University of Missouri Books

for those nay sayers, here is yet another text that reveals how "color lines" still exist, and more than likely always wil. read and follow his footsteps for those who are not african american and want to see it again, hear it again, and feel it again...racism and discrimination against africans and african americans here in the U.S. in 2001.

If you need to know.. this will let you.. if you need to read about it ... this will tell you.. pick it up read it and pass it on.

I put this book up and down over several months - and that was mostly an effect of the power of certain segments of the book.

The stories move through overlapping lives - and relationships. Universally overcoming their own obstacles - molestation, racismn, sexuality, living and dying... realizing one is aging. Strong and weak - the characters feed off of each other and show a need for one another even at their stubbornest moments.

Nina is the main character - but I aim to tell you - so that you give him your undivided attention - the real story is her little dog (who seems to have no name).

The book is strongest in the final two chapters - Chapters from A Dog's Life and Block Party. I smiled hard and cried harder through the final movements between Nina and her dog.

We are all witnesses to their ceremony...

Kelly Cherry's collection of short stories is an outstanding example of refined English language prose as well as a philosophical exploration into the meaning or meaninglessness of human existence. However, inspite of these grand subjects, Ms. Cherry often choses the most humble of subjects and the smallest events to story the plight of her sometimes hapless, often kind, characters as they forage for love and understanding in the Wisconsin college town neighborhood where these stories take place. There is heartbreaking irony and tenderness in these stories. Ms. Cherry deftly written sentences sweep the reader toward the edge of consciousness itself, and indeed we stare over the edge and into the abyss more than once, and then we are swept back again with great waves of emotion to the everyday existence we cling to. There is great humor in these stories as well as an undertone of darkness in every sentence. Only a poet of Ms. Cherry's brilliance could render such a remarkable display without calling attention to the language itself. These are stories, not merely for the student of literature but for the student of life. Above everything else there is a great reverence for human beings and their spiritual quest in a world that harbors few places of refuge for the vulnerable.

I bought this book because I came across a poem of Mitcham's a few years back which has become one of my favorite poems, "The Foolishness of God Is Wiser than Men." Though this particular poem is not included in this collection there are a number a very good poems here.

Many of these poems, including the best of them, deal with death and the relationships between parents and children. "Notes for a Prayer in June" describes a fatal car accident and how the author fears his son's judgement of him. "The Touch" describes a mother teaching her son how to dribble a basketball using it as a metaphor for how she "taught me what a softer touch could do,/how to go where I needed to, never looking down." "Home" has a beautiful stanza about a father playing a game with his children while "About Women" has a father trying to explain women to his son but realizing there are things he should never tell. "Last Words" and "Sunday" are both very powerful poems about a son losing a father.

There are other powerful poems here as well: "Epistles," which reworks the stories of the biblical figures Solomon, Salome and Jesus. And the poem sequence "Somewhere in Ecclesiastes" also has some powerful images though it, too, never strays far from the theme of death--the death of children and "unexplained death."

Some people find poetry of death & family too heavy. If you like this kind of poetry, however, as I do, you will likely find some poetry worth reading here. I have yet to come across a book of poetry that is uniformly powerful on every page but Mr. Mitcham does a very good job here.

This is one of the best books of poetry I have ever read. The way Judson Mitcham used his words and imagery packs a powerful emotional punch. Anytime you can feel the beauty or sadness of a poem in your gut, that physical feeling of being moved, you know you have found a good poet. Anyone who considers themselves an ardent fan of poetry must read this book to see what poetry is all about.

This superb book tells the story of an amazing man. His interesting life coupled with the author's determination to reveal his true story create a captivating read. I truly recommend this book; by reading it you will learn more about an important man in America's history; Stuart Symington.

This is the first full-length biography of Stuart Symington (1901-1988), Democrat from Missouri and one of the most significant political leaders of the middle part of the twentieth century. It is much anticipated, for the author has been at work on it for many years, but it is worth the wait. Born in Amherst, Massachusetts, Symington was educated at Yale University. In the 1920s and 1930s he worked as an executive for several radio and steel companies. He moved to St. Louis, Missouri in 1938 and became president of the Emerson Electric Manufacturing Co.

This was prelude to a career after 1945 in politics. Symington began working with the war demobilization effort at the conclusion of World War II, and in 1946-1947 was Assistant Secretary of War for Air. When the Department of Defense was established in 1947, he became the first Secretary of the Air Force, 1947-1950. In that context he established the newly independent Department of the Air Force as a co-equal with the Army and Navy and led the defense establishment into the cold war era. He served in several other public positions until resigning in 1952 to run for the Senate from Missouri. He served four terms as Missouri's senator, choosing to retire in 1976. Throughout his senatorial career Symington was a knowledgeable leader in international and defense affairs, as well as an able counselor to several Democratic presidents. He also ran unsuccessfully for the Democratic Party nomination for the Presidency in 1960.

James Olson's biography covers fully the broad career of Stuart Symington and ably pinpoints his skill as both a politician and an administrator. It is a valuable starting point for any study of his life and career. It should probably be read in conjunction with "Cold War Strategist: Stuart Symington and the Search for National Security" (Praeger, 2001), by Linda McFarland and George M Watson's "The Office of the Secretary of the Air Force, 1947-1965" (Office of Air Force History, 1993), both of which offer detailed assessments of Symington's role in the development of air power.

Allen Chapel AME Church in Kansas City, Missouri is prominently mentioned numerous times throughout the book. As a member of Allen Chapel, The Mother Church in Kansas City, Missouri; I was please to know how many aristocrats were past members. Good book for historical purposes.

Ms. Jo Lee Brooks

This is a valuable contribution to the field of African-American urban studies. Coulter tells the forgotten stories of a vibrant black community that develooped around downtown Kansas City in the early twentieth century. He tells the stories of men and women, professionals and laborers, young and old. This work will stand as a benchmark for the study of black communities in the mid-west.

I live in New york on the Island. I've always, always had a fascination with the old west, and in particular the state of Kansas.. even though I haven't yet been there. For Christmas this year, my mum gave me among other things, an actual Kansas license plate along with this book. I started reading it right away and it has been entirely engrossing. Very interesting individual tales, some are pretty short, so this is the perfect book to read while on the train. I love it.

Here's one for the history buffs out there. Kids and adults, read about frontier life in Kansas. This is an excellent addition to any library collection. -Native Kansan

I can't say more on the plot because it's quite obvious what the plot is just from illustrations of the novel. But on the "controversial" aspect of the novel involving the excessive use of the N word, people have to think of the time period that Twain is writing about and when the novel was published.
The novel takes place in Missouri (a slave border state) in the 1830s. We use the term African-American or black now. Before that it was Afro-Americans, coloreds, Negr--s. The list goes on and on. The overall attitude was that as the terms changed the previous one was seen as more offensive than the progressive current one. Yes, that meant there was a time when the word "colored" was used by people who considered themselves progressive in terms of racial attitudes. But in the Antebellum South the use of the N word was thrown around quite easily. And persons added positive as well as negative adjectives to it. It's strange to imagine that. We today only think of it in a totally negative way. But even when Twain published the novel in the 1880s the word was unfortunately not yet out of fashion.
Also consider the way Twain writes of Jim, the runaway slave. While the knee-jerk reaction is that Jim is a total vaudevillian caricature of what the perception was of blacks in the Antebellum South, his relationship with Huck Finn was something to be viewed as progressive. Remember that a decade before the novel came out; Reconstruction was over and left things a mess in terms of race relations. There was a lot of bitterness in the South over the Civil War (probably the most destructive war at the time until WWI), and a whole generation of southern white men took it personally when they were expected to be on the same level in terms of voting rights and other things with men that was formerly human property. For us today "all men are created equal" is a statement of truth provided we all have a level playing field. But for many southern whites at the time this was hard to swallow. In an aristocratic agrarian society, some men are just superior to others. And in the Antebellum South, just below poor whites were blacks. This was the way things were in their society for over two hundred years and the Civil War didn't suddenly end that sentiment among the many. But for Twain to write of a kind of comradeship between a slave and a young white boy was definitely progressive.
Maybe Twain was hoping to reach a young generation raised by their bitter parents and discover that they could have friendships with blacks and not succumb to an entrenching separatist animosity that developed into the Jim Crow Era. Huck and Jim work together in schemes and have fun. This friendship (which is why Huck decides to do what he does on the journey) is what Twain emphasized in the journey down river. This was counter to the way whites were acting with and around blacks at the time (1880s).
I think it's clear based on a certain reading of the novel that Twain believed whites and blacks could and should get along. While today it may not be seen as "progressive", it was when it was first published.

Everyone should read or re-read this classic. Most of us read it in school, probabaly not in its entirety. Schools struggled then and now with the use of the N word, although teenage boys in the 1830's clearly would never have heard a synonym.

These adventures are a classic. The royals were a hoot, how many failed fraudulent enterprises could they invent before the inevitable tar and feathering. Huck and Jim are on the run from an abusive father and the law, respectively, and Twain shows all people have a great deal in common, in spite of theories prevalent in the antebellum era.

I'm not sure why Tom Sawyer needs to show up to conclude this thing. The ending could work without him, maybe Twain not sure that Finn could carry the book or film alone.

This Norton Critical Edition is truly the best version of Huck Finn one could find, with the original Kempel drawings, footnotes that fully explain textual issues without being intrusive, and well-chosen criticism. It is invaluable to me as a graduate student, and would be just as useful to the casual but attentive reader.

Huckleberry Finn is a classic. Simple as that. It provides a look into what life was probably like for a 19th century boy. It was different than the life of children today, because today life centers around education. Back then, it was a regular thing to play hooky, even though they got in trouble for it when they were caught. And when they were punished, usually it was with a beating instead of `You're Grounded!'.

The book shows us how badly slaves were treated. They weren't even considered humans! It was like they didn't have feelings, and didn't see things the same way white people did. They way the slaves actually did think was odd. It was sad to see that they could slap a slave for no reason, and the slave would accept it either because they were used to it or they thought that whites were better than them.

Huck Finn is rather unrealistic in the aspect of adventure. I'm guessing most boys back then didn't run off with an escaped slave to Cairo. The way that Mark Twain wrote the book was different than other first/second person books I've seen. The dialogue was very much like the 19th century southern Mississippi talk. Sometimes it got hard to decipher what a paragraph in slave-speak meant because it was so obscure.

All in all, Mark Twain's writing style is different than the traditional Southern book, but that doesn't detract at all from the story. I liked it!

This book is required reading for my 16 yr old son....the
book arrived quickly & in great shape! Saved me driving all
over town to compete w/ other parents also looking!! Thanks!

This is by far the best biography on Laura Ingalls Wilder available. This is a scholarly, indepth look that goes beyond her books and looks into what made her a writer. Written for adults.

This is the real-life Laura and family. Biographer John Miller provides tremendous detail in a smooth, quick and fascinating read. Gives a lot of historic context from the time of Charles and Caroline's childhood through the 1950's, and many new tidbits about Laura's actual childhood. The most thought-provoking and disturbing section of the book is toward the end, covering the period between 1925 and Laura's death in 1957.

Rose, having worked and travelled all over the world as a successful author, came home to Rocky Ridge for some 9 years in the late 20's and early 30's. While there, she suffered frequent depression, writer's block, financial trouble, and a frustrating relationship with her mother, Laura. Yet it was at this time that she helped Laura begin the Little House books, the first of which was published in 1932. The collaboration between the two on the series has been a topic of contention among scholars, critics, and fans from the beginning. Here we learn the truth, book-by-book, on who wrote what, and how each felt about her role in the partnership.

This truth is enlightening and yet Rose's sad mental state and resentment toward Laura is a bit heartbreaking for fans who still believe in Pa's beloved, spunky, hard-working, Plum Creek-swimming, Nellie Oleson-hating, hay-making, bible verse-reciting, school-teaching, buggy-riding, half-pint who wanted nothing more than to send her blind sister to college.

This would be a very interesting book if I had not already read all the little house series plus the book where she went to Mansfield from DeSmet and the one where she went to visit Rose in San Francisco.

This is best read before reading the other books. The books by Laura Ingalls Wilder give more detail than any of the birographys by any other author.

I found this to be a good book, although I wish the author would have personalized Laura a little more. The ongoing battle between mother and daughter might have been overemphasized, but one comes to learn that this probably worked for both of them. I found a lot of good information, but the statistics were a little much. I found myself reading between the lines and wanted to get back to the meat of the story...Laura.

I recommend this book to any Wilder fan, for it does give us a glimpse into the woman she really was. Like anyone else, Laura was only human, faults and all.

Meloni Cassidy
Author of Everlasting Journey

I purchased this book to read about how Laura Ingalls Wilder became the celebrated author of the Little House series of books. I was very disappointed, therefore, that this uninsightful, dry, fragmented, and repetitious tome read more like a bad history book with too many statistics, facts and figures, rather than character analysis, leaving me with no more knowledge of Laura's character than before I read it. For example, after describing ad nauseum all the organizations and activities one could possibly participate in their town, the author states that we do not know if Laura and her family enjoyed any of them. It was frustrating to constantly read the words "probably, maybe, if, we can presume ....." The author makes too many assumptions and repeatedly expresses his inability to accurately understand and relay Laura's personal feelings due to the unfortunate lack of diaries, letters, and journals left behind by Mrs. Wilder. Relying too much on her daughter, Rose's writings, he portrays Laura as an overprotective, condescending, controlling mother and a domineering wife who refused to vow to obey her husband during their wedding. Miller is not quite sure he even believes Rose's unflattering portrayal of her mother, because she was mentally ill and emotionally unstable herself. This book contains so much one-sided information about Laura's daughter that it should instead be titled Becoming Rose Wilder Lane.

This books tells of a pioneer emmigrant that survives the panhandle Nebraska, as a farmer(more his 4th wife than him), when most people thought it couldn't be done. What a great story of a man, and what he puts his family through. This is no Little House on The Prairie.

I found this book to be very interesting. I have ready only one other book by Mari Sandoz - but recognized many of the titles listed inside. It's a tough thing to write about your father - and capture the uniqueness. She was able to describe him and keep herself as a "bystander" when much of his disciplinary methods were directed at herself and her siblings. She was also able to give the reader a preview of what the Nebraska panhandle was like as it opened up to settlement and beyond. I have lived in the Black Hills about 30 years ago - and I could picture her descriptions of the land very well. This is a book that supplements historical accounts - a "looking glass" view into the life of one man and how he viewed his corner of that world. I especially liked the end where she listed all the people who came to his sickbed. He was a force - and the reader should decide a "force for what?"

This is a book you can't put down once the first sentence leaps off the page at you. Vividly told, with accompanying pictures of the land and the people, it is one that was surely deserving of the literary honors it received upon it's first publishing. It is a story of a highly intelligent, manipulative, yet visionary man driven by many things; unrequited love which forever tormented him, an abusive inner nature that only needed the urging found on the untamed primitive Nebraska plains to emerge and effect the "control of others"; the obsession to "settle the country" and bring farms and families into a community that could survive all hardships toward a common goal. He was married six times; drove the weakest one of them into the insane asylum; and nearly drove his last and most tenacious wife to suicide during an incident where he struck her with a strand of barbed wire when she couldn't "hold a calf down firmly enough to keep it from kicking" while being worked.

It is also a history of the Valentine, Nebraska area, backed by historical facts "gleaned from the newspapers" of the times for a series of incredible events; including vigilante justice, a brush with a pleasant horse thief ("Gentleman Jim") in the hills where he was saved only by his ignorance of the circumstances; inhumane treatment of the plains indians (but amazingly, not by Jules) and persecution of his own kind by still others.

I found it amazing that Ms. Sandoz could write so objectively about her father in the effort to tell his story, but she considered it not only an honor, but a duty since he asked it of her on his deathbed; and I am sure the only reason that could be was perhaps at least partially due to the fact that Old Jules never established a bond with any of his children. They were a "product" to him; a means to accomplish a goal; a workforce. Therefore, it may have been easier for her to be brutally honest when writing of him.

Perhaps it was meant to be that way. Because the story is in a class apart and therefore, I highly recommend it to anyone seeking Western American History the "way it was" (although assuredly not all families were headed up by an Old Jules) rather than the "way it is sometimes told" in movies and other types of literature. I have a "First Edition" of this book - a priceless item, it holds a very special place in my home library since my own parents were early settlers of Wyoming.

Old Jules is not a bad book, it's just too long for one thing. The characters and their lifestyle are quite unique but their lackluster day to day existence needn't have taken up so many pages. If you want gripping, white-knuckle excitement, look elsewhere. The book is interesting from a historical point of view maybe but it just wasn't my kind of read. (Ho-hum........)

It's a long, boring book about some old dirt farmer out in bumf&*k, Nebraska beating his wife and having kids he doesn't love. The end.

I was very satisfied with the level of customer service that I recieved from Amazon.com. I also enjoy the opportunity to leave feedback, because I feel that it helps other people to navigate and purchase from Amazon.com with more ease.

I feel that the story of Celia is better than the book. I say that because the book can be very vague and too narrow at the same time. The author will go on and on (for pages at a time) about an irrelevant political issue in great detail and frequently makes statements like, "it is possible that..." and "it is unknown what happened..." about Celia's story. To me, it felt like the author was trying to fill the holes left by Celia's lack of historical evidence with other, well-documented events of the time period. I understand some background information is important but that was too much and it happened too often. Despite some of the issues with the book, the story itself is great. I was completely sympathic to Celia and wished that things turned out differently.

Based on the content and the depthness of the book, it would be a great book to discuss and read in a college course on African American history/literature.

I agree with another reviewer that this book read like a story out of a history textbook. Although interesting, I think this book would have better served its purpose if written as a historical fictiopn. Plus, I got tired of having to turn to the Notes section for supporting details and background information.

"Yet the lives of lesser figures, men and women who lived and died in virtual autonomy, often better illustrate certain aspects of the major issures of a perticular period than do (others who achieve national prominence)". The introduction my Melton A. McLaurin sets up a well researched and thought out work regarding the life of a female slave, caught killing her owner for raping her over a period of years. The author does two very important things very well in this book. He demonstates in very real terms the hopelessness of women in particular during this sordid period or American history AND he places in a timeline perspective just before the outbreak of the Civil War when tensions were high, especially in her "home" state of Missouri, where the stakes could not have been higher with the question of the expansion of slavery into newly admitted states was being hotly contensted. While it would be impossible to argue that she would ever get a fair "trial" McLaurin astutely walks us through a real defense team doing their best in a time period where ANY notion of fairness is null and void and, specifically, why this is the case.

This book is a must read for any serious students of the "peculiar institution". It is remarkable how the author takes an "anonomous" life and demonstrates how and individual could be and was treated as property and degraded to the depths of our ability to comprehend while weaving in the fast moving antibellum period and the legislation, politics and emotions of the time.

Everyone! Buy Celia, a slave! She's Celia, a slave! Buy four or five at least!