University of Nevada Books

Simple to read, even for me that I dont understand some english words. Great explanation about the premium player segment. Thanks to the authors, wich I reckon they put maximum effort to make it.

An invaluable primer on casino management. This book should be on the shelf of every executive in the gaming industry.

"Casino Operations Management" is the best book on the market now focusing on operational issues that confront casino managers. It is arguably "too much" for an undergraduate course, but the book is highly recommended for casino managers who want to strengthen their understanding of what makes a casino really tick. Those simply interested in in-depth knowledge of the industry's operational issues will also find the book helpful.

Good overview of casino operations. It covers Indian gaming as well as Nevada and mentions where there are difference. I am the controller and I wish it had more accounting /finance.

This book is a must read for everyone entering the casino business. It's a clear reference, and it shows derails some myths about gaming operations.

I'm a graduate student in geophysics. Some may argue that a geophysicist has no license to criticise a geologist or vice versa, but here goes nothing. :)

Moore begins with an interesting anecdotal account of the early mapping and exploration of the high Sierra. I found this interesting, but then again, I had not read much of this history previously. There are certainly other historical texts out there, so the question to ask yourself is: are there better ones? I don't know the answer.

Before I knew it, the book had morphed into what I took for a geology textbook. A bit too esoteric to be considered general-interest, but certainly not written for a Ph.D. geologist. It smelled an awful lot like an introductory undergraduate geology text, and I've read others that are much more lucid than this one.

Perhaps my biggest disappointment was the photography. Lacking, to say the least. Since Moore's historical coverage ceases before the advent of modern photography, I suppose this is understandable.

In closing: I wasn't quite sure what this text aspired to. As a historical text, I'd say that it was worth the paperback price. As a geology text, I don't think it was worth much. As a photography book, it was worth even less.

Moore's book is the result of a lifetime spent studying and mapping the geologic structures of the Sierra. It is an incredible achievement and an important contribution to a detailed understanding of the geology of the Sierra for the amateur naturalist. As literature and science, it's a worthy successor to Matthes's Geologic History of the Yosemite Valley (USGS Prof. Paper #160). He includes terrific chapters on the work of the first scientists to study the range and then describes current knowledge about the creation of the Sierra: from the collision of tectonic plates to the retreat of the last glaciers.

As an added bonus, Moore includes an appendix with detailed geologic comments for stopping points along several roads and trails in the Sequoia-Kings area: Highway 180 from Clovis to Cedar Grove; Highway 198 from Visalia and over the Generals Highway; the Mineral King road; the High Sierra Trail from Lodgepole to it's intersection with the John Muir Trail near Mt. Whitney; and, the John Muir Trail from Mt. Whitney to where it leaves Kings Canyon in the Evolution Valley region, 100 miles north.

Although Moore concentrates his narrative mostly to the area of Sequoia and Kings Canyon National Parks (where, as luck would have it, I work as a ranger), anyone interested in the geology of the Sierra would find this book useful for its explanation of the major granitic and metamorphic structures we see throughout the range. It's large format makes it unlikely you'd want to slip it into your backpack as a field guide. It's also probably of interest only to the serious amateur, though I think it's photos and organization make it accessible to a beginner who might just want to skim some of the detailed sections.

The author of Exploring the Highest Sierra first backpacked across Sequoia National Park, via Mt. Whitney, in 1947. He went on to earn a PhD in geology with his research based on the geologic structure of the highest Sierra - the crest from Mt. Langley on the south through the Palisades region to the north that includes all of the Sierra's 14,000' peaks and a sea of other high mountains, lakes and meadows - and then had a long, successful career as a research geologist with the U.S. Geological Survey. He clearly loves and is highly expert about this mountain range, the highest in the 48 coterminous United States, and the surrounding Sequoia-Kings Canyon National Park.

My personal experience in this region consists of three backpacking trips - including peak bagging and off trail travel - that totaled perhaps three weeks within the so-called Highest Sierra. I looked forward to reading this 427-page book, which has very wide margins and lots of blank space, in hopes of not just learning more about it but to get ideas and inspirations for additional "explorations" of the area on my own. Unfortunately the book turned out to be less than I hoped for.

Nearly a third of the pages are devoted to chapters about the original Euro-American exploration and mapping of the region, especially the 1860s-90s work of the California Geological Survey and the U.S. Geological Survey and its predecessors. Apart from the detailed coverage of progressively more accurate mapping efforts over the years, most of the characters - Whitney, King, Hoffman, Muir, etc. - are well know to anyone who is generally familiar with the 19th Century exploration of the Sierra (all of them explored and mapped the Yosemite region and elsewhere in the Sierra). These chapters have a lot of interesting photographs of the explorers, their equipment and so forth that I haven't seen elsewhere.

The remaining chapters are mostly hard core geology. And much of it is very technical to the lay reader. There are a lot of aerial photographs originally taken to document the region for mapping or geologic research, detailed photographs of rock strata and structures and numerous textbook-type graphs and charts of geologic phenomenon. A typical exhibit (6.21 in the 54-page chapter titled Granitic Rocks) consists of a set of eight graphs - admittedly incomprehensible to me - that plot the occurrence of silica (SiO2) against eight different chemicals found in hundreds of rock samples throughout the region's mountains. There are dozens of similar charts, graphs and scattergrams. I have to rate a lot of this information as either inaccessible or simply technical overkill for the non-geologist. It's far more detailed than most non-geologist visitors to the region will ever want to know.

This author's idea of an "exploration" of the highest Sierra is almost exclusively geologists and geology. There is virtually nothing about plants, animals, lakes, weather, wildfire, etc., etc. And nary a description of a mountaintop sunrise, a flowery meadow or any of the other charms that still make "exploring" this region so attractive to hikers, riders, climbers and skiers today.

Recommended to anyone seeking an overview of 19th Century geologic study and mapping along with a textbook on the geologic phenomenon - especially rock structure and chemistry - of the highest portion of the south-central Sierra Nevada mountains of California. Not recommended for those who want a generalized natural history overview of the region or want ideas and inspiration for planning their own trips into the high country of Sequoia and Kings Canyon National Park. I note that most of the other reviewers of this book who rate it higher than I do seem to be professional geologists. And although Amazon does not seem to be stocking this, it can be found at the Yosemite Association's online bookstore.

This is an excellent book! The geology portion is easily understandable for the layman, yet still interesting enough for the professional geologist. The great historical and geological infromation make this a wonderful resource for anyone spending any time in the Sierra Nevadas. If you have any interest in geology and history, and you intend to spend any time in the Sierra Nevada Mountains, then you really Need this book!

James Moore has compiled a fantastic account of the earliest history, exploration, mapping, mining, politics and geology of the Seqouia - Kings Canyon National Parks area. This book, more so than any other that I have read on the Sierra, provides insights into the people, the origin of geographic names and the forces and interests that drove the people into the high Sierra region. A fascinating look at the barometric and surveying tools that were lugged to the top of the highest peaks is given and a historical account of the ever increasing accuracy of the maps and just how close the original estimates were. True to his profession, Moore then goes into an in-depth discussion of the current understanding of the geologic history of the region. This discussion will be a great interest to those with a casual to serious interest in geology and will provide a greater awareness for your next trip into the area. It held me, a retired geologist, captive and will remain on my shelf as one of my most treasured references.

This is a very good geology book. The American west is hideously complicated, and Mr Meldahl does a great job explaining it. He develops his concepts and uses aerial and satellite photos along with diagrams to illustrate. Being young and hence having completed his education recently, he brings to the text all the latest ideas and vocabulary.

And it does look as if we are getting a solid handle on it. His discussion of the horizontal subduction of the Farallon plate, and of its extra thickness suppressing vulcanism, was particularly timely. Just yesterday I read a story on Science Daily (dot com) about an area of Alaska lacking volcanoes. The authors of the paper gathered data indicating that the plate being subducted there posessed an extra thickness and was sliding along horizontally without actually sinking. I knew exactly what they were talking about, thanks to Hard Road West!

Many such prizes exist in the text. Read this book to get up-to-date on this complicated topic.

In 1985 the PC game "Oregon Trail" became available. My daughter and I played it when she was in grade school around 1988. I learned that about 135,000 people took the Oregon Trail. Mr Meldahl tells us that a total of 400,000 people took the California Train and Oregon Train together from 1841 to 1869 when the railroads went through. That leaves around 265,000 gold rushers. Was it really the greatest mass migration in American history? (preface pp xv) An average of 300,000 vehicles passed over the George Washington bridge every day in 2002. (NYSDOT 2002) You be the judge.

But why quibble? It is the journey that interests the author, and he uses his sources well. The many first-person quotes really were good, as were the contemporary illustrations.

So let's join Keith in raising a toast. I'll open a Heineken in their honor, and his, tonight. "Hey, I liked your book, man!"

If you like geology, you will love this. Not a quick read and all the better for it. This discussion of how the West was formed makes the travails of the travelers West in the mid-nineteenth century seem superhuman. Every other chapter enlivens the material with excerpts from emigrant diaries. These are memorable! The book is well sourced,has helpful photographs and drawings and has a glossary of geologic terms. I found it hard to put down and even inspiring.

Great book, had just the right mix of history, geology and first person accounts. As someone who travels extensively all over the US, I often fly over many of the locations the emigrants travel, and I must say they were a hearty lot. A great read!

I did not know much about geology when I started, but I knew a lot after reading this lovely mixture of history and enthusiastic, clearly explained geology. The book is also a pleasure to hold and read. Excellent [though 'auriferous' has nothing to do with iron- 'fer' [aquifer, conifer]and ferr' are different roots].But that's trivial!

This is a really good book, a great read. The author is a gifted writer and he beautifully weaves the tales of the emigrant travels to California with the landscape geology that they had to cross. I am a big reader of geology books and this is one of the best that I have read. With all due respect to Mr. Mcfee who pioneered this genre (and I have also read and enjoyed over the years), I think this book is at least as good and maybe even better. First of all, Hard Road West uses numerous pictures and diagrams to explain complicated geological principals which are invaluable for understanding the geology. And Hard Road West lets the emigrants themselves tell the story though their travel journals. Its a wonderful approach and makes the geology jump out of the page as you follow the emigrants almost step-by-step through their many travel hardships crossing the west to reach California. He is a really fun writer and I look forward to many other books by him in the future. Highly recommended.

This little book is full of gritty and real characters sustemic to my ideal of desert southwest characters. Good stories, great descriptors of terrain and desert environs and overall a very good read. I would love to see another short storu collection.

This book is a collection of short stories that take place in Nevada's wild country. Although the landscapes are vividly portrayed, the stories focus more on the relationships of the characters, many of which are father-son relations. The stories are filled with metaphors and phrases pertaining to the state's hard country, livestock, and wildlife. Gibney does a good job showing the love many Nevadans have for their state and its outdoor lifestyle, a love that is greatly misunderstood by outsiders who view Nevada as a gambling haven littered with prostitution. I enjoyed the book, and find it gives insight into a part of Nevada that is widely unknown...the toughness the land hands its inhabitants along with a deep sage-gray character that is woven throughout the state.

Art Gibney's first book is compilation of some of his short stories. Many of his stories have appeared in such publications as South Dakota Review, Tennessee Quarterly, The Bear Essential Magazine. His masterfully told tales illustrate what the contemporary rural Nevada could have been like. As the pages turn, let Gibney's imagination take you back to a time of a more simple but wilder (as he calls) Adaven a.k.a. Nevada. This book is delightful easy read that is a must for all us with the frontiersmen or women hidden away inside, or those who ponder what Nevada may have been like in earlier times.

Who would have thought that a city-dweller such as myself would enjoy reading a book that boasted such chapter titles as "Wild Cow" and "The Manure Spreader?" I certainly didn't expect to. Tales of rural life have never much appealed to me. I have lived in Nevada, the state that Gibney writes about, for 22 years now, and I suppose I try to reject the rural stereotypes that haunt Nevadans. Well, Gibney managed to enthrall me. His language is beautiful, and you will soon forget that you are reading about a man on a tractor - you are soon reading about yourself. Gibney has a way of putting you directly in his story. I know nothing of manure spreading, thus I assumed that I would reject the aforementioned chapter. But the stories are not about Nevada and living in a rural area, the stories are about the people. Gibney's ability to capture people, and transport you, the reader, into their psyche, is what makes his writing so attractive. You will see things in your mind's eye that you will see for the first time. You will experience feelings and life through his characters that you may not have ever had the luxury to feel. I would certainly recommend Skin of the Earth to those who like to become involved in their reading, and create a realationship with the characters. Good read.

Art Gibney's Skin of the Earth is a collection of fictional stories about life in the deep back country areas of Nevada. These stories describe the lives of those who are caught within the problems of urban or rural living and the resulting collision of the two. The characters are fully developed within a corner of their existence, opening the reader's eyes to a struggle that takes place when the earth meets the world. Each character is seeking something that might be almost impossible, yet so seemingly within reach. This book finds its strength in the powerful storytelling, and the reader finds himself suddenly immersed in a situation that he might never have come across or been interested in. The descriptions of the land, the life, the troubles of solitude and companionship both are vivid and memorable. The characters in these stories are people you might never get to know, never speak with, never give a second thought to. The narration seems to touch the reader into the life of a real person, just at the most important moment of truth, then whisk the reader away. Instead of a mindless, rambling tale, these stories require some reader participation, demanding that the reader interact with the ideas, leaving gaps for the reader to inquire about and piece together his own meaning. There is nothing that is directly spelled out, but rather a snapshot of a life that encourages the reader to consider what he has just witnessed. I generally enjoyed this book, although some stories stand out to me more than others. The description itself is beautiful, and I found myself reading through this book at a speedy pace, interested to read what was next.

This book is a refeince to the people in the ceative field of art wethere by music or art I think that Walter was showing the toment and agony of what the artistic people go though. Most of the world is in the mathmatical world; it is reffesing to read a book that discribes the artistic world. (I am a runner, and I enjoyed the track phase that he went through.)

When my now fiance handed me this book and said to read it, I really didn't know anything about it. Now that I've read it, I'm rather shocked that this book isn't better known. I really don't know how it's managed to stay obscure for so long. While reading it, I found myself traveling through the world I've always wanted America to be. The only book I've ever found to be comparable in even the most basic way is J.D. Salinger's Franny and Zooey.
If you have the chance, buy this book. You will read this again and again.

While a resident of Reno, NV (1971-1980), I read the "City of Trembling Leaves" The book is a wonderfully nostalgic record of Reno, Nevada and the surrounding mountain and desert environs during the period of time that Clark lived there (i.e. 1920-1940's).

The author paints a colorful and accurate description of the "Biggest Little City in the World" when it actually fit that definition. Today, Reno is a rapidly expanding, land-gobbling monster of massive traffic jams, casinos, commercial strips, malls and ticky-tacky,cluttered housing developments much like Las Vegas (which is nothing more than another Los Angeles with slot machines).

I have lost my original copy, but am buying the new edition so that I can once again enjoy the life of a young, callow fellow and his friends growing up in a beautiful, small, friendly western town during simpler times.

Having grown up around Reno, Nevada, I have a built-in bias toward this book, despite the fact that it is an example of a treacly genre (the obligatory semi-autobiographical novel) that most authors wisely leave in manuscript in their desk drawers. However, Clark is a powerful writer (see "The Track of the Cat" and "The Ox-Bow Incident") and he does a very good job of evoking time and place, especially the 20's and 30's, which are written as Fitzgerald might have done if Gatsby had grown up in Reno. The latter part of the book contains descriptions of artistic troubled souls loose in the American West that will be familiar to readers of the novels of the Beat Generation (Kerouac's "The Dharma Bums" comes to mind). There is also a Steinbeckian flavor to the book, especially the relationships, possibly because they are etched against that larger-than-life Western sky.

The author, born in 1909, was in his mid-30s when this novel was published in 1945, and he writes about being young with remarkable maturity. There is a melancholy and nostalgia, as if the story were told by someone twice his age. In its leisurely and intense unfolding of time, place, mood and character, it brings to mind Thomas Wolfe's "Look Homeward, Angel" and Tennessee Williams' "The Glass Menagerie."

Modern-day readers will find themselves making a big adjustment to the pace of this long novel. Its central story could be told in 250 pages: a sensitive boy grows up in a modest family in Reno, Nevada, befriends a girl who lives near him and a boy and girl whose parents are wealthy and live across town, falls deeply in love with one of the girls while in high school, and begins a career as a composer and musician, eventually marrying and finding himself as an artist. But Clark has much more to tell, immersing the reader in richly detailed incidents that can expand into 20 and 30 pages - a horse race, a high school party, a tennis match, a climb up a mountain, a gathering of locals at a bar.

While the story takes place in the 1920s and 30s, there are only passing references to historical events and period detail. Much of the story is internal, psychological, emotional. And much of the story has to do with the timelessness of place and the cycle of seasons. There is a celebration of the city of Reno (as a hometown, not a destination for gambling and easy divorce), its trees, the surrounding mountains, and nearby Pyramid Lake and Lake Tahoe. Emotions and landscape are intricately interwoven. Clark's descriptions of places are infused with moods that shift and change like passing cloud shadows.

And finally, it's a story of the difficulties of becoming an artist, finding one's own voice and vision, developing one's talent, the personal costs and the struggle against discouragement and compromise, the social isolation and the impact on personal relationships. Part of Clark's achievement in this novel is the ability to take the reader with only words into the mind of a musician and composer. I recommend reading this book with an open map of Reno and western Nevada, and look online for pictures of Pyramid Lake and Lake Tahoe. Both will enrich the experience of this fine novel.

"The Master of Monterey" is coming in April 2004. You can pre-order it now.

This book has won the fiction category for the year 2000.

I thought the author did a wonderful job of developing his characters. My only dissapointment is that the ending felt a bit rushed, especially given the thorough treatment of events throughout the rest of the novel.

I enjoyed this book so much! Couldn't put it down. I felt like I completely understood the characters, feeling the emotions right along with them. Anxiously awaiting another Lawrence Coates novel!

Reading The Blossom Festival is almost meditative. It is niether exciting nor sad, but un-put-down-ably interesting in its characterization, historical content and detail. L. Coates is a remarkable technician.

This is a very good book which clarifies very well the complex phenomenon of nationalism and in particular national identity. What I find particularly fascinating in Smith's research and style is his quite unique position between what I find a bit too convenient the modernist approach which is too positivistic in my opinion, and on the other hand a nationalist position which is typically too naive.
The item I got was in perfect condition. Very pleased.

The author has spent much of his academic career exploring the roots and issues involved with nationalism and its philosophical core "national identity". While the work is under 200 pages, it is by no means light reading. It is clearly aimed at the colligate level as a foundational text.

The book is intellectually filling, but the author makes you earn it. The sweeping historical references and numerous analogies hit the mark, but require a good deal of background knowledge.

The author correctly goes beyond the standard Western/European view of nationalism and uses the national identity model to include most of the globe, though his theories start to run a little thin the further one gets from the intellectual reach of the West. The work was published in 1991 and its theories proved correct as ethnic and cultural factors fueled conflict throughout the decade from Bosnia to Rwanda.

This book contains many ideas propogated by Anthony Smith in many of his other books (i.e., _State and Nation in the Third World_, _The Ethnic Origin of Nations_, _Nations and Nationalism in a Global Era_) but combines them into one short volume.

Smith first focuses on the ethnic past of nations while also pointing out the differences between ethnic groups and modern nations. He moves through a short history of ethnic groups and nations, asking the important question of whether ancient Egypt, Israel and Greece were ethnic nations before examining the medieval cases of England and France. In all cases he puts emphasis on the importance of the homeland, a concept which can hardly be overemphasized in dealing with national identity.

He then moves to a typology of nationalism, claiming that 'nationalism-in-general is merely a lazy historian's escape'. He examines the oft-neglected cultural aspect of nationalism, one that was at its height in nineteenth-century Europe but which has been replaced in the news today by genocide and ethnic cleansing.

Moving on to the impact of colonialism, imperialism and decolonization on the development of national identity, Smith spends a good amount of time on non-European nations like Egypt, Ethiopia and India. He shows again how difficult it is to generalize about nationalism, especially outside Europe.

Finally, Smith looks to the future, asking the inevitable question of whether nations and national identity are doomed. He argues that any attempt to supersede national identity, e.g. the creation of a European identity around the EU, must inevitably draw in so many aspects of national identity that it is merely another form of national identity. Smith claims that, just as national identity has been with us for quite some time, it will remain for a while as well.

A well-argued and concise book.

First let me give credit where credit is due; Smith is clearly a top-rate scholar and his knowledge of the subject matter is uncontested. That being said, I found this book to be incredibly dry and somewhat biased. Smith writes in an extremely methodical and academic style that makes for some tough reading. And while he doesn't show outright hostility towards his subject, he makes it clear that he sees nationalism as something of a hindrance to "human progress."

Smith painstakingly scrutinizes the origins, characteristics, and consequences of national identity and it's political manifestation, nationalism. He describes the importance of ethnicity, culture, and common myths and symbols to the nationalist state and also discusses the impact that nationalist ideologies have had on regional and world affairs. He compares this phenemenon to other forms of collective identity and comes to the conclusion that national identity exerts a "more potent and durable influence than any other collective identity" and will continue to do so well into the future. He also discusses possible alternatives to nationalism.

While his descriptions are certainly not wrong, I think the nationalism that Smith describes is an extreme one. As someone who considers himself a nationalist, I certainly don't believe I am part of a "chosen people" and I don't look back to any "golden age." As with any ideology or movement, there are varying degrees of nationalism and Smith really only describes a "fundamentalist" version. Those caveats aside, this is a solid, scholarly work that serves as a valuable introduction to nationalism and natioanl identity.

I liked. Smith writes not only definitions on traditional concepts (like nationalism) but also introduces an interesting analysis about ethnonationalism. I do not agree in some coments (like his concept of "lateral ethnic communities"), but it is still a good book. Roberto Remes

This book is a hoot! Maybe it won't be classified a great literature, but it is vastly enjoyable-- a fun read. In these times of stress, angst, anxiety, etc., emotions seemingly caused by the conditions of life these days, what is more valuable to any of us than to have our spirits lifted by a chuckle or outloud laugh? OSTRICH entertains and amuses while slipping in some astute observations about humans and their foibles. Almost as important here are the animals who the author seems to understand as kindred, not too different from the rest of us. If one can read this and not be charmed by all the characters, two-legged, four-legged, and one even feathered; that person must be beyond hope. Try it, you'll like it.

A great comedy with a classic and predictable storyline. However, what makes the difference is that Thomas, in my mind, elevates the human and animal characters to the same level and as a result it is extremely entertaining to follow how animal logic manages and prevails over human ambition towards sorting things out.

Didn't think a book on this topic could tell such a great story. Funny, interesting, and an author with a talent for drawing up characters and developng them brilliantly.

Ostrich was a charming book. VJ and Ev, best friends with totally opposite views and energy levels, are such delightful characters. They play off one another in a way that lets the reader get to know them thoroughly. Sabine and Magda, husband and wife, interact in a truely remarkable and heart-warming way, giving and taking, balancing stubbornness with love. Their three daughters, especially Rosa, are well-drawn and vital characters. And the Colonel, he's a very funny piece of work. Put these interesting characters, and their relationships, into a mix of animals including donkeys, poodles, sheep, and a hair-raising baby ostrich and you'll find as much delight as I did. Michael Thomas has a winner here.

Because I'm usually not the the type of person that reads light-hearted books, I didn't know quite what to expect when I picked up "Ostrich." The book didn't let me down.

Mike Thomas does a good job of showing the reader the world through his characters' eyes, thus making even the repugnant personalaties in the book quite endearing. When I started the book, I wasn't sure that I would be able to read it through to the end, but by about a quarter of the way into it, I found myself hoping for the next chapter in order to find out how the characters would fare. In the meantime, interspersed throughout the book are nuggets of wisdom on topics that range from love to animal husbandry.

This is the kind of book that makes you want to dog-ear the pages containing these nuggets of wisdom, because you'll want to find them at a later time. If you're looking for an uplifting read, I don't think you can really go wrong with "Ostrich."

Well there are not many Basque grammars available owing, I assume, mainly to Basque's relative obscurity. In this grammar, however, Alan King has managed to organize the grammar well for those who are just beginning to study the language (i.e. a properly ascending difficulty level), yet also includes a good amount of information for those who want it, from cultural notes to the differences between the different Basque dialects.

The book includes a written conversation in almost every chapter, which is followed by new vocabulary. Next comes a number of grammar points with practice (answers to the questions are found in the back of the book). There are also review chapters which allow the student to review the grammar and vocabulary from previous chapters.

Finally, there is a reference section at the back of the book, which contains anything from an elementary reading section to an explanation of the semi-complicated Basque verb system (it also includes a pronunciation guideline, rules for sentence structure, small dictionary for important words used in the book)

Personally, I thoroughly enjoyed the book and found it helpful for my purposes. It reminded me structurally of Wheelock's Latin. My only complaint would be that I would have liked to have more examples of some of the more complicated grammar points. This, however, is to be expected given that this grammar is only intended as an introduction.

This book is an excellent refence book if one wants to use it in this manner. I have this book and have enjoyed it. The only problem I have is that there isn't any tapes that come with it so that a person can hear what the language sounds like. However, the author has remedied this with a slightly less expensive language learning set called "Colloquial Basque" that contains tapes so you can hear the Basque language spoken. This set happens to cost much less. If you want to find it here, just look up the title and you will be able to see the price for it here at amazon.com

This coursebook is by the same author as Colloquial Basque, but content overlap is minimised and the style of the two books differs somewhat. The present book is a much heftier work, but is also a much drier read. Although I've given it four stars, I would recommend it only for more serious students, who have few alternatives anyway. Colloquial Basque, which comes with tapes and a generally more modern style, would be more suitable for most other people.

The best feature of The Basque Language: A Practical Introduction is the grammar section at the end of the book. This provides a handy summary of all the grammatical points which appear in the book, and includes a general explanation of their use. The book also includes a selection of readings, with various passages about the Basque Country and related topics (some of them by King himself), excerpts from a play and several novels, and a selection of both traditional and more modern songs.

The units themselves mostly consist of a short dialogue followed by grammatical notes and exercises. Unfortunately the grammar sections and exercises are all mixed in together, and there are no fun headings ("Saying what you mean", "Doing things with words") such as appear in Colloquial Basque. Apart from making the chapters less interesting, this can also make it more difficult to find things in preceding chapters. Explanation of the grammar is also often poor or lacking altogether, although thorough explanation is provided at the back of the book.

Serious students of Basque will find this book to be an invaluable reference. Many people, however, will find Colloquial Basque to be a more practical introduction to the language.

There are no other Basque language textbooks to speak of, so this one is necessarily the best, because it is a competent attempt. If you're a serious learner, this book will put you a good ways towards achieving your goal.

This book, while rich in its coverage of buildings throughout the Sagebrush State, does have its drawbacks. Some of the quotations regarding the architects list incorrect names that were taken from other sources that were incorrect. (Example: There is no John M. Curtis, architect in Nevada. The name is taken from another book that incorrectly quotes his name.) Also, there is a dearth of pictures and coverage of private homes and mansions. (Space may be the issue here). In some cases, the designation for certain architectural buildings such as certain blocks within the towns is unclear: a map would have helped. Overall, the book is worthwhile, but do not trust its content 100%!

The one and only book on this subject, BUILDINGS OF NEVADA is thoroughly researched and wittily opinionated. It ventures far beyond the familiar territory of Hoover Dam and Las Vegas, to explore boom towns and ghost towns, courthouses and whorehouses.

It will be indispensable for anyone interested in understanding the history and psychology of the Old West. Loaded with helpful maps and photos, it's also a great travel companion for anyone who interested in seeing more of Nevada than the view from I-80.

If you think it's all just casinos and tacky wedding chapels, read this book. Who would have thought Nevada, of all places, had such a rich architectural heritage? Nicoletta covers the history of Nevada, from wickiups to atomic test sites to the latest reinvention of the Las Vegas Strip, and everything in between, with clarity, conciseness, and keen observation. Her descriptions, precise without being dry or overly technical, bring to life not only the buildings but the individuals and communities that built them. I can open this book to any random page and be hooked by a fascinating, unexpected tidbit. The book also contains a helpful glossary of architectural terms, a thorough bibliography, and index. My only complaint is I would have liked even more of Bret Morgan's excellent photographs.

The one and only book on this subject, BUILDINGS OF NEVADA is thoroughly researched and wittily opinionated. It ventures far beyond the familiar territory of Hoover Dam and Las Vegas, to explore boom towns and ghost towns, courthouses and whorehouses.

It will be indispensable for anyone interested in understanding the history and psychology of the Old West. Loaded with helpful maps and photos, it's also a great travel companion for anyone who interested in seeing more of Nevada than the view from I-80.