Publications and Media Books
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Used price: $10.40
Collectible price: $25.00

Outdated but valuableReview Date: 2008-07-24
this was an eye openerReview Date: 2008-05-11
A must see!Review Date: 2008-04-17
Material WorldReview Date: 2008-03-10
Beautiful book! Review Date: 2007-11-15

Used price: $11.66

A Must Read For Every Believer!Review Date: 2008-06-30
Journal of the Unknown ProphetReview Date: 2008-06-18
Amazing!!Review Date: 2008-06-16
Journal of the Unknown ProphetReview Date: 2008-06-12
This Book Might Be the Fulfillment of Prophecy--2 Thes 2:1-12!Review Date: 2008-04-25
(2 Th 2:3-12) "Let no one deceive you by any means; for that Day will not come unless the falling away comes first, and the man of sin is revealed, the son of perdition, 4 who opposes and exalts himself above all that is called God or that is worshiped, so that he sits as God in the temple of God, showing himself that he is God. 5 Do you not remember that when I was still with you I told you these things? 6 And now you know what is restraining, that he may be revealed in his own time. 7 For the mystery of lawlessness is already at work; only He who now restrains will do so until He is taken out of the way. 8 And then the lawless one will be revealed, whom the Lord will consume with the breath of His mouth and destroy with the brightness of His coming. 9 The coming of the lawless one is according to the working of Satan, with all power, signs, and lying wonders, 10 and with all unrighteous deception among those who perish, because they did not receive the love of the truth, that they might be saved. 11 And for this reason God will send them strong delusion, that they should believe the lie, 12 that they all may be condemned who did not believe the truth but had pleasure in unrighteousness."
This is an important book, for it will divide true Biblical ministries from the false, "new prophet" movement. I was saddened to see R.T. Kendall sucked in by this heresy, but "let God be true and every man a liar," Rom 3:4. Why, when in possession of the all-sufficient Word of God (2 Tim 3:15-17), would anyone need anything more? The people taken in by this book have rejected the preaching of the Word and have been "turned aside into fables." (2 Tim 4:1-5) They have left the fountain of living waters to hew for themselves cisterns, broken cisterns, that hold no water. (Jer 2:9-13)
Used price: $8.85
Collectible price: $26.95

Nita Leland is a super teacher!Review Date: 2008-05-21
Perfect bookReview Date: 2007-07-17
Excellent Review Date: 2007-12-15
PerfectReview Date: 2008-01-28
But this book doesn't order you to do things a certain way. It explains what results you will get doing this and what results you'll get doing that. There is no highbrow judgment here about the only "correct" way to do anything. It is clearly written, with lots of pics and examples, and is completely accessible. What a breath of fresh air!
The book begins with a little bit of the history of color in paintings and the physics of color mixing. She doesn't bog down the book with it though. She gives just enough information to put the use of color in painting into context and as a starting point if one wants to do further research.
Then comes the more detailed information. This starts out simply and builds with each chapter. She explains why things happen in color combining and mixing and how to get the desired results. Color in painting is a detailed and complex subject, but, while she encourages you to learn it all, she is never demeaning or rigid that one has to know all this front and back before painting. She explains why knowing all this will help and improve your painting.
In other words she makes me *want* to learn all this rather than making me feel like I *have* to learn it.
One thing to note is the she uses watercolor in her examples and exercises so some adjustment may be necessary for oils.
There are also lots of things to practice in the book. She has exercises for everything she teaches. So when you're done you will have a tremendous visual reference library. I have lots of art books but this one will stay OFF the shelf and easily accessible. The use of color isn't something that can be learned overnight, so do yourself a favor: get this book.
Wonderful exercises Review Date: 2007-05-13
This is an excellent little book with a lot of exercises to make it all quite clear. Every page teaches me something - I have so far had quite a few "AHA" moments. I am beginning to understand why sometimes a color works and sometimes it is just a little off...
I recommend this for everyone. Thank you Nita Leland.

Used price: $12.98

Excellent tour companionReview Date: 2008-07-03
Glad I bought this!!Review Date: 2008-07-01
Great GuideReview Date: 2008-05-19
Beautiful bookReview Date: 2008-02-18
Very usefulReview Date: 2007-10-27

Used price: $8.01

The First Edition is 100% Better!Review Date: 2008-07-15
The epitome of class!Review Date: 2007-03-11
Each picture offers a brief caption or memorable quoteReview Date: 2003-06-19
GREAT PHOTOS OF MARILYN!Review Date: 2007-03-11
Marilyn in unforgetable pictures.
Thank you!
Our most stunning cover girlReview Date: 2007-03-20
Although many of the more well known American covers are absent, there is plenty here to satisfy! The variety and sheer number of colorful covers is impressive. The memorable quotes that accompany so many of the covers capture the essence of her endearing personality without being an actual biography, and the timeline is a good but brief overview of many of the important events in her life.
Although I am not an avid collector of MM memorabilia, I'm sure the pricing information would be valuable to those who are. I found comparing the various values to be very interesting reading. I can only imagine the painstaking work that went into identifying each of these photos and determining the worth of each cover.
This would be a welcome and unique addition to any MM library - highly recommended!
Used price: $9.15
Collectible price: $30.00

Detailed Art BookReview Date: 2008-05-27
I continue to come back to this bookReview Date: 2008-01-02
Painting Better LandscapesReview Date: 2006-10-01
Painting better landscapesReview Date: 2006-08-22
ESPECIAL PARA ARTISTAS AVANZADOS - SPECIAL FOR ADVANCED ARTISTSReview Date: 2006-03-09
AVISO PARA AMAZON.COM: Soy español y hecho de menos que tengais un apartado especial para saber las publicaciones en mi idioma. Todos los libros que he comprado los hubiera disfrutado más si estuvieran traducidos al español.
This book is marvellous to improve your painting, so much be raw as(like) advanced, but specially it is useful if you go time doing(painting), I believe that it is orientated specially to excel yourself in what already you do. It makes you see the technology(skill) to continuing, since you start inspiring by a photography and its interpretation, the combination of used colors, the best composition, depth, the way of planning with the paintbrush, and many recommendations more rides to excel yourself in already doing a time behind, since it is my case. Advisable for all.
I WARN FOR AMAZON.COM: I am Spanish and a fact of less than a special paragraph to know the publications in my language. All the books that I have bought had been enjoyed by me more if they were translated into the Spanish. THANKS.

Used price: $4.03

Great images...Great book!Review Date: 2008-06-18
This book has really helped me to identify birds in my backyard. The pictures are great and I think it's extremely helpful to have the book categorized by colors. I would recommend this book to amateur bird watchers as it has provided me with a lot of joy.
great for kids tooReview Date: 2008-03-18
Excellent bookReview Date: 2008-02-27
Would give it more than 5 stars if I could!Review Date: 2007-10-11
Great backyard bird watchers book.Review Date: 2007-08-16
Used price: $0.90
Collectible price: $27.50

Great bookReview Date: 2006-07-19
If you can only get one book on airbrush...Review Date: 2005-09-26
Covers the mechanical stuff more briefly than many, and has a nice section on fixing problems, including straightening a bent needle. Gets briskly on to the =use= of the thing, and runs a series of exercises to help you get the hang of techniques, including learning how to draw freehand. This guy is not hung up on anal-compulsive frisket cutting, but recommends a "universal mask" you can make out of a styrene or metal sheet that will do for a lot of work.
Best I've seen so farReview Date: 2002-10-20
If you only buy one airbrush book, this is the one!Review Date: 2006-06-07
Unlike other reviewers, I wasn't disappointed because it doesn't cover painting motorcycles or helmets. The title is fairly straightforward and a good clue to what the book covers. If you're only interested in painting motorcycles, try How to Custom Paint Graphics here on Amazon.
If on the other hand, you see an airbrush as another tool in expressing yourself through art, get this book. Vero is a master at solidifying visualization. He introduced the use of shields and the book contains a template for his design for one of the most versatile shields around.
When you aren't using it for reference, I recommend putting it on the coffee table. People who drop by my apartment are instantly drawn to the cover which features an illustration of Vero's "Study of a Girl". Instant conversation starter!
Rado Vero is recognized as one of the greatest illustrators who ever lived. Reading his thoughts on airbrush and different ways to create are as invaluable as reading Da Vinci's ideas on creating perspective. It didn't bother me that it was first printed in 1983. Nothing in this book has been outmoded. In fact, many of his ideas, such as use of shields, are now the standard in art schools. I expect it to be equally as valid in 2083.
I have bought multiple copies of this book and given them to friends who are just getting into airbrushing. I expect that I will buy quite a few more before it's over.
Airbrush:The Complete Studio HandbookReview Date: 2005-07-21

Used price: $14.95
Collectible price: $34.00

"Black and White and all Shades of Grey"Review Date: 2007-05-18
Most of the photos here are of crime scenes, and a few suicides thrown in. Crime scenes are mysteries; we all sense there is a story there. But the real mystery in this book is who were the guys who took these photographs? Whoever they were, they had no idea they were setting down an arena for further developments in creativity - in film, in fiction and in graphic design. This was working class photography and these guys were simply on the job, trying to outdo each other in the quest for a better shot in time for the next issue, sparing little thought over notions of higher-order art. Except perhaps for Arthur Fellig (aka Weegee), who was apparently more astute when it came to ensuring acknowledgement for his work, most of the guys who worked for the newspapers were largely unheralded. They are now just names, long dead and forgotten. Many of the shots reproduced in this book are only credited with a surname, or are simply credited as "Daily News" photos - nobody can work out now who took the shot.
[...]The conditions under which these guys were working forged a new creative genre, now commonly known as `NOIR'. It was an oppressive era, politically and socially, equipment was still heavy and unwieldy, they had to contend with light (additional lighting was used where it was deemed necessary to illuminate, not for artistic effect) and weather variables and while access to crime scenes were not yet barred to newspaper folks, access was sometimes restricted for other reasons. Check "The Trigger's Squeezed" and "Empire State Suicide"; both demonstrate how restricted access forced the photographers to use unusual camera angles, resulting in distant shots with long lines and deep, extended shadows which, together with the subject matter concerned, creates a sense of oppressiveness, of callous unconcern, of cold doom, and of finality (this can be keenly sensed in "Killer's End"); these are what are now regarded as the essential ingredients of good, classic noir film and associated imagery.
What makes a photograph (and for that matter, any piece of good art) a `classic' is that it alludes to a story, or it at least contains something that will intrigue viewers through the ages. While much of the information for the shots in this book, including the names of the persons involved could be traced (the corresponding synopses are listed at the back), there remain unanswered questions. How was it that the two ladies could tolerate each other's presence at the grave of their man in "A Bigamist Mourned"? What was it that a pretty doll such as Anna Downey saw in John Collins, a hardened killer? ("Until Death Do Us Part"). Why did the gangsters have such flippant attitudes? Check the aspect of Louis Capone on his way to Sing Sing in "En Route To The Chair".
There are other questions for which answers could have been provided in the book somewhere, after some further research. It would have been helpful to know the process and exactly why some of the photos were "touched-up" to ensure they were fit for publication. And who were some of these photographers? And what was the system for acknowledgement and payment? Something could have been said about the cops; perhaps some reasoning for their attitudes and conduct with the public. [...]
Regardless of all of this, the book is very exciting. The images reflect the developments in technology, particularly with the flash; first the bar flash, then the bulb, and then finally the `flash gun'. The sharper and clearer shots, including those taken under brilliant light are perhaps the most striking, and what are most easily recognized as `noir' imagery. All together, these are shots of a period in history which will never return. The assemblage of ephemera of that age; the hats, the shoes and clothing styles, the hair styles, the cars, the buildings and everything else can never be reproduced. And there is something very sexy about it all.
For a further exploration in this photography genre, I strongly recommend "City of Shadows: Sydney Police Photographs 1912-1948"; with shots of folks who were colder, cheaper and meaner, and where things seem even more surreal. To see how such newspaper shots influenced photography in a creative sense, see if you can find "Retail Fictions: The Commercial Photography of Ralph Bartholomew Jr." - still around in some `seconds' bookshops.
Pretty photos but not so interesting.Review Date: 2007-09-01
Impressive Iconic Photography Evokes an Era.Review Date: 2004-05-25
"New York Noir" is a selection of about 125 images from the "Daily News" archives, taken from the 1920s through the 1950s. Some are sad, some comical, some grotesque. They're an interesting comment on American urban culture of the time. Many of these photos would spark outrage if any newspaper were to print them today. Their lurid content earned the "Daily News" pointed criticism from many a moralist at the time. But that never hurt business. The style of the photographs had an immistakable influence on cinema and popular culture which continues to this day. The technical limitations that produced starkly flashed foregrounds and pitch-black backgrounds are instantly recognizable in Hollywood films, just as the corruption displayed in the photographs was reflected in popular entertainment. The demeanor of gangsters and thugs -often posed for the photographers- became iconic. Tabloid photojournalists may have wanted only to get the shot that no one else could, but they produced some incredible -and incredibly influential- photographs that have only become more fascinating with time.
Luc Sante introduces "New York Noir" with an essay about the history of tabloid journalism. Editor William Hannigan follows with a history of the "Daily News" and its influence on Film Noir. Both of these essays are very readable and worthwhile. The photographs are mostly one-to-a-page and quite sharp. They are all captioned. There is a section of "Synopses" in the back of the book, which provides further information about the stories behind each photograph, when available. I really appreciate this section, which is conveniently organized by page number. Some of the photos really leave the reader hanging, wondering who those people are and how things turned out. You can find out by turning to the back of the book.
I recommend "New York Noir" to photography and film noir buffs. Some of these evocative photographs are not for the squeamish, but they have made , and continue to make, quite an impression.
A Step Back In TimeReview Date: 2001-08-25
A Shock To The SystemReview Date: 2005-03-06


I've got to read it again!Review Date: 2008-06-01
If you want to learn how to love well in a marital relationship from God's perspective (no matter what your past may be), this is DEFINITELY the book for you.
Share it with your partners and friends!
Must Read For 2008...Review Date: 2008-01-22
The Plural Thing is a quick, practical read that will have the reader thinking from the first page to the very end. Although I could relate to the entire book, I especially enjoyed The EX Factor chapter. I was reading The Plural Thing..., just as I was doing my own soul searching and looking for a way to respond to some questions from my ex. The Plural Thing provided the boost I needed to respond positively, instead of continuing to harbor ill will and resentment for what was. Thank you Linda for your courage and the wherewithal to stand even when it appeared Satan was busy reeking havoc in your life. The Plural Thing...is a must read. Don't delay. Order your copy today.
Relationship BlueprintReview Date: 2008-01-09
Grosvenor's book is a spiritual blueprint on living a more fulfilling life with or without a mate. She encourages readers to take a mirror view of themselves. I read the book to help jumpstart my personal growth. It's helped me see myself in a more positive light. Working on self does not mean one has to become selfish, it actually makes one more open to loving others. The areas I need growth in are no longer strongholds. They are now mini-goals and no longer seem like a struggle.
The book also encourages readers to figure out what they want before dating even begins. Is what we want in line with what God wants for us? The more I read, the more I had to reflect. We can prepare for our soul mate by loving ourselves and not overlooking someone because of pre-conceived notions.
I feel that readers will have a better understanding of themselves and what they want in a mate, by reading and following the principles in The Plural Thing. It's more than just a book, but an empowering tool to jumpstart you in the right direction.
The book doesn't guarantee that you'll find your soul mate, but it does guarantee a better you and in the end, that's worth more than gold.
Review by Shelia M Goss, National Best-selling author of Double Platinum, My Invisible Husband and Paige's Web
Singles, you must read this book!Review Date: 2008-03-07
Mirror, Mirror On The Wall - Who Is The Best Choice?Review Date: 2007-12-03
Review by Tavares S. Carney
Genre: Non-fiction; Self-Help; Inspirational
Rating: 10 (EchelonBooks); 5 (Amazon)
The Plural Thing: Spiritually Preparing for Your Soul Mate stimulates readers to examine self, and come to grips with the fact that one truly has to be happy within oneself before truly being able to find happiness or make anyone else happy, let alone a spouse. Once one realizes what it means to truly love, it is then and only then that God will send us the mate he intended for us to have. The author shares with readers, true-to-life relationship scenarios from her own life as well as those she's encountered. These are stories of real women, single women, married women, divorced women and separated women - the good, the bad and the ugly. Topics that range from lack of or non-communication between partners, loss of sexual appetite for married women, pressing towards personal goals and more are touched upon. Single women must stand for something and not fall for anything when it comes to finding a spiritual soul mate, finding that true love and real happiness most women desire. For married women, reading this book will prompt you to examine the state of your current relationship. The gripping question readers will be left to answer no matter the stage of their love lives (or not) they are in is - Are you ready? Were you ready? or Will you ever be ready for marriage the way God intended it to be? Grosvenor demonstrates to women firsthand how one can learn to love the way God intended and spiritually prepare for a soul mate.
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