Southwest Books

When this book showed up in the stores I ignored it for a long time, assuming that it was just the history of one army ammunitions depot--and how interesting could this be? But it turns out that this is a first-rate social history, taking place at the intersection of some major subjects of great interest to many, such as Native American culture and World War Two. The Navajo Depot was built near Flagstaff because it had to be on a major railroad line and able to serve West Coast ports, but be safely far from Japanese bombers. By chance this placed it near the heartland of the most vibrant Native American cultures. Thousands of Native Americans worked on the base, including a noticable percentage of the Hopi tribe. Most Native workers were Navajos, and they even built their own hogan village, and they continued some very traditional ways. Many white workers walked straight out of a cowboy movie. The mixing and mixups of white American and Native American cultures on the base are rich in cultural lessons and colorful characters and stories. (For example, R. C. Gorman--the future artist--grew up on the base). Then add a large group of Austrian POWS, and you have all the makings of a 'ship of fools' sort of journey with all its unlikely passengers interacting in unlikely ways. Some of the book's stories are quite entertaining. Portions of the book take place in nearby Flagstaff, but you don't have to know Flagstaff to enjoy this part too, for Flagstaff is typcial of Old West frontier towns and Rt. 66 towns and railroad towns, and some of the social pressures felt in Flagstaff, such as housng shortages and labor unrest, were typical of much of America in the years of World War Two. But there's much that makes this book unique.

Magnificent historical detail including geologicaland cultural interests. Anyone with the smallest interest in Arkansas should read this book. Not that much has changed there since 1945 when the book was finished. Unusual insight into that (and this) place and time by an erudite artist.

I live in the area near the San Tan Mountains so it was really nice to read about what it had once been. I also enjoyed the pictures... especially the one of the Snow covered San Tan's!

I saw the largest collection of this pottery while in Silver City, NM and wanted a book about it. This is a great reasonably priced example of mimbres art and is suitable for framing (after you remove from book). In the meantime I'll try not to get tatoos of the geckos.

Years ago, when preparing for my 50-state road trip I'd purchased a load of travel guides to help plan what to see in each state. The guides satisfied me until I stumbled upon the first ART OF STATE book in Iowa and quickly purchased all the other states available. This curious book series made all other travel books pale by comparison. Deceptively small, slim, lightweight and light read, these books pack a punch of meaningful, inspirational information. Beautifully designed and written, they are thoroughly engaging and a joy to read--like finding an ancestor's scrapbook or diary in the attic and reading a fascinating family heritage while peering over images of a buried past. Each author must be a native or a deliberate transplant, for they tell each state's story lovingly, with a deep appreciation of the state--and not just its good features, but the blemishes, too, described evenhandedly. Photographs of architecture, landscapes paintings, crafts and memorabilia complement the words. Each book presents the state's history, climate, landscape, traditions, symbols, recipes, must-see destinations and a statewide calendar of events. I've purchased all the books in the series (20 of the 50 states as of 2007). If your budget won't allow you to buy all 20, at least buy two: one of your home state and one of your adopted state. You'll be amazed at what you discover.

I apologize for raving so much about THE ART OF STATE series, but it was such a find, like discovering a diamond in a sea of glass. I can't help but gush.

Now, about the Oklahoma edition. Each book in the series has a wallpaper design on its inside cover: a background color, unique to the state, dotted with a state motif. I try to guess what the wallpaper will be before opening the book. Sometimes I guess correctly, but not often. Oklahoma's motif is an oil derrick set against a burnt orange background. (I'd expected a cowboy motif since Oklahoma has more cowboys per capita than any other state and a red background because of it's red earth. But I was wrong, again.)

The Oklahoma edition exceeded my high expectations of all the ART OF STATE books. How did the author ever find such remote parcels of history and trivia? For example, the early 19th century English botanist, Thomas Nuttall, nicknamed "Le Fou" (French for "the crazy one") who traveled through Oklahoma in 1819 "rhapsodizing about the plant and animal life." Or, the "Uncivil War," when U.S. soldiers pulled out of Indian Territory to fight the American Civil War, leaving the Indians they had been protecting to fend for themselves. Many joined the Confederates as they were surrounded by Confederate neighbors, and caused a mini-Civil War between the tribes. The battle of Honey Springs in Oklahoma was the first time in American history where whites, blacks, and American Indians fought alongside each other. Not only did I learn more about Oklahoma, the famous Rodgers and Hammerstein's musical, Route 66's beginnings, and the state's famous sons: Woody Guthrie, Count Basie, Ralph Ellison, Gene Autry, and Will Rogers (a Cherokee who joked, "My ancestors didn't come on the Mayflower--they met the boat."), but I learned a great deal about the art, history and the landscape of the state. For example, Oklahoma, a landlocked state "without a single natural lake has more shoreline than the Atlantic and Gulf coast, combined," due to its numerous public works efforts, specifically the dams. And the "empire of grasses," Oklahoma's three distinct types of prairie grasses. I enjoyed the story of the land runs, the oil rushes (and their unique lingo), and the dust-bowl exodus. The wild characters, such as "Alfalfa Bill," a kooky governor who championed alfalfa farms. The Trail of Tears story broke my heart, as did reading about the treatment of American Indians who lived in Indian Territory before it became white man's Oklahoma. When it did become a state, however, its 1907 Constitution was strongly populist "packed with provisions for direct democracy, employee and consumer protection, and corporate regulations"--hailed as "the most radical of state constitutions." It took three days to read it out loud for ratification. For all its uproarious land rushes, oil gushers, cowboy and American Indian tales, art and song, Oklahoma is a a great read. When author Edna Ferber researched the history for her novel Cimarron, she tossed most of it out because the stories were just" too fantastic" to be believed. That's Oklahoma.

Compiled by art historian Kathleen G. Hjerter, The Art Of Tom Lea: A Memorial Edition is a simply gorgeous coffee-table artbook that showcases the black-and-white as well as the color illustrations of Tom Lea's drawings and paintings. Images of the American West, World War II, and the enduring vibrancy of nature are palpable in these historic and captivating images. A brief but informative commentary enhances this collection of outstanding visual images, with most of the pages being devoted entirely to superbly presenting Tom Lea's unforgettable work. The Art Of Tom Lea is a welcome and enthusiastically recommended contribution to personal and academic American Art History collections.

A book that encompasses all the Asians in Texas and throughly gives insight into what other cultures have been through and are today.

5 VERY BIG STARS

When one thinks of a Texan, one thinks of a big white guy with both a cowboy hat and belt buckle much larger than they should be. "Asian Texans: Our Histories and Our Lives" is here to point out a forgotten set of people - the Asian Americans who also have resided in Texas throughout its history. Covering notable and important Asian American Texans throughout the rich history of the state, "Asian Texans: Our Histories and Our Lives" leaves no stone unturned, making it highly recommended for any collection focusing on the impact Asian Americans have had on the country, and for community library American history shelves in general.

Featuring an informative foreword by J. P. Bryan, "At The Heart Of Texas: 100 Years Of The Texas State Historical Association, 1897-1997" by Richard B. McCaslin is a definitive history of the institution dedicated to discovering, collecting, preserving, and publishing historical material pertaining to Texas. Founded on March 2, 1897, the Texas State Historical Association has been instrumental in saving material relevant to the history of Texas that would otherwise have been lost to future generations of scholars and appreciative citizens. A professor of history at the University of North Texas and a Fellow of the Texas State Historical Association, Richard McCaslin brings a special expertise to his text that he has enhanced with the inclusion of sidebar vignettes, and an epilogue bringing the history up to date, illustrations, appendices, a bibliography, and an index. A seminal work of scholarship in its own right, "At The Heart Of Texas" is a core addition to Texas state history collections and could well serve as a template for other state historical associations in developing histories of their own.

The service was prompt and was glad to get the book. I have relatives in this book so was glad to find more for geneaology.