William Woods University Books

These stories explore the essential--life, death, love, nakedness--by following Kate and her brother David over the course of their lives. What we witness is that people aren't always what they seem, that relationships aren't always what they are understood to be; in these stories, the characters demand something more from existence. In "Jupiter Shining, North of the Moon," Williams describes the moon that disinterestedly shines down on the characters:

"It was just a mass of rock, held prisoner by the earth, and pulling tides, yet suddenly it seemed a hot eye upon us, daring anyone to ask it for anything.
"Joe laughed. `I wish the moon would f-- itself,' he said.
"Later that night we'd have to carry Joe, near drowned, back to his room."

The existential searching of The Woman in the Woods reminds me of one of my favorite poems from the Japanese poet Kobayashi Issa (1763-1828):

The world of dew
is the world of dew.
And yet, and yet

Literature often gets elevated for shedding light on the "human condition." After reading this collection, I feel like I've finally learned something through Williams's masterful handling of character and juxtaposition. I strongly recommend this book to anyone dedicated to the craft of writing, and to anyone who wants to witness people in all our weakness and fragile happiness. As Thoreau wrote in _Walden_, "You only need sit still long enough in some attractive spot in the woods that all its inhabitants may exhibit themselves to you by turns." Ann Joslin Williams has found that spot in _The Woman in the Woods_.

I loved the stories in this book. Dark and fresh, like the New England woods.

This is an absolutely gorgeous book, with characters that stay with you long past the page. I love how this writer conjures an entire world with a few sentences - it's dark, yes, but deeply affirming to the human spirit.

Put down Harry Potter and pick up a small press book that's WORTH reading! This is a not to be missed group of stories. Congratulations for picking a REAL winner!

I loved this book. I couldn't put it down. It's a perfect, beautiful, lyrical example of a novel structured in linked stories. I wish I'd written it, but then . . . only Ann Joslin Williams could have.

Winner of the 2005 Spokane Prize for Short Fiction, The Woman in the Woods is an anthology of linked short stories set in New Hampshire's mountain country, by author and teacher Ann Joslin Williams. Dramatic and personal, dwelling on relationships between man and woman, wilderness and humanity, The Woman in the Woods is a riveting portrayal of forces both within the self and larger than oneself, as well as the sheer beauty of the natural world. "The woman takes a different trail down. It's a sharp descent over sheer granite, until the trail hits a straightaway through dwarf spruce, and meanders along the easy ridge to Firescrew. Up close, the white braids of quartz woven into the granite are tinged with rust-colored veins. The plateau has more growth than she remembered. Yellow grasses, fine and tall with delicate feathery seeds; junipers and low blueberry bushes everywhere." Highly recommended.

Great book! It is a very comprehensive review of Peter Pringle, the decoy maker, and contains many beautiful photographs. Everyone should buy this!

Peter M. Pringle: Master Decoy Maker by William C. Reeve (Professor, Department of German, Queen's University) and organizer of a showing of Pringle decoys for the Canadian Decoy and Outdoor Collectibles Association in October 2001) is impressive and biographical study of the late Peter Pringle, a truly gifted decoy maker for duck hunting. Chronicling Pringle's life through his death in 1953, and following the fate of Pringle's effective and artistic creations through extensively researched text and enhanced with both color as well as black-and-white photography, Peter M. Pringle: Master Decoy Maker is a highly enjoyable reading experience, and is especially recommended reading for dedicated duck hunters and appreciative connoisseurs of the specialized art of decoy making.

I rarely read biographies, but purchased this one because I know the author, and after drinking a few glasses of wine at a book-signing reception for him, felt compelled to do so. I was fully prepared to be bored by a dry historical biography, but was surprised to find an engaging book instead.

The definitive surgical text. Having tried many others, the Oxford Text Book of Surgery remains, in my view, the gold standard resource for any surgical trainee.

Perhaps the most amazing this is that this structure, visible from the Pullman highway, cost less than one million dollars to build. What a bargain when one considers that this building does for the UI what three separate facilities do for WSU if one discounts the differences in the athletic conferences. This slim book details how Trus Joist Corp. of Boise, ID, coordinated engineers and contractors and built the largest indoor college facility in the nation using laminated veneer lumber and the TRUSDEK structural system developed by Trus Joist. Not only that, they did it within ten months after the bid was accepted, completing the project in time for the first home football game. The author, Peter T. Johnson, knows what he's writing about. He was once the CEO of Trus Joist and he writes: "I remember the day in 1974 when the University opened the sealed bids in Moscow, ID. That morning, having experienced many times the bid, award, construct cycle, I felt the customary anxiety that prevails between the offer and the acceptance phases, as one might await a marriage proposal." Of course the bid was awarded and thus begins the union. And like many marriages, there were some interesting dips in the road. Warping due to weather moisture and other causes was a major concern. Finally, the project was completed and dedicated on Oct. 11, 1975. Its name is officially the William H. Kibbe-ASUI Activity Center Dome. Kibbie is a former UI student and was a monetary contributor to the project. Once finished, the Kibbie Dome received recongition in the architecture and engineering fields world wide. Engineering News Record, Architectural Record, Forest Products Journal, Western Building Design, and other major magazines covered the building extensively. Articles about the structure were published in the Japanes and German languages. The project's most prestigious nod came when the American Society of Civil Engineers (ASCE) awarded this impressive structure the ASCE Outstanding Structural Engineering Achievement Award for 1976 beating out a multi billion dollar mall project in New York State. In the last two decades plus, Palouse residents have come to take this awesome building for granted. "Raising the Roof" reminds us that great things can be accomplished with bold ingenuity and very little money, even in this 20th Century. I recommend this book to any and all architect students as well as those interested in local architectural history. Included are several beautiful photographs.

The multitalented William Morris is reknowned for many things, but in literary circles he's known for having created the first real fantasy stories, even before Dunsany and Tolkien. Though heavy on prose and light on plot, "The Wood Beyond The World" is an intriguing look at the baby steps of the fantasy genre.

After a disastrous marriage to an unfaithful wife, Walter sails away on a ship, but catches a glimpse of a beautiful queenly woman, a misshapen dwarf, and a lovely young slave girl. When he arrives in a distant land, he encounters all three in a beautiful house in the Wood Beyond The World, where the sexy, manipulative Lady is currently living with a cold-hearted prince.

Walter stays there as a guest, and falls in love with the beautiful Maid, despite her mistress's jealousy. But the Lady has taken a liking to him, and despite his love for the Maid, Walter is drawn in by the Lady's magical charm. And breaking free of the jealous sorceress could be fatal for himself and the Maid -- even if they escape, they still have to deal with the savage wilderness of the Wood Beyond the World.

"The Wood Beyond the World" has the distinction of being the first fantasy-quest novel, although it hasn't had nearly the effect on fiction that J.R.R. Tolkien and C.S. Lewis have had. However, it is an interesting read, especially when one considers that Morris had no mold to work with -- he thought it all up himself.

Morris chose to write in a very formal style, with plenty of phrases like "then waxed Walter wood-wroth," whatever that means. It's not a light read, and it gives the story the feeling of a half-forgotten myth rather than a straightforward fairy tale. And despite its formality, the book has plenty of exquisitely described moments, such as Walter eavesdropping on the Lady and her boytoy.

Unfortunately, Morris loses his grip on the plot in the last fourth of the book: the Lady and her evil dwarf are dealt with way too quickly. Boom, they're gone. The primitive Bear tribe is an intriguing idea that Morris brings up, and then drops. And the last chapters of the book feel contrived, as if Morris were trying to think up a happy enough ending. And he also seems to forget that Walter is already married, albeit unhappily.

"The Wood Beyond the World" suffers from a rather weak last quarter, but it's an intriguing and often beautiful read. And if nothing else, a literary milestone.

The multitalented William Morris is reknowned for many things, but in literary circles he's known for having created the first real fantasy stories, even before Dunsany and Tolkien. Though heavy on prose and light on plot, "The Wood Beyond The World" is an intriguing look at the baby steps of the fantasy genre.

After a disastrous marriage to an unfaithful wife, Walter sails away on a ship, but catches a glimpse of a beautiful queenly woman, a misshapen dwarf, and a lovely young slave girl. When he arrives in a distant land, he encounters all three in a beautiful house in the Wood Beyond The World, where the sexy, manipulative Lady is currently living with a cold-hearted prince.

Walter stays there as a guest, and falls in love with the beautiful Maid, despite her mistress's jealousy. But the Lady has taken a liking to him, and despite his love for the Maid, Walter is drawn in by the Lady's magical charm. And breaking free of the jealous sorceress could be fatal for himself and the Maid -- even if they escape, they still have to deal with the savage wilderness of the Wood Beyond the World.

"The Wood Beyond the World" has the distinction of being the first fantasy-quest novel, although it hasn't had nearly the effect on fiction that J.R.R. Tolkien and C.S. Lewis have had. However, it is an interesting read, especially when one considers that Morris had no mold to work with -- he thought it all up himself.

Morris chose to write in a very formal style, with plenty of phrases like "then waxed Walter wood-wroth," whatever that means. It's not a light read, and it gives the story the feeling of a minor myth rather than a straightforward fairy tale. And despite its formality, the book has plenty of exquisitely described moments, such as Walter eavesdropping on the Lady and her boytoy.

Unfortunately, Morris loses his grip on the plot iuickly. Boom, they're gone. The primitive Bear tribe is an intriguing idea that Morris brings up, and then drops. And the last chapters of the book feel contrived, as if n the last fourth of the book: the Lady and her evil dwarf are dealt with way too qMorris were trying to think up a happy enough ending. And he also seems to forget that Walter is already married, albeit unhappily.

"The Wood Beyond the World" suffers from a rather weak last quarter, but it's an intriguing and often beautiful read. And if nothing else, a literary milestone.

The multitalented William Morris is reknowned for many things, but in literary circles he's known for having created the first real fantasy stories, even before Dunsany and Tolkien. Though heavy on prose and light on plot, "The Wood Beyond The World" is an intriguing look at the baby steps of the fantasy genre.

After a disastrous marriage to an unfaithful wife, Walter sails away on a ship, but catches a glimpse of a beautiful queenly woman, a misshapen dwarf, and a lovely young slave girl. When he arrives in a distant land, he encounters all three in a beautiful house in the Wood Beyond The World, where the sexy, manipulative Lady is currently living with a cold-hearted prince.

Walter stays there as a guest, and falls in love with the beautiful Maid, despite her mistress's jealousy. But the Lady has taken a liking to him, and despite his love for the Maid, Walter is drawn in by the Lady's magical charm. And breaking free of the jealous sorceress could be fatal for himself and the Maid -- even if they escape, they still have to deal with the savage wilderness of the Wood Beyond the World.

"The Wood Beyond the World" has the distinction of being the first fantasy-quest novel, although it hasn't had nearly the effect on fiction that J.R.R. Tolkien and C.S. Lewis have had. However, it is an interesting read, especially when one considers that Morris had no mold to work with -- he thought it all up himself.

Morris chose to write in a very formal style, with plenty of phrases like "then waxed Walter wood-wroth," whatever that means. It's not a light read, and it gives the story the feeling of a minor myth rather than a straightforward fairy tale. And despite its formality, the book has plenty of exquisitely described moments, such as Walter eavesdropping on the Lady and her boytoy.

Unfortunately, Morris loses his grip on the plot in the last fourth of the book: the Lady and her evil dwarf are dealt with way too quickly. Boom, they're gone. The primitive Bear tribe is an intriguing idea that Morris brings up, and then drops. And the last chapters of the book feel contrived, as if Morris were trying to think up a happy enough ending. And he also seems to forget that Walter is already married, albeit unhappily.

"The Wood Beyond the World" suffers from a rather weak last quarter, but it's an intriguing and often beautiful read. And if nothing else, a literary milestone.

"The Wood Beyond the World" is many things but let me discuss what it is not. It is not a work of modern fantasy - that is, it does not have a high-paced plot full of swords and sorcery, peopled with rogues, wizards, goblins and elves. There is no attempt at the epic here. The story takes place with a limited cast of characters and only a modicum of natural magic. The lack of sword-play and the slow plot build-up may bore those accustomed to more "riveting" modern tales although patience is rewarded for the more persistent.

The book is also, most definitely, not a fairy tale for children. The hero, Walter, leaves his first wife for unfaithfulness and fares forth on a sea voyage, during the course of which he stumbles onto the wood beyond the world. Here he encounters difficulties of a romantic nature when he falls in love with the maidservant of the Mistress of the Wood. How Walter and the maid escape the Mistress' wiles is subsequently described in fairly adult terms, the Mistress doing her best to seduce the innocent Walter. While C. S. Lewis may have received inspiration for the Narnia series from this book (the Mistress seems an archetype of the White Witch and has Walter slay a Lion at one point) Morris addresses themes of purity and temptation with considerably more directness.

It is also not a typical Victorian novel, dealing with social mores, societal injustice or unrequited love. Rather it is an attempt to create a myth. Walter's entanglement with the Mistress of the wood and his eventual escape play out as a battle between seduction and guile on the one hand, and innocence and honesty on the other. The issue of trust and betrayal is of fundamental importance.

"The Wood Beyond the World" is, however, a splendid little tale, told in a romantic style and written in a pseudo-archaic english (a little practice with a King James Bible might be in order if you are rusty). The plot is full of tension and the descriptions of the Wood, the characters and the rustic scenery are all exquisitely painted. Morris was a founding member of the Pre-Raphaelite brotherhood and perhaps the best way to think of this story is as the literary equivalent of a Waterhouse painting - brooding, mysterious and enchanted.

How can you go wrong with a title like The Wood Beyond the World? I think it was C. S. Lewis who said that no book could live up to the titles which Morris gave to his books (this and The Well at the World's End), and he is correct. Morris does, however, come close, and delivers an excellent fantasy book, which is even more excellent considering that he had to come up with it on his own. He had no previous fantasy writers to base his ideas upon, for he, in writing this book, became the one from whom others drew their ideas. I came to read this book through C. S. Lewis influence. I was reading one of his books of letters, and in one he mentioned that he was reading this book, and he thought very highly of it. I also read somewhere else that this book greatly influenced Lewis' Narnian Chronicles, and when reading this book I could see what Lewis drew upon for some of his ideas. For example, he probably got the "Sons of Adam" and "Daughters of Eve" bit from this book, as well as the "wood between the worlds" in his The Magician's Nephew.

I think that this book is best described as a cross between George Macdonald and Howard Pyle, for the fantasy and magic seems similar to Macdonald, but the archaic writing style is extremely similar to Pyle's. Since I love both MacDonald and Pyle's works, I was very pleased to find an author who writes like both of them. I am hoping to find a copy of The Well Beyond the World soon so I can read that as well.

One last thing: the edition I have is a reprint of the original novel printed by Morris at his Kelmscott press, and has fancy letters and print, and it greatly adds to the magic of the story. I would hightly recommend finding this version if at all possible.

This is a solid biography of General A.P. Hill. The prose flows well and is easily followed. Descriptions of terrain, deployments, and the action of battle are clear and concise. The author makes vivid use of source material to delve into the motives of the figures involved, most notably in recounting the conflict between Hill and Jackson, and to show what Hill's contemporaries had to say about his military abilities as well as his strengths and weaknesses as a human being.
However, the author does presume that the reader has considerable knowledge of the was as a whole. He does not spend much time explaining the significance of many of the battles, places, and people he references, instead focusing more directly on General Hill's involvement. This is not a problem, but the more casual reader might be well served to have some quick reference material on hand to help them get the most out of this excellent biography.

Hassler's book is an interesting read of one the Civil War's overlooked generals.

Hassler covers many areas of Hill's life, including: Hill's early years, West Point education, and contribution in several Civil War battles (specifically: Williamsburg, Seven Days' Campaign, Cedar Mountain, 2nd Manassas, Antietam, Fredericksburg, Chancellorsville, Gettysburg, Wilderness, and Petersburg).

Particularly interesting were the descriptions of his tense relationships with superior officers (Jackson and Longstreet), his strong relationships with Lee and subordinate officers, and how he was well-loved by his soldiers.

While the book flowed well and the battle descriptions interesting, I would have liked to have seen more well-drawn maps so I could better understand troop movements. The lack of such maps is the only reason I give the book 4 stars.

Despite this, I highly recommend this book to anyone who wishes to know more about one of the Confederacy's overlooked generals. I also highly recommend James Robertson's new and more detailed book on A.P. Hill (I would rate his book better).

Robertson's work is a readable,even-handed treatment of this Confederate general who is overshadowed by his fellow Virginians, Robert E. Lee and Stonewall Jackson. I give Robertson high marks for not trying to inflate Hill's abilities while at the same time giving Hill deserved credit for his hard-nosed leadership of the Light Division. After Stonewall Jackson is felled at Chancellorsville, Lee promoted hill to Corps commander. What Henderson shows is that Hill possesed the verve and warfighting skills to be an outstanding division commander, but he did not possess the strategic vision required of a corps commander. While Hill and Lee had deep respect for one another, Hill clashed with both Longstreet and Jackson. Jackson arrested Hill for not following his orders during the Second Manassas Campaign. The sting of that arrest was an insult that would never heal.Robertson probes these clashes objectively and honestly. I reached the conclusion that the imperious Jackson and the proud Hill would never have gotten along in any age, in any setting. It certainly was not a case of right and wrong. Roberston explains that Hill's poor health is the likely result of a case of gonorrhea which he contracted during his West Point years. Roberston provides interesting details of the competition between George McClellan and Hill for the hand of Ellen Marcy. The picture that emerges of "Little Hill" is a courageous,noble warrior who was magnanimous to friend and foe alike. Hill does not rank as one of the top generals to come out of the Civil War, but he is clearly in the same class as Forrest or Hancock as a tenacious fighter.Hill's death only days before Appamatox has become a metaphor for the southern cause.Finally, one cannot avoid the poignance that the name of Hill was on the dying lips of both Jackson and Lee. A powerful testament indeed to a spirited fighter.

This is a solid biography of General A.P. Hill. The prose flows well and is easily followed. Descriptions of terrain, deployments, and the action of battle are clear and concise. The author makes vivid use of source material to delve into the motives of the figures involved, most notably in recounting the conflict between Hill and Jackson, and to show what Hill's contemporaries had to say about his military abilities as well as his strengths and weaknesses as a human being.
However, the author does presume that the reader has considerable knowledge of the was as a whole. He does not spend much time explaining the significance of many of the battles, places, and people he references, instead focusing more directly on General Hill's involvement. This is not a problem, but the more casual reader might be well served to have some quick reference material on hand to help them get the most out of this excellent biography.

Ambrose Powell Hill (A. P. for short) was one of the finest division commanders in the Army of Northern Virginia. His rise to corps command may illustrate the "Peter Principle," in which people rise to positions for which they are incompetent.

This book looks at his early life, including the triangular relationship among George McClellan, Hill, and Ellen (Nelly) Marcy. McClellan won Nelly's hand. Later, some Union troops wondered of Hill would have been less aggressive had he won Nelly's affections!

The story in this book begins with his youth and his early career in the army. When war broke out, he joined the Confederate army. The author, William Hassler, describes Hill's leadership qualities thus (Page 3): "A natural leader, Hill possessed that 'commanding resolution' which 'inspired by his voice, his example, and his personal appearance.'"

He showed a great ability with division sized command, leading what became known as "The Light Division," an oversized command that fought hard under him. His prickly nature came out with two corps commanders--James Longstreet and Stonewall Jackson. Both feuded with him. In fact, he was removed from Longstreet's command to Jackson's to get around the disagreement with Longstreet--only to see a second feud brew with Jackson!

His high water marks came at Second Manassas and Antietam ("and then Hill came up"). At the latter, his last minute arrival at the battlefield saved the day for Lee's forces. After Jackson's death at Chancellorsville, Lee reorganized the army and gave Hill command of a corps. His dicey health and perhaps his skill level were not up to the challenge., He performed poorly at Gettysburg and blundered badly at Bristoe Station. At the North Anna, he had another bad day. On the other hand, at Reams' Station, outside Petersburg, he thoroughly whipped Winfield Scott Hancock's by now degraded Second Corps.

This is a fine biography of Hill's life. I would have desired a bit more detail on the battles and some maps would have been be appreciated. Nonetheless, this is a good work.

Just a bit of warning for purchasers of this book! This account almost appears like it was written for a juvenile audience. Indeed, the preface denotes hope that it will serve as an "inspiration to the youth of today". Hence, keep in mind this is not a very scholarly read - although a glossary of artillery terms and diagrams is very helpful. Nice starter text, but this effort by Mr Hassler wasn't quite what I wanted - nor expected.

John pelham is truly a remarkable figure of the American civil War. reading this book allowed me to better understand the sterling character and superb strategical skills of this "Boy major" recommended for anyone who wants to learn more about "The gallant pelham"

As a lifelong resident of Pennsylvania with a great interest in the state's history and geography, I was hoping that this book would provide general knowledge of the little-known stories of Pennsylvania Indians. The big questions are, who were they and where did they all go? I did not find any useful answers to those basic questions. The book is merely a collection of dissertations by intellectually detached graduate students and professors writing in theoretical abstractions, in order to move a little higher up the academic ladder. So instead of enlightening history that can be enjoyed by the informed and interested layperson, we have analyses of historical "texts" (consider this term very carefully) used for exercises in obtuse postmodern theorizing, written in the usual dry and stilted language of academia. This is evident in the use of fatuous terms like "patriarchy," "gender construction" or "discursive antecedents." In fact, the book's laborious subtitle should have alerted me to what I was getting myself into.

The only consistently strong essay here is by Krista Camenzind, who finds connections between the social disruptions caused by the Seven Years' (French & Indian) War and the ruthless massacres of Indians by the Paxton Boys in 1763. Meanwhile, William A. Starna's look at the Iroquois diplomat Canasatego is an intriguing vignette of lost history. But otherwise, these essays sacrifice any and all insight into larger history and race relations, through an academic focus on very specific historical "texts," while assuming that the reader is already familiar with specific episodes and personages. This does a grave disservice to the interested layperson. The editors do even more damage to readability by chopping up the essays to the point where they begin abruptly with no larger historical backgrounds, and end abruptly with no big-picture conclusions. To enjoy most of this book, you would have to be each writer's academic advisor who is concerned about didactic research methods rather than learning and enlightenment. The rest of us will be better served by rootsy local writers and historians whose books can be found at local bookstores and tourist sites. [~doomsdayer520~]