Libraries and Museums Books

Know this first: I'm a huge fan of all things Disney, especially POTC the ride.

Imagineer Surrell's book is very well-done. This is one of those (along with his earlier work on the Haunted Mansion) that I go to again and again, like watching a favorite movie or listening to a favorite album. Maybe I'll notice on the 50th reading ONE MORE DETAIL I somehow missed...
I especially enjoyed the look at the other parks' version of the ride. Rock on, Jason!

Con: Woulda liked it in HARDCOVER.

Now, as with any OTHER topical subject, some of the info goes out of date the day the book is published, and will continue to "go stale". The 2nd, 3rd, and even talked-about 4th movies are, of course, not included. The much-publicized ride rehabs are not either. This is the same with Jason's earlier Disney's Haunted Mansion book (a good companion piece, by the way). That said, the HM book goes off into a hopeful description of the actually-miserable HM movie, touting it as the best thing since Bela Lugosi. This was written well in advance of the actual public release of the HM movie, I guess, so they were gambling the public would love what turned out to be a huge embarrasment. ( When I need cheering up, I sometimes imagine HM Director Minkoff at what I hope is his new day job, asking people if they want to add a cherry turnover to their order for just 50 cents more ). Okay, here's your soapbox back.

They shouldn't have pushed the HM movie so hard in THAT book.

Not so in THIS book: Because they "got burned" on the HM movie, there's a decidedly less-throat-cramming push for Curse of the Black Pearl, which, of course, in hindsight, they could have laid on thicker, now that the movie has generated some kind of Star-Wars-level cultural shift.

Buy the book. You know you want it.

I know I want more books on CLASSIC Disney attractions, and I only want 'em writ by Jason Surrell. Amen.

I love Disney world and I love love The Pirates Of The Carribbean! Great if you like both!

I really enjoed the first chapter on how the concept translated into the final product of a ride. Amazing how these things come together. The second chapter comparing the ride throughs between the four parks I found a bit frustrating - hard to really picture it unless you're there (for me). I was more interested in the ride portion than the movie chapter myself. Worth the buy (though I bought it used).

My daughter just loves all the background information. She's very happy with it.

As of November, 2006, a newer, updated version of Mr. Surrell's book is now available! Look for the version with the compass rose in the upper right corner of the cover.

Cheers!

Beck

This book is a really good one to use for teaching sculpture. The mouse in the story creates a tiny sculpture and is rewarded for it. I usually read this book to my students and discuss sculptures and its characteristics. Then we create a sculpture out of wires and various items. (can also use pipe cleaners) Cute story!

This book is a visual and literary play on the ever-inspiring animal name of dormouse. These are a kind of rodent that in some ways resemble a squirrel. Every humor writer who has ever seen that name has wanted to have fun with it. The wonderful Don Freeman (of Corduroy fame) takes that artistic license one step further by building a Horatio Alger story around his door mouse and doing his own renditions of paintings and sculptures in this beautiful volume. Puns and fun abound, so keep an eye out for them!

Norman is clearly a door mouse, he even has a door mouse's uniform (just like those you see on Park Avenue in New York). His door is around the back of the Majestic Museum of Art. It is well hidden, and he brings in small creatures that way for tours of the art works in the museum's basement. In addition to his docent duties, he has established a studio in the helmet of some old armor, using the visor as a skylight. From there, he paints and sculpts. Life does present challenges though, because the sharp-eyed upstairs guard is always setting traps with cheese. Norman is able to disable them, and brings the spare parts to his home.

The story develops when one day Norman notices that there is a sculpture competition going on. Using mouse trap parts, he makes his own sculpture and names it punnily trapeese (trap and cheese being the sources) because it appears to be a mouse doing acrobatics holding onto a high wire.

Norman drags his sculpture into the room where the competition is being held, without being seen. Then the fun begins!

The story ends with one final pun. "Good Knight."

The plot is a very rewarding one, creating the sort of inspiration that books about "little engines that could" do. I have always been impressed with friends who could make a lot out of a little. It's a gift I do not have. This book is a worthy example of that principle. You can extend the lesson by discussing with your child how she or he might create something wonderful out of something else, including "junk."

Art lovers will find the illustrations to be a great treat. Mr. Freeman has created wonderful reproductions of works by many major artists, which he sneaks into scenes of Norman in the museum. I was particularly impressed by one Miro, where even the signature is faithfully reproduced in pastels.

You can also use this story to suggest going to an art museum. You can even go around the base of the building to see if you can find any door mice, or holes where they might be hiding. This can help you find arts wherever you go!

However you decide to use this book, I encourage you to renew your artistic license so you can explore the world of created beauty with your children and grandchildren in museums!

As a children's librarian, I highly recommend this classic tale of kindness by Don Freeman. I purchased this book to send to a very kind and polite student at Brown University! Our world needs to be reminded that random acts of kindness and politeness, like holding a door make life more enjoyable for all. Hooray for all of the door holders throughout the world!

A story of art appreciation and how it's possible for even a little mouse to be an artist. Norman has an important job as the doorman to the Majestic Art Museum where he lets mice in and tours them around the basement of the Art museum where there are many treasures. He acts as security guard, curator and tour guide for his portion of the museum and he takes great care and pride in each artifact. The only thing that causes a stir in the basement is when the sharp-eyed guard from the main museum comes down to set traps for the mice. Norman is clever and he has figured a way to take the cheese from the traps and set them off without hurting a whisker. His home is in the knight's helmet where he has a very comfortable setup and he spends his free time creating artwork. One day he decides to make a sculpture from the old traps and picture hanging wire. When he has finished his creation he is delighted and proud. Early the next morning he see a sign announcing a sculpture contest. Norman is very excited. He runs back in and titles his sculpture "Trapeese". Then he painstakingly carries it up the steps, through the main floor of the museum and puts his sculpture with the others. Norman was proud of his efforts. Once he got back home he sewed some buttons on his jacket and went about the business of being a doorman. Upstairs in the main hall everyone is talking about his sculpture and who had entered it. The judges questioned the guards about who had brought in the sculpture but none of them knew. When the sharp-eyed guard looked closer he figured that one of his mousetraps had been used for the sculpture. Downstairs he went into the basement, where he found Norman's home. Norman was waiting at the door cold and hungry for a party of country mice who were due to arrive at any time. The guard spots Norman who dashes off but is enticed out by a piece of cheese. The guard catches and questions Norman about using his mousetraps for artistic purposes, Norman's response is that "It's just a hobby, just my hobby!". Norman was sure he was being taken to jail. He was very surprised to hear the crowds shouting "Hooray for Trapeese!" The guard too was amazed and rushed to the judges' platform so that Norman could receive his award. When asked what he wanted, Norman indicated seeing the upstairs part of the museum without getting caught would be a good reward. So he was taken on a grand tour of the entire art museum. When Norman returned to the basement, he found the country mice waiting for him and he shared the large piece of cheddar cheese that the kind-hearted guard had given to him. The story ends with Norman warm and snug in his helmet. I just loved this book!

Norman the door-mouse welcomes discriminating rodents to view the paintings and sculptures stored in the basement of the Majestic museum. In his spare time, Norman has his own studio in a knight's helmet, which is also a good hiding place from the security guard! He cleverly uses an old mousetrap to create his own wire sculpture of a mouse swinging on a mousetrap, and enters it into a museum competition. There's a lot of visual humor, and Freeman makes the whole tuxedo-ed affair look fun and interesting, and there's a suspenseful subplot involving the guard trying to find Norman. (No animals were injured in the writing of the book.) There's a nice warm simplicity to Freeman's soft but colorful pastel illustrations; they're drawn with such ease that both they and the story may stimulate your own creative energy. Another excellent book from Freeman!

Although the Garfield movies were generally panned by reviewers, Garfield the comic strip will probably be around for several generations. That sleeping, lazy, lasagna-loving fat cat is beloved by the young and the young at heart!

In Garfield and the Mysterious Mummy, creator Jim Davis allows author Jim Kraft to expand Garfield's adventures, this time in a museum. Garfield, Odie, and Jon learn about the Curse of the Nose of Ahmose, resulting in a restless mummy interested in getting his nose reunited with his death mask. Garfield, of course, quickly ends up in the thick of things!

The 78 page chapter book is a great book for beginning readers, with illustrations and verbal variety.

Factoid of note -- there's an illustration of the extinct dodo on display (resulting in Odie being called a "dodo dog"). In fact, there are no stuffed dodos in existence on this planet. All that exists of this interesting creature are a foot and a head, and some skeletal remains.

Of course, there aren't a lot of talking cats, either!

I read GARFIELD AND THE MYSTERIOUS MUMMY

I thought it was a good book because it was cool. And I like the dog Odie. First Garfield family got lost there dad went home. And a mummy came out . I would recommend this book to 3rd graders because I like it you will to.

These are great chapter books for your early reader Garfield fan. My son loves them, I just wish there were more in the series. Unfortunately there are only four books in the series, so once they have read these four that's all there is.

These are great chapter books for your early reader Garfield fan. My son loves them, I just wish there were more in the series. Unfortunately there are only four books in the series, so once they have read these four that's all there is.

My book review is over Garfield and the mysterous mummy.Its by Jim Davis.He is the creator of Garfield.Im going to tell you about this book and how i rate it and feel about it.
Garfield and the mysterious mummy is a reallly good book.My rating of this book is a 5. I liked it because it's a good mystery book and its funny! The book is about Garfield and Odie when they accidentally get left in the meuseum one night. Then strange things start to happen. So Garfield and Odie try to get through the night while being chased by the mummy or a thief trying to steal priceless artifacts.
I like the book but I wouldn't recommend it for preschoolers.It would be a good book for 3rd 4th or 5th graders.

If anyone knows where to find a video of "The Colored Museum" that was aired on PBS in 1991, any advice would be appreciated!
My email: carlahealy@aol.com

If anyone knows where I can by a VHS please email me at warnerbaker@hotmail.com. Thanx

I love this work and remember seeing a theatrical production of it on PBS' Great Performances. Does Anyone Know Where I Can Buy A Video Of This Production?

My email address is wtellis@nyc.rr.com

Thanks

George C. Wolfe's play details the African-American experience, shocking the reader more and more. This shock is meant to portray the outrage and sheer madness that the situation of blacks in America provokes. Sometimes funny, sometimes sad, sometimes electrifying and political, this play is a masterwork that attacks various issues in African-American life.

The creative and imaginative pen of Geroge C. Wolfe "paints" a canvas of honesty through humor and reflection. How often do we get to laugh at ourselves while educating yourself and others? I have used The Colored Museum in teaching liturature to my urban students and it provided a vehicle that allowed them to express a deeper understanding of themselves. Very seldom does that happen.

As a university professor who teaches graduate courses in heritage conservation, I welcome this book as an essential text. Barbara Appelbaum provides a carefully constructed foundation for research and decision-making in our field. Conservation Treatment Methodology will find a welcome home on the shelves many heritage professionals. It maps a rational process for assessing the material and cultural needs of objects within the broad context of collections care.

Thoughtful and clearly written, Appelbaum's book is an essential read for both students and practitioners of conservation. Her work is particularly useful during the planning stages of treatments.

If you don't want to have troubles with Brandi, Jukileto or Muñoz Viñas, and just want to identify the practical utility of conservation decisión and judgement process including all related with means and symbolism, this will be a totally usefull and delighful book. Highly recommended for teachers and students of conservation.

Truly, enjoyable reading if you're interested in the field of conservation. If you can see a cartoon pop-up of conservator's head, well, Barbara Appelbaum explained all. Many good stories, and some technical stuff actually add real flavors. Good stuff, indeed!!

I am delighted to have this book. Barbara Appelbaum has thought through and presented many ideas I have met over the last 30 years as a conservator, but that no one before has put into this kind of focus. She demonstrates the kind of thinking that is critical to responsible care and treatment planning. Thanks you, Barbara, for giving us the benefits of what you have been doing and teaching all these years. This is an enormous contribution to the conservation field. The content is insightful and practical. The book should be read, owned and used as reference by everyone who owns or takes care of art objects.

We took this to the National Gallery when we took out kids there for the first time (they were 6 and 9) on our first big European trip. We asked for the specific location of the four paintings mentioned in the book, and went looking for them. It was great! The children loved spotting them, and we loved looking at everything else (a bit too fast for my liking but hey at least we got to see them!) on the way.

What a great story - dogs from actual paintings in the National Gallery in London having one night a year, "special night out" to run around free in the Gallery.....and then get mixed up and go back in the wrong paintings. My kids LOVE this book - it sets their minds racing! And hey, next time you're in London, why not take your kids to check out the paintings? (And see if the dogs are back where they belong!) This is a fantastic book... everyone (not just dog-lovers and lovers of art)will enjoy it.

There are so few kids books that make both the parent and child feel the wink of knowing what is going on while characters in the story do not. This is one of those rare rare books that succeeds on so many levels - the story unfolds visually and in the text as you gather what is going on. You aren't told - the dogs jump out of the paintings. You infer it. You aren't told the dogs re-enter the wrong paintings. You see it as various museum patrons react to the strangeness of paintings they thought they knew. And how wonderful is it to introduce grand masterpieces to kids in a way that is so much fun! My daughter loved this book, insisted we go to the art museum afterward and find dogs in other paintings. She imagined what would happen if other animals jumped off paintings and secretly partied after hours in the museum. 'Cats night out' 'Horses Night Out', etc. Run and get this book. You will be delighted.

The dogs come out of the paintings in the museum one night a year for a party. One year the remnants of a human cocktail party lead them to eat too much food and wine, and when it is time to crawl back into their paintings for another year there is a grand mixup. The paintings are real ones from the National Gallery in London. Great book. We loved it!

With 7 grandchildren, I'm always on the look out for suitable reading matter for them. Today I found a really nice book for the age group 5 to 9yrs. Dogs' Night by Meredith Hooper, fits all the requirements.

The story is set in an art museum : One night of the year, all the dogs in the paintings, jump down and have a high old time, running riot in the museum, when the staff and the public have left. This time things were just a little different! The museum hosted an art lovers function and the dogs had to wait until it was over, before they could escape their paintings and have a good time doing the things dogs do. The humans hadn't cleared away the left overs, so the dogs ate, and drank *fizzy drinks*. When it was time for them to go back into their pictures, 4 of them ended up in the wrong ones! The dog from Jan van Eyck's Painting *The Portrait of Giovanni Arnolfini and his Wife, Giovnna Cenami* a cute hairy little beast, ends up in Gainsborough's *Mr & Mrs.Andrews. Their dog, a brown hunting dog with a white muzzle, goes to visit *Madame de Pompadour* by Francois-Hubert Drouais. Her cute little black dog with a wavy tail, finds itself down by the river in *Bathers at Asnieres* by Georges-Pierre Seurat! So...that leaves the red dog with the floppy ears from the Bathers, in the bedroom of the Arnolfini family!

Their mistake is discovered first by a little girl and then by the public. At first the Gallery staff think there is a theft, but realize that the paintings are the originals, with some very odd changes made. The media and the general public flock to the Gallery and it becomes the most popular one in the world.

A year later...it's Dogs' Night again. All the dogs in the Gallery paintings leave their pictures and run around madly doing dog things, but this time there is no *fizzy drink* to muddle them up. When it's time to climb back into the pictures, they all manage to end up in their original paintings. No one knows how it's happened...except the Dogs!

I thoroughly recommend this little book. The story is clever and well told in easy language. The illustrations are enchanting.Reproductions of the original art work have been used with permission from the National Gallery in London. It's a nice way to get kids interested in Art, even if it is looking to find the *dog* in the picture.

I'd give it a 5! Oh...and my *soon to be 5* granddaughter will have it under the tree waiting for her Christmas morning!

Vickie Bowman..Callahan's Saloon at Delphi.com.

This book is very interesting. It is about life in the 1830's. Many strange things are happening in this village like sightings of the Lantern Lady, fires, and threats to close the village. I would recommend this book to anyone you loves mystery and suspense.

This is a great installment in the Nancy Drew series. The plot is a great blend of mystery and suspence as well as some very spooky scenes with the Lantern Lady. I originaly read this on Halloween night-very appropriate! New readers to the paperback series should enjoy this story as well as adults who grew up on the original hardcover stories. This is a great book from start to finish!

This was the first Nancy Drew book I read and I became hooked instantly. So if this might be the first Nancy Drew book you've read or if you've already some of the others you'll love the book.

When you read this book you now that this colonial reproduction isn't what it's cracked up to be when Nancy, Bess, and George find the LANTERN LADY on their tour around the orcherd.You'll never know what will happen with this book.

What a great book in the Nancy Drew series. Nancy is at an historic village when the ghost of the Lantern Lady pops up during a hay ride. This mystery has an awesome story and lots of atmosphere. Bess and George are on hand to help out. One of the best books yet!!!

This is a great book- but it has nothing to do with a Native American boy living in the east! Mindy is a Hopi girl living in Arizona!

Susan has a lovely writing style and a deep understanding of her Hopi culture. I recommend this book for those wanting to learn more about the Hopi culture from the Hopi viewpoint.

This is a timely book, especially with the typical flurry of Native American activities that start in November in schools around the nation. One of the best qualities of this book is that it shows that Naiche is like any other American boy: has a family, lives in a house, eats pizza, plays soccer, and wears cargo pants. Native Americans are still the subject of stereotypes fueled by many aspects of society. For example, sports team mascots that reinforce people's ignorance. This book goes a long way toward showing that Native children have the same dreams and needs as all of our children.

This is a beautifully written and photographed book that should be on every teacher's reading list, public library, and family bookshelves.

Having seen an advance copy of this extremely informative and enjoyable book, I can urge teachers and parents looking for entertaining material on how Native Americans in the East live today to buy this book. It tells the story of a multi-tribal boy and his daily life. Dr. Tayac has an engaging writing style and the history and culture are presented in a very accessible manner.

Naiche is described so stirringly in this book by Dr. Tayac that any native or non-native American would want to know him. Many American children in 2002 grow up multi-culturally and this wonderfully written children's book clearly evokes a compelling portrait of Naiche's world. The richness of Naiche's Indian culture will expand the horizons of any child who reads this page turner.

This book will inform and entertain youngsters from second to sixth grade. Youngsters from about third to sixth grade can read this book independently while first and second graders can have it read to them. It demonstrates the daily life of a real native child and shows how many American Indian children live in the eastern region of the U.S. today. It also corrects common beliefs that many youngsters between ages 6 and 11 or 12 hold, that native children live in teepees and wear deerskin clothes etc. The author, Dr. Gabrielle Tayac, a Piscataway Indian and Naiche's cousin writes clearly and is obviously familiar with her reader and subject. She knows Naiche and his family well and communicates this to her audience in a interesting manner. The photography and the text mesh beautifully to tell the true life story of a contemporary native family through the eyes of a child.

This book, with its two companion volumes on Egyptian Art and American Art, helps create a fun and focused visit to a specific collection. The reader learns what to look for in the paintings, and also learns entertaining facts about the various artists. The introduction is particularly helpful. For example, it explains basic concepts about colors and perspective, and sets reasonable expectations about what children can absorb. The section about "museum feet" is very pertinent. Obviously the authors know children as well as the art.

This book, with its two companion volumes on Egyptian Art and American Art, helps create a fun and focused visit to a specific collection. The reader learns what to look for in the paintings, and also learns entertaining facts about the various artists. The introduction is particularly helpful. For example, it explains basic concepts about colors and perspective, and sets reasonable expectations about what children can absorb. The section about "museum feet" is very pertinent. Obviously the authors know children as well as the art.

It is a thoroughly engrossing overview of the artists and their artistic accomplishments written in a manner so easy to read aand remember. It really could be for any age tii use in any museum in the world which has Impressionist paintings. Fascinating! Informative!

If you don't have children, but have a number of them on your holiday list, these three Off the Wall Museum Guides for Kids by Ruthie Knapp and Janice Lehmberg are truly a find. They'll delight everyone - the kids will love them, their parents will be thankful for something that is both mind-expanding and great fun, and, you'll be thankful for pleasing both parties. Every child on my list will be receiving them this year. What's more, if you need some brushing-up in American art, Egyptian art, or French Impressionism, take a look before you wrap them up or, better yet, get a set for yourself. ART 101 was never so much fun! (Make sure to order all three books.)

This is a wonderfully entertaining and a very informative book for kids, parents, school volunteers and teachers! There's something for everyone. I've used it as a parent and art volunteer in the classroom for our kids and the other presenters. My eight year old daughter reads from this and their other book on American Art. Wish there were more in the set besides, Impressionists, American and Egyptian Art guides!

Amelia Bedelia visits an art museum. She is immediately fooled by a sculpture called Birdwatcher, convinced that this work of art is a real person. Mrs. Rogers introduces her to Arthur Stiles, the director of the museum, who suggests that she look around the museum and then they'll figure out a way she can help as their newest volunteer.

At the gift shop, Amelia Bedelia purchases a genuine reproduction of a bust (a sculpture of the head, shoulders and chest) that looks just like Cousin Alcolu. She heads off to explore the museum and immediately comes across the real bust of Cousin Alcolu. Noticing that the bust she bought (which she refers to as a "real fake") is in better shape than the original one, Amelia Bedelia swaps the busts. She places the "worth less" one on the pedestal and puts the "price less" one in her bag so she can take it home and clean it up.

It looks like Amelia Bedelia hasn't made such a wise decision, right? Little does our literal-minded housekeeper know that this one action will have serious consequences for herself, Mrs. Rogers, Art and the museum. Will her entire visit be a bust?

Reviewed by Matthew Feliciano (age 7) for Reader Views (7/08)

I have been reading the Amelia Bedelia books for as long as I can remember. When I found out that I could review one, I told my mom to get it right away! I think that this book was really good. It was the best one yet in my opinion.

In this book, Amelia Bedelia had to work for an art museum because it was low on staff. She was asked to help out. She found a bus that looked like Cousin Alcolu's bus and she wanted to buy it. Then, when she was walking around doing her job, she saw a painter copying a painting to learn how to paint better. Later, she saw the same person switch his painting for the real one and walk away. Amelia Bedelia alerted everyone and they locked the doors. They caught this person thanks to Amelia Bedelia.

Amelia Bedelia is a funny character and I look forward to reviewing more of these books! "Amelia Bedelia's Masterpiece" by Herman Parish was really good.

America's favorite befuddled housekeeper is now exploring the art world. Of course, a big museum is a treasure trove of opportunities for Amelia Bedelia to turn misinterpretation into an art form that young readers will never forget!

Amelia Bedelia's Masterpiece is filled with glorious illustrations that move the story along and underscore the meaning of the word play.

Recommended!

I thought the book had a cute story. My 5 3/4 year old daughter loves to read Amelia Bedelia's.
She found this story a little slow in the beginning, and would only read 4 or 5 pages at a time. About the middle of the book the pace picked up and she enjoyed the story more once the artist stole a painting, and a little boy created artwork on the blank walls.