Music Books

This is a great book if you are a huge American Idol fan and you want to know behind-the-scenes stuff. There's a lot of info. about each of the contestants as well, from their favorite color to their birthday. My favorite AI% was Jessica Sierra.

But, I have one question: Where's the Season 5 book? :)

WHEN you read this book it will let you know what happend
behind the scencs of american idol! and you will also learn
more about the top 12.MY favorite idols are CARRIE UNDERWOOD
and LINDSEY CARDINLE they are fantastic singers.IF only
lindsey wasnt voted off so quickly! BUY THIS BOOK its AWESOME!

This book is pretty good. There are some bad things like since it was published and released before Carrie Underwood won, they don't show the winner like screaming, crying, being happy, blah, blah, blah. I watch the show every night and never missed an episode. The top 12 finalists are Lindsey Cardinale, Mikalah Gordon, Jessica Sierra, Nikko Smith, Nadia Turner, Anwar Robinson best!, Constantine Maroulis, Scott Savol, Anthony Federov, Vonzell Soloman, Bo Bice, and Carrie Underwood. They are in order in which they were eliminated from AI. The best is Anwar Robinson because he just sings great, looks great, never nervous, and so on. I think he should have been voted off near the end. Overall this book is awesome.

This book is a great book to get to know the Top 12 a little better. It has quick facts, pictures, and a bio of each of them. Plus some behind the scences stuff, never- before seen pics, and them shopping, etc. When I met the Top Ten (but not Bo), I had them sign their page, and it worked out great. I love it!

I thought it was a good book, had lots of good quality pictures in there. The only complaint I have with it is it came out too early. It should have come out after the season was done so they could have the last final weeks in there and the winner showing her happiness. That's the only complaint I have is it should have been published after the season was over with. Otherwise it was a good book.

The Arbans Complete Method Trumpet continues to be the standard for all trumpet practice books. This time tested publication continues to be the best available.

I have been using this book in my daily practice since I purchased it a month ago. The Arban's method is a tried-and-tested set of progressive exercises that encompass a wide range of brass techniques such as long tones, flexibility, and phrasing. Exciting material can be found by both beginners and advanced players alike.

The accompaniment CD is a helpful tool for anyone looking to rehearse with a virtual accompanist, although this offers no flexibility within tempi, and cadenzas become tricky with the guesswork associated with the disc's timing.

Some notable points about this volume that I found most impressive:
*Updated introduction section
*"Historically accurate" tempo markings for each exercise
*Footnotes for further reading
*Bold, easy to read typeface
*Attractive presentation with comb binding
*The original Arban's introduction, featured at the back of the volume, printed in its entirety.

All in all, I feel that I could not have been more satisfied with the quality of this product. I found the price to be great (I am a tuba player, and the "tuba specific" version of this book is nearly twice the price of the Arban's Platinum Edition), and I received the contents of my order on time and in perfect condition.

I was very please with the timely manner which this book was delivered and delighted with the content.

This book is by almost all accounts the Bible of the trumpet world. It is comprehensive, and cognitive in its presentation. There are several hundred pages of practice score and a good amount of comments to guide.

This particular edition is a worthwhile purchase as it is spiral comb bound, so it lays open better, it is chock full of updated, editorial comments that explain and clarify some of the things Arban said that don't apply or possibly don't, and it includes a cd with accompaniment for the practices in the book.

Great book, well worth the price!

I was told to purchase this book by my trumpet teacher, even before we started lessons. I have only beeen taking lessons for a couple of months, but I have already learned quickly from this book and this book has everything from the first scales and fingering charts to a plethera of exercises for the best trumpeters, so I'm sure that I will be using this book for a very long time. I would recomend this book to any beginner.

As someone new to the singing scene, I find this volume to be my "go to" resource for my voice lessons. Purchased on the recommendation of my voice teacher, it has all the tenor arias you need--wherever you are on the singer's journey...The major repetoire is represented; all the major langugages. From "Amor ti Vieta" to the more recognizable arias, I expect this volume to be with me for years to come.

The book is a great collection. The book was in excellent condition, priced aptly, and delivered promptly. I can trust Amazon.com...

I use this book constantly in my teaching. I love it.

"Arias for Tenor", a G. Schirmer Antholgy(opera), is a plended collection of originally keyed scores of tenor arias from some of the most famous works of all time. Layouts of "Don Giovanni" and "Rigoletto" are just a couple of classics sung by the greats of opera that are obtained by purchasing this book. Whether you are a professional vocalist or an aspiring opera singer, this is definitly a valuable and sound investment.

Sylvester Allen
Greensboro College, NC

As far as i am concerned it's the best book that is just made-written for tenors and people who are students at the conservatories-music schools as me ,should truly benefit from it,

This book is great! The articulation studies are hip and tricky, and you can actually use them in a "real life situation". There are also some interesting articles on various jazz trumpeters. I highly recommend this book.

Without a doubt, John McNeil has done something with this book that has long been overdue. With the advent of jazz education, so much focus has been put on what to play, rather than on how to play it. McNeil presents exercises that go beyond the simple articulation of scales and puts them in real world situations. Furthermore, the author addresses technique issues that most other jazz trumpet books fail to even acknowledge exist. The section on alternate fingerings and different ways of tonging, that are so important to today's jazz improviser, are throughly covered through simple explanation and execution. Not to mention, the accompanying CD has several examples being performed by astute trumpet players who play through them with the ease of a basic stamp warm-up routine.

Quite possibly, the most important part of the book is the section on finger technique. With three pages full of finger twisters for the jazz trumpet player to navigate, the trumpet player will find more fluidity in their performance, resulting in better solos and overall better trumpet facility. This book should be required to be used by every trumpet player, commercial or not. The result will be a much more technically proficient musician, no longer hindered by a lack of technique, but rather, aided by a plethora of it.

It is important to realise that unlike many other jazz books this book does not set out to try to teach you how to improvise, nor is it a jazz theory book. You would benefit from at least some working knowledge of both these topics before you embark on this book (I would recommend something like Levine's The Jazz Theory Book if you need more background). Instead it helps you to develop the more technical aspects of jazz trumpet playing through exercises, etudes and well-written text.

The first part of the book covers the history of jazz trumpet from about the bebop era onwards, through some discussions of the musical styles of a number of key players and some musical examples.
The hard work starts with a large section on jazz articulation, in which you learn to control your placement of accents on different notes in a phrase and develop a polyrhythmic feel. He provides exercises for wide interval playing - something that is quite hard on trumpet compared to an instrument like the saxophone. Alternate fingerings are covered along with some exercises. He also discusses doodle tonguing made famous by especially by Clark Terry. This is the jazz player's way of tonguing fast passage as opposed to the multiple tonguing used by classical players. He has a useful section on tricky fingering studies which you can even practise without blowing into the horn (useful when the chops are tired).

Although I said that he doesn't try to teach you how to improvise, there are a few useful ideas scattered through the text. For example, after his first articulation study, he gives an example of how you might shift sections of it up or down a semitone at random when you are playing to get an "out" feeling. Putting some randomness into a fixed exercise helps you to exercise the parts of your brain that are needed for improvising without throwing you completely in the deep end. Another exercise he mentions is to play a 1235 or 1535 pattern around the cycle, alternating at random between 1235 and 1535 at random. McNeil describes this particular exercise in more detail in a 2002 journal article for the International Trumpet Guild entitled "Creative Pattern Practice" which is worth scouring the web for - it will give you a good taste of his writing style and his way of thinking about improvisation.

The book also comes with a CD demonstrating some of the exercises and etudes so you can hear what they sound like when performed correctly.

John McNeil is a highly respected Jazz trumpeter and his book is a classic that every aspiring jazz trumpet player should own. I love this book and use it often.

I fell in love with it since I bought it on Amazon.com. It quite amaze me since I wanna learn more about jazz. This book would definitely take u far as being the best trumpet player u'll be. I'm also a trumpet player, and 'specially play other instruments I self-taught like the piano, keyboard, organ, harmonica, recorder, trombone, mellophone, French horn, euphonium, percussion, drums, flugelhorn, guitar, etc.

I'm not gonna say "I don't like this or whatever". I think it's a great introduction showing some basics and material work on how you 'gon be good at it. I know a lot of people don't agree what I'm saying. I believe that every trumpet player or music learner perhaps should have this along with Jazz & Blues, Arban's Conservatory Method for Trumpet, 1001 Blues Licks, 1001 Jazz Licks, Building a Jazz Vocabulary, The Jazz Fakebook, 28 Modern Jazz Trumpet Solos, Bks. 1 & 2, 14 Blues and Funk Etudes, and 14 Jazz and Funk Etudes all by Bob Mintzer.

Like this is definitely a book I should keep even tho I wanted practice some more I believe.

Fellow Travelers -

I have found John McNeil's "The Art of Jazz Trumpet" to be truly helpful and inspiring. The exercises presented are tough, though-provoking, and very cleverly focused on amplifying skills that appear - to me at least - to be genuinely useful in a jazz setting. Personally, I see the value of this book less in the applicability of specific lines ("licks") to tunes, and more in improving the improviser's ability to present his/her own ideas with more propulsive articulation, fluidity, and melodic confidence.

There is, of course, a significant (in terms of wood shed frustration) cost factor here - but most players, I suspect, will feel that the improvements are deep and fast enough to fall well within our pain and patience thresholds.

Thanks John for a terrific contribution to the field, and for my (small but enjoyable) personal mini-breakthrough - it has been a long time, and I'm really enjoying the experience.

Bravo.

Jim Stagnitto
www.stagnitto.newhopecollective.com

I've read a lot of instructional books over the years, and this ranks as one of the best. My greatest concern was that it be worth the price, and it certainly is. Explanations are clear, photos and diagrams are excellent and the first chapters on historic and contemporary makers make good reading. The book is ever so slightly thin in the area of plate tuning and violin varnish -- but one might argue that both of these topics are so broad as to justify a separate investment in instructional material. I am confidant, however, that one can make a very good instrument using this book alone as a guide -- with the exception of plans and patterns for a specific model, which are not included. The English generally do a very good job at books addressing traditional arts/crafts, and this publication is no exception. I consider my copy an excellent investment.

I found this to be a fantastic book. It is very well written and beautifully illustrated. The text covers every detail of the art of making a violin. It does lack in a few areas however. I would have been thrilled with the addition of some information on original design and or mechanical drawing of a violin. Also, the book is a bit thin in the areas of plate graduation, tap toning, wood selection, tools and varnish. Overall though, I highly recommend this book; it is more than enough to get anyone started on building their first violin. I'm sure it is the best text currently being published.

This book has the best drawings and photographs of the process of violin making that I have ever seen. Large format, good camera angle, good shadowing and lighting. I have been an amateur violin maker for a long time and I learned about a half a dozen new procedures or tool modifications right away. I highly recommend this book for aspiring violin makers.

I have purchased a few books on Violin making and this is by the far the most impressive of all. This book is full of clever techniques and lead you through the complete process from beginning to end, including the delicate area of varishing. Alternative methods are also give for some key areas, such as hollowing out the back and front of the voilin. The thing that makes this book stand out from the others is the artwork and the photographs that accompany each step of the process and the superb presentation. The tip I liked the best, was how to solve the problem of forming the rib joint at the bottom of the voilin. Being a novice, I struggled with this initially.

If there had to be a criticism it would be that it does not have typical template for the main mould, however this is only minor as templates are available from a various other sources.

This book is worth every penny..

This is not a type of beautifully decorated book usually found on coffee table to amuse guests even though it is of superb quality. It belongs in the workshop. It is written for both inspired and motivated beginners as well as serious luthiers. The chapter on tuning plates is revealing but can confuse a beginner. Since I am a beginner myself, I wished for complete measurements of the violin. I overcame the shortcomings by contacting a supplier of woods, tools and plans. Rest assured, the author included the list of suppliers at the end of the book.

This fun to read and well researched book explores the rise of Bachata from its obscure beginning as a musical style of the rural and urban poor in the Dominican Republic to its eventual international popularity. It is the only book of its kind in english and a must read for anyone interested in bachata's roots.

Hernandez delves particularly into social conditions and class issues which impacted bachata's formative years. The book traces back the Dominican Republic's musical and social climate beginning from the period of the repressive Trujillo Dictatorship (1930s-1961), and through bachata's humble beginnings in the 1960s to its attainment of international popularity by the early 1990s.

While the subject matter is complex, the book flows easily and is actually difficult to put down. Interviews with musicians, colorful anecdotes and plentiful song lyrics all help to bring to life the humor, candor, and also the pains, of the people who created bachata.

An excellent companion to this book is the classic bachata compilation CD Bachata Roja: Acoustic Bachata From the Cabaret Era - the accompanying booklet features an introduction by Hernandez along with many of the photos she took while researching.

I'm glad to have gotten this book, but the cover photo of Raulin Rodriguez is somewhat misleading. I'm a huge fan of Raulin and I was hoping to read more about his impact on the popularity of the Bachata in the DR. There is still a lot of stigma attached to the Bachata as music suited for bothels and shantytowns and the emergence of Raulin and Antony Santos has done much to make this form of music legit in the public view. The bachata of today is very different than the political songs described in the book. It also seems to me that most of the research took place in the Santo Domingo area rather than on the north coast where the Bachata is far more popular. Just as you wouldn't research country music in NYC, it seems odd to research the Bachata in the DR's largest city. A full follow-up book on the Bachata of today would be great that includes the Americanization of the form by such groups as Aventura and the current complexity of the music's guitar form.

Un curioso estudio, un libro de bachata. La primera vez que lo vi no me anime a leerlo. Pensé como todo mal dominicano con el complejo de gazcue que un libro sobre una música que no me gusta no merecía que le dedicara tiempo. Tuvo que pasar un año y un despertar de mi entendimiento para saber que no importa que la música no me guste o que sea de clase baja o que sea vulgar y yo solo escuche música clásica o rock; lo importante es que es nuestra música, nuestra identidad nos guste o no. El libro como una disección cuidadosamente hecha por una antropóloga trata el tema no con la frialdad de un descubrimiento arqueológico sino con la calidez de un tema humano, bueno con toda la calidez que puede hacerlo una norteamericana. Ella trata el tema de la bachata desde la historia de la etimología de la palabra. No sabia y ahora sé que la palabra bachata significa jolgorio, reunión en que las personas tocan música con guitarras. Las influencias de la bachata según la autora provienen de cuba.

El método de investigación de la autora consistió en residir en Republica Dominicana por un tiempo, mientras entrevistaba a los bachateros de radio guarachita, a artistas famosos, a historiadores y sociólogos. El libro escrito en ingles, también posee unas cuantas letras de bachatas famosas con su respectiva traducción, una galería de fotos de bachateros y merengueros y muestra el avance de la música y su aceptación final al llegar bachata rosa de Juan Luis Guerra al escenario y darle un impulso internacional a la bachata. La autora después de este acontecimiento tuvo que cambiar su foco narrativo, porque esta música lentamente se empieza a aceptar en la radio y ha dejado de ser marginada. Me agrada mucho ver que de todas estas cosas salen estudios, libros, análisis y que mi país esta bien representado. Ojala que autores dominicanos se enfrenten a la labor de exaltar lo nuestro y dejemos nuestro complejo gazcuense, nuestra exaltación de lo extranjero sobre lo nacional y nos pongamos a escribir sobre mas cosas de nuestro país.

Luis Méndez.

Deborah Pacini Hernandez offers an excellently researched, intelligently written, and amazingly detailed history of the Dominican Republic's Bachata music. Be forewarned ... this is not an easy book to read; this is not a glib magazine article with a superficial history of Bachata. On the contrary, Ms. Hernandez analyzes the growth of Bachata from a socio-economic / political and cultural point of view and her discussions and overall presentation often read like a doctoral dissertation.

Despite the book's academic tone, it is a wonderfully rich, engrossing study of Bachata and I highly recommend it. The book covers the birth of Bachata (circa the early 1960's) and traces its growth up until the early 1990's. I would like Ms. Hernandez to write another book that covers the explosive growth and popularity of Bachata from the mid 1990's up to the present. Ms. Hernandez is to be commended on her extraordinary research and intelligent presentation. I rate this book: A+.

This is a great book, one that challenges white male assumptions about class and its relation to music. A valuable book for anyone interested in combatting stereotypes, and patriarchal and racist interpretations of 'popular' music. I was reading a somewhat pompous academic's book about hiphop musical culture by someone named Russell Potter, and it almost made me swear off academic books about music. But Deborah Pacini Hernandez is unusual in that she understands, appreciates, and identifies with the best of Dominican popular music. What a great book!

I would reccomend this book for all people who love the Backstreet Boys as much as I do.

I love to play hit songs on the piano, and I love the BackStreet Boys. This book is giving me the notes to their hits, and it's very easy to play. You can sing along while you play the piano too. I'm sure you'll love it !

I learned to play piano,(although all my music acreitablity still goes out the window)souly just to play their gr-8 songs,etc...that book showed me how.All my friends just love singing with it!And the layout is very well done. It rocks! KEEP THE BACKSTREET PRIDE ALIVE! YEAH!

And a few days ago, I saw a copy of the BSB music book. I bought it (of course) for $20 or so and my next voice lesson, I had brought it. My teacher likes the music and lyrics so now I bet he's practicing. I had let him borrow it (and it's PAINFUL.) and before that, I would study and practice singing and following the right key and pitches. It sounds great on the piano and lets me know all the lyrics. I love practicing BSB music, and I bet you would too! :)

This is the best. i never liked taking piano lessons but now since i got this book i love it. I LOVE BSB!!

A Band of Angels is a moving story by Deborah Hopkinson based on real events and people from history. The book is appropriate for readers in third through fifth grade, and would particularly be appropriate for those studying American history in the late 1800s. The experiences and emotions that Ella faces in the book provide a good depiction of the feelings and events people encountered during that time period in a subtle way. The watercolor and colored pencil illustrations are presented in soft and appropriate colors that are well-suited to the text. The pictures are unique examples of the illustrator, Raul Colon's work, and add to the mood and setting of the story. Overall, A Band of Angels is a touching story that children can enjoy.

The storyteller, Aunt Beth, relates to her niece the story of her great-great grandmother Ella Sheppard. This is the story of the determination of a girl to save her school by forming a chorus and taking them on tour to raise money. While the story is fiction, Hopkinson reveals in a note at the end of the text that is was inspired by factual events. Raul Colon's earth-toned art gives this book a historical flair. The glowing illustrations are suggestive of old photographs. The child narrator gives the book the personal effect to entice the reader to be indulged. This story illustrates the power of hard work and determination.

If you have read Andrew Ward's new book about the Jubilee Singers, Dark Midnight When I Rise, you will also be interested in this award-winning book that introduces children to their inspiring history.

When I heard about this book on NPR I wished there were more places to hear about children's books like this one. It seems as though bookstores often carry only light and fluffy or series books. I love to share historical fiction with my children and love books like A BAND OF ANGELS.

A Band of Angels tells the story of Grandma Ella, a character who is inspired by Ella Sheppard Moore who was a pianist for the Jubilee Singers of Fisk University. We learn that Grandma Ella was born into slavery and freed at fourteen when the civil war ended. The story details how young Ella worked tirelessly to save money to attend a new school for freed slaves known as Fisk School. After saving her money and arriving at Fisk, Ella continues working so that she can stay in school and also joins the school chorus. In spite of her personal efforts, she still faced the very real possibility of having to leave school because the school itself was experiencing great financial hardship. While school officials had pretty much given up hope of keeping the school open, the school chorus and Professor White, the choir director, believe that they can help save the school by doing concerts throughout the North. The story then chronicles the experiences of the choir which range from jubilant moments to performing in virtually empty concert halls.

A Band of Angels is a book that provides a colorful way to share a proud part of African American heritage with your children. Colon's illustrations add greater depth to the story and will help children better visualize the events that take place. While this is a work of fiction, the story is based on real people who selflessly used their talents to keep Fisk's doors open. The book also provides a good introduction to Negro Spirituals, which were kept alive through the voices of the Jubilee Singers. In addition, readers will see how this brave group of singers would not let racism quiet their talented voices. Above all, the story will help inspire children to hold fast to their dreams in spite of the hurdles or difficulties they may encounter along the way.

Reviewed by Stacey Seay
The RAWSISTAZ Reviewers

I highly recommend the Black Dog opera books. They're the perfect way to learn about an opera: They include cd's of the opera by outstanding singers, photos of performances, historical and critical commentary, a scene-by-scene summary of the plot, and the complete libretto in both English and the original language, so you can play around with the translation if you're interested. They can't be beat.

This is a wonderful study score to Rossini's wonderful masterpiece. The story of a Barber named Figaro, who is the person that everyone comes to seeking advice.
It's easy to read and the size is standard (9in x 12in). It lies easily on a music stand or desk. It's low price is great for the starving music student. I highly reccommend this for professionals and opera-goers alike.

Be aware that the book shown when you take a "Look Inside" is NOT the book you get. What they show is a bound copy of the musical score with the libretto added. What you get is the libretto described in the written review, no musical score. That having been said, the book you get is useful and of interest, and the CD is a great recording.

One of Rossini's best operas, the Barber of Seville, is immortalized here in another one of Dover's fine scores. From the fast-paced overture to the "Figaro" aria (both made famous in old Bugs Bunny cartoons), this opera is nonstop greatness.

As usual, Dover has provided us with a book of the highest quality: they sew their books instead of gluing them so as for them to stay bound and be flexible, and they print legibly. Unfortunately, legible print is becoming disappointingly rare in modern scores, but Dover is the exception.

For a great score of a great opera at a great price, you can't go wrong with Rossini's Barber of Seville.

This book and CD set are the perfect combination for those who are new to the world of opera and not fluent in foreign language. Better than just a synopsis, the libretto in English lets you read every word so you won't miss the humor or pathos. As a homeschooling mom, I really appreciated this set as a teaching tool. I hope to increase my collection of The Black Dog Opera Library series.

The reason I could call my review Tight boy and his violin because He was the bomb. I meen like he was the bat boy and he had it good because if you wer at my school C.L.A.S you couldent be no bat boy or a water boy . My school cause it self C.L.A.S because it stands for CULTURE AND LANGUGE ACADEMY OF SUCESES se THE C IS CULTURE AND THE L IS LANGUAGE AND THE A IS ACADEMY AND S IS FOR SUCCES. But yeah some of the other books chek me out like darnell rock reporting or this one oh yeah thats it.

Reginald's father is the manager of a baseball team in the Negro league. Reginald would rather play his violin than anything else. His dad signs him up to be a bat boy. Reginald plays his violin for the team which starts them on a winning streak. Shows insight into world of music impact and Negro ball players.

Reginald's father is the manager of a baseball team in the Negro league. Reginald would rather play his violin than a else. His dad signs him up to be a bat boy. Reginals plays his violin for the team which starts them on a winning streak. Shows insight into world of music impact and Negro ball players.

My son and I absolutely loved the story and illustrations. We can't wait for Gavin Curtis to write his next book, and for E.B. Lewis to illustrate his next book. Continue to keep up the high standards for children's books. We love to read! Reading is one of my most favorite things to share with my son who will be 5 in July. Thank you again to the both of you for a book well done!!!!!!!!!!!!!!!!!!!!!

This book has so many themes superimposed on one another, but they are all presented within the context of a wonderful story about a boy who just wanted to play his violin.

Set among the context of the Negro League era, Reginald's father decides one summer to make him bat boy for his team. The team is down on its luck, and Reginald's heart isn't in this assignment, but everything comes together for him and the team one day.

The history of the era as gently portrayed in the travels of the players is presented for young readers. The story of being true to yourself, and of parents learning to accept that in their children, is here as well. Above all else, the story of Reginald and his journeys with the ball players is a story of hope and triumph among the community in a time that was not always seen as one of hope. Along with all of this, the illustrations of E. B. Lewis capture these themes beautifully.