Louisiana Books

I gave this book to my future sister-in-law for a shower present. I love it. I have made many of the receipes.

I can only echo the previous reviews! This cookbook was given to me as a gift 30 years ago when I was living in New Orleans. It is tattered and torn and my most cherished cookbook. Everything is wonderful. I have just ordered two copies for friends.

This, my most treasured cook book, was a gift from my beloved New Orleans mother-in-law in 1972, the year I began law school at Tulane. I know for a fact the Garden District and Uptown Junior Leaguers submitted these recipes from their fantastic family cooks and from the "back room" at Antoines. With these can't- fail recipes, you can prepare incomparably authentic and delicious New Orleans cuisine. I live in California now, and last night I did the Plantation Cookbook's extraordinary crayfish etouffe' with whole, frozen crayfish I found at Ikea of all places!

This cookbook has lived in my kitchen for over 12 years and has survived several moves and a flood. It provides excellent recipes for classic New Orleans and South Louisiana cuisine. The directions are easy to follow and the variety of recipes will never leave you without choices of what to have for dinner - be it a family affair or a formal occassion. Also, you can find the ingrediants for most of the recipes regardless of where you live. I've made my favorite dishes while living in four different states. (don't miss the recipe for banana-nut bread)

This cookbook provides the foundation for more recent cookbooks that feature New Orleans style cuisine. And as previously noted, it also gives you a wonderful description of many famous Louisiana plantations and New Orleans homes.

Every single recipe in here is perfect. I have made about 95% of the dishes and if you follow the recipe exactly your dinner party will be a smash!

I have all of the River Road books and this one is the best of the series. It is not only beautiful, with colorful picture, but it has a durable hard cover to sustain a long life. I can't wait to try the wonderful recipes inside.

This is my new favorite cookbook. Everything I have made from it has been wonderful. I especially love the recipes for crawfish pie, pecan praline bacon and spinach salad sandwiches. Plus it is a beautiful book. This is a must for all Southern cooks!

I came into this marriage with a husband who had his own river road cookbooks. And a mother-in-law on the committee.... (who hates to cook- guess???) and I LOVE the first, despite the plastic comb, like the second, really appreciated the 3rd, (but healthy and cookbook don't go that well together), and this is a beauty.

I LOVE the hardback, killer format. The photos, and ESPECIALLY the stories. But come on you guys, it is starting to really LOSE the regional flavor that made the first so great. And ASIAN??? I mean, yes, you can get great Asian food almost anywhere now, but I buy regional cookbooks for the regional flair- thus knocked off one of the stars...

what I REALLY WANT to see is a 'BEST OF RIVER ROAD' with all the glitz of the last cookbook, and all the HEFT (number of regional recipes, I have enough Lasagna thanks very much) of the first.... PLEASE

This new River Road Recipes is absolutely beautiful! The pictures are gorgeous and the text reads like a Louisiana traveloge. The recipes are new and current but still reflect the types of food people like to eat in Louisiana. Not the same old gumbo recipes but no weird ingredients you have to look up either. We are loving it.

This is a truly wonderful cookbook. It looks beautiful, is laid out well, and most importantly, has lots of terrific recipes. The recipes are not difficult, the ingredients are generally easy to find, and yet they all have that special flare that great southern cooks are known for. I'm buying a second copy to give to my sister-in-law. It is a great addition to your cookbooks and makes a great gift.

Does "Scottsboro: A Tragedy of the American South" need any more 5-star reviews to convince readers that it may just be the best historical account of an American tragedy ever written? More than seventy years have passed since nine blacks were wrongfully accused of raping two white women on board an Alabama freight train and the event still rings in the ears as if it happened yesterday. Professor Dan T. Carter has remained the preeminent expert on the Scottsboro case for more than thirty years and his extensive research is evident in this book. Never dry or dull, Professor Carter guides the reader through a harrowing story that must be read to be believed. If you're not familiar with the Scottsboro case and its important role in American and more essentially pre-Civil Rights history, this should be the first book on your list. I also recommend James Goodman's superbly written "Stories of Scottsboro" and Quentin Reynolds' "Courtroom," the biography of Scottsboro defense attorney Samuel S. Leibowitz.

Too often books come and go, getting barely a mention, then fading into obscurity. Others, such as University of South Carolina Professor Dan Carter's 'Scottsboro', make reading both a blessing and a curse. To elaborate, this is not the sort of book one can read and not bite your tongue at the profound tragedy that marked the Scottboro trials and their legacies. You will shake your head in disbelief, want to argue, and, ultimately feel your blood pressure rise on more than a few occasions.

Carter's prose is excellent, well reasoned, masterful. His sources are tremendous, though one needs to consult his dissertation (UNC-Chapel Hill) for the complete listing. In the revised edition an interesting conclusion to the final proceedings is included, lacking none of the dramatics and eccentricities of the original trials decades before.

'Scottsboro' cannot be recommended highly enough. This is history written the way it was should be.

It is hard to imagine that such an terrible injustice could have occured in a country that prides itself on "justice for all." Dan Carter does a meticulous job in presenting us with one of the most engaging and informative books on the Scottsboro case I have ever read. As a pre-law and African-American history student I was thoroughly impressed and I recommend it to anyone regardless of their interests.

I love reading history books, especially when they read like a novel. Carter has produced a detailed account of this nearly forgotten episode in American History and he has done it with so much energy that one can not help but be swept up in his telling of the story. He traces the episode from its hobo origins. A freight train that carried two women and several black young men was stopped. The women, when taken from the train accused all the black men of rape and from here the stories of these rail riders takes off. Working with facinating material, the segregation of the deep South, the idea of a woman's honor, the Communist and NAACP rivalry over the case, the Jewish NYer who comes to represent the boys, the racist judges and the status quo governor and the one judge who martyrs his carreer to stand up for what he believes is right,Carter shows that the tale of Scottsboro is stranger than fiction. Not only is the story itself excellent, but Carter also brings the story up to date. For anyone interested in this time period, this is a must read!

Dan Carter has done a superb job in this study of the miscarriage of justice that took place in the Alabama of the 1930's. His picture is so complete and enlightening and he has attacked all the issues from all sides. If you want to get a very different picture of the atrocities capable in the U.S. of the 20th Century, read this book. I could say so much more.....

Lawrence Powell set out to write a book about the David Duke phenomenon, about how a KKK leader and Nazi could sit in the Louisiana legislature and run for the U.S. Senate as a Republican. But work on the book took him in another direction after he interviewed Anne Levy, a Holocaust survivor who confronted Duke in the state capital. Captivated by Levy's story, Powell has produced a terrifying, poignant and finally a triumphant book about the Holoaust as witnessed through the life of one of its survisors, Anne Levy.

Troubled Memory is a beautifully written and tender account of a personal story that stands as an intimate history of Hitler's final solution. Powell's prose will carry you into the Warsaw and Lodz ghettos and into the vegetable bin where 6-year-old Anne and her sister hid from the SS. This is a book that makes the Holocaust relevant to every reader. It will fill you with horror and wonder, and it will move you to tears.

I am a student at Tulane University and have taken a seminar with Dr. Powell on the Holocaust. This book is the last book that he included on the syllabus for the course, and I understand fully how and why he wrote this book. At first I was a bit leery of his inclusion of his own work in the course, but the work is a great synthesis of traditional Holocaust study and how it pertains to American (particularly Southern) culture today.

The first half of the book largely provides a survey through a personal account of the sociopolitical landscape of World War II-era Eastern Europe: the reasons that the Holocaust occurred, bystanders, perpetrators and victims psychological profiles, as well as giving a very readable human interest story of the narrative of this one particular family. The second half picks up where most Holocaust narratives leave off: the post-war years, the family's emigration to America and the challenges that they faced in New Orleans as Holocaust Survivors, and finally, Anne Levy's battle against David Duke and the formation of the Louisiana Coalition against Nazism and Racism. The first half of the book is essential for understanding her drive in the second half of the book, and Dr. Powell does an excellent job in connecting traditional and new scholarship on just how frighteningly close Louisiana came to David Duke's authority and how important it is to be aware of the ideals that the Louisiana Coalition and Anne Levy espouse.

This book is written in a highly readable manner: the diction is not overly dense nor confusing and the personal story allows non-scholars to enjoy the material as much as a student of history or politics would. It is very obvious that Dr. Powell put an immense amount of personal effort and dedication into this account, and his contribution to the historical documentation of the Holocaust and its impact on contemporary society is a testimony to his skill as a historian.

Troubled Memory is the story of the Skorecki family, which survived the Hoocaust by escaping from the Warsaw Ghetto and going into hiding, intertwined with an accessible history of the Warsaw Ghetto. But is is also the story of Anne Skorecki Levy, 45 years later and transplanted to Louisiana, deciding that she doesn't want Klansman and Holocaust denier David Duke to become the governor of her state. On all three counts - as a tale of survival during the Holocaust, a history of that time and place and the story of little Anne Levy's dogged pursuit of the bigshot politician during his election campaign - the book reads like a taut thriller, a real page-turner from beginning to end.
In its linking of the Holocaust in Poland with the troubled racial history of the American South, Troubled Memory is reminiscent of Styron's Sophie's Choice - except that this is fact, not fiction. It's a compelling, genre-busting book that is not quite like anything you've read, and it leaves you both feeling good and with much to think about.

This story chronicles the survival of small Jewish girls who were hidden in an armoire by their desperate parents in the closing days of the Warsaw ghetto. It easily matches the personal resonance and innocent terror of the far more famous Anne Frank Story.

Even after their final liberation as perhaps the only intact nuclear family to survive that infamous ghetto, the Skorecki family was due one more date with history. Survival, it turns out, was the story within the story. Little Anne Skorecki Levi, the little girl who survived by staying silent inside that armoire struck a blow five decades later for Jewish survival by speaking out against Louisiana's Neo-Nazi gubernatorial candidate David Duke, and helping to engineer his electoral defeat.

This account of Anne's travel along the arc from victim to victor is an inspiration and a reminder that each of us can and must preserve our collective memory, however troubling.

I read books on the Holocaust to try to understand the times, the mileu, the horror, and the suffering. After more than 20 books, I realize that I can only scratch the surface. I will, however, never stop reading because of my fear that someday the deniers and the downgraders might get the upper hand.

Thank you to the the author and Anne Skorecki Levy for relating a story that is very, very moving as well as insightful and timely.

I was surprised that this item was once owned by a library, I hope it wasn't a book that someone forgot to return. Other than that it is a very interesting book.

We as Freemen describes details and history of Plessy vs. Ferguson that my history books had overlooked,,,and I was an American history student in college. We as Freemen is an effective lesson in race relations, legal history, Supreme Court history, Reconstruction history. The reader knows the outcome of Plessy vs. Ferguson case, but the book reads with a compelling story up to the fateful decision. The characters don't know what will happen, and Mr. Medley describes the Supreme Court changes that they must consider,,,you almost forget the historical outcome and keep reading to find out what happened. A scholarly read that I recommend to anyone who enjoys history or period books. With the pending changes at Supreme Court right now,,,this is surprisingly relevant right now.

"We As Freemen" is a book that reminds us that the names impressed on our court cases were people with professions, families and all of the messy problems of ordinary life. The author draws on original documentation to illustrate the pains of the free and newly free Black populace as they watched their liberties curtailed or removed entirely. It was interesting to read the precise legal choices of the Comite des Citoyens as they moved to ensure that the charges against Plessy be properly drawn (This was reminiscent of Taylor Branch's "Parting the Waters"). The text is clear and dramatic. It could easily serve both as a warning of how freedom is lost and as encouragement for anyone seeking a roadmap for change.

I enjoyed this book so much that I read it in about 6 hours. Medley provided tremendous insight that helped to explain the context in which the case unfolded. Oddly, the descendents of some of the players are still alive and well in Louisiana. Fortunately, so is the fight for equality and justice!

This book was the perfect read on the 50th anniversary of Brown v. Board of Education.

Long before Rosa Parks refused the disrespectful order
to go to the back of the bus in Montgomery, Alabama,
came Homer Plessy, the young shoemaker who knew he'd be
arrested for refusing to leave the "whites only" car on
the New Orleans railroad. He refused to go to the
segregated car in order to make the point that the law
was cruel and unjust. A federal case was made of it,
and in the end, the US Supreme Court made segregation
the law of the land for the next 53 years. The high
court ruled that "separate but equal" was fair and
equitable but history has proven there was nothing fair
nor equal about that decision. History also proves
there was no justice in that high court opinion and no
wisdom or sense of human rights residing with the
Justices who issued it.

In "We as Freemen," Keith Medley uncovers the rich and
intriguing history of the personalities who fought for
equality 30 years after the Civil war ended, but
generations before U.S. rulers ended legal
discrimination based on skin color. In carefully
crafted prose, the author is apparently the first
researcher to explore the character, mores and lives of
the long forgotten men of the Comité des Citoyen
(Committee of Citizens) who planned and carried out the
peaceful challenge to Louisiana's Separate Car Act of
1890. Homer Plessy did not suddenly challenge
segregation. In a story well-told, Medley turned up
primary research found in dusty nooks and crannies, and
church, library and cemetery logs around New Orleans,
which is his hometown. He describes the efforts of
businessmen, lawyers, educators, and artisans to stop
segregation from taking hold in the South. They
conducted their campaign while the forces of reaction
were regaining political control after the Civil War.
The Comité aimed "to obtain a United States Supreme
Court ruling preventing states from abolishing the
suffrage and equal access gains of the Reconstruction
period that followed the Civil War."

Medley manages to summon Homer Plessy from the
obscurity Jeremy Irons identifies in his "A People's
History of the Supreme Court" (Penguin: 1999) with new
research that portrays Plessy as a quiet, hardworking
man anxious not to be treated disrespectfully because
of his heritage and skin color.

Like the U.S. Supreme Court's 1857 Dred Scott decision,
which barred slaves and their descendants from
citizenship, the high court's decision in Plessy vs.
Ferguson was demeaning and hurtful to millions of
people. The high court decision in Plessy divided the
population, causing widespread suffering. For this
reason, it is useful to recall the dark side of Supreme
Court history and to appreciate that the Justices are,
for better or worse, political appointees who often
press their own viewpoints, which tend also to
represent the narrow views of the class of politicians
who appoint them. Or as Irons put the Plessy decision
in context, amid growing strife "the Court remained a
bastion of conservatism, earning this banquet toast
from a New York banker in 1895: 'I give you, gentlemen,
the Supreme Court of the United States- -guardian of
the dollar, defender of private property, enemy of
spoliation, sheet anchor of the Republic.' "

In 1857 and again in 1896, the Supreme Court inflicted
upon the public the views of Southern plantation owners
and thuggish ideologues, a tiny but disproportionately
powerful part of the population.

In short order, the Comité "formulated legal strategy
while raising money from the neighborhoods of New
Orleans, small towns throughout the South, and in
cities as far away as Washington D.C. and San
Francisco" and published their views in the African-
American daily, The Crusader. Medley documents the
heroic role of The Crusader in the battle for human
rights in the humid South. The Comité held popular

rallies, and did all anyone can do within democratic
structures to organize resistance to the dark era of
ignorance spreading through the legislatures, town
halls and courtrooms controlled by rich white American
men across the South. (Women would wait another
generation to win the right to vote.) And, it would be
more than five long decades before the wrongs of the
high court's Plessy decision would be reversed, in part
due to arguments put forward by then lawyer Thurgood

Marshall to the high court sitting in 1954. Marshall
argued the case in conjunction with the re-awakening
across the land of the persistent struggle for Civil
Rights.

I highly recommend Keith Medley's "We as Freemen" and I
particularly like that he was able to locate
photographs portraying those who fought bravely but
lost a key round in the struggle for human rights.

Fritchey does a masterful job allowing the general public to view the deception that has gone on with so-called conservation organizations in the Gulf, and Atlantic, in order to achieve their selfish re-allocation objectives. From making commercial fishermen red herrings for the "alleged" slide in fishery stocks, to the ouright grab of resources for themselves, these allocation organizations have lied, perjured, and extorted the public's resources right out of the public's reach. In so doing, they have driven a wedge between the user groups, and deprived the non-fishing public access to the most regulated fishery resource in the world. Meanwhile, the marsh habitat that these resources depend on are being lost at an ever increasing rate daily. A truly spectacular job connecting the dots that have led to the ruin of many hard working, tax paying, American fishermen, and have left the marsh habitat they depend on in sad shape. Britton Shackelford

Wow, what a great book. It is sad that this is an account of true events. Unfortunately, these events are still taking place all over America's coastal states. Wherever Exxon's faux conservation group the Coastal Conservation Association shows up, they make it there mission to destroy the commercial fishing industry, and reallocate fish stocks to their wealthy membership. With Exxon's record profits and friends all the way to the white house it hasn't been hard for them to do. The argument the Coastal Conservation Association uses, is that more money is generated by wealthy sportfishers then by lowly commercial fishers and seafood consumers. Therefore all fish should be protected for their membership's exclusive enjoyment. Sounds simple, but this puts thousands of people out of work and denies the consumers their right to the fisheries resource.
This is truely a David and Goliath story. David being the inshore finfishermen whom represents the Free American Spirit that refuses to die and Goliath being Exxon who represents corprate greed.
Read this!
I Understand the sequel is being written as I type this. Can't wait for it to come out!!

I'm doing a research paper for english and I chose the net ban as a topic. My father used to be a commercial fisherman on the Florida coast. He was put out of business after the net ban was put into effect in 1995. He's always had theories about why the ban was passed. He read and loved the book Wetland Riders and with his information, and the facts I got from the book I was able to write a strong paper against the net ban. The book was great and was a lot of help. Anyone who's been affected by Net limitations in any state should read this book.

I'm Robert Fritchey, the author of "Wetland Riders." I fell in with South Louisiana's traditional coastal finfishermen in 1980, deciding after graduate school that I would earn my living only from renewable resources. A lifelong sport fisherman, my addiction to fishing and the outdoor life led me to the Bayou State's rapidly vanishing coastal marshes, where I earned my livelihood netting redfish and other wetland-dependent species of fish through the 1980s.

"As the 1980s opened, fishermen worked freely, under few restrictions other than those imposed by nature," I wrote in the book's preface. "But earning a living as an inshore finfisherman became progressively more difficult--and finally next to impossible. What happened?"

"Wetland Riders" details my own search for the answer to this question. But my interests were more than academic--in 1988, Louisiana's anglers--prodded by a Texas-based sportfishing organization which has since gone national--claimed the redfish for their own exclusive use. By taking the fish from us fishermen--and the seafood markets and restaurants--the sportsmen began to devalue Louisiana's threatened coastal wetlands. I wrote "Wetland Riders" as an educational tool, to circumvent a biased media and inform the public directly, as a prelude to getting back our fish.

Equipped with my experience as both a sport and commercial fisherman, I investigated the escalating fish fights between the recreational and food-producing industries which, I learned, were occurring around the coasts of America.

I also learned that the underlying cause of the sportsmen's aggression against our traditional seafood harvesters lies deeply embedded within our emotional human nature. In the book's introduction, I quoted a true sportsman, a Texan who-- in the 1930s--also sought to quell the destructive friction between these two environmentally important industries: "When the average sportsman sees a net fisherman make a good catch he is overcome in many cases with a feeling that must be experienced but cannot well be described." That feeling, unfortunately, is envy, an emotion that can easily overpower rational thought.

The number of recreational fishermen began to steadily increase following World War II, and exploded during the 1980s and 1990s, as financially successful Baby Boomers and their children took up fishing. A critical mass of these anglers have proven more than willing to be organized into a political movement which imperils our domestic seafood industry.

As old Claude McCall--one of the 7 net fishermen that I profiled in "Wetland Riders"--explained, "There needs to be regulation, but not the kind we have now. The management that's being used now just tries to knock the commercial fisherman down. We'll wind up with almost no domestic production of seafood; it'll all be imported.

"How about if we get in a war and can't get imports? We'll have to eat steak, I guess."

In the chapter, "It's Not Me, It's Him!," I revealed that, "The collective impact of great numbers of recreational fishermen, each landing just a few fish, quickly adds up." Indeed, virtually every species of fish that is currently defined as "overfished" is being harvested by both recreational and commercial fishermen. And data presented in this chapter reveal that, in many fisheries, the recreational sector is responsible for harvesting a far larger slice of the pie than the food-producing sector!

As I investigated why this fact is not publicized, I described in "The `Con' in Conservation" the first attempt by a media conglomerate to expand their "educational program" beyond the sportsmen, to 30 million members of the general public. The campaign typified the recreational media's tactic of focusing blame on our family fishermen while avoiding any responsibility by sport fishermen.

In "The Recreational Fishing Industry: Something of Value?" I deconstructed the incredibly diverse recreational industry that is displacing our traditional commercial fisheries. Many of our commercial fisheries are centuries old, and predate recreational fisheries. They have achieved sustainability by merely harvesting fish which they send out to consumers in urban areas, thereby bringing only money into their rural communities. The tourism-based recreational industry, on the other hand, brings people into coastal communities which spurs coastal real-estate development.

The co-existence of both industries leads to a natural tension, a sort of two-party system where each "party" limits the impact of the other, though in different ways. As we go to a one-party system, the astute reader may envision the future of these old fisheries.

In "Conservation Through Use: Resource Management for the Twenty-First Century," I advocated sharing hotly-contested finfish species on an equitable basis, and cite the precedent for such an action. Upon the increased allocation of fish that commercial fishermen and consumers would receive, I proposed a per-pound severance tax. Inspired by the self-reliance, resourcefulness and optimism of our inshore fishermen, I suggested that taxes on our product be used to establish a local, sustainable source of revenue for a stewardship action fund dedicated to slowing the loss of fishery habitat.

As noted in the update to the book's second edition, "1998: New Players, Same Game," sportsmen in the mid-1990s benefited from a multimillion dollar national "fish crisis" campaign, which eerily failed to mention any negative impacts by the vast sportfishing industry. Amid that backdrop, well-heeled sportsmen demonized and outlawed nets, destroying some of the largest traditional food fisheries in the country, including Louisiana's.

Mr. Fritchey drew on his background as a commercial fisherman and his impressive skills as a researcher to put together this compelling story behind the story of the so-called "fish conservation" movement that's become so popular with the mass media today. In Wetland Riders he's exposed this blatant resource grab for what it really is; a well-coordinated and well-financed assault on the U.S. consumer's right to fisheries resources that belong to us all. From consumer to commercial fisherman to someone who enjoys the ambiance of coastal communities without boardwalks and amusement parks and tee shirt shops, if you have any connection to the seafood industry at all you owe it to yourself to read this book.

It's important to know before reading this book that Kate Chopin belonged to a no longer used genre called "Creole Writer". The Awakening is very much set in New Orleans and there is frequent use of French or it's Creole equivalents. Fortunately, this Norton Critical Edition provided translations and other explanatory information as footnotes to the text. These aids were much appreciated.

Chopin is not a great American writer. However, she is very good. The plot makes for a compelling read and the ending is a delightful surprise. But what really struck me about this book was how modern, how relevant the story is. Edna's identity crisis, if you'll allow me to call it that, reminded me of very much of Saul Bellow's novella, The Dangling Man.

Bottomline: This book isn't for everyone, but the discerning reader will enjoy it immensely.

I read this book when I accepted a challenge to be more aware of the authors I chose to read -- i.e., deliberately read more books by women, by minority authors, and by third-world authors.

A friend recommended five books by women, all of which I loved. "The Awakening" is a fascinating look at women's place in society at a point in time when things are beginning to change. The female characters in this novel are not two-dimensional, moving about in silent submission to oppressive patriarchal authority; rather, they are presented as individuals with thoughts, desires, feelings, etc. of their own. While by today's standards this is not a revolutionary idea, at the time Chopin was writing, it was rather novel.

This book, then, served as a fascinating glimpse into a world that is past -- a world that was on the brink of change. Even if this were not a gripping story in its own right (which, by all means, it is), "The Awakening" would be worth reading simply for this social-historical vision.

This edition of The Awakening is a beautifully compiled work. I found it incredibly insightful as I used it for research papers in high school and college. The essays and criticism from Chopin's era are priceless. It was so helpful to have those along with the text, they really gave insight one could not find elsewhere. The Awakening continues to be my favorite book, this my favorite edition. If you are going to write a paper on this book or Chopin there is no other book that will help you more.

Saralee says
The Awakening is a part of many required reading lists and is also a fashionable choice for book club discussions. Why is this novel that was written more than 100 years ago relevant today?

During the 1890s, if you were a part of the well to do Creoles of New Orleans you spent your summers at Grand Isle - a resort for those who could afford it. Edna Pontellier is there with her husband, their children and their servants. As the story opens, Pontellier is on the beach with Robert Lebrun and her husband is deciding whether to dine with his family or if it would be more socially beneficial for him to spend the evening at his club. We soon learn that appearances and social position are what matters most to Pontellier's husband and as long as she abides by those rules, she will get along just fine. When she decides not to abide by the rules, the story becomes interesting and the book significant.

Kate Chopin was one of the first to write about women outside of their mandated roles as satisfied domestic companions. She boldly wrote about what a woman feels like who discovers sexuality and independence and it was courageous for her to write this book. Pontellier was raised as a Presbyterian in Kentucky and it was on a whim that she married her husband who was part of the Creole Catholic establishment. Her character enjoyed taking risks but was heartbroken with the consequences.

What did you think about Pontellier's relationship with her children? Was she selfish or bold by putting her needs first? What do you think she did that offended society most? At what age should someone read this book? How did you feel about Pontellier's last act of defiance? Did her character win or lose? Why did this book end Chopin's promising career as a writer? I recommend reading a text of The Awakening that includes both the context and criticism. The context will help you understand what all of the French phrases mean and also explain Creole society and the background in which the story takes place.

Larry's language
The Awakening is all about Edna Pontellier and her moral, sensual and personal growth and development. This 1899 novel by Kate Chopin is very modern in its tone and in its honest treatment of human feelings and emotions. While proper society in the 1890s was still very Victorian in its outlook and pronouncements, its citizens were human to the core, as Pontellier demonstrates.

She is trapped in a dull marriage in New Orleans in a social climbing, status seeking family where - instead of summering in the Hamptons or a mountain retreat - she and her husband and their servants vacation at Grand Isle. Like a good husband in that society, he leaves Pontellier each week to return to the city to make money. While he is gone, she enjoys the company of the other families in a social setting where rigid rules govern the proper behavior and emotions that may be expressed regardless of true feelings.

Pontellier's social rules instead are far more like a modern country club environment where certain manners are demanded, at least in public, until the lights are low, drinks are flowing or the spouses are absent. For Pontellier, these rules rapidly give way to her expression of her inner desires and thoughts.

What are the boundaries for an individual and for a society in the expression of personal desires? Was Pontellier only lusting in her heart or did she actually sin? Morally, is there a difference? Do you think modern authors like Erica Jong or John Updike treat sensuality and marital rules differently than Chopin?

This was a shocking novel in 1899 but today Pontellier's turmoil and dilemma would be neither unusual nor frightening and perhaps that is why modern man and woman usually succeed in handling these situations in a far better way than Pontellier.

Kate Chopin's "The Awakening" is the classic novel about women that "Madame Bovary" purports to be but isn't. It's not just a "woman's" novel, though, it perfectly (and poetically) captures the inner life of a solitary person who is forced to live for the sake of others. And while this has been a distinctly female position for a large part of Western history, it is a position that can be identified with by just about anyone in our current age of employee internet-use monitoring. This is a twentieth-century tale of discomfort with and reaction to antagonistic surroundings. For those of us who don't feel the need to procreate in an overpopulated world, Edna's (and presumably Chopin's) discomfort with children will make sense. For those of us who may not always know exactly what we want out of life, this story will strike a chord.

Kate Chopin's writing is deliberate but not labored. She is particularly successful at depicting ambiguity in a way which is highly descriptive and communicative. This is a skill which I can't praise highly enough, and it culminates in an ending which is absolutely perfect. While criticism could be raised against "The Awakening" as another apology for the suicidal artist, Edna's literal and symbolic escape is less pretentious than Harry's in "Steppenwolfe," nor as indecipherable as that of any of Joyce's creations. Kate Chopin's novel is truly a classic in the sense that it should be a part of any survey of American literature. The Norton Critical edition is the best way to go, too, with helpful biographical information and literary criticism. If you want a more enriching experience with this novel, I'd highly recommend this version.

Don't be put off by the title. This is not a story with vampires, it is not a horror novel. It is a mystery, a mystery in the tradition of crime fiction. Among its more important elements are a mixed-race protagonist named Wesley Farrell. Here's a protagonist with an interesting attitude, a five-year-old mystery---a shotgun murder, an attractive setting---Louisiana and New Orleans in 1939, great pacing and strong writing.

I've been to New Orleans, though not as early as the time of this novel, and if this isn't quite the way it felt, smelled and tasted, it should have been. Skinner has nailed the look, the feel, the ambience that makes New Orleans a very exotic locale. This novel offers up plenty of heat, tension, a little sex, some brutality, and the constant fetid rot of crime and corruption.

In 1934, toward the end of prohibition, the Coast Guard is saddled with the almost impossible task of trying to keep alcohol out of the United States. One of its officers is gunned down in the streets of New Orleans, in a murder that almost ends Wesley Farrell's life. For Farrell, sometime bootlegger and thief, his brief presence in the life of Coast Guard Commander George Schofield, is problematical, especially to Farrell. Most of his associates, business and otherwise look askance at his association, however tenuous, with law enforcement.

Five years later, Schofield's brother comes to town to try to solve the homicide. He begins to turn over some rocks. His actions not only threaten to Farrell's illegal past but are troubling to Farrell's conscience. He'd liked Schofield during their brief, if violent association, and he was again bothered that he'd done little to find Schofield's killer.

Larded with fascinating under and over-world characters in and out of politics and law enforcement, the dialogue rings true, the settings are correct and the overall effect is just terrific. This is a fine novel.

If you're a fan of detective stories, don't miss this book.

Well-plotted, well-rounded characters, dynamite dialogue, a unique setting (New Orleans in the 1930s), Robert Skinner's BLOOD TO DRINK is an outstanding book and a genuinely pleasurable read. It packs quite a punch.

Wesley Farrell is at his deliciously tough best, gun wielding, knife slashing, lady kissing, put-the-bad-guys-in-the-ground.

The intricate plot of gangsters, cops, organized criminals, alluring women, and crooked politicians is surprisingly easy to follow. Only a writer of Skinner's obvious skill can pull something like this off so easily, so deftly. This is one well-crafted novel I highly recommend.

It is certainly nice to be able to visit New Orleans in the good ole, bad ole days.

BLOOD TO DRINK is another fine entry in the Wesley Farrell series. As ususal, Skinner's storytelling is strong and his characterization of Farrell grows more complex with each novel.

But what impresses me most is how Skinner actually makes you feel like you are in the 1930's or at least the 1930's as we like to imagine the era.

Mystery buff or history buff, you'll love this book and the rest of the series.

Robert Skinner has penned another Wesley Farrell mystery for his readers. Hardboiled mysteries are not my cuppa, but historical mysteries are, and since I missed out on reviewing his last title Daddy's Gone A-Hunting, I decided to grab this one up. Even though the storyline is a little stronger than I anticipated, I'm glad I did.

At the beginning, Mr. Skinner gives us a quote from Nathaniel Hawthorne's The House of Seven Gables, 1851: "God will give him blood to drink" -- and so goes the story. Wes Farrell's world is in the south; New Orleans to be exact. The former rumrunner now runs a nightclub. His sweetheart Savanna Beaulieu, back from a sabbatical, owns one in the French Quarter, but she only has a small part in this mystery. The prologue takes us to September 23, 1934, when Louis Bras and his Hot Six Combo were raising the roof at the Honey Pot. Wes thinks he's minding his own business until a Coast Guard Lt. Commander George Schofield shows up looking for an anonymous informant. The night leads to a deadly conclusion, one that will come back to haunt Wes five years later. 1939: A T-agent (Treasury agent) by the same name of Schofield shows up asking questions about George Schofield in an attempt to get some answers to that night in `34. The T-agent doesn't know Wes was with his brother that night, so Wes is in the clear, except that he wants answers of his own. At the same time, an undercover cop is killed and Chief of Detectives Frank Casey, Detective Sam Andres and Negro Squad Detectives Merlin Gautier and Sergeant Israel Daggett take to the streets looking for the killer or killers.

In Blood to Drink, the reader will know who the killers are. The mystery to solve is: whom is the bone chilling, threatening voice that gives the orders. Wes Farrell mysteries are highly seasoned, suspenseful reads to begin with, but with bad guys like Mercer and Zottie it becomes an even more demanding read. The author, Robert Skinner, is talented in his ability to bring the south, during the thirties, to life. With a stroke of his pen, he creates an intoxicating atmosphere of inestimable, dynamic characters so rich in dialect and life that they ascend from his inscribed print. It isn't just a mystery; it's one of the most provocative paintings of the south I have read in a while.

In the thirties, it was easier to be white than black, so Wes Farrell, half Irish and half African-American pretended to be 100 percent Caucasian. During prohibition, Wes made a fortune as a rumrunner. Wes invested his earnings into legitimate enterprises like nightclubs and commercial properties. Just before the official end to prohibition made his occupation obsolete, a fight broke out in a club where he was drinking. Wes and a sailor managed to escape before the police arrived. His companion Commander George Schofield gives Wes a lift, but someone kills the Coast Guard officer. Wes flees the scene before the police can question him.

Five years later, Scholfield's brother, a T-Man, arrives on the scene to question Wes. He wants to learn the identity of the informant his sibling was going to meet on that fatal day. Feeling a bit guilty, Wes decides to help the treasury agent. They quickly learn that a Coast Guard employee was providing information to powerful gangs. Wes intends to uncover the identity of the double-crosser if he is not killed in the process of his investigation.

The fourth Wes Farrell tale, BLOOD TO DRINK, is the best novel yet in what is a fabulous historical mystery series. The plot is filled with 1930s regional atmosphere that provides the reader with a glimpse of the lives of Blacks during the Depression as well as a look at the seamier side of the era. With previous tales likes SKIN DEEP, BLOOD RED, CAT-EYED TROUBLE, and now this one, Robert Skinner shows he is a talented storyteller who makes history sing inside top rate crime fiction.

Harriet Klausner

The Brothers is a coherent and compelling series of autobiographical narratives, alternating among Art, Charles, Aaron, and Cyril. These perspectives are a valuable record of collective memory, as well as moving individual journeys. American culture from the late 1930s to the close of century informs and drives these voices: here is camaraderie and racism, love and alienation, spirituality and hedonism, cruelty and tenderness, peace and rage, cocky determination and chilling fear, triumph and despair--all related with a palpable frankness. Those of us born in the 30s and 40s will find parts of ourselves here; those born later will see how true it is that "past is present." Lovers of jazz, blues, early rock'roll, funk and r&b, and New Orleans rhythms will revel in the stories of contacts with the "greats." The street language may put off some readers. With all respect to those readers, I suggest their tolerance. It is no small thing that those who struggle with personal demons may find a light to their paths between the covers of this book. Over 300 pages, family photos, discographies, and an index.

This autobiography is actually a quartet of autobiographies as the essence of each of the four Neville brothers come alive in this book. The non-fiction focuses on the individual personalities, their personal take on music including their solo careers and group performances and recordings. It also Includes their evaluation of the last four decades of music especially in New Orleans and their personal trials and tribulations.

All this marks this non-fiction, as several cuts above the typical wave of rock and roll biographies that seem like perfect flavors of the month. Instead this tome provides a "Tell It Like It Is" feel that fans of the New Orleans sound will enjoy. Anyone who reads THE BROTHERS NEVILLE will seek other works by master music biographer David Ritz (see his works on Ray Charles, Marvin Gaye, and Aretha Franklin, etc.) as this reviewer plans to do.

Harriet Klausner

The Brothers is a extraordinary look at how music and culture nurture us and redeem us. The power of this book lies in the unashamed honesty of the Neville Brothers and the wisdom and confidence of the author to allow the brothers to tell their own story. Unencumbered by analysis or author's comments, the brothers simply present their stories while the author ties the threads together to show how the Neville brothers as individuals worked through their personal problems and came together as a family and a musical group. There is no other book that means more to me than The Brothers. Their story has helped me to make sense of my own journey as an American journalist and music critic living and working on the island of Trinidad in the West Indies.

David Ritz has helped many rhythm and blues musicians write their autobiographies, including Ray Charles, B. B. King, Marvin Gaye, Etta James, and Aretha Franklin. The characteristics that these books share is the sense that the subject is writing directly to you as you read, and that the bad times as well as the good times are revealed. If you are a fan of the musician, you feel like you have a better understanding of them once you've read the book Ritz helped them write.

The Neville Brothers' story must have been complicated to organize because there are 4 Neville Brothers, Art, Charles, Aaron and Cyrille. They tell their stories simultaneously, a paragraph or two by one brother and then a paragraph or two by another and so on. The story they tell is fascinating and often horrific! Violence, drug abuse, crazy characters, prison terms and danger fill virtually every page. These are fascinating lives to read about, but I wouldn't want to live them! Aaron and Charles seem to be the most forthcoming and the most sympathetic of the brothers. If you love Neville Brothers' music, you'll want to own this book!

THe Neville Brothers are a very solid unit.Great talents.this book takes them not only as a Group but also as People with feelings&outlooks.David Ritz does a Great job of doing books.always Interesting reads.this is a very complete book.long overdue on these greats.but better late than never.

Meet Ollie Ewin, the young Irish carpenter who narrates this book. Ollie is a troubled lad, who has hallucinations during the day and cannot sleep because of his nightmares. We first meet him as a lowly clerk in a supermarket and are made part of the terrifying past that haunts him. But the details are never spelled out and one can only guess at the outlines. Then Ollie goes to London and the whole story congeals and unfolds. Ollie blames himself for some of the terrible things that happened that time in London while he is unable to understand the others. He is caught in a swamp of vicious crime and it slowly drowns him. The story escalates until it ends in a nasty persiflage of justice.

First of all, the author shows courage in starting a book with events that make little sense, trusting that the reader will not give up on him. Secondly, he shows incredible imagination in placing us into the tortured soul of this young man and succeeding in making us feel it. And, in addition, the language is superb.

This is a must-read!

The voice of Ollie Ewing in Sudden Times is haunting, terrifying. With morbid curiosity and creeping anxiety,the reader follows Ollie's dark journey and witnesses his psychological disintegration.

This is not a novel that I would recommend because I "liked" it; it is a novel that is uniquely constructed and well deserving of recognition. Take a risk. Lock your door. Read Sudden Times....

Stunning in its raw power, this novel, unlike many other Irish novels, draws its power from its simplicity, rather than from lush description or the accumulation of details. Stripping language to the bare bones here, Dermot Healy draws the reader, without embellishment, directly into the confused mind of the main character, a carpenter named Ollie Ewing.

Ollie has just returned to Sligo, almost mute with shock from unspoken, terrible events which have befallen him while in London, where he has been working as a day laborer on construction sites. The narrative shifts back and forth in time and location, revealing Ollie's paranoia through flashbacks, brief scenes, and dialogue, which sometimes seem to have no context other than their revelation of his suffering. He is clearly trying to hang on to his sanity--and is only marginally successful--as he talks to the reader in quiet, almost confessional tones. Using unadorned, simple language, he describes things he sees that are not there and voices that no one else can hear. Never wasting a word, his earnest narrative forces the reader to share his thoughts while interpreting his state of mind.

Gradually, the reader learns of Ollie's almost paralyzing experiences in London, where he lived with a friend, Marty Kilgallon, in a trailer at an old construction site. Through Marty, Ollie learns firsthand about the protection rackets and extortion on construction sites, the common use of murder as a weapon of enforcement, and the unsympathetic judicial system. When his friend disappears and does not return for six weeks, Ollie gets caught in a whirlwind of violence and learns the true meaning of hell.

By the time he returns to Sligo, he has come to believe that there is a "glass sprinkler" machine, operating at night, which sprinkles glass over the streets of London, that the flecks in people's eyes are aliens, and that his own image in a mirror is someone imitating him. Though Healy's style is often difficult to follow, as the reader tries to piece together the events that are responsible for Ollie's current state of mind, Healy's use of detail is stunning. Casually inserted, bizarre observations about common aspects of life help create Ollie's inner life and illustrate his existential helplessness. The essential unfairness life, the power of chance, and Ollie's victimization catch the reader in a whirlwind of emotions, and his plaintive voice, crying out from all this, is unforgettable. Mary Whipple

Dermot Healy is amazingly talented. I have now read three books by him - 'The Bend for Home', 'Sudden Times' and 'A Goats Song' (still my favorite of the three). Each time I read him, I am stunned by how, well - perfect - his writing is. His characters tend to have lost thier minds (madness, drink, drugs,or some combination), and the line between what's 'real' in the novel and what the character is hallucinating is never clear. Why do they go about things the way they do? Well, because people do... Like many of Angela Carter's creations, Healy's characters are appealing and attractive, yet at the same time annoying and almost repulsive... In the end, the reader is offered no explanation of what went on - if the character himself doesn't know, how can he explain it to US? He told it to us the best he knew how, anyway. The books have some very undefineable beauty to them. I don't understand why Dermot Healy is not more widely recognised than he is.

One of the best books I have read this year is Jeffrey Lent's "In the Fall". So when I read the appraisal of this Author's work not only by Mr. Jeffrey Lent, but Roddy Doyle, and others, I thought the chance I was taking on an Author new to me was minimal. The man who wrote this book, Mr. Dermot Healy, has produced a work that will be on any short list of favorites from 2000 I will have. This book is unique and unconventional it is extraordinary. Some of the commercial commentators felt the need to go beyond what the jacket provides, and into events in the book. That decision was unnecessary, but thankfully it in no way detracts from the book. There are no simple explanations for this work, and were the story line known to you, because of the way Mr. Healy delivers his tale, little would be lost. This is a book that can be read and read again.

The book is written in the first person and that is about the only conventional aspect of it. The book is laid out in an eclectic manner. Actually it is presented in a bewildering pattern less structure that initially left me lost. Going back and reading a passage again does not help, because the subject of the book is lost, and the Author puts to paper the thoughts of what a person in the various frames of mind this individual goes through, would look like were thoughts visible. Once you get in step with the Author and his character everything makes sense, what seemed random is not, what was seemingly fragmented becomes perfectly assembled. This book does not say what it is like to feel a certain emotion; it causes the reader to feel as though he or she was experiencing the events themselves. The feeling when the book is read goes beyond the vicarious to something more akin to immersion.

The Author then demonstrates how masterfully and with what range he can craft language, how versatile he is, when, toward the end he lays down courtroom conflict between defense counsel and witnesses that is as well done as any such exchanges I have read. The dialogue is sharp, terse, and delivered in a hyperactive exchange. The Author demonstrates with ease what so many crime story pretenders struggle to produce and generally fail.

The book is brilliant, the Author a writer of incredible range, and he offers a reading experience you will not forget, and one that you will be hard pressed to repeat.