DISQUOTAYS", a rag-tag
gang of young black drag queens that he hung out with, to the
off-the-charts outfits that must've stopped traffic in
the hood big time! (LOL!!)
It was evident to all who knew him even then, that this
pretty black child with the high voice was way different
and way way special!! (-:

Some didn't know how to take Sylvester or even know what to
do with him, yet he pressed on!---Carving out his own space
within the harsh realities of ghetto life as best he could.
Sylvester was a true pioneer in every way!
He didn't see race, gender, the expectations of others,
the taunts of hateful & ignorant people, etc.,
as obstacles or boundaries he needed to respect.
He was a true original!--Uncut, undiluted, young, black,
gay, gifted, stylish, full of charm and ambition,
with the soul of a torch singer or a blues shouter
infused by a rock-n-roll rebel spirit and soul singer's chops!
What a combination!
I myself can attest to Sylvester's impact, as both a fan
and as young gay black kid who was coming of age and into
self-awareness at the very time that his star was reaching it's zenith!
I had just started partying and experimenting sexually by
the age of 14 in 1978 when "Dance (Disco Heat)" and
"You Make Me Feel (Mighty Real!)" burst onto the music charts,
in the clubs and in house parties across the country
and eventually, the world!
I couldn't yet get into the disco clubs, but oh boy!--
I could sure get into house parties!
I was hanging out with people who were 5 to 10 yrs older
than me and I was learning MANY INTERESTING THINGS!!
Of course, back then you had "FAIRY GODMUTHAZ", older gays
who would take us young "up & comings" under their chiffon wings
and school us on the do's and don't's of gay life, sex & survival
in the late 70's and early 80's!!
PRE-AIDS and in the last writhing throws of the SEXUAL REVOLUTION,
it was a great time to be alive!
I grew up in the south during this time, which already had
it's issues with race and sexuality, so the gay world of that time,
on that end of the country, was very still underground,
hypocritcal and always hush-hush!!
There were a lot of secret stares, codes, slangs, etc.
to let those who needed to know, what you wanted them to know.
But though it was very repressed and subterfuge,
MAN, DID WE HAVE SOME FUN TIMES IN OUR LITTLE NETHERWORLD!!
And yes, as is now, back then, straight men did venture
into our world quite frequently!!

Anywayz, enter THE FABULOUS SYLVESTER from the legendary
and exotically far reaches of a city they called
"the gay shangri-la"...aka SAN FRANCISCO!!
It was the summer of 1978, and here was this strong,
proud, black, beautiful, talented, androgynous gay man
telling us, by the very nature of his exsistence,
that it was not only alright to be what you were out
in full view of the world, but it was also our duty
to be FABULOUS & JOYOUS!! (-:
Sylvester was more than just a disco diva,
HE WAS A WHOLE MOVEMENT!!--Every time he would perform,
it was part church revival, part circus, part drag pageant
and part gay pride celebration!!

TRUE STORY!!---Picture It!!--Greenville, SC in May of 1979...
I had just turned 15 yrs old, and me and two young gay freinds
of mine, one 16 and one 18, hear through the grapevine
that none other than THE FABULOUS SYLVESTER would be appearing
at a club called SAN SOUCCI's in Atlanta, GA
(which was 200+ miles way, and well on it's way to becoming
the southern San Francisco!) and we go absolutely nuts!
It becomes our mission, our sole purpose for exsisting!!
Our quest, to somehow, obtain fake ID's, fabulous disco-era
outfits replete with lots of glitter, dripping foxtails
off the lapels & double belts, shoes called "crayons"
that had a clear amber heel that had lights in them that
blinked in rhythm as you danced your booty off on the dance
floor, either Sassoon or Jordache jeans which had a little
stretch fabric blended in with the denim to hug your firm
perky teen-aged azz and tiny waist to perfection,
outlining your package in the front, and making
the local guys salivate with lust over a hot piece
of TENDERONI like you! (LOL!!--we were too much!)

We pooled our allowances, our summer jobs, etc. to
obtain tickets through an older bisexual cousin of mine
who lived down in Atlanta at the time, who also arranged
the fake ID's as well.
Keep in mind, I had just turned 15, one freind was 16
and the other was 18...none of our parents even knew
we were gay, and there was no way in the hell
that they would've sanctioned us (under-aged)
going all that way to Atlanta...and to see this
gender-inspecific weirdo named SYLVESTER!!
(Boy George and Ru Paul were still a ways off yet!)

So me and my freinds, being rife with teenaged angst,
secretiveness and resourcefulness, concoct the half-baked
scheme to hitchhike from Greenville to Atlanta with duffle
bags in tow filled with our outfits, toiletries, etc.,
use our fake ID's to get into the club and party with
Sylvester & Two Tons O' Fun into the wee hours,
get my older bi cousin to rent us a hotel room in Atlanta,
have us a slam bang good time with some local fellaz
overnight and then hitch it back to Greenville by Sunday
evening before 5 pm!! (LMAO!!)

Anywayz, long story short, as is with all half-cocked
and scantily thought out teenaged schemes, we did pull it off,
got in the club and got down with Sylvester, got high,
got the boys, got the hotel room, etc.
But what we didn't bargain on was our mothers not being born
yesterday and the lose lips of the jealous young queens
who wished they had the balls to pull off what we did!
(We got ratted out big time!)
We also had a hell of a time trying to hitch it back
from Atlanta to Greenville on a Sunday morning, and after
our mothers up in SC found out what we had done,
they got in a car and headed for us like heat-seeking/
search & destroy SCUD missles with fire in their eyes!
Man, did we get our teenage closeted gay behinds handed to us!
My older cousin caught it too from my uncle in Atlanta
for his hand in our scheme, and we didn't even have
time to put concealer on over the many "hickies" on our
necks and chests from our Atlanta frollick in the hotel
from the night before! Boy, it was a mess!
We wound up being forced out of the closet to our mothers
(which was then a horror to them!)
We were all immediately grounded for a month to our respective
residences, were banned from socializing with each other,
(which we still would sneak and hang out!)and we all got
the butt whippings of our young lives!
(Yes, parents still whipped butt back in those days!)
BUT OH MAN!--We didn't care!
It was well worth it, because we got to see THE GODDESS,
THE DISCO DIVA...SYLVESTER, live and upclose!! (LOL!!)

Now, here I sit...a 44 yr old, well-traveled, successful,
proud and fortunate gay black man who has had my fun,
relished the memories of those far away magical days,
and if there is any bittersweetness to the story,
it's that I have outlived not only my two freinds from
that teenaged excursion, but Sylvester and about 30 more
freinds and acquaintances from the late 70's
to the mid 90's...all lost to the scourge of AIDS.
As we grow older, we reflect and long for things that
were familiar to our particular generation as things are
being torn down, people die or move, and the world of
our past is erased. This wonderful book, along with
Sylvester's music playing in the background as I was
reading it, brought all the magic back for awhile!
This book would make an excellent movie and I hope someone
will make it happen someday in the near future.
In the meantime, enjoy the book folks!
R.I.P. To Sylvester, Izora Rhodes, Patrick Cowley,
and to all my freinds and acquaintances who have made
their transitions in the prime of their lives!--
I'll see you again one day!!
LOVE & PEACE 2 ALL!!

I am still reading the book and have been quite pleased with all the details of Mr Sylvester James Jr. Life, I am sure when a read the final pages it will be as smashing as the life he lived!! I also found a DVD, Filmed in San Francisco, in 1985 or 1987 when he celebrated his birthday, the video is grainy and not what I expected which was Him and the Famous (Two Tons of Fun,) what I have is Sylvester in his what I call break out years his voice was not as vibrant during this period but to have anything of him suits me just fine. He came into his own he perfected his voice and character, I still miss his presence on earth just as I do all the Great Ones.

Sincerely,
LEE

At last, a beautifully-written book about a beautiful artist - Sylvester. I have been waiting for this book to arrive for years and, finally, here it is!

I was hooked by the opening chapter which tells the story of a young boy named Tiki Lofton who sneaks out of his bedroom window at night and over to a friend's apartment where, in 1960's South Central, with the help of a young Sylvester, he transforms himself into a "Disquotay." The Disquotays were a group of boys who liked to dress up as sophisticated ladies. And Sylvester, or Dooni as he was known then, was in charge of the wigs.

"The first Disquotay bash that Tiki went to was over on 120th and Athens, at Etta James's house, sometime around 1965. Etta, who would later be inducted into the Rock and Roll Hall of Fame (largely on the strength of her 1961 hit "At Last") and the Betty Ford Center (largely on the strength of her smack addiction), was already a recording star and a friend to many local Los Angeles drag queens . . . The house, with its swimming pool and fireplace, had stunned her. Women, drag queens, and guys, all sending joyful noises in Tiki's direction; the music had been jumping; Walter Jackson's version of "Lee Cross," Jr. Walker & the All Stars' "Shotgun," "Nowhere to Run" by Martha and the Vandellas, Fontella Bass singing "Rescue Me." Gay kids all perched on gigantic speakers, singing and carrying on . . . Tiki had said to herself. "This -- honey, where is this world?" Within months, she would be a full-fledged Disquotay, made-up, bewigged, bejeweled."

Joshua Gamsom recreates this world vividly in that first chapter. Simultaneously, he introduces us to the members of Sylvester's family. His beautiful and beloved mother and grandmother. His twin sisters, Dette and Dean. The quotes are full of heart and expertly placed and the story unfolds like a fine silk fan. I can't help but think that Sylvester would be very pleased to read this biography.

I had the honor of meeting with Sylvester to discuss a project a few years before his death. It was mid-afternoon and he was sewing sequins on something, which was his favorite pasttime. He was always sewing, a talent he picked up from the women who raised him. He walked over to the turntable and put on Patti LaBelle's "If Only You Knew" and said he was dedicating the song at his One-Night-Only concert the following night to his fans and supporters in San Francisco, the city in which he always felt most at home. That night, with Martha Wash at his side, they performed that song together, bouncing their voices off each other inside the Castro Theater. Those two powerful voices, the acoustics of the Castro Theater, and the magical spell he wove with Patti LaBelle's song was something to behold.

That Sylvester could hold his own with the amazing Martha Wash is a testament to the power of his falsetto. He didn't have a thin, reedy falsetto. His was full-bodied, gravelly even, and very much in evidence on one of his biggest hits, "Do You Wanna Funk."

"So when I tell you, that you're really something, baby, will you stay, or will you go away."

Joshua Gamson captures the essence of Sylvester's personality, the diva fits as well as the immense kindness and sensitivity, and wraps it all together into an highly readable book that I wholeheartedly suggest you pick up. Although some have faulted him for not having an encyclopedic knowledge of music, Gamson lets experts like Joel Selvin provide insightful commentary.

It is my hope that someone has optioned the book for a movie and we can expect to see this wild individual portrayed in all his glory.

John Waters wraps up "The Fabulous Sylvester" pretty well in his cover blurb: "A well-written, touching, dignified biography of a gay black diva who never really fit into any minority but managed to achieve his dreams of stardom. Now that's what I call a man."

Five Stars. Great Read.

The Fabulous Sylvester is a fascinating recounting of the life of Sylvester, the dance scene and Sylvester's career. This book explores the life of Sylvester from his early childhood days to his development into an international dance icon. This book does not sugarcoat any part of Sylvester's life. It is detailed and honest and shows us all aspects of his life and career. This book is as interesting and fabulous as Sylvester was.

this Book was on right on time. Sylvester was something else back in the day as a artist and very Open about his sexuality. He didn't back down from anything. His voice was the truth and very soulful. this Book explores his whole career and thensome and the many other artists he encountered and how important they were,etc... this book takes you back to a time period when so much was happening. a must read and it is very well written and is a real page turner.

I bought this book for the CD. Most of the Elektra catalog is out of print and was never re-released on CD. The CD is great, though I would have liked more international folk music. There's only one foreign language song on the disc. The book itself turned out to be a very pleasant surprise. While I am only about one fifth of the way through it, I'm finding the story of Elektra Records fascinating. I didn't realize (or, more likely had forgotten - you know what they say about the 60s) how many big names in rock got their start there. A great read about the little record company that could.

Great book for those that enjoy the inner workings of a record label,its history and the people that made it happen.If you dig musicology this book is a must read.

I have read my share of music industry books and this is by far the best one. And what is inspiring is that you do can make good business in this industry and still keep your integrity, just follow Jac Holzmann's example describe in this book. Awesome read!

One of the best books on the music industry I have ever read. When you read a book about a band or artist, or about an era in music or whatever, what you mostly want is to feel like you were there at the time these people were recording and gigging and just being bands. Follow the Music gives you a first-class seat in Elektra's offices, at its artists' concerts, in rehearsal spaces, in restaurants where biz wheeling and dealing is done . . . You come away knowing Jac Holzman underpaid his staffers and artists, but that he genuinely cared about the quality of music his label put out, and about artists' integrity. I wish there had been as much on Arthur Lee and Love as there is on the Doors, but then the Doors were Elektra's biggest-selling act, so I guess it makes sense that they get the most ink in the book. I also didn't like the way the sections on the MC5 and the Stooges - two of the most important bands in the history of rock - are so short, while the one on Carly Simon is so long. But that's because I like the MC5, love the Stooges and wish Carly Simon would go away. But these are quibbles. I loved the book. How much did I love the book? I don't even like the Doors, save for 5 or 6 of their songs, yet I drank in every word about them, and went back and listened to their debut and L.A. Woman because the chapters on those two albums were so moving.

This is a must read for music fans! There is something for nearly everyone here: The story of the founding and growth of Elektra Records (how an energetic young man, Jac Holzman, with a few hundred dollars, good musical taste and a ton of ideas could actually start a thriving record company). The history of many early folk music performers such as Theodore Bikel, Judy Collins, Jean Richie and many others. The story of the creation of Nonesuch Records (a low-cost Classical division). The history of many Rock performers (including Jim Morrison of the Doors). There is even enough technical info about early recording, studio design and Dolby units to satisfy a tech geek (such as myself)! The image conjured up of a young Holzman setting out with a Magnacord P-6 recorder strapped to his Vespa scooter, to record folk music performances in NYC really conveys the "shoestring" attributes of Elektra Records in the early days. At the other end of the scale, the design of studio "B" was perhaps representative of the "excesses " of the rock era.

The copy of this book that I got from Amazon included a "bonus" CD that contains many tracks of early Ekektra performers that have not been re-released on CD. To me, this CD was worth the price & the book was essentially "free"!

It is sad that only a few recordings from the early Elektra "folk period" have been re-issued on CD. This situation is starting to improve, (see my other reviews for some early Elektra folk "gems" that I have found on CD).

Without any knowledge; yet a curious fascination for a bygone era, I perused many of the illustrators famous for their cheesecake-girl-next-door pin ups of the fifties on the web. Gil Elvgren came up tops! As Rockwell held a mirror up to the American public, Elvgren manage to evoke Rockwellesque subtleties into his work too. Your eyes are attracted to the girls, however, other elements like a dog, a turtle, a prop like a diary, add to the charm of the work and to the total innocence of the girls. Living in the current "Raunch Culture" where female nudity is pervasive, this book transports you back to another time where the girls exude a level of desirability that Elvgren perfectly captured in his work. The luscious and lovingly delivered colour plates (some 500 of them) demonstrate Elvgren's evolution into the auteur of pin up illustrators, as he progressively developed real depth into to his work. With limited knowledge of the subject matter, this book is a perfect introduction to an incredible genius and an incredible artform

This book is absolutely beautiful. Lots and lots of color - designed and bound very well. Worth every penny and then some. Impressed with Amazon's service (my first order) and the whole shopping/purchase experience here.

I highly recommend this to anyone with an interest in Elvgren or pin-ups. Beautiful picture quality, comprehensive collection. For the money, you can't get much better than this!

Elvgren is a master of his art. This book truly is a gem at this price. If you love pinup art he is the master. Its a slice of days gone past and pretty girls to write home about. Elvgren will live on forever. Take a piece of history home.

I'm still studying and reading through it, but it has an interesting magic that's missing in many of today's similar subjects - innocence.

This is the book you need for creating and maintaining a solid and authentic classroom literacy program. "The First Twenty Days" alone is extreemely helpful. You can start small and grow as you feel comfortable. A little overwhelming at times but worth it!

Excellent resource. Everything needed to start a reading/writing/word study workshop. My book is full of sticky notes of things to use!

Definitely one of the most useful and comprehensive reading and writing resources that I have ever purchased for my professional library. The price is very reasonable as well!

This book has helped me tremendously with my new job as a teacher. Going to school did not prepare me as much as this book has.

Every teacher who teaches grades 3-6 should own this book. It has practical mini-lessons, rationale for teaching comprehension strategies and additional resources. If you don't already own it, you should get your hands on a copy.

This book was given as a gift to a Carson fan. It was very well received and we felt we had given the perfect gift.

For those of us who grew up with Johnny Carson it's hard to believe that it has been fifteen years since Johnny last came out from behind "The Tonight Show" curtain and even harder to accept the fact that he is no longer with us. But we're in luck in one way....this wonderful book, compiled by Stephen Cox, brings Johnny back to life in the most comprehensive and nostalgic way. It's a walk down Memory Lane and it is nothing short of wonderful.

From the inception of "The Tonight Show" and its early years before Johnny, Cox takes us through every segment of the thirty-year run we all enjoyed. There are comedians, of course, memorable moments, the monologue and my favorite...Joan Embery and her wildlife companions from the San Diego Zoo. Who of my generation can forget the wedding of Tiny Tim and "Miss Vicki" or the Ed Ames tomahawk throw? (the latter being a perennial favorite of the Carson annual retrospectives)

What is such an added bonus to the book are the dozens of photos that grace its pages. "Here's Johnny!" is a terrific look back at a man who made the nation laugh for three decades and who will always be remembered as the best at what he did. Thank you, Johnny!

If you want to know about Johnny Carson and the things that went on behind the scenes at the Tonight Show, you need to get this book!!! It was great and the photos were wonderful.

Excellent read. For any fan of Johnny Carson and the glory days of the Tonight Show, this is the book for you. It makes you feel like you're actually watching the show again. Enjoyed it thoroughly!

Johnny Carson was the late night entertainer of my youth and there will never be anyone to compare - although Conan is great in his own right(that will be another review sometime). This book really takes you back. While I do not know all the "for-sure details"(and some things could be slightly off in this book since I don't keep track of that so much), there is enough substance here to take you right back to watching Johnny in your parents' living room! Like the "Clapper Caper" with Jack Webb. LOVED IT!

This is one of the BEST books I have ever read. Glenys dropped everything when she heard her son was in a coma on the other side of the world. She tended to him 24 hours a day, seven days a week, even setting her alarm clock every 3 hours to turn Scott over in bed so he wouldn't get bed sores.

I find it amazing that there were always people to help Glenys, all she needed to do was step out of her home and people were there willing to help her tend to Scott. She is obviously guided by someone on the other side. Even when she rented a house for 18 months that was up for sale, not once did she get a call from the real estate agent to say someone wanted to view the house. Yet, the day Scott died, she got the first call. Coincidence?

Tears streamed down my face when Scott died in hospital. For a mother having to make the decision between watching her child suffer or relieving his pain but with a risk he could die - how can a mother possibly make that decision?

For 4 years Scott was in and out of hospital - and each time he overcame infection after infection without antibiotics. However, the hospital made a terrible mistake which cost Scott his life.

Get this book and read it - you won't be disappointed.

I don't feel I can find the appropriate words to delivery how much I have been effected by this story. I found myself laughing out loud in moments, while crying heavily in others. The author's strength, creative soul and most profoundly --her humanity transcends life itself. This story moves me.The kindness the author encountered amongst so many strangers along her journey moves me. I found myself crying on the subway on my way to work this morning rereading beautiful passage about her son and a special bunny named Thumper.

Most eloquently stated by the author," There are things more powerful than our best intentions; that life is painted in broader strokes than we can imagine and all we can do is our best." I felt so connected to her and her view of life, and the strength to weather life's obstacles with an overwhelming endurance, to fully embrace life with an open heart and tender kindness..

After reading her book, I felt more available to the present moment and wanted to live, to take, to enjoy, to really experience life in all its fullest.The author and her actions really impacted me. She's is an incredble woman. I highly recommend this book as a very powerful, moving journey into her love for her son, her soul, and her humanity effecting thousands.
-Kirsten Lewis, New York, New York

I must admit that this is one of the most touching and inspiring book I've ever read. I refuse to close the book before I finished reading it! This story is about a mother who will do ANYTHING and EVERYTHING for a miracle so that her son, Scott who suffered from a traumatic head injury and was not expected to live again will be able to walk again. She have gone to great lenghts from Australia to London, putting out leaflets asking help from strangers to be volunteers to help with her invalid son. Strangers of all ages, sizes and different backgrounds turn up to give a helping hand in anyway they can. This taught me that even though one may be a complete stranger to another - kindness, generosity and faith will bring people together in a most extraordinary way. I will definitely recommend this book to anyone because I'm sure it'll be an inspiration to you. Like what Scott said, "I love living!"

I am really happy to have come across this book.
This is a portrait of people of strength.
Not fantacy or fiction that the author takes the liberty to weave the magic
but the magic that was lived and transformed many people.
to live fully with all the power in your soul, sometimes, it was through challenges
that ignite the fire from within.

i know people like Glenys Carl, those who live magic and create everything they need from all situations because of their will power, vision and the love that reside in their hearts that knows no limit.

i fully appreciate her sharing of such a tapestry of her life and her beloved.
inspirational and moving...
it's a book to open hearts.

Hilary and Gillian, your step-cousins from Cardiff, read your book and were interested in your interpretation of our Welsh past. Good read. From Hilary and Gilly.

THIS IS ANOTHER GOOD BOOK BY JAMES ROBERT PARRISH. THIS IS ABOUT THE BIGGEST SPILTS IN HOLLYWOOD HISTORY. AMONG THEM ARE BEN AND JLO, JOE AND MARILYN AND MIA AND WOODY. HE GIVES US A BRIEF BIO OF EACH PERSON AND HOW THEY MET. FROM THERE WE ARE TOLD WHAT LIFE WAS LIKE TOGETHER AND WHY EACH COUPLE SEPARATED OR DIVORCED. THEN WE ARE TOLD WHAT HAPPEND TO EACH PERSON AFTER THE BREAKUP. I LIKED THIS BOOK AND IT IS BOTH INTERESTING AND FUN. I HAVE READ SEVERAL OF HIS BOOKS AND LIKED THEM ALL. I RECOMMEND IT FOR ALL GOSSIP AND NOSEY PEOPLE. (LIKE MYSELF)

If you're weary of the stream of pabulum from the glossy tabloids, you need to get a couple of James Parish's books on the wilder and seamier side of Hollywood life as a counteragent. He's been doing this for close to four decades now, with dozens and dozens of books to his credit (as of this writing, I'm expecting two of his compendia on actresses in the mail and am making arrangements to get four more), and his experience and close attention to research show through here and in the other books in his current series (e.g., The Hollywood Book of Death, The Hollywood Book of Scandals). He avoids the extremes, as other researchers have mentioned, of either glamorizing his subjects to excess or painting them in villainously black hues, but instead presents them, sympathetically but truthfully, in their all-too-human complexity. I've started looking for the name James Robert Parish on a Hollywood book when I want the facts (not to mention a good selection of pictures - every story in this book is illustrated with at least one nice B&W photo, many of them not often seen elsewhere), and you should too.

James Robert Parish, the chronicler of all things Hollywood, turns his writing skill to "breakups Hollywood-style" in The Hollywood Book of Breakups. As with all of Parish's books, it's a fun read. His introduction begins with a quote from Sandra Zober Nimoy, Leonard's ex-wife, and her first sentence is a doozie: "It's a pretty mean town." Sad, but true. You'll recognize all the names in the book, and it's likely you might think you know all the stories of the breakups written about here. I doubt it, though. Parish always manages to spring a surprise or two. For example, did you know that Sonny Bono was once married to Susie Coelho, host of HGTV's Landscaper's Challenge? His format for each breakup is quite nice. It begins with general information, then a SHE section, a HE section, and THEY section, and concludes with an AFTERWARD. Lots of pertinent information - and juicy, truthful gossip - in every section. Parish is a good writer, and his words flow along seamlessly, making the book both fun, and easy to read. No only do I recommend the book for reading, it makes an excellent gift for anyone who like film stars or is addicted to "what went on behind the scenes" gossip.

What a guilty pleasure! Concisely written, carefully researched, The Hollywood Book of Breakups is a speed read of celebrity couplings gone wrong. Parish doesn't glamorize or trash his subjects, he makes the stars seem all too human. A fresh take on Hollywood divorce, and a crash course in the many, many ways that relationships can burn up and flame out.

James Robert Parish has always had the ability to cut right through the froo-froo icing and get right to cake. That's why so many of his books are on my shelf. With this one, I have to start a new shelf. He packs in a lot of information: mini bios of all the players, what brought them together and the circumstances that drove them apart. He brings each era alive, mentioning timely rumors and headlines, but delivers only the facts, dispelling media speculation in exchange for - get this - the real story! And the variety of couples, from Stanwyck and Taylor, Burton and Taylor, Brad and Jen or Liza and David Gest represents 75 years of Tinsletown romance gone awry.

I, too, write books about Hollywood (Dishing Hollywood, Hollywood Haunted). Our books are often paired; I am very complemented by that because James Parish is really great at what he does.

One of the biggest changes the theater has seen of late was Disney's successful track record with bringing their story-telling to the stage. As with most of Disney's greatest successes, their efforts were immediately unique as they ignored many of the rules along the way. In the process, their shows introduced a new audience to the wonders of live theater. So it's only appropriate that the coolest book that ever covers the theater experience comes to us from Thomas Schumacher, the head of Disney Theatricals.

A good play begins with its script- its storyline. Here the journey is suggested in text, providing a beginning, middle and an end. Likewise, this book begins with a telling, informative narrative. It describes in simple yet effective words practically every element of the theatrical experience, be it on stage, backstage or in the 3rd row of the balcony. What will you experience from the moment you arrive at the theater all the way through the end of the curtain call? This book and a little imagination provide answers to that question quite fully. But watching a show is only the beginning. We also experience the many house activities, to the backstage work, to belting a song center stage and even at the initial creative meetings. It's quite simple and informative.

Like any play that begins with a good script, the creative job to follow is how to tell that story. For anyone who has seen any of Disney's Broadway shows, you know that their "way" is simply stunning. From THE LION KING's introduction of Simba to MARY POPPINS' flying retreat over the balcony; from TARZAN's use of vertical stage work to AIDA's mix of modern stagework with a classic tale, the Disney audience usually leaves richly experience. So it should come as no surprise that the book is as beautiful and wild an experience as the works it trumpets. Not only is the book a collage of beautiful photographs easily identifiable to the Disney fan, but they are also surrounded by mixed media samples such as removable ticket booklets, script pages and even costume designs.
HOW DOES THE SHOW GO ON? is a great book for the theater novice and also the seasoned veteran. It's a nice wink to the audience, a pat on the back to the backstage crew, a nod to the creators and a standing ovation to the performers. Check it out!

This is the best book on Theater I have ever seen. The design, story, and the interactive pieces are well put together in this book.

A really great overview of the wonderful world of Broadway! My daughter, (11 years old) who is a musical theater kid, absolutely loves it!

Get this book if you have young children so they can see what goes on back stage. I think it will make them want to see more of the action.

A great book that shows children (and adults) what goes in to putting on a show!

Enjoyed reading about the life of Clayton Moore, The Lone Ranger. Since receiving it I am now in my 3rd reading of it. It seems everytime I find someting new and interesting.

I wish he was alive so I could personally talk with him about his adventure doing The Lone Ranger. May his spirit always remain in the hearts of all Americans...

You can find out more information about Clayton Moore and The Lone Ranger fan club at www.lonerangerfanclub.com/jr

This man, Clayton Moore WAS the Lone Ranger. I can say no more.

Taylor Trade Publishing presents "I WAS THAT MASKED MAN" (Paperback) - by Clayton Moore and Frank Thompson --- Clayton Moore was an American actor best known for playing the fictional western character The Lone Ranger --- Moore was a circus acrobat as a boy, then later enjoyed a successful career as a John Robert Powers model. Moving to Hollywood in the late 1930s, he began working as a stunt man and bit player between modeling jobs --- He was an occasional player in B-Westerns and Republic Studio cliffhangers, ultimately starring in more such films than serial hero Buster Crabbe --- His big break came in 1949, when George Trendle spotted him in "Ghost of Zorro" --- As producer of the radio show and creator of "The Lone Ranger" character along with writer Fran Striker, Trendle was about to launch the masked man in the new medium of television --- Moore was cast on sight.

In keeping with the nature of the Ranger character, Moore chose to protect the Ranger's identity at all times and is perhaps the only actor whose full face is largely unknown to the public. It was never shown in the TV series, although occasionally he would don a disguise and affect an accent, revealing the upper half of his face in the process. However, there is no shortage of photos of Moore unmasked, including many in his autobiography. His many fans, however, could easily recognize him by his distinctive voice --- (From Wikipedia, the free encyclopedia)

TABLE OF CONTENTS: (Title and Page Numbers)
Foreword by Leonard Maltin - ix
Preface by Frank Thompson - xi
Introduction by Frank Thompson - 1
1. Birth of a Ranger - 13
2. A Cowboy Actor in the Big Apple- 35
3. Hollywood - 43
4. Republic Pictures - 61
5. In the Army Now - 71
6. King of the B's - 79
7. Hi Yo Silver, Awayy! - 111
8. Back to the Big Screen - 131
9. Jay Silverheels - 143
10.The Lone Ranger Rides Again! - 151
11.England and a New Daughter - 185
12.Adventures on Television - 195
13.You Don't Pull the Mask Off the Ol' Lone Ranger - 203
14.The Adventures of Clayton Moore - 221
15.Who is That Masked Man? - 231
appendix - 243
Index - 257

BIOS:
1. Clayton Moore
Date of Birth: 14 September 1914 - Chicago, Illinois
Date of Death: 28 December 1999 - Los Angeles, California

Moore often was quoted as saying he had "fallen in love with the Lone Ranger character" and strove in his personal life to take The Lone Ranger Creed to heart. This, coupled with his public fight to retain the right to wear the mask, ultimately elevated him in the public's eyes to an American folk icon --- In this regard, he was much like another cowboy star, William Boyd, who nurtured the Hopalong Cassidy character --- Moore was so identified with the masked man that he is the only person on the Hollywood Walk of Fame, as of 2006, to have his character's name along with his on the star, which reads, "Clayton Moore -- The Lone Ranger" --- He was inducted into the Stuntman's Hall of Fame in 1982 and in 1990 was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.

THE LONE RANGER CREED - I Believe that to have a friend, a man must be one --- That all men are created equal and that everyone has within himself the power to make this a better world -- That God put the firewood there but that every man must gather and light it himself in being prepared physically, mentally and morally to fight when necessary for that which is right --- That a man should make the most of what equipment he has --- That `This government of the people, by the people and for the people' shall live always --- That men should live by the rule of what is best for the greatest number --- That sooner or later .. somewhere .. somehow .. we must settle with the world and make payment for what we have taken --- That all things change but truth, and that truth alone, lives on forever --- In my Creator, my country, my fellow man.

Check out a new book from Empire Publishing - "GENE AUTRY WESTERNS" (Hardcover) - by author Boyd Magers, like no other book on Gene Autry --- all of Gene's Mascot, Republic and Columbia westerns included, as well as his half-hour TV Episodes --- each segment contains the release date on each film ... major production credits ... complete cast (including character played) ... all songs included, songwriter and who performed them in the film ... running time of each film ... dates of the filming ... bios on the cast and major players (Smiley, Pat Buttram, Cass County Boys, Herbert J. Yates, directors, leading ladies, songwriters and various heavies, etc.) ... locations that were used ... budgets and negative cost ... stunt people involved ... analysis and synopsis on each film ... notes and comments (including film and cast background info, salaries paid, working titles, etc) ... comments from Gene and many other cast members on each film ... theater exhibitors comments at the time of the films release ...this tribute was written from the heart and it shows.

Hats off and thanks to Les Adams (collector/guideslines for character identification), Chuck Anderson (Webmaster: The Old Corral/B-Westerns.Com), Boyd Magers (Western Clippings), Bobby J. Copeland (author of "Trail Talk"), Rhonda Lemons (Empire Publishing Inc) and Bob Nareau (author of "The Real Bob Steele") as they have rekindled my interest once again for B-Westerns and Serials --- More than just a tribute to the role Clayton Moore made famous, this book is Moore's personal memoir, told with condor and sincerity -- the engaging story of the life he strove to live according to the ideals he represented to millions of Americans, please stand up and take a bow --- all my heroes have been cowboys!

Total Pages: 280 ~ Taylor Trade Publishing ~ (4/25/1998)

I was a bigger fan of the Lone Ranger on radio than TV, but only because I was away in school most of the years it was on the tube and missed a great deal. That is something I am trying to make up as I collect DVDs and is why I bought this book. I have also known personally two who worked with Clayton Moore in the past, serial queen Kay Aldridge and former rodeo star Beverly McDermott. Everything they said about this man is echoed in the book. A very honest upright straight shooter. I am also impressed by his arguments as to why a star should set an example. So different in Hollyweird today. We need actors and actresses today who have the high moral standards this man has shown. May God bless him always, here and in Heaven.

An in depth history of Clayton Moore. A very informative perpective of a bye-gone age in Hollywood. I really enjoyed this book. A must read for Lone Ranger and TV western fans.

I bought this book and could not wait to get started! I made one bowl and showed it to my friends in our local ASG and they made bowls for an auction and they have not stopped dreaming up new color combinations and styles. The bowls make up so fast that I wish I had someone to wrap the fabric for me so I could just spend all my time stitching them together.

This book is awesome. Great gifts and so much fun to do.
Made a basket and it is so pretty and useful. Totes and baskets make good sense around the house.
Can't wait to make more different shaped baskets and even some trivets for the table. Who knew a hank of rope and some 1" fabric strips could be so pretty and useful. Well, I just found out. Try it you'll like it.

The book arrived very quickly and in excellent condition. I am very pleased with the service. Thank you

I bought this book after seeing a demo in a craft group. I am totally in love with the projects in this book. It is a very simple technique with awesome results. If you can put a machine on zigzag stitch then you can make these. Cord, wrap with cloth strips, sew. That easy. A little bit of shaping and holding at an angle can change a flat piece quickly into a bowl or bag. So fun.Takes no time at all to make small projects like coasters to small candy dishes on up to baskets and bags. Great way to use up scraps of fabric too.

In the 1.3 years that I've had this book, and worked on this craft, I've gotten enormous pleasure combining fabrics and colors and shaping bowls, hot pads, totes, hats and more, most of which I've given to very appreciative friends and relatives.

Susan Breier makes the process easy to undertand and follow, and the bright color photos offer many jumping-off points for individual creativity! My only caveat is that it is imperative to have a heavy-duty sewing machine and thick, sharp needles to get through the layers of fabric and clothesline smoothly. I pretty much destroyed an old Singer Futura I used at the beginning - but liked the craft so much that I bought a refurbished Bernina with a stronger motor and more durable parts, and it handles these projects, over and over, like sewing through butter.

I enjoy that the craft isn't very exacting, like quilting, since I'm not fond of meticulous cutting and sewing tasks. I get loads of compliments on my own pocketbooks and totes that I've created, and it's fun to explain to folks how they're made.