Art Books

This is the book if you are new to RF radio frequency design. I lost my original copy so I had to get a new one. The printing is perfect.

I have owned two copies of this book for as long as I can recall; one for me to keep on-hand, and one that is constantly on loan to colleagues that ask to learn about impedance matching, Smith charts, filter design, transmission lines, small signal amplifier design, etc. Nearly everyone that borrows my copy ends up buying their own shortly thereafter. The text is readable by anyone with a good knowledge of electronics, and the depth of subject is an excellent "just right" balance of practice and theory. Finally, it's very refreshing that this excellent book is available at such a reasonable price - I would venture to say that Bowick's book is likely the best value on my bookshelf in terms of "usefulness per dollar spent"!

Easy to read, understand. Good reference book for basic buliding blocks in RF circuit design. The book only has solved example problems and is not very helpful for practise.

We have used Chris's book for training and refreshing engineers for years. We have literally worn the cover off and I can't begin to tell you how many pages have been dog eared for future reference. The previous comments regarding "outdated" are, in my opinion, misguided since the focus of this book is more on the fundamentals and foundation of RF circuit design which HAS NOT changed since the first edition of the book was written. The information in this book is diverse and condensed very well. We haven't purchased the 2nd edition yet, but likely will in the new year to replace our reference copy.

If Chris's book sounds too technical, you may want to start with Jon Hagen's "Radio Frequency Electronics" or if you are more into the magnetics side of it try Jerry Sevick's "Transmission Line Transformers". Lastly, if you need some general testing guidance, Joseph Carr's book "Practical Radio Frequency Test & Measurement" will likely be of some benefit.

Having worked with the industry leaders in this field, I can honestly say that Chris and his colleagues are among the best in the industry and Chris's experience shows in the content of this very fine work.

I ordered this book to assist in refreshing my memory about RF Circuit Design and associated equations. I found it to be a great source of advice on the "how to's", as well as a wonderful reference source for the basic equations involved, which I haven't used actively in some time. Since my old reference/school books are in storage, I needed a concise, compact and easy to understand presentation of the application of the math to real world design considerations. I highly recommend it for self-tutoring, for general reference, and especially for those "breaking away from theory and into the real world" of design.

this book is full of fundamental ideas that are always good to remember as well as practical ideas and examples.
i look forward to having it alongside me whenever i am writing.

My sister stole my first copy, my other sister stole my second copy, I gave my third copy to a friend (but only because I knew she would love it as much as I do). My fourth copy doesn't have the dog-eared pages and underlining that my first copy had (I fall into the category of people who think tattered edges and scribbly notes add character to books). And I gave a fifth copy to another friend who was frustrated drafting an admissions essay for grad school. One of the best books on writing (generally) on the market. Funny and entertaining, with excellent advice.

This is a fine book about the mechanics of writing. Here's the rub. Appendix 1 and 2 were replaced by duplicates of chapters 14 and 15 in the book I read. Otherwise this book is worth 5 stars.

This is your average grammar book, but with a sense of humor. I discovered nothing new in it.

wow. this book is a must for any writer, experienced or novice. not only is it a useful tool, but it is a fabulous read with witty references and comments throughout.

This is a must own for anyone who has ever needed to know why something works the way it does in Star Trek. This covers almost everything you can imagine in how Deep Space Nine and space craft work. If it isn't covered in this book it is covered in the TNG Tech Manual. If you write Fan Fiction, play a character in a Trek RPG, or operate a Trek Website You will treat the Tech Manuals as your gospal in Trek technology. Other good books are out there, but they don't compete with this book.

The tech isn't much different in manner from the TNG Tech Manual, but the images in this, the DS9, manual are far superior. All Trek Geeks (come on, fess up) need this book.

I never picked up a copy of this wonderous guide when it was published. There were a few mistakes I made last decade, not buying this book was one of them.

There is not much storyline given away here. Mostly background info regarding the Cardassians, Bajorans and the Federation. Deep Space Nine was the best "Star Trek" series, in my humble opinion. This guide is useful to those who wish to write about the series of the future, as well as daydreamers like myself. The thrill of walking down every corridor, knowing the details of Quark's bar and Ops...

It is all like dream, now that it is over. I never watched the original broadcast in the 1990s. What a loss on my behalf. Now in the age of hopelessly dull reality T.V., what a better way to pass the time than watching the epic unfold on DVD. Though a little overpriced, to an avid fan like myself, worth every penny! Make sure you have a copy of this manual sitting close by!

This book is amazing. I read it from cover to cover and ended up satisfied with all the details the authors placed in them. The book carries details ranging from the subspace communications system to the weapons and even the environmental system of the station. The information on it is not contained only to details about the station but everything connected to it including the Runabouts, and the Defiant. It gives off an effect that there is really a station named Deep Space Nine. The paper used was high quality glossy paper which doesn't crumple easily and the numerous images in them were in color. Although it could have been better with a hard cover, it's excellent the way it is.

First off, this book is anything but a disappointment. It is a packed with information on the series and its fictional technology from the station's basic layout to things like tricorders and sensor probes. It has great illustrations, mostly rendered in 3D by Doug Drexler and all in color. This is a quite obvious advancement since the STTNG Technical Manual.

One reason why I like the DS9 Technical Manual less than its "sister manual" is that its reliability is lacking. This is in part not the fault of the authors, considering that technical specs and especially the size of the station and of the Defiant were always subject to change throughout DS9. Nevertheless, it is dissatisfactory that none of the size figures given in the book correspond with the schematic diagrams in the same book, the latter of which consistently show a smaller 120m Defiant and a station diameter of at most 1000m. The section on starships is even much worse, since ship types and specs are arbitrarily and hastily made up, sizes of well-known ships are wrong and the Saber and Norway class even have exactly the same specs. Considering that many fans who took the specs for their websites didn't even notice the latter error, I may be overly critical, but from an officical manual I would expact much more carefulness than that.

The other point of criticism is that the Deep Space Nine Technical Manual isn't very technical and it isn't useful as a manual. It is rather like prose that has been supplemented with a certain limited amount of Technobabble, a couple of size figures and many nice images. It doesn't care about the technology in such detail as the STTNG Technical Manual, and if it is only shown how to operate it. Summarizing, as a novel the book is rather boring, while it is just not complete enough for a technical manual. Anyway, at least the drawings are great, especially the fold-outs, and most of the book with the exception of the starship section is pleasant reading, so I recommend to buy it.

While I am a long time Star Trek fan, I tend to stay away from books such as this one because I just see it as another way for Paramount to get into our pocket books. I just lightly browsed this book one day in a book store and next thing I knew almost an hour had gone by!

This has to be one of the most engrossing works of fictional tech I have ever seen. There are times where you almost wonder if some form of prototype exists for the items they discuss.

Both richly written and illustrated this book is a absolute must buy for the die hard Star Trek fan! And if your favorite Star Trek is DS9 (like myself), I am not sure how you have lived without this book!

This is a great Book! We used this book in a sign language class I took. It is easy to read and understand. I would highly recommend this book to anyone who wants to learn to talk to the deaf or hard of hearing.

This book covers numerous "word groupings" in 17 chapters. Some of these groupings include, "Days of the Week & Time"; "School & Education"; "Descriptions,Thoughts& Emotions"; "The body& Health"; "Mealtime& Food"; "Home&Clothing"; "Numbers,Math Terms,Quantity &Money"; "Pronouns,People&Relationships"; "Actions"; as well as many more.
I especially like this book for the photographic illustrations. So far this is the only ASL book I have found with photographic illustrations.

With each word there are specific instructions for the proper hand shape, position, and movement to go with each sign as well as a visual reminder for memory. At the bottom of each page there is a photographic guide as a visual reminder of all the proper hand shapes that are used in all the signs for that particular page.

I would highly recommend this book for any with the desire to learn Sign Language.

This book was a required text for a Sign Language I course. The pictures are very clear, it gives good description of hand shape, location and movement. I really like that it gives a hint of how to visualize each sign, it makes it much easier to remember.

The book "Talking With Your Hands, Listening With Your Eyes" is a great book for people wanting to start learning sign language. The photographs of the signs are very clear. I especially like the additional material throughout the book about Deaf Culture and history. I recommend this book and enjoyed reading it even though I have been a student of sign language for 5 years.

Love the book, first borrowed it from my local library. The binding does tend to crack with much use, so I broke my book's binding and put all the pages in clear cover sheets in a 3 ring binder. Cost a little more but it was worth it because now I don't have to worry about destroying it and my book will last a lot longer. I found this book the most helpful in explaining how to do the signs as well as illustrating them in very clear photos. I highly recommend!!!

I read some orginal Tintin books when I was a child, but they were in French, which I could not understand. Nevertheless, we "read" them until the bindings came apart.

This "companion" has some excellent history on Herge and Tintin and the roots of the series, and it unabashedly addresses some of the controversies, including right-wing ideology and racism, as evident in the first two books, Tintin in the Land of the Soviets, and Tintin in the Congo.

What is fascinating is that Herge himeself "censored" the stories from the time they were first printed in Black and White in the Belgian Catholic (right-wing) newspaper and when they appeared as color books on their own. He even later tweaked the color books further, when they appeared even too much for the political sensiblites of the 1950's.

The author documents all of these changes on a frame-by-frame basis, and also shows the source photos Herge used for many of his backgrounds and items (cars, ships, buildings, etc.). Perhaps one reason these "comics" were so compelling was that Herge took these details seriously, and knew that even young readers would recognize fanciful details as made-up and thus detracting from the "realism" of the story.

The book also documents and makes a good case for the Tintin books being the precurser of today's "Graphic Novels" (of which I have no personal interst in).

The only major fault I can find in this book is that the author perhaps is too much of an unnecessary apolgist for Herge, particularly with regard to "Land of the Soviets". Today we know that Herge was basically right about the Soviet Union at the time. Commmunism was a fraud, and Stalin killed millions of his own people. Herge has nothing to apologize for with regard to "Land of the Soviets."

If you plan on revisting the Tintin series, this book can be a good place to start. It is a bit too much of a read, as each chapter summarizes the plotline of a different book ad nauseum. But the photos and commentary on the details of the making of each book make it worthwhile.

To be precise, this is a perfectly fascinating book. I've been a Tintin affionado for decades, along with my children and now my grandchildren, and had no real understanding of how Herge's work intersected with 20th century history. Learning this in detail, and getting a notion of how the stories and their portrayal evolved, have greatly increased my already great appreciation for Herge's genius.

If you are a Tin Tin fan then you will love this book. I have to confess that I have not read the whole thing but what I have read is insightful and interesting. It gives excellent information about each Tin Tin story as well as a unique insight into Hergés life. I high recommend this book for any serious Tin Tin devote.

This book has used the extensive archive of Herge, to which the author was granted unlimited access. The book is certainly enlightening and offers great insight into Herge's mind. The author rightly presents each Tintin adventure in its proper historical context, and exposes fascinating parallels of the adventures with Herge's own life. Most of the illustrations are juxtapositions of Tintin frames and concepts against the source material from Herge's archive of newspaper clips and books. Some comparisons are very convincing. Some comparisons are stretched, for example, the alleged inspiration for the carnival costumes of Les Joyeux Turlurons in Tintin and the Picaros. Groucho Marx amongst the crowd ogling at a blonde? I don't know about that... Please note that some of these comparisons are extracted by the author, who tried to read into Herge's mind. We will never know for sure what inspired Herge.

The criticism of the stories occasionally is uneven. The author knocks Flight 714 for stretching reality with its extraterrestrials and flying saucers. How about the Shooting Star, where a meteorite the size of an island drops out of the sky? Giant popping mushrooms and mutant arthropods, I don't know about that...

The text sometimes is dry, and sometimes too esoteric and only relevant to readers of the English editions of Tintin. I have read all Tintin books in French, so I could not care less about the subtleties of the English translations of French names. For other readers, this trivia may be interesting. Finally, the book ends abruptly, without as much as one paragraph of an epilogue, a reflection on the total Herge oeuvre.

Why the small print? The print is so tiny you almost need a magnifying glass. This is not a physics paper, it is a book about comics, and in comics readability is paramount.

Overall, this book undoubtedly was well researched. It definitely was worth the money. I came out with a renewed appreciation of Tintin and Herge. I wish the author was a more compelling writer.

A strange book! The information and illustrations in it is great, but there are curious qualities to it. The writer is a native speaker of English, but from errors in sentence structure and some obvious mistakes in word usage, this publication was translated from French. There are curious recurring preoccupations and repetitions, almost suggesting that each chapter appeared separately, possibly in a magazine. For example, the comparison of Herge's work and that of his studio with that of Raphael and his assistant Giulio Romano occurs at least three times! The reproduction of pictorial archival material from Herge's collections and elsewhere alongside panels from the books is fascinating. But Farr often dedicates a lot of space to discussion of the source of a particular image or set of images -- and then there's no illustration. At other times there are illustrations that are scarcely mentioned in the text.

Still, we have to be grateful for all the data given here. I remember an old Tibetan lama looking at "Tintin in Tibet" with my children, and pointing out corners he knew in the panoramic picture of Katmandu, being puzzled by the Abominable Snowman, and laughing at the pictures showing levitation. In the '60's I camped all through through Yugoslavia; my young kids were reading "King Ottakar's Scepter" and constantly pointed out details in the landscape that matched the book. Herge did his homework, and it's great to have the sources laid out.

Despite its flaws, this book is a keeper.

Though I first read this to fulfill a requirement, every time I read it from then on is and will be to continue understanding the content. It's deep but able to be grasped, and simultaneously challenging and embracing. Speaking in a very real way, the author engages her audience, encourages, and introduces new ways of seeing things. I'd say new ideas, but they are probably old ideas with a new twist that makes them more approachable. When I recommended it to my mom, she'd just received a copy from a friend in her small group--apparently its dynamic and helpful to more than just me!

Well written, Biblical, and stimulating. We are considering using this book as a tool in a men's Bible study.

Theological sound. Encouragement for women to not be afraid of "Theology". The author is Biblically sound in her doctrine and how women can relate to other women and others in her life; whether a crisis or just daily living. A very much needed message in this post-modern world.

When Life and Beliefs Collide was suggested to be by a man. I was skeptical to say the least. However, it is one of the most faith affirming books I have ever read. It is inspirational, informative and interesting. It makes me laugh and cry all on the same page!! Our book club is reading it and while some were not sure at first about the topic of theology, by the third chapter they are all hooked. It is a must read!!

When Life and Beliefs Collide is one of (if not THE) best books I've read in a long time. Definitely worth your time.

For more information, my online review is available here.

This book does a great job of enhancing the experience of watching The Dark Crystal. Objects that are only seen for an instant or merely in the background are explained in detail in this beautiful collection. My only complaint? There's lots of white space on some of the pages, which makes it feel like less of a guide to an ancient world and more like a textbook.

Even so, highly recommended for fans of the movie, faerie stuff in general, or just great artwork.

Brian Froud, the creator of the Dark Crystal, is a Genius.

This book is a small Bible.

Well written, and with images so refined it makes you wonder if it is all "human" made.

All your questions about the Dark Crystal will be answered.
The information contained in the book seems almost sacred,
as for the capacity for the human mind to understand it all,
that is yet to be proven...

This book is an amazing tome for anyone who grew up in adoration of The Dark Crystal. Brian Froud's illustrations and concepts are gorgeous and so incredibly creative. This book is delivered as a history of the World in which the film takes place. It is narrated by Aughra, "...the first and last," who witnessed thousands of years of creation and destruction. She monitors the cyclical suns, a spectator of the conjunctions that bring the wise urSkeks, and their division a thousand years later into the cruel Skeksis and the mystical urRu. Aughra alone knows the long history of the crystal and throughout the pages, describes life throughout the ages. There are so many subtleties that the book describes that I can't wait to watch the film again, knowing the significance of the shapes of rocks, the intricate details of the clothes the characters wear, and the elaborate symbolism peppered throughout. The art is gorgeous and the insights into the World of the Dark Crystal shed a new light on the film and its philosophy. Bravo!

A must have for any Dark Crystal fan. It contains detailed pictures, decriptios of the various races, and a breif overveiw of how the world works. It also contains some history on the making of the movie, and a copy of the orginal movie idea. Even if you don't like the movie, it would be hard not to appreciate level of detail that went into this imaginary world.

Overall: An excellent book, which I highly recomend.

Combining the talents of Jim Henson's storytelling with Brian Froud's exquisite art, The Dark Crystal is an amazing film. The World of the Dark Crystal is a must-have companion piece to the film. On its pages are inscribed in detail the epic story's conceptualization and the process of designing its beautifully imagined characters and creatures. The book contains rare artwork by the ingenious fantasy artist Brian Froud who designed the complex and immense world of the Dark Crystal, a world whose people feel culturally authentic and utterly believable, a world where the landscapes feel familiar and yet completely alien at the same time. It is this fabricated universe, this artificial sense of reality that makes the Dark Crystal such an enduring classic.

Never before had movie audiences been transported to an entirely new world, a world without any human contact, a world divided by two opposing principals, a world that was so fragile and yet so savage. In The Dark Crystal, we see the evolution of imagination and a physical, tangible representation of duality. We see the importance of balancing logic and faith, science and spirituality, self-preservation and sacrifice. The triadic images found in Brian Froud's artwork express the importance of social, spiritual, and psychological equilibrium. This is a spiritual philosophy shared by many cultures and religions including Druidism, Buddhism and even in Christianity. This is also reflected in the design of the characters and the sets that at times resemble, in physical appearance as well as in architectural design, those of different ethnicities but both Froud and Henson avoid racial profiling. Instead they've created a rich and majestic vision of a world that never existed and still it is so believable that we feel as if we are seeing the documentation of a recently discovered alien culture.

Along with Froud's artwork, the book includes informative descriptions of the characters, creatures, and flora and fauna of this fantastical world. There is also a new introduction by Froud and a facsimile booklet featuring original concept drawings that were used as a tool in marketing the film to studios. In conclusion, The World of the Dark Crystal is a wonderful addition to any fantasy fan's collection, an inspirational look into the mind of an artist, and an essential collector's item for all those who love the film.

Also recommended:
Faeries (25th Anniversary Edition)
Good Faeries Bad Faeries
Goblins!
The Goblins of Labyrinth: 20th Anniversary Edition
The Runes of Elfland

The author's descriptive prose reeks of imagination, humor, and insight.

She comprehends human motivation, and she is equally in touch with her own feelings. And while she DOES describe human behavior in the most unflinching manner, she also demonstrates empathy, compassion, and the ability to rise above it all with laughter and good will... the numerous hilarious pranks, notwithstanding. Don't miss this.

Miss Guedel's book is a wonderful,honest and insightful memoir of the Disney animation studio of the 1970's.Her portraits of many of the talented artists are both humorous and revealing in ways that avoid trivialization and cheap sentimentality.She is a gifted author and one can only hope for a sequel book which chronicles her time with the Don Bluth studio.This book is a must have for any serious scholar of traditional Disney 2d animation history.

An amazing, archetypal hero's odyssey,
I could not put it down.
I attended BHHS and knew Heidi and many of the other players, and can attest to the veracity of all she writes.
Any Producers out there, here is a fantastic opportunity!

Heidi was my step-cousin but we lost touch after Helen Parrish (her step-mother and my aunt) died. While reconnecting with Helen's two children last year, one (Choddy) showed me a copy of Heidi's book and I promptly bought a copy and read it.

I visited Helen and John Guedel occasionally, although I lived in Atlanta at the time. I remember Heidi as being perennially sullen and aloof but this book details "the rest of the story". Clearly I would've been considerably more sympathetic had I known the hardships she suffered during her earlier childhood.

This is a great story and well told, undoubtedly a catharsis for Heidi but a great read, too. I was disappointed at not learning how her life evolved following her departure from Disney. Guess I'll have to wait for the sequel.

I'm going back east for another reunion with Helen's children this week and to see my last living aunt on the Parrish side, Kathy, whom I haven't seen in 35 years. Thinking about it reminded me to share my thoughts on Heidi's book.

Read it...I think you'll enjoy it even if you weren't there.

OH_MY_GOD. This author posts on a site called Internet Infidels, and believe me she STILL pulls no punches. She still posts under her real name. I wouldn't if I were her. I'm sure the outraged religious fundamentalists will come here next and try to pan her book. WOW.....After following some of her posts, I looked up Heidi Guedel's profile on the Internet Infidels site and it led me here to Amazon and her book. I've just finished it. Now I understand...... and I can't stop laughing.

After you learn about her childhood, and her sanity-saving ability to turn even the worst human behavior and circumstances into humor (much like Groucho Marx did, and she met Groucho, by the way, because her father produced the Groucho TV show) you get to ride the waves of laughter along with her as she turns Disney Studios upside-down by stamping "BULL$**T" on the company memos they posted in the hallways, and putting fake puddles of spilled beer on stacks of priceless animation drawings just to watch a rather pompous artist implode. There are many more pranks and scandalous tales about some famous artists in the animation business, including one who recently won an Academy Award for 3-D special effects.

And far from poking fun only at everyone else, she bares her own soul and exposes her own legendary boo-boos - like accidentally putting a stack of drawings by famous Disney animator Ollie Johnston on the roof of her car and driving off without it. She returns in the middle of the night, realizing what she must have done, and finds one drawing left on the street in front of the studio, with a tire mark across it. What she does about it next is so poignantly funny..... but I won't spoil it for you. Read this book. It is so special and so REAL.

Even if I'm not working in vfx, so I haven't a great experience, I think this book should be in every comps shelf: very simple, well written, it deals with the math under every (even the simplest) operation you can do in your compositing package (it's quite software-indipendent). It explains several wonderful tricks too.
Globally, very useful in my opinion.

Ron goes over the very concepts of compositing that are essential to know in the computer graphics feild. I have bought several copies of this book as the disappear from my desk (no longer kept in public view)

This book is exceptional and a must for anyone pursuing this area of interest. The only disappointment I had in purchasing this item is that it is supposed to come with a CD, and the CD was never shipped to me. What's up, Amazon?

That can I say about Mr Brinkman. Well he's one of the God's of compositing and VFX. Mad about the math behind Node based compositing software, which incidentally is a good thing. This is not meant to be a 'Shake' bible as it is supposed to be non software specific. However it uses 'Shake' language and node naming. This is not a criticism as 'Shake' is the meccano kit of compositing. Understand the mode and the math behind it and you can do anything. I would also assume that this will still be relevant when shake is 'reborn'.

This is also essential for other composing software where the math is hidden. If you've ever considered what happens inside that 'magic button' after you've clicked.

I also think that Steve Wright's 'Digital Compositing for Film and Video, Second Edition' is a must too. Another great book from a great man of VFX.

Having not been personally taught by Mr. Brinkman and Mr Wright these books prove to be the next best thing.

This book is a in depth study of the techniques and technologies involved in the art of compositing. Not sooo technical that no one will understand it, but technical enough that it even explains in detail the algorithms and math used for antialiasing, blurs, the transfer operators like multiply, screen overlay., etc... I am a professional cg artist and highly recommend this book.

I must admit, I'm not as crazy about this book like everyone else seems to be. I gave it four stars for the beautiful photos, and descriptions.
But I think some things could be improved. The index lists everything by page number, which is fine if you're just leisurely looking through the book. But if you're looking for one particular outfit, it would be much more convenient to have an alphebetical listing. I wouldn't mind seeing the price guide broken down to include each individual accessory, since many people put together a complete set, piece by piece. But the thing that REALLY bugs me is that she almost always adds the word 'doll' after their names. For example, 'On weekends, Ken doll liked to take Barbie doll for a drive...', or 'Francie doll was excited about...'. Very annoying, to me, anyway. But, overall, it's a very good book to have.

To say something about this book is so so easy - this is THE Barbie collection book. Great photos, great describtions of all the outfits year by year.
You don't need any other book besides this

Great book - a must for any Barbie collector-great pictures with accessories that originally went with each outfit- easy to look up values-great fun to wander through!!

A great reference book with great photos and descriptions to keep track of your dolls clothes and your investment.

For any serious collector of vintage Barbie doll, this book is the best resource available. I have many other books on early Barbie and her fashions, but this volume is the one that I consistently use. It is an accurate, comprehensive chronology of Barbie doll, her family and friends from 1959 through 1967. The photographs alone are worth purchasing the book. The colors are vibrant and crisp. Each fashion is pictured with all of its original components. This is of great value to the collector in putting together an outfit. I keep this book by my computer for reference when making vintage Barbie doll purchases or bidding on online auctions. I cannot imagine collecting Barbie doll items without it!