Music Books

This book provides an insightful description and analysis of Harrison's music and his era. It's really an achievement. Leng is a mature, sensitive and intelligent writer: his knowledge of Harrison and his wonderful music is evident, as is his affection for the subject. Leng traces Harrison's solo work, how it evolved and why. He also places Harrison's work in context: Can you imagine a time when songs about peace, love and spiritual yearning topped the pop charts? And if you are just a bit too young to know why, say, Bob Dylan, was such a big deal, then read this book. Harrison's music and his spiritual growth were a big deal, too, and rightfully so - and Leng should be commended for recognizing and illuminating this.

Anytime a major rock star has several books written about him, they are all basically rehashing the same information under a different title. This book "Then Music Of George Harrison", by Simon Leng, is without question the ultimate reference work on the recorded works of George Harrison. Every album and every single song George ever recorded, is given encyclopedic treatment. No stone is left unturned, as chart rankings, session players, and historical significance of his music is discussed in detail like never before. George's monumental album "All Things Must Pass", is given a 34 page chapter alone, as the author tells of tales from the musicians who participated in the recording, as well as the making of the album, which still stands today as one of the greatest albums in rock history. I found this book to quite an enjoyable read, and a must have edition to any rock n roll library. Beatle fans take note that this is essential!

This is a pretty good book. Unlike it's competitor, or companion "here Comes the Sun", this book is coming from a primarily music-analysis point of view, rather than a spiritual hagiography/biography. The analysis is pretty much song by song and focuses mainly on his solo albums, not his Beatles work, so anyone who wants to read about the first and early forays into Indian music will not find it here- that said, he does go into detail about the people who worked closely with George in the production of all his work (including the introductions to Ravi Shankar and some of the faces behind the scenes).
I liked this book- if I had to pick one or the other of the two competing
"musical histories" I would choose this one, if only because while it recognizes George's spiritual quest could not be divorced from his music, it focuses on the mechanics of that music rather than the personalities of (and the followers of) the "spiritual masters" he encountered on the way.

Finally, someone analyzes George's musical catologue with the scholarly insight it deserves. Simon Leng understands how to connect the events in George's life to his artistic endeavors. Mr. Leng ably demonstrates that he has pondered long & hard about George's majestic contributions to twentieth century arts and beyond. Bravo.

The review title refers to the monumental critical analysis by Ian MacDonald, Revolution in the Head: The Beatles' Records and the Sixties, which this book closely resembles both in structure and style. I think it is, in a word, AWESOME that a solid critical appreciation of George Harrison's entire body of work has been issued. Simon Leng has done a truly commendable job of treating Harrison's solo discography with the respect and attention is deserves. There is, in fact, much more to George's post-Beatles ouput than "All Things Must Pass" (though that is certainly the peak of his accomplishments) and Mr. Leng offers opinions of it all, song by song.

As with the Ian MacDonald work, this book is written by someone who is obviously a major fan - but not a fanboy. A clear-eyed objectivity is (more or less) maintained as Leng analyzes Harrison's music. I didn't agree with every single opinion of every single song - but it did inspire me to relisten to George's music from a different perspective. Ultimately, I believe that's exactly what this type of book should do. The focus is squarely on the music (though some biographical information is included in between discussing the albums, which is welcome - especially since George's career isn't as well known or documented as Lennon and McCartney's).

If you're a longtime fan of Harrison's work, you're likely to find something new to listen for. If you're a newcomer, you're likely to want to immediately acquire any of music you aren't familiar with.

Prolific novelist (Legends of the Fall), screenwriter, poet (The Theory and Practice of Rivers), and short story writer, Jim Harrison embeds people in landscape and weaves through torque of narrative, prose, and emotional import a web of intricate and compelling design. The Woman Lit by Fireflies, the final novella of this collection, powerfully explores ingenuity, freedom, and loyalty.

Harrison is a master of his art. His insight into the heart of men and women, is loving but incisive. The first story "Brown Dog" is infinitely re-readable. Harrison's characters are bluntly, and hilariously honest. The main character, a drunk bumbling through the woods of Michigan's upper penninsula is someone I never would have thought I would feel interest in but Harrison brings a humanity and intelligence to this unsympathetic picture that enthralls the intellect and engages the heart.

The other stories are beautifully done as well--the portrait of a middle-age woman breaking out of a stultifying relationship by camping overnight in a cornfield is touching and inspiring. Harrison's insight and empathy enable him to convincingly portray the world through his character's eyes.

This book is actually a collection of three novellas. My favorite, by far, is "Brown Dog". The main character, BD, is a man not very smart, but not too dumb, not very honest but not a bad person either. Bumming his way through life, he gets into more than one bind, and is able to tell the stories in a very self-deprecating tone that immediately endears him to the reader. This is a fantastic story, and the book is worth it just because of it.

"Sunset Limited" was OK, maybe a bit too formulaic for my taste. "The Woman lit by Fireflies" i liked the least. I simply didn't have any sympathy for the woman in question.

I was first introduced to Jim Harrison when I took an Intro to Fiction class taught by Harrison biographer/critic Edward Reilly. The book that I read was The Woman Lit by Fireflies. "Brown Dog" is, by far, my favorite novella in the collection. He is an underdog that simply wants to live off the land and be left the hell alone. Admirable qualities in my opinion. "Sunset Limited" and the "Woman Lit by Fireflies" are also excellent, but "Brown Dog" makes me hurt from laughter.

Not the most insightful review, I'm sure. However, how can a person be critical about something he or she enjoys?

i came on my copy of this book a few days ago. i was unpacking after a move and there was a lot to do. i had fond memories so i started reading. two hours later i was still sitting on a box reading. the title story remains one of the most engaging stories written by a man about a woman.

This book was one of the most honest and entertaining writings concerning life in the Merchant Marine I have ever seen. Real people giving down to earth accounts of life on a Liberty Ship. I spent nine months in the North Atlantic on a Liberty Ship and as I was reading the book could almost feel the deck (floor) vibrate and roll. I was able to reach the author by phone and was able to thank him for putting their experiences in book form . I would recommend this book to anyone who was in the Merchant Marine, their familly members, or anyone who just likes to read a light entertaining , almost documentary account of life in the Merchant Marine during WW 11.

Three seamen in the Merchant Marine when America was at war were Woody Guthrie, Cisco Houston and Jim Longhi, this book's author. Not many people know Woody shipped out with the Merchant Marine in 1943 with nothing more than a seabag, well he took along a guitar, a mandolin, a case of books and a portable typewriter. One might have thought he was going to a concert and not to war, but Woody played guitar, wherever he went, the Grand Coulee Damn or U-boat infested waters. And with fellow folksinger Cisco along for the ride, you can bet the playing on that boat was mighty fine.

Though they had regular duties aboard, Woodie and Cisco were morale boosters and with U-boats lurking, storms raging, seas rough and waves high, they were certainly appreciated. On more than one occasion they saw other ships in their convoy go down, but this page turning book isn't only about the terror of the deep during war, it also has quite a few laughs thrown in. You just won't believe the cooking school bit Woodie, Cisco and Jim had to go through and you'll enjoy all heck out of their shore leaves. Still, war is grim business.

This is a must read for any fan of Woodie Guthrie's or Cisco Houston's. It's also a very good book which reads like fiction, though every word is true. I can't recommend this highly enough, it's a story about America, a story about folksingers, a story you'll never forget.

Reviewed by Vesta Irene

as an ex merchant mariner the book brings back memories of how it was on an everyday basis for three buddies going to sea-details of which you dont hear about normally.Humorous reality.

A sea story to end all sea stories. Thanks, Brother Longhi

If you are a fan of Woody, or Cisco, or both, buy this book before it goes out of print. Jim Longhi served with them on several U.S. Merchant Marine voyages during WWII, and he shows us just how much courage it took to help the war effort in that manner.This may be the closest thing to a real biography of Cisco Houston that fans will ever get. The Woody Guthrie you meet in these pages is a guy who had already achieved some fame due to his record "Dust Bowl Ballads" which came out in l940. Here, in l943, he is still ten years away from being disabled by Huntington's Disease. These three left-wing unionizers (Jim is an interesting man in his own right, though not a real musician) were mostly broke, but patriotic and brave and great morale-boosters for the common soldiers who often traveled on merchant ships across the Atlantic, where u-boat attacks were a continual threat. Torpedoed once and once hitting a mine, the "Seamen Three" were indeed in life-threatening combat situations.This is not just insightful, or worshipful towards Woody. It is often hilarious as well. The depiction of a maritime character called Courtroom Kelly is only a chapter in the middle, but it is worth the purchase price all by itself. Thanks, Jim, for doing this project. Anyone who has read, or who owns, Woody's own "Bound for Glory" or Joe Klein's "Woody Guthrie: A Life" needs to have this book in the collection as well.

Aaron Frankel, who has directed more than 100 plays, loves the stage, especially musicals. He brings his genius to Writing the Broadway Musical by formulating an organized book, which is easy to use both as a reference and as a guide.

He fills the text with pertinent examples -- plenty of them --like chocolate chips in cookies. Frankel's book is full of encouragement for the dreamers, while it outlines the practical aspects of taking a musical play from a dream to a full-fledged production.

This book gives a good foundation for basic elements of a musical script. I bought this wanting to write a musical script but not necessarily the lyrics/musical score and am a complete novice - was a bit lost on the different musicals it quoted. However another book that is quite "meaty" in terms of how to write a compelling gripping story/script for theatre is "The Writers Journey" surname is Vogler. What Frankel says is that the book or story needs to be written first before appropriate lyrics/musical score can be created. So I would have gone straight to this book first. Good as reference but can borrow from library, not a must have.

Frankel's concise, clear volume on writing large-scale musicals is a welcome addition to the bookshelf of anyone who wants to understand how this peculiar theatrical genre works-- when it does. By focusing on two artistically successful, well-known pieces in the canon-- "My Fair Lady" as a well-executed classic musical with linear plot, "Company" (my personal favorite) as a well-executed plotless musical whose songs move character forward--, Frankel can support his intelligent teaching points with concrete yet familiar examples. I'm very happy to see this book back in print.

Many of today's top talents in musicals on and off Broadway have studied with Aaron Frankel. Now anyone can learn the ropes from this honored director and instructor in a step-by-step guide that makes for good reading whether you are a writer, composer, or simply an avid theatergoer. I enjoyed the previous edition and found this revised and updated one an even more interesting read.

In only 192 pages, Frankel presents writing for the musical theatre from the perspective of the book writer, lyricist and composer -- and how each contributes to the whole. Enough specifics for each to gain a better appreciation of the others' unique contributions. The book would be an excellent introductory text for a musical theate workshop. Most examples from My Fair Lady are illustrative and excellent; other examples from Company were less helpful (as that show was less successful). Highly recommended for those working on musical to keep near at hand.

this is one of the greatest. sublime had done so much with what little money they had to use. making this cd was one of the best things they could have done. the lyrics, and bass lines, and vocals, and drums, are all absolutly "sublime". we wish bud and eric and the rest of the lbda the best of luck, and rest in peace brad. we love and miss you

This Cd is worth the money! if you like this one try some other ones like robbin the hood and Dog gone blues!

this album totally kicks a** it is one of sublime's best. some of the great songs on this album are... Date Rape, badfish, smoke 2 joints, 40oz, what happened, ebin and that is only a few of them. if you don't have this album get it now!

40oz. To Freedom is one of the best albums I have ever heard. I recomend all SUBLIME fans get this CD. Some great tracks include, Waiting for my Ruca, 40oz, to Freedom, Smoke two Joints, Don't Push, and BadFish to name a few. SUBLIMES unique sound and awsome lyrics are really expressed in this CD. I listen to it every day. Its my fav. CD. Everyone should go out and buy it!

Best sublime every you could want rock, ska, reggae, Funky freash lyrics

Although the title is Acting for Singers, actors and directors will benefit as well from Ostwald's excellent analysis of what makes a believable character on stage. The book is full of helpful exercises and explanations of what works on stage. Acting for Singers should be on the bookshelf of every performer.

I came upon this book while preparing for the North American debut of a 1640's Baroque opera in Washington D.C. The information in it is invaluable and succinct. Great for anyone trying to extract meaning from music and convey it to an audience. Well-written and containing excellent advice and exercises, I recommend it.

I have been a professional opera singer and voice professor for many decades. This book REALLY gets to the heart of the acting delima which singers' face. The index is very thorough, allowing the singer to find exactly the topic they are looking for easily. The book should be read cover to cover many times if the singer is new to the field of acting. (I find it helpful for each singer to ponder this question: Am I a singer who acts or, an actor who sings, or both.) An opera singer MUST learn to create operatic characters with which the audience can identify. Each Mannerism and gesture will change with each new operatic role one intends to interpret. This book should be a great help for the preparation of singers who aspire to act realistically and who wish to conquor this extremely demanding and rewarding field called OPERA.

David Ostwald's new book, "Acting for Singers," is an important and helpful guide for singers-in-training, for professionals learning new roles, and for seasoned performers who wish to infuse new dramatic life into their repertory. As a former arts administrator for San Francisco Opera and Affiliate Artists, Inc., I feel that Ostwald's book is equally useful for stage directors, conductors, teachers, and coach/accompanists who strive to make their highly collaborative art form appear as seamless as possible. Ostwald covers a number of pertinent topics including the foundations of believable acting, ways to improve concentration, and how to motivate a character's actions. Having judged many auditions over the years, I found the chapter on "Getting the Part" to be especially helpful to young singers who may not know how to dress for the occasion, speak to the judges, or introduce their selections from the stage. The author's "Ten Maxim's of Believable Singing" provide a concise checklist of wisdom gleaned from his years of teaching and directing. Ostwald's analysis of how directors and teachers can help their singers grow and flourish, including the sage advice of "Always be supportive" and "Never humiliate anyone," presents a pithy list that bosses in any business should read and take to heart. The text is lively, clear and well designed, with headings, bulleted points and enough white space to make the book's insights both accessible and memorable. Each chapter contains helpful exercises, summaries or trouble shooting techniques which will enable singers and their colleagues to create superior performances. "Acting for Singers" will likely become an indispensable, dog-eared companion for any singers who wish to breathe live and artistry into their characters.

Perry-Lynn Moffitt

"Acting for Singers" speaks to the problems that most all of us share in creative situations when we are speaking to a group or preparing an article or script for publication. We do not have to be singers to use the wisdom of Ostwald's mind and experience. These challenges are inevitably concentration, trust, projection, communication, and the self-doubt that most of us sometimes experience.

If you could see David Ostwald in action, you would recognize how his life is a demonstration of his work. When the groups at my seminars would get excited and several voices were talking at once in an exercise, David (upon my request) would clearly enunciate one or two words to the whole group in a tone that instantly shifted everyone's attention to the work at hand. The whole group loved David's wit and wisdom, his power to achieve the intended focus and hold it, plus his demonstration of an open mind, the will to learn and to share knowledge gained through years of a focused mind and experience.

David's whole life is filled with the qualities of concentration, trust, projection, and communication. This is the real power of his written words. I think this book will prove so useful that it will become an essential textbook for teaching acting to singers.

This book is incredibly entertaining. I'm 25 years old, and need constant excitement to keep my attention. While reading this book I was amazed by the by the numerous experiences Buzz Cason has encountered throughout his life. Any individual one of these expeiences could be a highlight in the "average person's" life, and Buzz has had a countless number of them. You can't help but wonder in amazement how one person had the opportunity to do so many exciting things in a lifetime. No matter your age, this book is incredible!

Heroes are found everywhere in the story of a Nashville kid who made good in the brutal business of music, beginning in the late 50s and still going strong in 2004. Autobiographical in its first person telling, this story regails to us tales of "the early days"...before belly piercing and techno grooves, when some of the biggest names in rock and pop music were fledgling acts, just kids. I found myself asking how one person accomplished all these things and met all these people while turning pages as quickly as my eyes could pass the story on to my eager brain. The creativity of Buzz Cason shines brightly from the pages of this delightful story, pictures being proof of the pudding of the rememberances most of us could only imagine in some fantasy life. The photos alone are worth the cost of the book. Every book shelf should sport a copy of this delightful look back down the road over the long, fun trip it's obviously been for the author. I'm getting it for practically everyone on my Christmas list!

This book, written in the first person, actually invites one into the very thoughts that Mr.Cason has as his memory interacts with some of the most well known and famous entertainers in the entire music industry.
The book is just the "right" length of read - not too long - and full of insight and humor! It includes many photographs too!
I would love to go to one of Mr.Cason's book signing's - I know that this first edition will increase in value over time.

Living The Rock 'n Roll Dream: The Adventures Of Buzz Cason is the autobiography of musician and award-winning hit songwriter Buzz Cason, founder of the Casuals, the first rock band in Nashville. A dazzling true story about the popular music trade Cason embraced for fifty years, shedding light on his career and offering an inside peek at the early days of rock 'n roll. A treasure for rock 'n roll fans looking to experience a primary account of the origins of their wildly popular music, and especially for those who have thrilled to Cason's outstanding talent.

Over the years, I've read dozens of music industry books. This book has to go to the top of the list for history and entertainment, that covers a time like no other on the planet.

My five stars are for the performance and the book. All opera recordings should come in this format. But the cd copies are bad and will be short-lived, they easily loose their coating.

I bought this as my first piece from the Black Dog Library in preparation for seeing the Vancouver BC Operas production in 2002. Black Dog Library is a must for everyone going to see an opera. Get this, listen to it, fall in love with the music and then see this opera live if you ever get the chance. This is opera at its best. After seeing the production live, I can't wait to see it again. And by listening to the cd's I can bring it right back to my mind and my heart.

Bravo Giuseppe, Bravo......

Wow!! Wow!! O my God! I just heard this album and my jaw dropped. Why it so many critic snub this recording ? It's the best Aida on record. I think it has to do with the fact it's very rare and more of a collector's piece as well overshadowed by more popular editions- i.e. Placido Domingo/Leontine Price, Jon Vickers..Pavoratti..Montserrat Caballe etc. But the cast in this album can not be more perfect. Birgit Nilsson was a grand lady of the opera- with a voice that cut through great orchestras, with dramatic integrity in her stage performances (she was as much as an actress as she was a singer and in this way she was like Maria Callas). It is true that she is far more recognized for her Wagner heroines- she is the best Isolde and Brunhilde, but her Wagnerian voice, so high, so powerful, is perfect for such diva roles as Aida. Verdi wrote the role for soprano di forzas which Birgit Nillson delivers with electrifying prowess. She was trained in Italian as well, which people seem to forget. Her Italian voice is rich, powerful, with a high top and generous bottom. She gets into characters with passionate intensity as well. Has anyone ever heard Turandot ? It's the best! So intense and powerful. And her Tosca is breathtaking. She also sang in Mozart's Don Giovanni starred opposite Leontine Price and the famous bass Cesare Siepi in that one. She can do the Italian roles as good as the rest of them!! There is also her powerful interpretation of Turandot and Tosca. So there you have it. Her Italian was as dynamic as her German. Franco Corelli is an awesome Radames, with hot-blooded, masculine energy and lyrical moments of love and grief. He can be a tough guy and a sensitive lover. "Celeste Aida" is superbly done, even if not sung as written. His Tomb Scene at the end is incredible. Grace Bumbry is the best Amneris, and she sang the role numerous times which made her an expert on it. She has a dignity of her own in the role and she is not as scary or bitchy as Rita Gorr's interpretation. Bumbry's perfect. You can also hear her as Amneris in the Leontine Price/Placido Domingo version conducted by Erich Leinsdorf. This is truly a great recording and will have you wanting to get other recordings of its amazing lead singers. Certainly Franco Corelli is a magnet of opera lovers with his excellent artistry. He sang with Birgit Nilsson in the greatest operas of their careers- Puccini's Turandot and Tosca which are also available at Amazon.com and I strongly urge you seek them out. Their Aida is mind-blowing.

The sound to this recording been digitally remastered from the old LP and sound fresh, powerful and moving. The Black Dog Opera Library series offers the best in opera to a beginner who takes interest in the world of opera or to fans who are already converted. It does more for the novice, however. My first of these "cd-books" was Verdi's La Traviata starring Beverly Sills and Nicolai Gedda. This was indeed a perfect performance. This was followed by Bizet's Carmen starring Jon Vickers and Grace Bumbry..another winner! Then came Mozart's Magic Flute starring Peter Schreir, Anneliese Rothenberger, Kurt Moll, Walter Berry and Edda Moser. This is the best Magic Flute out there. Indeed, all the recordings on this series are of the highest calibre. This book comes with the libretto, pictures of Aidas in the past, and bios on Corelli, Nilsson and Bumbry. Go out and get it today!!!

The historical account and the story help the person new to opera appreciate the opera. The sound is of high quality. I only wish Amazon carried the full series of The Black Dog Opera Library.

Brilliant voices of Birgit Nilsson, Franco Corelli with Orchestra e Coro Del Teatro dell' Opera di Roma under Zubin Mehta. A marvelous studio recording without audience noises. A number of stage photos of major performances and introduction of Verdi and the writing of AIDA. Two CD's with the complete opera with complete libretto in Italian and English. A great value. A must-have.

Alabaster's Song is a story that you should own, even if you don't have a child. It is warm and sweet, and brings you back to the place where the child inside each one of us still lives.

As always, Max Lucado has the gift of reaching down into the depths of your heart and soul, and touching you, drawing you closer to God.

Make this book part of your library, part of your Christmas traditions. I read it each year to my "babies", who are now 19, 17, and 13. It is a tradition I will carry on with my grandchildren.

This is a fabulous book that brings to mind the wonder of Christmas through a child's eyes. The illustrations are beautiful and the story is timeless and unforgettable! I read this story to my children, ages 11, 8, and 4, each year around Christmas. I even read it to my MOPS group as a Christmas reading last year. Thank you, Max Lucado, for another wonderful children's book!

Very cute story about a little boy whose Christmas Tree angel comes to life to sing sweet songs to him. Gorgeous artwork brings the story to life with brilliance. I loved that the story repeated itself once the little boy grew up and had a son of his own who hears the angels music.

This is one of the most beautifully illustrated, delightful stories I have had the good fortune to encouter. Alabaster, the spirited little angel, touches the life a boy with positive results. The message in this gentle story is that when good is done, pass it on. It is so lovely, so moving that it might make one misty eyed. This book is a real treasure. Max Lucado and the illustrator have used their talents to enrich the lives of others.

As a Preschool Teacher of 4 and 5 year olds, I have read many books about the Christmas Story. This book is by far, the childrens' favorite. It is both touching and exciting. I have never read one of Max Lucado's books that I was not absolutely thrilled with.

Steve Turner has done a great service to Christians everywhere. In the first part of his carefully researched book, Turner gives us an excellent account of the life of John Newton, the author of the famous hymn "Amazing Grace." Here he covers much that is familiar, and at the same time corrects some common misconceptions.

The second half of the book traces the history of "Amazing Grace." It is fascinating to learn how the song's tune has developed and changed, how the verses of the song have evolved over time, and how the hymn has grown in popularity over the years. Not as enjoyable was learning how "Amazing Grace" has been reinterpreted since the 1970's to support the views of whatever unsaved person or group using it at the time. I am sure ol' John Newton would be spinning in his grave if he knew what our postmodern society has done with his marvelous hymn. Still, Turner's book should do nothing for the Christian but endear even more to "Amazing Grace" the song, and amazing grace the message.

I'm not sure why,but this book has a lot more to it than first meets the eye.Often books of this nature are of the 'edited 'type with very little effort put into them and while the concept is good ;usually filled with a bunch of fluff.But not this one.A great effort has gone into it and as a result we have an excellent work.
While he never gets away from his topic,Turner gives us an awful lot about the history of Newton and everyone associated with him,a thorough understanding of the slave trade,a good understanding of the various Protestant churches of the18th and 19th centuries .If that isn't enough, he has covered in minute detail the evolution of the hymn,it's meaning word by word,it's associated music and how it spread ,and by whom ,throughout it's 225 year history.
He has beautifully shown the deep religious and theological meaning the hymn has for those who understand it and have a faith in God.He has just as well explained how and why so many people love and get inspiration from the hymn even though they may have little in the way of faith or religious involvement.He does this without being judgemental in any way.
As to how Newton could be involved in the slave trade.."Slavery was as acceptable as abortion is today-it was legal,it had immediate and tangible benefits,and people predicted widespread calamity should it ever be banned.There was no social pressure for him to feel shame.Cities had been built on the fruits of slavery and the great merchants of slaves were celebrated,giving their names to buildings and streets.It was those who were opposed to slavery who were regarded as irritants-ememies of social stability,troublemakers,idealists with no concern for progress."
There is one thing I would like to add and that is..If there ever was a book that would have benefited from an included CD,this would have been it.

I love Steve Turner books, and I love the song Amazing Grace. What a combination!...a work of history that reads like a good mystery novel! I couldn't put it down until I'd read it from cover to cover. This book has everything...a great redemption story, both for the man, Newton--and his song, which didn't really take off until someone put the perfect tune with it a hundred years later. Turner manages to present the context of Newton's theology in a scholarly way that will be informative, but not off-putting to those who are not into reformed theology. The secular life of the song is fascinating...to see how this song was popularized, and now touches millions. To me this song has what we wan't all music to have...something that touches our insides in a way we can't describe, but we know that it makes our lives more complete. And the biggest surprise of the book?...Newton became a slave-trader AFTER his conversion, and only opposed slavery much later in life. Considering how slowly America has repented of it's historic racism, there may be a lesson for us all as we see the sanctification that occurred over time in Newton's life.

I sing and Amazing Grace is one of my favorite hymns. I'm also a nontheist. I'm pretty comfortable with those two seemingly incongruous facts, but I thought I'd read Steve Turner's book Amazing Grace to see if other folks like me had made it into the text. I'm also an Arlo Guthrie fan and I figured I'd do some fact checking on the version of John Newton's story Arlo tells when singing Amazing Grace in concert. Folks like me show up towards the end of the second part of the book and Turner indicates that Arlo is aware that his version is condensed and inaccurate.

The first part of Amazing Grace is the story of John Newton and how he came to write the words to what is now America's favorite hymn. I learned a lot of history, especially of the slave trade in the 1700's, while getting the non-Arlo, complicated version of Mr. Newton's life. The second part of the book follows the history of the hymn post-Newton. Turner has done his homework and I especially enjoyed learning about the history of the hymn in the 1800's, including how Amazing Grace picked up the tune we now sing it to.

I highly recommend Amazing Grace to fans of history, music, and, of course, the hymn Amazing Grace.

I just led a church service about "Amazing Grace," and Steve Turner's book served as my main resource. I read it cover to cover during the process, and found it highly intelligent and interesting, with far too many "tidbits" that I wanted to include in the service and couldn't! I encourage the reading of this book AS a "pleasure read," not just as research material.

I particularly appreciated the section on contemporary versions of "Amazing Grace" and its impact on the secular community. As a Unitarian Universalist, I was greatly cheered to find one of our ministers quoted on the impact of the hymn on those who don't necessarily believe in a divine presence.

The discography of AG recordings included as an appendix was also hugely valuable, as I compiled a CD of recorded versions as a "party favor" for my (small) congregation. Turner's correct when he says it's a "select" discography, but he got most of the really good ones!