Columbia Books

As a longtime resident of this beautiful & remote North Pacific archipelago known as Haida Gwaii, I enjoyed Neil Frazier's guidebook very much. It is extremely informative in matters of interest to travellers in this unforgiving marine wilderness, the hard facts of survival. As well, the author shares his thoughts on the ongoing rape of the ancient forests of spruce & cedar for which the Queen Charlotte Islands are famous. His maps are accurate & current, his directions are lucid & easy to follow, and his advice is worth heeding. Very few of Haida Gwaii's 5000 full time residents have been to half of the places that Mr. Frazier has visited. And the author's extensive knowledge of the human history of these islands is evident throughout the text, and is usually reflected through entertaining anecdotes about Islands residents, past & present. The indigenous Haida people especially are portrayed in a romantic light that stirs the imagination. All in all, the book does what a good travel guide should do- it inspires me to want to load up my boat, and head off on an extended boat camping journey of my own, and to once again marvel at the endless majestic beauty that is to be found in every corner of Haida Gwaii.

As a longtime resident of this beautiful & remote North Pacific archipelago known as Haida Gwaii, I enjoyed Neil Frazier's guidebook very much. It is extremely informative in matters of interest to travellers in this unforgiving marine wilderness, the hard facts of survival. As well, the author shares his thoughts on the ongoing rape of the ancient forests of spruce & cedar for which the Queen Charlotte Islands are famous. His maps are accurate & current, his directions are lucid & easy to follow, and his advice is worth heeding. Very few of Haida Gwaii's 5000 full time residents have been to half of the places that Mr. Frazier has visited. And the author's extensive knowledge of the human history of these islands is evident throughout the text, and is usually reflected through entertaining anecdotes about Islands residents, past & present. The indigenous Haida people especially are portrayed in a romantic light that stirs the imagination. All in all, the book does what a good travel guide should do- it inspires me to want to load up my boat, and head off on an extended boat camping journey of my own, and to once again marvel at the endless majestic beauty that is to be found in every corner of Haida Gwaii.

"Boat Camping Haida Gwaii" guides readers not only through the waterways surrounding the Queen Charlotte Islands, but also through the history of the region, and the policies that continue to degrade these coastal areas. The guide is filled with detailed maps as well as pointers about where to land and where recent clear-cuts preclude camping. Even if you don't own a boat or a tent, you will still find the author's discussion of the past and possible future of these islands to be a useful guide for thinking about the fragility of the few "wild places" that are left, and about the price of ignoring the long-term effects of deforestation and overfishing.

"Boat Camping Haida Gwaii" is being reprinted by Northwest Coast Books and will be available from them and from Amazon before the 2008 paddling season. I am very happy about this, as Northwest Coast Books is physically located in Haida Gwaii, and revenues from sales of the book will now go into the local economy. The publisher, Janet Gifford-Brown grew up in Sewell, on Masset Inlet, accessible only by boat. She and her husband, Michael Brown, are experienced boaters who use this book for their own voyages. -NF

Also if you are not a sailer or not going by a kayak, this is a beautiful and great book for all lovers of these islands. I spent recently one week there and this book would have been an
enormous help for planning the trips. Beside the technical information about kayaking, the book contains a lot of
very interesting information about the history, the people, nature etc. Every time I open and read in this book, far away again from this paradise, all my impressions and pictures are
reviving. Should I ever have the chance to go again to the Charlottes, I would put this book at first in my suitcase.

I was so excited when i found this book on Amazon that i rush ordered it right away! You see, this book has been a personal favorite of mine for 25 years. As a boy growing up i would borrow this book from the library over and over. Since then, my interest and knowledge in sharks has grown but this is one of the books that started it all. A great book for experts, amateurs or the merely curious, The Book Of Sharks is a great addition to anyone's library who has an interest in sharks. Packed with lots of information, photos & Richard Ellis's beautiful illustrations, this book is a classic that stands the test of time!

When i was a kid growing up, sharks were (and still are) the greatest thing on earth. This book was the first book i ever read about sharks, although back then all i did was look at the pictures. I own the book still, and now that i am older, i know that is is one of the most thorough, and thought prevoking books dealing with this subject. It is a worthy entry in any shark lovers collection

Mr Ellis has written the most informative, detailed book on every species of shark there is. Anything you want to know about sharks is in this book. I have read many shark books and myself and my husband are shark lovers and we believe this book is superb. Definitely recommendable.

This book can serve as a great endtable book with itslarge-page (12.5" x 9") format and accurate paintings of avariety of sharks by R. Ellis, but this book is more than that.

The book has excellent illustrations, paintings, and photographs, and biographies of several prominent shark researchers, conservationists, and shark-hunters. But more importantly, this book does a good job of summarizing aspects of the biology, ecology, and evolution of this amazing and intruiging group of animals.

Is this "the" definitive shark book? I would say that's a safe statement for the non-technical crowd. The only thing it needs to keep the technical crowd happy is a comprehensive list of references to scientific literature that was used to provide the information detailed in the book.

If you are interested in marine life, and in the lives and times of this group of top predators, then this book is for you.

Top marks, even though some of the information is becoming somewhat dated.

Richard Ellis portrays sharks in their many-varied splendor - from the peaceful, inoffensive species to the predatory varieties. His paintings compliment the text and photos perfectly, and convey the beauty and wonder of these extraordinary creatures.

It's an uplifting story about the rejuvenation of wetlands previously made barren for cattle farming. I just ordered a copy for a friend. It would be a wonderful book for high school students to read as it involves adventure, animals, and the influence we (and the beaver)can have over the environment. I love this book.

One of the most famous books about Canadian province British Columbia, Eric Collier's gripping Chilcotin memoir `Three Against the Wilderness' (1959) is a classic homesteading account. Born in Northampton, England in 1903, Eric married a girl of Indian descent, Lillian Ross, in 1928. Two years later, in spite of his wife's hip deformity due to a childhood accident, the couple took a wagon, three horses and their 18-month-old son Veasy, along with a tent, some provisions and $33, and reached the Stack Valley where they lived in an abandoned cabin. In a few years they relocated to Meldrum Creek, ten miles away, where they lived in a tent and built their own cabin. He and his wife Lillian had promised her 97-year-old grandmother, LaLa, to bring the beavers back to the area that she knew as a child before the white man came. Collier imported several pair of beaver, and raised the area's water table sufficiently to reinstate the beaver population. He encouraged more humane trapping methods and increasingly turned his hand to writing. In 1949 he was the first non-American to win Outdoor Life's Conservation Award and in the 1950s the staff at Outdoor Life encouraged him to consider writing a book about his experiences as a pioneering conservationist and trapper. Written by longhand and then transcribed onto his Remington typewriter, Collier's recollections of 26 years of family life and 'roughing it in the bush' for Three Against the Wilderness (1959) were a hit, and soon condensed by Reader's Digest and re-sold in at least seven translations around the world. See abcbookworld for more details of this and other books related to British Columbia.

I read the `Companion Book Club' version of this book as a boy (about 11) and loved it - I expect I identified with young Veasy. It must have been condensed though, so I would recommend an original 1959 to 1960 hardback, although a new paperback version is being published soon (April 2007). Amazon resellers often have the old out-of-print hardback books for sale (mine was published by Hutchinson, London around 1960). They aren't expensive (a fiver or so) and have piccies of the log cabins, the family and local moose. The book has 270 pages of (quite small) text. The story would actually make quite a good film, and it is very sad that the book is now virtually unknown to the younger generation.

My father introduced this book to me when i was a young boy and ive been drawn back to it in the fall of every year since.I can tell you that you`ll find your self transported to a time when family was the number 1 thing in your life,it had to be because you totally realied on one another for everything.It gives you a feeling of hope that is allmost undiscribile.The collier family take me into there life every year and at that time i feel as if i am apart of their story. My thanks to them and i hope you have the same wonderfull experiance that i have had again and again.

My first contact with this story began in 1959 when my mother read the condensed book section in the Readers Digest to me and to two other small boys from up the road. She said that we sat spellbound. It was a good story then; it has been each of the multiple times that I've read it. The story is of a man whose father wanted him to be a lawyer in England but who came to B.C. in about 1921 and ended up on 150,000 acre registered trap line ---to which he reintroduced the beaver. It is an intensly personal and heartwarming story of a family as it faced the wilderness into which they had come. The world of ecology today needs to remember that there were those who took serious the simultanous protection and the use of the environment before today's jealots were born.

There was a time when, I think, every public and every school library stocked at least one copy each of Three Against The Wilderness, North To Alaska, and Crusoe of Lonesome Lake. That was before video games and role playing captured our youth's attention. Now, all three are quickly disappearing from our libraries.

Three Against is a heart-warming story of one Britisher finding himself in a remote area of Canada's British Columbia. In a search for a life he could enjoy among nature, he finds a badly damaged remote tract of land and decides to make a life for himself and his new wife (Native American) by restoring nature's grandeur by introducing beaver.

The story is one of courage and sacrifice and helps explain not only the early days of conservation but of how one man could make a difference in his environment by acting locally. Margaret Meade would have been proud as punch!

After you read this book, read North To Alaska and Crusoe of Lonesome Lake. You will probably do as I and keep a copy for reading every couple of years to remind yourself you can dream, you can improve your world, and you can enjoy living without too greatly harming the environment.

I owned three anthologies of traditional/classical Chinese literature during my undergraduate career and this is the only one I've kept. It is by far the most complete and comprehensive. Personally, I also prefer the translations in this volume. The editors did a great job of shifting through all of the available translations and balancing accuracy with a sense literary artistry. Trust me, it's worth the price.

CLASSICAL CHINESE LITERATURE : An Anthology of Translations, Volume I : From Antiquity to the Tang Dynasty. Edited by John Minford and Joseph S. M. Lau. 1176 pp. New York and Hong Kong : Columbia University Press and The Chinese University of Hong Kong, 2000.

Sometime in the 1950's, a committee of bureaucrats sat down in the People's Republic of China to create a new system of transliteration for the Chinese language. As Chinese Communists, they shared an extreme loathing for traditional 'feudalistic' Chinese culture. In addition, none of them of course were native users of the Roman alphabet.

The monstrous and deformed offspring of their lucubrations, which was approved at the 5th session of the National People's Congress on February 11th, 1958, is the system known as 'Hanyu pinyin.' Although a system designed by Chinese for Chinese, it was eagerly fastened upon and promoted by certain benighted elements of the Official West, and is, sad to say, the system of transliteration employed in the present book.

Pinyin has been condemned by no less an authority than scientist and sinologist Joseph Needham, distinguished author of the multi-volume 'Science and Civilization in China,' who described it as "extremely repulsive." Others, too, have expressed disgust with it, including American author John Updike, a man remarkably knowledgeable about China, who finds it "grotesque."

In contrast to the familiar, beautiful, sonorous and elegant names produced by the Wade-Giles system of romanization - names such as T'ao Chien, Hsieh Ling-yun, Hsiao Kang, Ch'u Kuang-hsi, and so on - pinyin gives us names which sound like they belong to a bunch of gorillas. Meet, for example, pinyin's "Kong Rong" (page 418), a distant relative presumably of King Kong. Meet too "Cao Pi," son of "Cao Cao" (page 628), whose presence may account for the many instances of "dung" (or is it "ding" or "dong"?) scattered throughout the book. Meet them, that is, if you would rather visit Minford's Beijing than Waley's Peking.

Pinyin's uglification of China's past is bad enough, but it leads to a far larger and more serious problem. Sinologist Victor Mair, who in his own fine 'Columbia Anthology of Traditional Chinese Literature' (1994) made the correct and sensible decision to employ Wade-Giles, cautions us that:

". . . the vast bulk of scholarly writing in English about Chinese literature employs Wade-Giles romanization. It would be terribly confusing and difficult for students without any background in the study of Mandarin (the typical student who will use this [i.e., his own] book) to try to follow up the readings with any sort of research if another sort of romanization system were chosen" (page xxxi).

So there you have it. PINYIN = Uglification + Confusion + a compounding of Difficulties, when anything to do with the study of China is already difficult enough. In other words, precisely what the Chinese Communists would have wanted : the beautiful made ugly, and the difficult made to look impossibly difficult to the general reader.

The only reason that editors Minford and Lau have condescended to offer us for the mess they have made in the present book is that pinyin is "now widely used internationally" (page lviii). In other words, dear general reader, it's trendy, and you're just going to have to bite the bullet and learn pinyin newspeak, or struggle with unpronounceables such as 'cen,' 'cuipin,' 'qiong,' 'xunzi,' or 'zhitui.'

A second problem with this book, since it lacks an index of titles, is that items can be impossible to find without searching through the entire 34-page Table of Contents. This difficulty is compounded by the Index of Authors, which is incomplete; amazingly it fails, for example, to mention Lao Tzu (Laozi), though extracts from the Tao Te Ching (but not its Chinese name) will be found on pages 202-206.

A third problem is that, judging by the pages of my own copy, there would seem to be a world shortage of printing ink. Instead of the print being crisp, clear, black, and readable, it's greyish. This makes it tiring and difficult to read (especially the footnotes which are printed in a miniscule font). It's rather like peering into a fog or mist.

A fourth problem is that there would also seem to be a world cotton shortage, since, despite its exorbitant price, the boards of this book are covered, not with cloth, but with mock cloth made of soft paper which is already showing signs of wear despite being brand new. But at least the printed pages are strong heavy stock, and the signatures are, as in real books, actually stitched.

As for the contents of this book (apart from their being liberally spattered with pinyin), they are, in a word, MAGNIFICENT! - Oracle Bones, Bronze Inscriptions, I Ching, Myths, Legends, Folksongs, Narrative and Philosophic Prose, Shamanistic Poems, Historical Wrings, Miscellaneous Prose, Women Poets, Drama, Literary Criticism, Ballads, Buddhist Writings, T'ang poets, Strange Tales, Zen and Taoist Poetry, etc., etc.

The book, in short, offers us a rich and brilliant selection of texts, in translations both literary (Pound, Waley, Rexroth, Snyder, etc.) and academic (Watson, Graham, Birch, Owen, etc.) - and contains almost every conceivable help and enhancement. These latter include full and informative introductions; extensive and useful annotations; numerous interesting black-and-white illustrations; seals; calligraphy; a few texts in the original Chinese; bibliographies; maps; an index of authors in both pinyin (full) and Wade-Giles (skimpy); and much else besides.

In sum, this book is clearly one of the richest and finest Anthologies of Classical Chinese Literature in English that we have ever seen. In terms of its contents it certainly deserves 5 stars. But in terms of the pinyin system which defaces those contents, a system which can be read with ease only by students of Mandarin - whereas if Wade-Giles had been used the book could have been read with ease by anyone - it deserves no more than a single star. Hence the 3 stars.

Who, after all, on opening a collection of writings by the refined, civilized, and highly intelligent ancient Chinese, wants to find instead a bunch of gorillas moving about in a mist ?

John Minford, one of our finer Sino-Anglo translators, here brings out a remarkably successful anthology of Chinese literature which stands together with the Norton's as a must-buy for lovers of Chinese literature. The book gives a comprehensive account of its beginnings from ancient classics (Book of Songs, Analects etc) to Tang luminaries Li Bo and Du Fu, using a collection of translations from Waley, Pound to Owen and Birch, while offering insightful annotations, readings and essays. There's a bit of everything: biographies, ballads, poetry, histories (a big genre in Chinese literature), and short tales, and a lot to delight the unsuspected.

Some things said in the last review seem so blatantly biased (and ignorant) I have to correct them there. There are actually very little difference between the Wade-Giles and the Pinyin system. Both are supposed to transliterate Chinese characters into Roman alphabets. So how can one makes Chinese more "beautiful, sonorous and elegant" while the other renders it like "gorillas"? What is important of course is how accurately they depict the spoken tongue. Pinyin does have an advantage over Wade-Giles in that it is more accurate: the poet Du Fu, transliterated as Tu Fu in Wade-Giles, is closer in Pinyin to the original, the Chinese character for "Du" pronounced with the consonant "d" (as in "death") rather than "t" (as in "tongue") in "Tu". The word "Beijing" is also better reflected (the two consonants, "b" in "bell" and "j" in "joke", are far more accurately rendered than "p" and "k" in Peking). It's sad that someone who obviously doesn't know Chinese tries to work his personal bias in others, and bringing out "critics" like Updike who doesn't know Chinese himself.

quote Tepi Tepi:
"So there you have it. PINYIN = Uglification + Confusion + a compounding of Difficulties, when anything to do with the study of China is already difficult enough. In other words, precisely what the Chinese Communists would have wanted : the beautiful made ugly, and the difficult made to look impossibly difficult to the general reader."

i agree with this absolutely, the part about PINYIN. given a choice i absolutely will NOT purchase any chinese translations with "modern" pinyin because it is not only ugly. it is because no one without the benefit of a chinese education, and therefore cannot actually read/speak chinese writings CANNOT do "pinyin" correctly.

(if you CAN read chinese scripts you would NOT be reading translations but the originals!)

pinyin of chinese into romanized english is s t u p i d.

for example Chin = Qin. "Q" is NOT pronounced "Ch" in english. "Q" is neither pronounced "Ch" in chinese. it is just too stupid. too difficult to even guess you are saying it right in english or chinese! Romance of the 3 Kingdoms: Tsao Tsao becomes Cao Cao. an english educated person without any chinese speaking/reading ability will pronounce "ka-o ka-o"! or Cow Cow.

in short to pinyin correctly you have to be able to speak/read chinese. when you speak to chinese who knows the works they will find your romanized-pinyin pronounciation extremely funny.

i implore all chinese translators to abandon pinyin! and return to the "earlier" methods of translations.

This is in response to the post below, which didn't comment on the book, and neither will I.

The use of pinyin is not stupid. Wade-Giles and pinyin are mutually unpronouncable or mispronounced by someone without training in the Chinese language. In my opinion Wade-Giles is even worse, though neither would do much good if you hadn't studied how to use them. (For example: Peking--Wade-Giles, when the Beijing of pinyin is much closer to the actual Mandarin pronunciation for someone without knowledge of how Chinese works. We also have the Tao/Dao issue--for those not in the know the first is Wade-Giles and the second pinyin. Reading the second if you only speak English is much closer to the standard Mandarin pronunciation).

In short, this is a refutation of the post below as it contained no useful information and is simply misleading.

Personally, I promote the use of pinyin as anyone who's studying mandarin now (or, I'd venture to say at least 99% of its students, and anyone studying in China) have to learn it. Furthermore, and contrary to the post below, it is useful for those of us who study Chinese, especially in a book where there are no characters for us to look at! We need to know the correct pronunciation, the way we studied it (pinyin), to figure out what they're talking about if it's not obvious from the context. In my experience pinyin is also more straightforward once the basics have been learned than is Wade-Giles.

....Now if we could only get them to include tone marks with the pinyin as well as characters (and I don't see why they can't do this) we'd have everything we could want.

(I rate a five in keeping with the rest of the posts here)

A timeless classic, though set against a World War 2 backdrop, this tale is a must read for anyone looking to disconnect from today's hectic pace and re-connect with a time when things were far less complicated. The lessons learned by the boys during the course of the novel, about themselves, friendship, and diversity to name a few apply as much today as they did when the story is set. A must read for the entire family, leaves you with just one question: when do we get to see this on screen?

I had forgotten how the world looks through a 10 year old boy's eyes. Cottonwood Summer is a refreshing and entertaining book with a blend of mystery, humor and boyhood sleuthing. You will find yourself immersed in the lives of Jase and his best friend Danny as they go about their day to day adventures in small town America during the period of the end of WWII. If you like reading books saturated with swear words, you will miss them in this definitely "G" rated material. I thoroughly enjoyed reading this novel.

A wonderfully readable tale of life in small town America in 1944. Filled with adventure, mystery, laugh-out-loud humor, memorable characters and heartfelt moments. Cottonwood Summer is a fun and entertaining read!

Why is Bill Cosby an excellent commedian? ... no filth! Why is Gary Slaughter an excellent story teller and author? ... no filth! Just plain ol' family values at its best.

Hardy Boys have nothing on Danny and Jase. We can't wait for the next in the series. My kids turned off their video games for this. Bravo!

Cottonwood Summer documents author Gary Slaughter as a master at creating loveable characters and an engaging story-telling narrative style enriched with humor and originality. Cottonwood Summer is a mystery with Nazi spies, nasty POW's, undercover moles, small-town values, and Gold Star mothers who will never see their sons again. Irreverent, touching, and a reader involving story, Cottonwood Summer is one of those novels so easy to pick up and so hard to put down. And when it is finished, sends the reader to do an Amazon.com author name search in hopes of finding other stories by this undeniably talented writer.

This remarkable novel was a random discovery; after finishing it I do hope that Han Shaogong finds a larger audience around the world.

A novel structured like a dictionary of a semi-real, semi-fictional town in a rather remote region of southern China, A DICTIONARY OF MAQIAO is a remarkable, dazzling creation - each 'dictionary entry' is a vignette unto itself, each of which gradually coalesce into something greater. Shaogong's Maqiao is a bit like Garcia-Marquez' Macondo or Faulkner's Yoknapatawpha County, a semi-fictional place upon which one can examine (and also honor and satirize) the varied contradictions and conundrums of a changing nation.

A DICTIONARY OF MAQIAO is set against the backdrop of the cultural revolution, though these political events don't intrude into the center of the story. Shaogong instead emphasizes language, specifically it's mutability and restless, dynamic evolutions, symbolic of life itself, and this tactic (or fascination) does serve to also place external events into some sort of philosophical perspective.

The end result is a novel that is fascinating, inventive and endlessly playful, with a vast cast of intriguing characters, and a captivating, cinematic precision. It didn't seem to get much attention when published in translation, which is highly unfortunate - it's a novel worth going out of your way to read.

-David Alston

Thank you, Han Shaogong, for a wonderful, thought-provoking novel. The fiction you deliver, cloaked in the garb of a regional history, transcends time, place, and language to offer an incredibly precise and well-crafted definition of 'being.' Your point concerning the importance of defining experience and expression on a scale less grand than that of global village is well-delivered and it imbues A Dictionary of Maqiao with a message of hope. As more readers come to this book, may it gain the recognition it deserves. We in Western culture are lucky to have this story available to us in translation.

This book takes me back to my home, a village in Southern Hunan Province, China, and to my childhood. When I was reading, the stories and the people jump out of the book onto my memory. It reminds me of my childhood friends, my relatives, the village doctors, the traveling smith and craftsmen.
When I was 6 or 7 years old, I often grazed water buffalos with my friends in the slops of Wuling (Five Peaks) Mountain. One day we saw a World War II bomb delivered by the Japanese airplane. We were so curious, excited and naïve. We moved it to the grain yard of our agricultural production brigade on the buffalos?back. Fortunately, the explosive was already gone possibly because of aging and weathering. This book forces me to recall the detail of this incident and reassure that nobody was hurt by our ignorance.
During that time our village was often visited by a locksmith, who is the one spoke "xiang qi?accent. He was tall with broad shoulders and white beard. He carried two cabinets covered by glasses on a bamboo pole. Whenever he came, we surrounded his workshop area in the grain yard. He was always accompanied by a young boy of our age. I never figured out why that boy would play with us while the locksmith was making the 5 or 10 cent deals with the adults. The visit was usually about two to three hours. Then they left for other villages. We saw them off in sun and in rain. They did not take away anything from us. But they brought us excitements every time.
In our area, we had village doctors they used to practice Chinese medicine in Jianxi province. They always told us that people from Jianxi province were our relatives. We greeted each other "Lao Biao? I would always have remembered them because I was often sent by my mom to ask for medicine help when our family members felt unease.
Our village also hosted two youngsters from the city. At that time, there were about 16 or 17 years old. They worked hard to learn and to grow up. I didn't know what was their feeling when they lived in our village. But I know the villagers are still talking about them and wishing them well.
I never had the habit to keep a dairy for my past. I have forgot many things about my childhood. The author of this book recorded the language I have used and the stories I have experienced. It reminds me many of my happiness and sadness.
If you want to understand Chinese society, Chinese people, and the rural areas in China, I recommend you read this book. The writing is crisp, the information is practical, and the stories are true. The translation is great.
At this pint, a pop-rice master is walking towards me from the book, with the black, bomb-shaped and air-tight rice cooker, the charcoal stove and the bellow on his shoulder. The black soot covers his face. His smiling reveals only his eyes and teeth. I hear the explosion of the air. Now, I am going to put a bag of popcorn in my microwave so that I will progress with the book and step back to my hometown with my uncle.

This masterful and quite heady novel tackles the history of a fictitious town buried deep in China, a place protected by rivers and mountains. When a a "sent-down" worker from the city joins a group of urbanites to live in the town, they discover a place that's almost a metaphor for Chinese life -- cast in reverse.

Han Shaogong guides the reader through the fictitious author's "dictionary" of Maqiao, which acquaints us with a baffling set of customs, and a people who view themselves as a kind of "Middle Kingdom," in which the outside world is shunned. The novel becomes an inventive expose of Shaogong's sometimes profound insights into the restrictions of culture and language. The book's episodes can be rigorously dry or unexpectedly moving.

The diligent reader will be rewarded. The depth and honesty of Shaogong's insights reach to the present day, and his small town of Maqiao is certain to leave a deep impression. This prize-winning novel is a dictionary that compels your interest and enjoyment..

In 1970 16-year-old Han Shaogong was sent to the Southern Chinese village of Maqiao in Hunan Province to plant rice and tea as a member of the Educated Youth. During his years in Maqiao he carefully made notations of the differences in culture, customs, and language that he observed as a stranger. Later in his life Shaogong became a central member of the Root-Searching Movement that aimed to undermine and reverse the thought-control mechanisms instituted by the Cultural Revolution and rebel against the highly-structured controls on literature, language, and aesthetics. Shaogong returned to his observations of Maqiao and developed this book to further the movement. THE DICTIONARY OF MAQIAO is structured as a dictionary with 110 entries, but it is not a tedious index of words and meanings; rather this book provides small vignettes of how life, both human and natural, is lived in Maqiao. Shaogong's position as an outsider provides him with a unique perspective of the village. He detailed the often-eccentric habitants and their distinctive language that differs from his own. By documenting these cultural and custom differences Shaogong demonstrates how there is great variety and fluency of unlike the teachings of the Maoist doctrines. I loved reading this book and would highly recommend it to others.

i want to write Report on ` Enterprise - The Human Aspects `

McGregor's work is classic. This is required reading for executives.

Dr. Michael Beitler
Author of "Strategic Organizational Change"

Douglas McGregor's seminal works, The Human Side of Enterprise and The Professional Manager, debunked Taylorism and described a revolutionary way to manage people. He was the first to apply the findings in behavioural science to the world of business. Based on what had been learned about human behaviour, McGregor explored the implications of managing people in a different manner than tradition dictated.

Authors Gary Heil, Deborah Stephens and Warren Bennis assert that the nature of work today makes McGregor's ideas more important and relevant than ever before. This book revisits in a contemporary manner the most important question facing management today: given what we know about human nature, how should work be managed so as to unleash the vast creative potential of human beings? It applies McGregor's thinking to today's business world, proving again that the human aspect of work is crucial to organisational effectiveness. It also suggests how you can change your thinking and implement his ideas in your own business and workplace.

The authors carefully outline how to put McGregor's thinking into practice in your own business so you can devise a better performance management system, form and supervise effective management teams, build cooperation instead of internal competition, cultivate an intrinsically motivating, values-driven workplace and create a cause worthy of employee commitment.

When I was in business school (back in the Dark Ages), McGregor was considered the finest thinker about organizational behavior. He grasped that behavioral science offered great promise for making organizations more effective and more desirable places to be.

Everyone was excited about the potential of his assumptions about people in the workplace: Employees want to do a good job; they will make extra effort to learn and accomplish more; they have the potential to much more; and it makes great sense to get everyone involved as much as possible. At the time, it seemed like the first breath of fresh air in the stale world of corporate bureaucracies. Although I haven't thought much about McGregor in over 20 years, I realize that I was profoundly influenced by his thinking.

Reading this fine book gave me a valuable new perspective on McGregor -- that a central weakness of many companies and managers is that the comapny's leadership is not consciously aware of what it assumes about its employees. While almost every company espouses humanistic and empowerment ideas and ideals, many continue to operate in the same old command and control way. Most of the focus is on creating carrots and sticks to manipulate behavior.

Why don't people get it? McGregor had figured out that managers don't think much about their assumptions about employees. McGregor made the important point that everyone needs to determine what those assumptions are (Can people be trusted? If yes, use Theory Y. If no, use Theory X). What happens now is that many people hold Theory X beliefs that employees cannot be trusted and but try to use Theory Y methods (that they can), and the mixed messages keep everyone confused. 'I want you to take full charge of this project, but check with me before doing anything.' Sound familiar?

In particular, managers don't really understand Maslow's hierarchy of needs. As simple needs are fulfilled, psychic needs become more important such as working on something that will make a difference. Chapters 6 and 7 are especially good on how intrinsic personal motivation is created.

This book is excellent in that it contains a retrospective perspective on McGregor as well as some of McGregor's own key essays. I especially enjoyed Warren Bennis's essay on the weaknesses in McGregor's argument: How do managers get their needs served if they are always servant leaders (see Joe Jaworski's excellent book, Synchronicity to get an answer to that) and what is the role of the environment on the needs of the worker in the workplace? Clearly, the Internet is one example of a new force that irresitibly is creating Theory Y contexts for accomplishment, independent of what managers do.

The main weakness of this book is that it does not point out that the limit to Theory Y was that McGregory did not give enough detail to make it possible to know exactly what to do. See Bill Jenson's book, Simplicity, for the significance of this mistake by McGregor.

Whether you believe that employees cannot be trusted or that they are your first line of offense and defense empowered on their own, you will benefit from reading and thinking about the questions and topics in this book. It can be an important step forward toward helping you build an irresistible growth enterprise.

This book is a real gem. The 140 pages or so of outline on McGregor's ideas is invaluable. I've read Human Side Of Enterprise, but the way the authors explain theory Y brought a lot of light to my understanding of McGregor's ideas. McGregor's ideas reach much farther than I realized, and the authors are virtuosos at explaining the real profundity in the Human Side of Enterprise. I recommend this book highly, even to those well versed in this stuff. I also learned a lot by the modern examples (like Lincoln Electric and Herman Miller) of companies which follow theory Y. Douglas McGregor does not have all the answers. But even if McGregor is not the last word on management, all future thinkers will have to grapple with the ideas and the questions (so many!) that he put forth.

Here's a wonderful collection of diverse writings about New York City ranging from an account of Henry Hudson's 1609 voyage down the river that took his name to a very poignant piece about 9/11 by a member of Mayor Rudy Giuliani's staff. Articles by such well-known writers as O'Henry, Theodore Dreiser, Herman Melville, Stephen Crane, Scott Fitzgerald and John Steinbeck (all who have lived in the Empire City) are included. Each selection has a brief introduction packed with interesting facts about the City and the writer of the piece. A great read and reference.

Superlatives seldom meet the mark, except EMPIRE CITY. This is a book of superlative moods, the city of true night and day, and of gifted writers meeting on Gotham's every old and new corner. Each in their own time, they're overwhelmed by the city's human vastness, its diversity, even attracted to its loneliness - the city's unique ability to confer absolute privacy in neighborhoods and buildings that rise into the sky.

To paraphrase, one writer said, "No matter the hour, there's always something exciting happening in New York." Like rubbing minds with Jack Kerouac, or going uptown with Federico Garcia Lorca, and James Baldwin - or rooting for the Yankees with Bruce Catton. Last night I sat ringside at the Polo Grounds for the Firpo/Dempsey fight; the day before I broke my back as a laborer on the Brooklyn Bridge; tonight I'm taking the ferry to see Whitman's leaves of grass. And after that, supper at Delmonico's. If I have energy enough come morning, it's off on the Half Moon to discover Manhattan - and you're welcome to come along.

I haven't even scratched the surface, because there's always something wonderful to do in Jackson & Dunbar's superlative collection, EMPIRE CITY.

Editors Kenneth Jackson and David Dunbar have amassed an enormous collection of essays, letters, diary entries, and poems about New York written by New Yorkers and visitors to the city from the dawn of the modern age (ca. 1600) to just after the ravages of 9/11. While an overwhelming majority of the pieces are pro-Gotham, I was glad that Messrs. Jackson and Dunbar had the wisdom and integrity to present some works that express anxiety and doubt about New York's status. The result is an extensive, celebratory, sometimes warts-and-all biography of the world's greatest city. As Mr. Jackson remarked in the 1999 Ric Burns New York Documentary, New York is not a stagnant, static thing: "New York is always becoming". He and Mr. Dunbar are to be congratulated for reminding us that New York's biography is long, and with a lot more greatness to come.

Rocco Dormarunno,
author of "The Five Points, A Novel"

I bought this book as soon as it was in stores because David Dunbar, my former teacher, wrote it and he is a GENIUS. Reading the essays and stories between the covers was an even greater experience than owning the work of a friend. It now sits on my coffeetable, waiting for my next trip to Dobbs Ferry, where I will ask David to inscribe the title page with his autograph. Each essay is packed with all the feeling and emotion to be found in the city, in all of its people and buildings and history. To read this book is not simply to follow words on a page...It is to experience the greatest city on Earth. From Joplin to New York and back again, this book, and CITYterm, have together been one of the most enlightening opportunities I have ever had.

this book is a masterpiece for anyone on the search. if you are one of those lower east side hipsters who thinks theres no success like failure, but failure's no success at all, then this book is for you. it leans into the kernel, and asks the right questions from beginning to end. get ready to strap on your conceptual goggles and prepare for some authors intention. from joan didion's "goodbye to all that" to walt whitman's "crossing brooklyn ferry" this book keeps the faith all the way.

I recommend this book to anyone interested in understanding the culture around organic food. The writing is lucid, clear and the result is an easy read that's hard to put down. The book is worth the photographs alone, but Michael takes the reader on a worthwhile journey across North America, explaining the people and reasons why organic food is such a passion for a growing part of our society. His writing style results in vivid images of people and places and an understanding of why organic food is much more than just a yuppie phase. His passion for food, taste, farming and the quality associated with doing it right is infectious. And if that isn't enough, scattered throughout the book are recipes reflecting the different cultures of the people being profiled. This book is outstanding and the author is obviously a gifted writer / photographer. Would make a great gift for anyone even remotely interested in food, gardening or farming.

The book's gorgeous photography and sensitive appreciation of farming life make it a real winner for anyone with an interest in regional food, its proponents, and the beauty of small-scale agriculture.

This superbly written book, with its poetic descriptions and fascinating stories of the different farmers the author visited and interviewed throughout the country, had me dreaming about owning my own organic farm one day! Also, the wonderful recipes are definately a plus! What a wonderful read!

Writing this book from an organic farmer's point of view, Ableman gives one a sense of respect for the earth, the intricacies involved in its cultivation, the many different varieties of fruits and vegetables that exist and can be grown on small organic farms (as compared to conventional/commercial growers who use very few varieties), and the tender care involved by these family farmers.

One learns about the different herbal concoctions that some of these farmers use to feed their crops, comparable to the attention given when feeding a child. The nutrients in these soils are uncomparable to the conventional corporate farming, and organic farms do not use pesticides and chemical fertilizers. One can taste the difference in the organic produce. They are bursting with flavor.

One learns about sustainability and organic farming, about the many flavors, the exotic colors, and how the different animals cohabitate with the farmers, so that nothing is wasted. I particularly liked the descriptions of the sections on the
melons that emitted intoxicating musky smells, and blackberries that were so irresistible, the author went and gorged himself eating them in the patch. Yumm! We went and bought organic blackberries after reading that section!

One also learns that eating is an intimate relationship, and establishing a relationship with the local farmers in our communities is a wonderful way to learn where our food is coming from. These great farmers are feeding us, and what better way to eat food, then to establish a relationship with the persons who are growing it for us. One way to do that is visit a local farmer's market and sign up with a local farm that is a member of CSA (community shared agriculture). We did, and we love it!

Also, eating seasonal foods is a new concept for me. We're so used to finding any fruit and vegetable in any season in the supermarket, that the idea of something not being available at a given time is foreign to us. But once we start asking - where did these fruits and vegetables come from - and we see Brazil, or Argentina, etc. then things start changing in our minds. The transportation, the distance, the regulations... Hmmm. Canning and freezing fruits and vegetables when in season has become a pleasant option.

After reading this book, I'm also keen on working on my garden with my family next summer, of watching the different vegetables grow, and of tasting the fruits of my labor. I can't wait!

I recommend this highly to everyone!!

American agriculture is being re-created and re-defined by farmers and the people who grow our food, and Michael Ableman's journey to different farms blends a memoir of a farmer and photographer with a travelogue of his survey of others who are making a difference in the food world from across America. The different visions and experiences of farmers blend with discussions of politics, growing, and even with recipes for using fresh produce, making Fields Of Plenty an abundant gathering of crop wisdom and agricultural insights. Scholarly enough for college-level collections on agricultural studies yet accessible enough for public library holdings, Field Of Plenty: A Farmer's Journey In Search Of Real Food And The People Who Grow It is an excellent pick.

I love the text of this book, go ahead and buy it, I think it should be said that this book suffers from its format. The extra heavy pages and stiff hard binding are like those in a coffee table book and would be well deserved, if the publisher had included more photographs. As it stands, there is a scant one photo per farm profile, far too few in my opinion, especially having been visually tantilized by Ableman's beautiful descriptions. This leaves one mostly text, valuable and well written and worthy of your attention, in a book that is physically difficult to handle and read. I am hoping that publishers will read this review and remedy the problem in subsequent editions. Either add more "art" to justify the art quality of the book, or else make the book easier to curl-up with and read. I know folks who have put down the book, and not picked it up again, although they were enjoying it, and I believe that the book's physical attributes are to blame.

I was given this book by a close friend for xmas. I must say if you are busy and enjoy reading but can't afford the time to read long, drawn out books, then this is a perfect remedy. Lots of charming anecdotes, factoids and funny stories to relate to for everyday life.

A friend lent me his copy of Insights, Insults and Insanity about a week ago. Since then I have purchased 5 copies !! for my family and friends. I LOVE this book so much ! I can't wait for a Part 2 !

Thanks, Quint

I love finding books that you can just leave sitting around and pick up any time. Despite it's size it is almost like a coffee table book in that regard. Pick it up any time, open anywhere, and who knows what you might find, from stories about struggling with the modern world of smoke detectors (believe me I know), to some ancient pearl of wisdom from Confucius. A flaw might be that it doesn't have an index (the one reason I can't give it 10 out of 10), but on the other hand, searching for something you want to re-visit usually leads to new discoveries. I highly recommend.

That was just TOO funny!! I couldn't read all the way through it I was laughing so hard.

I bought the book at the U of A bookstore in Edmonton. It is a complete hoot.(The book, not the U of A bookstore). I have been repaying all of my e-mail friends that send me crummy jokes by sending them some of the funniest morsels out of the book. I bought it yesterday and have only made my way up to the dumb blonde jokes (of course, I have had to work a little since I bought it), but I can't put it down.