History Books

"The Deepest Sea" rivals Bernard Cornwell's "The Last Kingdom" series, and in some parts it's even better, and that's saying something as Cornwell is one excellent writer. Vikings and adventures and friends and family all come together in one great story.
I can't image any writer writing such a good book never to be heard from again!

I have read and reread this book so many times. I love it. My original copy has fallen apart despite the many layers of tape and duct tape. It is everything a good book should be. If you are a lover of european or norse history and appreciate a good story about believable, likeable people, this is not to be missed.

I ran across this book during one of those times when you just do not know what you want to read. Sort of like a burn out on fantasy which is my favorite reading.

This is one of those books that you can read, then a few months later blow the dust off and read again. I have read it 3 times now and am just amazed at this writers ability to keep me interested. From the first page to the finale it is wonderful and rich story telling. I do not think he has any other work out there, which is a shame because with this style of writing I could easily call him my favorite writer.

To give away too much of the story in this review would not do the next reader any justice, so you will just have to try it out for yourself. The humor and setting are the best I have ever read. I can give this 5 stars without even considering any other rating, highly recommend it for anyone looking for a book to keep you up into the wee hours of them morning.

Very original, highly entertaining, hilariously funny in a couple of places, with a bittersweet twist at the end.
This is an adult oriented novel about a young man growing up in early Nordic society. It touches on adventure, politics, friendship, spirituality and human nature.
The editing could have been better, but it's still a great read.
I wish there were a sequel.

I do not normally comment on books I have read. However, this is the best book I've read in years. The story grabs you from the first page and doesn't let you go even after the ending. This author definately has the gift of "gab!" I have not been able to find anything else by this author. Does anyone out there have any info on him? If so email me.

I was fascinated by Huxley's use of this story as a way of trying to explain his thoughts on "man's deep-seated urge to self-transcedence, of his very natural reluctance to take the hard, ascending way, and of his search for some bogus liberation either below or to one side of his personality" - as revealed by our dependecies on religion and in joining mass movements like fascism or communism, as well as sexuality and substance use and abuse.
In Chapter Three he focuses on the religious aspects of these tendencies to "desire - and desire, very often, with irresistable violence - the consciousness of being someone else."
In the Epilogue ["In amplification of material in Chapter Three)"], he expands on these ideas by discussing substance use and abuse: "Alcohol is but one of the many drugs employed by human beings as avenues of escape from the insulated self." He adds to this the use of "From poppy to curare, from Andean coca to Indian hemp and Siberian agaric, every plant or bush or fungus capable, when ingested, of stupifying or exciting or evoking visions....seems to prove that, always and everywhere, human beings have felt the radical inadequacy of their personal existence, the misery of being their insulate selves and not something else.."
He then continues with the "crowd delirium" of mass movements:
"The professional moralists who inveigh against drunkeness are strangely silent about the equally disgusting vice of herd-intoxication - of downward transcendence into subhumanity by the process of getting together in a mob." leading to "The final symptom of herd-intoxication is a manical violence. Instances of crowd-delirium culminating in gratuitous destructiveness, in ferocious self-mutilation, in fratracidal savagery without purpose and against the elementary interests of all concerned, are to be met with on almost every page of the anthropologists'textbooks and - a little less frequently, but still with dismal regularity - in the histories of even the most highly civilized peoples."
His concluding sentence: "Every idol, however exalted, turns out, in the long run, to be a Moloch, hungry for human sacrifice."

This book is not merely an historical essay describing the lurid details of the events at Loudun [other books on the subject do that job], Huxley covers far more ground and delves far deeper into the experience of being human than that; it can be disturbing at times, but also illuminating.
Huxley's own later use of psychedelic drugs [mescaline, and, as has been said, LSD while on his death-bed] - which he describes in "The Doors of Perception" [1954] - indicates that he was still trying to reach an understanding of self-transcendence - in a more positive light.

It is the early 17th century in Loudun, France. The local parish priest, Urbain Grandier, has become embattled in various local rivalries with civic magnates and ecclesiastical officials. He makes powerful enemies among them but they are helpless to action against for the moment. Both sides are determined to see victory and religious sanctity takes a back seat to revenge and personal gain. Against this backdrop an altogether remarkable occurrence takes place; the inhabitants of the local covenant experience an extraordinary case of mass possession by demons. The head of the covenant, Saeur Jeanne des Anges, experiences the worst of the possessions and under an exorcism conducted by Jean-Joseph Surin she, or the demon within her, places the blame squarely on the shoulders of Urbain Grandier. The moment his enemies have waited for has arrived.

For those who are fans of Huxley's fictional and non-fictional works this book is not one to be missed. Although it falls into the category of non-fiction as it tells the story of a historical event in 17th century France, Huxley uses his creative powers and imagination to make the tale come alive. Granted historians may have an issue with taking such liberties in writing about a historical event, but Huxley's goal is not `pure' history, a pretty questionable term in itself, but rather to tell the story of a remarkable event with all the drama and suspense that it deserves.

His account of the mass possession in Loudun is backed up by an admirable amount of research. It is clear that Huxley's knowledge of both the time and place extend far beyond the details of the story and serve to enlighten his account. His understanding of human psychology as plays a prominent role in this book. It goes beyond a simple recounting of historical events, which as interesting as they are does not in itself make the book a unique one. It is Huxley's continual fascination with the human mind that really makes this book special. After setting out the basic historical framework for the story, he attempts to reconstruct the psychological factors that played a large role there. After examining the individual characters from the Loudun saga, Huxley takes the time to reflect and draw conclusions about humanity in general and what drives people to believe themselves possessed and the further implications this has.

Whether one agrees with the validity of conducting a sort of psychological analysis of historical figures hundreds of years removed from us and then in turn using those conclusions to draw wider ones about humanity or a time period in general, this book is an immensely interesting read.

Huxley has written a wonderful study of witchcraft,demonic possession and social commentary that is an historical cornerstone.Both religion and psychiatry are carefully intertwined in this lengthy novel.Set in France, it explores the human condition at that time.Greed,jealousy,revenge and theatrical performances are core themata.The inquisitional pressure coupled with political appeasement on the local,state and national level are explored.Mad nuns teased by repressed sexual needs and the subsequent outcomes are discussed. The careful documentation of the interplay between religious fervor and satanic influence are revealed in this exacting book.The twisted motivations of maladjusted individuals and the harm they can cause,the somatic possibilities and manifestations,coverups and intrigue are deftly and intellectually examined and detailed.The horrors of torture,self mutilation and sexual deviation as viewed as deviate for the times, gives one a sense of being voyeuristically one of the crowd.Watching the nuns perform their tricks,allegedly possessed by devils for the benefit of the church is amusing.Sister Jeanne,Father Grandier and Father Surin are all players in the game of gods love,human sexual needs,demonic possession and rather kinky goings on in the nunnery.It's a regular satanically,sexual soap opera with much guilt, regret and tragedy at the end.Any fan of Huxley needs to read this if they haven't already.Fans of the origins of psychopathology will marvel at the many mechanisms of defense used as justifiers for actions that were over the top for a pre-enlightened world.For witchcraft afficionados this is required reading.Again, it is a long read but worth it for purely historical anaylysis of the crypto religious/sexual linkage that to some degree is still present today.A must read for lovers of this subject matter.

I found a Vintage Classics paperback version of this book in the Warsaw airport a couple of weeks ago, and reading it caused me to immediately buy several more of Huxley's books. The story and characters are well-explained in other reviews here, and each stage of the story is bookended by Huxley's very useful thoughts on the big-picture religious, political, and philosophical context.

However; if you focus only on the story of Grandier's martyrdom, presented in (perhaps too) realistic shades of grey, you may wonder why the author continues for so many pages afterwards. Is it an exercize in revenge as Grandier's persecutors go mad one by one? Not at all, you realize as you read on. The second story of this book for me is the most interesting, and I believe it may have been what drew Huxley to write the book in the first place.

Sister Jeanne des Anges and Joseph Surin both allowed themselves to be 'possessed by devils' for very different reasons. Their decision, the mechanism they thus set in motion, and the karmic fallout are all carefully detailed; and Huxley dwells in a very caring way on this Jesuit mystic who was lucid and capable of profound insight, yet at the same time considered mad by all his colleagues.

Like Hesse, Huxley uses Jungian concepts to open a vibrant speculative world that, in this book, provide an extended postscript with more of a feeling of reality than the sensationalistic, impossibly literal 'main' story of Grandier.

One of the joys of reading is how one subject can lead to a serendipitous find. Having recently come across a brief reference to the early 17th century barking nuns of Loudon I went in search of a more detailed exploration. In Aldous Huxley's book I found all that I sought and much more.

Urbain Grandier, the local parson of Loudon, is a very naughty cleric who partakes much too much of the sensual world. One morsel happens to be the daughter of his best friend. She becomes pregnant with unhappy consequences for many people. Grandier manages in this way of behavior to alienate nearly every important Catholic in Loudon as well as make an enemey of Richelieu.

When Grandier spurns the local prioress, Sister Jeanne, she claims demonic possession at the hand of Grandier as do 2 of her nuns. Grandier may have been guilty of many sins, but demonic possession was not among them. Exorcists are brought in as much too destroy Grandier as to throw out the devils (7 specific ones inhabit Sister Jeanne alone). The exorcists produce devils in 14 more nuns. The public exorcisms provide great entertainment, reviving the local tourist industry, but eventually produce the trial of Grandier, who in due turn is burned at the stake. The story continues when the Jesuit Surin arrives to finally successfully exorcise Sister Jeanne's demons.

Huxley's 1952 work explores the psychological aspects of demonic possession and exorcism, sometimes brilliantly against the backdrop of the madnesses of his own time. Liberal rationalists had "fondly imagined" an end to persecutions of 'heretics'. Instead, as he observes "from our vantage point on the descending road of modern history, we now see that all the evils of religion can flourish without any belief in the supernatural, that convinced materialists are ready to worship their own jerry-built creations as though they were the Absolute, and that self-styled humanists will persecute their adversaries with all the zeal of Inquisitors exterminating the devotees of a personal and transcendant Satan...In order to justify their behavior, they turn their theories into dogmas, their bylaws into First Principles, their political bosses into Gods and all those who disagree with them into incarnate devils. This idolatrous transformation of the relative into the Absolute and the all too human into the Divine, makes it possible for them to indulge their ugliest passions with a clear conscience and in the certainty that they are working for the Highest Good."

In the last third of the book he explores the nature of Sister Jeanne's possession, the possession of her exorcist Surin, and the manner of her recovery. The modern mind has some difficulty here. Clearly Surin and possibly Jeanne believed in the reality of demonic possessions (it is worth noting that many learned men, including those behind Grandier's fall and most Jesuits did not believe in the authenticity of these possessions). At the same, Jeanne is also play-acting at times as she concedes in her own subsequent writings. They believed in the Devil, they believed in possession, but understood that the Devil could not overcome the will of the possessed. Huxley paints a poignant, if oddly amusing, scene when he describes how Surin ordered Jeanne's devils to discipline themselves - in other words to flagellate Jeanne. Two of the devils lay on the whip with gusto, but Balaam and Isacaaron abhorring pain, would barely swing the whip and yet the possessed Jeanne would scream in agonized suffering.

An absolutlely fascinating read by one of the great minds of the 20th century.

I really enjoyed learning about Diana and how her taste in clothes evolved and improved. I was pleasantly surprised to find out how she had clothes re-worked and how many times she wore the same outfit - or an outfit without a portion of the outfit (i.e. the Elvis dress - without the jacket), and dresses, etc. reworked to update or change the look of it - making it new again. The impression I believe the public was left with was that she never wore anything more than once which was not true. She learned well and knew what she needed to fulfill what task she would wear the outfit to. She was adept at working her wardrobe around where she would be traveling to..... no one missed the attention she made to detail and loved her for it..... she will always be well remembered by the publich who loved and still love her.

I LOVED this book for it's beautiful color fashion photos of the Princess Diana. In particular, I really enjoyed that there were many head to toe photos of many of her most famous outfits. There was also was a nice section on her hat makers as well as Jimmy Choo and some of the shoes he made for her. This book has many photos showing her shoes which is something I really enjoy seeing as part of her outfit. She was very coordinated with her shoes and her hats which was pointed out in this book. It also had many nice close-ups of the materials used in her outfits, which brought out details that I had never seen before, in some smaller pictures in other books. Overall, if you enjoyed the fashions of Princess Diana, I think that you are going to LOVE this book. To me it is a "must have".

this is the best pictur biography the princess could have asked for

I have a vast collection of Princess Diana memorabilia. My collection of Diana books is quite enormous, and sometimes I lose track of the books I own, but this book is one in my collection that ALWAYS comes to mind first! It is one of the most well done books I have seen. The photos are fabulous, and the design of the book is very cleverly done. It shows Diana in her most famous outfits categorized on each page by colour.(Her red gowns, her blue gowns etc.). If your a Di collector, this book is a must for your coffee table.

This book will attract two kinds of individual: those who loved Diana and those who love fashion. Everyone would agree that Diana was one of the most stylish women of our day, and this photographic visit to her clothes closet is a wonderful opportunity to browse and maybe dream a little.

Helene Hanff is a fantastic writer and I so enjoy her gentle sense of humor. This book is a follow up to 84 Charing Cross Road and details her long over due trip to London.

The irrepressible Helene Hanff finally gets to visit London after the publication of 84 Charing Cross Road. This is the diary of her stay in this richly historic and sublimely cultured City. She is suitably amazed by London and the English countryside, and understandably confused as to why lifelong Londoners don't appreciate the beauty by which she is surrounded.

Helene's love affair with London and specifically, with Russell Square, is breathtaking in its specificity. She meets some fantastic people. It would be difficult to forget, if I had any desire to do so, the lovely interactions with Pat Buckley, Joyce Grenfell, and The Colonel.

I'm luckier than most. I don't have to pack a bag to visit Helene's London - I live here. I'm off to visit Russell Square in order to view it through her eyes.

Finally able to visit London, the author leaves the states
and describes vividly her experiences there. Lively, fun
and brief. Quite satisfying.I felt I knew Helene....

Years ago I read 84 Charing Cross Road,as a Reader's Digest condensed book found in a flea market cheap...Later, loved the film with Anne Bancroft..then fairly recently saw there was a sequal... Hooray she got to England.. I enjoyed the adventure as much as she did..Lovely little book ~

for anyone who's read 84 charing cross road, this book is a delightful follow up to the original. you will come away loving helene hanff, and wishing you could have her as a friend.

Well written and unique. Character and plot driven. Characters are so well described.

Anything by Robert Anton Wilson is worth reading. His Illuminati stuff is doubly so. The original Illuminatus Trilogy is one of the greatest scifi, horror, thriller, political, historical, adventure and pornographic novels ever written. All of the Historical Illuminatus books are equally well done, equally fun to read, and equally true historically.

I absolutely loved this book. It would be a five star review, except for the fact that I've already read the two follow-ups. They betray the fact that RAW burned through all his best ideas on the first book. What appear in EWS as great set-ups for subsequent books turned out to be one-shots, left to die on the vine in the rest of the series. The Widow's Son is also a good book, but RAW spent too much time on farcical footnotes and not enough on character and plot development. So some of the genius of The Earth Will Shake is ruined by lack of cultivation.

Still, I strongly recommend this book to anyone interested in historical fiction, conspiracies and using the arts to help liberate mankind.

I read this book back in the late 80's when it was printed by a mass-market publisher (Signet, I think) containing two abridged volumes; The Earth Will Shake and The Widow's Son. I loved it then and was never able to find Nature's God. Now I have all 3 books. After re-reading this edition, I've enjoyed it twice as much!! There is still yet an unpublished forth book, "The World Turned Upside Down" and we're all awaiting this gem to be published. Earth Will Shake is a coming of Age novel set in the enlightenment era where a murder happens in church during an Easter mass. From that point on it's a roller coster ride of wicked but serious fun. You are enlightened by the sheer weight of the subject matter that continues to this day. In these works you meet diverse characters who are historically real. I.e., the young Mozart, Count Cagliostro and Casanova, just to name a few. Dan Brown though entertaining, is comparatively an amateur hack when writing about the Illumniati (see for yourself and read this. You won't be disappointed). When the Da Vinci Code got ALL the attention, there was no mention of this work and I find that a sad reality though parr for the course in these "shaky" times. Remember, "reality is what you can get away with"...

Robert Anton Wilson has proven to be capable of extraordinary talent with this series. Mixing fiction with non-fiction he weaves one of the most satisfying Masonic related tales to be discovered and published. The Earth Will Shake, The Widows Son and Natures God are a type of writing that I had previously not encountered through Wilson. This series can actually be very inspiring, and it's written in such a dramatic way I am convinced it would make an excellent movie. Yet, at the end of the series, the reader sees reference to the fourth book "The World Turned Upside Down", and alas, it is non-existant. Whatever reason Bob has for abandoning us devout readers of this series (I have read all three books three times and stolen much wit from them) I urge you, dear Bob, please don't leave us hanging, finish the fourth book! More! More! Your Friend, Joey

This book is not exactly what my husband wanted, but I am enjoying it. He likes to read true stories about the war and we didn't know this is more about Ernie's life than it is about the war. It is a very interesting book to me and I am glad we bought it.

This is the story of an unpretentious, self effacing, little newspaper man, who once described himself as a "slightly used second hand man;" a man who through dedication, common sense, and a love for his fellow man and "the God-damned infantry," as they liked to call themselves, went on to become the pre-eminent war correspondent of World War II and likely of any other war -- past, present, or future. But, Ernie Pyle was much more than that. As the war wore on, Ernie, through his thoughtful and heart-felt reports from the European war zone became America's "everyman," a little fellow, who could be your next door neighbor, caught up in the events of war. Many of his readers came to see him more as a friend than as a reporter and, as America's situation improved, became more concerned about Ernie than they were about how the war itself was going.

Once known for his somewhat mundane traveling adventures, a column which he wrote for seven years prior to the war for the Scripps-Howard Newspaper chain, Pyle's reports from North Africa, Sicily, Italy, and eventually broader Europe took on a life of their own. His column spread to other papers and to a much broader readership. But this new found fame, and the prospect of fortune, never went to Ernie's head. He said that he was too old, he was in his forties, had been a reporter too long, twenty years, and had seen too much of the war to be impressed with such things. It seemed funny to him that he should be considering a deal worth $150,000 while soldiers were dying all around him on the battlefields of Europe for only $50 a month. Ernie didn't expect to live to see war's end anyway.

There was only one Ernie Pyle and it is unlikely that there will ever be another, for in his writings he caught the essence of the young men who were fighting and dying in war. His readers got to see what they saw, feel what they felt, and know what they hoped and dreamed of. And it was through his reports that the American people caught a glimpse of World War II and what their sons were going through.

This is a remarkably good book about a remarkable man; well researched and well told. In it, you will get meet the real Ernie Pyle and read some of the writings which won him praise and eventually the Pulitzer Prize. Among them are four of his finest: A Forward Airdrome in French North Africa (pg. 71); In the shadow of the low stone wall (pg. 133); Now to the infantry (pg. 262); and A Pure Miracle (pg. 271).

This is a fascinating book, and this from a reader more into fiction than historical biography - but the best fiction writer would be hard pressed to come up with a character like Ernie Pyle.

A page turning look into World War II from someone who could have been your neighbor but was far more than what you would have expected.

I have no idea why a modern rendition of this story has not hit the big screen - it seems a natural, captivating story that would educate as well as entertain.

this must be THE book to read on war - what it's really like in all of its aspects - his description of the beach, after D-Day was gripping and haunting and it has stayed with me many years later -

and how he relates the everyday and ordinary in war -

and how, in any group or organization, it's often a small percentage of the people who are carrying the load - that's just one example of the many insights and truths in this book that relate to all of life, not just life in a war zone -

and it is a great book for anyone to read - a stunning life achievement for ernie pyle -

James Toban has written a stunning book in "Ernie Pyle's War: America's Eyewitness to World War II". Toban has succeeded in giving readers the rare opportunity to see the human frailties concealed within one of America's greatest and most valuable World War II correspondents.

James Toban present a picture of the complex Ernie Pyle; a man that entered the World War II carrying only a broken Remington typewriter and a deep desire to describe the life and hardships of the horrific world of the infantrymen to the American public. The reader will learn of the contradictory Ernie Pyle. The Ernie Pyle who despised war, but who could not stay away from the physical and emotional anguish of battle. The Ernie Pyle who loved his wife, but who continually left her behind to travel to the front lines. Ernie Pyle, the seemingly frail and terrified journalist who demonstrated his bravery by traveling to the front lines to be with and write about "his boys". Ernie Pyle, a genius for writing about the common soldier, but who needed constant reminding that he was the best at what he did. His articles became legendary and the hope and news link for Americans with loved ones in the front lines.

James Toban's "Ernie Pyle's War: America's Eyewitness to World War II " is a must read for World War II readers and all readers who wish to know about the human spirit and about a plain old fashion brave American.

I read this book about three years ago, and enjoyed learning more about Elliot See, Ted Freeman, C.C. Williams, Ed Givens, Charlie Bassett, and Roger Chaffee. I didn't know that Freeman graduated from Annapolis in the same class as Ross Perot (1953), and I didn't know that both See and Chaffee were both Eagle Scouts. See is often noted as a "civilian", but he was a Navy Reservist, and stayed that way throughout his time in the Astronaut Corps.

It was nice to learn about the Russian Cosmonauts, since I was familar with the deaths of Vladmir Komarov and the Soyuz 11 crew only. However, I was disappointed that Robert Lawrence was omitted. Lawrence was a MOL astronaut who was killed in a plane crash in October 1967. MOL was cancelled around the end of 1968. There were two other former MOL astronauts who were killed in plane crashes, but not while they were part of the Manned Orbiting Laboratory (MOL) project.

The gravesites of Freeman, Williams, Chaffee, See, and Bassett can be found at Arlington National Cemetery. A few years ago, I found them and put flags on their graves. There's also a section of the Electrical Engineering Building at Texas Tech University named for Charlie Bassett. The library in Clear Lake is named for Ted Freeman. Colleagues of Freeman and Bassett have said that these men would most likely have had moon missions if they had not succumbed to early deaths. Buzz Aldrin dedicated his first book Return to Earth to Charlie Bassett, saying "to Charlie..whose place I took."

If you grew up in the 1960s and could name every astronaut and recount the details of each Mercury, Gemini, and Apollo mission (or, if you didn't), this outstanding work is a very important milestone and accurate record that enables us to remember the sacrifices made to reach the Moon. In great detail from the impressive research conducted by the authors, this book provides very rare insights into the lives of Astronauts Freeman, See, Bassett, Grissom, White, Chaffee, Givens, Williams, and the cosmonauts from the former Soviet Union. The book also dispels some rumors with respect to the accidents that took the lives of these skilled pilots and astronauts, as many of those rumors have been reported, merely repeated, and accepted in other accounts unfortunately as facts.

Thank you for reminding us of a time when America tackled a monumental challenge, and allowing us to be more fully grateful for the lives lived and lost so that we could meet that national challenge and extend the spirit of exploration to the heavens.

As a keen observer of the space program from Mercury through Apollo, I was very impressed by the scholarship and professionalism of this book. Although I have researched many of these incidents, this book provided details that I had never seen. Congratulations on an excellent tribute to these brave individuals.

I'm keeping it short and sweet - If you want to know about the "unsung heroes" of the early space programs in the USA and former USSR, pick this book up and read it - you will see who these men really were, and how any one of them (Americans) could have been first on the moon, instead of Neil Armstrong.

Another excellent book from Mr. Burgess. I especially enjoyed the great level of detail in this book. Mr. Burgess even provides the astronauts' mothers' and wives' maiden names, their childhood addresses and many obscure yet interesting facts about their early careers. It was also interesting to learn how many of the astronauts had interacted with each other in the years before they joined NASA. While you know the eventual outcome of each chapter, I still found myself hoping it would somehow turn out differently.

I had just started working for McDonnell Aircraft on Gemini 9 a few months before the crash of See and Bassett into the Gemini manufacturing building in St. Louis. This book clarified several details of the accident that had become fuzzy over the years.

The epilogue was of interest to learn how many of the relatives and colleagues have moved on.

This is a WONDERFUL Book!!!!
Thanks SO much!!
It arrived just in time!!

I have owned this book for a while now and would like to highly recommend it as one of the best picture books on costume history. The photographs of extant period costumes are stylish and detailed, with a strict attention to accuracy and art. Because one cannot trust later renditions of costumes, having a contemporary resource is crucial, and with such lovely examples as these, this is a fantastic book to use.

It captures the essence of each period, shows off details, and does so with taste and care. Every page is in full color, covered with pictures of groups of mannequins, posed to look like portraits with abstractions of hair in the shape of the period. Anyone can read its gorgeous images and find inspiration in its pages.

this is a great book! it has so many wonderful pictures. it's perfect for anyone studying fashion or costume related interests.

Many costume history books emphasize the historic aspects, or the costume aspects, of a collection's garments but "Fashion" presents the garments, as the title implies, as fashion. It is easy to envision these garments being worn by real people living real lives (the period accessories -shoes, hats, gloves, reticules, fans, stockings etc. - don't exactly hurt) and the presentation, right down to showing the garments on mannequins of the contemporary fashionable body shape help make the clothing `real'. The book definitely lets the garments speak for themselves; each century has a brief introduction, but besides those few pages, text is restricted to garment description and short `blurbs' here and there.

Costume historians tend to get really excited about books that bore other people to tears. This is not one of those books. Every one of my friends who has seen this tome has found in it something fascinating. The beautiful presentation of the garments, the large images and clear colors make this an ideal coffee-table book and an ideal gift for anyone interested in fashion, history, or the art of clothing. I saw the "Fashion in Colors" exhibit at the National Design Museum in New York (check out the book!) which featured many garments from the KCI, and I was happy to find they are as beautiful in the book as they are in person.

My main interests lie in pre-WWII clothing, but the arrangement of many of the collection's contemporary Haute pieces had my nose to the page. I reference this book constantly for inspiration (I'm a fashion major), for education, and simply for my entertainment. The KCI's publications can go out of print pretty quickly so beware! There is also a new book out "Fashion: A History from the 18th to the 20th Century, Volume 1", I've been having trouble getting it but it is supposed to be as beautiful and detailed as "Fashion".

This is an exquisite book filled with highly detailed images of beautiful garments. It is a refreshing look at western fashion through the ages since the clothing featured hasn't been photographed in every other book out there. Of particular interest to me were some 18th & 19th century paintings showing a garment paired with a photograph of the actual piece (or of a similar piece) now in the collection of the museum.

The span of time the book covers is from the 18th century to the 20th century. This not-too-tight focus enables the reader to see a good selection of garments from different time periods without running the risk of becoming boring. It also makes it easy to see the progress of fashion during those years.

As other reviewers have mentioned, this book is a great value. Nearly every page contains large, brilliant photos. A must-have for any fashion student or costumer.

I came across this book by accident while searching for art-based books, mostly historical. The title grabbed me, (not the crazy cover) from the start. Being an artist I was fascinated by this underground movement from the 70's as I had never heard of them before.
I felt his writing to be honest, poetic, startling and often humorous. Brooks is a talented writer with an excellent grasp of the English language. His verve drew me in and I really enjoyed getting to know him and his fellow Angels. Their strong personalities, joyous as well as mischievous, became their undoing. Yet, not before they helped the gay movement like nobody else.
I think this book to be an authentic account of a magical time and an exceedingly important piece of work for artists and gays worldwide.

I'm passing this book on to many friends.

Adrian Brooks' beautifully observed history of the Angles of Light is, as I observed on the book's jacket, also an utterly magical evocation of an era. Thankfully, Brooks has given us an astute, unabashedly first person account of the Angels, warts and all. With a poet's ear for language, and a dramatist's grasp of character, Brooks' Angels of Light are a concatenation of individually incandescent personalities, not least of all his. People this compelling will easily hold the reader's attention; what elevates the book to something yet greater is the texture it gives to San Francisco in its most transformative period, the 70s-- a San Francisco which was the hot house not only of counter-cultural values, but of counter cultural styles. We need books like this to prove to a younger generation that long before there was Queer Nation, there was a queer nation--gay and straight (and neither), male and female (and neither), giving their all to model a world where sexuality, like taste, was a relative proposition, and camp its means of political redress.

I loved the book. It gave me an insight in 70' & 80' gay liberation movement in SF, & US. I had heard about Angels & the shows many years back , but I never knew all the details. Adrian has seen the most interesting & the most important era of gay movement. Here in India we had only heard the stories of that period. The last para of Epilogue summarizes the ideology on which the gay movement is based.Adrian has narrated that era very well. I liked his style of writing. I liked His poems, Portrait of a room, sHe, After six months and some other poems . I would love to hear it from him.

This book opened my eyes to an era slightly before my time that has always fascinated me for it's shocking ability to both transcend to new heights and descend to new depths of experience. The author's style encompasses the reader back into that era in a direct way, right back to the intimate details of life in the gay scene of San Fran and the community living, the tragedy and comedy of it all. The photos are amazing too, and I kept seeing, as in the author's other work I read, Roulette, the makings of a screenplay, or a grand cinematic event, as reading Flights of Angels conjured in me, such is the vividness of book and how it shed light on a now seemingly obscure yet idealized era replete with amazing characters, performers, divas. The author manages to explicate it all in a necessarily autobiographical style (since Brooks was a principal in both the creation and direction of the group) without being partial in any way, and in fact serves up the dish on all the characters involved leaving the reader free to soak it all up and see the Angels in a 'tough love' sort of realisitic, though none the less engaging-and ultimately redeeming-way, especially with the addition of Nicoletta's superb period photos, which intrigue and add to the text in a way that leaves one absolutely intrigued. Highly recommended reading.

Flights of Angels by Adrian Brooks took me into a world I knew little about. It's a fascinating mixture of personal memoir; history of a period of theatrical creativity in San Francisco; description of a loosely affiliated group of gay, transvestite, and straight individuals all pushing against the norms of convention; photos from the time; and poems written by Adrian Brooks that draw upion his rich and sometimes terribly painful experiences. This is a brave book that illuminates one of the effervescent but ultimately doomed groups which contributed so much to the liberalization of cultural expectations, opening the way for succeeding generations to live with the openness and acceptance that we expect today. Interesting that the recent film "Milk" explores some of the same issues in a slightly different context.

Thomas Cleary is among the most brilliant translators of Buddhism into English of them all and this text represents to my mind the most monumental and brilliant published English translation of any religious text in the world, ever. Actually three sutras, the Avatamsaka (Flower Ornament) Sutra proper, the Dashabhumika (Ten Stages) Sutra, and the Gandavyuha (Entry Into the Realm of Reality, or the Most Superb Display of Marvels), this 1700-page epic is a glittering, insatiable testament to the mesmerising, inconceivable glory of the Buddha, the great Bodhisattvas like Manjushri, Maitreya and Samantabhadra, and Mahayana doctrine per se. The imagery and doctrine are both staggering and overwhelming, and in the dense and profound pages lies true enlightment and liberation, bliss, reality, and the true body of all Buddhas themselves.

This is the 1st complete (1643 pp.) translation of an ancient (Cleary says 1st-2nd centuries C. E.) Mahayana text with Cleary's introduction, appendices, glossary & Li Tongxuan's (Li T'ung-hsuan) short Chinese Ming Dynasty commentary on the final (39th) 400 pp. chapter. Cleary's comments are helpful but a bit sparse. He compares FOS to other major works (e.g. Prajnaparamita & Lotus), provides concise chapter summaries, & introduction to the Chinese commentary. Cleary's complete translation replaces standard Sanskrit terms--"enlightening beings" vs. Bodhisattva & "Universal Good" vs. Samantabhadra. I found this refreshing but you may not. He says, it employs very grandiose terminology, p. 46: "specific characters of the scripture are `fictional' uses p. 52: `being-time,' & it's for p. 6: `people of superior faculties.'" The 1st 38 Chapters display overwhelming hyperbole, mythology, & symbolism. Of course, understanding of the physical universe was limited millennia ago (p. 999: "Just as the ocean water flows under the continents & islands, so that all who drill for water find it"), mythology was not arms-length as now, & norms differed (e.g. p. 581's gifts of women). I don't claim to be a person "of superior faculties," but it was boring to me. There are some gems: Cleary--p. 29: the nirvana or Buddha-nature cannot be cultivated by practices, because practices are fabricated and impermanent, and it cannot be realized by mind because mind has subject and object [i.e. transitive]. Thus, its essence [Nature of Mind] cannot be cultivated, its principle cannot be witnessed by the mind. Mind itself is the essence--there is no further subject or object." This is reflected in chapter 39's experiential journey. NOTE: bracketed words herein are mine not Cleary's.

As usual, there are some interesting parallels to Kabbalah: in Ch. 1, Buddha is described ~God in the Shi'ur Koma (On the Mystical Shape of the Godhead: Basic Concepts in the Kabbalah (Mysticism & Kabbalah)) literature pp. 274-5: "the Buddha may be called...God of Gods...the Buddha may be called...King of Gods" & p. 1591: Li Tongxuan--"These are not worldly measurements." FOS has a dream-like feel to it (p. 1496: "It was like someone asleep seeing various things in a dream")--probably to exemplify the imputed dream-like or mirage-like nature of reality ~fairy tales [Jungians take fairy tales seriously & symbolically--see von Franz Individuation in Fairy Tales (C. G. Jung Foundation Books) & Chinen In the Ever After: Fairy Tales and the Second Half of Life]. The symbolic, non objective nature of FOS is also revealed in its use of numbers, esp. numerous groups of 10. I enjoyed the lovely verse reminiscent of the wonderful The Wheel of Sharp Weapons & Tilopa's Song Tantra, the supreme understanding: Discourses on the tantric way of Tilopa's song of Mahamudra as well as still-relevant prose p. 829: "enlightening beings do not abandon actions, according with the doings of the world, yet have no attachments to them," supporting Thich Nhat Hanh's engaged Buddhism. Modern Buddhism follows its attitudes of non-duality, abandonment of conceptual clinging, & non-attachment to the physical: p. 1091: "Great enlightening beings know that all phenomena are like the tracks of birds in the sky." It may seem strange that Shingon - Japanese Esoteric Buddhism (~Tibetan Dzogchen) uses this as one of its 2 main texts, but p. 1163: "The ground of all phenomena, oceanic source of all things" sounds like the "Ground of Being" to me; p. 1361 the Vairocana myth parallels that of Padmasambhava--born from a lotus. Further, pp. 1537-8: Prajna's Scroll translation of Ch. 39--"Sudhana asked, `Is it realized by hearing talk about transcendent wisdom?' Suchandra said `No.' `Why not?' `Because transcendent wisdom is realized by seeing the true essence of things. It is impossible to personally attain enlightenment by hearing & thinking'" reminds me of Mahamudra & Dzogchen pointing-out instructions. Indeed, the entire book exemplifies their "magical display of reality." See Longchenpa's Kindly Bent to Ease Us: Wonderment (Tibetan Translation, ).

But, it also makes some unusual assertions-- p. 1150: "It is also like the case of the celestial spirit born together with a person & always associated with the person--the spirit sees the person, but the person does not see the spirit." Cleary says Ch. 39 disagrees with parts of prior chapters, supporting his contention that FOS developed over time with many contributors. This parallels Professor Moshe Idel's argument for authorship of the Zohar in Kabbalah: New Perspectives." Furthermore, Ch. 39 (pp. 1174-1520) is Sudhana's quest for enlightenment, ~Joseph Campbell's The Hero With A Thousand Faces," is more knowledge-dense though even it is rather "empty." FOS seems more Feeling & Sensate (much ornate detail) from a Myers-Briggs perspective or perhaps more Bhakti vs. Jnana from a yoga perspective.

The commentaries (Cleary's pp. 1545-64 & Li's 1565-1630) are better read in parallel with Ch. 39--section by section. Sudhana requests practical instruction from Master to Master w/o getting it--instead he experiences various states of being with his many benefactors who show him (vs. tell him)--up to Maitreya (pp. 1452-1502)--IMHO the best part. Ch. 39 reminds me of the Egyptian Book of the Dead & its many visualizations provide a basis for Vajrayana (Tibetan & Shingon) Buddhist practices--even p. 1599 a precursor to Chod. The commentaries are concise, easy reading vs. the flowery, ornamental text (thus its title?). Cleary says p. 1546 it was promulgated by Nagarjuna who "recovered the teaching of the Flower Ornament Scripture `from the ocean.'" I read this as the Dzogchen Ground of Being ~to the legend of Jigme Lingpa's text received from long-dead Longchenpa. Does this poetically indicate authorship?

There's considerable wisdom herein, but you must dig deep for it:
p. 1572: "Since the fact that an individual word or sound has no inherent identity underlies infinite words & sounds infinite words & infinite sounds are one word and one sound. Therefore one and many revolve around and embellish each other. All mundane phenomena are trans-mundane phenomena, and all trans-mundane phenomena are mundane phenomena." [form is emptiness & vice versa]
p. 1584: "Play is Buddha-work"
p. 1592: "When knowledge enters compassion, it is harmonized & becomes comfortable."
p. 1620: "In the clamor without making clamor." [i.e. be in the world but not of it].

This is a gorgeous epic of a text. I have been looking for a Buddhist scripture comparable in size and scale to the Bible, and this is definitely it. Thomas Cleary provides a clear, beautiful translation of this monumental work.

Thomas Cleary has set a new mark (even by his standards) for translations, and translators.

The Chinese literally spent centuries translating this massive corpus from the Sanskrit, yet, for Cleary, it is simply one of a plethora of great translations in his remarkably prolific career.

D.T Suzuki opinioned that this, the greatest text of Mahayana Buddhism, was so massive that it would never be fully translated into English. Cleary has not only translated this massively influencial text, he has furnished it with a wealth of Reader's "aids." His glossary alone is worth the price of the book.

In his in-depth introduction, Dr. Cleary shares his extensive knowledge on the history, of this text, its influence on Zen (Ch'an) Buddhism, Tendai, and other Mahayana Schools. He also provides "summary outlines" for each chapter.

He prepares the reader with lucid introductions to the language, philosophy, and practice methods contained throughout the book. He explains how the first five "Patriarchs" of Huayen Buddhism interpretated and developed their thought around the stunning array of Buddhist teachings, insights, and expressions contained in this mammoth volume.

It took me nearly two years to read this remarkable book the first time-it was, without a doubt, the most fascinating reading experience of my life. This book has remained on my continuous reading list for years now, but it is always new.

Thank you Thomas Cleary! Thank you!

The Flower Ornament Sutra (FOS) is often overlooked because it is not as available (now out of print probably as a result of not being widely used by the laity), but it is a superb Sutra a comprehensive (if any single text can be called truly comprehensive)expression of Buddhist (particularly Mahayanist)Vision. I say "vision" rather than "thought" or "philosophy" because FOS is first and foremost an inducer of meditative trance or vision, rather than a doctrine or treatise. One reads The FOS to experience the Buddha consciousness in a very personal, mystical way, not to "understand" it intellectually.

Thomas Cleary's translation is probably the most accessible to the American mind and heart. I haven't read all other translations, only a few are available here in the USA it seems. One caution: I would beware of "contemporary" or "condensed" versions of FOS, if you find them, because these adaptions to contemporary mind will surely lose the original consciousness, some of which is undoubtedly lost already even in a careful translation like Cleary's. That consciousness is why you would read FOS in the first place.

Better to go to the source, however formal or repetitive and overcome any initial sense of "boredom" you might feel. With FOS you should suspend logical critical mind in favor of an open and receptive heart. The deeper you go in this way the more vivid and profound the "vision" becomes.

Ultimately it is like a spark. At some point the spark jumps to you and lives in you independently of the text - or it doesn't. FOS is an instrument to self-discovery not a "reality" to cling to. Any Buddhist knows this, but FOS is a very valuable, effective and precious instrument of delight and enlightenment if you are open to it.

The hardback version I got published by Shambala is beautiful, as good a copy as you could hope to find these days. Highly, highly recommended.