McDonald's Books

After reading the author's first book, I prayed for a part two. To my disappointment this is not it!. It's as if an alien had possed the author and decided to re-write "ALL SOULS". Does this mean, the book was bad, no it does not mean that. It means that, the first book was written from such a different mindset (Night and day), has HUGE widespread appeal, and was so perfect (priceless): that somebody must have given this author some bad advice or false encourgement. Furthermore, while there are small parts that have that "wow effect" , the punk rock aspects, I overdosed on and sufficated this volume for me. If you ever read Mary Karr's "CHERRY" then I hope that will kind of enlighten you has to what my babble is trying to do, eventhough that was sort of a part two . In conclusion, while this author has a vast amount of heart, soul and talent and will most likely write more great books. It does not change the fact that I feel "Easter Rising" was a let down.

So sang Mission of Burma, whose final concert, among so many others in the early 80s, MacDonald attended, as he struggled to break out of his Boston confines. This brisk sequel to "All Souls" (also reviewed by me recently on Amazon) concentrates more on the writer himself, whereas the earlier book explained his family of ten siblings (nine surviving but three to die tragically as young men and a sister in a coma) in South Boston. I found lots that sounded familiar. The tour when he first saw the Clash was the same one I went to, and my first "real" concert too. He conveys the culture clash also, as Mikey Dread's patois reminds Mike of his grandfather's Kerry-accented chatter. He learns about English culture and European ideas through the then small alternative music papers and song lyrics guide him into Camus and Marx. His education, as a dropout from prestigious Boston Latin, takes him into a vividly described underground scene, as the caché of hanging out in clubs and shops leads him into the NYC squats and speed. I'm not sure how or if he manages to attend classes to completion at UMass-- this decision barely gets an aside. Mostly, Mike appears drawn to the same flirtation with the dangers that mark his family and his neighborhood. Finally, the darkness of his own family, after mental illness, bank robbery, and sudden trauma claim his siblings, snaps him back.

However, there's no easy escape from Southie. The narrative tends to jump forward, and without the previous book, you'd have a hard time filling in the gaps. This is my reason for four stars: not that the lacunae are unexplained, but for the skips in the chronology that make it difficult to keep track of what happens when to him over three decades.

Therefore, after Mike's accounts of punk, hanging out, and getting out of the Old Colony before succumbing to it, the story leaps to London, where he sees the sights on the cheap, and then two trips to Ireland. The first is to Donegal, and while the inside dust jacket promises "two healing journeys to Ireland that are unlike anything in Irish American literature," there's only a familiar, if well-observed, story of the strange intimacy many returning Yanks have. The woman who gives you a lift, figures out in her head you're her fourth (or fifth) cousin, then drops you off with a casual farewell as if this proved but an everyday occurrence on a rural back road. The crowds with women who all look like one's grandmother, and the faces that finally mirror your own. The 'green jumper' that all 'big fellas' from America supposedly stand out by as they tramp and gawk among the bemused natives. And, for Mike, the racial undertones that link the Irish to blacks as surely as they have separated them in his hometown.

The coda, as it were, finds himself at thirty-two accompanying his braying Ma as she in her "Irish whisper" plays the accordion to tunes denouncing the Black and Tans and praising the IRA in the streets of London, complains over her headphones about the English, and generally making a spectacle of herself in the manner that readers of "All Souls" will smile at again. Yet, when she sees her father's cottage in Kerry, her son notes her change. Deeper voice, bent back, slower gait. In the ruins of her ancestral house, she finds her mother's cauldron and the shards of what had furnished the cabin. "Standing next to the dusty heap on the floor, I looked at the perfectly preserved picture of the Sacred Family hanging above the fireplace, with a banner that read BLESS THIS HOME. It was the one intact thing in a house that was in ruins. I couldn't take my eyes off it." (241)

As in the first memoir, MacDonald tends to underplay such dramatic moments in favor of unadorned storytelling. I'm not sure if the audience which longs for shamrockery will take to Mike's more sober tales. This narrative moves efficiently, and MacDonald does not call attention to himself or his woe so much as place it in contexts-- of the club scene, of the pub milieu, and of the psychological devastation that takes him in and out of counselling, hospitals and therapy to ease his aching head. These encounters with the academic and then medical establishment do not, as you might expect, pit a rebel hero against an uncaring system in McMurphy vs. The Combine stereotypical countercultural conflict, but Mike learns self-reliance and gradual acceptance of his own power to overcome the demons that attack so many around him.

Somehow, this manages to be one of the few recent books about Irish sold in America that lacks a paean from Frank McCourt, although his brother's quote graced the back hardcover of "All Souls" and may this in paperback. Whereas the first book evidently took time, this one may have been hastened by the four writer's retreats that he acknowledges, and funded by his screenplay for "All Souls" that's been optioned.

I read and highly enjoyed MacDonald's previous autobiographical book, "All Souls", and was interested in his latest book. I was not disappointed. Whereas "All Souls" has more of a focus on the author's family and the events of the 70s and 80s, "Easter Rising" is about specifically how MacDonald was able to pull himself out of the cycle of poverty. Here are some of my own observations.

I found MacDonald's journey into punk music fascinating. After his schizophrenic brother Davey committed suicide, he was looking for a way out of his own world. In punk music, he saw the musicians looking to destroy their world and create something new, and he immediately identified with them, wanting to destroy his own world that suicide and violence had ruined. In addition, I thought it interesting that he learned more about politics and history from the lyrics of punk music than through his classes at Bostin Latin.

MacDonald's journeys to Ireland proved to be cathartic. When he was 19, he traveled to London and Paris and ran out of money. He called his grandfather for money, but he would only give it to him if he promised to visit Ireland and some of his relatives. He hates Ireland at first, but then grew to love it. When he saw his biological father, George Fox, at his funeral, he relates that since his father lived outside of South Boston, he was hoping that he had a connection to the outside world. That's ultimately what he found in his relatives in Ireland.

His journey from the mindset of "South Boston is the whole world" to wanting to get out of there is quite emotional. After the death of Davey, then many other of his family members, he wanted to escape. At first, he would venture into downtown Boston, then New York, then finally out of the country. Growing out of the tribal mindset of his hometown was an important part of his development.

In conclusion, "Easter Rising" is a must-have for anyone who enjoys autobiography and American history. It gives a more intimate portrait of the author than "All Souls" did. One needn't necessarily read "All Souls" before "Easter Rising," but it's helpful. Finally, it's a moving story of personal growth that has a wider appeal than to people from Boston.

I just finished Easter Rising, after disappointingly not hearing about it until very recently. What a gorgeous, powerful book. MacDonald is blunt when he needs to be blunt, and poetically detailed when it is worthwhile to do so, but without ever stumbling into flowery cliche. Everything I appreciate in a great storyteller. He brings you with him to feel the undeniable transcendence of a great punk show, just as he takes you along for that first eye-popping drive across Ireland.

A couple of spots hit me extra-hard. More than any one moment, the part where he met up with friends in line for tickets (Costello, was it?) after a tragedy at home -- that balance, or rather IMbalance, of wanting to tell someone without wanting to say anything, wanting human contact and company without having to explain things. And then to have the horrific near-death of a family member whittled down by friends to another "crazy" episode of life in the MacDonald family -- that really, really struck me. MacDonald does an incredibly adept job of illustrating what it feels like to rotate between leaning on family and leaning on the friends who are LIKE family, often looking to one for solace from the other.

There's this sort of odd juxtaposition in youth countercultures, where for a time, they save us. And then, at one point or another, we face the fact that they can't really save us, because they often aren't all they seem. Or they cease to be what they once were. Or we outgrow them. Or we're leaning on them too hard. Or there are inherent hypocrisies we can't overlook anymore. I don't know. But I know that I really related to MacDonald's love affair and disillusionment with the punk subculture, just as I echo his love and hate for the turbo-Irish enclave each of us grew up in.

And like so many of us, MacDonald loves and hates them like family who drive us up the wall sometimes. We know their flaws, and we know their limitations, but they are who WE are. And I so appreciate MacDonald telling (another) story that explains such complicated things so beautifully.

What's an old guy,72,reading a book abot an bunch of young people growing up in Southie,South Boston,in the 70's and 80's;in an area wracked with drugs,violence and with little else of interest than rock music? I remember the days when School Busing as a form of Intregation was creating great upheaval in America and much of the news about difficulties seemed to come our of South Boston. I had never read much about Southie;so thought that it might be of interest as I have read much about the struggles of ethnic groups making their way in America.Most cities have had ,and still do,their areas where people ended up ,who lived outside the "mainstream",and had to do whatever it took ,just to survive...but survive they did!
I must admit,I found the book a little outside my interest in music , performers ,songs and band names;but it still held my interest and I found it better and better as I continued.By the time I finished,I felt it was one of the better books that I had ever read on the life,struggle and success of someone who overcame obstacles and an enviroment that to someone like myself would find totally discouraging. What a training ground,and anyone who managed to survive had to be remarkably strong. It shows that for anyone to survive and succeed,inner strengths,family ,determination,and taking on responsibility for oneself are the roads to success and not the reliance on government programs and social agencies.
When you see what the author did to make a success out of what he had to start with ;anyone else who finds themselves in similar enviroment should ask themselves; "So,What's my problem?
I found the author to be a great new,for me, addition to my list of favorite "Irish" writers and I have now put him in the company of my favorites; the McCourts,Roddy Doyle,Brendan Behan,Liam O'Flaherty,Toby Harnden,Brendan O'Carroll,Morgan Llywelyn,Pete Hamill,and many others.
Particularly,when the author arrives in Ireland,and he gets to meet the locals and observe the Irish culture;it seems that great gift of writing really blossoms.The way he can write about people,and especially how he can bring that wonderful mother to life in his writing shows,without any doubt, that he is a "gifted Irish Writer" .That seems to be a skill one has to be born with and it has been a fundamental ingredient of Irish culture sice the beginning;where communication was done by storytelling as opposed to writing.
How's this for observing and writing for which the Irish are so good at?

"And when she came back to the silence of Danny's grave,she carried on in a great mood about what a beautiful spot it was.Then she did what she'd told Buddy she would do,pulling the accordian onto one raised knee and breaking into "Danny Boy".
This opened every water faucet that had been closed so tightly that evening.Hannah,Mikey,and Catherine stood frozen,staring at the gravestone with hands folded,their tears falling in steady streams.I was terrified,the way I always was when Ma opened people's faucets.I wasn't sure if Ma was being appropriate,since I didn't know Danny's family at all well. Buddy had requested the playing,but I figured Ma ould do it when we were at he grave alone. Ma's red hair flew in all directions with the wind,exposing gray streaks at her temples,which I was seeing for the first time.She struggled to hold up the heavy accordian while standing,raising one thigh to prop it,and was soon balancing the whole spectacle on one foot. It was just past twilight,the sky was a deep dark blue,and the white stone of the religious statues shone out against the the backdrop of evening. Saint Patrick leading the snakes out of Ireland,the three children of Fatima kneeling in front of a serene Mary,Jesus' crucified body floating above us,his wooden cross invisible in the night.
Ma wailed the verses and settled down to a lullaby for the last line,
"I simply sleep in peace until you come to me."
We stood quietly for a few moments. I wasn't sure we'd be welcomed back at the Riordan's that night. Catherine broke the long,uncomfortable silence by soaking us all in a parting spray of holy water.Then she doused the grave.And we all went back to the cars in what seemed like a sudden descent of pitch darkness."
I can't wait to read more from this wonderful author.Keep it up Michael,you're really gifted.

This book was a favorite of mine when I was young and now I love reading it to my girls. It is so sweet and wonderfully illustrated. My absolute favorite from the spectacular body of work of Mem Fox.

This is a beautiful story. It's perfect for reading to children who have grandparents with major memory loss. The illustrations by Julie Vivas are equally beautiful.

All I can say is I have had this book for many years and it is one of my FAVORITE children's books. Cutely written and the message is wonderful.

In Wilfrid Gordon McDonald Partridge by Mem Fox was absoultly adorable. Wilfrid lives next door to an old folks home. Wilfrid knows all the people there and excpecially likes Nancy Alison Delacourt Cooper, because she has four names just like him. He had a very special relationship with her.
One day Wilfrid over heard his parents talking about Miss. Nancy. They said, ''The poor old thing has lost her memory.'' Since Wilfrid didnt know what a memory was, he asked everyone at the old folks home and each one said something different. Wilfrid went home and found lots of things that makes him remember special moments.
Wilfrid brought all these things to Miss. Nancy and something remarkable happened. Miss. Nancy's memory came back.
This is a truly heart warming book and is also for all ages. I enjoyed it a lot and I am sure you would too if you read it.

Have you ever read the story, Wilfred Gordon McDonald Patridge? If you haven't read it, it's a cute little story about a little boy and an elderly woman. The story takes place in a town where a little boy and his parents live in one house and some elderly people live in the house next door. The little boy loves to go over to see these people and talk and laugh and to do different, specific things with each person. But there is one person the boy loves the most, a woman he calls Miss Nancy. He loves to talk with her and to share what they both have in common. But one day, the little boy's parents told him that Miss Nancy had lost her memory. The boy wasn't sure, so he decided to find out. Has Miss Nancy lost her memory? To find out for yourself, you'll have to read Wilfred Gordon McDonald Patridge.

I recently did a make-over party and handed these out as favors. Thought this would get the kids off to a good start on their summer reading program. The kids loved them and the story is very thought provoking. Shows kindness to others.

My kids have all Judy Moody and Stink books. They love them, and I know for the fact that they help kids who struggle with reading in 3rd grade. They are easy to read and have a good story, are funny and appealing to that age group. A must have!

This book was good. My favorite part was when she hits the teacher's elbow. That made me laugh!

judy moody always wants to be in the news paper or on tv. judys cat won the pet contest and she finnaly was in the news paper.she was happy after all of that.when judy got home she looked in the news paper.she said thats a get picture of me and my cat.

i liked this book because stink was funny by selling moon dust.

the thing i dont like this book was judy always wined.

I thought this book was a bomb! You have got to read this book. If you are a Judy Moody fan and you read this book you will like it very much.The main thing that happens is Judy Moody is trying to get famous.

This is a phenomenal book for PS use - I'm sorry I had already bought other books. I'll probably never look at those other books again, and will end up selling them.

I was skeptical of getting a CS3 book since most of the ones I've perused were a bit much, relying on adept knowledge on CS2. This book, however, has been so easy to read and understand, I can't put it down!
It has a wealth of how-tos and information on effective photoshop CS3 editing. Highly recommended!

As a web designer I've been using Photoshop professionally for years. I've also worked on lots of photographs, both my own and those I've gotten from clients. I don't need a how to book on layers, cropping and levels. I've got a good understanding of the basic Photoshop tools, and have benefitted from Scott Kelby's Photoshop CS for Photographers. But Kelby's book is a recipe book both useful and well presented, but I want more.

What I want to do now is take my own photography to another level. Past a certain point, improving becomes less a matter of collecting tricks and recipes and more a matter of learning the entire workflow from experts. For that a basic how-to cookbook is no longer of much use to me. I could probably spend a lot of time working out a good workflow and set of procedures through trial and error, but why not take advantage of the experience of those who have already taken the art of nature photography editing to a high place?

Enter Photoshop CS3 for Nature Photographers. As one reviewer has stated, much of the introductory Photoshop material is covered in other books, but not in quite the same way. Photoshop has many tools, each of which has many settings and options. It's perfectly possible to be familiar with one tool or filter in one context and not realize that it can be used in combination with another tool to achieve a completely different result. I once read that when Einstein proposed his theory of relativity maybe three people in the world understood it. I wonder if more than three people in the world completely understand all of what can be done with Photoshop. What I was looking for and found here is an expansion of my Photoshop horizons, a deeper exploration of the art and science of nature photography and photo editing.

Anon and Grey offer an excellent look over the shoulder of experts in both practice of nature photography and in the use of Photoshop as a digital darkroom. I can't emphasize strongly enough how helpful that approach is for someone who has some Photoshop chops or who has used the program for another end and who wants to get great results with nature photos. Their workflow is time tested and produces excellent results

And nature photograph editing benefits from following a slightly different approach from that of product photography, with which I have some experience, portraiture, photojournalism and so on. Again, I'm struck with how specific and helpful the presented workflow, and the mindset that using such a workflow creates is. And placing editing in context with a specific photographic goal informs my picture taking too.

I recommend this book to anybody interested in nature photography who has at least some experience with Photoshop, though a dedicate beginner could work through the introductory phases with this volume. For someone who has used Photoshop in another context and wants to expand into the nature photography realm this book is brilliant.

I gave this book as a gift, so I am quoting the recipient:
"The book gives a clear, well-written overview of both basic and advanced photoshop techniques geared toward editing nature photographs. One of the strenghts of the book is that it presents the differing views and techniques of two seasoned and highly skilled photographers. The explanations are clear, and the book proceeds logically through the various steps associated with the tools and features of photoshop CS3. A special treat are the beautiful photographs that illustrate the techniques discussed in the book. The methods presented by the authors are not necessarily limited to nature photography, and can be applied to a broad range of photographic subject matter. Very highly recommended."

I bought this book based on several positive reviews and also because of the focus on "nature photography". I was not displeased with it, but I was kind of disappointed. Most of the techniques given were stuff that could be found in almost any of the "how-to" books on Photoshop. Mostly it was just workflow, and workflow for nature photography vs other types of photography is not so different that a whole book can (or should) be written about it. On the bright side, I did pick up a couple of tips and techniques that I hadn't seen in other books. I was also pleased to note that the authors drew a distinction between documentary nature photography and nature photography to "make a pretty picture". They feel that so long as the photograph is not said to be representational of a moment in time, there's nothing wrong with compositing and modifying it to make it more aesthetically pleasing or artistic. Some of the resulting compositions are fabulous, and capture the "mood" of a scene beautifully. Since most readers of this book are likely to be shooting for their own pleasure primarily, this was good information.

Bottom line - if you have other Photoshop CS3 "how-to" books, you can pass this up, as there's virtually nothing that hasn't been told many times over. But, if you're fairly new to PS, focus primarily on landscape and/or nature, and are only going to invest in a couple of "how-to" books, then go ahead and get this one.

I have read many books that reveal the essential truths. This book, however has both a simplcity and a new insight that has not only provided me with new insights, it works when placed into action. It does not require years of learning, rather you can begin to experience a change imeediately.

If the process of manifestation suggested in this book were to be sincerely followed, you can manifest your own reality.

As someone who has read innumerable 'secret of success ' books , I hold very high regard for this book because I have had
practical demonstrations of its truths.

The one point that the master does not dwell upon is while visualizing the desired situation , one has to pour deep feelings
of joy and gratitude to 'Infinite Intelligence' , 'Intelligent substance ' or God according to your predisposition.

If the appropriate visual blends with your thoughts and feelings and if you can sustain the mental image along with the
thoughts and feelings about the desired manifestation you will see that what was once in your consciousness is now in your
surroundings ( 'As it is within , so it is without ').

I want to quote Swami Vivekananda here -- " Imagination properly employed is our greatest friend ; it goes beyond reason and
is the only light that takes us everywhere ".

It is natural to be skeptical about these topics, but all a person needs is one specific ( be very specific ) manifestation.

I also suggest you to read " The Way Out " by Anonymous , " Door of Everything " by Ruby Nelson , " It Works " by RHJ. Proper
study of these books will help you gain deeper understanding and help you manifest your own reality.


Truth is way stranger than fiction. Have patience and strong will to manifest.

You can create your own miracles.

Good luck.

This is a short book with a wonderful story. I love this book, I have read it many times. It is very inspiring, sometimes you see it in the bookstores but it's hard to find. I loved it so much I bought if for a friend. The message is short and simple, the best books are the ones that get to the point quickly. Very good book.

If you like "The Secret", you will love this book. It is very small and deceivingly very simple but I found it very profound. I couldn't find anything about the author which intriqued me. There seems to be alot of books out like this really talking about the same "Laws of Attraction", with a different way of presenting the material. This book struck a chord with me.

This book gives you an approach very similar to the Soka Gakkai Buddhism, same idea, different wording. This is a very simple book, that will blow your mind. that book changed my life, in a very deep way. I'm telling you, just do it, believe in it, it works!

Fat City is a short book, so I'll write a short review. You can get a plot synopsis from the other reviewers. This is high-quality noir territory. It is 180 pages of boxing, booze, lousy jobs, poisoned relationships, and flophouse squalor. It perfectly captures the characters' desperation and hopelessness. If you are looking for a tough, lean, gritty read, then look no farther.

Fat city is a book that took place in Stockton California in the 1950's that follows the broken lives of several men who are brought together from boxing. This book is written by Leonard Gardner, a boxer himself during the 1950's. As you read through the pages a story of the lives of different men unfolds.
Billy Tully is an out of shape boxer who gave everything up because of long losing streak and the painful divorce with his wife. Living off of almost nothing he decides he wants to go back and try to fight. While training he meets a young boy named Ernie Munger who has a natural talent for boxing. Ernie wants to be a boxer so bad that he trains day and night letting nothing get in his way. In the middle of his career he gets his girlfriend pregnant but tries his hardest to stay in the life of boxing. While following the characters in their lives this book goes though the struggle of each man and illustrates how they react to their failures. In this story the women are the cause of problems between all of the unhappy boxers; a problem that cannot be fixed.
Some chapters in the story are dedicated to small parts of other men's lives such as the trainer and the opponent, letting you understand the story from both sides. Although these men are brought together by boxing the book is about these men doing what they can do to survive. From boxing to farming this book accurately covers the actions taken to survive. Although the book can be slow at parts over all it is a quick read.

I read Fat City sometime in the mid-sixties, when it was first published, and was immediately captivated and envious of Gardner's powerful style and talent. If you appreciate and admire Hemingway or Steinbeck you will likely feel the same about Gardner, who, unfortunately, has not published anything since. Perhaps this small gem of a book was the only one he had in him. Even so, this novel is a remarkable accomplishment and may well become an American classic. What intrigues me the most in this work is that Gardner gets it all down right--the sights and smells and sounds of the seedy streets and flophouses; the drifters and dingy diners; the sweaty gyms, barsweeps and whores and how it is to work as a stoop-laborer in the fields, especially the true-to-life characters inhabiting the pages. Fat City is simply a well-crafted execution of art throughout and is as pleasurable to read now as when I first picked it up years ago.

Short novel, published in 1969, about two boxers, Billy Tully, who is 29 and down and out, and Ernie Mugger, who is 18 and up and coming, two versions of the same man, in some respects. Terrific skilled prose, short chapters, switching points of view between these two main characters and an assortment of other minor characters. The author takes you inside the characters' deepest despair or elation. How simple the author makes it look, one thinks, reading this book. But of course it is not. The prose is precise and honed, and looks easy only after who knows how many drafts. There are only 18 or 19 short chapters, and much of the novel is dialogue. But somehow one comes away with a panoramic view of Stockton, California, this woeful place, and the people the inhabit it - the immigrant fruit pickers, the bartenders and bar girls, the hobos on the street. The descriptions are compact and dead-on. About Billy Tully's hotel room: "All his neighbors had lung trouble." One could quote sentences from this book almost at will, the prose is so spare and perfect.

That the author never published another book, and that this was his first, is incredible. To write this cleanly and confidently, he must have practiced and studied for years. Yet to never do it again.

This is one of my all time favorite novels. It beautifully captures the desperation in the lives of its characters and does it in a style that is a model of grace and economy. The deeply insightful portrayal of the painful relationships between the men and women, who inhabit it's world, is one of its many pleasures.

Gardner is a great novelist, just on the strength of "Fat City," the only entry in his oeuvre.

This is a very comprehensive, and well-organized security assessment book for Software engineers. Yes, it has everything - all done well. If you are into security assessment and testing and live by it every day, you are still bound to learn a lot, to re-evaluate the things you know, and to genuinely improve your results. If you are a software engineer, it *will* help you build superior applications. If you are just an security enthusiast, you will genuinely enjoy the time spent with this book, and you will find this brick handy more often than previously imagined.

This book is absolutely amazing. The amount of detail they go into for so many subjects -- it's incredible. I particularly enjoyed the section on network protocols. I recommend this to any software engineer -- not just those in security specific positions.

Great job, and I hope to enjoy more material from these wonderful authors!

A must have. Being a security researcher for almost ten years now, and already a CISSP holder, there are times you believe you have seen most of the things, and you know the best of them. This book opens a new way of thinking, it's detailed and accurate and goes in depth on every subject.

A real must have.

Nicolas Krassas, CISSP

This book is The Bible for anyone in the security vulnerability research or security software engineering field. I haven't bought a book and studied it so much before ever. This is one book that will never be off my desk.

The authors of this book are some of the most respected in vulnerability research and theory, and have found many bugs that were years ahead of their time. As expected, they deliver on their prior reputation in this great and incredibly expansive book of knowledge and insight.

If you're tired of reading high-level theoretical books about "building security in" written by people who have no clue what a bug is or how to prevent them, this book is the ideal alternative.

For a hobbyist, it will guide you through practical methodologies about how bug hunting is done and teach you to think like a great vulnerability researcher.

For a developer, it will open your eyes to security oversights in most of the pieces of code you have ever written. Read hard, these bug classes affect the products you are shipping today.

For the security professional, this likely goes not only broader but deeper on lots of issues than you have ever looked, and far beyond any book I've seen. It can be used as page to page read, or a great reference. I personally use it all the time, and have definitely learnt from it. Great job guys!

P.S. Try and spot the 0day.

FOX RIVER takes place in Ridge's Race a mythical town in Loudoun County Virginia. Loudoun County does exist and there are many beautiful scenic estates on huge tracts of land. Fox hunting is centuries old and is mostly the sport of a wealthy and privileged group of individuals. This story brings in the beauty of this area and some interesting information about fox hunting.

Emilie Richards weaves a fascinating tale about a group of close friends and neighbors who suffered from the after effects of the brutal death of Fidelity, a popular young woman who they all knew well. To make matters even worse, Christian Carver, a well-liked twenty-year old is accused of the crime and sentenced to life in prison. Christian had lived on the fringe of society since his father had been a horse trainer for wealthy Peter Claymore. The story begins nine long years after the killing. Some facts surface and a serial killer in Florida, admits to killing Fidelity and gives information to collaborate his story. Peter Claymore never gave up on Christian and always provided legal help for the young man. He's delighted that Christian is free and offers him a home and a job.

This story follows Christian as he is released from prison and tries to pick up his life. He has to face his former girlfriend, Julia who was so overcome with the death of Fidelity that she did not completely stand by him at his trial. She married shortly after Christian was imprisoned and has a daughter. Julia, is blind after a fall from a horse, but the doctors feel that her blindness is emotional since no physical case can be found. Julia's mother, Maisy Fletcher always believed that Christian was innocent of the crime and welcomes him back with open arms. Christian is still haunted by the past and wants to know more about Fidelity's murder.

This book also hosts a story within the main story. Maisy Fletcher who is a very unusual woman, tells Julia that she is writing a manuscript and would like to read it to her in the evenings. Julia is not enthusiastic about it but allows her mother to read a chapter or two each night. Soon, she becomes immersed in the story and wants her mother to write faster. I don't usually care to follow two stories at once, but the author handles it in a skillful way and it works very well in this book.

If you like fox hunting, you'll like this book. However, if you aren't really interested in it, you will be a little bored with sections of this book. I would have liked it more had she focused on the characters more and the fox hunting less.

After a fall from her horse, Julia Warwick is diagnosed with hysterical blindness. An embarrassment to her husband, he has her committed to an institution where he tells her she will get well. It only takes days for Julia to realize that the last thing that will happen in the clinic is her getting better. When her mother, Maisy, offers a home to her and her eight year old daughter, Julia accepts. Back at her childhood home, Julia tries to heal so she can hopefully get her sight back. When Christian Carver suddenly returns to her life she knows nothing will ever be the same. For he is the one man she loved with all her heart and the one man she let down.

Christian Carver spent nine years in prison for a murder he didn't commit. When he was released after someone else confessed to the crime, Christian thought he would be able to go on with his life. He didn't expect to feel doubt about the confession, but he knew that until he knew exactly who murdered Fidelity, he would not have closure in his life. Then there is Julia whom he has never forgotten and soon learns to forgive. He just doesn't know if they have a chance for a life together even though he wants nothing more than to be with her and Callie for the rest of their lives.

In her normal fashion for writing, Emilie Richards delivers heartwrenching emotion and characters that will stay with you long after the last chapter has ended. Not only did we have Julia and Christian, but we were also brought Julia's mother, Maisy, who I loved from the first page. I can never put her books down and I look foward to the next one.

This was a beautiful story, very exciting, riveting at times, I wish it would have gone on and on! This was my first Emillie Richards book and I have ordered many more of hers. This book wove a web of many stories within stories about a Virginia family and their good times, bad times, sad times and happy times. There was never a lull in the story like some books I've read. The ending was just right also. Do yourself a favor and pick up this book today!

Ever since I read Richards' Prospect Street, I have been on the hunt for her earlier books. And this is one of them. Once again, she proves to be an author that I really would love to read more of. I don't have an idea why she's labeled in the romance section of the bookstore ~~ she hardly touches on the romance of relationships, she writes more about strong women and their journies in life. This book is just as good as Prospect Street if not better.

Julia finds herself blind after a horseback riding accident ~~ though all the specialists said that there were no physical cause for it. She returns home to Ashbourne with her daughter, intending to make her separation from her husband temporary. With the love and support of her mother, Julia begins to find her way back to life again. Her former lover is released from jail after evidence shows that he did not murder Julia's best friend ~~ and chaos erupted. Julia finds herself on the road to recovery ~~ but had to endure a lot of secrets that had lied dormant for too long.

Also, in this story is a novel that Maisy, Julia's mother, had written ~~ so this makes this book unique ~~ a novel within a novel. I was entranced from the first page to the last ~~ and I loved every moment of it. It's a mystery novel too ~~ and keeps you on your toes throughout the book.

I wish I had discovered Richards sooner ~~ her books are hard to find in the local bookstores ~~ and/or out of print ~~ because I am really enjoying the depth she brings to each woman in her stories. She makes them come alive and real ~~ like you and me. If you like an intriguing story that is full of descriptions and mystery ~~ this book is for you. It's a wonderful addition to anyone's library!

8-25-03

This books is easy to comprehend, and the plates are well defined. Extremely useful for ID'ing aquatic creatures.

My teaching partner and I will use this in our Freshwater Ecology class at the secondary level. It is a great basic guide that will be used as a reference tool and identification resource at an introductory level. Excellent for the money.

This book contains easy to understand pictographs for beginners, plus distinguishing characteristics for experienced entomologists. A major plus to any and every watershed association out there, and every limnology, water pollution biology, fisheries, etc. class offered at the collegiate level.

A definate must have for nymph fishermen as well!

Well done for a price that doesn't take a bite out of the pocketbook!

This book is great for beginners or someone who wants to brush up on invertebrates. The descriptions are wonderful, as are the pictures. Highly recommended!

This book is used by 20 Stream Monitors in our area. It is invaluable for identifying the macroinvertebrates netted in the stream. The varieties found determine the health of the stream.

Great condition but didn't realise the book contained several stories. Just wanted the one story "Why the chimes rang."It was bought as a gift and the reciever was totally thrilled

I remember this book from long ago. It has a wonderful message. Not only can love make the bells ring, love can change the world! The illustration are just perfect for the story. This would make the perfect holday gift for young people, or even not so young people who want to regain the Christmas spirit of giving and service.

Destined to be a Christmas classic:Christmas Gifts, Christmas Voices--echoes the message of Why the Chimes Rang.

Growing up in a small town in Indiana, I got to listen to my paternal grandfather read this story to the assembled family every Christmas Eve. My father has continued the tradition within our family, reading from an original 1906 edition of the book. Every year like clockwork, my mother cries as she looks around the room at her sons, their families and the dogs. My partner and I are adopting a boy and a girl from Guatemala this year, and I can't wait to begin this tradition in our home. This is a truly glorious story about Christmas. Read it and share it with your own family. And make sure it's read aloud by the family member with the most sonorous voice.

lovely pictures and great story
nice to find a childrens christmas book that isnt a popular character of the month
adults will enjoy also, so makes reading together the experience it should be

What a delight to find this classic from my childhood. Our parents read to us at bedtime. This story of love and sharing relates universal values. Thank you for making it available.