Music Books

"Banjo for Dummies" is by far the best banjo-tudoring instruction manual that I have viewed for teaching banjo playing. It is very clear and easy to follow. It is my opinion that this is an excellent product and a great teaching tool! Thank you.

I'm a beginner and found this book very helpful. It covers everything you could want to know about banjos, from tips on purchasing one to playing every thing. I am delighted with this purchase and would recommend it to anyone who wants to learn to play this instrument.

EXCELLANT CHOICE FOR A NEW "PICKER". SHOWS HOW TO PICK SCRUGGS STYLE AND CLAWHAMMER. STARTS SLOW AND EASY FOR THE BEGINNER AND MOVES INTO ADVANCED PICKING. REALLY WORTH THE MONEY TO LEARN HOW TO PLAY.

my daughter bought me this for Christmas as kinda of a joke. I have been a musician for 40 years and play a variety of stringed instruments and I found this book a great help in learning some of the rolls and such that most banjo players use. Easy to understand and lots of chord charts.

I purchased 2 intro to banjo books. This one is CLEARLY the one to get!

This book is the best source of information anywhere regarding Paul's Boutique.

Highly recommended!

poured through it in a couple of days, fantastic read during probably the most 'heady' times of the Boys. enjoy!

LeRoy knocks it out of the park. This book is what all the other books in the series should be. It's packed full of interesting information about before, during and after the making of the album. It's a fun read. Quick and easy. No filler.

I am not much of a Beasties fan. Like some of their music but their voices can drive me nuts at times, truth be told. I don't even own Paul's Boutique. I only bought this book on a lark as I knew the recording techniques forged within this record was a turning point of sorts in music. When I received the text in the post, I picked it up then could not put it down until I finished the entire thing. After that I went directly back to page one and started again from the top.

The book begins in the late 80s and goes until '92 or so. Everyone the author discusses gets treated fairly, whether they deserve it or not. Delicious Vinyl is seen as a sort of west coast magnet for all things creative, though in truth they were a controversial label to say the least. Def Jam is somehow given a pass for not paying The Beasties over a million dollars in royalties after the author finds relevant quotes to show that Russell Simmons was just looking out for the group by stiffing them. The crazy thing is that everything seems so vivid, understandable and believable. It makes you long for those halcyon days when Joe Smith was CEO of Capitol Records but seemed more concerned with Magic Johnson's rebound average than any of his own recording acts. Of course, none of this makes any logical sense at all, but within the context of the book it is proven that some good things actually came out of this upside-down era in music.

Rather than blow the book by revealing some of the sorrid details within it, I will simply say that whether you dig the Beasties or not, Pauls Boutique is worth a read. It is a fascinating story. Perhaps even the great Bob Mack himself could not have told this story any better.

... and then I came here and read the unanimous 5-star reviews and agree with all of them.

There's not much I can add that wouldn't be redundant.

Except to say that "Paul's Boutique" -- one of my favorite albums -- has always kind of been shrouded in mystery. The album may be dense with information, but there's not a lot of background that I could find.

This book changes all that. It is as filled with names and details as the album is full of samples.

From Leroy's very well-reported account, we learn the backstory of the Dust Brothers and the mysterious Matt Dike (long rumored to be the main mastermind behind "Boutique") plus, a sampling of the late 80s L.A. scene from which this album emerged; we meet a host of side players like Mario C and Money Mark, and also the ill-fated exec Tim Carr (whose heart and mind, I'm convinced, where in the right place all along); there's the promotional wrangling that went on at Capitol before the release and after the record flopped; and also what was going on with the three main charcaters -- MCA, Ad Rock and Mike D -- who wanted to derail the locomotive of "License to Ill" and almost got crushed under the cattleguard.

The book tells the story of the album, and at first I thought it kind of scrimped on the background of the recording of the individual songs, but it closes with a finely detailed track-by-track examination that reveals a lot (but not nearly all) of the samples that helped make up one of the richest, coolest, bangingest records ever made.

Pete Best occupies a place in history worthy of a great Shakespearian character. He was the Beatles' original drummer who was sacked in favor of Ringo Starr at the precise moment the band was offered a recording contract by George Martin of E.M.I. Records. Best and co-author Patrick Doncaster tell the whole early Beatles saga, sparing us few details of the carousing, pranks and debauchery, but also imparting the fun, cameraderie, and musical growth of the Fab Four in those heady Mersyside days. I was expecting a fun read when I bought this book, but never expected the haunting, spooky feeling that remained after I finished the last chapter entitled "Down Among the Ghosts." In this short final chapter, Pete describes his emotions today when he wanders down into his mother's basement, the site of the former Casbah Club, one of the original Beatles venues. Here he lets himself travel back in his mind's eye to the rollicking days when Liverpool's musical explosion was going full tilt; and the bands, the screaming girls, the laughter, and dreams of glory were his everyday reality. In these visits, he conjures up the many departed people and former friends who poured downstairs each night. He sometimes takes a few whacks at his little brother's drum kit which sits by the old coffee bar. Then, he lets the cloud of memory evaporate, and climbs back up the stairs as today's Pete Best, a civil-servant living not far from his old home. Really a unique and amazing read!

In a sense Pete Best was a winner of another kind.
He made a succesful marriage for one thing and after 1995 a lot of money.
His recording career in the States came to nothing and yet the songs were typical Merseybeat,mostly written by Waddington and Bickerton who would achieve success in the 70s with a string of hits by the Rubettes.
Also overlooked is the fact that he was the only one of the 1962 Beatles who got a Decca recording contract

Wow. I read this book and enjoyed it immensely. It is the most honest account I have read in years.
Pete Best was with the Beatles during the early sixties, when they had yet to hit the big time. They spent several months in Hamburg, just learning their trade. He was with them through the Cavern Club years and the Decca audition. But just when things started to go right for the band, he was sacked.
Why?
We don't know. Pete says that he still doesn't know after all these years.
You may expect the book to be bitter about the Beatles success - but it isn't. You may expect him to bad mouth the band throughout - but he doesn't. He paints them in a remarkably nice light, that comes across as both honest and believable.
He recounts tales about drugs, drink and girls - and describes the personalities of the big bands they met - Tony Sheridan and Gerry and the Pacemakers for example.
And he also gallently talks about the day he was sacked, and the reasons why he thinks they did it.
The prologue at the end that describes his subsequent career shows that we shouldn't be sorry for him at all... What we wouldn't give to be at the heart of that!

Highly recomending this book for any Beatles Fans.
Anyone who is interested in the early Beatles History
this is a must read....
I finished reading this book in just under two days.
And like another reviewer I also found myself unable to put it down! It just drawns you in.
I came away with a different prospective on Pete,
really not knowing much about him or his life except that he was the original drummer for the Beatles.
I actually bought this book to be autogrpahed as I was going to see him the following week and lucky the book arrived in time..
A must have!!!!!

Just by chance, I picked this book up at a Tower Records, and found myself unable to put it down! Pete Best sounds like a true, honest to goodness gentleman, and I must admit that his firing is by far one of the more seedier, dirtier chapters of Beatle lore. Pete gives excellent insight into these first few years that helped bring rise to Beatlemania. I especially found his story about the George Harrison illness episode to be utterly haillarious! I won't tell anymore about it; read for yourself. The reader is given a very there-as-it-happened feeling. As far as Pete's drumming goes, a Keith Moon he was not, but he did what was required and being a drummer myself, I think the whole thing about not being good enough was a wrong assesment. I was very pleased to read this book and know that Pete has handled himself in his later years very well after the incident involving his being fired from the group. I understand he's now doing the lecture circuit routine. Good for you Pete; you deserve your fair share of acknowledgement; you helped get the Beatles to the level of success they achieved. Highly recommended!

This latest installment of Bruce Spizer's books on the Beatles American Records is another "must-have" for fans and collectors of Beatles records. Informative, entertaining and full of wonderful color pictures is how I can best describe his latest work. This edition contains a wealth of information on so many different label releases. You need this book to document the many official and "unofficial" labels. I went through the book in less than a month. Highly recommended!

I have all of Bruce Spizer's Beatle related books and this final instalment matches all of the others for sheer detail and quality. It's a mind boggling journey through all of the Beatles "other label" US releases and certainly an education for collectors and fans alike. I especially like the "Capitol in The 70's & 80's" chapter covering the various compilation Lp's issued such as "Hollywood Bowl", "Rock & Roll Music" "Reel Music" & "Love Songs"..this completes a "Capitol" loose end.
It's a typically thorough book and sits proudly alongside the other Spizer instalments and the 50+ other Beatles tomes on my bookshelf. Well done Bruce. Very recommended to Beatles fans and Collectors alike.

This and all the other Beatles Books by Bruce Spizer are the absolute best Beatles Books on the planet. They are full of facinating facts, pictures and stories. These books are great history lessons for all fans. Even The Beatles themslves should be thanking Bruce for these books because there is information in these books I am sure they never knew about themsleves or their records in the USA. I suggest all Beatles fans buy Bruce's books.

I was lucky enough to see Bruce Spizer at the 2007 Chicago Beatlefest.
I purchased the book "The Beatles Swan Song" and was very happy that Bruce personally signed the book for me.
This "blooming book" / (i.e a reference to A Hard Day's night)is a must read!!!!!
The book is hard back and the print is very legible (even for my eyes) and the graphics are just lovely.
The content?....let me say this again, "Thank you Bruce, I appreciate your work and research you did."
"THE BEATLES SWAN SONG" book is simply an amazing piece of work!!! VERY HISTORICAL!!!

Mr Spizer is the ultimate Beatle book author.In both content and quality he is outstanding.This book like all the others before it is very helpful and entertaining.

An extraordinary read! I feared that this book was receiving so much praise because blues geeks felt that they had to eulogize the talents of this famed sixties blues promoter. No, it's not hype, this book really does hit new highs in great closeup shots and portraits, woven together with rich and personal tales that describe the crossing of Waterman's path with that of many of the greatest blues musicians ever. Some chapters are touched with sadness, such as the exploitation of Arthur Crudup's royalties (only for Waterman to help secure a rich reward for the family estate shortly after Crudup's death). Others are hilarious, such as the exposure of Robert Lockwood as being perhaps the sweariest bluesman ever. I could go on, but readers deserve to discover these stories for themselves. Albeit to say that the human sides of many famous musicians are exposed here, be they glorious or grim or bizarre. The only other blues read that I know of that gets so close up and personal in text and pictures is perhaps Tim Duffy's from the Musicmaker Foundation, entitled: "Musicmakers: portraits and songs from the roots of america". In fact the two books are complementary because whilst Waterman's subjects are by and large towering figures of the blues who have mostly died by now, Tim Duffy's subjects remain somewhat obscure and undiscovered by the main stream but many are still alive and kicking the blues in a neighbourhood near you.

As a blues enthusiast, I have always found myself looking for the inside stories, the newly discovered photographs or the alternative recordings of the players that literally changed my life 35 years ago when I was in high school. To find that Dick Waterman was a common link among so many of the greatest blues figures of the last century was a revelation. I knew of his relationship to Son House, and will forever speak his name with reverance for bringing him out of Rochester, NY to record again in the 60's. But all these other guys? Dick Waterman, thank you for putting more flesh on to the legends of so many of these guys, most of whom are now gone. I am grateful.

There really are no words to fully describe what a treasure this book is--which is entirely appropriate given that Mr. Waterman himself is an American treasure. Whether you are a hardcore blues fan or a casual listener, the photographs in this book will take your breath away. The stories that accompany them strip away the mythology to reveal the humanity beneath, and leave you looking at these legendary artists through fresh and more honest eyes.

I simply can't recommend this book highly enough. Buy a copy for yourself, and then buy as many as you can for your family and friends. You will not be sorry.

Once I started reading this book, putting it down was impossible. Dick Waterman's stories about the various blues musicians were as impressive as the outstanding photos in the book. It felt like I was pulled inside this incredible book and for a moment felt like I personally knew and was living with these people. The believability of this book was truly enhanced by Dick Waterman's honesty. He truly says it as it is. This book is not only interesting for blues officianados, but also for anyone interested in American history, great photography and captivating stories.

Dick Waterman's photographs are a stunning chronicle of the art and music that are most important to me. Dick calls his photographs products of opportunity and access, but they are far more. I would submit that Dick's "Son House at the Liberty Bell" ranks with the top echelon of 20th century American photographs.

If you have a passing interest in blues or fine photography; you need this book. If you are a fan of the music or the art, you absolutely must have this book.

I got this for my upcoming lessons in college and so far its great. I play alto sax and its alot of fun to be able to play along with bird. The only thing the book dosen't have is the recordings. Something from his verve years should cover just about everything though, I put a link on here for a cd collection. Theres some stuff that he recorded with savoy as well but most of it should be in the verve collection. The Complete Verve Master Takes Its some great stuff and the transcriptions are great. highly recommended

The transcriptions are spot on and a huge time saver for anyone who wants to learn Bird's patterns and doesn't have the proper equipment or time to transcribe em' his/herself. I learn more and more through this book every day. It's absolutely worth transcribing pieces on your own sometimes but to get a collection of this magnitude, and accurate as it is, would be really time-consuming. This Eb version is a necessity for any serious jazz alto players - personally i think the some version of it should be in EVERY MUSICIAN'S library.

Whether you are a saxophonist trying to follow bird' s steps or a pianist wnting to improve your reading and improvisational skills, this book is a true jewel.

If you want to play great bebop lines, you immitate the master. If there is a better way to immitate the master than working this book on the metronome, I haven't encountered it yet. This book has become the standard for Bird transcriptions. If you're serious about playing bop, you won't be disappointed by this book.

Man, if Bird was god, then this is sure is the bible. If you got a horn, this is all you need, the only way to learn fully is to play Birds solos. Buy it and you'll never put your horn down.

A great job done by the authors for a multimedia piece that reflects America's melting pot story. The people are real and the work itself should inspire immigrants and descendants of immigrants to share the experience. I found the CD fascinating as a work to be enjoyed with the book. A wonderful job! I look for more work by the authors.

The book is well done except the authors failed to include the ethnicity that was and continues to be among the largest immigrant group, the Irish. The authors dropped the ball on that one.

If there was ever a time when we needed to be reminded that immigrants are the heart and soul of what makes this a textured, rich and interesting country, this is it. This book and its companion museum exhibit, which I was lucky enough to come upon serendipitously at Purchase College's Neuberger Museum, celebrates the gifts we have received as a nation from the diverse people who have struggled first to get here, and then to make a life for themselves here. Before we build walls on borders, before we villify those who are different from us, let's appreciate what we are gaining from the immigrants who choose the US as their home. Let's remember that very few of us are Native American. We have all benefitted from the open door to America.

Book is an excellent companion to a travelling show we saw at the University of Maine in Orono. It captures in an extraordinary fashion the incredible ethnic and cultural diversity within a relatively small section of Queens, NY.

Queens, in New York City, is the most ethnically diverse community in the country. Over a period of three years, from 1999 to 2002, editors Warren Lehrer and Judith Sloan collected stories from a sampling of the borough's 2 million residents. The result is this book, a much needed tribute to the people, most of them immigrants, who make Queens such a culturally rich locale.

The stories are wide and varied: a Congolese man who fled his country to seek asylum in the United States, only to be detained for nearly two years once he arrived here; an Afghan woman and her mother who were separated from each other for 22 years; a gay Colombian couple forced to flee their home; a pair of Egyptian brothers who opened a cafe and restaurant in Astoria. It's impossible to summarize them all here.

The words of the storytellers are, for the most part, kept intact. Everything is quoted directly, and even the speech mannerisms of those with rough or accented English are preserved, making the book feel just as colorful and diverse as the people featured in it. In a few cases, where the interviewee spoke little or no English at all, the stories are translated from the teller's native language. The editors have included helpful explanatory notes where the storyteller's make reference to events and individuals with which the reader may not be readily familiar.

"Crossing the BLVD" is also a refreshing visual treat. There are numerous photographs, pieces of artwork, maps, and other visuals. Each page has clearly been laid out with loving attention. Font style, size, and placement, along with the placement of the pictures, is carefully balanced to achieve certain effects. The book is just as colorful and full of character as the people whose stories it relates.

This is definitely a book everyone should read. Though nearly 400 pages in length, the text is large and makes for quick reading. But this simplicity is only a cover for the rich, inspiring, and heartfelt stories these people have to share. "Crossing the BLVD" certainly has something to offer any reader.

this is not only a book about an era in the beginning of the career of bruce, but a book about friendship as well. very nice photos. i recommend it to bruce fans

1978 was a key moment in Bruce Springsteen's career, and Frank Stefanko was there to capture it in black and white. In these photos, you see a rock star breaking out, but still struggling and working his [tail] off. Stefanko had not even heard the Darkness album when he took the photos that would lead to its cover (and the cover of The River), but he captured the mood and the tone perfectly, of both the music and the musician. Even if you're not into photo books, if you have an interest in Springsteen, do yourself a favor and get this book.

This book engrosses you from the moment you start reading you cant stop.I am giving this book to my clients and friends as it makes the perfect gift for Bruce Springsteen fans.I was also very moved by Authors tribute to his late wife Sheila and feel there may be another story there Frank ?

Just thought everyone would like to know that the cover photo was taken in front of Frank's Men's Hairstyling on Kings Highway in downtown Haddonfield, New Jersey!

This is a wonderful book. The photographs are uniformly compelling and insightful, as is the text. The reader is treated to a rare, unvarnished glimpse of an American hero about to "burst like a supernova." The images are timeless, and harken back to a simpler, perhaps more poignant time -- before MTV and the Internet changed the way we obtained and enjoyed our music. The author's spare text is thoughtful without being intrusive; a perfect compliment to the compelling images that accompany it. The text conveys a straightforward warmth and appreciation for the author's subject that are both refreshing and inspiring. This is a book to pore over, savor, and return to. Thank you, Frank, for sharing your gift -- and thank you, Bruce, for recognizing his genius, and for allowing us a little glimpse of yours.

This is a wonderful book of popular songs in Spanish, which my triplet boys latched onto immediately. The songs are very engaging, and each page has lovely artwork. I speak Spanish, and my boys were born in Spain. I have been trying very hard to help them maintain a little Spanish, and this book has been very helpful. It doesn't come with a CD, but you can easily learn the tunes of the songs if you know how to read music. And even if you only speak rudimentary Spanish, I think it's possible to learn the songs and enjoy them.

This book quickly became the boys' favorite bedtime routine. I hear them singing the songs during the day as well. I highly recommend it.

I love the colorful pictures in this book and that it has music to all of the songs. It is a wonderful book and my baby loves when I sing to him!

Beautiful pictures, and easy-to-follow tunes. A must-have for anyone who has children whom they are introducing to Spanish, and very useful for us adults as well!

My family enjoys this CD a lot. Mr. Orozco has a wonderful voice to listen to and the lyrics are fun and interesting. One song "Paz y Libertad" is emotionally touching. It is easy to learn Spanish listening to these elegant songs. I bought the other CD, Diez Deditos as a gift for a friend's family and they like that CD too.

This is an excellent book full of poems and songs. All are beatifully illustrated. Our 2 1/2 year old spends a lot of time just looking at the pictures and humming the tunes. Songs are easy to learn, fun to sing, and many have hand signs.

This book of songs is really helpful whether you are trying to emmerse your child in Spanish (as we are), or just exposing your child to a different culture and sounds.

P.S. Don't forget to buy the companion CD!

it was recieved in a very timely manner - no complaints at all and in fact I would gladly do business with this vendor again!

I'd lost interest in playing for about 5 years before I read this book, but Mickey Hart's book brought me back to the reasons I started hitting the bottom of tin cans woth a wooden spoon! This book follows, to a degree, the history of drums, and studies the emotional, spiritual and physical effects of drums, old ancient, and new on people. I highly recommend this book to anyone who likes to play for any or no reason, and to andone who can't explain why the music makes them dance.

At a glance, Drumming at the Edge of Magic may seem like an autobiogrphical journey by the Grateful Dead's Mickey Hart. While the book is autobiographical, it goes far beyond that to discover the real meaning of drumming and music in general.

The meaning of drumming (or life?) comes in many forms, and many disguises. As Hart begins to unluck the secrets to why humans desire to express themselves in music, one can't help but say, "YES!". Hart, and to a certain extent, Jay Stevens, put into words what drummers and other musicians have felt all along but have never known how to express. The journey ends up being a look inward; not just for Hart but for the reader as well.

After reading this, I had my wife and father read it. I explained, "This is how I feel about drumming."

The companion CD and sequel book, "Planet Drum," are nice additions but the book stands by its self as an outstanding source for understanding music at its most basic form.

This book will move you.

I am not a Deadhead, nor am I a drummer, but I have really admired this book, and Mickey Hart big time. He really went off the deep end of his knowledge of percussion, both conventional, and exotic. I had not had this book with me since 1995, so my mind is a bit foggy, but if I remember right, the book is also a trip down Memory Lane, speaking of the hippie days of the Haight-Ashbury, The Grateful Dead and the whole scene in general. One of my favorites was of a drum he got in Tibet made from human skulls. He was wondering why he felt like he was being cursed, and he was told that he was using the drums wrong and it was used to wake the dead. He decided to return the drums and get a similar one not made of skulls. Drumming at the Edge of Magic was also a tie-in to what was then Mickey Hart's latest CD called At the Edge. This book really makes me wished I was there with the hippies and the Deadheads, even if I, myself don't listen to the Dead. It's too bad the Dead isn't around anymore thanks to Jerry Garcia's untimely death. Whether you're a Deadhead or not, whether you're a percussionist or not, this is truly an enthusiastic and well-written book on the subject of percussion.

Drumming At The Edge of Magic is a truly inspirational book for all people interested in drumming and rhythms. It details Harts cathartic exploration and eases the modern drummer into other-worldly potentials.