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the mystery manReview Date: 2000-10-27
PredictableReview Date: 2000-06-13
As in "White House", Truman relies heavily on her Washington memories rather than researching new ones. So instead of interesting and detailed insights into the Senate's back rooms, we get a lot of chats in restaurants and bars. Despite its title, there is very little description of Capitol Hill. Readers interested in juicy insider insights will be disappointed. With a few pen strokes, the book could be set in any city. A quick read, not bad, but lots of room for improvement.

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Baer is the heir apparent to Nemerov, Frost, and Yeats.Review Date: 1999-01-31
An "Unfortunate" first book.Review Date: 1998-03-03

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"The ship whose loss both devastated a nation and rallied it as we went to war.Review Date: 2008-03-26
The attack on Pearl Harbor has been covered in many books and films. It was an event that had so much to it that one wonders whether it can ever be covered perfectly. Even people who were there that terrible day;would have seen it very differently.
The thing about this book that is different, is that it concentrates as much as possible,on the USS Arizona;but not entirely.The fact that this ship's story has to be seen in its relationship to what went on around it that day.
The book does a good job of showing what it was like to sail on the Arizona from its earliest days and what it was like to be part of the crew the day she was destroyed.
As much as possible,the book concentrates on the personal experiences of several survivors who were lucky enough to live to tell their stories.
The book also tells what efforts were made to retrieve the bodies of the victims ,salvage operations,visits to the wreck by divers;and the decisions and things that were done to create the memorial that now exists. Complete lists of all the casualties,as well as survivors is included in appendix B&C.Also included in appendix D are all the funeral services held at the memorial for Arizona Men who were aboard the Arizona that fateful day,but have since died and requested it be the final resting flace of their remains with their friends.
The book includes 33 B&W photographs.
No one book can say everything that needs saying about the Attack on Pearl Harbor,so this book should be taken in that light.
I don't know ,nor do I imagine does anyone else,what details are correct and what are errorerous or simply careless researching.It seems others have critizied the book on these points,so I guess many of the details must be taken with caution.
The ARIZONA Story - commercial versionReview Date: 2005-08-16
The book is a dramatic story of a dramatic event that shaped world history. Having said that, there's not much else to say about it. It is the result of collaboration by three authors, one of whom is a retired U.S. Marine. It reads as though they each took one part of the story to write and the book was hurriedly cobbled together to meet a publishing deadline without adequate reconciliation of the different parts. Other than the personal accounts of the individual survivors quoted, I can find little new material in the book that isn't published elsewhere. I was disappointed in the inconsistant data in the books--such as calling ADM H.E. Kimmel an Admiral (4 stars), a Rear Admiral (2 stars) and a Fleet Admiral (5 stars) in the space of a page and a half. That part was obviously not written by the Marine, who would never make such a mistake in rank. There was also a discription of one of the surviors who, also in the space of a couple of pages was referred to as a "chief warrant officer", a "warrant officer" and "eligible for warrant officer" (a chief petty officer). Other similarly discordant data jangled the attention of a reader. Nautical terminology was sometimes used, sometimes misused, sometimes disregarded entirely. Many of the scenes were decribed repetatively and inconsistantly, not just from the different viewpoints of the different survivors but from the narative matrix connecting the stories. Details about the ship and the people were erratic and kept the reader off balance, trying to construct a picture of the events. The pace and feel of the book was inconsistant throughout and not of the caliber I'd have expected of a book recording events from the perspective of sixty years later.
THE USS ARIZONA: Down At Pearl And Down The Memory Hole.Review Date: 2006-03-18
THE USS ARIZONA was written by three authors (Jasper, Delgado and Adams), and was obviously written in haste with little collaboration and less intelligent editing. As it reads it is almost an affront to the memories of the men who fought and died on board, and to those who lived to tell about it. It gets two stars in their honor. The oral histories of that terrible December day are worthy of remembrance.
The memoirs of Regular Navy swabbies who called the ARIZONA home in the late 1930's and early 1940's are priceless. They give the reader a fine sense of what being a sailor on a battleship in peacetime was like: A spartan man's world of honest hard work punctuated by liberty calls in one of the world's most exotic ports of call.
The terrible and sorrowful recollections of the men who lived through Sunday, December 7th are likewise to be treasured. They are a testament to an America that was blasted out of a dolorous drowse of peace and yet immediately showed its best side. ARIZONA men tried to defend Hawaii, protect their ship, save their buddies, and turn back the invader. That the ship and her crew died in the doing takes nothing away from them at all.
Unfortunately, the book's flaws are so glaring that they detract from these finer points. The seams of the story, where one author left off and another began, stand out like scars. The tense shifts from third to first person, depending on who is writing. The changes in tone and changes in pace are jarring. So is the repetition of information. For example, we are told five times (and three times in two pages!) of the same modification made to Japanese aerial torpedoes.
It's a shame the authors were not up to their task. The book's recounting of the early history of the ARIZONA is spotty. We find out that the ARIZONA once ferried President Hoover, but we never find out where or why. Technical information on the ship is virtually nonexistent. The ship underwent several major refits in her career but almost nothing is said about them. Likewise, relatively little is actually said about Pearl Harbor, the ARIZONA's role there, the attack, or the damage to the ship.
Much of this is probably not so much the fault of the authors (whose qualifications to write this book are exemplary) as much as of the editors who simply did a BAD job, unworthy even of a high school "alternative" newspaper, such as:
"At 7:55 AM the sky was dark over Oahu...the sun glinted off the wings of the Japanese planes."
Hawaii is an admittedly amazing place, but even there the sun does not shine at night in the morning. Nor does gloom of night last until eight bells. We are told that the ARIZONA had taken on "a million" or "millions" of gallons of oil prefatory to sailing, but in other spots we are given precise (but varying) amounts which seem far too small, such as 3,300 or 5,000 gallons, a huge discrepancy. It would seem relatively easy to find out what the oil bunker capacity of the ship was (4,630 tons, or 9,260,000 gallons according to outside sources) but the authors leave us, carelessly, not knowing. Disdaining fact-checking as a luxury, apparently the editors confused oil tonnage and gallon capacity in their rush to get this book into print for the 60th anniversary of Pearl Harbor.
The book also lacks maps and diagrams, an unforgivable oversight in any book involving Pearl Harbor and its ships. The photograph on the cover of the Mass-Market Edition is NOT that of the ARIZONA, but of a much smaller vessel. Several of the photographs within the book are also of other ships misidentified as the ARIZONA. THE USS ARIZONA is peppered throughout with this kind of editorial slovenliness. It ruins this book.
Meant to be a paean to the ship and its crew, THE USS ARIZONA fails miserably, except where ARIZONA survivors speak in their own voices. It would have been profound to write a quality history of the ship instead of this patchwork job in which so much is unremembered, half-remembered and distorted.
Someone looking for the ARIZONA is well-advised to tread cautiously amongst the memory holes that Jasper, Delgado and Adams leave behind them. A visit to the Memorial, where one can experience the presence of the ship is a far, far better thing than this overall disappointing book.
Very Good OverallReview Date: 2004-06-25
The bulk of the book deals with recollections of crewmembers on shipboard life, with emphasis on December 7, 1941, obviously. These recollections form a valuable oral history of the ship, and though there are minor conflicts between the stories on a couple of details, they are heartfelt, well told, captivating, and historically irreplaceable.
Equally important is the story of the current preservation efforts of the National Park Service to manage the wreck. In particular, the stories of survivors who elect to rejoin their fallen comrades when they are interred in Turret Four are moving beyond all expectations, and reinforce the significance of the Pearl Harbor attack in their lives.
There are some minor errors in the book, many of which are typographical, for instance using "savage" instead of "salvage". Some of the errors are a bit more careless as in a reference to 'General Yamamoto', when he was, of course, and Admiral, and going back and forth on whether the 'Arizona' was tied up at quay F-7 or F-8 (I believe it was F-8.) These are pretty nit-picky, but need to be mentioned. The book does have a couple of standout features in the five appendices. Appendix A is an excellent, if brief, overview of the key events in the Pacific war, Appendix B is an 'Arizona' casualty list, Appendix C is a list of 'Arizona' survivors, and Appendix E is a list of ship casualties of Japan in World War Two. Appendix E makes a sobering statement, that I have never heard anywhere else and found utterly fascinating: "Of the attacking Japanese fleet that initiated the war against the United States on December 7, 1941, all ships ended up on the bottom of the sea by the war's end except one midget submarine." As horrible as Pearl Harbor was for the American forces, the whirlwind reaped by Japan, in the end, was no less ferocious.
Arizona, The ship before, during and after the day of InfamyReview Date: 2007-12-16
The interviews of the survivors and history that covered the time before December 7th was something new for me in that it gave me a new perspective of life on the Arizona. I did not really think about the fact that battle ship was over 20 years old and been around the world. It was good to be reminded of the daily routine of the sailors and how much the ship was their life and home. It gave me a new appreciation of the impact her loss and the other ships' of Pearl Harbor had on the sailors that served in them.
The part afterwards about the memorial and the ship today was a good conclusion. Understanding the Navy's attempts at salvage and finally settling on leaving her as a memorial shed new light on how she got the way she is. I really appreciated the accounts of the burial of survivor's ashes back aboard the sunken ship. All in all I felt a certain closure with this book and have a better understanding of what the USS Arizona means to me and other Americans.

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An interesting readReview Date: 2003-09-22
Mac Smith is appointed by the Vice-President Angrile to go to Mexico to oversee the elections there. There have been a series of murders lately ~~ and it all points to the ruling class in Mexico ~~ as they fought to keep the political powers in their grasp. Stories and rumors fly about in Washington and Mac Smith is right in the middle of it. His wife joins him on the trip to Mexico and they're in the midst of all the excitement.
It is a fast read ~~ an interesting one. But if you're looking for a book with some substance to it ~~ this book would not be it. It is just a fast mystery read that you don't have to think about the characters much. It's a perfect read for a lying-in on a blanket while enjoying the fall colors.
9-22-03
the best murder mystery by Truman by farReview Date: 2000-01-17
Makes U.S. Mexican Policy first priorityReview Date: 1999-08-15
A good yawn?Review Date: 2001-07-22
LOVE The Capital Crime Series!Review Date: 1999-10-13

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Never received the book ...Review Date: 2005-09-23
I would not deal with this seller again.
3.5 stars really ... Worth a read...Review Date: 2004-02-14
It was nice to go back and visit again... but next time i want aces and jokers...
Super ReaderReview Date: 2007-08-01
Plenty of aces make cameos, even Cameo, not to mention Demise. So lots of old favorites are around. Peregrine's son, also, as a teenager.
Fidel Castro has a different job, and Grace Kelly's husband has been very good for her, as two of the more tongue-in-cheek tales unfold.
You like Wild Cards, or this sort of thing, you will certainly like this. This book a series of stories, again.
Wild Cards 16 : 01 Storming Space - Michael Cassutt
Wild Cards 16 : 02 Four Days in October - John J. Miller
Wild Cards 16 : 03 Walking the Floor Over You - Walton Simons
Wild Cards 16 : 04 A Face for the Cutting Room Floor - Melinda M. Snodgrass
Wild Cards 16 : 05 Father Henry's Little Miracle - Daniel Abraham
Wild Cards 16 : 06 Promises - Stephen Leigh
Wild Cards 16 : 07 With a Flourish and a Flair - Kevin Andrew Murphy
Shoestring spaceflight triangle.
4 out of 5
Kid reporter baseball investigation.
3.5 out of 5
Comedy babe's secret Sleeper save.
3.5 out of 5
Centaur porn and the beauty secrets of the famous.
4 out of 5
Priest protection to prevent a Demise.
3 out of 5
Petrified of family life.
3 out of 5
Hats in fashion unto the seventh generation.
4 out of 5
One story stands out.Review Date: 2003-12-21
Daniel Abraham's story, "Father Henry's Little Miracle" is the best short story I have read in sometime. The two main characters of the story are Father Henry and Gina. When I had read the story, I really wanted to take Father Henry out for a beer, and I really wanted to sleep with Gina.
The Return of a Great SeriesReview Date: 2003-03-11

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Osam BinmodiaReview Date: 2006-03-17
OK, but I guessed the murdererReview Date: 2006-03-22
Church politicsReview Date: 2005-12-19
A woman discovers the lifeless body of Paul Singletary in the Cathedral. George St. James, the Bishop, calls Smith. Before the police can be called by the Bishop and Smith they arrive on the scene, summoned by an anonymous woman's call. The dead man has a surprisingly expensive security system at his apartment. He had been a Navy chaplain. A charity in which he had been involved, Word of Peace, has been infiltrated by the security service, the CIA, and by M15 on the British side.
Shortly after Singletary died, his friend Priestly, an Englishman, dies too, having been hit over the head with a candlestick. A friend of Singletary, a Miss Morgan, is an undercover agent for M15. Clarissa Morgan is supposed to retire to the British Virgin Islands. It seems that she had fallen in love with her subject, Paul Singletary.
The choir director at the Cathedral is about to take a job with a church in San Francisco and has given very short notice. A friend, with CIA contacts, tells Mac Smith that the Bishop should disassociate the Cathedral with the organization, the Word of Peace, since it has become filled with hustlers and secret agents.
Next there is an FBI sweep of the Word of Peace functionaries. The charges handed down include extortion, fraud, conspiracy, and spying. An exciting scene transpires in the Cathedral involving Miss Morgan, the canons, Mac Smith and his wife, and a young choir boy. This book is very cinematic.
tedious at bestReview Date: 2006-10-26
Truman's descriptions of church activities and goings on have no natural feel - which is unfortunate because her other books were so much better and somehow managed to "feel" right.
My audiobook version was read by Emmy award-winning actor Rene Auberjonois (from Benson and Star Trek: Deep Space Nine). he did a remarkable job with the many accents required. His female voices even sound like they were read by females! A+ for the reading.
Overall score for the book: D-
Typical but also InterestingReview Date: 2004-07-29

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Taste - a viewReview Date: 2008-05-31
Spot on.Review Date: 2008-05-09
decent human education and I applaud her in these efforts. It is
critical in this day and age that we hone our skills in civility,
rather than give in to the overwhelming trend to "trash" such skills.
My Taste: Is It All In My Mouth?Review Date: 2008-09-11
My first thought is that such a lady might not find my various pleasures at all tasteful. What might Letitia Baldridge have to say of my longing for a seated Guanyin figure in my hosta garden? (No, I'm not Buddhist.) My husband argues that it should be St. Francis. (No, he's not Catholic.) Ornamental concrete desires aside, could it be that my taste is all in my mouth?
After reading her book, I imagine that Ms. Baldridge would intone, "Yes, Tricia, your taste decidely resides in the uppermost cavity of your digestive tract." If she even deigned to consider anything as mundane as my middle-class material yearnings. This book is a fawning reminisce of Baldridge's high society glory days beginning in the late 1940's and reaching a zenith during the Kennedy administration when Baldridge was a staff member of Jackie Kennedy. Baldridge worships Jackie Kennedy and speaks affectionatedly of her many other associates, all members of the cultural elite during the Camelot years.
This extolling of aesthetic virtue became increasingly obnoxious the more I read. I am unclear about the purpose of the book. Is it a guide for the newly rich, a discussion of what constitutes good taste, or a personal account of working with high society during Baldridge's youth and early adulthood? I believe the latter, though the title implies the two former.
What is most grating about the incessant cooing over the privileged class is that the consumption of beautiful objects on such a grand scale requires scads of money. If you have wealth enough to allow the purchase of original works of art by the old masters, well then, it is easier to be in good taste, isn't it? Women such as Jackie Kennedy had scores of advisors to guide their sensibilities, making one wonder how many of their choices were a result of innate good taste, and how much a result of the advice and talent of others.
Primarily, a compilation of dropped names and fond memories, a few snippets of patronizing counsel are sprinkled throughout. I recognize Baldridge as an educated woman of varied, interesting experiences, and I was astonished that such a talented author of etiquette manuals, no less, should be so out of touch as to give the facile advice,
"You may have an excess of ugliness before you, but the wonderful thing is that you have the power to change it. Organize your staff...Buy some fresh new lampshades for decrepit old lighting fixtures...Teach your daughter how to decorate food platters." (pages 226-227, @2007 St. Martins Press, first edition)
So would little ol' middle-class me be able to acquire what money can't buy? According to Letitia Baldridge, no-I don't have enough money.
Tired material with a whiff of the "has been."Review Date: 2007-09-13
BlandReview Date: 2007-09-24

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yes, still relevantReview Date: 2002-11-18
The original "Democracy in America" is a well known university source of reference even now .In 1826 a French nobleman A.de Tocqueville devoted himself to study the American ideas concerning life under American Democracy started 200 years ago by the Pilgrims. He found the American character did not fundamentaly change, and the success of America is a direct result of its principles, which remain stable even when circumstances change. Ledeen 's analyses of them in today's conditions ( he describes the important characteristics and ideals ) as alive and well. The dynamic mindset for continuous improvement is more then materialism. Initiative is a permanent state of mind, esteem of personal liberty results in individualism and deep religious conviction gives a base for morality in dealing with the neighbour.
Equality is taken for granted in spite of status or wealth. This is true in the west as well as the east where the original settlers started. Northern neighbour Canada, is different, regimented and respectful of old world systems even though the nature and climate are similar. Americans created something new an free, left behind old habits and goals. Having lived in Europe and Latin America it impressed me as liberated from burdens of superficial formality .
He detects that Americans drive for a change. Every generation adopts new discoveries, destroys the old system and obstacles ruthlesly, expecting their sons to do better then the fathers.However they do respect the basic principles. There has been a confirmation by many that America can stay good even if there are many risks.
Tocqueville's insights into the American worldview and its application by the wide public led him to forecasts and warnings about the future expressed in detail by Ledeen. The future developments will bridge over fads like American feminism, Africanism and other trends ,as well as views of "intellectuals" who are considering themselves culturally superior and try to influence the political elite . They are for controls of centralized state and, as one of the powers of the expanded state they advance, removal of religious discourse from public forum. Tocqueville found and the recent polls quted by Ledeen still confirm it, that that the overwhelming majority of Americans do not agree with the anti-religious intellectuals and judges. The advice is: religion is a guarantee of freedom, as his native France has tested by trying to supress it.
...
Ben Benda
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Polemical tripeReview Date: 2000-12-11
A Steppingstone to `Democracy in America' Review Date: 2005-07-12
The importance of de Tocqueville is that he presents an American character that made America great. Whether you are of the Right or the Left, you cannot help but compare those character traits with our current... well, you fill in what you will.
A negative with Ledeen's work is his loss of focus by deviating to address President Clinton. I regret to say that was out of place.
Sloppy Implementation of a Brilliant Book ConceptReview Date: 2000-12-14
The concept of the book is to summarize de Tocqueville, and then to test his observations against what has happened since. I have not seen that done before, and looked forward to seeing the results.
When Michael Ledeen is describing de Tocqueville, or political thinking of that time, the book is superb. If the book had stopped there, it would have been a five star book. So if you want to read it for that background, you will be well rewarded. Alternatively, you can read de Tocqueville directly. I would prefer the original, but either would serve.
In his contemporary commentary on America, Mr. Ledeen is basically giving us a political sociology analysis. For such work, it is helpful to have facts that look from various perspectives and dimensions. The first problem with this book is that Mr. Ledeen prefers to give just one anecdote or one fact, and build his observations from that. That approach works well for stimulating debate, but falls short of being convincing about our unique character. I found this approach very suspect.
Second, Mr. Ledeen prefers to always come at the problem from the perspective of being paranoid about losing our ideal character. I think his point of view is a valid one, but there are others. For example, one can also talk optimistically about how we routinely avoid certain traps (like having the best people decide to become politicians, or failing to use private institutions to serve important social needs). Those other perspectives are missing. The result is a book that seems like an anti-Democrat (as in the political party) rant in many places.
The third problem is that the book seems to have been weakly researched. Facts and details seem just a little out of focus, as though drawn from long-remembered impressions, rather than real knowledge or research.
For example, I rarely see Jack Welch's (the famous CEO of General Electric) name misspelled in any publication or book. But in this book, he was "Welsh" all the way through. Now, I believe Mr. Welch is an Irishman by background, so I don't think it's an accurate description of his familial history, either.
Then, the book goes on to describe his Mr. Welch's pronouncements of 1980 as creative destruction. The ideas that Mr. Welch advocated in that year were well established and broadly in application throughout American business when he pursued them. He primarily was advocating that the company stay in businesses in which it could be the leader or have the second place in market share. He solved the company's deficiencies by simply selling the lower market share operations, not by destroying them. For example, Utah International (a mining operation) was sold within months of his taking the helm. It was only later that Mr. Welch began to downsize the remaining General Electric operations to get rid of excess layers of bureaucatic fat.
The ideas Mr. Welch advocated later in his career were actually more important to General Electric's success, such as freeing General Electric Capital to be very entrepreneurial, focusing on leadership training, and implementing Six Sigma. So at best, Mr. Welch is misdescribed due to misfocus in Mr. Ledeen's example. At worst, Mr. Ledeen simply doesn't seem to grasp the example. There are several other sections of the book that display these kinds of fundamental flaws about contemporary observations.
As a result, I have to grade the analysis of current society somewhere in the two to three star range, creating an average of three and a half or four stars for the whole book.
After you finish reading this book, test its thesis by thinking about the evolution of American business. De Tocqueville did not have too much to say about that institution. Mr. Ledeen has somewhat more to say, suggesting it is an inheritor of the free association tendency of Americans. But I wonder if it is not something more. Is it not the case that business is replacing many of the other institutions in its effectiveness and broader social focus? Now that theme would make an interesting book.
Guard your liberty jealously, from all who threat it . . . including a greedy or thoughtless majority, sloppy thinking, or corrupt leaders. Trust must be earned.
Serves the Neo-Conservative agenda of distractionReview Date: 2004-01-15

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Albert Giraud's Pierrot LunaireReview Date: 2007-05-09
Parmi.
Don't Drink the MoonbeamsReview Date: 2005-07-18
I first came to Pierrot Lunaire through Schoenberg's work and was horrified. It wasn't just the awful atonal music, but the imagery of a psychopathic, homicidal clown that was disturbing. Of course, like most people, I know clowns to be the blood sucking spawns of satan that they are, and find nothing amusing about them. After researching the Commedia a bit, I came to realize that Pierrot isn't exaclty a clown in the modern sense, but more of a comic entertainer. I now picture him as a euro-Emo Philps type. Much more palatable...or maybe not. Anyway, once I overcame my initial revulsion, I began to see the beauty in this work. The poems are exquisite, playful and heroic. Human nature is exposed from all angles. The sequencing is different in the original than in Schoenberg's work and I haven' quite figured out what Giraud was up to with his ordering of the rondeaus, while Schoenberg's was clearer to me.
I would love to see more written about the poem as well as about Giraud. he is apparently considered a minor figure in the poetry world and little is available.
the white clown prowls at midnight, midnight prowls in himReview Date: 2004-11-26
Pierrot is an archetype and Pierrot struck by the moon and left to reel through a phantasmagoria is even more of an archetype. Pierrot, the poor white clown, is not merely a victim of human persons he becomes a victim of moods, states of exalted or lowered conciousness, a victim of the moon, at last a victim of himself. He commits suicide - what else could he do? - but he comes back to haunt the night like a vampire sent by demons to prey on himself.
The images in this dream cycle are lurid, apocalyptic, and - unaccountably but wonderfully - witty.
A witty apocalypse? Read these poems for yourself. You will behold at its beginnings one of the strangest movements to sweep ( or should I say creep?) through the arts and letters of European civilization: a deep obsession with the famed commedia del'arte or commedia del'italia. The commedia del'arte was popular entertainment for centurys; a story of the white clown and other figures such as Columbine and Harlequin. Something aristocratic, child-like, and utterly decadent in the European soul seized on this rustic fun and transformed it into an aesthetic wonderland part ecstatic, part enchanting, and part ominous.
What, after all, does Pierrot truly signify? And why was the Belgian poet Albert Giraud mad enough to try and hint at it with draggers?
Faithful to the FrenchReview Date: 2007-08-25
Compared to the actual poems, as Giraud wrote them, Richter's translation is nuanced and sensitive to the context. Moreover, he manages to present them without comment, which is essential to the Parnassian aesthetic and extremely difficult to do. It is much easier to translate the Hartleben translation into English than the Giraud original.
For more about Giraud and Hartleben, see: Pierrot Lunaire: Albert Giraud, Otto Erich Hartleben, Arnold Schoenberg : Une Collection D'Etudes Musico-Litteraires : A Collection of Musicological and ... (Republique Des Lettres (Louvain, Belgium))
Wait for another translation. Lifeless translation.Review Date: 2003-11-10
"O Moon, nocturnal phthisic,
On the black pillow of the skies,
Your huge and feverish face
Attracts me like strange music!
...But thinking of physical pleasures,
A lover passes by, uncaring..."
Compare that to Stanley Appelbaum's translation (found in Verklarte Nacht and Pierrot Lunaire, Dover Publications):
"You moon, gloomy and sick to death
There on the black cushion of the sky,
Your eye, so feverishly enlarged,
Casts a spell over me like a strange melody.
...The lover, who in ecstacy,
is going off, carefree, to this sweetheart..."
This could be argued as an unfair comparison because the Appelbaum's translation is from the German translation from Giraud's text, but still, you can see how Richter's text lacks a singing quality, it feels "rushed", and the moon the does not really come out, where there is never a breath between the lines. If you are not convinced, here is another example, this time comparing Richter's text to another French translation. These are parts from Richter's translation of Sunset:
"The Sun has slit its veins
On a bed of russet clouds:
Its blood, through gaping chasms,
Sprays out in crimson fountains.
The agitated branches of the oaks
Convulse the crazed horizons...
...Like a Roman debauchee
Overcome with loathing
Who lets his sickly lifeblood flow
Into the filthy gutters..."
Now compare that to John Porter Houston and Mona Tobin Houston's translation (from An Anthology: French Symbolist Poets, Indiana University Press):
"The sun has cut his wrists
On a bed of reddish clouds:
His blood, through gaping holes,
Spurts in red fountains.
The oaks' convulsive branches
whip the mad horizons...
...Just like a delicate debauchee,
after the Roman Shame,
a debauchee allowing his sickly arteries
to bleed into filthy sewers..."
From looking at this comparison between Richter and the Houstons, I find Richter's choice of words and placement in poor judgement, lacking a musical harmony that constantly misses the point of the illustrative details of Giraud's text. Richter, in his treatment to Pierrot, is either over-simplifying or over-complicating (by not paying attention to connotations, and the different degrees of effectiveness of words that share the same meaning) or doing both at the same time; it feels frustrating. The other two fantastic translations I have pointed out by Appelbaum and the Houston's treat Pierrot with a sincere diabolicalness; in their versions, you could feel the quietly clandestine moon flowers' rage because Pierrot, the moon, the Madonna, the tides, the blood...are all written in details that let the mind wander freely in Pierrot's landscape. Richter's version puts the mind in a mental boxcar: get to one poem, stop, and then quickly get to next one. I suggest to wait until someone else will translate the whole Pirrot Lunaire series and skip this book, or rather perhaps write letters to Dover and Mr. Appelbaum, or the Houstons and plead to them to offer a new translation of Giraud's mad text.
(I apologize for speaking abstractly, but when your talking about what is musical, often it is difficult to not get abstract.)
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Well-researched book on a contentious subject.Review Date: 1998-04-27
A fair and surprising look at the bombing of Hiroshima.Review Date: 1996-05-28
In Codename Downfall, Allen and Polmar accomplish an amazing feat. In a book describing U.S. President Harry Truman's decision to use the atom bomb, they make the world's only nuclear attacks seem almost unimportant.
Fifty years have passed since U.S. bombers annihilated the Japanese cities of Hiroshima and Nagasaki, but those events have been debated frequently and furiously ever since. Using insightful research the authors paint so terrible a picture of the Pacific war's escalating destruction it even dwarfs the instant vaporization of two complete cities.
Downfall does not linger on the classic numerical comparison of lives lost to nukes versus invasion. Instead, the authors provide a sweeping account of the Allies' efforts to liberate or capture island after island in their determined drive to seize the Japanese homeland and stop the Japanese war-making ability.
Both sides expected a full mobilization of every Japanese citizen to fight what would be the largest invasion of all time. As Japanese generals preached about "100 million souls" all dying together, the American leaders searched for any alternative to the "decisive battle" as the Japanese military referred to it. The book described how the U.S. leaders grasped at the atomic bomb as a last, desperate hope to avoid this bloody climax their enemies thirsted for.
By the end of the book, the reader no longer wonders why Truman dropped the Bomb, but how the Japanese leaders could refuse the mercy of a peaceful surrender. Responsibility for the bombing finally rests squarely on the shoulders of the Japanese "cabinet."
Codename Downfall gives a fresh and convincing perspective on a very old question.
R. Day: May 29, 1996
The Actual Plan to Invade Japan Review Date: 2004-10-04
Not so fastReview Date: 2001-12-13
I do believe the book dwelled overly on the wildly varying estimates of casualties, but this entire futile pursuit misses the central point of whether the invasion would have been bloody enough to rationalize dropping the bomb. After Okinawa, Iwo Jima, and other island invasions where nearly every Japanese defender died rather than surrender, where kamikaze attacks were orchestrated rather than impulsive, it looked far more than likely. The unanswered moral question is how many American lives were worth how many Hiroshima or Nagasaki Japanese lives.
There are several points that the authors focus on refuting, the key one being that Japan was on the verge of surrender or a negotiated peace. The new piece in the puzzle, according to the authors, is the Japanese messages we decrypted during the war and did not declassify until the 90's, showing Japanese insincerity and duplicity in its peace feelers. Also, a negotiated peace may have been difficult for Americans to accept in light of bitterness over Pearl Harbor, an attack which may have ironically proved to be Japan's most collossal error.
Another interesting argument is that Truman did not see the bomb as an alternative to invasion, but a supplement. Although coupled with the Russian declaration of war, the bomb's success, and perhaps its cruelty, came as a surprise.
That said, this book falls short of the similarly-named but far more comprehensive Downfall: The End of the Imperial Japanese Empire by Richard B. Frank, which I recommend reading first.
A Very Poor Effort at HistoryReview Date: 2001-11-09
For readers who expect a lengthy discussion and analysis of the US invasion plans, this book is a great disappointment since the authors never discusses the plan in detail. The two sketch maps that depict the US plans "Olympic" (the landing on Kyushu) and "Coronet" (landing on Honshu) depict only US corps-level invasion areas; neither inland objectives, scheme of maneuver or Japanese dispositions are depicted. The orders of battle in the appendix are very generic, listing only US corps and divisions, and no Japanese units are listed. Air units are ignored. The three US corps commanders for "Olympic," generals Schmidt, Hall and Swift, are never mentioned by name. This could have been a great book if he had discussed the units involved on both sides (eg. which units were veteran units and which were untried), the terrain (obstacles, key terrain, avenues of approach), the commanders on both sides, logistics, etc. and discussed the likely timelines of US progress using phase lines. However, the actual account of US invasion delivered by this limp account is overly generic and hence, virtually useless.
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