Science Books
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Different shades of azure dovetail in the mindReview Date: 2008-05-12
A great bookReview Date: 2008-03-28
a multi-dimensional confusion of characters and space-time reality. I fell in love with the siren Seawrack and feel pity for Krait the alien vampire...or is he a manifestation of Horn's son Sinew? Wolfe will tease and tempt you but never really answer any of your questions while seducing you with effortless, gorgeous prose. I miss Silk.
"A Voyage to Green"Review Date: 2004-12-22
Wolfe is never content to simply tell a story, though, and his narrative complexities often scare off readers...Severian's memoir in The Book of the New Sun is, sadly, seen as overly long-winded by some; the progression of intrigues in Long Sun is considered, by many, the book's greatest weakness, along with its treasury of characters. Short Sun is no different: Horn's meditations are deeply personal, more of a confessional than anything. It is fitting that Horn, like Severian, narrates in the first person. Where Severian is distinctly amoral, relating his actions, ranging from murder to rape and worse, with no hint of regret, or even the notion that he should feel regret, Horn relates his actions with perfect honesty and marked shame...his memoir is a plea for mercy, while Severian's is simply a chance to allow others to remember.
Wolfe's characterization is at its peak, here, and I do not believe he has ever written more human characters. I'm eagerly anticipating the arrival of the next two volumes in my mailbox!
Challenging--but as brilliant as it getsReview Date: 2004-08-23
The Book of the Short Sun will be one of the finest reading experiences of your life... if you can get through the thing. The difficulty in extracting those rewards out of the text is considerable and not to be lightly discounted. Reading these books will require supreme effort. Willing readers will have to be intensely interested with how individuals relate to historical and semi-mythical figures, religion, and their own personality as influenced by these themes. These books are about as far as you can get from the popular concept of "space opera" and thrilling, "page-turning" fiction. An analogy to Moby Dick is probably very appropriate as that work due to the very slow pacing, the introspection, and the great literary symbols stomping through the setting reified and alive. Any scholar of literature should be deeply fascinated by these books.
WHY YOU SHOULD PASS:
There is no shame in not reading these books. They are terribly difficult and an exercise in stamina though we feel most people should at least try once. If you have attempted Shakespeare and been turned back because of the language; if you have attempted Moby Dick or novels by Henry James only to be turned away by the lack of progression in the plot; if you have attempted James Joyce's Ulysses but been baffled by the interior monologue, then Short Sun is probably going to daunt you as well. But we feel the rewards of this book are equal to those giants in literature.
(...)
Wolfe Blindness: a minority reportReview Date: 2006-05-23
I've never much cared for the Wolfe I've read (which isn't all that
much), but he gets so much praise from people whose opinions
I respect that, every few years, I try him again [note 1]. This time,
I tried On Blue's Waters (1999), since I recalled seeing some comments
that the Short Sun 'series' (which appears to be one long novel) is
unusually accessible. Plus, I saw a blurb by Michael Swanwick
praising Wolfe as the world's greatest working novelist, in *any*
genre....
Anyway, Blue's does have clear prose and an unambiguously sfnal
setting -- Blue is a pleasantly Earthlike planet that has recently been
settled by colonists from the Long Sun generation-ship, which is a
VERY large spaceship indeed. This is good, because I recall being put
off in both the New Sun and Long Sun books by the fantasy-that's-
really-SF tomfoolery [note 2].
Blue's also has a broken-back plot structure that got in the way of
Wolfe's story (IMO), but there was enough going on to lure me into
finishing the thing, even after it became obvious that this wasn't a
stand-alone book (another annoyance). Anyway, Wolfe's conceit
here is that On Blue's Waters is the memoir of the viewpoint
character (with complications noted in the reviews cited below).
Fine, except that it's a *first draft* memoir (written with a quill pen
on handmade paper....), and the narrator is constantly jumping around
from story-present to various times in his past, which I found both
confusing and annoying. Plus the bridge-bits (which make it a
'memoir' rather than flashbacks) are meandering and rather dull.
And there are all these carried-over characters from the Long Sun
books, that I'm supposed to recognize, I guess... Faugh.
So here I am again, wondering how Wolfe has acquired such a
stellar reputation from books that I find, at best, annoyingly 'literary'
and at worst unreadable. Why would Wolfe structure Blue's as a
confusing, meandering and dullish pseudo-memoir? How is this
better than using a conventional first-person with flashbacks plot-
structure? Why does Wolfe deliberately fracture and obscure what's
basically a fine travel-adventure yarn? His choice, of course, and he
clearly knows what he's doing, but it sure doesn't agree with me.
Sigh.
I'm guessing that the Short Sun is as straightforward as Wolfe is
likey to get, at novel-length anyway, and I liked On Blue's Waters
well enough that I may continue into Green's Jungles sometime --
but I'm afraid that most of the glittering jewels that others see in
Wolfe's work look like dusty pebbles to me.
___________________
Note 1). I vividly recall a long-ago weekend in some godforsaken
mining camp when for some reason all I had to read was Free Live
Free. And it rained. It was a VERY long weekend, and it was years
before I touched another Wolfe.
2). I abandoned both series (after about 1.5 of each), not because of
this, but because I Didn't Care What Happened to Those People.
I have had better luck with his short stories -- I've liked maybe 1/3 of
those that I've read, as opposed to, basically, none of the novels.
I believe that I've sampled most of what Wolfe's fans think is
his best work....
Review copyright 2002 by Peter D. Tillman
First published at Infinity Plus, with links and discussion:
infinityplus.co.uk/nonfiction/blueh2o2.htm

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A handy reference bookReview Date: 2007-11-07
Researchers OverviewReview Date: 2007-11-03
The authors Richard Schultes, director of the Botanical Museum at Harvard and Albert Hofmann, discoverer of LSD and former director of the Pharmaceutical-Chemical Research Lab in Basel, Switzerland, together have over fourteen years of research in field of botany, chemistry and ethnobotony. In their book the authors offer an ethnobological look at the sacred use of hallucinogenic plants and include: an introduction to hallucinogenic plants, a plant lexicon, overview of plant use chart, detailed section of fourteen major hallucinogenic plants, and concludes with an overview of the chemical structure of hallucinogens.
The plant lexicon includes ninety-one known and most common hallucinogenic plants with: a colored picture for each plant, botanical name, geographic location, hallucinogenic properties and a short description of the individual plant. Following the lexicon is a chart overview of each plant that includes: usage in history, context and purpose, preparation, chemical components and effects. Following the chart is a detailed account fourteen major hallucinogenic plants. "Most of these plants are or have been culturally and materially important...that they can not be overlooked "(81). The authors include: a descriptive history, gathering techniques, rituals, the chemical make-up of the plant, pictures of ceremonies, and artwork of "visions" by people.
Plants of the Gods is more than a research book, it is a guide to understanding the role hallucinogens play in various religious cultures using a scientific and anthropological approach.
This review is based on the 1992 publication:
Schultus, Richard E., and Albert Hofmann. Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers. Rochester: Healing Arts Press, 1992.
Informative but...Review Date: 2008-01-03
Shamanic History at its FinestReview Date: 2008-01-19
Excellent, authoritative review lifted from ErowidReview Date: 2007-06-27
by Richard Evans Schultes, Albert Hofmann, and Christian Rätsch
Publisher:Healing Arts Press/Inner Traditions
Year:2001 (revised and expanded edition)
ISBN:089281979-0
Categories:Book Reviews, Recommended Books
Reviewed by Jon Hanna, 6/26/2007
It may be a rare thing for a second edition of a book to warrant its own review, but such is definitely the case with the new edition of the Schultes' and Hofmann's 1979 classic Plants of the Gods. The updated version was produced as a German translation in 1998 by Christian Rätsch, and Healing Arts Press released the English translation of this in late 2001. It is a thing of beauty.
The primary and most dramatic improvement is the inclusion of numerous new photographs and art images. Although this second edition retains many of the same photos, it introduces a lot of new ones as well. In some cases, the item depicted-such as the statue of Shiva with Datura flowers in his hair (p. 11)-has been revisited with a higher-quality photo. Frequently, black and white images have been replaced with a similar image in stunning full-color. While this works superbly in most cases, there are a few situations-such as the replacement color photo of an aerial view of the Kuluene river (p. 24)-where the original black and white photo was much better. New psychedelic art is featured throughout from the likes of Pablo Amaringo, Walangari Karntawarra Jakamarra, Nana Nauwald, and Donna Torres. There are even some incredible watercolor paintings done by Christian Rätsch himself (think Codex Seraphinianus on acid)-where can we see more of his art!? A beautiful mural of an ayahuasca ceremony that graces a wall at the Cuzco Airport in Peru reminds us that some countries have a more enlightened attitude towards the use of psychoptic plants.
"Fourteen Major Hallucinogenic Plants" of the first edition has been altered to become "The Most Important Hallucinogenic Plants," and expanded to include new sections on Anadenanthera colubrina, ayahuasca analogs, Salvia divinorum, and Duboisia hopwoodii. There have been numerous expansions on the old chapters as well, including many additional species of the genera discussed. Six new plants have been added to the "Plant Lexicon," and this section has been vastly improved through the addition of color photographs. Previously, the majority of the plants described were depicted via illustrations, with only a few photo images; this situation is now reversed, with only a few illustrations. (It is a shame that there are any drawings remaining, although I suspect in some cases it might be hard to obtain photographs of the plants in question. Still, in other cases it should not have been difficult-photos of Banisteriopsis caapi, Lagochilus inebrians, Mandragora officinarum, Mimosa tenuiflora [= M. hostilis], Peucedanum japonicum, Scirpus atrovirens, Tabernanthe iboga, and Virola theiodora are all available via the web). The map of "Native Use of Major Hallucinogens" has been expanded to include Hyoscyamus sp., Duboisia sp., and A. colubrina, and the depicted range of Cannabis use has been increased.
Some problems that the original book had are, alas, retained or, in a few cases, exaggerated. The gutter of the book is too tight, causing one to crack the spine to get a full view; this was the case in the earlier edition as well. New layout glitches include shaded backgrounds for text boxes being placed too close to the edge of the text (in some cases touching it), and headlines that sit too close to the images. The problem of citing alkaloid contents as fixed numbers is still present (although in a few cases ranges are presented). Those with little knowledge on the subject might actually believe that all dried Trichocereus pachanoi plants have a 2% mescaline content, while this is actually the peak of the range that can be determined through a survey of the scant few published isolation analyses (which dips down to 0.33%, and even lower in published HPLC analysis), and may not be typical. In new cases when ranges are presented, such as the case with Mimosa tenuiflora root-bark said to contain 0.57 to 1.0% DMT, the information may not be correct. (M. tenuiflora has been reported to contain 0.31 to 0.57% DMT with specific analyses available in the literature of Gonçalves de Lima 1946 and Patcher et al. 1959, and there have been unsubstantiated counter-culture claims of 1% to 11%, see ER Vol. X, No. 3, 2001 and Ott 2001). Both the new and the old editions of this book are riddled with statements about alkaloid contents that are presented as if they were fixed amounts, when in reality alkaloid content can be highly variable.
Some new errors are introduced with this edition. Spelling mistakes are peppered throughout (they've misspelled author Hofmann's name on the back cover!), and awkward phrasings are not uncommon in those sections that were translated from German. In some cases, plants are presented as containing specific alkaloids that they do not have. For example, it is remarked that "The Turkey Red variety of the grass Phalaris arundinacea contains liberal amounts of DMT." This is in error, as this variety contains liberal amounts of 5-MeO-DMT, not DMT. Also, photographs of four cacti-Ariocarpus retusus, A. fissuratus, Astrophyton asterias, and Aztekium riterii-known in México as "peyote" are depicted, with the statement "They primarily contain the substance mescaline and other psychoactive alkaloids." This too is in error, as only A. riterii has been found to contain trace amounts of mescaline, and no mescaline has been found at all in the others. (It was interesting to see that Rätsch considers a heftier amount of mescaline, "0.5-0.8 gram" to be a dose, compared to the Shulgins' more conservative 200-400 mg dose listed in PIHKAL; I tend to agree with Rätsch.)
Any and all criticism of this book should be viewed as minor, as it is truly a marvelous work. Rätsch has taken a great book and made it better. Especially if you own the first edition, you owe it to yourself to pick up this revamp. It is visual delight, a joy to read cover-to-cover, and it will no doubt be revisited repeatedly for years to come.

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I Keep This Book HandyReview Date: 2008-01-13
Only the best for feathered children...Review Date: 2006-08-18
Excellent Companion / Pet Bird Resource!Review Date: 2005-04-22
Supports breeding millsReview Date: 2008-10-10
I RECOMMEND THIS BOOK TO ALL MY BIRD BUYERSReview Date: 2004-08-18
As a breeder who cares about the home where my birds are going, I feel much more confident when my babies are going to someone who has read this book.


The Salvation - Used book purchasedReview Date: 2009-05-28
The SalvationReview Date: 2009-01-26
Better ending to the series than I expectedReview Date: 2006-04-30
The teens finally figure out a way to free Max from the collective consciousness and free the alien homeworld from it's grip as well. I'd expected the story to be pretty sloppy but was pleased to see it was better.
The Max/Liz and Michael/Maria romances even ran pretty much the way the TV series did with the exception that in this story Michael was going to return to the homeworld with brother Trevor and Isabel was going to go with him. Isabel decides to remain with her "family"and Michael, who had never admitted his feeling to Maria, decided that he too had to stay.
You do kind of get left with a "where's the rest of the series?" feeling as this is the last we see of the Roswell storyline.
Coming Together To The EndReview Date: 2004-05-18
Michael and Maria SitchReview Date: 2003-09-22

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Philosophical Sci-fiReview Date: 2008-04-20
Got me hooked on sci-fiReview Date: 2007-10-04
Books to Change One's LifeReview Date: 2007-08-14
I cannot speak about these books without a tone of awe, it would be absolutely useless to try and explain why. Please trust me - read these, and many times, too.
Soak It UpReview Date: 2007-02-13
I say that because today I completed the second book in C. S. Lewis' Space Trilogy. True, I can't name one thing I learned (and this series is much more about exploring concepts than telling a story), but I feel very wise. Before you laugh too hard, let me say that my spirit is quiet right now. It's still. Rested. Open. In awe. Ready to receive.
Today I will continue resting, listening. Tomorrow I'll go back over the pages and remind myself what I learned. (And then I'll start the third book.)
I highly recommend these book, but read them only when you have lots of time to reflect.
Excellent SeriesReview Date: 2006-09-11
C.S. Lewis
Scribner Paperback
ISBN 0684823802
This is the first book in C.S. Lewis's amazing Space Trilogy. These books are far less known than Lewis's Narnia series or even his Mere Christianity or The Screwtape Letters, yet it is just as good as any of those writings and goes to show the versatility of Lewis as an author.
This first book begins with our hero, Dr. Ransom, out for a walking tour in the countryside, dressed in that shabby way for which professors are renowned. His foes are his former schoolmates Devine and Weston. These men believe they need a human sacrifice, and by capturing Ransom they have their victim, for they have made a spaceship and are taking Ransom to Malacandra the red planet.
Once on Mars, Ransom escapes his captors, meets many species, and finds out that on Mars there has been no `Fall' and Ransom from Earth or the Silent Planet is a bit of an oddity. People from earth are considered to be `bent' in nature, from the original sin of the fall.
Follow Ransom as he treks across a strange world, and must find the courage to risk it all to save not only an alien race, but also, possibly his own soul.
This is a first book in an amazing series. Try it - you won't be disappointed.
Perelandra
C.S. Lewis
Scribner Paperback
ISBN 0684823829
This is the second book in C.S. Lewis's amazing Space Trilogy. This book was written as a sequel to the immensely popular Out of the Silent Planet but Lewis also wrote it so that the story can stand on its own. So if you haven't read the first you can start here.
This book takes place some time after the first, but we are not sure how long. Ransom has received a summons to Venus, a planet that is just beginning its inhabited life. This planet's `Adam' and `Eve' are on the planet and they must choose to obey God or to reject his law and face a `fall' as has happened on earth.
Ransom must face his old foe Weston, and try to save a planet from great evil. Can he navigate this watery planet; can he negotiate the intricacies of human weakness, temptation and corruption? Can he conquer himself and help others to learn obedience?
This is a great creation story. Try it - you won't be disappointed.
That Hideous Strength
C.S. Lewis
Scribner Paperback
ISBN 0684823853
This is the third and final book in C.S. Lewis's amazing Space Trilogy. This book was written as a sequel to the immensely popular Out of the Silent Planet and Perelandra but Lewis also wrote it so that the story can stand on its own. So if you haven't read the first, you can start here.
That Hideous Strength, unlike the first 2 books in this series, where Ransom leaves earth and fights evil in space and on other planets, the battle in this book takes place on earth.
Ransom must lead a group of faithful believers against National Institute for Coordinated Experiments or N.I.C.E., an organization that believes that Science can solve all of humanity's problems. He must battle the people in this organization, super aliens trying to invade and control earth and use its population against other planets and against God.
On top of all of that, Merlin has arisen from his long sleep and has arisen in England's time of greatest need. But the question is, who will find him first - N.I.C.E. or Ransom and his team? The fate of the world, and possibly the universe, rests on this question.
Lewis called this story an adult's fairy-tale. It is a mix of sci-fi and fantasy, and a book that will keep your attention as you raptly turn the pages to find out where Lewis will lead you.

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A REAL TREASURE! MUCH MORE THAN YOU EXPECTReview Date: 2008-09-02
Perfect gift for the Star Wars Junkie!Review Date: 2008-07-03
Great book, terrible shippingReview Date: 2008-02-28
Great content, cheaply madeReview Date: 2008-02-23
Star Wars VaultReview Date: 2008-03-10
This is not just a nicely decorated picture book in a sturdy slipcase; it's an experience, a journey that one is immediately taken one when they open up the cover. Star Wars Vault is part of the new style of picture being published, like that of 1776: The Illustrated Edition, where the book goes beyond glossy, colorful pictures and photos, but incorporates all types of media, and with the rich heritage of the Star Wars franchise which literally revolutionized the world with merchandising, Star Wars Vault is a gift that would make any fan of the series, no matter how old or how much of a fan, respect you greatly in your choice of gift.
Sansweet keeps his story short, taking up little room on the page, and leaving the evidence reproduced here in various forms to speak for itself. He begins with the fascinating tale of how the first movie, Star Wars Episode IV, barely made it to release, and with little support, until the enormous numbers of audience members proved that the studio executives were very wrong. While Sansweet spends less time on the development and release of the rest of the movies, the experience as one turns the pages and relives the history of the Star Wars empire is unlike that of any other. With unique photos, movie posters, and a plethora of pictures from around the world, there are innumerable insets and handouts of unique items like patches, stickers, collectible postcards, film cells, and even two audio CDs with a variety of different pieces ranging from the mid-eighties radio ads, to special interviews, to a recording of the song sung by Carrie Fisher for the infamous Star Wars Holiday Special.
While the price for Star Wars Vault is considerable, no one will regret it when they turn the page and discover the world within. It is a book that will immediately be quickly read, the stickers and patches possibly used, and added to the shelf to be rediscovered over and over.
[...]

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Good but SlantedReview Date: 2008-03-09
As Modern as EverReview Date: 2007-11-30
Very helpfulReview Date: 2007-09-22
Excellent ResourceReview Date: 2007-08-08
I would also highly recommend "To Pray as a Jew" and "To Raise a Jewish Child" once you have completed "To Be a Jew"
Great resourceReview Date: 2007-08-01

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great bookReview Date: 2009-01-24
I must make one correction in my story in the book. Review Date: 2007-01-13
I want to make one correction that made a few people from Oklahoma and Arkansas upset. I signed it as Lilly from Fort Smith, Oklahoma. There is a Fort Smith, Arkansas about 5 miles from the Oklahoma line. I did that in a foolish attempt to make sure Danny knew it was really me because Fort Smith, OK was a joke between us. I wrote my story in about 1991. 16 years later - Danny O'Neal remains the most fascinating, thrilling romantic memory of my life.
And, also since I still haven't heard from Danny in all these years, I'm hoping if he ever googles his name, this review will come up. Please forgive me.... but at the very least I want him to know how much he delighted me and that story ws no doubt only chosen because of how wonderful he was to me. :D
Wishing magnificent, thrilling love to one and all,
Lollie aka Lilly.
The many faces of loveReview Date: 2005-09-22
Writing about LoveReview Date: 2004-06-26
Jeffrey McAndrew
author of "Our Brown-Eyed Boy"
My opinionReview Date: 2005-04-30
Lucia Racekova
visual merchandiser

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TwigReview Date: 2008-12-08
I highly recommend it.
A Wonderful Surprise!Review Date: 2007-01-18
having been to NYC made it even more special. We just bought a copy to give
a younger friend because we loved it so much. It is a wonderful tribute to the imagination and wonder in the simplest of lives. Very special for adults and children alike!
TwigReview Date: 2006-06-01
Wonderful Story!Review Date: 2006-03-02
and I thought I was the only person that knew about this book......Review Date: 2007-03-23
The story is charming but it is the illustrations that make the story come alive. No credit is listed for an illustrator so perhaps the author did them herself? The drawings are mostly in black and white but a few are touched with color.
The story is that of Twig, a little girl who meets a tiny boy in her backyard. Through magic she shrinks down to size of the boy named Elf. Elf is actually a Brownie who has flown in on the back of a sparrow. Twig and Elf set up housekeeping in an upturned tomato can and furnish it with a table (a thimble and a bottle top,) a mirror (a shiny gum wrapper) and a broom (a feather). I have to say that not a lot happens in this book. No violence or bloodshed, and not even any enemies for Twig and Elf to fight. This is a gentle story and yet an enduring one.
Every household with children should have a copy of this book!

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Warm your Heart - and give yourself and your kids a great life skill!Review Date: 2008-11-27
Bunny LoveReview Date: 2008-04-13
These books grew on me...Review Date: 2006-02-28
Underrated poetry!Review Date: 2005-09-05
Fast Comfort!Review Date: 2004-09-20
Related Subjects: Technology Agriculture Astronomy Social Sciences Earth Sciences Chemistry Anomalies and Alternative Science Environment Math Physics Biology Institutions Software Methods and Techniques Instruments and Supplies Science in Society Reference Educational Resources Employment
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Wolfe is never going to an action packed writer, his prose is dense and things tend to unfold slowly, interlocking and branching until it all comes together. This is probably his most accessible book, at least on the surface, told in a first person style by Horn that is straightforward, although still heavy on ruminations from time to time. Horn has personality, although he lacks Silk's razor sharp and almost casual insights and his singularity of purpose. But as a straight-up quest, events are much easier to follow this time out. At first. Then things get deceptive.
The early part of this book, for all its accessibility, can be rough going for those who never read "Book of the Long Sun" because there are a lot of references to that previous series, to the point where I wondered when the actual plot was going to start or if we'd just be rehashing events from "Long Sun" in greater detail and a first-person viewpoint. Then it changes and I can remember almost the exact point where all the first-personness condensed and became something far sharper and harder than I expected. It comes as suddenly the narrative starts to reference events that have occurred after our current point of view, a future Horn writing about events from his relative youth.
The sequence is brief, but it ends with the lyrically eloquent: "But know this: the best and happiest of my hours you know nothing about. I have seen days like gold." From that point on the book seems to gain focus, especially once Krait the inhumi comes on board, inserting these very alien but seemingly human creatures into the story adds another level to it. Meanwhile, the narrative itself splits and simultaneously becomes about Horn's life years from now after the book's events are over and what is happening now and what gets him to Green. He manages to do both without becoming confusing and still allowing mysteries to linger for future novels and does it so easily that you don't realize how difficult this is to pull off. Which is what makes it deceptive, he pulls you right into the complex and you never realize how much of a fractal you've entered.